#i am just simply thinking

[gimmethosedaddymilkers]

MINI RANT INCOMING A LIL NSFW SO MINORS DNI

I LOVE High Honor Arthur, truly I do, he's a sweetheart and he's a better man than most even with his flaws. Im not saying he's a good man because he did in fact still kill people and rob and everything else, but if he had been raised not into a life of an outlaw he would have probably been a fantastic man

Now

I also LOVE Low Honor Arthur too

For different reasons

Now, he has about the same personality, sarcastic, funny, witty, and as Hosea often says "Rough and ready, and quick with his tongue" but

Low honor enjoys being a horrible person and that is what makes him horrible

That is what makes him different and what makes him the awful person he is

Now

Why do I love low honor?

First of all

Hes fucking hilarious

Dont get me wrong HH arthur is funny too, no doubt

But LH arthur is FUCKING FUNNY

Doing greet greet antagonize with low honor arthur will either send you into shock at his wit or make you cackle uncontrollably, theres no inbetween

And secondly

In headcannon terms

LH arthur is far more confident in his looks and in his sort of flirtatious ways

He knows hes a bad man, he knows that he isn't a good person and that he'll probably never be.

But

Because he likes being those things

He'll be far more confident in how hot he is

And Confident Arthur is literally the hottest thing in the planet

Now, the versions of LH arthur where he's just straight up dark and emo all the time is not what im talking about

Im talking about him coming into camp covered in blood spatter and mud but still sauntering up to you with the widest smirk on his face and taking your chin in his hand before kissing you and then proudly telling yiu he started a fist fight just for fun and that you should see the other guy kind of LH arthur

Or cleaning his guns in the middle of camp with you on his thigh telling you to ride it or you aren't getting fucked for a week

Or him getting frustrated that he got shorted money as he counts it and mounting up with a gun slung hastily over his shoulder only for him to return with his face covered in blood from punching a man to the edge of death but still smirking his pearly whites at you while you clean him up

Like

Dont get me wrong

Death is horrible

And killing someone is horrible

And the fact that LH arthur does it because its fun is absolutely horrible

But the STRENGTH that he exudes. The confidence he exudes.

That is hot.

HH arthur is hot too, in a different way, in the way that he is good but does bad things and still has those moments of confidence and all kinds of sarcasam and wit, the justice that he attempts to do in the end of the game

And the fact that in Headcannon land HH arthur would do anything to make you comfortable at all costs and wouldn't just fuck you, but also make love to you.

THIS WHOLE LONG RANT IS BASICALLY ME TELLING YOU TO DO BOTH SIDES OF THE COIN IF YOU HAVENT YET OK.

GO READ SOME LH ARTHUR FICS YOU'LL GET IT I SWEAR

[ash-and-starlight]

humble contribution

[lauraneedstochill]

if I see one more post about Aegon “bullying Aemond his entire life”, I will go fucking ballistic, I swear to g—

scratch that, I will actually go ballistic right now. this is the “Aegon doesn’t deserve such a shitty treatment” club and I’m the self-proclaimed CEO. we are about to do some analyzing and reading so BUCKLE UP.

gonna make one thing clear first — Aemond was bullied when he was a child. no one denies that, no excuses can be made for that. I’d only like to note that there wasn’t only one bully. here’s a quick reminder:

now that we successfully counted to three, let’s look over Aegon’s other horrible crimes relationship with Aemond throughout the years.

📍 the night Aemond lost his eye (S1EP7), Rhaenyra suggests he should be “sharply questioned” (she means tortured) so they can learn who told him that her sons were bastards. Viserys, in his perpetual denial, angrily asks Aemond “who spoke these lies” to which he replies that it was Aegon. it is clear that Aemond does that to deflect suspicion from their mother but his words come as a surprise to Aegon.

he’s in a tough spot — Viserys demands the answers “as their king”, not their father (to signify his authority and pressure them into telling the truth). and Alicent screamed in Aegon’s face and slapped him just a minute ago, so he may be less eager to defend her. he can easily lie and say that he overheard some maids gossiping or that he can’t remember where the rumor came from. instead, it takes Aegon about 5 seconds to back Aemond up.

📍 we didn’t get many scenes with young Aegon and Aemond in general, but here’s a short bit people keep overlooking: when Harwin and Criston start fighting, Aemond and Aegon instantly gravitate toward each other. and moreover, Aegon puts a hand over Aemond’s back (which to me is either a protective or a comforting gesture). what a horrible brother, truly.

📍 next we see them all grown up before dinner in S1EP8. I think it’s safe to assume that if Aegon has been bullying Aemond all these years, Aemond wouldn’t want to spend a second in his company. he’s seated between Helaena and Otto, both of whom are dear to him, so Aemond can stay at the table and chat with them. and YET, not only does Aemond voluntarily talks to Aegon, but their conversation seems friendly (you can barely hear it in the show so here’s the enhanced audio). Aemond makes a joke about Aegon’s drinking habits — Aegon quips back — and then, what a shocker! Aemond starts venting his frustrations to Aegon (“Even when the noose is so tight, they expect us to break bread”). nothing would’ve stopped him from venting to Otto but Aemond stays with Aegon. he wouldn’t have done that if there hadn’t been some level of trust between them. he wouldn’t have done that if he hated Aegon’s guts.

📍 at dinner, when Aegon pisses Jace off and the brunet springs to his feet, Aemond stands up too, which forces Jace to act as if nothing happened and come up with a toast. Aegon watches him with a shit-eating grin on his face. it’s the face that screams “I know you won’t dare to act up in front of my brother and my brother has my back”.

when Aemond makes a toast and calls Rhaenyra’s sons “strong”, Aegon raises a cup to that. he can sit this one out — Aemond has his personal vendetta against the boys, and it would be safer for Aegon not to meddle. but what does he do instead? when Luke gets up from the table (clearly intending to go to Aemond), Aegon instantly stands up, comes up to Luke and not just stops him but slams his face into the table right in front of Rhaenyra without thinking twice. and it doesn’t look like Aegon is just messing with him — no, it looks like he wanted to do that for a while. like Aegon finally got his chance to stand up for his brother too. AND he also stops Baela from joining the fight.

📍 S1EP9 is when we get a glimpse of Aemond’s ambitions: he deems himself better than Aegon, he thinks he deserves to be king. but once he finds Aegon and they get into a fight, it turns out that Aegon knows that Aemond is a better choice. he doesn’t want to fight him, he begs Aemond to let him go. and Aemond can do that — Criston has his back to them, so Aemond could’ve pretended that Aegon managed to break free. and even once they caught Aegon, I have no doubt that Aemond could’ve helped him escape. but it seems that, despite his displeasure, Aemond values his family the most. he can’t betray his mother’s trust, and he knows Aegon is the first in line to the throne. Aemond envies him, yes, he may even hate him because of that. but he values his family the most.

📍 as @florisbaratheons noted, during the coronation scene, when Aegon glances at his family, Aemond looks right at him and gives that tiny nod that says “I may hate this and think I am better for the job as king. But I’ve got your back.” I like that Aemond is the one who keeps eye contact in that scene. He could’ve turned away to signal his dissatisfaction with the situation, there wouldn’t have been any consequences for that. But he didn’t.

📍 what I find interesting about S1EP10 is the beginning of Aemond’s dialogue with Luke. that’s the boy Aemond wished to get back at for years and yet, he starts by saying “Did you think that you could just fly about the realm trying to steal my brother’s throne at no cost?”. Aemond could’ve skipped that part — imagine him saying smth along the lines of “Wait, Lord Strong! Don’t you think you and I have other matters to discuss?” (to which Luke answers that he doesn’t want to fight and the conversation goes on). instead, Aemond makes a point to remind Luke: my brother is the king, and I came here on his behalf. you can argue that Aemond doesn’t do it for Aegon specifically but for his family in general. but Aegon is a part of the family, and S1 Aemond has his priorities straight.

📍 as much as I hate comparing the show and the book (these are two different things and should be viewed as such), I’d like to remind you that Aegon was the only one who stood by Aemond’s side after Luke’s death. I wonder why we didn’t get that scene… I guess it’s because it would be kinda hard to call Aegon “the main bully” after he literally throws Aemond a feast. but we do get to see Aegon supporting his brother: in S2EP1 he welcomes Aemond at the small council meeting despite his mother’s protests (“Aemond is my closest blood and my best sword”). and he trusts Aemond wholeheartedly, that much is obvious.

📍 let’s get to the most controversial part — the brothel scene in S2EP3: some people believe Aegon is being a bully at that moment. those people seem to forget one little detail:

it’s been only a few days after the death of Aegon’s son whose murder was a direct result of Aemond’s ruthless actions. does Aemond ever address it? does he express his condolences? does he mayhaps help to catch the killers, being the skilled fighter that he is? the answer is NO.

I do think Aegon’s joke was cruel (I wrote a whole post about it) but that’s all it ever was — a JOKE. the humiliation comes not from the things he says but from the fact that Aemond is found in a vulnerable position and surrounded by a group of strangers while his brother laughs at him. TGC explained it best:

I also love @notbloodraven’s take on that scene:

Aegon lashing out so cruelly at Aemond seems to be an effort in making Aemond feel as badly as he does and blaming him for Jaehaerys without actually saying the words.

would this be the right way to act? no. but there’s no right way to grieve and to cope with the loss — and HIS SON WAS BEHEADED so maybe take 1% of the sympathy you show your favorite character(s) and cut Aegon some slack.

+ other things worth talking about:

📍 @bietrofastimoff23 analyzed S2EP3 beautifully and I can’t help but mention the scene that happens before Aegon goes to the brothel. it’s the moment when Larys suggests that Alicent and Aemond are plotting against Aegon. he isn’t surprised by the idea that his mother can do that — but the second his brother is mentioned, Aegon’s face falls and he shakes his head no. because there is no way Aemond would ever do that to him. and instead of asking for any proof, he asks Larys “who spreads these lies?” and then commands him to “tend to them.” Aegon can ask him to spy on Aemond, to find any dirt on him, find any weaknesses he can use — he does not.

📍 it turns out to be true — Aemond was plotting behind his brother’s back. which is treason btw (I don’t think Criston intended to keep things from Aegon — he probably believed that Aemond would let Aegon in on their plan). and Aegon does have the power to remind Aemond of his place — he can throw him off the council with a snap of his fingers, he can take offense at Aemond’s attempt to publicly humiliate him (their conversation in High Valyrian — Ewan himself calls it a “public execution”). but that’s not what happens: as TGC phrased it, Aemond’s betrayal “breaks a bit of Aegon’s heart off”. an actual bully would’ve immediately pushed back, but Aegon silently sits down and doesn’t argue, he’s so defeated he can’t utter a word. he has the means to be a bully but he doesn’t contemplate it for a second.

📍 I don’t want to talk about S2EP6 because it makes me sick but I will reiterate one thing: never ONCE Aegon made fun of Aemond’s disability or tried to cause him any physical harm. just want to point that out.

there is no moral to this story, I guess. if you managed to read till the very end, thank you. if you still hate Aegon, that’s your opinion and you are allowed to have one — but please, for the love of god, just stop making shit up. no, Aemond was NOT bullied as an adult, absolutely nothing suggests that he was. Aegon was naive to blindly trust him and it backfired on him, that’s the actual story. and if you are so eager to hold Aegon accountable for his mistakes, maybe it’s time for Aemond to take responsibility for his actions too.

+ some of my favorite critical posts about Aegon and Aemond: x, x, x, x, x, x, x, x.

P.S. I will not argue with anyone so please don’t waste your time — I consider all my arguments solid and that’s enough for me. if you are thinking of sending me anon hate, pls go take a walk instead, it will do you more good. 🌿

[vaguely-concerned]

when obi-wan said 'I won't kill anakin' and then spent the entire rest of his life following through on that. fuck everyone else obi-wan I respect you yoda should've taken you at your fucking word

'boohoo why did he walk away and not kill anakin this time either even with all the suffering he'll go on to cause if he lets him go' he's told you why very clearly you just didn't believe him I guess!! desperately not killing anakin is obi-wan's main export. it's his universal constant, his life's work, his magnum opus. he gets creative about not killing that guy. he tries to send anakin's teenage twink son to do the job for him because he simply can't. he fucking... peaces out and dies to avoid killing anakin. that's like his whole deal. whether he's right to be like this is another entirely separate conversation but it is what he is

[nikoisme]

The constant temptation and promise of everything and nothing in the odyssey. The sirens promise odysseus to know, and the lotus eaters promise him to forget. He could be an immortal, and he could be a beggar. Be known, and be a stranger. He could be alive, and he could be dead. He could be odysseus, and he could be nobody. And the man of many ways tries to be a little bit of everything.

[lillotte17]

I have been in the solavellan fandom for...A While. (do not count the years, i beg) and everyone has their tropes and themes re: wolves/halla and hunter/prey and the New Herald being worshiped/the Old God nearly forgotten, and tbh I like bits and pieces of all of them, but like...

For me, the most compelling story is that Lavellan is just Some Guy (gn).

They meet Solas and accept that he is like them. He's an elf. One of The People. You are like me. I am like you. We are The Same People. And because of that, I will protect you with whatever power the humans around us have given me, because I know this is not the safest place for either of us.

And it just fucking... gets him, right? Because that's his whole deal. The world is broken because the people aren't People. He's not like them. They're not like him.

I just love the idea that this impossibly old, incredibly powerful sort-of-god, trips into a hole and nearly throws his entire game away because a regular person (albeit one who was thrust into extraordinary circumstances) decided to be kind. Offered him protection and friendship. Asked him to tell them stories. Grieved with him when he lost one of his oldest friends.

He could not deny that they were a person, because they treated him like a person.

I love how ordinary that is. How simple. How devastating.

'You're real, and it means everyone could be real. It changes everything, but it can't.'

[macbcth]

what your favourite dunmeshi ship says about you

farcille: you're classic, you make sense, you like to see the lesbians winning and also you're a bit of a monster fucker: you may or may not specifically have a wing kink

chilshi: you like your men hairy and fat, also you are not immune to panty-shot propaganda, your love language is acts of service

chilaios: you have a size kink

labru: you prefer mlm ships over any other pairing, you think character foils should fuck, you may be a sucker for blue eyes

laimar: your favourite trope is friends to lovers, also you like to see the bisexuals winning, you're also.. what the poets might call.... weird

marchil: your favourite trope is enemies to lovers, your love language is banter, and you're the kind of person who says 'i can fix him' far too often

kabumisu: your ship could burn down the world and violate the geneva convention and you would still call both of them babygirl, also you like angst

laios x monsters: you like tentacle porn

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[to-be-a-dreamer]

I can’t stand that TikTok trend that’s like “just saw Hadestown and my boyfriend is walking the entire way back to the hotel without looking back at me to prove Orpheus was a chump” because not only do they not get the whole point of the Orpheus and Eurydice myth they also Were Not Paying Attention to the musical they just saw.

Hate people who see WSS as “just a Romeo and Juliet retelling”. Hate people who see Hadestown as “Just an Orpheus and Eurydice retelling”.

Hate people who watch a musical that takes a classic story everyone knows and uses it to explore/critique our modern society and only see it as a funky retelling.

Not Getting The Point of WSS is one thing because it’s more subtle and it can be really easy to just see it as a modern R&J, especially if you don’t really know R&J.

How the fuck do you watch Hadestown and see it as just an O&E retelling? It is one of the most heavy-handed political musicals out there how are so many people missing the point?

Orpheus has to fail. Not because that’s how the Greek myth ends but because that’s the whole point of the message of Hadestown.

Social reform is hard. Changing the world is one of the most challenging things you can try to do. So often we see people try to make a difference in society, to change some kind of injustice in the world. And so often we see those people fail. It can feel so impossible to actually do some good in this fucked up world because we see these people who are smarter and stronger and more qualified than us fail over and over again.

Why do we even keep trying?

Because we have to.

Because one day, someone will try and they’ll succeed.

One day Orpheus won’t turn around.

One day the people of Hadestown will get to see someone escape and they’ll know they can escape too. Only then does the world get to change.

So we have to try. We have to keep singing the sad song, no matter how many times Orpheus turns around, because one day he won’t.

In the Greek myth, Orpheus fails because he loves Eurydice.

In Hadestown, Orpheus fails because we fail.

We try and we fail to make a difference. We try and we fail to change the world for the better. We try to see the world for what it could be and it keeps letting us down.

But we don’t give up. We don’t stop singing.

Hadestown is genuinely one of the best musicals ever. Full stop. This musical is one of the reasons i wish I was smarter because I would love to be able to do an entire thesis on this show and all the themes and messages in it. Some of them are subtle. Some of them aren’t.

It is not just an Orpheus and Eurydice retelling. I am begging people to hear the real message.

Never stop trying to change the world.

One day we’ll make it out of Hadestown.

We just have to keep singing the song.

[danggirlronpa]

Female Danganronpa protagonists/perspective characters and their media

[legend-had-it]

a sanji that takes care of zoros swords when he cannot

and a zoro who cooks food for the crew when sanji can't

[bobmckenzie]

women selfshippers who aren't stereotypically feminine, whether in physical features or personality or anything, your f/o loves you just the way you are 💚 you are their ideal woman ! :)

[blitzwhore]

Stolitz, and their fear of rejection and sense of worthlessness turning into a self-fulfilled prophecy.

Blitz—

Does anybody love you, Blitzo? / No.

Eventually everyone goes...

Stolas only cares about having a rugged peasant raw-dog him into his mattress. It's nothing... You know. It's nothing else.

I'm going to die alone, aren't I? Just a wrinkly, old, withered waste.

Royal demons don't give a shit about guys like us. They're all the fucking same.

Stolas, don't act like what we have is anything but you wanting me to fuck you. You make that really clear all the time.

But you don't want to do things alone, Blitzo.

I mean, Stolas is just a loud, thirsty bitch who loves feeling the thrill of being dicked by the lower class. It's a novelty to him.

And then he'll call me and try to see how my day was, and he'll pretend to care about me, and comment on my photos, and laugh at my jokes... /Oh well that's definitely your clue right there that it's all bullshit / I know, right?!

It's all my fault. I'd hate me too. I mean, I do hate—

You're going to die alone. You're gonna die alone, Blitzo.

[My worst fear has come true. He couldn't possibly want me. This has to be a joke. He's selfish and an asshole, just like the rest of them. He's trying to get rid of me; that's the only explanation. I'm just a broken toy he's finally gotten bored of, just like I knew would happen. He won't even fight for me, and why would he? I could never be good enough for him. It's happening again. I'm being abandoned by someone I care about. I really am going to die alone.]

Stolas—

Would he want me if he was free? And if he's only here as a prisoner, what kind of monster does that make me?

I mite b bsuy / I wouldn't want to bother you!

You see... I seem to have found myself with, um. Feelings for him. And I'm not sure if it's a mutual thing.

Dearest, I know better now, I must give you this choice.

I'll save us both before we grow cold.

What's between you and I? Just a comfortable lie.

I'm sorry it's a bad time yet again, Blitzy...

He deserves the choice to stay or go.

So I'll grant you this mercy, this bind on our souls needs to end...

Next time you come over, maybe we can talk about what happened at Ozzie's? / Y? / I'm sorry! Nevermind, it's not a big deal.

What's left for me and my broken heart if I cannot have you? Unless it's me, and no matter what in this world I could give, it's not enough to get through the walls you've conjured up to live...

I'll believe him, and not the voice that says I'm not enough.

I'll fucking die alone if this goes bad!

[My worst fear has come true. I truly am not worthy of being loved. He's rejecting me— no, mocking me for even thinking he could ever want to be with me if he didn't need my book. I've been taking advantage of him all this time, all the while believing we had something real and being naive enough to think he could love me back. I am a monster. And now that he can, he has chosen to leave me. So now the least I can do is quietly let him—the only person I have ever wanted and felt alive with—go. I really am going to die alone.]

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[moeblob]

What if I straight up didn't explain myself? What if I just said trust me on this? Would you?

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.