Something about JJK 236 is bothering me
That fight...was awesome, but it could have gone better.
Other than the fact that I'm currently in mourning over our king's garish demise (don't get me wrong, I do want him to be happy in the afterlife and I'm slowly coming to terms with his death, it's just I can't really process all this yet), I'm still a bit confused how we got here so quickly.
I have countless questions and I know Gege will probably brush this off in the coming chapters and pull yet another meeska-mooska-Mickey Mouse Clubhouse move.
But there is one that lingers in my mind up to this day:
Remember during the Fearsome Womb Arc when Yuji and Sukuna deliberated with each other on the possible resurrection or re-animation of Itadori's body via a deathmatch?
Yeah. We all know Sukuna, the king of all curses, is a master at one-shotting his opponent. Just take a look at what he did to our best rose-colored boy who went from this:
To this, in a split second (lmao):
Yeah, yeah, I've read all the “copium” theories from other Gojo fans such as myself who are kinda on the fence when it comes to accepting Gojo's death as being final or not, but, let me bring this back real quick to the matter at hand.
Sukuna went for the head with Itadori. Of course, maybe he did that to shut him up sure, but what I'm getting at is, the head is the singlemost critical point to hit when it comes to sorcery dogfights.
He knows this.
And he probably knows that Gojo Satoru, the darling of the heavens, the uncontested gem of Jujutsu Society, is a reverse cursed technique user. Pretty obvious thing to catch since Satoru had been using RCT the entire showdown to heal his countless critical wounds.
So, Sukuna, in all his centuries of wreaking havoc on the world, should know that the only way to permanently kill a sorcerer who uses RCT is by targeting the head. There were so many instances in this entire deathmatch that we are completely blown away by Sukuna's prowess and overall mastery of Jujutsu.
Can you imagine the amount of practice he's had over the years with other "greatest sorcerer of their generation"s? He knows the ins and outs of Jujutsu like scripture, which is exactly what kept Gojo Satoru on his backfoot for some parts of their skirmish.
Now, here's the thing that's bothering me:
I liken Sukuna as something like a super computer. All that battle experience is readily available to him like some Jujutsu techniques data bank, not to mention, Mahoraga's adaptation clearly gave him yet another advantage in this fight for the title of the strongest.
He knows Satoru Gojo has been frying his brain using Reverse Cursed Technique this entire time, and he's probably seen his former opponents do the same as well. He knows that the only way to kill them is by dealing a devastating blow to the head via decapitation or complete obliteration of the body.
So, my question now is:
Why did he bother cutting Gojo in this particular manner? Why didn't he go straight for the head, since Mahoraga's adaptation blueprint can now allow Sukuna to cut through reality/space itself and therefore bypass Gojo’s infinity non-selectively?
Arrogance now that he's secured his definitive victory? Or the so-called warrior's high? Why leave room for obvious speculation when it could so easily be crushed into smithereens if he just went for the kill?
It's all very confusing. I'll point back to the time when Sukuna swiftly decapitated Itadori.
And I'm willing to bet that that move was deliberate since at the time, Itadori had already been in Jujutsu High for quite some time and Sukuna must have realized that under the tutelage of Gojo and other sorcerers, he must be learning a thing or two about RCT here and there which may have led him to end the fight quickly hence, the resurrection of Yuji Itadori.
Now before, ya'll attack me, I know what manga panel you're gonna throw at me to deconstruct this entire analysis and dismiss it as "copium". So, I'll put this here:
I know it may look like Gojo's entire head has been blown off at this point seeing the pool of blood he's currently lying on. But why is Gege or the editor making the effort to cover Gojo’s head with the text bubble when, logically speaking (and coldly at that), Gojo should be deader than dead? Which he…in theory based on the afterlife sequence, SHOULD be.
And with that whole North/South thing to cap it all off? Though, I wouldn't dwell on that. The wording in that bit was very vague and I’m not really into the habit of over-reading so hehe~
Anyway.
Could it be there's something else in store for Gojo Satoru? Is something else at play here?
Or is this simply a writer's failsafe, just in case Gege wishes to bring back Gojo Satoru so that he'll have a rational explanation as to how that came to be? No one knows. But I think this wasn't some on-the-fly decision by Gege or the editors.
Gege Akutami - though as a writer myself, I find his current choices for the story to be a little questionable with the many gray areas where plotholes could eventually arise - has been deliberate about this story since the beginning, having already mapped out the fate of Fushiguro Megumi.
This panel, the entire chapter, the circumstances we're now currently witnessing is deliberate. And maybe...we haven't seen the last of Satoru yet.
I'll leave this here for everyone to think about. This is all speculation, after all, so don't be mean about it, Jesus. In the meantime, I'll just admire my husband, Suguru, for now and will probably go back to writing my fics~ 💕
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nonzero people podcasting about goosebumps the musical & it’s never enough. neither extensive enough nor enthusiastic enough & that’s coming from me which is the entire explanation for the assessment.
on the same topic but a completely different point, i was just appreciating how extra fun i always find understudy buddy to be. and obviously i would like to think that maybe tina & the unit that is brooke & zeke are like, more neutral to amicable after the show lol. tina is a lot of fun as is, like, automatic shoutout to any character just being like, getting in the way being offputting / a pain and all powered by one’s own intensity, that’s fun & funny & who among us? and like yeah she’s also definitely doing the mean girl thing like, in the song as mentioned lmao like please, rein it in. and maybe she will, but then when other suspects are being kind of crossed off the list just before thee play she manages to just be regular supportive towards brooke, so that’s promising lol. and also just shoutout to the Fun of a lively antagonistic role, great stuff, delightful number for her there, and sure helping ramp things up. and zeke and brooke not just showing up for this one horror musical (also i would love to shoutout zeke’s plight there lmfao like, the experience of original readers of poto where the twist is “nah it’s not a phantom it’s just some wet pathetic guy” like he’s so hyped to be The Ghost Lead and then he’s like oh god i’m a romantic lead in a hole & i’m five & it’s embarrassing & i even know my counterpart irl (the bestie) like i guess technically the role’s a ghost by the end & good for the mystery mask wearing element being exciting still) but that they were unnamed ensemble members in guys & dolls & saw that through, they’re bringing support & appreciation for the theatre, & on the flipside tina might just enjoy the theatricality & attention from it but she was having a great time informing everyone that on top of their haunted school it’s a specifically haunted (cursed) play, so maybe she can also relate to zeke and brooke’s horror genre appreciation. and she might warm up at all to zeke when he’s cleared about the fact he wasn’t trying to prank their efforts into oblivion, at least to the same degree she can manage to provide regular supportiveness to brooke when it comes to it. and on the one hand, despite brooke and zeke sure seeming like that hell of an established unit like probably just have their [socializing at school] foundation covered by hanging out w/each other, they could let brian in on that easily enough for something of a triumvirate, but now not only are they bffs since 5ever who love a genre together, they sure had an Adventure in emile messing up by [you never try to scooby doo villain your way through it] but also doing it all wrong where they think You’re the danger here & that you’re going to murder them, plus it’s scary for real exploring the darkness elevator underground tunnels anytime, but also now they have this off the shits experience with that new guy friend who was a ghost for real. kind of its own bonding element & maybe you wouldn’t exactly let anyone else in on it, much less like, tina lmao. she might be interested in The Legend but she was also super interested in telling everyone all about it, and idk, difficult and weird to explain, thing it’d all be quite the stuff to process for one lol like sure we love drama and ghosts and attention too but it’s A Lot. ghosts are real and i online dated one except across time rather than space and he was just some guy hanging out and i also hung out with him sometimes but then in the end it got weird b/c he was the suspicious understudy all along and this role is really not coming through....but also hey, could talk about it all eventually, and tina’s got plenty of context already. next year’s cast n crew party for the last show, be like hey guess what, b/c we’re solidly amicable now also
plus being extracurricular buddies like, ms. walker head in hands dealing with these three menaces lmao....although zeke wasn’t Really up to that much, tina’s sure committed to the show, etc. and it’s like, being a student or teacher or anyone else at a middle school is just always gonna be like that. could really be worse, she can handle it. and maybe she can know of the lore also, she’s out here engaging in irl drama and lore about like avenging her grandmother’s theatrical aspirations, or none of this would be going on lol. get used to these three and actually they’re reliable really, maybe tina will have learned to better accept not getting the dream role, which will be an easier time for everyone. but it’s just always gonna be a handful lol but all these kids were also all about putting on the play too, actually, yes maybe some problems arose from messing around with the platform but they could’ve been worse problems (queues of ghosts in line for their turn at finally achieving one last goal of performing their part in this one damn play lol) and does seem like it’s engineering issues inherently rather than Just messing around backstage unsupervised which isn’t often otherwise going to be fatally risky, and maybe just give people a rundown about the riskiness of things that Isn’t emile’s botched effort where he mostly just made children afraid of Him. like idk, i did shop class throughout middle school, we avoided injury w/successful cautionary rundowns. brian’s one other last goal could’ve been about safety measures, but whaddaya gonna do. anyways point is, hanging out after school for theatre purposes and having an understanding and bonus patience affordance with the teacher in charge of this and maybe everyone gets to know the Real Ghost Story or maybe it’s zeke & brooke’s personal inside secret, it was already a shared adventure for all involved even if they didn’t get the Full story the way those two did, all of them are up for Drama and for Horror, they’re good to go. and good for them
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Not to knock on Wrightworth or other Phoenix ships but people like to make most of Phoenix's actions have a romantic undertone and really miss out on the fact that he'll just about die for anyone he considers a friend.
Like he took on a clearcut murder case with zero experience (what's a cross-examination lol) because he was friends with Larry in school.
He STRAIGHT UP ATE GLASS AND METAL for the girl he was dating and was willing to ignore that she'd murdered someone.
He changed his whole ass career to get in contact with Edgeworth again just to make sure he was okay emotionally (and for other reasons that people like to ignore just for making it all about Edgeworth), even though they literally were like in 4th grade together for like half a year.
The first case he defended Maya was almost entirely because of Mia, because he didn't know Maya yet.
Literally EVERY CASE that he defends Maya in he's going above and beyond all reason and logic to prove that she's not guilty.
Him literally going against all reason and evidence and Edgeworth's own admission in the Edgeworth case to prove he's not guilty.
HIM LITERALLY ONLY TAKING ON THE SKYE CASE BECAUSE EMA AND LANA REMINDED HIM OF MAYA AND MIA.
Him literally in the Engarde case willing to compromise all his principles to get a murderer off the hook to save her (they give you the option of going with pleading that Engarde is innocent, even though it doesn't effect the outcome).
Him literally running across a burning bridge at night over a huge cliff to make sure she's alright.
All I'm saying is I think the writers more intended to characterize Phoenix as someone who is willing to do almost anything for people he cares about (even if he acts like a grumpy asshole most of the time), more than emphasizing any one romantic relationship.
(I also think that's why he took Edgeworth faking his death so hard, and was so pissed at him for it. Like he felt betrayed and helpless at Edgeworth commiting suicide, mad (at Edgeworth and himself) that Edgeworth thought he couldn't come to him for help, when he would do anything for him. And then he finds out he was deceived, and couldn't understand how anyone could do that to someone they care about, like it's not in his friendship vocabulary ((also the fact that Edgeworth had confided in Gumshoe and not him that he was still alive, meaning he trusts Gumshoe more than him as a friend.)) It all comes down to Phoenix being betrayed that he's not trusted and his devotion to his friends not returned.)
Anyway sorry this is so long I hope it makes sense.
(also I've only played the original trilogy)
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