#i do have things im mad at him about!

[felixcosm]

I love Mikey so much, he's such a horrible man and there are things I am still genuinely pissed off about (Baby Mikey 😔💔) but Mikey is my favorite guy ever.

Even out of all the other Mikes who have their own shticks like being a cowboy or being a hippie or being Ty's lapdog or Eagle's drone, Mikey Walters, good old Mikey Walters will be my favorite still. He could never be boring or uninteresting to me, no matter how many unique iterations he gets <3

[chessb0r3d]

i cracked the code.

[arosebyan0thername]

If there are a million Reeve Carney as Orpheus fans in the world, I am one of them. If there are only two Reeve Carney as Orpheus fans in the world, I am one of them (Eva Noblezada is the other). If there are no Reeve Carney as Orpheus fans in the world, Eva Noblezada and I are dead 😔

[potatobugz]

buddy is surrounded by horrible horrible adults like at all times and it is deeply stressing to me. not to baby him, i do think he is easily mislead but he is not stupid. but also like. can he be given a moment to breathe actually. can he not be manipulated for one second. please put him in a normal social situation with regular teenagers his age please im begging you

[pineappical]

THANK YOUU @bahoreal for the teddy fic 🥺🥺🥺 really obsessed with ted going bear when he's anxious so i can just imagine him being like this in his seat when he's upset

[usercelestial]

like its fully okay to say happy pride to Eddie Diaz bc what the fuck am i gonna do about it but you guys get why people might have an issue with that right? like its not coming from homophobes, its coming from other queer people who are tired of the whole "well he's gay to me" thing. it's like when someone asks who you're favorite female character is and you name a man. like sure yeah it's a little silly or whatever but you guys get why that sucks when you're trying to have a serious conversation about the way female characters are treated. it's the same thing for queer characters. sure headcanon this guy all you want but remember all of the canon queer characters come before him. obviously if the show decides to go forward with queer eddie then hell yeah! but it hasn't yet, they call him canonically cis-heterosexual and until anything else gets acknowledged by canon, he is not actually included in the queer characters list. like it's important to talk about hen, karen, josh, michael, david, eva, buck, and tommy wayyyyy before you start to mention eddie

[notfeelingthyaster]

i think jason's probable death in gotham wars is going to either be a non-continuity death (like dick's deaths) or a "death" (like tim's deaths) in which he is not really dead, just like, in stasis or smh

(or they said we'll dig deeper this time so you can't dig out and offed him again)

[possamble]

I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way

[itissadbutitsmy-artblog]

lemongrab (Starts vibrating so hard i explode)

i do think pb is calm now but i dont think she likes wizards. i dont know. i dont know. and i saw how she treated lemongrab, she didn't really like him either. like. you all saw that. peps didnt want to see that he didnt want to think about it at the time, how they were treating the actual literal heir to the throne and also just how they were treating this man, he didn't realize. he didn't. and now. and . dont .get me talking about lemongrab. or i will talk. for ever

pep: you ate your brother lg: lg: you won't have that problem pep: i could eat you lg: try it

[cuntstable]

its like if youre gonna use sa as a repeat Thing that happens in your story, thats more or less an inescabable thing for the characters (particularily women) in it then one would hope you as the author would have like something to say about the subject. like maybe a point to make about it or the lasting trauma of it or the process of recovering from it. if the characters it keeps happening to just sort of freak out and then move on OR their struggles with it are off screen while the actual assault was shown in full detail then idk. is it worth putting in there? death and hell on you as a writer

[eikichi-supremacy]

and they were singin', bye-bye Miss American Pie // american oldie i think kuwabara unironically listens to

(low effort lyric edit im queueing here in May cos im probably gonna forget it exists otherwise)

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[bobzora]

school is making me miserable so here's a doodle sheet of akechi truths. hope this helps

[gobstoppr]

hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.

guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there

[badkarma1998]

Me learning about "fridgescaping":

[yuwuta]

i get critiquing plot holes and power differences/disadvantages and systemic things like sexism and sexualization/fetishization and racism in manga and stories in general, and i also understand loving your favorite character and wanting a certain outcome for them, but it's always a little bonkers to me that people geniuenly believe they could have come up with better endings or outcomes than the authors themselves... like i know people get attached to their favs and everything but manga and story telling is an artform and it's art that's created by a real life person who chooses to share their story with you there is no "better" ending that you could have come up with because you couldn't have come up with those characters in the first place! sure you think you could worm them around in better scenarios but even that is wishful thinking because you couldn't have, wouldn't have, and didn't come up with the world and scenes around them to navigate them in canon in the first place! idk i get wishful thinking and hopes and cracking jokes and fix-it fics and ships all that but sometimes i feel like people need to be humble and take a step back lol.... it's not your story and there's nothing for you to change, much less publicly scream about how the author fucked up just bc your favorite character didnt end up how you wanted them to.... and if u feel that strongly just like... do it in your own little online or irl community lol there's no need to scream on the internet every 3 months about how u think the mangaka who gave u the character u love so much is a piss poor artist