mikemckew

[bamsara]

just wanted to show you this pink Moon I made ^^

PINK MOON! PINK MOON PINK MOON PINK MOON!!!

That's so COOL he's like a strawberry color OMG. Softt

[sergle]

people being dramatic about "american cheese" (in quotes bc americans didn't make it) is one of my favorite topics because it's funny to see people talk about it like it's a biohazardous waste when it's literally just Cheddar That Has Been Watered Down With Milk, And Then Emulsified

[kanjichris]

"why don't you want him to know how much you love him?" "that's a little personal. he knows." "uh-huh."

[thegreatyin]

this nemesis ambition started out a little slow but I am getting closer to finding that bastard who killed my wife, and I’ll not rest a minute now that im far closer to on his trail

sorry got in character for a second

Anyways fun ambition so far very fucked up though

congratulations on joining the murder club anon!!!! depending on who you ask the name refers to either people who have murdered or people who have witnessed murder. usually both. actually extremely often both. it's a swell time you'll feel right at home (don't mind our collective skyglass knife collection in the back)

[lobotomy-lady]

You're weird, yet, also a hypocrite.

Astonishing really.

Fascinating even.

cranky cuz your alimony check is due?

[lupins-hehim-pussy]

I think of so many stupid shenanigans between Wriothesley and his daughters in the Addison Lee verse. They tell Wriothesley crazy shit all the time, their daddy-daughter secrets, and it drives Neuvillette nuts that Wriothesley won't snitch.

Sigewinne, whispering into his ear: Today at school I punched a boy because he was being mean. I waited until it was recess, and made sure that no one was watching, and I punched him. Everyone knows he is a liar, so noooo one believed him when he cried about it. And Sigewinne is aaaalways a superstar so Mr Vautrin didn't suspect a thing !

Wriothesley, mildly concerned: Uh huh.

Sigewinne: Papa would say Sigewinne has to be nice to everyone, but, Sigewinne thinks bullies need to get punched sometimes, b'cos, b'cos otherwise, they think everyone is just gonna let them be mean

Wriothesley: Y'know what. That's fair

[screambirdscreaming]

I used to like saying "gender is a social construct," but I stopped saying that because people didn't tend to react well - they thought that I was saying gender wasn't real, or didn't matter, or could be safely ignored without consequences. Which has always baffled me a bit as an interpretation, honestly, because many things are social constructs - like money, school, and the police - and they certainly have profound effects on your life whether or not you believe in them. And they sure don't go away if you ignore them.

Anyway. What I've taken to saying instead is, "gender is a cultural practice." This gives more of a sense of respect for the significance gender holds to many people. And it also opens the door to another couple layers of analysis.

Gender is cultural. It is not globally or historically homogeneous. It shifts over time, develops differently in different communities, and can be influenced by cross-cultural contact. Like many, many aspects of culture, the current status of gender is dramatically influenced by colonialism. Colonial gender norms are shaped by the hierarchical structure of imperialist society, and enforced onto colonized cultures as part of the project of imperial cultural hedgemony.

Gender is practiced. What constitutes a gender includes affects and behaviors, jobs or areas of work, skillsets, clothing, collective and individual practices of gender affiliation and affirmation. Any or all of these things, in any combination, depending on the gender, the culture, and the practitioner.

Gender encompasses shared cultural archetypes. These can include specific figures - gods and goddesses, mythic or fictional characters, etc - or they can be more abstract or general. The Wise Woman, Robin Hood, the Dyke, the Working Man, the Plucky Heroine, the Effete Gay Man, etc etc. The range of archetypes does not circumscribe a given gender, that is, they're not all there is to gender. But they provide frameworks and reference points by which people relate to gender. They may be guides for ways to inhabit or practice a gender. They may be stereotypes through which the gendered behavior of others is viewed.

Gender as a framework can be changed. Because it is created collectively, by shared acknowledgement and enforcement by members of society. Various movements have made significant shifts in how gender is structured at various times and places. The impact of these shifts has been widely variable - for example, depending on what city I'm in, even within my (fairly culturally homogeneous) home country, the way I am gendered and reacted to changes dramatically. Looping back to point one, we often speak of gender in very broad terms that obscure significant variability which exists on many scales.

Gender is structured recursively. This can be seen in the archetypes mentioned above, which range from extremely general (say, the Mother) to highly specific (the PTA Soccer Mom). Even people who claim to acknowledge only two genders will have many concepts of gendered-ways-of-being within each of them, which they may view and react to VERY differently.

Gender is experienced as an external cultural force. It cannot be opted out of, any more than living in a society can be opted out of. Regardless of the internal experience of gender, the external experience is also present. Operating within the shared cultural understanding of gender, one can aim to express a certain practice of gender - to make legible to other people how it is you interface with gender. This is always somewhat of a two-way process of communication. Other people may or may not perceive what you're going for - and they may or may not respect it. They may try to bring your expressed gender into alignment with a gender they know, or they might parcel you off into your own little box.

Gender is normative. Within the structure of the "cultural mainstream," there are allowable ways to practice gender. Any gendered behavior is considered relative to these standards. What behavior is allowed, rewarded, punished, or shunned is determined relative to what is gender normative for your perceived gender. Failure to have a clearly perceivable gender is also, generally, punished. So is having a perceivable gender which is in itself not normative.

Gender is taught by a combination of narratives, punishments, and encouragements. This teaching process is directed most strongly towards children but continues throughout adulthood. Practice of normatively-gendered behaviors and alignment with 'appropriate' archetypes is affirmed, encouraged, and rewarded. Likewise 'other'- gendered behavior and affinity to archetypes is scolded, punished, or shunned. This teaching process is inherently coercive, as social acceptance/rejection is a powerful force. However it can't be likened to programming, everyone experiences and reacts to it differently. Also, this process teaches the cultural roles and practices of both (normative) genders, even as it attempts to force conformity to only one.

Gender regulates access to certain levers of social power. This one is complicated by the fact that access to levers of social power is also affected by *many* other things, most notably race, class, and citizenship. I am not going to attempt to describe this in any general terms, I'm not equipped for that. I'll give a few examples to explain what I'm talking about though. (1) In a social situation, a man is able to imply authority, which is implicitly backed by his ability to intimidate by yelling, looming, or threatening physical violence. How much authority he is perceived to have in response to this display is a function of his race and class. It is also modified by how strongly he appears to conform to a masculine ideal. Whether or not he will receive social backlash for this behavior (as a separate consideration to how effective it will be) is again a function of race/class/other forms of social standing. (2) In a social situation, a woman is able to invoke moral judgment, and attempt to modify the behavior of others by shame. The strength of her perceived moral authority depends not just on her conformity to ideal womanhood, but especially on if she can invoke certain archetypes - such as an Innocent, a Mother, or better yet a Grandmother. Whether her moral authority is considered a relevant consideration to influence the behavior of others (vs whether she will be belittled or ignored) strongly depends on her relative social standing to those she is addressing, on basis of gender/race/class/other.

[Again, these examples are *not* meant to be exhaustive, nor to pass judgment on employing any social power in any situation. Only to illustrate what "gendered access to social power" might mean. And to illustrate that types of power are not uniform and may play out according to complex factors.]

Gender is not based in physical traits, but physical traits are ascribed gendered value. Earlier, I described gender as practiced, citing almost entirely things a person can do or change. And I firmly believe this is the core of gender as it exists culturally - and not just aspirationally. After the moment when a gender is "assigned" based on infant physical characteristics, they are raised into that gender regardless of the physical traits they go on to develop (in most circumstances, and unless/until they denounce that gender.) The range of physical traits like height, facial shape, body hair, ability to put on muscle mass - is distributed so that there is complete overlap between the range of possible traits for people assigned male and people assigned female. Much is made of slight trends in things that are "more common" for one binary sex or the other, but it's statistically quite minor once you get over selection bias. However, these traits are ascribed gendered connotations, often extremely strongly so. As such, the experience of presented and perceived gender is strongly effected by physical traits. The practice of gender therefore naturally expands to include modification of physical traits. Meanwhile, the social movements to change how gender is constructed can include pushing to decrease or change the gendered association of physical traits - although this does not seem to consistently be a priority.

Gender roles are related to the hypothetical ability to bear children, but more obliquely than is often claimed. It is popular to say that the types of work considered feminine derive from things it is possible to do while pregnant or tending small children. However, research on the broader span of human history does not hold this up. It may be true of the cultures that gave immediate rise to the colonial gender roles we are familiar with - secondary to the fact that childcare was designated as women's work. (Which it does not have to be, even a nursing infant doesn't need to be with the person who feeds it 24 hours a day.) More directly, gender roles have been influenced by structures of social control aiming for reproductive control. In the direct precursors of colonial society, attempts to track paternal lineage led to extreme degrees of social control over women, which we still see reflected in normative gender today. Many struggles for women's liberation have attempted to push back these forms of social control. It is my firm opinion that any attempt to re-emphasize childbearing as a touchstone of womanhood is frankly sick. We are at a time where solidarity in struggle for gender liberation, and for reproductive rights, is crucial. We need to cast off shackles of control in both fights. Trying to tie childbearing back to womanhood hobbles both fights and demeans us all.

Gender is baked deeply enough into our culture that it is unlikely to ever go away. Many people feel strongly about the practice of gender, in one way or another, and would not want it to. However we have the power to change how gender is structured and enforced. We can push open the doors of what is allowable, and reduce the pain of social punishment and isolation. We can dismantle another of the tools of colonial hedgemony and social control. We can change the culture!

[angorwhosebabyisthis]

honestly it's been really healing being back to actively contributing things and writing out thoughts on tumblr the last week or so, because while twitter tends to be easier for me to write out Thoughts on without getting overwhelmed, the environment in the twitter fandom circles i'm interested in is not only infested with antis but cliqueish in a way that is caustic to the fucking soul if you try to express a thought that's more than three sentences long--a hundred times over if you're autistic in slightly the wrong way--and it's incredibly reassuring to come back to an environment where the very kindest and most inclusive people toward you are not clearly thinking the r-slur the entire time they interact with you lmao

[jrueships]

guess whos not going in at all this week, actually

[7lizardsinacoat]

a loose color test wip of a painting im doing of richie from nerdy prudes must die

Edit: Severely hate all the progress ive made since ive posted the color test including the test colors so im redoing 80% of it

[abluescarfonwaston]

Hey... What do you think Mia called her Dad? Papa? Father? Daddy?

Because she must have been at least 9 or 10 when he died if not a little older. Like. She remembers him. Even if he was always outside the village for work she remembers him. Remembers Misty losing him. Had to explain to Maya, or maybe worse- never had to at all - why he wasn't there. How she got his sense of humor and his laugh and neither of them can be held tight by him anymore but she can hold Maya tight and maybe then he doesn't feel so far gone.

What did she call him? Did she love him? Did Maya ever get that chance?

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[ectoodle]

Hello! I wanted to ask what made you fall in love with bingqiu?

Hey there!

Ah hmm that's an interesting question, I've never thought about it actually. I like bingqiu a lot, but I never considered it as falling in love with the ship? They're a fun ship to play with and they have a wide range that's pretty flexible so I'm always in my comfort zone drawing them.

I suppose most of the art I draw for bingqiu are a love letter to them, though. And I think that's pretty telling of my brain rot for them 😂

I think the food the fandom cooked up really helped a lot. SV fic writers are on a whole other plane of existence when it comes to analyzing binghe's character and filling in on his journey of healing with sqq by his side. I'm the annoying type of audience that gets bored when the main couple gets together at the end...so when scum villain ended the way it did, mxtx may as well have german suplexed me on the concrete. scum villain is a story that subverts its tropes left and right and the ending was no exception! I love that bingqiu getting together at the end was not an automatic happily ever after, but rather, they still are putting in the work and effort to understand and stay in each other's lives. The glimpse of that path we get in the extras really did solidify my desire to see how bingqiu will continue to stay together--bingmei vs bingge extra was probably the finishing blow for me tho lmao. I couldn't stop thinking about what the heck happened to bingge after he left the sv world that I read a bunch of fics about him and needed to soothe the angst with sv bingqiu

on a side tangent, bingqiu parallels another of my all time ship, nozomizo from liz and the blue bird. mild spoilers if you haven't seen liz, but nozomizo had a similar codependent relationship that needed them both to grow apart as individuals in order to stay together. bingqiu separated unwillingly and binghe's growth as an individual was fueled by betrayal, despair, and that dying glimmer of hope that maybe, maybe shizun could accept him now that they're equals. but they don't. because binghe still hasn't emotionally grown to get past his temper tantrums (thanks xin mo) and sqq is still failing binghe by constantly misunderstanding him. but bingqiu still choose each other, choose to love and support each other, and they refuse to be separated again. whereas nozomizo was a healthy separation with a promise of reunion, bingqiu was fighting through the muddy trenches with a vague hope that the other is reaching out their hands too. i thought it was neat how differently both ships handled their codependency that still guarantees a happy ending, no matter how dirty and bruised they got along the way.

I also think sqq's compassionate narration in regards to binghe's suffering got to me lmao. He truly does care for binghe, and even if naysayers argue it's not romantic, it's undeniable that binghe is special to sqq. although not the best choices, most if not all of his choices were for binghe's best interest (thanks system). sqq had so much heart for binghe that it affected me through the screen too. binghe's abandonment issues and fake wet tears have captivated me. his gap moe as a chuuni emo demonic overlord and wife with a maidenly glass heart has bewitched me body and soul. i want luo binghe to be happy so badly!!

i think that's why bingqiu fascinates me. most of the bingqiu arts i draw are like slice of life vignettes, so without the meat and bones of fanfic diving into bingqiu's messiness, i would not have ascended to this level of brain rot for them...

[ray935sworld]

The last time Valentino Rossi had raced in Sepang, was in 2019. He didn't know it'd be the last time. In 2020 and 2021 it wasn't on the calender due to COVID. He had the fastest lap and missed out on a podium with taking 4th place.

Too much explanation in the tags, sorry

[enhanced-operatives-division]

Points at you. 10 and/or 11 for starstruck?

Two starstruck asks,,,,,,joy of joys,,

Part of an ask game linked here.

#10. What's an au you have for them?

Since them meeting at all is technically an AU i have 3 different ways that they do meet up. There's the one where Juniper ends up with the agency/adjacent to and ends up working with Reggie (have written a fic with this). The next one is Juniper surviving but basically going stealth and living as normal of a life as he can and ending up meeting Reggie through chance (most recent fic I've written). And then there's my personal favourite where Reginald "You're lucky my tracking skills are still up to snuff" Crane keeping himself busy after Phoenix was MIA and finding Juniper still alive (fic I want to write but haven't started mainly because it may end up multi chapter).

In terms of more AU canon bending taking them and putting them in a completely unrelated situation...I have a guilty pleasure Warrior Cats AU for IEYTD in general. Both JJ and Reggie have perfect warrior cats suffixes in their names already (Juniper and Crane) so they're called Junipersong (charcoal bengal) and Craneflight (tabby Norwegian forest cat). It's very silly but the amount of scenes I have in my mind for it...good lord...

#11. How was their first kiss like?

Augh my friend Imp wrote an absolutely excellent fic about it (tragically in the realm of unfinished Google docs) and I'm shaking their hand about it so hard. Basically Juniper kissing Reggie but he like wasn't ready/fully expecting it and Juniper absolutely panicking because he thinks he's misread every interaction between them both since they got closer. The second one is much sweeter though,,

[endothermic-rain]

Hello Stray community! After two months of work, I'm excited to bring your attention to this video!

Someone by the name of "Балвд лыжыэфэф" on YouTube extracted over six hours of music and ambience from Stray's game files. This is an amazing resource, full of extended tracks, ambience, and cut content.

What it lacked, however, were time-stamps. The description included a list of all the audio files that were extracted, but nothing to indicate when a track ended or began, nor where it played in-game.

So, I did all that! Almost every track in this video is now time-stamped, with listings that show where everything plays in-game. I made a comment that listed everything as it appears in the video, and one that lists everything as it appears in-game. I also made a list of some motifs. I couldn't help myself.

This was a lot of work, and I'm so thrilled to share it with you all. If you're looking for a song that was never or only partially included in the OST, you'll find it here! And if you find any mistakes, please let me know! Enjoy!