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#her hatred of humans
fanstuffrantings · 10 months
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Thinking strongly about the concept of a Salem lore rewrite where she was a creation of the God of darkness who was trying to make more advanced Grimm, and Ozma was a hero blessed by the God of light. The only person to never look at her like a monster.
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bamsara · 2 years
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being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now
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lizzylucky · 2 months
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Draxum hadn't accounted for the fact that when he gave four hatchling turtles the DNA of a human being in order to give them greater intelligence, he would effectively be making himself a surrogate father to actual children, with wildly different needs.
When he sent his gargoyles to obtain a sample of DNA from Big Mama's prized warrior, the intention was to create his own. They were to be the prototypes for an army of simple creatures with just enough heightened intelligence to learn combat and follow commands, that he might defend Yokai kind with.
Instead, he quickly discovered the integration of human DNA had been a little over successful in allowing his test subjects to learn and think and feel in a civilized manner, going so far as to override some of their natural instincts as turtles that would otherwise allow them to learn to care for themselves. He had to feed them, by hand, with bottles.
Like infants.
They were easily distraught by unfamiliar things, and quickly became dependent on Draxum in every sense of the word. They babbled, they cried, they explored things with their hands, their tails, their mouths.
It was an unplanned adjustment needed to be made, but no matter. If anything, learning to understand the new hybrid emotions of these turtles would allow Draxum greater advantages when they grew enough to safely learn combat. Preferences, likes and dislikes, needs, diet, and so on, all became more complex areas of study.
Even a couple years in, he found himself continually surprised. Brain scans had shown that the turtles were more intelligent, still, than anticipated. They, truly, seemed more human in mind and function than anything else, with only some base instincts and behaviors left to influence their personalities. They retained many reptilian traits, but overall had the bipedal anatomy and function of humans and some Yokai. It had been an infuriating discovery at first, but Draxum had to admit that over time he became fond of it.
Each turtle had developed his own personality. The eldest, for example, had a love of plush toys, and showed a fierce protective instinct over the others. The youngest, Draxum had learned, was contrastedly reckless and excitable, not nearly so reserved or gentle as the first. Additionally, he was, decidedly, to be kept away from any and every writing utensil unless under strict supervision (unfortunately, this was learned a little too late, as was evidenced by the clear markings left in several work benches). Then, of course, were the slider and the softshell, who had the most bizarre relationship. They were constantly fighting with each other, but utterly inseparable, and each showed an incredible and unique curiosity, constantly exploring and watching and studying, with concentration filling their eyes in ways Draxum had never seen in other children so young.
Embarrassingly, it took another couple years before Draxum realized he couldn't simply refer to them by their species' names. It certainly was effective, but they were not the mild, simple creatures he had once expected them to be, and he knew that they never would.
Now, they were vocal, playful, inquisitive... energetic. By the gods, were they energetic. They never stopped moving, never stopped talking, never stopped eating, never stopped wanting or needing.
...This is why Draxum never had children of his own. It took all the time and energy he had to spare, and then some. Although it would be a lie to say he wished they were any other way.
They had so much capacity to learn, and with their emotional propensity could one day come to understand exactly why Draxum was doing this, which he knew would be an edge in their combative styles.
As he introduced them, slowly, to more of the world's culture and knowledge, he felt, in a new way, that their very existences were revolutionary. A perfect, synergistic unity between two entirely different families of genetic material, with numerous enhanced abilities. And they were children. They maintained all the properties of regular children, but had so much more in store! Such grand destinies! They would be, inarguably, the greatest warriors of their time when they were grown. They would be the compassionate, skillful heroes of all Yokai, the first of a new generation of super mutants, and the key to overcoming the evils of the humans who had overtaken the surface and posed such threat to all who lived below.
It was with great reluctance that he allowed himself to accept, however, that not all of mankind was evil. There were many forms of art, beautiful in different ways, there were some rare people filled with kindness, inventions that utilized resources in ways Yokai kind had never thought to. Perhaps he had been a little stubborn in his ways, a bias cementing over time that blinded him to some of the beauty that did yet exist in such a species.
Make no mistake, humans were a threat. Innocent families lived in fear, in hiding, of the governments and ruthless sciences designed to invade, to blaspheme the name of knowledge, with no regard for the safety of this people.
Draxum could live with being an outlaw to the Yokai if his experiments would lead to their salvation. He may be their villain in today's papers, but in history books he would be a hero.
Still, he wished to amend some of his practices. Even if only to his turtles, he would be known for his ability to change and understand. He would be fair, and he would be truthful.
And so it was that he told the turtles the nature of their existence. Perhaps he muted some of the details, to protect their minds until they had more understanding, but he would not lie to them about their DNA. He told them of Lou Jitsu, and their human genetics, and he begrudgingly allowed them access to the culture of the humans. He would let them choose their interests unbiased.
In the process, he came to know of some of the revolutionaries of human history. Though he wasn't particularly inclined to believe there were no evils involved, he was intrigued by the strange moral code that the humans boasted from their different time periods. The turtles, as well, were fascinated by the stories of war heroes and generals, seamstresses and inventors, artists and royalty.
Initially, when it came time to redesignate his turtles, Draxum had been inclined toward the names of those whose legacies persisted in the humans' culture even today- perhaps a president for the slider, a scientist for the softshell, a great general for the snapper, and an artist for the young box turtle. It seemed, somehow, clandestinely right; carefully considered to exemplify each of their personalities.
And although he had begun to get used to the possibility of names like "Monroe" and "Edison", his indecision on the matter seemed to be working against him. He was taking too long, and the boys were growing smarter.
It was a day in August, later that year, that he found his two youngest arguing over a Renaissance book, oddly enough. The elder two took to a game of knocking "secret patterns" on each other's carapaces, which he dismissed before he could allow himself the confusion that came with wondering why a five year old would want to knock on a spiked shell for fun.
After breaking up the fight and confiscating the book (which, as it turned out, the youngest only wanted because it had pictures in it, much to the chagrin of the other, who insisted that reading it was much better than just looking at the pictures), Draxum found himself idly flipping through pages of rustic images and rudimentary ideas, developed by people with strange names.
Maybe he was simply too tired to consider it properly, but, feeling defeated in his endeavor, he chose four names at random and assigned them to the young turtles, deciding it had been long enough.
It took a while to get used to, but soon "Raphael", "Leonardo", "Donatello", and "Michaelangelo" truly fit.
Over time, the boys grew... ravenous. They devoured everything- food, information, technique. They were learning quickly everything Draxum taught them. They practiced with Huginn and Muninn, leapt up, around, over, and through everything in the lab, and took special interest in action-filled films.
And Draxum grew fonder. He wasn't entirely surprised, of course; it's natural to develop some sense of sentimentality when caring for anything this long. Even if they had been the simple minded turtles he expected, he knew this was inevitable, to a degree.
What startled him was the sudden sense of fear that came with watching them train. The alarm that made his heart beat harder when one of them fell from somewhere high or any time they ran simple drills with weapons not blunted and made from wood.
He subtly began to intensify their defensive strategies, taught them where they were most vulnerable so they could protect those spots, insisted on perfecting their abilities to parry, block, and dodge before anything else.
And, over time, he found himself training them less often than before, thinking, "I must preserve their innocence and prolong their childhood experiences". After all, it was an essential part of development, was it not? If it were tarnished too much, they might become unwise or unjust as warriors. And, really, Raphael was only 8 years old, and he was the eldest; they were much too young to be exposed to the harshness of what their combative training was really for.
He told himself that, time and time again. He told them that, making certain they understood that their training was not a game. It wasn't untrue, certainly.
Really, he just wasn't ready. He wasn't ready to admit to what extent he cared about them, because it was too much. It was more than he could ever have been prepared for. It was more than that passion to protect Yokai kind ever was, and if he ever realized that, he might become the compromise to his own purposes, to the very reason these turtles exist this way to begin with, and then what? What was he to tell them, why was he to train them, who did they exist for if not the inhabitants of the Hidden City?
No. He couldn't do that. He simply would not allow it, not when so much was at stake.
And yet...
More and more often he desired simply to watch them. He was growing weary with worry, and with that tight feeling that arose in his chest each time one of his boys so much as frowned.
Raphael loved to carry his brothers on his shoulders. And he prided himself on being the big brother, in every way. He liked repeating instructions Draxum gave to the others, and tended to play caretaker anytime someone was sad, or had a bruised knee. He often played the "bad guy" in their made up games so the younger ones could "win", he was the mediator in big decisions, like what book they should read before bed, and he seemed always ready with an armful of stuffed animals when he wanted to express affection. So strong, incredibly strong, but soft spoken and sweet.
Leonardo adored Raphael. Just as Raphael did Draxum, Leonardo liked to imitate and repeat instructions. He tended to take charge in many of their childish endeavors, and had a propensity for dramatics and heroism, often pretending to rescue his brothers. This seemed to irritate Donatello to no end, unless he was also playing the hero, and often times he was. The two were usually glued to the hip, though Leonardo liked to make a point to tell all his brothers about everything that went on, and would take a movie night with the three of them over a one on one outing with Draxum any day. He was exuberant and joyous, and very driven by the concept of justice.
Donatello, similarly, seemed to care very dearly about maintaining a bond with all three of his brothers, but he was peculiar, often more reserved and enjoying his alone time. That child read and read like he might never get a chance to again, and he absorbed what he read like a sponge. Quite a few times Draxum found him pulling apart whatever he could get his hands on, and though an effort was made, there was no hiding place the boy couldn't discover in his quest for Draxum's tools. In spite of his quizzical, sometimes stoic nature, Donatello was sensitive, and very thoughtful. He would spend hours talking about his books and his ideas- some of which were very clever- and he was expressive in secondary ways- sitting nearer his brothers even without interacting, crafting things out of paper as gifts. Even the little heart-shaped mark on the back of his soft shell seemed a fitting part of him- he wore his heart on his sleeve, so to speak, and didn't even realize it.
And Michaelangelo. There was an innocence and joy and goodness about the smallest turtle that had struck Draxum. Even when he was younger he always wore a smile and liked to see the good side of things. And he idolized his brothers. With him had grown his creative inclinations, filling every colouring book, drawing on every wall, and absolutely plastering the other turtles with stickers. They were a pain to wash off, but Draxum couldn't bring himself to mind it, especially given the elder three always loved their baths. Ironically, it seemed Michealangelo did not, enjoying it only under specific circumstances. Heat, bubble bath, and bath toys had quickly become a necessity. So too did bath crayons, the need to express himself coming through even when bathing. Everything about the ornate box turtle was bright and colourful.
Draxum... loved them. Dearly. Every facet of their personalities and growth. Every unique trait and behavior.
It was terrifying. He couldn't afford to love them. He couldn't afford to see any more goodness in the humanity they showed. He couldn't afford to change his goals right now.
So he continued disregarding the feeling, trying to reason that everything he did for them was to nurture their instincts as warriors, as science experiments, as specimen.
But a pained scream one day, different from any of the ones he heard when they were frightened as infants, when one of them tripped and fell, when a spat led to hitting, sent his heart into his throat and had him racing through doorways with more urgency than he had felt for anything before.
He had demanded an explanation, panic translating to perceived anger, and three of his boys looked up with teary eyes. Three, but Donatello remained curled up on the ground, wailing his little heart out without ever looking up, and it was one of the most heart wrenching, painful sounds Draxum'd ever heard.
Raphael sat not far from the smaller boy, looking over his shoulder seemingly at nothing, at Donatello, then up at Draxum and back again. Both Leonardo and Michaelangelo burst into frantic, panicked explanations, none of their words coherent enough to understand through their tears.
When Raphael stood, exposing red-tipped spikes on his shell and pointing frantically to Donatello's, it didn't take long to figure out well enough what had happened.
It became quickly a very long day. All four turtles were distraught, and though Draxum had more than enough first aid knowledge to address the situation, bile had threatened to rise the very moment he pulled out the suture kit.
The cuts were deep, and jagged. And poor Donatello cried the entire time, even after a numbing agent had been applied.
Draxum had never thought that in depth about Donatello's soft shell. Not like that. He chose a softshell for the experiment because it would provide greater flexibility, greater agility. It gave an advantage that the hard-shelled turtles did not have.
Now, here... The soft carapace, spongy and leathery and bloody...
It was an accident. Of course it was, Draxum never doubted that. He had to assure that none of his boys were in trouble, no one was in trouble, no one had done anything wrong.
But for the first time he had to be honest with himself. For the first time he couldn't deny how much he cared about the turtles. His turtles. His boys.
He wouldn't, either. If this was what it was, if this was something that could happen again because he insisted on making them into warriors, into fighters- if this could happen on purpose, if this could happen worse, if this could happen with malice and hatred in mind...
Draxum wasn't unused to physical affection, by now. All four boys adored hugs, although Donatello was usually more reserved about them. Now, Donatello clung like his life depended on it, sniffling and whimpering, having cried so long he had no more tears. Draxum clung back, idly smoothing over the edges of the bandages, holding the frightened, exhausted turtle to his chest, cradling.
He did so until well after Donatello fell asleep. He couldn't bring himself to put him down. He accompanied the others to bed, assuring them once more that things were alright, and then simply stood in the walkway, holding his boy tightly.
He couldn't do this. He couldn't go through with it. They were children, every bit as innocent and deserving as the Yokai he wished to avenge and protect. He could train them, prepare them to protect themselves, but he could never send them into battle, ask them to put their lives on the line, much less demand it.
How could he?
It took months of processing, of agonizing his way through the healing process with Donatello, of watching the other boys proving their humanity, their curiosity, and their innocence time and time and time again. His mind was constantly at war with itself, his heart constantly in turmoil and distress, worsened by the turtles' confusion at his sudden change in behavior.
What was even worse was that they would.
They would absolutely sacrifice everything they had for his approval, and for what they understood as "right". He could see them, easily, being willing to submit their very lives to a greater cause if he asked it.
But was he "right"? Even if this experiment had gone exactly as planned, was he right for ever considering putting these turtles into the station of a warrior? Even if they had remained turtles in mind, if they never expressed complex emotion, if they could not speak, if they did not have distinct and colourful personalities, would it have been right?
Was what he saw in them now what they would have been at heart, regardless of circumstance?
Or was it the humanity, that he stole from Lou Jitsu?
Perhaps... perhaps it was time to learn. To consider the root of his motivations.
He couldn't do this to them.
How could he?
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radaverse · 8 days
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average costar and jack interaction
BRO'S SWEARING LIKE A SAILOR HELPPPP 😭😭
✨ pom au shitpost ✨
The Discord!
au by @darknoverse, @tireddovahkiin + me lol
costar & muran by darknoverse; mai by me
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lazycranberrydoodles · 8 months
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the luckiest girl in the world
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okadaizoirl · 9 months
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ppl will really just call trans men things like "transandrophobia truther" and "tmra" with full intent to parallel pejoratives such as (forgive this one being the first that jumps to my mind) "9/11 truther" and "mra", the latter more than the former serves my point best for these parallels being drawn to implicitly conflate trans men with the image of the famously misogynistic, angry, conspiracy theorist cis white man. and so often it's done without any reflection or thought at all towards what's drawing even that hypothetical angry white man towards thinking the way he does (i'll give u a hint, 9/10 times it's issues within the patriarchy! i never said this angry white man was able-bodied, or making stable income, or even het!)
like u rly will just eat bioessentialism from the box as long as the labels are changed huh?
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Oh my god, now they're saying Ember is the reason the world was almost destroyed bc of how she raised Bryce...y'all I wish I was making this up....
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calico-fiish · 9 months
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Con planning!!
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lususnatura · 3 months
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burgeon employing 'natural insect hunters' which essentially means animals like bluebirds, as well as owls + frogs to control the amount of pests in his garden (which is honestly a HUGE place and has a spiral staircase + this is where you will find it most of the time) because he refuses to use pesticides is honestly... kind of iconic of him when you don't think about all of the atrocities it has committed JSJSJ i mean, because there have been studies done to show that they negatively affect other thing's besides insects themselves, such as the soil of the plants you are putting it on itself and non-target plants along with other creatures.
so you better bet that blamore has some thing's inside his garden that attracts these animals and he treats them kindly. and now that i've mentioned it, i suppose his appreciation for nature is one of the better qualities that blamore possesses — though i think it's bitterness towards humanity in general has still very much left him feeling lonely, and just having the occasional animal as company is not sustainable for it. which i think is part of why blamore has forged a bond with nico morselli because he is one of the few people who he can trust will not cringe at the sight of it / think less of it because he is vastly different from the person he used to be.
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unlikecharlie · 10 months
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and look, I probably wouldn't even mind ts so much if it weren't for her fans but more importantly if they didn't keep breaching containment time and time again. be as insane as you want about your mid, blonde haired, blue eyed white woman, but for the love of god stop breaking my door down to use my house as your circus stage. take your clown shoes somewhere else
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halfelven · 5 months
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sick sort of satisfaction when i tell someone that my cat who hates people hates people and will scratch and bite them and they go oh no cats always love me 😊🤭 i’m just a cat person 🥰😍 and they go to bother my cat who hates people and then my cat who hates people scratches and bites them
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Oh uhm well shit
I mightve accidentally gotten too silly and
ever so slightly based some small things about pa/gh! Jane/Penny on AM from IHNMAIMS
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cosmicmakos · 2 years
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imagine you and your f/o having silly nicknames for one another
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martyrbat · 1 year
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so many of you talk about the cruel adults in your childhood that negatively effected you and caused lifelong insecurity yet you're still perfectly fine with being that mean stranger to any kid that has the misfortune of existing around you and thats just really gross !!!
#like i get kids can be overwhelming for a various amount of reasons but its not going to kill you to treat children with basic human decency#adults can be just as overwhelming or annoying—if not more. yet if you talked to an another adult the same way you do to a kid#then ppl would fucking hate you and not want to be around you because youre not being cool and witty—youre just mean!!!#everyone has experienced the frustration of being a kid being mistreated by an adult. some more than others#rather its ignoring your bodily autonomy (from sa and assault to hugging you when you don't want to be touched to not letting you#make your own harmless choices like a haircut or whatever). everyone has been talked down to or had their opinion treated like its nothing#or that their thoughts or input doesn't matter. everyone has a childhood experience with a mean or judgemental adult#yet over and over ppl are fine just repeating that cycle of abuse and hatred#like youre a young adult and youre still getting treated like shit by older ones. but youre able to have a drink or you graduated or smthn#so now you feel like you earned that right to be judgemental & angry & mean to a group of people that didnt fucking do anything to you#anyways. this is because im sick and had to go to the store to get groceries and meds#so its a 20 minute walk to the nearest store in 108 degrees bc i dont have gas money and then in the store im ofc using a face mask#like im sweaty and feel disgusting and like shit but this kid was SO fucking excited about his spiderman toy and wanted to talk and#his mom said ‘i told you no one wants to hear about that crap leave her alone’ and like?? no fuck off let a kid be happy?? hes not fucking#doing anything wrong?? so we talked and he showed me the little tiy that lights up and asked if i saw the new spiderverse movie#and i told him i havent! so he asked why so i explained i have photosensitivity and what that means and why i cant see it#(‘even though i heard its super cool!’) and HE WAS SO SWEET... like immediately hid the toy because oh! flashing lights can hurt me!#and then immediately said dont worry because he'll tell me about it so its like i saw it instead!#and like. guys imma be honest with you. i stilm got no fucking idea what this movie's plot is.#but you bet your fucking ass i was pretending like i was following along & was going ‘no way!’ ‘so it's a parallel universe...?’ ‘oh wow!’#like yea its unnecessary. i felt oike i was gonna collapse and im still struggling to breathe at home now. but also i been the kid#who just wanted to talk about my interests and no one wanted to or was dismissing it.#i know it's not a end of the world deal but i also know that crushing feeling. you gotta be the kindness you want to see in the world yknow#anyways. be nice to kids or im not going to be nice to you. they're one of the most vulnerable members of our society and deserves kindness
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hopeworth · 10 months
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kishimoto might have been a mostly bad writer but he kinda went off with Breaking The Cycle as an overarching theme of the whole series
#naruto#the cycle of war and revenge that the shinobi world is trapped in from the small conflicts like chiyo’s instant hatred of kakashi for his#dad killing her kid to nagato’s whole character arc about war hurting him so and leading him to greater acts of violence#the tsuchikage and the old kages being cold military leaders at the beginning and then learning to set aside decades old grudges to look to#the future instead.#SASUKE’S WHOLE CHARACTER. GOD. need i say more.#yes i will. sasuke beginning his character arc as an avenger who will continue the cycle of violence by killing his brother. and then#turning his hatred on danzo and konoha once he sees his brother as a victim. he is naruto’s direct foil as naruto forgives everyone who’s#ever hurt him because he so desperately wants to end the cycle of hatred borne from war (JIRAIYA’S DREAM. DONT LOOK AT ME)#don’t even get me fucking STARTED on indra and asura and the uchihas and the senju and madara and hashirama.#two brothers who fought and their descendents and incarnations are fated to be locked in conflict. an endless cycle of war and violence#between yin and yang sun and moon. and because kishimoto went OFF with VOTE2 symbolism:#hashirama and madara coming so close to ending that cycle but in the end they fought to the death and their statues are built across the#waterfall from each other (the way they had been across the river from each other as kids) doing the hand sign for the beginning of kumite#and sasuke and naruto starting VOTE2 across from each other the way hashirama and madara were and ending the fight in the middle of the#river on top of the broken off hands of the statues performing the seal of reconciliation at the end of a kumite signalling the end of the#cycle of fate they were trapped in.#SOMETHIGN SOMETHING WE ARE TRAPPED IN MEANINGS THAT CIRCULATE LIKE BLOOD FR…………#ALSO the bijuu and humans being trapped in the cycle of hate and fear of each other. yeah. kishimoto really went off with The Themes here#nart.txt
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mariathechosen1 · 6 months
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Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!
#y’all know I have many thoughts about this play and these characters#but even though the movie didn’t completely live up to my expectations as an adaptation#I still really enjoyed it!#and I really despise all those people making posts about how sydney sweeney can’t act#idk it seems a little rude#my main problem is how they messed up the benedick and beatrice characterization and dynamic#I love that they played up the ex lovers thing (which is left up to interpretation in the play)#and i love love queer Hero and Claudio!!!#but their hatred of each other didn’t really pack the same punch as in the original#I suppose I wish they weren’t afraid to make the characters bigger assholes?#ya know- give them more flaws?#because right now the enemies part doesn’t really feel believable for big parts of the movie#They really could have leaned more into making Bea a bit of a cold and snappy mess (as she is in the original)#and Ben more of…ya know…actual human disaster who can’t commit#both of their characters in the play are driven by their desire never to marry and their distrust for the opposite sex#They included this a bit with Bea (her not believing in true love and all that)#but her break up with Jonathan (because he was too nice???) didn’t really convince me of it#They also keep insisting that Ben is a fuckboy but we never really see it demonstrated?#I personally don’t mind the fact that they changed up the whole ‘convincing them that the other secretly loves them’ bit#especially considering this is only loosely based on much ado#but I do think they made it a bit messy considering they included the gulling scenes but only as a joke#I wish they’d either leaned fully into the much ado plot or ditched it#I think what a lot of adaptations get wrong is that they’re either too afraid of leaning into their og media#or too afraid of seperating themselves from the og media#oh god I’ve reached the tag limit help#anyways- rant over#anyone but you#maria talks about things#much ado about nothing#beatrice x benedick
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