Just so y’all know: I am going to be tag-teaming with Elizabeth Swann and driving around looking for new characters to join my ever-growing Speedstorm crew.
If I do not respond and/or appear active today, this is why. The Pirates on Speedstorm just stole me away.
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I don't know who needs to hear this, but
YOU DO NOT NEED TO START A NEW HOBBY!
STEP AWAY FROM THE TEXTILES!
YOU DON'T NEED MORE YARN!
THAT FABRIC IS NOT CALLING TO YOU! LEAVE IT ALONE!
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you guys ATE UP THAT LAST POST HUH!!!!!!!! have some doodles
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Just got back from my Freddit break and uh
No spoilers so far but there’s a warning for Tales from the Pizzaplex: Get ready for GGY to make you flip tables in rage, rewrite your FNAF (SB or otherwise) headcanons, and make you question whether or not you need to take a FNAF break until the film comes out (That way, you can get a complete lore reset and not bother with the games for a bit). Oh, and apparently tremble in fear but that’s probably a given with these books.
Best personal guesses for the lore-breaking twist are (1) Gregory is the game universe’s Eleanor, (2) Gregory is the game universe’s Charlie-Bot… somehow, or (3) Gregory and Vanny are working together and he’s been a very good actor so far. All I want to know, really, is where in the world does William Afton or Glitchtrap come into play??
Unless one of the bombshells is that William’s childhood was the court case stuff. Fingers crossed, I guess. 🤷
Also also: Considering those warnings, y’all better be hoping this is an alternate timeline like the Silver Eyes books. Same goes for me too, but at least I’m trying to keep my guard up and spitball until the leaks come out.
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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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