The thing about Luca is that. And I say this as a writer, I suppose, but also as a queer person, that he exudes a certain feeling of safety, and comfort. Like, to have him play something will mean he's going to give you his everything. No matter the character, you'll see a sincerity that isn't just the product of the script, or the demand of it, but also the mind of the actor.
To know that a person of his calibre is out there playing queer characters so effortlessly, and without a doubt in their mind, without any prejudice blinding his artistic choices and who he is as a person, it's obviously a ray of hope, but it is also, then, a kind of trust, even if it is just parasocial in many ways.
I know if it's Luca playing a certain queer character - regardless of what happens to them in the script, that is if the script is stupid and insincere to the queer perspective in certain ways - I'd still easily trust him to do justice to the queer experience, for how sincerely he plays everything.
The whole every-character-of-his having a underlying homoerotic quality to them is all fun and cool and great and beautiful, but also, it's so fucking refreshing
It's been decades of asking for the correct representation in media, it's been years and years of queerbaiting and, if not that, just general lack of care
I've been accustomed to just wanting some of my favourite characters to be gay. Just thinking and wishing and hoping that someone someday will let them reach the full scope of their personality, let them have the right sort of ending, see first the fabric of their person, and not just the thread of their sexuality, and maybe then write the script. There have been all sorts of emotions, and so to find now a person who is doing just that? It's pure beauty.
For a while now it's been changing, more and more shows and films are becoming inclusive and accepting and understanding of the queer gaze, and it's so beautiful that Luca contributes to it with his whole heart, and has been for a long while.
Many must remember how it used to get with artists and makers always denying or trying to tip toe around the obvious queerbait, or shying away from the conversations that involved that queer perspective, or outright rejecting the very idea- it happens still - but then you see the likes of Luca and Marwan being comfortable in each other's company and also about the love they shared on screen (especially, i think, it begs to say, with them being men), talking happily about their characters, making playlists for them, recommending poems for them
A lot many actors now are open to these conversations, a lot of them now talk about it with nuance and care, with just the right words, and though it's in no way any less a contribution to the conversation, or any less genuine, but again, there is something to be said about the ease Luca shows.
Again, as I said before.. it feels safe, with him.
In a lot of his interviews, he doesn't bat an eye before saying things like - I was lucky to have him as my husband. And he means it, you can tell that by the smile on his face. When people are focusing on the movies' objective and the friendships in it, he easily goes and says it's not only the friendship, but also the love.
In another of his interviews, there was once this question about Roberta, about if he knew what was demanded from him and how he prepared for a transsexual character. I remember it because I was almost sure I'll be hearing some generic answer like I studied trans people for this role and this that blah blah, something ignorant, basically. I was braced for it. But he just said. (And he was talking in english, and all that he was trying to say was conveyed more through his face and gestures, it was super cute actually) - I read the script, and I just felt something. I didn't think about playing a transsexual, but a woman, with a friend. It was important for me to show the love she had for him. So. I just played a woman helping out a friend :)
And I was like ?? wait that's? That's all? You're not going to go deep into the character's psyche and the great moral upstanding you must be feeling for doing a role like this? You're not going to talk about how you "prepared" for this role or how it was "different" for you?
I was so used to people doing that, his simple answer took me by surprise.
and that's what's so refreshing, so comforting.
There's no hesitation in him, no prejudice or preconceived notions or activism, even, compelling his choices and words.
It's just him, plain and simple.
He's committed to his art in a way that people rarely are. Especially in media, where even big companies and huge hollywood stars often fail you.
I wish more people in this world were like him. So gently open in his ways, so effortless in his understanding and acceptance that it becomes intrinsic to him.
He's one of the few people, I would say, who are an artist not just by work, but also by nature.
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a really defining moment of aang and sokka’s relationship is that sokka literally lets himself get beat up for aang’s amusement and entertainment like a day into knowing him. like he is literally letting aang drop him onto the ground from a not insignificant height over and over again just to see aang smile and laugh. he is putting his own safety and physical wellbeing at risk because it makes aang happy. and there’s a lot we could get into here about how sokka fundamentally views himself and his body as a vessel through which to provide services to others instead of a whole human being in his own right, but what matters for the purposes of this post is that it’s very immediately established that sokka will do anything to see aang enjoy himself, to the point that he will quite literally put up with physical abuse without complaint to make aang happy. so when people are like “it’s crazy how sokka is so smart and yet loses all his braincells whenever he’s around aang,” it’s like yeah, teenage boy adhd2adhd communication will do that, but also a large part of it is sokka contorting himself into an image that he thinks aang will appreciate, because he knows just how valuable preserving aang’s childhood joy and laughter is.
and what’s beautiful is that through actively becoming this person for aang’s benefit, he also actually starts to internalize the sentiment. through the process of letting himself be silly and goofy for the sake of making aang happy, he also absorbs some of that sillygoofy happiness and regains some of his own childhood joy and laughter and sense of wonder he truly thought he had lost forever. he’s not just helping aang retain his childhood, but aang is also helping sokka regain his sense of humanity. the sokka of book 3 is someone who enjoys “wacky, time wasting nonsense” and throws beach parties, a far cry from the sokka of book 1 who thought fun and joy were luxuries no one could afford. his selfless love for aang is also self-affirming, helps him to embrace aang’s point of view, to love himself slightly more than he otherwise would have. because to love aang is to necessarily let kindness into your life; it’s to learn how to be free.
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Something just got me thinking...
Suibian is a truly loyal sword, it refused to let anyone else use it and did what was only ever heard of in legends and sealed itself away when its master died!
The sword is monogamous. It only connected with one person and no one else would do. No one else could compare.
Spiritual weapons have a deep connection with their wielders, they are constantly permeated with their owner's spiritual energy. They are, in a way, an extension of their master.
So, it makes perfect sense that Suibian is monogamous. Because it's quite obvious that WWX is as well. WWX only ever had eyes for one person, he only ever connected to one other person in such a deep, life changing way. No one else would do, no one else could ever compare to that boy that stole his undivided attention on the Cloud Recesses rooftop the first night they met.
It was always LWJ for him, just as it was always WWX for Suibian.
Like master, like sword.
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i am so charmed by a lumax wedding because it’s not even something max thought would happen. like she assumed weddings were something the girl makes happen and the guy puts up with. and because she had no desire for one, so there’s no reason it would happen.
among other things weddings are an exorbitant and performative show of love, max loves lucas and she doesn’t care whether or not other people know or believe this. at it’s best marriage to her has been a representation of failed dreams and at it’s worst it’s been a tool to manipulate people who need to get away to stay. maybe they will get married for the tax benefits, she thinks.
this is until max and lucas are older and living together, they’re chilling on the couch and lucas mentions his family has been asking when he’s planning to propose and if that’s something max even wants? max doesn’t care, she doesn’t plan on going anywhere, a certificate won’t change anything and she's not crazy about parties. she doesn’t ask how he feels, he brings it up, that “actually i want a wedding.”
that is saying the least, lucas wants a wedding more than anything. he loves max and he doesn’t need to prove that to anyone, but he’s happy and he wants to share that with others! he wants to work with max to make marriage a positive thing to them, he wants to celebrate their love, everything they’ve been through. also, hell, he’s only human, he wants to show off! he wants to dress really cool and go to a really cool place and show the world know how awesome he and his girlfriend are. HIS WIFE!!!
most of all, lucas wants the moment near the end of the night, where the party’s getting loud and everybody wants his attention, but max asks if he wants to get out of there and he says yes. not out out, just outside the venue. it’s dark and the once booming music is now faint, they sit and catch up, complain about their families, laugh about their friends. max holds lucas’s hand and plays with his wedding ring, she whispers something sweet before asking him to dance. it’s the best part of the night and nobody will know about it but them.
suddenly max decides she wants a wedding.
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