#he lives in a society

[pumpkingeorge]

He doesn't take public transport anymore

[alifetimeofgames]

Baldur's Gate + Tales of the Sword Coast

I thought Xzar was hilarious as a kid, so why not a meme redraw with the guy.

This game was important to me as a kid. I went through phases of being completely obsessed with it and trying out different characters for it. There's one I still kind of make in other games that originated from here. That said, I only finished it once - this game was damn hard. But yeah, I can see why this is considered one of the cornerstones of Western RPGs.

I enjoy the characters in it, but honestly there's just way too many of them. The fact that you still find characters to recruit in the final sections of the game is kind of crazy - and honestly, who even remembers them? It would probably have worked better if they'd worked on fleshing out the first couple of people you meet, since people tend to stick with them anyway.

I played the expansion pack so closely to the core game that I'm including it as part of this. I absolutely loved the wolfwere section. I had some false memories about it, though, as I remembered there being a whole romance with the wolfwere that helps you out of the village. They barely even spoke, now that I rewatch it. Other than that, I really enjoyed the dopplegangers in the basement of Candlekeep. Nothing like some good angst, even if it was all in my head. And I remember having a soft spot for Xan - after seeing sovonight's fan art for the romance mod with him, I might even have to go back and revisit it.

The art this time is not great, but I've been going through some weird art block lately and my self-imposed demands on what I wanted to draw for this might have had something to do with it. I wanted to make something huge and epic, but low-effort Joker Xzar is what we're ending up with today. Enjoy.

[a-dumb-sarcastic-bisexual]

Like the majority of society I’m obsessed with Nimona

And I rewatched it a million times and one thing always sticks out to me 

There are moments when Ambrosius is surrounded by light like a little protective bubble 

That keeps him away from the man he loves more than anything 

[anthonysperkins]

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971) dir. Rosa von Praunheim

[simcardiac-arrested]

day 30 - videogame (undertale, fnaf, etc)

somebody get this man some chapstick

[hoziergifsdaily]

HOZIER — Someone New | TCD Jazz Soc Showcase @ Sweeney's Bar (22/05/13) [requested by anonymous]

4 months before Take Me To Church was released!

[radiantmists]

i didn't want to add this to the post because it would add a bit too much seriousness to a good meme, but i do think it raised an interesting point. because obviously kaladin didn't forget that racism existed in that moment, he was confronting one of his primary oppressors, the guy who betrayed him multiple times over specifically because he was darkeyed.

what kaladin does forget in that moment is the pervasiveness of racism, and the extent to which it's baked into his society's institutions. and i think it makes a lot of sense for kaladin specifically to forget that (even though he absolutely knows it intellectually)!

because kaladin has always been an 'exception'. his father was a doctor, much higher nahn than anyone else in the town. kaladin is as close to literate as an alethi man is allowed to be-- more literate than adolin, presumably than elhokar. marrying the child of the citylord and having lighteyed children-- theoretically 'escaping racism', though of course that wouldn't have worked out too well in practice-- was not only thinkable but likely, unlike the false hope of defeating a shardbearer that others cling to.

before roshone, kaladin did suffer from racism-- but less than others, and in a way where he was led to believe that it was escapable and conditional.

and many of the worst things that happened to him went against the rules of alethi society. roshone was corrupt, and should never have been promoted. kaladin was immune to the draft due to his apprenticeship, and tien was young enough that choosing him was taboo if not forbidden.

similarly, tien being sent to the front lines was the sort of tactic that 'honorable' alethi norms like the codes of war would have considered reprehensible.

and of course when he saved amaram and defeated the shardbearer, the rules of society dictated that he be rewarded; i imagine choosing to give the shard to amaram should, from an honorable man, have been rewarded with pay and retirement for his men or something similar.

kaladin's enslavement was not just dishonorable by alethi social norms, but illegal.

and the kholins, up to this point, have signaled commitment both to the law and to those alethi social honor codes. and while they (especially elhokar) have been casually prejudiced, they've also welcomed the idea of kaladin as the captain of the cobalt guard, suggesting that they aren't so racist that they can't sometimes see reason.

kaladin not realizing the boon was only for lighteyes was a little naive of him, but him expecting the legal system to work for him-- when he took the issue directly to someone who knew him, respected him, and owed him the lives of his whole family-- is very understandable in the light of his experiences.

kaladin is the kind of person from a minority who was raised genuinely thinking that if they behave well, they might experience some prejudice, but no door is truly, systemically closed to them. he's had some knocks to that belief (and is kind of a suspicious person), but in the first part of words of radiance the world seems to be trying to reassure him that not all lighteyes are (too) racist, that the system is not (inherently) unjust, that he's simply been the victim of some of the more prejudiced fringes of lighteyed society.

and then the rug gets pulled out from under him.

because no amount of familiarity or respect will make elhokar side with him over one of the good old boys, no accomplishment will allow a darkeyes to challenge a lighteyes, and no amount of good behavior or education will make kaladin white lighteyed.

but a shardblade would.

...right?

i think this and the immediate aftermath, with adolin giving kaladin a blade and him giving it to moash, could have been a really interesting examination of that idea, because i don't think that lighteyed society would have smoothly accepted either of them. even by rhythm of war, we get hints that kaladin occupies a weird social place where he technically has a lighteyed rank but he seems to have a complicated relationship with 'other' lighteyes (obviously made particularly weird by him being a radiant and because most of the lighteyes he interacts with heavily are also royalty, but he doesn't quite seem to be equals with most of them).

but i don't think sanderson quite understood the experience he was writing about with kaladin, and he set out to write a series about an apocalypse. and so kaladin's complicated-- but not unrealistic-- perspective on alethi casteism will go unexamined.

[estie-posts-shit]

reminder canon grantaire is bourgeoisie. He lives in furnished quarters near the musain, has a specific waist coat for revolutionary occasions, and enough money to drink two (three?) bottles of wine in one afternoon.

[asleepinawell]

every time i go through the end of ew and see the cs with zenos in sharlayan i have to stop and imagine his conversation with that customs lady at the docks when she asked what his job was and he would have gone off on one of his typical monologues about living for 'the hunt, the THRIIIIIIIIILL of bahttle the raw pulsing ecstacy of being locked together in combat, teeth at each other's throats, giving in to the huungaahh that can never be sated' etc etc and she would have been like uh huh so you're unemployed hmmm i see

[simplydnp]

totally normal about the 'wedding?' response continuing to evolve even though it's only been 5 shows. at this point i'm convinced the grand plan behind tit is to convince dan via exposure therapy that he's allowed to want to get married

[grimmbunniee]

Clearing up the spider punk/ hobie brown age discourse

So Hobies a fucking adult and the director himself confirmed it.

[skecherss]

Tim n some chickens

[hauntingsofhouses]

shoutout to taigen for being the most expressive character in the entire show.

you will never not know whatever the hell he is feeling or thinking at the moment because he will literally tell you (either very earnestly like when he traumadumps to mizu or very sarcastically which is the other 99% of the time he talks to mizu) or you will see it plain as day on his face.

this is the textbook definition of a man wearing his heart on his sleeve. look in the dictionary for what a "simple man" means and you will find taigen's face there.

like once you cut through the massive ego and pompousness he uses to mask his own insecurities and traumas, he is literally just some guy. he's not evil or stupid. not super kind or super smart either. an asshole but not the worst there is. he's incredibly skilled but he's not the strongest ever or even the most skilled. he is literally! just a guy!

y'all can hate him all you want but let's be real, taigen is actually the most relatable character out of everyone. like this man is POOR, he is PATHETIC, he is COMPLAINING ALL THE TIME, and most of all he is OBSESSED WITH MIZU. if that shit ain't relatable idk what is.

[anthonysperkins]

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971) dir. Rosa von Praunheim

[ssaraexposs]

"Such a lovely kid. I wonder was he's thinking about"

[thepersonperson]

Sukuna's Loneliness Part 2 (Sukuna is a fraud and it's funny.)

Part 1 Part 3

Before we start...

1) I will be mainly using the TCB scans because of their accessibility. 

2) This was written as of JJK 262.

(Click pictures for captions/citations.)

Fraudkuna

You’ve probably heard JJK dudebros call The King of Curses a fraud. Fraudkuna to be exact. I want to say that they’re 100% right, but that doesn’t make Sukuna a bad fighter. Sukuna is a fraud in the way Saul Goodman is a fraud. He’s so good at being fraudulent that it’s his very way of life.

This person puts it succinctly. 

And remember Reggie’s Star’s words of wisdom.

The best sorcerers are masters of deception.

Mimicry

Sukuna constantly steals from people—he takes something that isn’t his, and then morphs it into something for his purposes whether it’s bodies, Cursed Techniques (CTs), or strategies. This guy barely has original ideas of his own, using someone else’s work as the base and then building himself on top of that. This is fraud behavior. 

Puppeting Megumi

In a 2 for 1 special, Sukuna steals Kenjaku’s original idea to turn body parts into cursed objects and Megumi’s 10 Shadows along with his body.

Naturally he steals the hand signs for Megumi's CT too.

What’s interesting about this copying is that the hand signs are inversed for every Shikigami except Mahoraga.

I think the inversion for Sukuna is an act of disrespect or a form of acknowledgement for a lesser since the hand sign for Mahoraga, who Sukuna respects greatly, is identical to the original form. Sukuna’s Mahoraga is virtually unchanged in design as well. It might be slightly bigger, unlike the other Shikigami whose forms are distorted compared to Megumi’s.

I lean towards distortion being an act of disrespect since Sukuna despises Choso almost as much as Yuji and steals his Piercing Blood while tweaking the hand sign.

They say imitation is the highest form of flattery. And just about everyone has picked up on Sukuna’s Megumi obsession. However, what most don’t realize is that this obsession wasn’t for Megumi the person, but his potential. Mahoraga to be exact.

And though Sukuna adores Mahoraga, his obsession with this Shikigami is in service to someone else…

Professional Gojo Satoru Simp

When I was writing this section, I was greatly surprised. I went back and scanned through everything post-Gojo Death (JJK 236-262) to see how often Sukuna copies Gojo as evidence of fraud. What I found fundamentally changed the direction of this analysis. I will tie it all into how Sukuna is a fraud don't get me wrong, but there's something else at play here...

Post-Gojo's demise, Sukuna thinks of Gojo whether directly from himself or implied by the narrator. 15 TIMES.

Sukuna, for no discernable reason, keeps copying everything Gojo did. It's not a one-off thing like Megumi for a long-term goal, it's a consistent non-stop mimicry after their fight. Here's all of them so far:

1. Using Reverse Cursed Energy (RCE) to heal a burnt-out CT.

2. The hand sign for Unlimited Void. (Aside: Yuta inverts the hand sign as Yujo, but in his case I think it's an act of respect since he doesn't see himself as Gojo's equal.)

3. The hand sign for Red.

4. Shrine based Infinity barrier.

5. Using Blue's gravity to fast travel.

6. Black flashing to restore Cursed Energy (CE) output.

7. The chanting and Honored One Pose at the same time. (And there’s even more layers to the chants themselves check out this post.)

8. Detonating his own technique on himself.

9. Even the way in which he smiles as he beats teenagers up.

By the way this face punch he did to Yugo is a replica Gojo's very first punch he landed on Sukuna.

They say imitation is the highest form of flattery but got dang. This is a bit obsessive to put it lightly.

But it didn’t start here. Sukuna’s Gojo obsession started from this panel. As Sukuna himself confirms.

No. Let’s go back further. This is when it began. Chapter 2 of the manga and Episode 1 of the anime in early June of 2018.

This motherfudger has been planning on how to slaughter Gojo for 200+ chapters. In canon time that is about 6 months.

I want to point out that his promise to kill Gojo first wound up being a lie on multiple fronts (more fraudulent behavior). He admits that it's the wrong brat's body while leaving out the fact that Gojo wasn't his first kill.

Technically Sukuna made Yuji's body his temporarily in Shibuya and killed thousands, but that wasn't deliberate. Sukuna didn't target those civilians specifically, they just got caught up as collateral in his fights with Jogo and Mahoraga. The first person Sukuna went out of his way to kill was Yorozu/Tsumiki (killing Ryu along the way). And he didn't tell Gojo that for a reason.

Much like Gojo, Sukuna is a 2 birds and 1 stone person as in he has multiple reasons for doing a single action. This can make his motives appear dubious or have plausible deniability. Sukuna on the surface went after Yorozu/Tsumiki to subjugate Megumi's soul. But that too was still in service of killing Gojo. Yorozu’s Perfect Sphere, if you remember, acts just like Infinity. And Sukuna trained Mahoraga on it deliberately to get past it.

This also means that retroactively, his Megumi and Mahoraga obsession is a part of his Gojo obsession. He saw his personally trained student’s potential, found out about Mahoraga’s adaptation, and used it specifically to upgrade his CT for the sole purpose of killing Gojo. Sukuna admits to this himself.

Not with his own technique by itself, but with Megumi’s because deep down he realized Gojo’s CT was better than his and he’d lose to him in a fair fight. A fraudulent way to victory.

By the way, when Mahoraga finally adapts to Infinity in a way Sukuna can copy, he's observing the adaptation from the shadows, fully bumming the fight, as Gojo 1v2s Agito and Mahoraga.

What’s so fascinating about this planning is that it was made up on the fly. Sukuna has been obsessing over how to kill Gojo Satoru since their first 10 seconds interaction. (Toji behavior much?) Megumi and Mahoraga being a part of his plans occurred by chance. There’s a certain level of adaptability and skill needed to think on the fly like this. It truly makes Sukuna the Best Fraud in verse.

Lies and Hypocrisy

Simply copying those you admire is base level fraudulent behavior. What makes Sukuna the King of Frauds are the contradictions in his words and actions. This isn’t like Gojo Satoru who is actively hiding his true feelings as a trauma response. Sukuna betrays his own inner logic on convenience. Uraume even notes this as his “capricious nature”.

These are excuses made by a Professional Sukuna Understander who also acknowledges just how much he was into Gojo despite Sukuna actively denying it himself. (He’s just a fish? What kind of fish engages in 6 months of psychological mind games and preparation to catch outside of Moby Dick? Yes I know he’s a whale but the obsessiveness bordering something else is there.)

We'll get back to this eventually. For now we will focus on how Sukuna picks on children.

Hating Ideals and Roles

Sukuna hates ideals. Everyone knows this because he tells Yuji constantly how much he hates them. He spits on Yuji for having ideals and goals. And then turns around and gets hyped when he finally has his own goal to chase. The hypocrisy speaks for itself.

But that’s not the end of it. He also berates Yuji for seeking a role in life, outwardly teasing him when he finds one besides cog. And then gets this excited when Maki “forces” one on him.

He’s not just being a hypocrite here. I think it’s envy. Yuji gets all the things he was denied—a society that does not exclude him for the circumstances of his birth, clear cut goals and purposes alongside others, and fulfilling connections with equals. In the worst case of Sour Grapes I’ve ever seen, he derides the things he believes he’s incapable of having. But the second he gets a taste, he starts salivating.

Hating Love

Sukuna's hatred of ideals and roles in society is but a microcosm of his one true hate—love and connections. Anything soft like bonds makes people weak. Sukuna seeks only strength so he believes the following:

Not only does Sukuna admit here that connections with other people are a weakness, he believes Gojo to be the modern pinnacle of casting them away to obtain strength. In a very roundabout way this is him praising Gojo for being a monster like himself.

And that's where the next contradiction lies. Despite Sukuna preaching the benefits of isolation, he still craves that monster to monster connection. He adores anyone just like him. Monsters who throw all their humanity away just like him. He wants that connection so badly. Look at how often Sukuna gets excited when he thinks others might be like him. (Notice the half-assed Brat is Sukuna calling Yuji out for not committing to monsterhood.)

Uraume of all people should fulfill a bit of that social want Sukuna has, but they put him on a pedestal. They are his servant and he is their master. Even though they can intuit his needs, they can’t fulfill all his emotional ones since their relationship is one with inherent distance between them. That being said, Uraume still understands exactly what Sukuna is looking for—other monsters.

Professional Sukuna Understander once again gives insight onto how this fraud thinks. Sukuna is strong enough to endure solitude. He is fearless and alone by embracing power.

And yet Sukuna cannot abide by his own principles against love.

December 24th is the most romantic day in Japan. This information is in part how we infer Gojo Satoru is in love Geto Suguru time and time again. Kenjaku calls Gojo out for this. Setting a battle date to December 24th is romantic in nature. And Sukuna, of his own volition starts seeing Gojo as the one who will teach him love.

No. That's not right either...

Gojo has never been the one trying to teach Sukuna love. He never heard those words from Yorozu. Not once. It's the other way around. Sukuna is the one trying to teach Gojo about love. Every single time "The one who will teach you about love is..." appears, Sukuna is in the final frame. It's never Gojo. It's always Sukuna.

The loneliness that comes with unrivaled strength. The one who will teach you about love is...Sukuna.

Kashimo takes Sukuna up on the offer. He has Sukuna teach him about love. When Sukuna first starts his speech about love, he speaks of Yorozu as someone who could've taught Gojo of love—as in Gojo was the one who needed teaching. He also spells out for Kashimo that the strong love with their violence. Sukuna himself admits that he loves by slaughtering. All while saying it's worthless in the end, because the only thing that matters to him is strength.

Wanting love and strength is greedy. You can't have both. Sukuna killing Gojo was not only an act of love, but an act of denial in pursuit of self-preservation. Sukuna found someone he could possibly love and he did everything in his power to kill him for the sake of maintaining his strength.

This could be proof he's not a fraud when it comes to hating love. But he still engaged with it and became stronger as a result of it—contradicting the very principles on which he decries love as weakness.

In retrospect, this makes this particular Gojo glazing Sukuna sequence from the infamous JJK 236 ironically hilarious.

Gojo never realized that Sukuna obsessed over him for 6 months nonstop after meeting him for 10 seconds. He never realized that Sukuna's cruelty and cuts were trying to reach him. The most Gojo knew was that Sukuna bagged Mahoraga to kill him. He didn't know about the planning that went into it or the heart behind it all. Gojo has always been iffy about understanding other people's feelings towards him mind you, but...

In the same way Geto did not understand Gojo's love for him until both of them were dead, Gojo did not understand Sukuna's love for him even in death. Because Gojo and Sukuna are the same person.

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

The Consequences of Fraudulent Behavior

The tragedy of Sukuna is his inability to fully realize his desires. He wants an equal in strength to play with or be killed by, but he crushes anyone with the potential to do that. Gojo was the closest thing Sukuna ever got to realizing that desire. Hence the “You cleared my skies. I shall remember you for as long as I live.” and subsequent "Where's Gojo Satoru?" ad nauseum.

Instead of allowing these potential companions to realize their abilities fully, he kills them and then gets upset about it. There's honestly no difference between him and a dog impulsively tearing his favorite chewtoys to pieces and getting confused by the outcome. (And in the case of Gojo Satoru, that's the dog catching the car but if the dog had spent half a year studying the exact speed and timing down to the stud before ripping the bumper off.)

I genuinely cannot tell if Sukuna is aware of this problem himself. Seriously, I don’t think anyone has told him that if he wants a matured fighter, he needs to let them…mature in the first place. I know he was treated like animal since birth, but he’s smart enough to know better. 

He’ll never reach satisfaction like this and it’s as funny as it is pathetic. Even Megumi, the first person he saw with the potential to entertain him, was chewed up with ease. Not just him, but the very reason he took interest—Mahoraga. Instead of having a Shikigami that will always evolve with him and therefore always be a source of everchanging entertainment, he tamed it and added it to his arsenal.

Sure all of that was to kill Gojo via masterclass frauding, but that too cucks him in the long run. Gojo is still the only person in Sukuna’s entire existence to keep up with him and nearly kill him on his own. If Sukuna were smarter, he could’ve developed a lifelong rivalry that fueled both of their growths. But Gojo beats him fair and square, so he binding vow frauds his way out in a way that permanently destroys this source of fun.

And on top of that, his killing of Gojo may have also been Sukuna trying to trick himself into believing he doesn't need anyone to satisfy him ever. He probably believes this from the bottom of his heart. Kashimo calls him out for it. "Then why mince your soul into cursed objects and watch all those years go by?" Why get so excited when Uraume shows up too?

I'm not saying that Sukuna has been secretly craving romantic or sexual love for the past 1,000 years. He has had plenty of opportunities to engage with this kind of love and has chosen not to. (Though I do think Sukuna saw his fight with Gojo as a some warped version of a date at this point.) The kind of love Sukuna seems to crave is one between friends, peers, and equals. What I'm saying is that Gojo shattered his world view in the same way Gojo also shattered Toji's world view. But unlike Toji who was able to admit his way of thinking was flawed, Sukuna is actively in denial.

He denies his own feelings and desires for companionship while running around looking for another Gojo Satoru that will never exist. All that Sukuna is left with are disappointments and ghosts to chase. The only person who keeps getting up stronger every time he knocks them down is Yuji. And he hates Yuji. 

I’m not sure what this all means in the grand scheme of this story, but I am fascinated by how this absolute menace sabotages his own chances at happiness because his power and fraudulent behavior has stripped him of his ability to socialize.