I really wanna see everyone's reaction to Naruto's fox summons
One reaction I have for sure!
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[ID: A reference image for a blue version of Mickey Mouse.
Their name is Mick, and they're wearing a black hoodie with the hood down, and a sleeveless denim jacket over it. The front of the jacket is covered in many pins, like the trans pride flag, the genderfluid flag, a black patch that says "the first pride was a riot", an ambiguous shape with a red crossed out symbol over it, a watermelon, the autism creature, and a small black patch that is cut off due to the angle, reading "eat the".
The back of the jacket has the Public Domain symbol, white a lower case C on a black background that is crossed out, with ears at the top to match Mick.
They are holding a dark blue offset cane, and have band aids on their leg, nose, and one finger.
Text around her says:
-any pronouns
-soft spoken but stands up for their friends
-fucks around and finds out
-being of pure spite
Back patch should always be the public domain symbol with ears
Feel free to swap patches in the same theme or omit them for simplicity
Uses cane for balance, relieving pressure on his legs, and whacking people
Bandaids are optional and can be any color / placed anywhere (she's very clumsy)."
The very bottom of the page has the hashtag, "mickeysona".
End ID.]
lil something to celebrate the mouse entering the public domain :]
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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i know im a weirdo but this this sneaker enthusiast hardly ever wears anything other than sneakers so i made these gifs for him and his sexy tasty boots
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Every time I see someone earnestly say that Carver hates Hawke, I have to exercise such restraint to not scream.
Every day I get closer to writing a deep dive about him because that's my guy. He's so interesting. He feels so much. He tries so hard when talking to the other companions and some of the dynamics he has with them are so good. He can be so fucking funny and sweet and awkward. He so badly wants to be wanted and appreciated and to protect everyone he loves.
Carver Hawke, they could never make me hate you.
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How I think an instance of Cove climbing to MC's window went via text
Cove: MC
Cove: MC
Cove: MC
MC: GIVE ME A SEC COVE THERE'S SOMEONE OUTSIDE MY HOUSE
Cove: I know
Cove: That's me
MC: Cove
MC: It's like-
MC: 11 pm today-
MC: ITS NOT EVEN TODAY ANYMORE
MC: IT'S TOMORROW
MC: I ALMOST SCREAMED
Cove: please don't
MC: I WILL IF YOU DONT STOP STANDING THERE LIKE MICHAEL MYERS
Cove: I brought snacks
MC: get tf in here
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thinking abt how azi was truly crowley's sunlight through the millenniums. like, here's this demon who didn't mean to fall, who just asked questions and deep down he was still so good. and he is alone, he's the literally the emboidement of the first sin, and NOT by his own choosing. he's so alone and afraid and just wants a real conversation w someone, even if its an angel who'll most likely hate him. and here's the guardian of eden, who gave away his sword, that GOD gave to him, without asking a single question, to help the humans under his charge and he's kind to crowley and crowley is utterly fascinated. zira is basically the first protector, not only to adam and eve BUT CROWLEY TOO. he protects crowley from the first rain bc he's so fundamentally good and kind and crowley can't help seeking him out over the years. when they meet in rome, c is obviously far more withdrawn and angry bc of the things he's seen and was forced to do and there's az again, so happy to see him and even inviting him to dinner. everytime they met, even when crowley was saving azira, he also saved crowley by the simple act of being his friend.
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there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.
besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.
batman: huntress/spoiler: blunt trauma (1998)
that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.
there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.
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Prefacing that, again time zones, I've only been able to glean the latest CR episode and that I do not agree with their in-character opinions on the gods, I'd like to remind fans to try and not get super ugly about their criticism of Ashton Greymoore.
I'll be the first to throw my hands up and say they're among my favourite C3 characters so there may be bias, but I've been getting flashes of the Shard Incident from reactions towards their recent and vocal disdain for the gods. Disagree with them all you want, Taliesin knows that the gods can't simply leave since they're the one who said that the Wildmother would die if she left, but understand that it's a character flaw and if you recall the hardships of their backstory, the unanswered prayers, and that their only exchanges with the gods have required them to do something or, with the Dawnfather Angel, have been met with cold disregard, it's understandable how they got to feeling that way. Ashton has lived alone and been told they don't matter for a lot of their life; no gods, no family, no nurturing presence to guide them, they've been abandoned, used, and - with additional influence by the Dominox accusing them of wanting FCG to die - are currently between blaming themselves and the Changebringer for their closest friend's death.
Make no mistake Ashton is wrong, I think the self-confessed hypocrite with also self-confessed poor morality knows that deep down, or at least knows that they're not the kind of person who should be in charge. Vassalheim is a difficult place for a titan vessel to be in so it is unsure what they will do from here; perhaps investigate the Earth Titan? Commune with the Emperor and Empress? Or maybe be brought to the gods and be able to vent or reconcile with them (and maybe get some closure with FCG, speak with his spirit as like a mediator between the Hells and the Gods)? But it feels like Taliesin is being vocal for a reason, and it's either to invite Matt to challenge it (I've said in other comments but I would love if Ashton found some comfort, not worship or a pact but maybe just a dialogue, in the Everlight: a goddess of healing, temperance and redemption - all of which would help Ashton mentally - as unlikely as it'd be) or find another maybe primordial route to give Ashton a narrative tether towards stopping Predathos.
Let's just, not be cruel about the character, they are more than just their bad trauma and grief-led opinion on gods remember?
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