#how much he has suffered alone and how much he's been used

[lawchwan]

you look pretty when you cry (zoro, law, sanji)

summary: how they would react when they see you cry requested: @somethingsaladsomething reader: gn!reader disclaimer: nsfw with sanji, use of safeword, (although the sex is consensual, sanji’s can be a bit triggering so if you don’t want to deal with the whole thing, i suggest you skip it), implied physical harassment with zoro, while this is gn! reader was refered as wife in zoro’s part, implied depression or anxiousness with law (although i suffer from both, the piece is not the most accurate rep so take it as you will), rushed work, just one piece characters being sweeties genre: headcanon, fluff, suggestive a/n: my first request !!! i hope i don't disappoint here :) sorry i took forever though

crossposted on ao3

Law

Now I don't want to sit in the chat and say Law’s emotionally unintelligent, because he is not but he definitely has his moments where he needs to read the room before he acts. bare with him, he's just learning with you on how a relationship should work. he’s the type to leave you alone when you’re upset because thats his usual instinct that when one’s upset, they want to be left alone. he kinda has to learn the hard way that that’s not always the case…

You woke up in a funk and just did not feel alright. You were stressed and burned out and all you wanted was the comfort of your big hunk of a boyfriend, a simple cuddle with no exchange of words would've sufficed for your case.

Unfortunately, that's not how life works and it can be pretty unfair. Law’s been too preoccupied with whatever he's doing. With what? you don't know and don't care, what could he be doing that's more important than comforting you on your worst days? Furthermore, it didn't help that when you woke up, he wasn't even next to you in bed before he up and left.

Loneliness consumed you as your intrusive thoughts began to take their toll on you and start inhabiting your psyche. You knew they were irrational, you knew that Law wasn't going to leave you, you knew that he has the terrible habit of Irish Goodbye-ing his way out of a situation, you KNEW that you mean so much to him.

But his lack of communication is a flaw that you never think will challenge you as you thought you already what was coming. Law was a man with little words, so you can’t expect much from him, right?

You began tearing up as you start to grasp onto the pillow that Law once laid in, getting any ounce of remnants of him that can act as a source of comfort. Sure, it contained his manly scent that makes swoon and the pillow was soft, however it didn’t contain his usually cold beating heart that you enjoyed listening while holding him. You needed him badly as you began sobbing into the plush.

Unbeknownst to you, Law walked in, completely unbothered as he placed his kikoku to the side and closed the door. It didn’t register until he heard sniffles and the muffled sobbing that made Law furrow his brows in confusion. You began shaking as you almost screamed into the pillow Law would usually sleep in.

Law looked around the room in an almost panicked manner, almost like he’s trying to find the source on who made you cry before he leaned in to the bed and began shaking you.

“hey, hey, (y/n), what happened?!” Law hastily spoke. He was not the best at emotions but he will surely go kill someone that made you feel this way.

You lifted your face from the pillow, finally looking up at the person who has been in your mind the whole time he was gone. He’s studying your face while your lips quivered before you tackled his body by wrapping your whole body into his, your face on his neck. Law threw one arm behind him for support while the other arm instinctively wrapped around your midriff.

As you two settled, Law held your head as the other began stroking your back. He didn’t know what resulted in you acting this way, so he began speaking.

“(y/n), is there any—“

“Shut up, Law,” you interrupted as you spoke into his skin which made Law taken aback, “I just want you in my arms…”

Law’s tensed body relaxed as you grasped onto him like he was about to fade away from your arms. He is usually very awkward about physical touch and emotional confrontation, but he knew he can’t simply walk away from you and leave you be whenever you you’re not feeling the greatest.

he realizes that that it’s okay to remain, and if you wanted to be left alone, you’ll tell him. For now, however, all you both need is to be in each other’s arms to ease each other up.

“It’s okay, (y/n)… I’m here now”

Zoro

another awkward man who doesn’t know how to deal with emotions. he, like law, will go after someone who tries to harm his loved ones, he’s not here to play around.

You were running for the life of you, panting as you picked up the speed as someone was chasing you down. Everything was happening so fast, one second you were just eyeing at beautiful and intricate jewelry at bazaar near town, in awe of the sheer beauty and how colorful these gems gleamed in center. It was in the pricier side, which is what you expected, but you couldn’t help but gawk at the shiny gemstone that was practically calling your name.

A man stood by you, observing how you were eyeing at the jewel, took the opportunity to introduce himself and insist on buying this beautiful gem. You’ve naturally rejected his offer…

And next thing you knew, he was harassing you and chasing you down, demanding your hand in marriage. You ran away before he caught you—thanks to Zoro’s training in speed—but that’s all you could manage to do. You began finding a spot to hide, bumping into locals as you proceed to run while the man was calling out for you.

Once you find a crevice you can hide in, you kneeled as you began to wrap your arms around your legs as your breath began to shake in fear. Tears started to well up as you silently began calling out your boyfriend, hoping he can save you from this.

“(y/n)?” you hear a familiar voice, making your head jolt up at the man standing in front of you. It was Zoro, your boyfriend whom you prayed will show up. You only shook as you began stuttering and standing up to hold him.

You began sobbing onto his chest, meanwhile he froze in place, clueless on what to do. Your intention of hiding was shown to be futile, as your sobs echoed in the market, drawing unwanted attention while Zoro was looking around to see what happened, what lead to you in this mess.

“(y/n), I can’t help you if you don’t tell me what’s going on—” Zoro sternly yet worriedly spoke before he was interrupted by a roar.

“You get your filthy hands out of my future wife!”

Your blood ran cold as you heard that deep voice that struck fear into you. Once Zoro felt the stiffness and looked at the man who stood in front of the two of you, he already connected the puzzle pieces together.

So that’s the bastard that made you cry in fear…

“Your future wife, you say,” Zoro smirked that iconic devilish smirk before he rubbed your back, silently telling you to release him, which you did. That’s who Zoro was, a man with not many words, but you understood his language better than anyone could. You stood back while Zoro crossed his arms with a straight stand as he eyes at the man who’s ready attack him.

“That’s right! I even got her the jewel she wanted!” The harasser yelled as he grabbed hold of the jewel. You once admired that ring he was holding, now that it was in his hands, he absolutely tainted it. But Zoro couldn’t careless, he gathered both of his swords out, making the man jump in fear.

“Oh, I see, you got her that ring, how romantic…” Zoro taunted, enjoying the sight of the cowardly man standing in front of him. You only gulped at the sight, you knew Zoro will kill him, and he could only spare him if the man just ran away. Zoro simply walked up to him only for the man to walk backwards, legs shaking.

“Stand back! O-or I will kil—“

“Would like to see you try.” Zoro harshly spoke, which made the man ran before Zoro intimidatedly raised his sword at him.

“Coward,” he mumbled to himself before he placed his swords back to their case. Before he turned, he looked at the gleaming ring on the ground. He walked up to the source and picked it up to examine it, that was the ring that the man was holding earlier.

He turned to you, hugging yourself in the corner, not wanting your boyfriend to see your crying face. He smiled at you as he showcased the ring in his palm, “is this the ring that you were admiring?”

You only pursed your lips as you nodded. As much as you wanted to hate the ring for what that man did, you still had to admit that that ring was the most beautiful jewel you’ve ever laid your eyes on.

Zoro held your hand gently, and placed the ring in your ring finger. You looked at him in awe, only for him to smirk at you.

“I may not have bought the ring, which is a shame, but you deserve it…” He’s not the most romantic, but he always means well, which made you giggle when he tried to be one. He smiled at you as he held your face, rubbing away the remaining tear on your face.

”i got you, okay? just remember that…”

Sanji

out of the three of them, Sanji’s definitely the more in tune of emotions. He may not be the vulnerable one in the relationship, but he definitely allows himself to be emotional when he wants to with you and this man will do anything that will make that frown upside down.

It was a long night after a stressful day for the two of you. You thought you needed that destress but I guess your body asked for something different.

It was like any other regular session, Sanji gave you the foreplay that you needed before he laid on top of you, thrusting in and out of you letting out the sweetest of moans and whimpers.

He praises you and repeatedly tells you how good you feel, all the thibgs that typically turns you on, yet you feel like you’re in pain.

You don’t know what’s wrong, but you just didn’t feel good while Sanji attempts on pleasuring you. Instead there was this sharp pain in between your legs, the stretch of his cock went from the usual pleasurable sensation to discomfort.

“S-sanji… please…” you moaned out, but it wasn’t of arousal. Unfortunately, it sounded too similar to your pleasured state, thus Sanji thought you were just in pleasure, so he went in a pace much painful than you expected.

“fuck, c’mon, baby, c’mon, you’re doing so good~”

There was no use, you were in so much pain and you felt your tears welling up and started to sob at the sharp that your boyfriend has no idea of. You simply cannot take it anymore.

”BUTTERSQUASH!”

once you yelped out the safeword, Sanji’s blissed closed eyes shot open as he halted his movement. He was looking at the headboard until he heard you sob. His heart sank as he pulled away from you and backed away slightly, far to give you space but close enough to be able to check on you.

“baby, are you okay?” He looked at you with concern in his eyes, his blue eyes glimmer in worry, guilt written all across his face, “I am so sorry, darling, I should’ve guessed that you weren’t comfortable…”

You reached out for his hand and shook your head as you got closer to him, “don’t apologize, I thought I also needed this, but I guess I don’t”

That didn’t reassured his guilty self one bit, so you began stroking his face and placed your forehead on his.

“It’s okay, Sanji, I’m okay.”

Sanji just pulled you in to his embrace and you hugged him back as you relax onto his arms.

“I’ll never hurt you, nor will I allow anyone to hurt you… You’re too precious to be hurt…”

characters are owned by oda. i will not tolerate nor accept translation, reposts on other websites, or plagiarism. divider made by mmadeinheavenn.

[nalyra-dreaming]

Thank you for your consistently detailed analysis and speculation which have frequently calmed me down when I was concerned about the direction of the show. As long time VC fan, I'm not gonna lie, this show has often left me heartbroken- and not in a good way. I've been trying to get through it in hopes when we will finally get to see the real Lestat. But honestly, for me, if the drop is left in, than the character is done. There is no way to redeem him. And it just hurts because not only is it something that Lestat would never do to Louis, but it's something that was actually done to *him*. He suffered for years from that fall and it was one of the main reasons he went in the ground. It's important for his character development. I just don't understand the justification for leaving it as is especially since it isn't canon. I don't think I can take another 2+ years of Lestat being called an evil domestic abuser. How can audiences be expected to root for him. They won't. He will be condemned as the monster who dropped his partner from the stratosphere. Leaving it also ruins the L+L QotD flight. I just don't see the point in irrevocably damaging the main protagonist of the entire story. I'm heartbroken and furious. Please, help me understand.

*sighs* (Sending you a big hug.)

So. Emotions seem to be very high on this already, and it hasn't even aired yet. I'm just pointing that out because... what we have right now is hearsay - maybe directly, maybe over a few people in the middle... but ultimately we haven't watched it yet, right? Other people have. Other people, with their own understanding, and their own takes.

And yes, it was done to him. Exactly. And as just said in another ask, he has not told his side of the story yet. The trial, so also that part of it... will definitely be scripted. And we already know that what we were shown... cannot be trusted. Not a 100%.

Let's watch first and then judge, please.

Because so far this show has excelled at elevating the source material.

Which is not to say that they cannot make mistakes, obviously. And who knows, maybe I'll be disappointed AF after. We'll see.

But... there's a reason why they revisit all that. There's a reason. And, given that we're segueing into s3... and therefore Lestat's story?

I don't know how they re-contextualize it. I don't. But I think we need to see the bigger picture - and that won't be done by s2. (And I have a feeling like it might not even be done by s3...)

IF they follow the book IWTV here... then Lestat will testify against Louis and Claudia at the trial, seemingly out of revenge (but actually under duress), he will witness her burn, he will have the yellow dress. Louis and Armand will break up. Lestat and Louis will meet in the later contested NOLA meeting. Louis will end up alone at the end of the novel.

I don't know how the revisit fits with the trial. You probably know my feelings wrt the diary and the pages etc but it seems they are not used as heavily as anticipated.

IDK. Given the in-universe publication of the book IWTV I think they will follow the beats above - and episode 5, and the drop, are likely part of the accusation then.

Now, we know that it will be revealed later that this was done with manipulation and torture. That it was Lestat who was thrown off the tower later, and who needed decades to heal. Which fits with the "mind call" in 2x05, doesn't it.

IDK. I just want to point out that even if... EVEN IF THAT DROP STAYS FOR NOW - there is a lot more to it and they have already hinted at that.

So.

Yes, I can very well do without another 2 years of shit-show by some people, especially those unwilling to take the step back for the bigger picture. But ... I have become much, much better at blocking.

And I am not going to let them take away my joy. Especially... ESPECIALLY that we know - WE KNOW - that TVL is up in s3. They already confirmed that.

Don't let an unfinished puzzle or some asshats take your joy either, dear.

[melodramaticatheart]

Falling to Pieces - Paedyn Gray x Kai Azer

Kai and Pae have made there way back to Ilyia, Kai now being a visitor for the night at Paedyn's fort.

Pairing: Kai Azer and Paedyn Gray Word Count: 1.2k Book: Powerless Author's Note: first time writing my babies ahhh ! this was a request by @nuncscioquidsitamor-14, which has been in my inbox for a couple weeks but now that i'm rereading powerless i felt inspired to finish it! also this was originally fluff but i'm not sure how it ended up being so angsty Taglist: @reminiscentreader, @flowers-for-em, @nqds, @art-of-fools, @lxvebelle

My breath was coming up short, pain shooting up my legs from holding my weight in the chimney now I had six sticky buns hidden in my pockets, honey oozing through the fabric. I plant my feet on the ground with a soft thud. Running down dark alleys until I find the familiar white house, well what was left of it. “Y’know I could arrest you for that.” “You could try, but we both know I'd escape” I cock my head to the side looking at Kai leaning against a street light, “So you going to hand me one or am I gonna have to steal it from you? Gray Style.” He asks, pushing himself off the pole, a shadow you’d miss if you weren’t looking. The night's darkness seemed to engulf him, only making parts of his smirk visible to me. “Here you go” I say plopping the sticky mess into his hand “But I must warn you they might not live up to Gale’s” “I don’t doubt it.” I smack his arm lightly making my way down the empty street, the stars glisten on the big canvas we call the sky helping light the slums “So…” Kai stumbled alongside me dumping a chunk of bun into his mouth “Where are we staying tonight?” “We?” I look at him skeptically, “Let me remind you down this road there’s a gold pristine palace waiting for you, with a nice big bed, and a table full of food.” I move my hand around and soften my voice to add awe to my words. He can probably hear the bitterness behind my words but doesn’t acknowledge them. “It’s funny you think I'd leave you alone, after losing you for a month.” He crossed his arm, walking backwards looking at me with a crooked grin, a dimple appearing on his right. I roll my eyes, giving in. “Come on, I'll take you to the fort.” “”The fort” sounds exciting.” He cocks his head, giving me a tight smile and turning his front back to the street.

With tight lips I make my way down the familiar alley, my stomach lurching. I hadn’t had time to return after… my thoughts caught off not allowing myself to think of the blood, the crooked fingers, the moans of pain. I stumble towards a wall staring at the small corner of the alley filled with rugged blankets and old discarded fabrics, I begin to mindlessly spin my father’s finger on my thumb. “This is home” I whisper, my lips trembling at the sight. Now that I’m closer I can make out the last bits of fabric I’d stolen for Adena before leaving for the trial. Anger bubbled up inside me, everything about this stupid kingdom has made innocent people suffer, and I was going to get them back. My hands instinctively turned to fists, the anger pooling in my gut. Kai grunted, bringing my attention to the boy who was now rubbing his neck, absentmindedly nodding his head as he slumped against the wall on the other side of the alley staring at the barricades of the place I'd grown to call home.

I went and sat next to him, not having enough courage to sit in the fort. Slowly I pulled out the sticky buns I’d stolen an hour ago, “these were her favorite'' I whisper, a look of understanding crossing his face, he quietly took the bun and threw a piece into his mouth chewing it for a few seconds as i started to nibble mine still not used to food in my stomach after so much time in the scorches. “These may not be Gale’s but they definitely come in a close second” I chuckle silently but It’s just to fill the silence. I throw my head back resting it against the wall, sighing the anger melts taking over me like a honey does a sticky bun. “I can’t do this” I breathe out, getting on my feet unsteadily. I start walking down the narrow lane ignoring the sound of Kai getting on his feet behind me “Hey, where are you going?” I hear him ask as he reaches me softly, turning me around so I can face him. “You okay, Gray?” His eyes turn 10 shades of sincere as he studies my face for an answer. I try to get out of his grip calling him enforcer just to anger him but he just stays silent not reacting to the title. “Just leave me alone Azer” I say finally getting out of his grip, almost making it out of the aisle before he calls out from behind me “Did I do something?” He asks, confused on why I'm acting this way. He doesn’t get it. He’s seen where I’ve spent the last five years sleeping and not even a little bit of sympathy from him. Even his brother could manage some when he saw the slums. No, what am I saying? I don't want his sympathy. What I want is to get him back. 

I scoff, loud enough he can hear me,  turning around stalking towards him. I point my finger at his chest, not being able to contain my anger any longer. “Are you seriously going to ask me here of all places if you did something?! Look Where we are your royal highness, we’re in the place I called home, a collection of blankets and fabric i’ve had to sleep in for five god damn years.” My tongue tastes bitter as I use his royal title. I resent him at this moment. “Do you know how hard it was? Huh?! Do you know, Kai? Having to sleep on the floor, only getting to eat on lucky days, getting whipped by your stupid guards just cause they felt they needed to teach a lesson towards a starving child!” I throw my hands to my hair letting my fingers dig into my scalp. I take a breath letting it fill my lungs “The only person I had, the girl I called my sister, the person I could trust with anything, I didn’t need to lie my way for her to call me a friend.” A sob broke through me, grief filling my insides. “She was all I had and your stupid kingdom, your stupid family took her away” I look at him dead in the eye as I finish “and you, you started all of it, you killed my father the only place of comfort I ever knew and you killed him right in front of me” I slowly crumble to my knees years of pent up grief releasing. The sobs come out heavy and sloppy as my heart starts to seize, I must look pathetic. The thought crosses my head causing a small laugh to leave the body of my lips. I suddenly feel fingers treading through my hair, his left arm wrapping around my waist. “I hate you!” I scream out, pounding my fists in his chest, he only pulls me closer “Hate me Pae. Hate me all you want.” He whispers into my hair, his hold loosening on me as my hits get softer, “It should’ve been me” I sob into his chest, my energy giving out, pain the size of my heart searing across my chest, my sobs growing quieter as the night gets colder.

[beevean]

The Great Ace Attorney

Barok van Zieks ~ The Reaper of the Bailey

[nightmare8-420]

i hate how cds are being phased out (at least around here) its so stupid

like i get “oh now we have spotify” and shit but???

like, you buy a cd, no ads, nothing, you pay for the cd, and maybe a player. thats all?

no subscription needed. no ads. nothing.

why?? whats the point? i get it, playlists are easy and portable, but ? just because one works “better” in some peoples opinions?

honestly, the idea of not being able to listen to anything and i mean anything without having to either listen to ads or pay to have no ads is just fucking sad.

physical media will always be better in my opinion

[golforoosh]

.

[hauntingblue]

So what now....

[strayskinny]

today was actually so awful i hate everything,,,,,,

[twistedwonderlandimaginesblog]

Mc accidently got splashed with a (obsessive) "love potion" and she falls in giddy love with first person she lays her eyes on.

All she wants to do is give them kisses and hugs...and yea she also is clingy and she follows them around even duuring class. She is ready to do anything for her "love" ( like whatever they ask of her) she wants them to be happy . She is convinced that they are dating and it's honestly pointless to try and explain things to her.

How would Azul, Jamil, Malleus, Duece and Floyd hanndle the situation/what's their reaction? ( they were not dating before ) 

Azul Ashengrotto:

Azul was doomed by yet another situation he couldn’t see himself out of. He hardly knows how to handle you normally, or rather how to handle his feelings for you, but you’re much harder when you’re like this. Having you clinging to his side and demanding his attention made it impossible for him to concentrate, and feelings be damned he wasn’t going to let his business suffer. Since Jade and Floyd refused to escort you from his office (finding Azul’s flustered face and inability to actually push you away the best comedy bit they’d seen in years) he ordered them to instead find a cure for the nightmarish love potion that ailed you. They do agree but take longer than they need to, wanting Azul to endure his torturous thoughts a bit longer.

Deuce Spade:

You have poor Deuce stressed OUT. He’s too worried about your well-being to hear any of Ace’s teasing, also focused on keeping his lips covered in case of another surprise attack. He wouldn’t mind under normal circumstances but this doesn’t feel genuine (and he had a much more romantic first kiss in mind for the two of you). He boldly confided in his seniors about you in hopes of them helping with a solution, tightly holding your hand to keep you at bay. He’s willing to go to any length to cure you, even if he’d miss the closeness.

Floyd Leech:

Floyd is willing to milk this situation for all that it’s worth. He particularly enjoyed the squeezing contest you had, and how tightly you clung to him even after he clearly won. He would have loved to keep you all to himself, using your condition to get out of working at Mostro Lounge as it would be hard to cook with you attached to him like you were. Jade is surprised with how long Floyd indulged your clingy behavior, even when he seemed fed up, he knew if he really wanted to push you away and lock you up so you’d leave him alone, he would do it.

Jamil Viper:

Jamil would have used you for all you were worth if he didn’t have feelings for you. He’s frustrated that yet another responsibility was thrust upon him, but turning his back on you was not a choice under these circumstances. It makes it hard to go about his day when he has two different people bothering him all day, but you proved to be the bigger challenge (for now). If he could concentrate he’d have an easier time of finding a solution but there was a part of him that longed for you to continue to worship him, curious how much of this might mirror your relationship if you ended up dating.

Malleus Draconia:

You had always been more honest with Malleus than others, but this was certainly new. As much as he enjoyed your emboldened behavior it didn’t take him long to detect something was off, leaving him conflicted. He wouldn’t mind having a close relationship like this with you, maybe some more boundaries discussed for the sake of Sebek’s heart and everyone else's eardrums, but he was disappointed to know this wasn’t you acting on ‘real’ feelings. He’s even more suspicious about how and why you were splashed with such a potion to begin with, growing rather possessive at the concept of someone trying to steal your heart away from him.

[moonit3]

A LOYAL BUTLER

➥ warnings/notices: yandere, nsfw, smut, mentioned deaths, mentioned masturbation, obsession, afab! reader, forbidden love (?), fingering, cunnilings, overstimulating, forbidden relationship.

➥ yandere! butler x mistress! reader

➥ synopsis: with all men dead, you are the currently head of the family and by your side stand your loyal butler who helps you with a small problem.

➥ a/n: request by @taeee0902. based on a small chat we had a few weeks ago. I really love their idea of having a butler as a yandere for a mistress who can’t catch a break from work, so she uses her beloved servant as a stress relief. this one is a little short since I got a some projects from college I need to do. SECOND PART HERE, GUYS!

➥ unlike the rest of the noble houses of the empire, the barony is lead by a woman, you. since your father, brothers and uncles death, you have become the head of the family in the middle of the night with the approval of the last member of the royal family, the empress. meaning that none could take over your place if they marry you, making you the only person able to rule over the barony along with the help of elliot, your personal butler.

➥ he has been on your side since the early days. a little bit older than you by a couple of years, elliot has been your butler and best friend for a long time, someone who you can trust with your secrets and to help around work when you are stressed out. his gloved hands caressing your hair when you can barely stay awake from working hours and hour without a break or when elliot lays you down the couch of the office to give you a nice and deserved rest.

➥ it a routine that you are still getting used to it. always working without taking a single break (how father managed to do that?), talking and talking with people who are boring (almost falling asleep during meetings) and your less favorite, being so lonely. being the head of the house means that you have no time to spend one with the family, at least with those who still alive, and they live so far away from the barony that makes you feel so alone most of the time…but you have elliot at your side, don’t you? he won’t leave anytime soon, he promised that.

➥ most of the days is about you and elliot working together to fill the paperwork before night, it’s not easy as you expected, but its satisfying seeing how your hardwork later when the money arrives. and of course, you buy a few gifts for elliot to thank him for his help.

➥ sometimes are cufflinks that are made with the finest gems of the empire to match his eyes (that are only for you, my dear), expensive clothing that make many mistake him for a nobleman (he wishes to be the one to marry you) and a glass to help with his poor eyesight (he didn’t imagine that you could even more gorgeous). you are perfect, none can be compared to you and those who even try to stand up at the same height as your should suffer.

➥ and when you stop working for the day, elliot makes sure to take care of you. massaging your shoulder after you finally get a time to rest, preparing the soft and tasty food to make up to your hard work and helping you taking off your dresses. his hand unbuttoning the back of vests, to reveal your collarbone (the one that he dreams to place many marks on it) and your lingerie.

➥ he only could imagine how beautiful you are behind those piece of clothing, the water of the bathtub made difficult to see you nudity as he washes you hair with the finest shampoo and hearing you humming a melody from an old fairy tale. elliot feels like he is the happiest man on earth by touching your body in a intimate way, but he wishes to be more close with you and feel your body under his. is this too much to ask for?

➥ once the bath is done for good, elliot helps you put some lightly vests to cover you from the cold night and then guide you to the office, after all, you still need to work with some paperwork, where he stays right by your side for a couple of minutes before his time to leave. he was ready to leave for the night, but you call his name from the desk and asked him to come closer.

➥ is there something you need from me, [name]? he has the right to call by first name when alone. elliot hoped to be a simple request, such a glass of water, but you surprised him. you asked him, your personal butler, to have a sexual relationship with him. a casual thing, you told him that you need to let the stress out somehow.

➥ elliot’s mind told him to refuse the request, it’s not right to a noble woman and her butler to be in an intimate relationship, it’s forbidden! but his heart told him otherwise, saying it’s his only chance to be closer to you as he always dreamed of and that he could stop touching himself while thinking of you at night…he accepted your offer.

➥ the following day went smoothly to the servants of the household, after all, you looked so much better after days and days of stressing over working! but where is elliot? the butler was supposed to be serving you all the time, but no one can find him anywhere…maybe if they look under your desk they would find him.

➥ his fingers is hitting places you couldn’t never. teasing and touching every inch of your spongy walls, making you almost unable to hold back the moans that are desperate trying to get out. elliot has zero experience in touching a woman, but that doesn’t mean he isn’t a faster leaner, managing to find the best areas of your inside to result in your body squirt under his touch. letting your fluids hit his lips and glasses, making him feel so powerful for being the responsible one to do it.

➥ eyes rolling back and trembling your whole body when elliot goes further with his tongue inside you. tasting how sweet and admiring how wet you can get by a merely teasing of his part, have you dream of this? how long have you been waiting for this to happen? he is going to ask it later, but now, he will be the responsible one to make you come by his tongue alone, elliot wants to drink til the last drop.

➥ his pleasure is ignored, completely obsessing over yours. elliot has his main goal to make you come by him and to hear the sweet sounds coming out of your lips, he adores it so much! it’s seem like time stops when you orgasm over and over til you can’t talk nor move your legs…and he isn’t stopping.

➥ elliot…t-too much, please stop. he doesn’t hear your words, his tongue continues to move inside and fingers are holding your thighs away to give him a better view of your pretty pussy, admiring it once again, then he continues with his work to make you feel good, unaware that you’ve reach your limit.

➥ luckily, you managed to push him away and elliot finally notice of your currently state. if someone say you right now, they won’t believe that you are noble lady, not with a commoner between your legs, with an expression from those erotic novels that many read in secret. it would be a such problem if anyone catch him this way.

➥ I-I’m exhausted… you are tired, of course you are, who wouldn’t be after a series of orgasm? but not elliot. he stares at you with his eyes begging for more, not even caring about his pants being ruined by his cum. tonight he is going to focus on you alone. you w-want more? he nodded, already teasing your clit again and whispering how much he loves you, his finger tapping your skin and fluids. well, since you asked it so nicely, elliot. you can continue it as long im working, okay?

➥ the smile on his face only grew before he went back to his place between your thighs, already feeling like he is the luckiest man in earth.

@moonit3 writings

[peachesofteal]

Light On - single mom/neighbors fic Simon Riley/female reader - reader POV

You have a problem.

You miss your neighbor.

He's been gone for two and a half weeks, and every day you catch yourself holding your breath, listening for him next door. Watching for the light on his balcony, checking your phone relentlessly.

You've been worrying, anxiety turning into a gnawing ache beneath your ribs, wondering about how he is, what he's doing, if he's okay. If he's safe.

He'll text you. Right? When he's home? He said he would, didn't he? You're not sure. Not sure of anything when it comes to him, confusing thoughts and feelings turning over and over in your head every second, twisted up and tangled in your heart.

You've friend zoned yourself, you know it. Relying on him too much, asking him for help all the time, inviting him for dinners but too afraid to try to take the next step. And didn't you do it to yourself anyway? Didn't you ask him to babysit for you, so you could go out on a date with some asshole that didn't even show? He's your friend. He's your neighbor.

Yeah but he asked you to go for dinner, the night you were sick. And he rushed to you and Emma when that creep was following you in the park. Doesn't that mean something?

He asked you AND Emmaline to dinner, not like on a romantic date. And he did the same thing anyone would do, if they thought their friend was in trouble, didn't he?

He doesn't act like your neighbor. He acts more like... a husband, than anything else.

Not knowing is confusing, and on top of your grief, it makes you feel a little more vulnerable than you care to admit, but you can't deny your own truth. You like him. Even Emmaline likes him, little face smiling up at him every chance she gets, staring at him like he's the whole world. Maybe he is. You can't help but swoon over the way she interacts with him, how she settles so easily with him, how she coos and babbles at him like she's having a whole conversation with him. When he walks into a room, she lights up like the sun, happy baby giggles and everything, the sweet sounds of her glee at her favorite person's face like music to your ears. So unfair. You suffered for sixteen hours trying to give birth to her, alone... and he comes around for a few months and all the sudden you've been replaced.

You can't blame her too much, you guess. You get it. He's... something else. Something you're not sure you understand. Something you don't know you're ready for.

Still, you think he might feel the same way.

You shake your head. Stop. You're getting so far ahead of yourself.

Which is why you've convinced yourself that when he's home, the next time you see him, you're just going to buck up and do it. You're going to tell him how you feel. No matter how hard it is.

You've even practiced what you'll say. Staring at yourself in the mirror nervously, reciting different ways to say 'hey Simon I really like you and was wondering if you want to go out on a date even though I have a baby and am basically a widow.'

Emmaline cries, announcing that she's awake, and you're so quick to soothe her, holding her to your chest, whispering a good morning to her, rubbing her back and tummy as you always do. You think some people might say you're spoiling her, that you're not letting her cry long enough, that you're teaching her bad habits or manners but you can't help it. Her father died before she was even born. You're the only thing she has in this world, the only person that gives her love, that makes her feel safe-

or at least, you used to be.

You hear your neighbor in his flat hours and hours later. Well past sunset, Emmaline already sleeping in her crib, your dishes already done, little chores taken care of, and you're sitting on the couch with a glass of wine, watching a movie at a low hum.

Was that- is he?

You sit straight up, straining to listen. It takes a second, but eventually, you recognize the tell tale sound of an interior door closing, and then the balcony glows with the light from the inside.

He's home. You take a large gulp of wine, and a deep breath. Just go over there, and tell him how you feel.

Your fingers curl into a fist, hesitantly knocking at his door, holding your breath. When there's no response, you try again, a little louder, and then feel immense relief when the lock clicks.

Until it opens.

Simon doesn't look like himself. He looks lost. Haunted. There's remnant of black grease around his eyes and instead of being maskless or wearing the usual cloth one, his head is mostly covered by a balaclava bearing a skull, and his eyes are blank. Dark. Something is off.

"Hi." You squeak, and cringe inwardly, stomach flipping like you're on a carnival ride. You raise the two bottles of beer that you brought over with a meek smile, gesturing to them and the monitor. "Thought we could um... try this again?"

"No." His refusal is flat, rough, and you blink in surprise. No?

"Oh- I uh... just thought-"

"It's not a good time." He cuts you off, and then before you can even get another word out, the front door closes in your face, leaving you outside in the hall, bewildered. Hurt.

Guess he doesn't like you after all.

[ellemj]

Needs & Wants - Sex Pollen Trope Pt. 2

Bucky Barnes x Reader

**If you haven't read Pt. 1 yet, READ IT FIRST.**

Summary: You fight the effects of the chemical compound for as long as you can, until Bucky makes you an offer that your body can't seem to refuse. But, you each have a rule that the other has to follow.

Warnings: this one is a huge fucking tease, I'm so sorry (I won't be sorry when I release part 3 tonight), masturbation, talk of unprotected sex, profanity, use of y/n, MINORS DNI, 18+!!!

Feel free to comment and let me know if this requires more warnings.

Word Count: 4k (I just couldn't stop the build up)

Author's Note: I cannot believe the overwhelming response on part one of this, I was just in a silly goofy mood and decided to finally use my Tumblr for something other than reading y'alls AMAZING fics every night before bed. I didn't expect anyone to really even see it. My heart is racing as I get ready to post this rn lmao. PLEASEEE tell me what your fav part of this one is, I have to know. Part 3 will be out tonight, I can't make you guys wait too much.

            Bucky’s resolve has been steadily crumbling for the past hour, and truthfully, he’s barely placing any blame on the chemical compound that’s interacting with the serum coursing through his veins. He’s placing the blame on you and the needy, whimpering noises that you’ve been making for the last forty-five minutes. After the video conference with Bruce and Tony ended, you were quick to lock yourself in one of the bedrooms of the safe house. You didn’t even say another word to Bucky, you just stood up from the couch with one hand clutched over your stomach, and hurried off down the hall. He wanted to say something to you, but what the hell was he supposed to say? I’m sorry that we’re in this situation? That wouldn’t help a damn thing. You’re in it and there’s nothing either one of you can do except pray that you’ll have enough self-control to make it through the night with your doors still locked.

            Bucky sat on the couch for a few minutes after you left, replaying Tony’s last warning to you in his head. You won’t feel relief until your body thinks it has a chance of reproducing, until semen is introduced into your system. It made him feel like shit. He can find relief on his own, he can take care of himself tonight, but you? You’ll suffer for a minimum of eight hours, possibly nearing death, alone behind a locked door. It’s not that he thinks you can’t handle yourself. He’s perfectly aware of how capable you are at handling practically anything. He’s been your partner in the field for two months now and he’s never once had a doubt about your skills, your ability to tolerate pain, or even the split-second decisions you have to make sometimes during missions. You might give each other shit the majority of the time that you’re working together, but when it comes down to it, you trust each other with no reservations. So, why then, does he find himself so fucking worried about you?

            He’s been locked in the bedroom across the hall from yours for the past hour now. He thought maybe things wouldn’t be so bad when he heard you tucking yourself away into bed, when he heard you go still and silent for a few minutes. It was smart of you, trying to sleep as much as you could before the chemical fully set in and began to wreak havoc within your body. But after only fifteen minutes, he heard the faintest sound carrying across the hall. He wasn’t sure what it was at first, thinking maybe you’d gotten up to use the bathroom and it was the creak of a floorboard or maybe a door hinge. It was wishful thinking. The second time he heard it, he was sure. You were whimpering in your sleep. For a few moments, he was able to deceive himself into thinking it was whimpers of pain, maybe from your stomach aching in your sleep. When you grew louder, the sounds of your soft, breathy moans mixing with the sound of the sheets rustling as you tossed and turned restlessly, that’s when his resolve began to break apart piece by piece. He sits on the side of his bed in total darkness. His shirt and tactical pants are strewn across the floor where he previously discarded them when the heat emanating from his body became too much to bear. His hands grip the edge of the mattress with enough force to break through the layers of fabric there, but he fears that if he lets go, the next thing his hands will grip will be either his cock or the two door knobs separating you both. Focusing on your suffering is keeping him from feeling his own pain, but the noises you’re making are making it significantly harder for him to ignore the needs that are bubbling to the surface within him. Shit. How the fuck did he end up in this situation with you?

            You awake suddenly, drenched in sweat, your sweats especially making you feel like damp towels are wrapped around your legs. You waste no time throwing the covers back and ripping your sweats off, tossing them onto the floor and moving your hair to lay it across your pillow so it’s not sticking to your neck. Fuck HYDRA. Fuck Zemo for killing Dr. Nagel. Obviously, you wouldn’t have wanted him running around recreating the super soldier serum either, but if he was still alive maybe you wouldn’t be lying here in this state. You take a deep breath in, counting to three in your head as you breathe it back out. Focusing in on your symptoms, you try to make a mental list. You think that maybe if you can remind yourself of the science behind the symptoms, you won’t become an irrationally horny mess, you can just reason your way out of the most intense arousal you’ve ever felt in your life. Sweating, tachycardia, abdominal cramping, bone pain…you stupidly let your right hand slide down between your legs. Your fingertips briefly grace the exterior fabric of your black boyshort panties, feeling how wet they are adds another symptom to the mental list, not that you needed to feel it to know. Arousal.

            You lean over to the bedside table and feel around blindly for your phone. The screen illuminates and you see that it’s only 10 pm. You’ve only been sleeping for an hour. The chemical compound isn’t even at its peak activity level yet and you’re already beginning to feel a type of desperation that you haven’t felt before. You need relief. Tony’s words swirl around in your mind, making you feel lightheaded and making you want to hunt him down and make him take the words back by force, like that would change the reality of the situation you’re currently in. You won’t feel relief until your body thinks it has a chance of reproducing, until semen is introduced into your system.

            You could try finding relief on your own. Tony isn’t lord over all things scientific. When has he ever dealt with a compound like this before? Never. He doesn’t know shit. You’re trying so hard to convince yourself that he could be wrong. Sitting up in bed, you reach over and flip on the lamp that sits on the bedside table, casting a pale glow across the room. You will yourself to think clearly, to make a plan and implement it. You can fight this. You need something that’ll take down your body temperature, slow your heart rate, and ease some of the pain you’re feeling everywhere. A cold shower.

            Bucky listens intently as you open your door and your feet patter softly down the hall. He listens as you shut and lock the bathroom door behind you and then as you turn on the shower. He mentally curses his heightened sense of hearing when he hears the tussle of your clothes hitting the floor. He’s been ignoring his hardening cock as it grows beneath the black fabric of his boxers. He’s been ignoring it because he feared if he tried to relieve himself, you’d likely hear him across the hall and he’d never let himself live it down. He can’t be the first one to break. But maybe, with you being in the shower, you wouldn’t be able to hear anything coming from his room. Why the hell are you even in the shower? He imagines the pain you’re in would make it hard for you to stand in there for very long, and it’s not like a shower is going to give you much relief at all. He can’t wonder for more than a quick moment, before the chemical begins to really cloud his mind, his clear thoughts becoming hazy behind thoughts of chasing relief. Fuck it. You won’t hear a damn thing.

            Bucky sighs deeply as his lays back on the bed, still in darkness, pushing his boxers down a few inches and freeing his hard length. His flesh hand quickly wraps around it, giving it a slow stroke from base to tip, pre-cum quickly coating his fingers.

            “Oh, fuck.” He groans lowly. It’s never felt like this before. It’s as if every nerve in his body has shifted, has traveled down to embed in his cock. His head falls back into his pillow, his eyes squeezing shut at the sensation of his shaft finally being handled. He works his fist up and down, picking up speed and reveling in the feeling of temporary relief. As he strokes his cock, he feels the pain throughout his body slowly dissipating, easing up but not fully disappearing. Before he can stop himself, he’s picturing exactly what you’d look like right now. Your perfectly toned body standing under a stream of water, your hands running down your smooth skin, your eyes closed as you let the shower wash away your discomfort. He feels guilty. Truly, he does. But it's as if he has no control over his thoughts when his hand is on his cock and his veins are corrupted with a potent chemical from hell. Especially not when you’re naked a mere ten feet down the hall. As Bucky nears his climax, his balls tightening and his cock twitching in his hand, a loud crash resounds throughout the house and he’s brought back to reality. He’s on his feet, his boner tucked reluctantly away in his boxers, and his bedroom door flying open in less than two seconds, fearing the worst. He thinks you must’ve passed out from the effects of the chemical, fallen in the shower, maybe split your head open. When he reaches for the bathroom door knob and finds it locked, he’s giving no second thought to breaking the door down. Hell, he decided he was going to break it down before he ever left his room. He takes one step back, ready to use his leg to kick through it, when he hears the shower water cut off and the curtain pull back.

            “Y/n?” His voice is laced with concern and it takes you by surprise. You’d only been standing in the ice-cold shower for two minutes when you realized it wasn’t going to do shit for you. You aren’t usually one to lose your temper, but feeling so hopeless and helpless, your only plan failing to provide you with any relief, you ended up slamming your fist into the tiled shower wall out of pure frustration. You didn’t do it hard enough to really hurt yourself, but apparently hard enough to alarm Bucky.

            “You’re supposed to be locked in your room.” You call out, your voice coming out a little timid and quieter than you intended. Wrapping a towel around yourself, you step out of the shower and examine yourself in front of the bathroom mirror. Your cheeks are still flushed, your pupils are dilated so much that you’re surprised the lights aren’t hurting your eyes yet, and your rapid pulse is nearly visible in your neck. You let your hair down from the bun you threw it up into for the shower and then pull on the same shirt and damp panties you had on moments earlier.

            “I thought you fell.” Bucky says quietly, barely above a whisper. You can tell he’s standing close to the door. You’ve never heard him speak so softly. You freeze, your hands clutching the edge of the bathroom sink as your body responds to his voice, against your rational mind’s will. You feel a familiar heat gathering between your legs and you squeeze your thighs together. He needs to go back to his room. Now.

            “Bucky, go back to bed.” Your voice is firm, without a single hint of hesitation. Bucky knows that he should heed the warning. He knows he should turn around right now and go back and lock his door. Instead, he stands there in the hallway with his cock straining against the fabric of his boxers and a conflicted expression on his face. You said earlier that your only option was to lock yourselves in your respective rooms and ride it out until morning. Was that really the only option though? He could easily think of a few more options, though admittedly, he might not be thinking with his brain anymore.

            “You have to go back to your room before I come out.” You’re starting to sound like you’re pleading with him. As much as you want to act strong and like you have all of the self-control in the world right now, you’re worried that if you step out into the hall and see him, you won’t be able to stop yourself from reaching out for him. You want to feel his skin beneath your hands as you run your palms from his shoulders, down his chest, straight to the waistband of whatever the hell he’s wearing right now. You want to have him completely bare in front of you, with nothing stopping you from dragging him straight to your bed to find the relief that you both so desperately crave right now. A sharp pang in your lower stomach causes you to let out a soft groan, and the sudden inhale you hear from Bucky through the door doesn’t go unnoticed.

            “Not until I see that you’re okay.” Bucky says, still worried that you fell in the shower or hurt yourself somehow. Not wanting to waste any more time letting the chemical stew in your reproductive system, you flip the bathroom light off so you’re thrown into darkness, before unlocking the bathroom door and pulling it open slowly. You can just barely make out his form in the dark hallway, the curve of his broad shoulders, the glint of the black and gold vibranium making up his left arm, and fuck…the ripples down his abdomen. You’ve always thought he was frustratingly attractive, but now? Just looking at him has you insatiable. You realize quickly that he’s not wearing anything except a pair of black boxers and his dog tags. He’s really not making this easy on you. Your eyes flutter closed and you sigh, telling yourself to suck it up and walk past him. Just walk past him. But now you what he looks like with nearly no clothes on, and he’s so close to you. So. Damn. Close. A foot away from you, to be exact.

            “I’m fine, just go back to bed.” You whisper. You don’t trust yourself to speak any louder, worried that raising your voice might awake something much more primal within yourself.

            “Look at me.” He says, matching your whisper volume. Shit. Shit, shit. Shit. No.

            “Don’t—” You’re cut off by the feel of his cool vibranium fingers wrapping around your right hand, lifting it so he can see it better. You suck in a harsh breath at the contact. It shouldn’t turn you on as much as it does, it’s not even what you need. You need skin. You need him against you. But something about the cool metal contrasting against the warmth of your heated hand feels electrifying.

            “Did you punch the wall?” He questions, examining your reddened knuckles with narrowed eyes. Your eyes remain closed as you nod your head, and he takes the moment to scan his eyes down your body. Your t-shirt skims along the tops of your thighs and he knows if you turned around, it wouldn’t even fully cover the curve of your ass. Fuck, he wants you to turn around. He drops your hand as quickly as he first grabbed it, letting it fall back to your side as he begins running his flesh hand through his disheveled hair.

            “On a scale of one to ten, how bad is it?” Bucky has to know. He knows how high your pain tolerance is, he knows how good you are at putting on a brave face in the worst situations. He has to know how much you’re really suffering right now before he makes an offer that he can’t take back.

            “Four.” You fib, pressing your lips together and daring to open your eyes and look back at him. Your eyes have adjusted to the dark a little more and you can see the sweat glistening across his chest, his quick breaths drawing your attention straight to his pecs.

            “Don’t lie to me.” His gaze hardens. He hates that you’d try to lie to him. Do you really not trust him enough to just be open with him? Jesus, he’s standing in front of you in his fucking boxers with a hard-on that you haven’t even noticed yet and somehow you feel the need to keep things from him, like he isn’t just as vulnerable as you are right now.

            “Seven.” You admit truthfully. The pain in your stomach has intensified, and all you want to do is curl into a ball right there on the floor. You feel like you’ve been doused in gasoline and lit on fire, you feel like someone attempted to extinguish that fire with a gallon of hot sauce, and then ran you over with a semi-truck. You reach out for the door frame with your right hand, using it for balance as your legs begin to feel weaker.

            “Y/n-” Bucky starts, ready to make you an offer, but you don’t let him continue. He knows it’s crossing a line. He’s fully aware that if he offers and you say no, things could just get weird between the two of you. He’s even more aware that if he offers and you say yes, it could effectively end your working relationship. But he can’t stand to see you like this. You might give each other shit more often than you’re civil with each other, but something about you being in pain has always sat wrong with him. He worries more about you in the field than he worries about himself.

            “Don’t say my name, just…” You cut him off, but your voice trails off as your eyes wander down to the front of his boxers, finally noticing the way he’s straining against the fabric, his tip resting just barely under the waistband. “If you keep standing here, if you keep saying things to me, I’m not going to be able to go back to my room. I need you to walk away before I lose the power to let you.” Your warning should be clear as day now. He needs to leave you alone.

            “No.” His refusal hits a nerve, angering you more than you would’ve thought possible. You feel a rush of adrenaline surge through you as you lose control of your actions. You place your hands against his chest, shoving him back, hard. He barely moves, which just further enrages you. “Y/n, we can fix this. I can fix this for you.” His offer is out in the open now. He holds his breath as you freeze in front of him, your hands falling away from his chest and your eyes squeezing shut in contemplation.

            “Do you even realize what you’re offering?” Your question hangs in the air between the two of you, and the tension in the hallway makes it feel as though lightning is about to strike the tiny cobblestone house that you stand in. You wish lightning would strike. When you open your eyes this time, the look in Bucky’s eye has changed. There’s something in place of his usual hard gaze, something that nearly draws you in.

            “Yes.” He’s offering to fuck you. He’s offering to give you the relief that you so badly need, the relief that can only be found when he finishes inside you. You’re hallucinating. That’s what this is. Because there is no fucking way that he’s standing in front of you right now, the six-foot tall super soldier who you can barely get along with outside of mandatory missions, offering to fuck you raw. “I know what I’m offering.” You only take a moment to weigh your options. Go back to your room, lock the door, and suffer for the next 7-10 hours or have sex with him and hope that it doesn’t ruin your entire life. Why would it ruin your life? Because he’s the only partner that you’ve trusted enough to work with since Nat passed, and there’s no way that things can just be fine and normal after you’ve seen each other naked. Things would get awkward, it’d be hard to look at each other, hard to see each other as professionals anymore. And your work, your job, is your life. Outside of this you have nothing. No family, not a single friend that isn't connected to this damn line of work, not a damn thing to turn to when this inevitably goes to shit.

            “Stop overthinking it.” Bucky’s voice breaks you out of your whirlwind of thoughts. Against your better judgement, you make eye contact with him and the way he’s looking at you gives you butterflies. Butterflies? Who the fuck are you right now? “Close your eyes.” His voice is low, making the butterflies in your stomach explode and spread outward until it feels like your skin is tingling. You don’t know why you do as he says, but your eyes close and you stand there with bated breath as the floorboards creak. He’s stepping closer to you, stopping when you feel his breath fanning across your face. He trails his flesh fingertips from the back of your left hand and up your arm slowly, drawing goosebumps to the surface of your overheated skin but leaving some kind of calmness behind. You relish the way your left arm becomes the only part of your body that isn’t in pain, the only part that he’s touching.

            “Okay…” Your voice is raspy as you cave to his touch. “But I have a rule.” He pulls his hand away and you wince as the pain quickly returns to the bones deep within your arm. He raises an eyebrow at you as he waits for you to continue. “You can’t kiss my lips.”

            Bucky hesitates for a second, caught off guard by your insane rule. No kissing? During sex? Do you hate him that much? Fuck, he shouldn’t have offered to do this in the first place. It’s obvious that you really don’t want this, and he won’t be able to get off knowing that.

            “Who’s overthinking now?” You laugh out, brushing past him and heading straight for your bedroom door. You took his hesitation as a rejection of your rule, and if he rejects your rule then you’re not doing this. If he kisses you, you’re scared you’re going to feel something. You can have sex and find absolutely zero meaning in it, that’s not that hard. It’s just a physical act. But kissing? Kissing makes it too intimate, too much of a real connection. You won’t give that away so easily. Just as you’re nearing the door, you feel Bucky’s hand wrap tightly around your wrist and pull you back, spinning you around so you’re facing him. In less than a second, he’s walking you backwards until your ass hits the wall and your hand is pinned above your head, with his body pressed firmly against yours. His nose brushes over the tip of yours and you shudder at the feeling of his skin, his body giving off so much heat that you’re regretting having put your shirt back on earlier.

            “Fine, I won’t kiss you.” He rasps. His vibranium hand is gripping your hip, holding you solidly against the wall as he moves to run his lips along your jawline. He doesn’t kiss your skin, he simply lets his lips ghost over it, making you tilt your head to the side in anticipation. “I have one rule of my own.”

            “What’s that?” Your voice sounds a lot more confident than you expected it to, like you’re not fighting to hold yourself together inside. He nips at your earlobe softly and you feel the tip of his tongue against it so lightly that you’re not sure if you imagined it or not.

            “You’re going to wear these while I fuck you.” He guides your right hand up over the perfect ridges of his abs, across his chest, and straight to the dog tags that hang around his neck.

Next Part

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[battlekidx2]

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. ��We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[asharaks]

karlach's cutscene after killing gortash never ever fails to destroy me man like....it's so. yeah. she's spent ten years fighting and killing and desperately hoping and then-

-that's it. he's dead, and he's no fucking sorrier now than he was then. it's so bleak, and it's so real and raw, it just breaks my gay little heart. like yeah - you kill the bad guy, and there's no relief in it; no closure, no cure, no wiping away the years of suffering. it doesn't make it better (it doesn't make it worse); you spend your life waiting for this moment, and it passes like every other moment.

gortash would never have apologised. karlach always knew he wouldn't, never expected an apology, but that line (he's no fucking sorrier now than he was then) says it all: she wanted one. she was owed one. and gortash, king of entitlement, king of right by might, would never have given it up. his last words are him begging you to protect him from the woman he wronged, desperately trying to convince you that his value as an ally is greater than her right as a victim.

and you kill him, and karlach's left to reckon with everything he did to her. no more quest for revenge, no more goal to drive towards: just herself, and her impending death.

i love it so much as a revenge narrative, because there's no judgement towards her - no "kill him and you're as bad as he is" - because how could she possibly be?? but all the same, as justified as she is, as wronged as she's been, it doesn't go away when he dies. she still has to face the end alone, and it breaks my heart. because so often, there is no closure: the people who wrong us don't apologise, there is no last-minute cure, no moment where it all makes sense.

he's dead, and he's no fucking sorrier now than he was then.

[coolshadowtwins]

PIDW!YQY goes back in time to his disciple days after he dies. He’s alone and upset, and determined to do things right this time. He won’t take a sword too early, but he will still rush to go save SJ because that has to fix something, right?

At least this time he already knows how to read and write, and the basics of cultivating. Everyone is heralding him as a prodigy, and as soon as his child body is ready, he’s taking a sword to go save SJ.

Except there is one other thing he needs to do. He can leave most of his future sect siblings alone to do their thing, and catch up with them later. There’s no point in interfering with something that doesn’t need his help. But! That slimy traitor Shang Qinghua!

He caused so many problems for them. YQY did not want him as a head disciple of An Ding, or as the peak lord, so he goes to do something about it.

Only… Did SQH always act like that? Was he always so nervous? YQY watched him almost cry as an older disciple shoved work onto him, instead of glaring and backstabbing them later. What had happened to him over the years?

What is actually happening is that YQY had known OG!SQH and this is Airplane. Completely different people! But YQY doesn’t know that, and can only assume that SQH betrayed the sect after years and years of hardship! And YQY is selfish, and very SJ focused, but even he isn’t so much of a hypocrite as to condemn SQH for something he wouldn’t condemn SJ for.

So he goes and befriends him. Mostly to keep an eye on him, and to stop him from being a traitor, but still. Meanwhile, SQH is shocked and confused why the future sect leader is even talking to him?? And what to be his friend?? He didn’t really have much of those, and maybe he liked the company, but he knew what was to happen! What was the point in getting close to YQY only to watch him suffer?

Wow, screw that. SQH pulls some strings and goes up to YQY one day and says, “Wow! Look! A mission, for us, two young disciples without swords, days away! Won’t this be fun?!”

YQY stared at the mission sheet, which looks entirely authentic, blankly. It takes them right to the town that he had left SJ in. “Where did you get this?”

“My Shizun.”

“….”

“….your Shizun?”

“…”

“Uhg, find. I might have forged it. For a vacation? It’ll be fun.”

It was not fun. But they got SJ back and ran for it and made it back to the sect in good time. Their shizun’s were upset, but they couldn’t find a way that the mission could have been forged because it was that good. YQY was suddenly glad to have SQH on his side, and is now completely convinced that he had seer powers.

Maybe that was why he joined the demons last time? Years of abuse at the sect, and knowledge that demons would win? YQY hates it, but is only more determined to keep SQH as a friend. He starts laying hints that if SQH ever meets a demon, that YQY would like to know about it! He’ll be less made if he was told, as opposed to finding out later, promise!

SJ, for his part, can tell what YQY is doing to a point. He’s just glad that YQY has actually started manipulating people to his advantage. His Qi-Ge is really growning up.

Don’t ask me what happens what SQH does come up to YQY to tell him about MBJ. I haven’t thought that far lol