Ro(or well, my characterization of him) is both to me at the same time. Like I think when he gets attached, he gets attached Hard, though she's really not keen on admitting it most of the time. Yet, the prospect of being known or being left behind scares her so much he's always prepared to leave first because no matter what, he won't be abandoned. Not again.
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Dude when these two finally fuck ik quackitys gonna try n be gentle and Wilbur’s gonna get the biggest fucking headache lmaoooo
Wilbur either gets extremely confused, frustrated, or straight up starts crying tbfh
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“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.
Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'
Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.
We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.
But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.
And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)
Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.
Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.
Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.
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Oops.
While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.
Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!
So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!
Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!
They invited the Fentons to join them, of course.
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an excerpt of the kon & cass genderisms fic im very excited about but still nowhere near done with:
The idea of Kon looking like a girl is kind of absurd, when Cass first thinks of the word. It brings to mind Steph, first and foremost. Brenda, too, though. And others.
But some of Brenda’s friends were tall, or broad-shouldered. Some of them dressed like Kon. The thought brings with it a pang, as always; Cass wishes she’d gotten to know them better, before…
Before.
But anyway. Not the point. The point is, Cass has seen Barbara call people without skirts or breasts girls or women, sometimes, too. So maybe Kon looking like a girl isn’t as weird as he seems to think it is.
She hums, cocking her head to the side. “What is a girl?”
“Huh?”
Next to her, Kon blinks. He frowns up at the stars, then rolls over and props himself up on one arm, and reaches over to playfully poke her nose.
“Well, I dunno exactly. You were Bat-girl, weren’t you? Shouldn’t you know?”
But that isn’t because of any… kinship with the word. No… what’s the word? Affinity. No particular affinity. Or is it connection? Something like that. Regardless, Cass shakes her head. “Barbara’s name. I just kept it.”
“Oh.” Kon frowns slightly. “I dunno, either, honestly. I mean, TV will tell you a girl is someone who likes girly stuff, but that’s stupid, ‘cuz plenty of girls don’t like girly stuff, and I mean, I do like so-called girly stuff, I guess, like knitting or baking, and I’m not a girl. So…” He shrugs, rolling back over onto his back. A moment later, though, he picks his head up and peers at her. “Are you—is this—I mean, are you trying to tell me you’re not a girl?”
The way he holds himself makes it seem like that’s some kind of a big deal. Cass just shrugs. “Dunno.”
“Oh,” Kon says, again, more softly this time. “Hey, I mean—nothing wrong with that either. It’s cool.”
Cass shrugs again. “It’s just a word. To me, anyway.” It’s her turn to frown in thought. “What makes a boy a boy?” She lightly nudges his side. He’s warm against the slight night chill, and she scoots in a little closer with a hum. “You were Super-boy. Tell me.”
Kon blows out a breath. “Hoo, man. Now ain’t that just a fine pickle and a half?”
Cass wrinkles her nose. “What do pickles have to do with it?” She likes pickles. Ma Kent has a jar of crisp ones in the pantry, homemade from cucumbers grown in the garden out back. Cass likes the way they crunch between her teeth and splatter vinegar-juice on her tongue.
“Nothing. It’s… actually, I have no idea why that’s something people say.” Kon lets out a wry snort. “I came pre-programmed with slang and idioms, y’know.”
“I know,” Cass says, and pats his arm. “Pregnable.”
Kon lets out a bark of bright laughter. It reminds her of the stars. He seems so very at home here, under the night sky. The starlight matches the gentle glow of his eyes. When he isn’t wearing his glasses, it’s easy to see the inhuman blue.
“Aw, man,” Kon says, still grinning. “You remember that? I forgot I said that way back then.”
“It was…” Cass tilts her head. “New to me. Memorable, for that reason.” She grins mischievously. “A pregnable boy.”
Kon laughs again. Cass snuggles up to his side and throws her arm across his ribs. She likes to feel the rise and fall of his chest as he breathes.
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