#human heart break

[dailymusemaniac]

www.redbubble.com/people/Inspire76 my bleeding heartache

[jaffababe]

Gazan portraits by Palestinian Photographer Motaz Azaiza (pictured in the center of the final photograph) :

Motaz’s photography captures the daily life of Palestinians in Gaza; from old to young, from happy to sad, from living to dead - he is currently documenting the Israeli onslaught and mass destruction of Gaza live on his social media. His Instagram: Motaz_Azaiza

[seratlantisite]

i can't get over how sad jor-el looks. all he left to kal in the universe was a shadow of his own consciousness in this programming and they can't even understand each other. this show is so fucking good

[jincheeto]

I love them all bisexually

[rad-roche]

warmup doodle of my bg3 character

[chio-chan2artbox]

:'c

Inspired by the fic Forever and a Day by @inators Part 2

[keii4ii]

Lyrics from 꽃이 피고 지듯이, a song from a historical movie about a son and his abusive father. It is sung from the son's POV. The movie isn't similar to Lies of P, but the song still fits the high humanity Happily Ever After route. I am taking my leave now leaving behind my pain the words I couldn't tell you, I send them away to the clouds. So much I have cried because I couldn't fill your heart. I am sorry; here, my heart like a flower blooming and falling. Fly through the empty skies, let the wind carry me Befriend the lonely morning stars and I am taking my leave now. We longed for each other this much, so why couldn't we be together when we were together? If, if there's any warmth of mine that remains in your heart, touch my face just once before this wind scatters.

[aimseytv]

sometimes it’s hard knowing how much of my core community is on twitter because you don’t know how badly i want to stop using the platform as every day i open it there’s more shit that just breaks my heart

[shima-draws]

Rewatching a playthrough of FNAF Security Breach and yeah. Glamrock Freddy really IS the Dad Ever

[hesbianyaoi]

atsushi's entire gag of going "i'm a tiger, not a cat" is fun to me outside of the obvious reason of "tigers are just big cats" because i enjoy seeing people interpret it in various ways in fics and other works. i think my favorite is the idea that he doesn't like being called a cat because it feels dehumanizing to be treated like an animal rather than a person; it feels real enough to fit his character. realistically though i know it's probably because atsushi is a teenager and just being a cat sounds lame as fuck to him

[razmerry]

can the mediator of vengeanceclan really fall in love with a kittypet?...

[scribefindegil]

Obsessed with the POV choice in Imperial Radch as well, both because Leckie does some really wild stuff with how expansive the strict first-person is able to become due to the worldbuilding and who her narrator is, and because it's SO entangled with the central thematic concepts of identity. In the first book flashbacks when the narrator is still a warship, "I" can encompass so many things, and sometimes explicitly refers to different facets in the narration--is "I" Justice of Toren, or One Esk, or a specific segment, or Breq narrating from twenty years in the future? "I" isn't simple, isn't unified, and while this is most literal and obvious with Breq/One Esk/Justice of Toren and Anaander Mianaai's split factions it's true constantly throughout the work at every level of scope. Individual characters struggle with internal conflicts and hit their breaking points--what is it that makes someone decide they have to disobey orders and make a stand or they won't be themself anymore? How do you know who you are if you've been forcibly changed (Tisarwat) or if the world you knew has moved on and become unrecognizable (Seivarden)? How does a character on a colonized world navigate the split identity that comes from the pressure to assimilate to the dominant culture? And then there's the Radch writ large, all the Radchaai so deeply invested in the idea that there is only one true concept of Radchaai society, of civilization, but of course there isn't! It changes based on location and over time, and Breq muses that the Radchaai empire would be largely unrecognizable to the isolated sphere of the Radch itself. In these books, even if you aren't the last remnant of a destroyed spaceship and its legion of bodies, "I" is such a complicated concept and the narrative never lets you forget it.

[treasureplcnet]

Semi-desperate Mithrun in regards to Kabru post-canon is so fucking real. On top of everything else, the guy kinda sorta literally gave him a will to live. Like. Mithrun's an acts of service logic type guy and was already attached to him. And how the fuck are you gonna return a favor like That. Beyond the continuing demon hunting and shit he probably rings up Kabru once a week like "You wanna hang out. I know you're stressed all the time every day. Come hang out with me." And is like yea, this is a normal response to a guy making you see you still have a life. And doesn't process the fact he's in weird complicated some kinda love with him.

YES !!!! mithrun hasn't desired (or hasn't believed he desired anything besides revenge) and when he's starting to develop feelings for kabru, he's nervous and a bit surprised. to me the realisation is slow and methodical, like "i miss kabru. i want kabru around. i feel his absence. what does this mean. all a part of newly wanting things i guess. totally normal to do this." -> 6 months later "oh"

and last time he fell in love, mithrun became a dungeon master and his entire life changed. now he's got his life back, learning about loving that, and kabru complicates many things. i think even kabru would have hesitations, mostly over how he believes elves can't understand short lived races, and if there is a 'future' for them that they'd both be happy with. i want to see them work it out together. it's very beautiful to me :)

[atomicengineerdetective]

I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask

Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???

Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.

BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after

I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-

The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.

There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.

But above all else THE LYRICS

ESPECIALLY THAT LAST ONE

"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"

DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.

It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.

[alexis-royce]

Would Diegesis and Pages get along? What about Liam and the Academic?

Diegesis, maybe go ask a Spirifer for something to eat before you try that again.

[Bonus Panel with Lee and The Academic over here.]

[tequiilasunriise]

“In another life, I loved you right.”

“In another life, you loved me at all.”

Tag your ship(s).