#home structure

[housegyan]

[poorly-drawn-mdzs]

Who is this sassy lost child?

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[imvec]

Sequel to Sunshade

[thoodleoo]

going to the roman senator shelter to pick out a nice consul to keep my tribune of the plebs company but all of consuls they have available can't cohabit with a tribune because they'll invoke a senatus consultum and start executing other senators without trial

[arc-hus]

Downland Barns, Frensham, England - McLean Quinlan

[xiaq]

This house is going to be unrecognizable when I’m through with it.

[crimeronan]

people being like "hunter needs structure and stability" respectfully hunter DOES need stability - in that he needs an environment where he's no longer afraid of the people around him & is confident that he'll always have a safe place to stay n safe people to call - but the kid absolutely DOES NOT need structure. if anything hunter needs LESS structure. this is mister "teens are probably into the same things as me, like authority and rules" please be nice to him.

my absolute favorite hunter darius dynamic is one with like, hunter asking to stay out late on a school night or whatever bc luz has some cool-as-shit event happening in the human world that he wants to attend & darius is just like "you can do whatever you want forever" & hunter's like "aren't you...??? going to....??? give me a curfew????"

darius: why would you need a curfew?

hunter: because i-! what if i'm TIRED before SCHOOL

darius: then you can skip a day.

hunter: [HORRIFIED GASP]

darius: kid. look. you already extensively weighed the risks and benefits of going to this thing on a school night. right?

hunter: ......i did make three charts.

darius: and you determined that the benefits outweigh the risks. with your three charts

hunter: .....yes

darius: ok.

hunter:

darius: so.

hunter:

darius: in conclusion. you can do whatever you want forever.

[vaguely-concerned]

due south is just so incredibly fun is the thing. it's a story that takes such delight in being a story at every turn and on every level.

(something strangely discworld-esque about it that way -- sort of like the fiction version of gender euphoria lol. every episode due south wakes up glorying in being a narrative and getting to do narrative Things and that shameless joy, that lack of interest in courting anything resembling the plausible or more obstructive to the truth yet, realistic, is threaded into everything. yeah of course there's a ghost now. fraser trying to make sense of the story of his father to make sense of the story of himself while being a stranger in a strange land makes the most sense anything ever has. of course they still talk (and fail to talk) to each other all the time. of course he's always here, and never here at the same time. people don't change just because they're dead. fraser in the pilot walking through all the *stories* of his father, still looking for him as he did when he was a little boy, and finding as much of him now as he did then (not nearly enough, even when he's right there). hello. hello. help.)

[chronologically-challenged]

Everything around the Isabeau confession is so well written.

Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.

And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"

Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.

The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.

And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.

(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).

Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!

Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...

Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.

Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.

In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.

(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).

[poorly-drawn-mdzs]

Good Morning, World.

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[nordsea-horizons]

a little forest home🌱

[yorksnapshots]

The Old Village School, Shipton by Beningborough, York, England.

Built in 1850, now a substantial residence.

[arc-hus]

Hazamacho House, Aichi, Japan - Tatsuya Kawamoto + Associates

[xesnox]

Here’s a little mini theory on the Piglin society:

I think, after seeing what happened to their realm post human interference, the Piglin learned to be respectful to their environment. They’re biocentrists, because they learned first hand what can happen to their home if you harvest and harvest resources without end.

They’re part of the environment, and they know it. If the environment dies, they join it, as they have nowhere else to go, they can’t make a portal and run away if things start getting ugly climate wise (unlike certain other groups). They have one world, and they take care of it to the best of their abilities, living in harmony; never taking more than they need. (Except for ores but that’s more of a protection thing for them I’m guessing.)

That’s why, despite so many millenia having passed since the first nether war, they haven’t yet completed fixing the bastions, because they only take what the realm no longer needs to repair their structures.

I’d imagine instead of mining the basalt they use to stuff the damage-holes, they pick broken pieces off of the floor when any section of the deltas ever breaks off / collapses. Thats why the repairs are taking so long, that’s why their society hasn’t had “linear progression” as we humans would see it since the war. Because progress harms the realm: they saw it firsthand.

[sysig]

Do not separate them /threatening (Patreon)

[marzipanandminutiae]

still not over the absolutely braindead take that "if you say brutalism looks dystopian, you care more about your aesthetic than people having homes!!!!"

like

can't criticize Shein or you must want their workers to be unemployed

oh you don't like that restaurant? guess you want the people eating there to STARVE

fuck both roses AND bread; nutrient-dense gray EnergyCubes would keep you alive so wishing for a better sensory experience is basically capitalist bootlicking

(I agree that considering Soviet-era brutalist apartment buildings in the context of "shit we need housing; put something up quick" is important for those specific structures- though I think that can coexist with "wow that's ugly" -but. this person did not stop there)