#how can i live without them

[thatwasntaquestion]

Favorite scene: 3x03 - Only Murders in the Building - Loretta's POV (at the piano) "We all know that you are more than just loud. What I love about...Oliver Putnam's shows is that underneath all the bombast and the chaos and the breeding crab men, it's just, there's a vulnerability. That's what makes...Oliver Putnman...special." - Loretta Durkin

[sanndh]

The endless cycle of 91W.

INSANE

"I remember the view

Streetlights in the dark blue

The moment I knew

I'd no choice but to love you"

Abstract (Psychopomp) - Hozier

Reference

(PS: I'm going insane over those two again. Don't mind me)

[puppppppppy]

horrible truth bomb dropped on my head 20 min ago

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[dekusleftsock]

Yaoimation

[cubbihue]

So.... why'd Peri get assigned Dev as his first godchild?

Jorgen’s usually not the one in charge of assigning godchildren. There’s an entire department that weighs and classifies potentail Godkids to the right Fairy. Although it’s on strike at the moment.

So Jorgen has to do it by hand, until the union negotiations are resolved. Turns out trying to use paperclips is very hard. Itty bitty paperclips. Big muscular biceps. Not a good combo.

Bitties Series: [Start] > [Previous] > [Next]

Peri's Assignment: [Previous] > [Next]

[bvcktommy]

it's always i love you and never "leave." "huh?" "i'll tell everyone that you died in the woods. so you can go back to your brother and get to open a bar just like you've always dreamed of." "why?" "i don't know. maybe because you'd sacrifice a hand for me. or maybe because i've crossed your line. or because i... i like it when you're happy. just leave. go now before i change my mind. just go! that's an order!"

[httpuckdrop]

a lot of thoughts are being thunk

[casualavocados]

…It's nice. You're so noisy. […] Actually, it'd be better if we died together. That way, neither of us would have to suffer the pain of losing the other, right? Shut up.

KISEKI: DEAR TO ME Ep. 13

[krysmcscience]

Don't mind me, just slacking on a big Billford comic by making other far more ridiculous Billford comics and also some AU art (please excuse my slapdash human!Bill thank you please, also before anyone asks the art style is messy and all over the place because idgaf LOL)

This started out as an excuse to design a Bill Cipher-inspired "wedding" dress, but then spiraled wildly out of control. Various rambles and a bunch more human!Bill arts under the cut, including another silly little comic at the end! (Feel free to skip the rambles, I won't be offended. I know I'm bad at shutting up. XD)

I may or may not write some comedy stuff for this AU, which I'm calling 'For Better Or Worse (But Mostly Worse)'. While Ford DOES remember getting sloshed enough for one thing to lead to making out with another after karaoke, neither he nor Bill remember this wedding, At All. The Love God did nothing to dissuade them from going hog wild on their marriage spending, either, so it got...uh. Exorbitantly Expensive. As in, the grand total could probably buy the entire fucking MOON sort of expensive. (It's fine, don't worry, Bill's good enough at crime to be able to afford it.) Also, because the logic of this AU is mostly dictated by Rule of Funny, the Love God's powers are close to unlimited when it comes to matters of romance, but ONLY when it comes to matters of romance. (Like weddings!)

Want an empty human vessel to smash the soul of a triangle into for date nights or when it's convenient, or perhaps even when it's NOT convenient? Easy peasy! Want the marriage to be recognized in every corner of the multiverse from now until the end of time, thus making any potential future divorce nigh-on impossible? Can do! Want to buy an entire beach for the ceremony and honeymoon and in general, and totally not at all because it would be Super Hilarious to prevent any specific movies from being made on that very same beach in the future? Fine, whatever, it's not his finances he's ruining!

Does the Love God also provide special rings that just so happen to turn incorporeal as long as the "happy couple" doesn't remember that they barged into his dreams to bully him into presiding over their marriage? ...No comment!

He spends the next thirty years trying and failing to get in touch with either of them for payment. This is why you should always demand half the money up front, my guy!

Also it's absolutely a traditional Jewish wedding, because I like the idea of Bill demanding all the keepsakes from the marriage that he paid for, and being completely confused when one of the things he's handed is a fancy container full of broken glass. He gets it later, but in the moment, he thinks the Love God is just fucking with him some more.

Ramble over! Here's the full dress that caused the comic to happen, along with what Ford wound up wearing at the wedding (and begrudgingly agreeing to put on again later for Reasons), aaaaand also a close-up of Bill's ring:

I may have forgotten to draw Bill's hair floofier when drawing the back of the dress, lmao

Since double ring ceremonies have been leaking over into Jewish wedding customs for a while now, Ford also has a ring, but his is the much more traditional plain gold band. There's definitely a message engraved on the inside - embarrassing, cringe, or incriminating somehow - but I haven't decided what it is yet, so use your imagination for now. XD Bill, on the other hand, saw the phrase 'traditional plain gold band' and said "No Thank You" before proceeding to embellish his ring to his liking. And because he's a secret sap who adores Ford's extra fingers, the triangle points add up to twelve, as do the engraved stars. Yes, they're stars, not dots, I just got lazy. There's also six lashes on the eye gem, and probably an eye engraving on the inside with another six lashes. (Bill's got it BAD, okay? We all know this.)

Here are the initial scribbles of Bill's custom vessel in more casual attire, please ignore the wonky anatomy and the fact that I flat out refuse to ever draw him with a proper top hat:

He does actually need a cane in this vessel; since Bill tends to possess men and especially Ford more often than not, he's used to having a higher center of gravity when in a human body, so his ability to balance is pretty garbage. (He may or may not topple over with concerning regularity.) As for his empty eye socket, his bangs don't do much to hide it since he's so high-energy (dude is constantly on the move), and he also refuses to wear a patch over it, because 1.) why bother, and 2.) it's more fun to freak people out.

To better align with Ford's attraction towards the strange, the vessel was designed with super minor shapeshifting ability - Bill can look like a perfectly normal human, but he can also make the teeth and fingers sharper whenever he likes (which is mostly just when he's angry or being more of a menace than usual), as well as slit down the pupils or outright ditch the irises altogether. He can also have whatever he wants in the downstairs department, just because I'm an indecisive bitch on that front, lmao. Maybe he can have boobs if he wants them, too, but I ain't drawin' tits on no triangle, nuh-uh, no sir. His powers are otherwise limited down to what humans can do, because for some reason, the Love God doesn't trust Bill to not snap into Immediate Apocalypse Mode if he's given a physical form that's actually all his and no one else's.

Due to the body being all his and no one else's, it's also not really a standard possession so much as it is just...Bill being temporarily human. He's a lot more aware of and in tune with his human body's senses than he ever was with his "puppets", which makes things like pain a lot more intense. (He is mostly fine with this, because he's a fukken masochist.)

A bit more fashion stuff, including beach and party attire~

The beach outfit was mostly me trying and failing to nail down his body shape, which is still not bottom-heavy enough. I then decided to slap a bikini on it, before making it supremely unsexy with a pair of fugly shorts, because Bill's fashion choices are not allowed to be conventionally attractive. Meanwhile, the party outfit was mostly me looking at the casual attire I designed, asking 'how would Bill make this Worse', and then drawing the result. The mismatched thigh-highs are killing me inside! :D

No, his vessel can't actually summon fire, I just drew it for funzies before I decided on said vessel's limitations. Yes, the gold brick tattoos are absolutely a reference to the fic 'Knowing Me, Knowing You' - I simply could not resist.

I also HAD to draw Bill in one of his canonical(?) shirts, just made tank-top'd:

He is absolutely about to over-correct and fall backwards after this. USE YOUR CANE, GOOFBALL!!! (I meant to draw Bill closer to this degree of bottom-heavy in the other images, but. Alas. I am bad at anatomy, LOL)

And, last but not least before More Comic Time, I attempted to draw him closer to Gravity Falls style:

Jury's out on whether or not I succeeded, but - hey. I tried. Now have some Handyman Bill AU, but with my goofy human design, instead:

Hey, it's a 'mystery snack', and the guy wanted A BITE to eat - the joke was right there, guys!!! (Based on this post, because it just screamed BILL CIPHER to me.)

whoops i forgor bills ring and cracks ahaha too late now

I WILL SHUT UP AND STOP RAMBLING NOW K THX BYYYYYE

[inardescere]

@hancfubuki // Pirate!Caleb x Sea God!Rafayel, served

"At this rate, the children might be targeted next."

Deep sighs echo through the giant room, walls with a shiny blue sheen glowing under the light of the fake sun, shining brightly in contrast to the gloomy expressions on the faces of everyone present. "We've warned them not to go past the barrier, and most are smart enough not to disobey when they've seen what happened to our people." They shake their heads, some with arms crossed and their brows the arched with concern and fury, thinking back on the brave souls who had made it home, away from the insistent attacks from those... Pirates-- that's what those humans had called themselves.

"Konche still hasn't returned. He might be-..."

One figure turns, expression blank as he silently tries to walk out of the hall. But he's stopped with a heavy 'wait right there', and he gives a defeated roll of his shoulders, turning back to the elders of his kin.

"You don't know what humans will do if we attack them," the old man starts grimly. They are weaker by nature but stronger in numbers, they have always spoken this truth and he... lifts his head, eyes cold amethyst and pink, stopping any more words from the elder. He knew better than anyone here what they could do to them, the Lemurians. Because they knew this, knew of his failure, the pity in some and the understanding in others, he is able to walk out without another word. It is the rule of the Deep Sea. It is a survival of the fittest. If one doesn't attack first, they will become prey to bigger fish.

Luckily for them, in their seas, they had the advantage.

"Rafayel!"

A bluenette runs towards him from the direction of Whalefall city, stopping before him. Algie, her beautiful braid coming loose, looks up at him with the same look of hope and determination, fiery rage in her eyes just as bright as she steps up towards him. "Are you going up there? I'll come with you, help you distract them if you need! Those greedy humans, they deserve to be capsized and eaten by the sharks for taking my little brother!" Rafayel lets out a silent huff through his nose, much preferring this over the dull atmosphere within the hall. "No, I'll make a better distraction," he starts with a wave of his hand, watching as the woman looks ready to fight him in protest. "I need you to take Konche back safely while I deal with them." Since they don't know what state he is in.

With an understanding nod, they swim out towards the edge of the barrier where the usual sea creatures standing guard let them pass without a knock back behind the gates, rushing up to the top. Algie looks around, on high alert and scrunching her nose in distaste as thunder crashes on the surface of the raging sea. A perfect setting, and he signs, directing Algie to the side of the ship while he floats up, emerging through the waves and standing still on the surface as the waves by his feet go still under his power. The ship is already unstable, swaying from side to side as tall waves crash on its side, water filling the deck as it slowly sinks, and sinks. The sea knows, there is fury burning under his skin.

"There's something out there!"

Finally, he's seen. Tilting his head up with a languid toss to the side, he raises his hand and pulls a flute out from his sash. The sharp melody pierces through the storm, his eyes giving the shortest of glances towards Algie who climbs the side of the ship and onto deck, covered in a thick cloak as she blends in, hidden from the pirates running to stare at his show as she finds her brother. It is easy, to play a daring tune that weaves itself through the air, into the water which heeds his calls.

One by one, tendrils of water crash into men.

As soon as they are within the sea, no level of swimming prowess could save them from the water entering their lungs, pressure pulling them downwards as if the water was sentient and was punishing those who wronged its children. If only that were the truth.

The water calms as the sound of his flute ceases, the loud splash of water catching his attention and he sees the vibrant glow of scales as Konche is plunged into the sea with Algie's arms wrapped tightly around him. The ship now sways, eerily quiet in the night as pelts of rain continue to drip. Rafayel takes a languid stroll towards the ship, hand reaching up to touch the engravings on the side, another step as he stares at the anchor the size of a whale's child. Then he hears it, a spurting sound followed by coughs. A survivor, one that he looks down at and blinks slowly. Hmm... it wouldn't hurt to bring someone in for questioning.

It doesn't matter if he dies, or lives. If left here to fend for himself, he would easily be eaten up by the waves in seconds before the fish even got to him. But out of curiosity and the lingering anger running through his veins, he crouches down, feet balanced on the surface of the water as he reaches out, tilting the man's face up by the chin like one would to a pet. He was a bit ugly, but not as much as the others he saw knocked off the ship.

"Do you want to live?"

No matter his answer, Rafayel simply shrugs and picks him up by the arm, tossing him into the Deep Sea.

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[lovetrapezoids]

I think that we should talk about how, in terms of the TFs, it's largely regarded in-universe as only semi-real, with people like Robin referring to the PC's TF, but random townies either ignoring it or using it mockingly against the PC.

We should also talk about how you, generally speaking, can't start with a TF, you can only really gain one. How being through hell in the town will change the PC on such a deep level that it either changes their entire chemical structure, or it forces them to believe that it has.

In this essay, I will explain how the PC is heavily implied to have a dissociative disorder wherein they believe themself to be either sub-human or beyond human standards so much so that it makes them believe that they are physically nonhuman-

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[virginiaisforhaters]

i bring a sort of “why would mark s choose to leave with Gemma? Why would he choose to end his own life on a vague promise from the person who caused his situation in the first place that he might get to live in the real world? why would he believe a single word from the person who chose to doom him to hell in order to bury his own grief? he chose to risk his life in order to save Gemma, but does that mean he’s obligated to walk out that door? why would he choose to leave the woman he loves and the only life he can ever know, in order for the man he isn’t to be reunited with the wife who isn’t? ‘they give us half a life and think we won’t fight for it’ and he did, because he’s doomed either way, but he’ll fight for every second of existence he can get, and it’s not fair, but none of this is, and that’s the point, you can choose to sever a part of yourself to become a suffering homunculus but you can’t control them once the elevator dings, so I think it’s a little more nuanced than a simple shipping war” vibe to the conversation that severance fans really don’t like

[lunarharp]

more phoenix wright situations