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#he man cgi spoilers
swashbucklery · 1 year
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I know I am never going to be a Star Wars Fandom Person and that I am not reacting to Ahsoka the way the rest of the internet is reacting because that was, without a doubt, the funniest dumbest gay thing I've ever seen??? HER STORMTROOPER FRIENDS LEFT
AND SHE STARTED CRYING
AND THEN RAN AWAY ON A WOLF (yes it's a howler i know it's a howler shh) TO BE SAD IN THE MOORS ALONE FOREVER(????)
NO ONE GIVE HER A HUG THIS IS FUCKING INCREDIBLE, I need to see her carve BAYLAN SUX into the side of a spaceship with her lightsaber. I need to see her dramatically tearing up as she learns that Evil Doesn't Pay I want her to listen to Space Evanescence alone in her room in the dark I need her to go to the Space Hot Topic and spend too much money on nail polish that DEFINITELY DOESN'T MAKE HER THINK OF SABINE this is critical to my enjoyment of Star Wars.
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pennamesmith · 8 months
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Hey, how’d that choice work out in the CGI show?
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Oh right. Bad.
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kiichu · 2 years
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me watching the new ant-man and seeing darren cross again:
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so yeah I lost my mind over anakin and ahsoka but also, hey, where’s rex
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sukunasweetheart · 11 months
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actor!sukuna!!!
warnings; fem reader, jjk manga spoilers, a bit of both submissive and dominant sukuna, and also sukuna who loves his domineering wife a little too much, smut and fluff at the end, breeding, choking, use of collar and leash (on sukuna), rough sex, lots of teasing and provoking
i really really adore the trope where actors who play utterly vile, evil villain roles all the time simply bc of their intimidating appearance but their real personality is rather sweet and gentle, and i desperately want to apply this to sukuna. they would've probably needed to cast a whole different man for his trueform, which is what inspired this idea <3<3
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actor!sukuna is oh so very notorious for his antagonistic roles, always always being the charismatic, devilish character in any film, tv series or dramas he's casted in, the ones that always somehow has the upper hand, who never shows care for anyone else, who always seems to have control over everything in all situations he's put into...
and the recent hit series 'jujutsu kaisen' is exactly the same. with him being the king of curses, having those extra cgi arms and tummy mouth and having to spend hours before shooting simply doing the makeup for the distorted side of his face. not to mention all those tattoos!
actor!sukuna, who loves his job, but sometimes gets exhausted by the kinds of roles he has to play. he's gotten so used to it, his normal facial expressions and mannerisms also may have changed a little because at times he gets himself too immersed into his character
and you might say fiction doesnt cross over to real life at the best of times, but for sukuna, it might not be the case... he's noticed over the years that people around him do truly get scared or intimidated by him. and like any celebrity, he has his own fair share of haters.
with his character's newest victim being the fans' beloved gojo satoru, it only aggravated them-- and he knew from the moment he read the script that he was going to get flamed for it. he's used to this but because of jjk's intense popularity, he actually gets a little concerned this time around...
thankfully, thankfully! he has a wife he can run home to and seek comfort from, and fully let go of this fictional persona of his.
actor!sukuna, who is often burdened with the unconscious expectations from others, to have his intimidating aura and always have control over situations (maybe sometimes people)...
but he is able to put all of this down in front of you and just lay in your lap in front of the tv as you play with his pink curls.
oh, he's so grateful for his wife, who fulfills his hidden desires... his wife, who didn't see him only by his villainous roles, but also took notice of his gentler side and decided to grab hold onto that part of him with an iron grip instead.
actor!sukuna may be a man well over two metres tall, with a resting bitch face and a deep, velvety voice perfect for being a natural dominant and aggressive lover-- which, sometimes he is of course, when the situation calls for it (whenever you feel like you want to be dominated) - but in actuality, he aches to be controlled for the most part, rather than the one controlling...
when he told you about his worries of his real life reputation, of how people on set seem to avoid him subtly, and get a bit over-polite with him, you sent a handful of extravagant food and drink trucks over to the shooting set in sukuna's name, raising the spirits of his colleagues, the camera and film crew members etc., and of course, sukuna himself.
and everytime he has any complaints about his job, you comfort him by saying that if he ever feels like it's too much, he can quit anytime he wants, because you'd be happy to be him support financially as long as he'd be your househusband *wink wink*
actor!sukuna laughs at the thought, but there are times where he seriously considers it... he is getting older, and sometimes doing all these action scenes as the villain is taxing on his body... (perhaps after jjk is over, he'll take a well deserved, long break from his career for a little while)
before getting married, from the moment sukuna first interacted with you, he was already hooked- you flirted with him openly without expecting him to take lead, and you talked less about his various identities in his shows, but showed more curiosity in his true self, and he was simply attracted to your... fearlessness?
and a part of him tried to fight against it too, but you were simply too charismatic. (it only charmed him more)
"you're an awfully cocky woman. you sure you can take me on?"
"take you on? oh, no, handsome. you'll be the one taking me on. i'll have you wrung out dry by the end of this week... if you'll let me, of course."
and that, he did.
fast forward to the present.
sukuna had come home without erasing all the makeup from his filming of jjk, to your curiosity...
"the king of curses, was it? the name of this character," you ask with a relaxed voice, watching as sukuna's large cock throbs between his legs, drooling precum messily into his boxers. ironically, you're the one lying against your back on the bed, with him hovering over your body longingly, but not being permitted to touch you... yet.
you'd put a collar around his neck. and you have him leashed, with the rope being in your hand. he has you between his arms that are supporting his body weight... muscles flexing and sweat dripping down his skin from his own arousal.... he was supposed to be tired from today's filming session but right now, his whole body is heating up like boiling water in a kettle. how cruel of you to do this to him, right after he gets home from work.
you loop the rope around your fingers once, and tug on the leash harshly, making his face shift closer to yours.
"i'd like to hear an answer, please."
"...yes, the king of curses," sukuna hisses, eyeing the leash that both turns him on and also pisses him off simultaneously.
"interesting..." you hum with a smile, gently touching the fabricated side of his face that's been made with make up.
"i do have to say, the tattoos and black nails fit you so well, my love."
sukuna remains silent as he resists the urge to kiss you, with your lips hovering so close to his.
"don't fuck me with your eyes, honey. you're making yourself too obivous," you tease, ghosting your fingers over his chest, touching him languidly. his dick swells even more.
"darling, please... i need to touch you," sukuna says, softspoken and yearning so hard it makes him dizzy.
"oh... i love when you beg like that. what would your fans think, if they saw their most cold-blooded villain pleading me like this?"
with a collar and leash on, no less.
"it wouldn't matter what they think. you're the only one i love," he responds, shuddering as you nudge your knee against the erection in his pants.
"i like that answer."
you kiss him, which is an act that means you're permitting him to finally lay his hands on you - and this breaks the restraint he'd been holding onto until now.
sukuna kisses you back with a throaty growl, slipping his tongue in to smother you with, as your lips are curled up into a pleased smile. drunk on the taste of you, he doesn't stop kissing until he's had his fill. both of you are breathing heavily when he finally pulls away, his face being flushed beautifully.
large hands come to tug away at your clothes, exposing the swell of your chest, and he clamps his lips around one of your nipples, like a man starving... you gasp, and tug at his soft hair from the back, the other hand still gripping onto the rope that connects with his collar.
you arch your back when he nips on them a little, earning him a hiss from you and another harsh tug at his leash. when he comes up to face you once again, he's wearing a smirk with foggy eyes, satisfied with this small payback.
once he finally comes around to releasing his strained cock, he gives a sigh of relief. the tip is glistening with his precum, and he wants to be buried in your cunt so bad. he slides it in with one go.
"oof, always so big, aren't you?" you tell him, feeling his throbbing dick reach so deep inside. it's not your first time saying such a thing, so he knows you mean it as a compliment. it inflates his ego.
"fuck- you feel so good," he mumbles mindlessly, pushing your thighs back.
sukuna begins to thrust into you, his heavy balls slapping down against your ass as he starts with a slow pace. another tug of his leash gets him to stop again.
"c'mon, love. is that all you can do?" you urge him, your grip still strong on his rope. he narrows his eyes, and pushes your thighs back harder, and begins to slam his hips into you, the way you love it.
"f-fuck... harder, sukuna... harder-" you moan as you keep taunting him with several pulls of his leash.
"tug that thing one more time..." he mutters with a low, out of breath voice, "and i'll make you regret it."
you love it when he's submissive, but even more so when he's in the mood to put his foot down. but you're not giving in so easily. you give it another tug, playfully.
"try me."
from then on, he snaps and decides he'll give you your own "collar".
his hand.
you squeal in delight as he roughs you up from his grip on your throat, to the biting, and to the bruising pace of his thrusts, all harmonising to bring you to your orgasm...
when sukuna cums, he does so right against your cervix, spilling all his thick, hot seed into your womb, with a loud groan. he's sucking a hickey onto your shoulder as he does so, full body shuddering with each clench of his balls as he dumps more into you. your pussy squeezes around him, fingernails digging deeply into his muscled back, feeling blissful.
he soon collapses onto you, and you start playing with his hair again, as he rests momentarily, being spent after the rough sex that happened when he'd just come back home. you'll need to reward him later for this.
in the bathroom, you help him scrub away all those tattoos, and tear off that falsified right side of his face. he appreciates this, especially the ones on his back that are difficult to reach. in the tub, you sit between his legs, and lean back as he dotes on you, calloused hands not leaving anywhere of you untouched.
once the bathing is finished, you do his nightly skin care routine for him. an actor's gotta preserve their skin, you know. before the moisturizer though, you press a soft kiss onto his pure face, clean of tattoos, and hum with a pleased expression.
"i love this one more, after all."
he huffs out a chuckle and pulls you onto his lap.
"hah. the king of curses ought to cry real tears with envy."
he clings onto you all night, face buried into your chest, indulging in the feeling of being the little spoon.
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Masterlist
Tagging: @yuujispinkhair and @gojos-thot-patrol (who encouraged the leash idea...)
credit and link to the cute heart dividers here
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armageddon-generation · 3 months
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Empire of Death was bad and cemented several fundemental flaws in this season.
I watched this in the theatre, and the contrast between everyone's excitement before Empire, and their universal disappointment leaving the theatre was super disheartening. I'm gonna try to articulate my problems with episode, and how they're linked to fundenental structural issues of this season.
SPOILERS BELOW:
Sutekh
The moment the UNIT characters died the story was robbed of any stakes. (Also? Kate and Ibrahim?? During Pride month?? Disgusting)
Sutekh was pointless, big CGI spectacle who was barely there. Saying he's been latched onto the TARDIS since Pyramids of Mars was such an asspull. Why couldn't he have latched on during Wild Blue Yonder? wouldn't that make much more sense??
You're telling me the guy who holds all life in contempt is invested enough in learning the identity of Ruby's mum he willingly reveals himself??
And then they defeat him by dragging him through the Vortex just like before, which it's been explicitly stated *didn't work* last time? He just *lets* Ruby leash him??
The 'death of death is life' bit, and the idea of the Doctor representing life as a Ying to Sutekh's Yang, is a cool concept just jammed in there with no real buildup or depth.
The issue is bringing Sutekh back takes so much effort- a literal, clunky clipshow of Pyramids of Mars, a whole episode spent building up to the reveal of a silly anagram entirely unrekated to Sutekh's previous appearance. And it just... amounts to nothing. What a silly way to cap off a season meant to be jumping-on point for brand-new viewers.
Mel was just takingup space. Pointless.
Ruby's Mother
I don't have a problem with the *concept* of Ruby's mum being normal. I really like the idea thematically. The execution was terrible.
First of all it leaves so many unanswered questions (why the snow? Why was time changing? Why was she shadowed? Literally just for the sake of the mystery-box?) and represents the worst thing about this new era- RTD using fantasy logic to handwave any logic at all, and just do whatever he wants without properly justifying it.
Second, I *hate* how easy and simple and neat the reunion is. Ruby seems incapable of getting angry with anyone. She has never once argued with 15, or Carla, or anyone besides that one moment in 73 Yards. She has never expressed any kind of negative feeling towards her mother for abandoning her. And it's fine for her to reach that conclusion! It's just bizzare we never see Ruby struggle with her feelings beyond the shallow goal of wanting to find her.
(Also Carla? Has nothing to say?? Just welcomes that woman in with basically no comment? Carla is a 2D cutout of a person, used as a plot device and otherwise relegated to the single character trait of I Love My Daughter. The children yearn for the ilk of Jackie Tyler, Sylvia Noble, even Francine Jones.)
15 & Ruby
The emotion behind 15 & Ruby's split felt entirely unearned because we've never seen their bond develop. They never argue, never disagree, Ruby hasn't learned anything about herself or grown or changed. The closest we got to that is 73 Yards, which was undone. She was already brave and kind and musical and sure she loved her adoptive family when we met her in Church on Ruby Road.
Similarly, 15 tells us Ruby encouraged him to talk about family in a way he never has, but that was in what, two moments across the season? And they seemed random, unrelated to Ruby being with him. New viewers will assume 15 is just that open anyway- he was discussing fatherhood with a dead man's hologram- and old viewers assumed trauma-dumping was just a new trait of 15's personality, not Ruby-specific.
The problem is we're told Ruby & 15 are best friends but it isn't earned. I liked 15 crying initially but both he and Ruby do it so much (15 cries about 5 times in this one episode) it loses its impact and I'm becoming numb to it. There is no contrast, no downtime.
Season Structural Issues
I think the biggest problem is Season 1's storytelling priorities. It's much more interested in selling *the show* (look at our big budget! And guest stars! And how flexible our format is! Musical episode! The Beatles as props! Bottle episode! Indie folk-horror! Black Mirror! Gay Bridgerton!) it forgot to put effort into developing and investing us in its characters. I liked a lot of the individual stories this year but in retrospect a lot of them feel like they're wasting space that needed to go to essential character and theme setup.
These skewed priorities, combined with the cut down episode count, really impact the pacing of the season. Ruby and 15 were barely together! Even in Rogue they were seperated for most of the story!! We only loop back to a flashback of 15 meeting Carla in Rogue!
This is made worse by the baffling insistence on a 45-minute runtime. We know key sequences were cut from almost every episode, with highlights including:
The Gobin King invading Ruby's flat and her banishing him with scratchcards in The Church on Ruby Road: Her missing 'companion saves the day' moment!
Refrence to the Toymaker in The Church on Ruby Road, which was itself referenced in The Devil's Chord. 'I told you about the Toymaker when we first met' sir, objectively you did not.
The TARDIS jukebox playing the Sugarbabes' Push The Button in the opening scene of Space Babies, hastily cut around in the final edit. This is the setup of a running joke still in the episode, and part of the story's climax. The first encounter with the Bogeyman was also longer, with 15 taking particular interest in its skin
Extended scenes in Abbey Road from The Devil's Chord, including an apparently significant speaking role for Cilla Black, according to her annoyed actress.
Cut dialogue from The Devil's Chord explaining the musoical number was caused by Maestro's power lingering, and that banishing them undid everything they'd done. Fans inferred thos based on the rules established in The Giggle, but again, new fans haven't seen The Giggle and were left clueless.
An opening sequence for The Legend of Ruby Sunday where 15 & Ruby meet Susan as a nanny in 1947 America, a blue-skinned waitress, and an astronaut meeting a colony of giant, sentient ants. At the end of this we actually see 15 decide to go to UNIT for help. In the broadcast version he just sorta shows up.
Really what Empire of Death exposed to me is how emotionally hollow the season was. I enjoy the exoperimentalism, but not at the cost of character. And then in the finale Russell reverts to almost a parody of his RTD1 finales, with the nonsense logic and lack of consequences. All the worst bits of Last of the Time Lords and The Giggle put in a blender.
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pokemon1oadvanced · 1 year
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Thoughts on the live action one piece
Spoilers 😉
Yes, I binged all 8 episodes, and have work today and can’t see out my eyes but worth it.
I’ll try to keep it short.
Luffys character was immaculate. The way Inaki portrayed him and brought this man to life was so amazing to see. Oda really saw Luffy in him and he did not disappoint. The moves looked great, CGI was on point for a live action, and they really did break the curse.
Zoro’s character was beautiful. I love that he was more serious, and him throwing up the finger in his first scene?! I’m star struck. You can say what you want about the live action, but theres no denying this cast was perfect for these characters and the fight scenes were choreographed to the point where it looked so clean.
Nami 🥳 The emotion! The conflict! I absolutely love the way she had more action scenes and was more open with her care for the crew early on. Nami has always been my favourite character, and Emily did her justice.
I will be listening to her song on repeat.
Ussop! Ussop! Are you serious! Why do I love you in every reality! And Ussop and Kaya! The kiss! The scream I let out! I died😵‍💫 I wish he had more shooting scenes, but his true potential wasn’t seen until later in the anime so I can’t complain, cause season two Ussop is gonna pop off.
Sanji😳 First off, live action Sanji has a hold on me😮‍💨 Like what happened to the guy who couldn’t get any girls. Ngl, was keeping an eye out for the blonde at table 8, looking out for my competition👀 His kicks were so smooth and all, and I mean ALL, his fight scenes were perfect. Like how did they do this. You can see the care and effort he put into his character.
Buggy? I love our unhinged clown. His making a circus with trapped towns people. His CGI? Amazing. The little goof we were left with when they trapped his parts in the chest made me cackle!
The pacing of the show was done so well. I was worried that 8 episodes wouldn’t be enough (and I was right where’s season two I want Vivi), but the retelling was more then I hoped for. I will always love the anime more, as most of us know there’s not enough episodes in the series, but the live action did great in that respect. I did miss some of the characters they had to cut to make it flow better though. The ussop pirates live on in our hearts
Don’t get me wrong, there was some scenes I missed from the original show, like Zoro lifting Luffy’s cage, Nami burning her hands on Buggys cannon fuse, Nami stabbing Ussop. BUT, they wouldn’t have fit in this version of the show.
They did give us Zoro lifting the safe like he did Luffys cage which was cool. And Nami holding Ussops hand when Zoro was fighting, Nami showing up for the fight rather then leaving. I love her. Even though Nami didn’t get to show her care through the actions of saving Zoro or stabbing her own hand, she was still able to show those emtions through different actions. The hand holding with Ussop rather then the stabbing of her hand was so good to see. This version of Nami seemed more fragile in a way, so this suited her version well.
It was like watching One Piece for the first time all over again. I didn’t know what would happen. Getting more marines, and Garps relationship to Luffy being revealed so early in the series to cause tension within the crew *chef’s kiss* And Koby? ‘Be a good pirate.’? Like I love you? Not doing what Garp asked? Standing up for his beliefs? You are going to be a good Marine. You’ll be the greatest 💕
The relationships they explored?
First off Ussop and Kaya 😵 I love them so much. Them talking to the straw hats about their relationship was so cute, and Zoro saying it wasn’t his area of expertise 💅🏻✨ Jokes 👀
Nami being besties with Kaya😍 Her telling Kaya not to let someone tell her how to run her life, drawing connections to her own situation, telling Kaya not to be trapped. Her returning the treasure! I loved it so much. Ussop’s and Nami’s friendship has always been the one I cherished in the crew, and for Nami to support Kaya, and Ussop to see how Nami was good to his girl I feel will only strengthen their relationship.
Nami and Zoro besties? Didn’t know I could love them more.
Nami caring so much for Zoro after his fight with Mihawk showed her love for her new friends, and mirrored her care she had in the original series where she saved him from drowning at Arlong park. Even though we didn’t get the original scenes, they were supplemented with new scenes that held the same feelings.
Zosan- I mean Zoro and Sanji. The wings of the pirate king? I love their bickering in any universe it seems. The fish men fight was so good, them being unbothered with the guys trying to kill them as they fought with each other was so them. And Zoro licking his plate clean and saying Sanji’s food was okay? Not bad for a waiter huh?
And the most important pair. Captain and his first mate. I just loved how many times they reiterated that Zoro is Luffys right hand man 🥰 Luffy not stepping in the way of Zoros dream was beautiful, and his care afterwards reminded me of how he cared for Nami when she got sick in the original series. Asking Sanji to cook his favourite? So cute. He couldn’t decide if it was best for Zoro to eat or sleep or drink and him stressing for Zoro. All amazing. I’ve used amazing so many times but its just the word I need to explain it. Zoro waking up, Luffy engulfing him. I could go on and on.
Nami and Luffy? The amount of love I have for them. They were everything I wanted from them. The scene. THE scene. Beautiful.
I could go on and on about this show, but sadly I have work. Please show this version love, and don’t go into expecting the same series. It is different. It’s its own version and deserves its own category.
I love the cast! Thank you for making history with this adaptation! Xx
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sarah-yyy · 1 year
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what: period cdrama // 40 eps, roughly 55 mins each  where: youku (you can also dl the app) // youtube // coming up soon on viki (usual disclaimer that i do not use eng subs so i don’t speak to the quality of subs) why: do you love watching a poor little meow-meow get tortured in a variety of ways before he decides to go fuck it, i’ll be a demon lord and kill everyone who wronged me?? do you like enemies to fated to kill you lovers??? do you enjoy PAIN AND SUFFERING??? this is the show for you
meet tantai jin, the cdrama fandom’s newest obsession 
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cursed prince of the Jing kingdom who was sent as a hostage to a neighbouring kingdom. he’s been unloved and bullied all his life - think, discarded and left to die by his own father, kicked around by servants, begging for scraps of food, abandoned and slowly betrayed by everyone around him... it’s NOT GOOD buddies, you will watch his life unfold and you will become attached and want to let him do whatever the fuck he wants 
surprise surprise this sad pathetic man will one day become
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THE demon lord who destroys all of humanity etc etc. look at this wardrobe upgrade??? amazing. beautiful. bad for humanity but great for him. good job, bud, you did well.
ANYWAY this show opens with demon lord tantai jin (affectionate) going on his lil’ murder spree (understandable). the fate of humanity as we know it to be rests on the shoulders of one li susu
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to defeat tantai jin, she will transmigrate to the past into the body of ye xiwu (tantai jin’s evil wife who whips him every night (not in the fun way sorry buds) and tortures/bullies him for because it pleases her) to try to kill him while he’s weak, before he turns evil and amasses power. this is for the good of humanity!!! but also he’s truly so pathetic in the past that she can’t quite seem to put her heart into it (there’s also this whole finding his evil bone and getting rid of that before she can kill him problem but HMMM) and decides that?? maybe if she shows him some care and love??? she’ll subvert his murdermurdermurder tendencies????
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this is the gist of the show!! there are a few arcs that we go through like all good xianxia cdramas, so we get to see them live through a few different lives (think: ten miles of peach blossom, pillow book etc etc), and every single dynamic between them is SO GOOD!!!!! we have spicy enemies to lovers!! cutesy arranged marriage between strangers to lovers (who don’t communicate enough for them to be happy)!!! star-crossed lovers fated to kill one another!!! 
the show is so goddamn pretty!! the aesthetics!!! the cgi!!!! the costumes ohmygod, i have never wanted to buy so many headdresses before
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LOOK AT THIS!!! HOW PRETTY WAS THIS!!!!
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he’s got this whole demon look LOCKED IN who else does it as well as my boy tantai jin
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this show is very PRETTY but make no mistake there will be a lot of angst!!! that’s part of what makes it so good!! luo yunxi does Tortured, Feral and Deranged™ SO WELL i weep every time i see him on screen, i have truly not been Okay since this show started airing, buddies please join me in till the end of the moon hell, you will not regret it, promise 😇✨
⚠❗ few post-finale thoughts so y’all go into it with full disclosure (and can’t yell at me for inflicting pain on y’all, just know what i am also Suffering™) - stop reading from here if you want no spoilers for the show at all. 
trigger warning: there is some dubcon in ep 14 (stretches between approx. the 25:00-27:25 min mark) between ming ye and sang jiu 
we were all hoping for a happy ending, but this ends on a bad-open scale, depending on how you look at it. @minmoyu​ has helpfully directed me to a happy audio-epilogue which was apparently shot but didn’t make its way into the episode?? we still dk if the footage will be released as an extra?? we can all form a prayer circle and HOPE i guess
the plot is HMM the further to the end we get, probably because they had to cut the eps down, so it’s a little choppy, esp the last few scenes??? idk idk. it’s a bit exhausting to watch towards the end, because you root for ttj so so much and he tries so so hard and SIGH. i need another few working days to digest this, i’m still a bit :/ about the ending
would i still rec the show, post-watch? yes! this show starts off really solid, and luo yunxi carried the show throughout. like. y’all thought lyx was good in ashes of love?? watch him in this. every single micro-expression was flawless. bai lu’s acting is always so dependable, and it’s the same with this show!  
this show has an a+++ ost (i mean it’s got the king and queen of cdrama osts liu yuning and zhang bichen, literally how could this be bad)!! and CERTAIN side characters are so so good (pian ran my baby girl, ye qingyu who grows on you, decidedly NOT bingchang/tian huan/mo nv although i will concede that chen duling’s acting in this show was Incredible). 
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apieceoftoastedbread · 5 months
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i just finished working boys. holy shit??/pos
mentions of show spoilers under cut
SO. welcome to my ted talk. i just finished working boys. what. the. FUCK. but like in a good way. i loved it! i watched it with my dad kinda and i was giggling the entire time. i love rob as hidgens but if hidgens was anyone else BESIDES jeff i would have honestly not felt the same about it. jeff did great in the whole thing.
also, RUTHH!!.., MY BABY💔💔 SHE DID NO WRONG. IT WAS HER DEBUT☹️ she did great and i loved the few seconds of screentime she had.
the people in the audience were also making my tism alarm go off. if i can recall it was bill, ted, officer bailey, ms mulberry, richie, grace, gerald, linda, and brenda? those are all the people i can remember. seeing richie and grace go to see ruth actually made me go crazy i love them all SO MUCH. i wanna take richie and shake him. Ted was being a little asshole as always/pos. poor bill was abandoned. AND GERALD AND LINDA? oh my god i love them. i have a love-hate relationship with linda except she doesnt know who i am and would spit on me and i love her but also need her to suffer. I wanted to take the scene where him and linda are cuddling and just stay there forever. officer bailey made me laugh but also how is that man a cop. he just handed grace the gun?? ALSO GRACE IS SO BADASS BUT SHES CRAZY?? SUPPORT WOMENS WRONGS!! she started saying sumthing about the lord and i got chills.
the dead workin boys?? that was so sick what??
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LIKE?? JON ILY YOU SCARE ME SO MUCH/pos. THIS WAS A JUMPSCARE BUT A GOOD ONE.
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I LOVE THIS TOO? I FOR THE LIFE OF ME CANNOT TELL WHO THIS IS BUT THEY LOOK SO SCARY AND SICK I LOVE IT
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RAHH I LOVE THIS LOOK. I LOVE HOW THEY ARE ALL COMING OUT OF THE MOST UNNATURAL PLACES.
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OH MARK YOU SCARE ME SO MUCH MY UNSETTLING LITTLE BABY❤️ PLEASE NEVER SHOW UP AGAIN
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THIS IS SUCH A BAD ANGLE BUT ITS STILL SO GOOD?? THEY ALL LOOK SO AWESOME
IDK IF ITS ALL MAKEUP OR CGI OR A MIX BUT WHOEVER DID IT DID GREAT.
THE MUSIC WAS AMAZING. LIKE IDK IF THIS IS ON SPOTIFY OR NOT OR IF I GOTTA UPLOAD WHAT I CAN FIND PRIVATELY FOR MYSELF. STARKID I LOVE YOU.
ALSO THE UNCANNYNESS OF PROFESSOR HIDGENS LAST WORDS BEING “i cant wait to get home to my boys..” WHILE BEING SHOT AT BY GRACE. HE JUST WANTED TO IMPRESS HIS BOYFRIENDS ☹️
uhm uhm im gonna shut up now because my brain is being overwhelmed by over analyzing this but please please please talk to me about this
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low-budget-korra · 7 months
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Comments on Netflix's Avatar The Last Airbender
*spoiler alert*
First of all I'm gonna start by saying it is one of the best adaptations I've seen so far. And that's the key word, adaptation. I've seen a lot of fans and others complain about some things that honestly, doesn't make sense because some things only work in a cartoon(just as much as some things only work in a book or a video game)
And before I start to talk about some topics that I judge important, I also wanna say that the production is fantastic, from the costumes to the CGI. It all looks amazing. (A part from Yue's wig)
1. The Script
It's not easy to pick 20+ episodes and make it fit in only 8 but damn they did a hell of a good job, especially when judging what was important to show and what they could let it go. Some fans commented that since there's no fillers, the Gaang and others miss some development but I think that for the universe of the live action what we got here it worked.
I can express how much I like to see Ozai and Azula's relationship and how it is now clear that he uses the siblings against each other, manipulating them to get what he wants. But I will admit I miss the fear Azula had, since it's implied in the show and some extras that she does fear Ozai, and fears becoming like Zuko.
I hope the 41. Is just fine after the battle in the north. See all of them bowing to Zuko after discovering that Zuko was the one that saved their asses and was heavily punished by that...it was beautiful. I loved the writers did that, give names and faces to Zuko's crew and a beautiful yet sad arc when Ozai banished his son and the men who he saved.
I also loved that they put weight into things that was treated as a joke, like Katara talking about her mother. She was a little kid who saw her mom get murdered in front of her and the live action made sure to let us know that it is not okay to make jokes about something so traumatic. All of the deaths here have tons of weight in it, it's not some random person, is someone we met, someone we liked, someone who helped. The costs of the war, something the cartoon manages to show us but know in live action, with real people, the massage gets stronger.
And they didn't forget Iroh's past like the fandom does, which is great. That actor, the earthbending soldier really let it all out, that's how you use the few screentime you have.
Sokka's isn't sexist and y'all were making a storm outta a cup of water, is not like Sokka sexist didn't go away after like the 4 or 5 episode in the original show. I think the live action was able to bring more depth to him in comparison to the first season of the cartoon. We see how he feels about his father's, the absence of him and his duty as warrior who kinda doesn't want to be a warrior.
I need a Gyatso in my life, I didn't know I needed to see more of him until the live action gave us more of him. Kyoshi was the Thor coming to Wakanda from this season, WHY THE FUCK BRYKE DONT WANNA GIVE US A KYOSHI SERIES? She is absolutely a jewel of a character. Roku and Kuruk, damn poor Kuruk man, so much pain in his words but again that's what it means to be the Avatar, it's not fun and games. Zhao saying to Aang what Korra villains said to Korra😭 that the world doesn't need the Avatar anymore, it hurt.
Guys I'm gonna say it, there's no way in hell for anyone to ship Kataang here. I'm saying this because some shippers complain that the secret tunnel part was different but c'mon, look at Kiawentiio and look at Gordon, it would be so s awkward and weird and just wrong. I know they don't have a big age difference, is only like 3 years but when they filmed Gordon looked so much younger than her, maybe in the next seasons the difference won't be that big.
The pace is good, once you start you don't wanna stop.
2. The Acting
Everyone is really good at capturing the essence of it's characters and somewhat making them their own. The highlights for me were Dallas and Ian, Its like they came straight from the show. Ken Leung's Zhao was also amazing as he was way more threatening here than he was in the show.
Kiawentiio was the Katara we were looking for, she is kind yet strong, brave and caring. And Gordon was Aang, sure, he has to learn a few things since he slipped a few times in his acting but nothing that could ruin the experience, that kid is good and just needs some experience.
Elizabeth Yu was Azula. It was different but yet the same character, is like learning something new of her and I like how cleared she show emotions with her eyes. Maria Zhang had great chemistry with Ian and I can't wait to see more of Suki. Arden Cho and Yvonne Chapman as June and Avatar Kyoshi look like they came out straight from the cartoon. Daniel Dae Kim...man is Ozai, so cold, so sharp, so scary, already way better than the cartoon version. I wanna see more of Paul Sun-Hyung Lee as Iroh since the character he really starts to shine in book 2.
3. The live action doesn't have the spirit of the OG?
Yes, it does have. The thing is now that we are seeing real people, things get dark one way or another but I don't think it ruined the spirit of the show. Aang is still a kid, Sokka still making sarcastic jokes, Zuko still annoying as hell, Katara still hopeful and strong... There's everything there really.
The thing is stuff like genocide, murder, war, death and suffering are, for some people, better to watch as pixels in a cartoon than real people.
I think it's a great adaptation and I would recommend it to every fan.
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TBOSAS was not a bad movie, but I do not feel like it accurately represented the book and I'm disappointed
SPOILERS
There were several things I noticed that were missing or changed that I think glaringly miss the point of the book
1) OMITTING THE FACT THAT REAPING DAY IS JULY 4TH............... SUZANNE. "FUCK CAPITALISM" COLLINS. WENT OUT OF HER WAY TO IDENTIFY REAPING DAY AS INDEPENDENCE DAY AND THEY GOT RID OF IT
2) Clemensia. Her story line and Dr. Gall's lab of horrors are all but erased. Not to mention the changing of how Snow was trying to help her out by covering FOR HER... (I know some of this was probably cut because of a) animal rights/didn't want to try to fake bad cgi effects and b) this is probably one of the things that they had to cut to keep it PG-13)
3) I'm not sure if it was Tom Blyth, the director choices, or something else. But Snow's changes in behavior felt too....erratic, random. Not like a man who is trying to be cunning and conniving, like a snake. And they REALLY downgraded Tigris and his grandmother)
4) The Covey. Giving them hardly any screen time, I know Lucy Gray says her name but I never think we're actually "introduced" to Maude Ivory. But their role was downgraded so much.
There were a couple other changes like removing Arachne Crane's funeral, Snow gettiny the guitar for Lucy Gray, and changing around the timeline in Sejanus' death that are noticeable but not distractingly so. I do think not including the meeting between Snow and Sejanus' parents was a real loss though and might've helped my second issue.
There were some things that I really liked; Sejanus was incredible. He got a little more focus, I feel, and it was great. A lot of good expression work/realization moments (Tigris at the end realizing how Coriolanus has changed is immaculate). And I really liked the portrayal of Reaper, how he yelled at the audience and his acceptance of his death. It made me really think about Rue and District 11 and how so much of the rebellion began with her inspiring Katnis.
Overall, it was a decent movie but not the best adaptation and I am a bit disappointed
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voidsteffy · 3 months
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Kalki 2898 AD thoughts (spoiler-filled and long af)
Ok so.... I watched it in Telugu, and 3D. 3D wasn't that special methinks cz only the huge jaguar jumping scene in the start got me. Nothing much 3D-wise.
Now, watching it in Telugu........... Um... Even the dubbing sounds like wonky Telugu and I didn't like that.
Time for points I liked and didn't like--
Liked:
1. The idea of that world: how Kaasi is the first city and now the last city of this Yuga. Priyanka Dutt really headed a dedicated team. I loved the tarot scene because it reminded me of Godavari and made me want a Shekhar Kammula cameo too👀😭
2. I liked how the Vyjayanti logo took us into the world. And the whole premise it started off on. Love the Pareekshit and Ashwathhama Athah...! Kunjarah premise references
3. Loved how the Shiva Linga Ashwathama is meditating near is most likely The Kaasi Viswanath Lingam
4. The CGI with Mr. Amitabh Bachhan
5. Bujji. Unpop opinion maybe, but I liked Bujji more than Bhairava. Was I the only one who wanted Bujji to be the genderbent preserved consciousness of Bujjigaadu (Bujjigaadu: Made in Chennai reference 🤭)
6. How the flames give way to the bearer of Kalki avataram while just a Yuga before, the sea gave way to Vasudeva - the carrier of Krishna avataram. Nice nice. Probably the thing I liked most about this movie.
7. The cameos (will talk about this later)
8. The scale of the vision.... HATS OFF. I want into that man's head istg. All 3 movies: Yevade Subramanyam, Mahanati and now Kalki 2898 AD are three distinct visions and superb visions. I'd love to even see all the concept art for this movie!!!!
9. Call me silly but APRIL ONE VIDUDALA REUNION!!!! (iykyk)
Didn't like (hyper spoilers ahead):
1. Bhairava's character needs more depth. A LOT OF PEOPLE WILL PROLLY TEASE ME/ DISAGREE WITH ME ON THIS POINT. But he does. He's shown as a selfish mercenary whose aim is to settle in the Complex. (I have dreams like you no really a little less touchy feely. But they mainly happen where it's warm and sunny. On an island that I own tanned and rested and alone surrounded by enormous piles of money). He's got debts all over Kaasi and he uses all his money for things like building Bujji and automobiles and thrusters and stuff. But what makes him tick (other than scratching Bujji who he abandons half the time)? What is he scared of? I feel like it would have worked better if Bhairava didn't go to the Complex at all and was banned from it. It gives his hope to see the Complex a touch of whimsy and desperation.
2. Disha Patani's character. The story just forgets about her after the party song which is the most pointless song of the movie btw. I feel like even Nag Ashwin didn't want it there on first thought.
3. SRI KRISHNA DID NOT REMOVE ASHWATHHAMA'S MANI!!!! It was Arjuna who did it as far as I know. After causing the death of Abhimanyu and fellow warriors and family members by unfairly means, Ashwathama almost faced the wrath of Bheema after being dragged to the Pandavas' tents However, Krishna couldn't let the Pandavas commit a sin to revenge a sin. He said, though Ashwathama caused the death of unarmed unaware Kshatriyas, he himself is a Brahmin by birth and thus killing him would be an unforgivable sin. Therefore, completely cutting his hair and taking his mani would be comparable to death. So it was Arjuna who took out the mani on Sir Krishna's advice. (As far as I read and heard from pravachans since my childhood) I disliked how the story started with this inaccuracy and it took me out of the flow. Or maybe Nag Ashwin wanted to change this part of the story to include the curse and pave the story's base? Dk
4. The fights never stop (not in the good way): Bhairava's first fight was SO. LONG. Actually, Bhairava's every fight was so long. Most unnecessarily so. His fights with Ashwathama go on for so long I actually started wondering why the all powerful giant hadn't killed our hero. I'm mean, I know, but I get annoyed by such drags.
5. Late emotional connect: Mrunal Thakur's character dying didn't even pinch. Because I had no emotional connect to even feel the horror of what had happened. But yes, I did cry when Rajendra Prasad's character died soon after bcz that meant the death of the one character who spoke the best Telugu in the movie.
6. As I mentioned, I watched the Telugu version and was disappointed by the lack of diction, even in the dubbing!😭
7. The main point: Almost every scene reminded me of a different movie. A lot of people keep saying it's Dune + Star Wars but here, all I've got to mention -> Loki morphing into many Lokis, Sakaar's neck electrocution thingy (EXACT SAME), Troy: Legacy and Aagardian vehicles with the flying vehicles of that 5000 units bounty hunter. Coco wrt to the city's inner infrastructure (resembles the city in the afterlife, except make it sepia tone). Star Wars with the jedi light saber that Bhairava's dad teaches him to use. Bujji = JARVIS without the English politeness. Prince of Persia: sands of time and John Carter wrt the setting and vibes of the outdoor fight sequences. Mariamma's light rope handles??? From Iron man 2 as well as Wonder Woman. When Sumati imagines everyone dead at her feet it gives Tony from Age of Ultron. The Complex looks a lot like the Singing kingdom from The Marvels. There was an episode of Nebula in Marvel's What If? Animated series -> the concept of the complex or dystopia and the bar seems a lot like it.
8. Ashwathama and Karna weren't friends per the Mahabharatam. "Ashwa uncle" keeps calling Karna "sodara" (pure telugu word for brother) and not "mitrama" (pure telugu word for friend/ally) and it sort of irks me. Also, I think Sri Krishna's voice could have been sweeter (the pitch, Krishna could melt mountains with his voice. Here Krishna's voice sounded something like what we could match to Balarama)
Ok done with that.
Now, cameos..... I mean it's a Nag Ashwin movie and I went in expecting cameos after my experience with Mahanati tbh.
Ones I liked: Malvika Nair as Uttara (that was how I had imagined Shakuntala to look like in Shaakuntalam btw), DQ as Captain/Pilot, Brahmi garu as the fed up landlord, Avasarala Srinivas as gambler (missed him in Mahanati), RGV as the food vendor, Rajendra Prasad bcz the man speaks the best Telugu in this movie (as I mentioned before)
Ones I found Meh: Mrunal Thakur as the pregnant lady (only bcz there was no emotional connect, didn't know anything abt her character except that she's pregnant), Faria Abdullah as the showpiece-angel-dancer??, Disha Patani
Ones I wanted to question: Vijay Devarakonda as Arjuna (like........... I feel like Rana would have been the perfect Arjuna despite that opinion originating from his KVJG days. But maybe Tarak? Maybe you could have CGI-ed NTR sr and reminded us of Nartanasala!!) I have nothing against Vijay Devarakonda, but he just didn't fittttt
Overall: a beautiful effort and a mindblowing idea but the lagging screenplay, some music choices and slight misinformation reduces its impact. Liked it and would recommend bcz this is all people would be talking about and you wouldn't want to stay uninformed on a global phenomenon.
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She-Ra In He-Man Revelations/Revolution
So it's been a few days and I wanted to put this post out there to basically publicly give my thoughts on some... recent developments concerning He-Man Revolution. Before I go into this, MASSIVE SPOILER WARNING FOR THE SHOW!
And also, and this is probably MORE important than the spoiler warning. Do not, and I repeat, do not take whatever speculation I put in this post as gospel or something that is GOING to happen. I may be a bit more knowledgeable than a lot of people about this stuff, but I don't wanna consider myself an expert. This is just me speculating and giving my thoughts and I don't want to get anyone's hopes up because there's a good chance, that what I'm saying turns out to be completely wrong and I don't wanna be responsible for that, so please, take all of this with the smallest grain of salt possible.
With that out of the way...
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So the new season of He-Man ends with the reveal of this lady, Despara. For those who don't know... she is Adora. As in She-Ra Adora. In the DC He-man comics, Despara was the name Adora was known as when she was raised as Hordak's daughter. Her name is often used by Catradora fan artists and fic writers who really wanna just make Adora a hot evil lesbian, usually with a hot butch hairdo. It is likely that if/when another season of this show comes, Despara will be the main focus.
Now this raises the obvious question... how are they going to handle the She-Ra stuff. As I have made posts about before, the She-Ra rights and He-Man rights have been separate for a very long time and apparently, the last thing I heard, Mattel themselves can't use any of the She-Ra characters in animated form due to Dreamworks owning them now.
So naturally, you might be thinking that Despara here is just a placeholder because they can't use She-Ra. Except... there are a LOT of She-Ra references in this season that are way too numerous to be just references.
For example:
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They recreate the exact scene from the 80s She-Ra movie where Adora is taken as a baby by Hordak in a flashback scene. They also mention Horde Prime existing as well and they EVEN imply that Shadow Weaver exists in this universe as well and Hordak's new robot second-in-command, Motherboard is a replacement for her.
So yeah, all signs SEEMINGLY point to some sort of She-Ra-inspired adaption being the next part of this show. Now, considering the very complex rights issues... I can see this going one of two ways.
Mattel and Dreamworks did a deal like the one Sony and Marvel did with Spiderman to temporarily get the She-Ra rights back for JUST this next season. Despara is revealed to be Adora and her arc will be her learning her true family AND eventually becoming She-Ra to fight Horde Prime with her brother and possibly all the other She-Ra cast are there too. This I feel like it would be the ideal solution to all of this.
2. Despara is revealed to be someone else OTHER than Adora under her helmet because her face is obviously not seen in her brief scene when she takes her helmet off. Technically, Mattel would own Despara outright and not Dreamworks and they could easily make Despara her own character. This was also how they planned to include her in the second season of CGI He-Man. HOWEVER, considering all the foreshadowing and knowing how many people working on these shows loved SPOP... I feel like it'd be really unsatisfying if it wasn't Adora under the mask, both as a fan and from a creative standpoint.
As for my personal theory of what Despara's whole deal is, I think she's ruling Etheria on the other side of the galaxy with Catra and serving personally under Horde Prime. Basically SPOP but a bad ending. The plot will be He-Man and his friends finding out about Etheria and going there to free the planet and Despara will redeem herself and she and Catra and whoever will join team good guy.
But that's just my personal theory. I really don't know what the hell is going to happen here or even IF more episodes will even be coming and I don't want to get people's hopes up. There's a reason I myself have been working on my own She-Ra and He-Man crossover extended universe stuff for the last while so, at the very least, there'd be a fanfic that would satisfy my hopes. I am prepared to be very wrong here.
But even if none of this speculation pans out, I still highly recommend this show to She-Ra fans. The second season definitely fixed the few issues I had with the first one and I hope more comes out of this version of He-Man... then again, it wouldn't be the first time a He-Man series was cancelled.
Hope you find this post informative!
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timetravellingkitty · 8 months
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Mulan 2020 sucks lol
Written and edited by yours truly
So, Mulan 2020 happened. And I am disappointed. Seriously disappointed. It is utter garbage. I would genuinely prefer it if I watched Mulan II 5 times in a row, and that's saying something.
There is so much to talk about because this has so many issues. I don't think my brain can handle a movie as bad as this for some time. It is a disgrace to the original animated movie.
(Who cares about spoilers?)
And yes, I can and I will compare it to the original movie because it is a remake. It is totally valid to see where this fell flat and where the original succeeded. I'm not saying it has to be like the original cartoon, that is stupid. As I mentioned, it's to highlight the failures of this movie.
Besides, even if we forget the fact that it is a remake, this movie is still horrible.
INTRODUCTION
Mulan 1998 is a classic. It has great visuals, an awesome soundtrack, wonderful and compelling characters, a great message and a cool plot. It's just a great movie in general. It is an adaptation of The Ballad of Mulan, a Chinese legend. Both the legend and the animated movie are about a young girl named Mulan who disguises herself as a man to take her father's place in the army to fight back against an invasion.
As big of a success Mulan was, Chinese audiences thought some things were weird. For instance, having a dragon be a comic relief character, given that dragons are highly respected in Chinese culture. So of course, Disney decided to try another shot, claiming that they wanted to be more culturally sensitive, accurate and closer to the original ballad.
Mulan 2020 is a remake of the original animated movie, and was marketed to be more "accurate to Chinese culture and the Ballad". This claim is, of course, false, because they failed in that aspect. Say what you will about the cultural inaccuracies in Mulan 1998, but at least it was a great movie. Besides, Mulan 1998 didn't pride or market itself on being culturally accurate, the way Mulan 2020 did, so there's that.
CHANGES
I don't mind some changes. And honestly, if there's one thing I appreciate, it's that it isn't a carbon copy of the original (looking at you The Lion King 2019).
Li Shang's character is divided into two characters: Commander Tung and Mulan's love interest Honghui, apparently in light of the Me-Too movement. This is a dumb reason. Disney wasn't comfortable with a superior having a relationship with a subordinate? The hell? The romance between Shang and Mulan was only insinuated at the end, when Mulan wasn't even a part of the army anymore, so there's that. Also, Mulan gave her consent, so I don't know what they’re talking about.
Mushu isn't present in the movie. I can see why though. He contributed quite a bit to the soul of the animated version but a CGI dragon would be very distracting. Also, the director said that removed him to achieve a more realistic tone.
Grandma? No grandma. Mulan has a sister though, who only exists to mess stuff up.
The Huns are replaced with the Rourans and Shan Yu is replaced with Bori Khan.
Mushu is replaced with a phoenix, who acts as an emissary for the ancestors
There are no songs, except in the end credits, which isn't a bad thing. The instrumentals of the songs in the animated one play during some scenes (I'll talk about the music, don’t worry)
CHARACTERS
The characters in this movie are so boring. Our lead character Mulan lacks the charisma her animated counterpart had. She's utterly bland, uninteresting and poorly written. In the original, she knew she wasn't physically strong and that she couldn't solve her problems with her strength, so she used her intelligence and wit. She excelled by working hard and being strong willed and determined. This Mulan is a well rounded character.
Mulan in the live action is given Chi powers (Chi is a big part of Chinese medicine, in case you didn't know). Honestly, I wouldn't be as mad at Mulan being given superpowers, had they actually done this properly! Chi isn't like midichlorians, it's something that flows through everyone. Mulan is naturally born with dumb superpowers and has to hide them because as her dad says, " Chi is for warriors, not for daughters”. There is a problem:
It has been mentioned many times that Mulan needs to hide her superpowers otherwise she will be shunned and ostracised. Then why doesn't she get more repercussions everytime she uses her powers? The worst thing that happens is little Mulan getting looks of disgust when she uses them. On other occasions, when she is now a part of the army, she uses her powers in training and she doesn't get any backlash? What the hell?? Then why even bother in the first place?
The only way for this narrative to work is if Mulan got more repercussions for using her powers.
If I were to make the line "Chi is for warriors, not daughters," work, I would make it go something like this:
*At the end of the movie when Mulan comes home*
Dad: Didn't I tell you that Chi is for warriors, not daughters?
Mulan: "I am a daughter, but I'm a warrior too."
(Yes, I know this is similar to a scene in Avatar: The Last Airbender, but this would be better, tbh. Also, watch Avatar: The Last Airbender)
Let me compare the training montages from both movies.
In the animated one, there is an absolutely AWESOME montage of Mulan training side by side with her companions, slowly gaining their trust. She climbs the pillar with both medallions by using her wit, not by brute force. This Mulan worked hard. Besides, the fact that "I'll Make A Man Out Of You" plays over this is the only thing that makes it better (banger song, thank you Donny Osmond)
In the live-action, Mulan is supposed to lift up buckets and climb on top of a mountain. There are also other training scenes, but those aren't very important. In these scenes, she succeeds with the power of CHI. WHY? Mulan here just achieves her goal because she is oh so special. She didn't work to achieve her goal at all, because she is perfect. No struggling or development here at all.
Mulan in the animated version was more concerned about saving her father. Mulan in the 2020 version is a dumb patriot who can't even do patriotism right ("I know my place. It is my duty to fight for the kingdom and protect the Emperor") How very empowering.
In short, live-action Mulan can do no wrong. She has no flaws, no personality and no charm. Everything comes to her pretty easily, because MAGIC.
Li Shang's role in the live-action is divided between Commander Tung and Mulan's love interest Honghui, as mentioned before. Both of these characters are flat, dumb and boring. Tung exists to tell Mulan to cultivate her Chi and to train these idiots (and to offer his daughter’s hand in marriage to her, unaware that Mulan isn’t actually a guy, but eh). Honghui is there to be a stupid love interest, who gives us an “I am Spartacus” moment.
The witch is by far the most interesting character. She actually has more than one side to her, has SOME kind of depth and you can even feel sorry for her. She is supposed to serve as a foil to Mulan, given that both have similar powers. In case you've forgotten (which is something I wouldn't blame you for), she's an outcast who's now working with Bori Khan. Why is she an outcast? Because of her Chi. The witch has said many times that she could kill Bori Khan in a snap, then why doesn't she kill him? Because she needs acceptance? What the hell? She decides to pull out the whole "We're the same, you and I," stupidity to Mulan, and I can see that. It's just that the writers just didn't put much thought into it. “It’s too late for me” because you saw a woman leading an army of men? Also, why does she warn Mulan that Bori Khan is coming? Unless she's playing both sides, except her motivations aren't made clear enough for this to make sense. Finally, she dies for the dumbest reason. God, it just makes me so mad. She had so much potential, but no. They just had to mess her up.
Bori Khan? MORE LIKE BORING KHAN. Not much is there. His animated counterpart Shan Yu was scary and contributed to some of the darkest moments in the movie. This guy over here is just...nothing. That's all I have to say.
Mulan's sister is only there to mess up the meeting with the Matchmaker. What a stupid change. First off in the animated version, it's Mulan who messed up, because she isn't perfect. She fails at being stereotypically feminine AND masculine, but in the live-action, she literally pulls off a Spiderman cafeteria scene, and the blame is put on the sister. In the animated movie, this scene is groundwork for Mulan wanting to prove herself and going on a hero's journey, providing depth to her character, but in the live-action, she's perfect. What is the point? (I know this section was supposed to be about the sister, but eh). The sister doesn't provide anything else to the movie, so thanks! I hate it. Moral of the story: Girls can do anything boys can, as long as they have superpowers. If you are born special like Mulan, you can be respected, whereas if you are like the sister, you have no significance and in the end, you can just fit in and be irrelevant. Congratulations!
The live action group of guys Mulan met and befriended in the army lack the charm and comedic timing of their animated counterparts. That’s it. Seriously. I have nothing more to say about them, because they don't really have anything going on. I don't even know why they are included, because their contribution is nil, save for them blandly speaking lines from the animated version’s songs ("I don't care what she looks like, I care what she cooks like"), which is seriously cringe.
The dad is there to tell Mulan that Chi is for warriors. A shame, because I really liked the dad in the movie. He was a source of wisdom for Mulan, whose greatest honour was having her for a daughter. In the live-action, he just takes the sword that Mulan is given at the end of the movie. The mom is meh.
The emperor is also meh. At least he was wise and cool in the animated version, but here he just does bed sheet kung-fu.
Did I mention that the dynamics between the characters are unnatural, forced, awkward in a bad way and in no way indicates any chemistry between them? Oh yeah, I didn’t, until now. They don’t establish much when it comes to emotion.
Simply put, Khan (Mulan’s horse in the animated version) had more personality than all of these characters combined
PERFORMANCES
Liu Yifei as Mulan was a pretty terrible choice. She is just a block of wood, who has absolutely no range, and this isn't because of the writing. She is genuinely bad, and is regarded as one of China’s worst actors (I kid you not). She just can’t emote.
Jet Li as the emperor is meh. But hey, he doesn’t have much to do, so eh.
Jason Scott Lee as Bori Khan is fine. He doesn’t suck, but he lacks the command and authority of a character who is supposed to be intimidating, but I guess it has something to do with the writing of his character.
Donnie Yen is a martial art legend, but unfortunately, he doesn't have much range as an actor.
The best performance of this movie is that of Gong Li, who played the witch. Honestly, she is charismatic, charming and has an idea of what she is doing.
To save everyone’s time, simply put: most of the performances are bland and mediocre. Partly due to bad writing and partly due to most of the actors not being, well, good at acting.
CULTURAL AND HISTORICAL ACCURACY
So Disney went all “we like cultural and historical accuracy”, which is nice. For example, the Huns are replaced by the Rourans, a real tribe in China around the time Mulan was supposed to be alive. They also removed the hair cutting scene, because as iconic and awesome as it is, it doesn’t make sense. Chinese men wore their hair long too. You know what? I like these kinds of changes. I appreciate accuracy. If only Disney didn’t pride themselves on their accuracy when they got almost everything else wrong (They somehow got Mulan's house wrong lol). I don't know jackshit about Chinese culture so just go watch that Xiran Jay Zhao video it's very swag
THE BALLAD OF MULAN
In a surprising turn of events, this isn't accurate to the Ballad, like they had marketed it to be (I know, I’m shocked too). In a reference to the Ballad, Mulan is riding a horse and she sees two rabbits running side by side. She goes home and tells her family that she saw 2 rabbits, and she thinks that one was male and the other female, but she wasn't sure. This just misses the entire point of the Ballad.
Long story short, Mulan in the Ballad is actually a seamstress. She joined the army in her father's place. She defeats the barbarians and goes on a ten year long campaign with her friends, after which they meet the Son of Heaven (a sacred imperial title of a Chinese emperor). He offers her a high ranking position, which she refuses, because she just wants to go home. She returns home and her family welcomes her. Sometime later, her friends come to visit her, and they find out that she is actually a woman. The friends are shocked because she has been in the army for 12 years and in those 12 years, they didn't even realise that she was a woman.
Mulan then replies:
The male hare's feet hop and skip
The female hare's are muddled and fuddled
But when two hares are running side by side
How can you tell the male from the female?
Which is where the poem ends.
So, Mulan just going on, judging those rabbits like that makes absolutely no sense. The Ballad is about how no matter how different men and women look, when they live and fight amongst each other, who gives a damn about the differences? You know what would have made sense though? If Mulan got off her horse, went close to the rabbits, examined them, and then made the conclusion that one is male and the other is female. This would actually be sticking to the message of the Ballad. Also, why do they make it ambiguous as to whether she accepts the high ranking position? I assume for a sequel (yes, God save my soul). Here we can see another example of its impeccable accuracy to the Ballad.
THIS ISN'T EMOTIONAL AT ALL
Everything that made the original film good has been stripped away. Every moment that is meant to be emotional is very dull. For example, the scene where Mulan makes the decision to take her father's place in the army is supposed to be a very powerful scene. Mulan is risking it all just so her dad can be safe. She might be killed if discovered, and her family would be dishonoured.
When Mulan comes back from the Matchmaker, she has a moment of reflection while singing "Reflection". This is the beginning of her personal journey, discovering who she is. In this, after Mulan comes back from the Matchmaker, she doesn't have a moment of reflection. The army immediately shows up. Am I really supposed to believe that Mulan feels bad about this? That Mulan is really struggling?
When Mulan’s friends are singing, it suddenly shifts to the striking scene of the burnt village. This, in my opinion, is the best use of tonal whiplash. From this point on, things are getting serious, and the emotional weight of this tragedy is felt. In this, they just randomly show up at the village.​​ There is no seriousness (stop trying to tell me this movie is adult, mature and serious, it just looks like that on the surface).
Their attempts at being emotional are poor and unconvincing, and ultimately, the end product is an emotionless, soulless, depthless entity.
THE MUSIC
The director mentioned in an interview that she didn’t add songs into the movie because it is “unrealistic to break into song when you're in war”, and I don't think I’ve heard anything more false (apart from the concept of a flat Earth). Even I, who isn't going into war anytime soon, know this is false. They instead inserted instrumentals from the original film. Except, it's very weirdly placed. The instrumental for Reflection is placed when Mulan is fighting the Rourans after she reveals herself to be a woman. Like, there isn't any context. In the end credits, they had the original song "Loyal, Brave and True" sung by Christina Aguilera, which was nice. I don't really have much to say in regards to the music. The music is overall forgettable.
THE ACTION
The action may seem weird, but this kind of martial arts is a part of the Wuxia genre, which is what they were going for. Well, they failed. The choreography is bad, the CGI is bad, EVERYTHING is bad. Honestly, if you want a good Wuxia movie, Crouching Tiger, Hidden Dragon exists. The action is here stupid and stiff.
OTHER DUMB STUFF
Why does Mulan take her armour off before going into battle? That is just stupid. Can't you just take the bindings off? Also, WHY OPEN YOUR HAIR-
Mulan really likes kicking spears (and pointy stuff in general). Seriously. It’s weird.
The CGI is okay I guess, I don't know. The phoenix in some scenes looks pink to me. There are some pretty visuals though.
It is very obvious that there is a green screen used in the scene where Mulan and her friends find the burnt village. And it looks bad. Pretty ugly. It looks bad. The green screen looks bad.
The war strategy is just weird. I can't really say anything about it in text form because how am i supposed to describe it, help- (she literally teleported behind the bad guys in the avalanche scene-).
I like how the animated film, which had a dragon as a comic relief and other silly stuff, is more mature than this.
For what joy does Mulan get another sword from the army? Also, shame the dad is all “oh look at the values written on the sword, they are honourable” even though in the original the greatest honour was having her for a daughter.
How was Mulan even able to tell the gender of the rabbits?
Why not just try to send a warning to the Emperor that the Rourans are coming to get him?
Why does Commander Tung let Mulan lead them-
I AM SO DONE
Well, I think I have said everything I wanted to about this movie. I know I havent talked about its controversies but honestly, I am done. I am so done with this. This document took 5-6 months of my life. I am kind of proud of this, and there isn't much I have done to be proud of. I did procrastinate on this a bit, and I had stuff going on, but finally, I am done. In the future, if I remember something, I'll add it here, but I think that is unlikely. I never want to watch or even go near Mulan 2020 again. It's horrible, and there is barely anything redeemable. I hate it here. It’s been reported that a sequel is in development. If it’s true, of course I’ll watch it, how else am I supposed to validate my self hate? I am also, of course, the resident “friend who suffers for everyone else’s entertainment”. If you want a live action remake of Mulan, Mulan: Rise of a Warrior exists. Go watch it, it’s free on YouTube with subtitles. I really liked it.
If you’ve somehow made it this far, thanks for reading. I congratulate you for putting up with whatever this is. I would also like to take a moment to congratulate myself for actually committing to this. It was painful yet fun to complain about this to the best of my ability. If anyone wants to add anything to this, feel free to do so. Now, if you’ll excuse me, I’m out. I have lost my faith in humanity, and I have other things to complain about.
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itoendme · 9 months
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golden kamuy is so weird because its one of my favorite manga but whenever i try to talk to people about it all that comes out is 'unhinged pathetic men', 'the art is a little wonky' and 'the anime has low budget bad cgi' but i wanted to take an opportunity to collect my thoughts and put them into words so this will be a very self-indulgent rant.
*warning: spoilers ahead*
i feel like, outside of japan, no one really talks about gk. i currently go to school in japan, and ever since moving here i was really surprised at how popular gk is. obviously there's the live-action movie coming out in less than two weeks but there are gk pop up stores, collab events, and i've even found gk merch in bic camera (generic electronic store that just has a bunch of miscellaneous stuff) but i think the reason for that is that its hark to really understand gk without some historical and cultural background. its about war and brutality and minority culture erasure and materialism and ptsd and abandonment trauma and manipulation and coming to terms with your own identity. it's historical, but its relevant. sure, it's filled with dick jokes and toilet humor and noda-sensei taking any excuse to draw naked men, but man, it gets dark, it gets deep, and it hits hard when it wants to. but that's not to say that the humor takes away from it. it's not a lighthearted manga/anime, but i think the humor ties into it perfectly and im still not quite sure how noda-sensei does it.
and the symbolism!!! gk sure does love symbolism and i am here for it all the way. understanding where the title comes from gave me chills. theres sugimoto and the dried persimmons as a representation of himself and his life before he went to war, and there is also so much symbolism surrounding ogata (especially with the eyes; as someone whose sense of identity and self-worth hinges pretty much entirely on his ability to shoot a gun, having him kill himself by shooting out his remaining eye was *a choice*)
i also think that asirpa is one of the best female characters in anime. she's not a naive little girl, as much as some of the other characters might treat her like one. she's someone who was forced to grow up too fast, who sees her purpose and knows she can't run from it. she carries the biggest burden out of everyone. and i love her friendship with sugimoto they are the most codependent besties and i love them to death.
not to mention the amount of research that clearly went into everything goddamn.
anyway it makes me sad that outside of japan, it's not that well known, when i think its a very well thought out and impactful story
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Thoughts on Beetlejuice Beetlejuice *SPOILERS*
The Good:
The reveal that Astrid could see ghosts this whole time and that Jeremy was actually a ghost was genuinely really good - I didn't see it coming but in hindsight it was so obvious. The whole bit about him trying to trick Astrid into giving her life for his was so fun.
Michael Keaton was a treat to watch as usual - all the actors seemed to be having the times of their lives, especially him, Willem Dafoe and Monica Bellucci. I was actually laughing out loud at some of the scenes he was in and I appreciate that they used him sparingly. I also thought the gag of Willem Dafoe's character being a former actor who liked pretending to be a cop and his secretary kept fetching him coffees and feeding him his lines was genuinely funny.
I was on the fence about Astrid because from what I got from the promotional material she seemed pretty bratty and whiny, but I think her frustrations with Lydia and her life in general were generally fairly understandable and I think she and Winona Ryder had great chemistry. Also I want Astrid's wardrobe, that sweater-dress with the bike shorts and boots? An absolute serve.
It's cool that Tim Burton and Michael Keaton both insisted on building sets instead of relying on CGI to do everything, I think that one of the charming things about the first movie was the handmade feel of the sets and they managed to capture a lot of it in this one. I mean, they do use SOME CGI, especially where Beetlejuice is involved, but I think it's good they didn't just rely on greenscreens.
Banger soundtrack, as usual, thanks to Danny Elfman.
Killing off Charles and Delia was surprising but I thought it was handled in a good way. I thought the actor who played Charles had died or something and when I googled why he wasn't in the sequel I think they did the best they could with the character. Catherine O'Hara sort of held together the Lydia/Astrid subplot for me, especially when she says to Lydia, "What happened to the angsty goth girl who gave me so much trouble? I think you need to find her!" The Bad: - This movie really made me appreciate the Maitlands more. The whole thing with the first movie is that Adam and Barbara ground it and give it a sense of normalcy - they have random, sudden, unfair deaths and as the audience we're thrown into the confusing world and rules of the afterlife as much as they are. In this movie I feel like everyone is too busy trying to be different flavours of wacky to feel real, which is fine for people like Beetlejuice or Delores but the human characters didn't feel like that had substance like the Maitlands.
Am I the only one who felt like this film felt kind of like a character assassination of Lydia?? I love Winona Ryder to death (pun unintended), but I feel like all she did in this movie is make that pop-eyed shocked face and say exposition. I'm sorry but am I meant to believe that Lydia Deetz, the only person in the first movie who could communicate with Adam and Barbara, called Otho, Lydia and her dad out on their shit multiple times and had the balls to make a deal with Beetlejuice to save the former, would seriously let some creepy man pressgang her into marriage? Not to mention I can't remember a single line of dialogue from Lydia, she's kind of been demoted to just being a depressed goth mom and that's kind of it. Also I felt like the way she was using her power for a TV show felt OOC when she was the only one who opposed the haunted house idea in the original. (Also Winona Ryder's hair looked terrible in the movie, it made sense for teenaged Lydia to have those gel spikes but on a Lydia who's hit fifty they look ridiculous. Like what, did her fashion sense never evolve past age fifteen?)
There were WAY too many subplots. I genuinely really liked the subplot with Astrid and Jeremy, and I think Beetlejuice and his ex-wife had a lot of potential, but the end of the movie was like Tim Burton forgot to keep track of every subplot he had going on and wrapped them up really unsatisfyingly.
Monica Bellucci's character was WAY underused. Like. I absolutely loved her design and stuff but she was walking around the whole movie attacking random people we don't give a shit about, and then in the climax she just stands there and lets herself get eaten. (That staple-face look would make a fire Halloween costume though.) I feel like the subplot with Lydia's creepy boyfriend/producer should have been cut so she had more time to shine.
The dialogue. Some of it was fine but other times phrases showed up that are so obviously going to become dated in a couple of years, it sounded like adults trying way too hard to be edgy and relatable to Gen Z viewers, like when Astrid goes "the afterlife is so random!" or that one woman describing something as "non-triggering". I don't remember the dialogue in the first movie feeling so buzzword-heavy.
Beetlejuice felt less like a threat this time. In the first movie he's more of a clear-cut antagonist but this time he's very clearly on Lydia's side and even dispatches all the other bad guys, so I think some of his more sinister energy was lost here.
The ending was really dumb ngl. It feels like it's setting up for a third one but Tim Burton was like "lol not gonna happen" so I have no idea why he chose to ending it like that.
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