#i don't know if this really helped anon

[becca-e-barnes]

Can i request something where bucky has a smutty obsession with sundresses? Just the way his doll looks in them and stuff?

I've definitely written Bucky loving sundresses before but now that there's a bit of a chill in the air, I'm imagining the same sundresses but with tights underneath 😏

Having the tights keeps you a little bit warmer but it doesn't give Bucky the access he's used to. The tights are such a tease because he knows how flimsy they are but they're in the way of what he wants and that would never do.

He does love the feeling of them though. The thin material is so smooth under his fingertips, there's an attractive sheen to them and he finds he can't take his eyes off your legs, right at the hem of your dress.

"Sweetheart." Bucky's voice is firm and it makes you smile to yourself. "Come here."

He's sitting by the kitchen table, sipping his coffee and you know that he's been watching you since you came down to make your breakfast.

You peck his lips softly when you reach him, enjoying the way a smile tugs at the corners of his lips. "Everything okay?" You ask, letting him press his knee between your thighs, spreading your legs.

His hands land on your legs out of instinct. The silky smooth feeling does something for him that he didn't quite expect and for a second, touching you over the fabric feels just as intimate as touching your bare skin.

"I like these." Bucky teases, squeezing your ass, making you roll slightly against his thigh.

"I'm glad you like them. You need to be gentle though, you'll rip them."

That wasn't even something he'd considered but now it's all he can think about. Those perfect tights, totally ruined, your panties pushed out of the way so there's nothing between your body and his fingers.

"You've never really liked it when I'm too gentle." He reminds you and you can't help but giggle because he's right and you know it. "What if... I just ripped a hole. Right here. Between your legs." His fingers tap the apex of your thighs, through your tights and underwear and your only option is to grind down on his thigh just a little harder.

"That would ruin them." You rock your hips back and forth, enjoying the friction against his insanely muscular thigh, letting your own need build.

"I don't think so. I think it might make them better. You know I like those pretty dresses you wear. Putting that flimsy fabric in the way is just a tease." Both of his hands meet under your skirt, testing the resistance of the material when he tugs in different directions.

"Rip them." You whisper, half pleading.

He huffs out a quiet laugh, pulling harder and you feel the fabric give the whole way across with little ladders beginning to run down the legs.

"Bend over. Let me see." You do as you're told, standing up, pulling the skirt of your dress up to expose your clothed sex to him.

It's not clothed for long though, he widens the hole just a little, slipping your panties to the side to allow him to sink a finger into your wet, eager, inviting cunt, quickly followed by a second.

"Pretty little hole to fuck you through." He muses, watching you try to resist the urge to fuck yourself on his fingers, getting more and more desperate for his cock.

[inkly-heart]

please don’t be sad little sprout, you are loved 🌱 🖤

🌱

[misc-obeyme]

OKAY So I've had an idea that could be either funny, angsty, or smutty depending on your mood. So imagine Mammon and MC had sex before Mammon became invested in them back when he was kind of a shit to them (I'm imagining the in original Obey Me timeline, not NB). Mammon didn't care much abt them so he was pretty selfish and it was kind of shit for MC... but imagine if it was MC's first time!

It could be funny if later they don't hold it against them and use it to tease him, could be angsty if they're upset abt it or it just kinda leads to them being uninterested in him, or could be smutty if they tell him he can have a second chance :D)

I just like to imagine all the ways this scenario could go lmao

NSFW MDNI

I feel like my response to this depends on whether or not Mammon knew it was MC's first time. Like to be fair, I'm pretty sure most first times aren't exactly a transcendent experience, but if he was aware of it and still didn't care, that's pretty bad. I could only go with angst for that scenario because any MC who would forgive him for that is a bigger person than I lol.

BUT I think the other two options could work if Mammon found out it was MC's first time later. Like he didn't know at the time, but then MC tells him in order to tease him and then also possibly elicit a second try? I think Mammon can be kind of oblivious in general, so it makes sense to me that he wouldn't even be aware of the fact that it was MC's first time. Uh oh. I actually like that idea. Oh what have you done, anon? Fine, fine, here's a drabble. I had to work really hard to keep it under 500 words and it's only missing that number by two.

It was a quiet night in the House of Lamentation while you watched Mammon counting the Grimm he had earned from his latest modeling gig. You were sitting next to him on the couch in his room and he seemed to almost forget that you were there. This gave you the chance to observe him, to watch how serious he became as he calculated his finances. A look that said he was focused only on his task.

It was a look you wished he had given you back then, when you found yourself beneath him.

You smirked, nudging him. "Hey. Remember that time we had sex?"

Mammon froze for a moment as a blush exploded across his face. He frowned and put down the Grimm he'd been counting.

"'Course I remember," he said, not looking at you.

You leaned toward him. "Did you know you're my first man in more ways than one?"

Mammon's eyes snapped to you. "W-what-? MC!"

You laughed at his dumbfounded expression.

"Why didn't ya tell me?!" he demanded, covering his face with his hands. "Damn it, I was such a jerk. How can ya even stand to be around me?"

You pulled his hands away from his face. "Don't say stuff like that. You sound like Levi."

Mammon still wouldn't look at you.

You turned his face so he would meet your eyes. "How about I give you a second chance?"

His expression became determined and he grabbed your hand in both of his. "You'd let me make it up to ya?"

You answered him with a kiss.

Mammon wrapped his arms around you, pulling you onto his lap, his hands already beneath your shirt.

The kiss became hot and heavy so fast your head began to spin. You pulled away with a gasp and Mammon's lips fell to your neck. Then you felt yourself being lifted. He carried you over to his bed where he wasted no time removing your clothes and his.

Here you were again, beneath the Avatar of Greed. You looked up at him and your heart swelled when you saw that look of concentration, the glimmer of feeling in his eyes. You saw a demon who wanted nothing more than to take care of you, to do what he should have done back then.

That night, Mammon fucked you gentle and slow, taking his time and savoring every moment. You would never forget the sound of his moans mingled with yours, the way he listened to whatever you asked for, how he couldn't stop saying your name.

When you woke up in his arms, Mammon was watching your sleeping face. You blushed a little at the memory of the night you spent together.

"I'm sorry about back then, MC," he said quietly. "Did I… did I make it up to ya?"

You smiled at him. "Don't worry. I don't regret that you were my first man."

Mammon blushed furiously and then tried to hide it by kissing you.

masterlist | Thank you for reading!

[wonder-worker]

"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."

-Michele Seah, 'My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.

[cerise-on-top]

Hello :3 and could you do Farah and Kate with a reader with an alcohol addiction? I understand if this topic makes you uncomfortable and please just ignore this if it does :D

Hey, don't worry, I got this ask, I just haven't had the time to work on it until today ^^;

Farah and Laswell with an Alcohol Addict

Farah: I don’t think she’d immediately notice it, she’s busy fighting for her people after all and won’t be home for too long. However, once she sees that you’re drunk more often than you’re sober, she’ll grow worried about you and ask you if you’re feeling alright. The amount of empty bottles beside you really isn’t helping your case either if you were to say you’re alright. She has an inkling that it might be an addiction at that point, but she’d rather assess your behavior herself. Once it’s clear to her that you are addicted, she’ll try her best to help you to stop. She knows it’s not easy, but she’ll support you through it. Will talk to you about what’s troubling you, always lending you a listening ear and ask you if there’s something you need to get off your chest. However, she knows that that alone won’t be enough to get you to recover, so she’ll try to find a rehabilitation facility nearby. Due to her fighting for her people’s freedom, she can’t always be there for you, even if she does want you to make some progress. She’ll talk to you about going there so you can get better since she’s fairly certain you already know all the effects alcohol has on the human body, especially the bad ones. Once you’re in rehab, she’ll do what she can to avoid any triggers that might cause you to relapse. She’ll stop drinking herself entirely and actively avoids any gatherings where alcohol may be involved with you. She’ll also have you practice self-care so you can be at least a little bit distracted from it all, as well as finding you some new hobbies that will also help you with not thinking about drinking as much.

Laswell: I think she’d notice it more quickly than Farah since she likely has a bit more time to spend at home than her. She’d occasionally tell you then that she wants you to stop drinking, especially since the amount of alcohol you consume just keeps on increasing. She’ll tell you that she doesn’t want to lose you to alcohol and make you aware of all the bad effects it has on people. Laswell knows a few people who have died from their addiction to it, she doesn’t want the same thing to happen to you. If you can’t stop drinking, then she’ll find a good rehabilitation center nearby that you can visit, or stay at. She’s a bit more strict than Farah, so she will make you go there. Unless that specific center isn’t good for you, but even then she’ll just find another one. She will support you, but she won’t take it lightly in the slightest. Like Farah, she’ll also stop drinking alcohol to become some sort of role model for you and lend you a listening ear whenever you need it. You’ll practice self-care, you’ll find new hobbies and you’ll find other people willing to support you as well. If you were to relapse then she won’t get mad at you, but she’ll research other methods that might help you better in it all. It’s a serious issue that needs to be addressed. No alcohol at home. If you come home with a few bottles then she’ll sigh and give you a stern, but well-meaning talk. She knows it’s hard, she knows that this is likely something you’ll be battling for the rest of your life, but she does want you to know that you’re stronger than this, that you can win this fight.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[yuesya]

as an author: how do you loose the fear of straying away from canon??? or is it just a me thing? like every time i make a decision for my oc i have this nagging feeling that it’s not gonna fit in for later arcs and i just *noises* alternatively: how do you tie in the oc with the canon in general 😩

Unfortunately (fortunately?), I don't think I have any other advice for you than 'just go for it' haha. I mean. Tweaking canon events is half the fun in writing fanfiction!

I'd compare this to wading into a sandbox. Just by stepping in, you're already going to be affecting whatever was previously built there, so I wouldn't stress too much about changing things. Of course, some changes are going to be purposeful, while others are going to be accidental. It usually helps if you have a general idea of what you want to change beforehand, and how you'll be working towards it.

But in the end, having fun while you're romping around the sandbox is what's most important! :D

[waterwindow]

Hey, I know you have a nsfw twitter and submitted a follow request. Do you check the bdays posted on the account or just look for a number in the bio?

howdy, I check both. But I also turned down some follow requests based on other things. I'm quite careful about who I share my nsfw with. Its only until yesterday that I even opted to make a nsfw twitter considering that I spent the last 5ish years keeping it entirely to myself and close friends as well as occasionally dropping it into group discords trying to find a place for me. I plan to vet every twitter who submits a follow request and I'll deny anyone who gives me off vibes. If I turned you down thats probably why.

I'm also 31 so I turned away some people who were under 20 because it gives me a bit of the ick to be showing my personal drawings to people who are barely out of their teens. (though I did let some 19 yr olds in cause based on their twitters they were already into things way worse than anything I could possibly make)

[bloodied-dagger]

I want to snuggle up next to you, crying silently and facing away, while you card your fingers through my hair and talk about everything and nothing all at once

y'know I honestly have no idea to respond to this

my knee-jerk reaction was "oh this has got to be a prank"

but if it's not, then like

how is this supposed to be meant

like I think this is a positive thing? but like?

guys help I don't know what to say to this

[averlym]

Im sorry but can you do 45 angst for parrlyn? U don't have to tho!

45- "leave" (very quick doodle for you!)

[quinloki]

Mini vent feel free to ignore

NGL I've always been proud of my height(178cm/5'10) but damn if trying to read x reader fics isn't difficult... I'm never going to be small or petite and I dunno it's hard. Glad 1P gives me a taste of that with how ridiculously sized some of the guys are

No, I can appreciate those feels.

It's one of those things where I do try to make my readers as neutral as possible, but also like - I have been a full 5'00" since I was 12.

That's 30 years at this height.

There is probably a *lot* of stuff I write that unconsciously marks the reader as Short-SHORT without meaning to, because it's a default perspective for me. Now, granted, when I'm writing Kid, or Crocodile, or Doffy, these are BIG guys. Everyone is going to feel small, an Kid's not just big in a height sense, he's a BIG GUY.

I also avoid describing body types anymore than I have to, but I don't think I could write a specifically fat reader. I mean, *I* am fat, I am most certainly 100% Not Thin, or slender, or athletic in any capacity. But I mean, I'm also flexible, and I might have way more stomach than I'd like, but I can still lift the back end of an empty Prius.

To which, I just mean, fat doesn't equate to someone being fit or not, so even when I write a feisty reader, I don't *mean* to imply they're fit. Or not. I mean to try and leave it open to the reader themselves.

The hardest part of X Readers isn't just trying to make them as close to one-size-fits-all as you can, but also in understanding we all make assumptions on both sides of the equation. Writer and Reader both.

That said, representation is awesome, so I LOVE x reader stories that do get into some description. Black Readers, Fat Readers, [Insert Whatever here] Readers, Readers that are almost practically OCs.

In the end, the author should enjoy writing it, and the reader should enjoy reading it, and that requires a lot of work on both sides. Cause even self-indulgent writing is still a lot of work, and shifting through mountains of fic is also a good bit of work.

But, I do understand your frustration. I've heard a few people struggle with it... You know, I realize this is on anon, but if there's a story I've written that you've really enjoyed, if there's ANYTHING you want to take time to point out to me and say "this really implies smallness because in my experience x,y,z." I can't promise anything, but it wouldn't hurt either.

It'd be good education for me - learning about other people's experiences will always help me be a better writer. I've certainly experienced a lot personally, but I'll still only ever have my own perspective. I can't promise I'll write a specifically-tall-reader story, but it might help me pull my writing into more truly neutral territory so I'm not subconsciously just writing all I know.

[batsplat]

This isn't the usual kind of ask you answer, but I've been working my way through the videopass archive sequentially and have been thinking about the historic/vintage livery that the teams are going to be using in Silverstone after the summer break quite a bit. Personally I'm very fond of the West Honda Pons' black and white livery especially with how they had the names of the riders on one side and the team name on the other, and obviously the gauloises and camel yamahas are iconic. But you've obviously watched a lot of the older seasons, so are there any liveries you'd like to see/which ones would you personally pick for the teams?

I too have been having thoughts about this! I do have some of my faves in a wee folder, and initially my picks were a bit limited in terms of range of years and teams. BUT let's do this properly. all eleven teams. my hot take for each and every one of them

CAVEAT NUMBER ONE look I don't know how 'design' or 'colour theory' or even 'taste' work. most of my reasoning doesn't extend beyond 'I thought this looks nice'

CAVEAT NUMBER TWO I also don't... quite know how this works in terms of who's allowed to use which livery? like not just the sponsor stuff, but would teams be able to use liveries from... idk, a different satellite outfit that was in the sport before they were? this ask mentions the pons liveries.... could honda teams actually use those? what if you don't have a lot of history? is anyone allowed to use mv agusta liveries? would teams go for special liveries, or just the regular ones? how strict are the rules for what you can use?

so. y'know. I'm really just guessing here what's even possible, which meant that for... uh. some of these teams. I did have to reach a bit to come up with a viable livery. let's just make clear this is all vibes and go from here

HONDA

they should have no problem with coming up with plenty of options. let's start with the west honda pons, which the ask references:

excellent pick, anon. if they can use this one, I'd very much support it! we're missing black bikes on the grid currently... this one's simple, it's classy, it's got a little bit of identity with the name written on the side. the dark red highlights work nicely. it's also a livery that, unlike some of the ones to follow, should still work well on the current bikes without losing its identity too much - though maybe you'd have to put some thought into how you'd place the actual name. should still be plenty of space though! and it'd be easily recognisable to fans who are familiar with the old livery, which I reckon is also an important metric

while we're on pons, shout out to the ducados honda pons livery:

nice shade of blue! nice design of the leathers! pleasing shape of the numbers! just has a lot of character and charm to it

anyhow, let's get to the factory honda team. the VERY first pick that popped into my head was the special livery for aragon 2011:

so I get that sense that plenty of people hate this livery and think it looks 'childish' and I'm sorry, but if you think that, congratulations on having bad taste. it's cute! honda barely ever has fun! look at how orange it is! look at the stars! there's a star on the leathers too! I'm fond of the way the front of the bike looks too, how the numbers are placed kinda messily on the star. this one's just, y'know, a bit more creative, something that's just different from how we usually expect liveries to look. screw classy and stylish, give me something with a bit of charm

moving back in time a little further, here's the valencia 2003 livery (valentino's last race with honda):

isn't she gorgeous?? I'd put that bike in my bedroom. lovely from every angle. if you look it up, you can find more photos to show it off properly - just see the sun on the top of the bike. really nice mix of the traditional repsol orange with the yellow, it all just works together. bright like the sun

and one more special livery from the early noughties (if not from the factory team), here's mugello 2001:

hardly a controversial choice, people love this one for a reason. it's pretty!! blue flowers!! this one should work reasonably well on the modern bikes too and obviously most fans should be able to recognise it. again, I don't know what the stance is on special liveries - but hey, it'd be fun to give a certain someone in your factory team a livery from this era

and going back further still, here's eddie lawson 1989:

yes, it's rothmann's honda, yes, I've decided not to care. this is my personal top pick for honda. it should be recognisable even on the current bikes, it pays tribute to honda's long history by not just sticking to something from this century, and it looks cool. clean cut colours that are nicely separated out - I really like the yellow highlights on either side of the bike, plus the way the separation of the blue and white is handled on both the bike and the leathers. it's all quite clearly demarcated, but with nice details to give it character - those stripes on the front of the bike and on the the leathers. the touches of gold. the rider's name on the side of the screen. the number on the back of the bike. cool bit of history, too, like they stole that man away from yamaha and it certainly worked out for them. it's fun!

and one more jump to the past to hailwood's late sixties honda:

this one is proper honda #heritage and I'd totally get if they go with that. my main issue is... I'm not quite sure how it'd work on today's bike, shape-wise? like, the charm here is really the simplicity, the way the orange-gold spreads over the silver. does that work if you have all the bits sticking out everywhere? maybe somebody with a better understanding of design than me can figure it out, and I do like this one. the numbers look nice. idk. it's neat

LCR

well. I guess you'd want to go with one of the cecchinello liveries here? my problem with lcr is that they seem to generally be pretty big on their retro liveries anyway - the first one I thought of... basically looks like the 2021 lcr livery anyway? boring! done that! then there's a few years that are like... silvery, but, and I know this is an unfair way to go about this, I kind of feel I've already gone silvery with a few of my other picks and they're all nicer. so, here's my pick from 2000:

it's a bit busy, but that's kinda the fun of some of these older liveries. big chunk of red, some blue, the nice bright yellow number, even all the logos are kinda fun... I like the weird shape of the white line that separates the red and the black. I don't know, it just works for me as a complete package in a way some of the other lcr liveries don't

YAMAHA

yes, gauloises yamaha. my beloved. everyone's a fan for a reason

can't not mention it!! I do think valentino's version specifically works the best because of the extra bit of flare the yellow highlights provide here. but also the GO!!!!!! thing works on every version. it's fun! sometimes it's okay to go overboard with exclamation mark numbers! this one kinda hits the sweet spot as being proper classy but also joyous, enthusiastic. just overall very much a vibe

on camel yamaha, I do like the livery, but personally I do just associate it more strongly with camel honda? which was literally the same livery. that might not have been the factory team, but those were still serious frontrunners during the early noughties... and, well, it just doesn't feel specifically yamaha to me idk

okay, I'm going to restrain myself here on the valentino livery front. yes, I too liked laguna and valencia 2005. I have only 30 images to play with here and I'm not going to blow half of them on valentino special liveries, so I'm going to stick to my two faves. assen 2007 and catalunya 2008:

they're just! fun! when it comes to liveries in general, my basic criteria are a) can I easily figure out who's riding them, and b) do they make me smile. elegance is boring, give me something more quirky and memorable and FUN. assen is just. a lot. lots of colours, such a bright and cheerful livery that still works as a complete package. the bike's fun, the livery's fun, fabio would look fantastic in this one. and catalunya (in honour of the italian national team) is just a cool idea! the football helmet! the mock shirts! the pink sleeves! there's a real creativity and charm to this one - and at the same time, the base design of the bike is actually really lovely and stylish. also I associated both of these liveries with extremely fun valentino races that I'd definitely recommend (literally two of the top six vale/casey duels), which... well you can't say that about the two 2005 liveries I mentioned above is what I'd say

now, I know I just said forget laguna 2005, but of course laguna 2005 was in itself a reference to a past yamaha livery. so cut out 2005 and just pay direct homage to the iconic late seventies design, feat kenny roberts:

another one everyone loves for a reason! it's a nice shade of yellow, it works well with the white and black... the black dashed line thingies are of course iconic and they just make the whole thing quite dynamic and snazzy

and one more. marlboro liveries do unfortunately slap, plenty of them are fan favourites... look at this red one, feat. eddie lawson 1984:

it's very. blocky. you've got the red bits the white bits the yellow bits. they have nice shapes. nice lines. the yellow bits where one's a circle type thingy and the other one's whatever you call that shape and then you've got the numbers on them. please don't read these descriptions. there's plenty of the marlboro liveries over the course of yamaha's time, but this one's my favourite. and it's the one I'd choose! I know it's super iconic but we already did a tribute to the 70s one back at laguna 2005. do this one instead! it's very yamaha but also a little more creative than the most obvious picks

DUCATI

well. if we're talking marlboro, then yes, of course the old marlboro ducati livery is very memorable:

this is a bike that looks good. there's not much more to say about it (or, well, there probably is, but again it should be obvious I don't know how design works). it's a nice shade of red, I really like how the front looks... my issue with this one is that low key it is the marlboro logo that makes it particularly distinctive. kinda feels against the spirit of the whole thing, damn those tobacco companies and their lovely bike designs

here's mugello 2006, which in itself is a retro livery. I'll allow this one and I do think it's just?? very nice??

really pleasing dull colours, three shades that work together well, got something old fashioned to it. my main problem with this one is... I don't feel like it'd look as good on the current bikes? I don't know, this one works because of the kind of... soft curves of the front of the bike. I do also think quirky and a bit in your face just suit the current bikes better than trying to keep things too classy?

my general problem is that ducati history in motogp is like... we're working with a limited sample size. and when I go through the options I do find them a bit. meh. the thing is, right, the red bikes are nice, I do like the marlboro design, but it's also still essentially a red bike. and if you translate these designs to the current bike shape, it's not going to look THAT different to the bike they're riding any other week. the mugello 2006 probably does better on that account, but I don't know. I think I am kind of committed to making them all actually switch around colours here

so I was wondering if maybe you could delve into the superbikes archive? you could go for the 2001 livery, feat. bayliss (also a motogp race winner):

I think the silver pairs quite nicely with the black leathers... also I like it whenever the bit on the front where they put the number on has a slightly quirky shape. I'm not going to pretend like this is my all time favourite livery, but I do like it well enough! it'd translate well to the current bikes, would give us a proper switch-up, works quite nicely imo

and one more from superbikes, this from 2012:

this one isn't happening for a bunch of reasons, not least because I doubt the effenbert team is one that's remembered particularly fondly by ducati. still, it passes the 'does it look distinctive' test to me, making a 'what if you threw a pint of beer over a motorcycle' livery is at the very least something different

PRAMAC

there's a few different ways you could go here, but I'd just keep it simple and go for one of the years where the pramac logo is big on one side of the bike. here's harada in 2002:

not a bad logo! you've got the arrows and everything! you've also got another more subtle silver arrow in the middle of all the white, makes the whole thing feel quite dynamic. simple colours, very pramac. bold and brash

(you could go for the 2018 mugello livery too but I philosophically reject having a 'retro' livery from 2018)

GRESINI

another satellite team that's been around for a while, and my suspicion is they'll go for one of fausto gresini's liveries. none of those... really appeal to me... so I wanted to suggest one from their telefonica movistar days back in the mid noughties. that's right: I'm talking sete's livery:

in practise, this livery does deeply annoy me in 2004 to 2005 because - despite not being in the same factories - you've somehow managed to get both title rivals in pretty damn similar liveries. like, can I tell them apart? sure. but especially with the poorer video quality, is it really necessary to make it this tricky? well! no! but also sete had this livery before his title rival switched to yamaha, so he came first. I like this one a lot! I like the way the yellow is integrated, the chequered bits around the telefonica movistar logo, good helmet too. slightly unusual patterns for the win - there's quite a lot going on with the lines on this design but it all kinda comes together. I actually think you could make this one look really good on the modern bikes, and it has a real spark and flare to it. also I would find it narratively pleasing if marc rides with sete's livery

but if gresini wants to go another way, shout out to their 2010 livery (several of the early 2010s look quite similar):

I'm not the biggest fan in the world of white liveries, but the style of this one pleases me idk. there's a slightly unusual shape on the side of this one, which I've already said I approve of. it's a nice shade of red to pair with the white. not my first pick, but I'd settle for this one

VR46

right, this is one where I really have questions. ... are they allowed to use just any of valentino's old liveries? what are the rules here? I think to maybe keep things straightforward here, I'll avoid his actual honda and yamaha liveries (those kids are not getting the gp11/12 let's be real) and stick to the lower class ones. now... those are aprilia liveries, and if aprilia wants to use some of those then please have at it. otherwise: vr46, lads, this is the way you want to go. here's 1999 (though 1998 also looks lovely):

one where the leathers and helmet really feels like a part of the design, like that's the bit that really completes the look. the dark grey base tone works as something you can layer all the fun stuff on. the font of the numbers! the warm reds and yellows! the stickers! this one's just FUN, it has a real adolescent verve and joy to it

and of course there's the mugello 1999 special livery:

she's so pretty!! recognisable! I don't even know what to say about this one apart from. look. it's fun. just something youthful and joyous and energetic to the whole thing... keeps things pretty straightforward on the colour front, the dark orange-brown highlights really brings it all together. or something

APRILIA

so. here's another question. are we just stuck with premier class liveries here? because if so, it's pretty slim pickings... but look, thirty images, we're not getting into everything they've been up to in the lower classes

luckily, aprilia do have quite a nice 2002 entry in the premier class:

dark colours are fun sometimes!! I like the shape of the ms logo! it's a bit chaotic, but in a fun way! it feels very aprilia, somehow. this would be my pick I think, I could easily transpose this to the current bikes in my mind's eye. aprilia kinda feels like it's supposed to be a bit chaotic, all those bits sticking off. love the red sleeves of the leathers

you could also go for the 2004 livery:

I'm not personally? super into the white and gold as a combination? definitely prefer the darker base colour of 2002. but it's quite distinctive - the red sleeves actually pop out more in this one. it's neat!

TRACKHOUSE

uh. um. uh. are they... allowed to run petronas colours? I mean it's basically still the same team? maybe they can borrow some aprilia ones? if not, then well they're the rahh rahh america team. I would ask ducati very nicely if maybe they could use this indianapolis 2009 livery in honour of the late nicky hayden:

I know you probably can't do that, but well! if you could, that'd be my pick for them! I like stars, america has stars on their flags, this is very rahh rahh america. the helmet and liveries are also fun and have stars on them. that's all I've got, sorry

KTM

okay, we've got an even bigger problem than aprilia here. these guys have NOT been in motogp long enough. my idea here was... so obviously ktm just do not have a suitable back catalogue of liveries, but aren't they like basically red bull? and red bull did like. a one off partnership with suzuki for laguna 2005, and suzuki isn't even in the sport any more so it's not like there's a CLASH there. I don't know how this works! whatever. I think it's nice!

it's not the most exciting thing I've ever seen in my life, but the red bull logo works well on the black. looks classy! and if suzuki gets mad then well red bull can just chuck money at them idk

the other option is... doesn't ktm own mv agusta now? go for one of those! they look quite similar for much of a decade, so I could have included another hailwood photo here - but I'm just going to use the early seventies mv agusta instead:

it's very simple, very basic. I'm not... sure this works on bikes these days. anyway I chose this one over its predecessor because I do like the stripes on the leathers, very adidas coded. if you can figure out how to make this whole design look good for the more complex bikes of today, then this would be a good pick imo. I like quirky shapes to put my numbers on... but sometimes circles are also good

TECH3

so. for a while, these are running the gauloises yamaha liveries, which we've already covered. maybe they could take the fortuna yamaha liveries instead that they used, especially if the factory yamaha squad doesn't want the kinda similar ones they ran at certain points. basically they're the red yamahas in the noughties. I'd go for 2004 tech3, which... y'know, the fortuna font is just quite nice, they're stylish liveries, they're just bikes you look at and go 'wow that sure is a nice bike'. and yes, we do need to at this point also mention the estoril 2004 spiderman livery

all I'm saying, if pedro acosta does not show up to silverstone on the spiderman bike. a part of me will be disappointed

otherwise, I thought the dunlops in 2007 were quite nice?

yes, yes, it's another yellow and black yamaha livery. but hey, it's a bit different from the one they referenced at laguna 2005, keeps things fresh. wouldn't mind this one

IN CONCLUSION

might add to these at some point, but those are kinda the first picks that come to mind! a lot of these are annoyingly recent, because most teams on the grid aren't that old. not quite sure what the rules of the game are here! which does mean that, as much as I enjoy the recent designs, I kinda hope honda and yamaha don't go for liveries from this century and dig a bit deeper in the archives

basically, what I'm looking for from the teams is a retro livery that a) is clearly recognisable to anyone familiar with said past livery, b) works with the actual shape of the current bike, c) looks different enough from their current livery, I want colour swaps, and d) looks cool. also, they should coordinate. istg if half of the grid shows up in white liveries... hopefully at least some of the teams will go for the fun ones!

[stormyoceans]

100 JIMMYSEA SERIES

3. kindergarten teacher x single parent

title: love in little steps

main cast: jimmy jitaraphol, sea tawinan, chun pachchun, jamie juthapich, piploy kanyarat

pairings: jimmysea, jamiepiploy

summary: sea and jaime had been high school sweethearts. after an unplanned pregnancy during their first year of college, they went against their families by deciding to get married and keep the baby, but as they grew older, they realized that they were also growing apart: jamie still dreamed of becoming a successful lawyer, while sea was happy to put away his past aspirations and live a more simple yet still fulfilling life. they tried their best to salvage their marriage for the sake of their son, chun, but ultimately decided to divorce and part ways amicably, leaving chun in sea’s care.

navigating life as a newly single father wasn’t easy though. chun had always been a happy and outgoing kid, but he was having trouble adjusting to all the changes in his life: he missed having his parents together, and on top of that he had been reassigned from piploy’s class in kindergarten to one with a new teacher, jimmy. chun started to act out, both at home and at school, until one day sea was called in by the principal because chun got into a fight with another kid. at a loss on what to do to help his son, sea found an unexpected help in jimmy, whose patient and understanding nature was eventually able to make chun smile again.

following the principal's advice, sea also decided to be more active in his son's school life, and between festivals, fundraising events, and school trips, little chun wasn't the only one growing fonder of jimmy with each passing day.

[misc-obeyme]

weird question but do we... know if the demons are fertile at all??? obviously they have sex drives,,, but do we hear of any kids? i mean if it comes down to it adopting luke is always an option. just going to have to wrestle him from Simon if you're with anyone other than him

🐈‍⬛

Note: discussion of fertility and having kids (just in case)

Hello there, 🐈‍⬛ anon!

As far as I know, the only demon kids we hear about are Diavolo, Mephistopheles, and presumably Mephisto's little brother.

Diavolo tells us that his mother died after giving birth to him, so I think it's safe to assume that demons are fertile to some extent.

Of course, there's always the fan favorite theory that Dia's mom was a human or an angel. Which would mean at the very least that demons are fertile enough to have children with other species. So even if this turns out to be canon, I think it's still safe to assume demons are fertile.

We hear a lot less about Mephisto and his brother, but the brother certainly sounds like he's still considered a kid. And Mephisto says something about being born to be Dia's friend, so generally I think most of us imagine them as having been kids together.

Due to this, I think it's perfectly reasonable for any of the demons to have kids. It seems that it may be difficult, though. Because if demons could have kids as easily (and sometimes accidentally) as humans, then likely there would be a lot more demon kids than we hear about. (And possibly a lot more demons in general.)

I like to think that the demon population is much smaller than it is for humans (by like a lot 'cause dang there are a lot of humans). I think of it as like maybe being around 8 million in the city proper (like the size of New York City). And then the rest is more scattered and in a lot of less populated cities and such. Maybe around 20 million? And some of that would also be non demons, since they talk about vampires and whatnot else. And also some of those are gonna be those small type demons that sound like they're fairy sized.

Anyway, all of this is to say that if demons are popping out kids at the same rates as humans for all their long lives, there'd be WAY more of them. Like the whole world times five maybe. I dunno, it sounds like the live for thousands upon thousands of years, but still might only have one or two kids that whole time.

So they either have amazing contraception or it's actually rather difficult for them to actually have a child.

Then there's the question of how demons might be created from magic - whether exploding out of a different demon's emotions Satan-style or possibly just magical spells that allow one to create a child.

In the case of MC, I think it's possible. They might need to use some magic to make it happen (depending on how easy it is for any of the other demons to impregnate MC/get impregnated by MC), but it definitely sounds like something that can happen.

I like the idea of MC just adopting random demon kids, though. 'Cause you're right, you'll have to wrestle Simeon for Luke lol!

[coffeeshib]

Hi! I’ve recently visited your page again, after a longer tumblr break and saw your posts about people’s comments on your fics. It made me both sad and angry. Sad because they’ve managed to take away your joy for writing Supercorp and angry that people feel like they can type out any hurtful thought that goes through their head, for a thing that is absolutely free and made with so much passion and care. 😒🤬

For what it’s worth, I always loved the way you write both of them. AND the fact that you don’t ignore Kara’s trauma and struggles. “i’m spilling all my words (but you keep 'em to yourself)” will forever be one of my favorites. Thank you for the hours of joy and fun you have given us! I hope you know that for every entitled commenter there are ten times more people who love your works! 🫵🏻🤘🏻

ahh thank you so much, i appreciate this. i have to say, sc still has me by the neck, i do plan to finish that fic & maybe write some more but it won't be anytime soon. i had hoped that the fandom would calm down with the kara hate after the show ended but i was wrong, it still hasn't changed.

when you've been writing for sc for so long, the frustration builds up, & there have been many times where i felt like i needed to (& did) restrict myself when writing them. it stops being enjoyable when people are constantly calling kara 'stupid' & insult her in many different ways for not being the happy sunshine kara danvers who takes care of lena all the time.

personally i love reading & writing the reverse situation (lena who's being the patient loving one & also the shoulder for kara to lean on) because the show didn't give us enough of that. unfortunately, people don't respond well whenever kara is struggling with her issues & lena isn't the one who's being comforted.

i write what i like & that's what i'm always going to do, but this build up of frustration over the past years & always anticipating kara hate every fic/chapter killed the joy a lot.

i've seen some authors speak about this too & it's genuinely sad to see! people can like & dislike whatever but it's important to note that there are readers out there who don't realize that their personal feelings against kara also affect authors & their love for writing supercorp

[cerise-on-top]

Hiiiii how have you been love bug? (Please tell me if your uncomfortable with that term since you are non-binary and they/them I’m not sure what nicknames you are uncomfortable with it’s just what I call my friends and just a nickname I have for people in general🫶🏻🫶🏻 ) so I’d like to to request farah with a adhd reader who is hyper forgetful and sometimes has meltdowns ( as someone with adhd)🧡🧡🧡

Hey! I'm fine! Bought some more yarn for my leftover blanket today, which I'm excited to work on! And don't worry, I think love bug is really cute! I don't mind most nicknames, but thank you for being considerate, I really do appreciate it! Hope you're doing well as well ^^

I don't have ADHD, so I don't know at all what it's like for someone with it! I had to do some research on it, so I don't know if these are actually viable methods of helping, but I tried! Please do correct me with something that might help and I'll add it in this post afterwards! I hope this is enjoyable to you regardless! Thank you for the request!

Farah with a Reader with ADHD

Farah doesn’t particularly know a lot about mental illnesses. She may be traumatized, yes, but that doesn’t mean she ever had the time to research any of them. So she’s definitely not the best person to go to when it comes to things like these, but she tries, even if she can’t always understand everything that’s going on. You’re suffering, and that’s enough for her to know she should do something to help you.

You being this forgetful may be a cause of concern for her, though. It’s not every day she meets someone who forgot what they did five minutes prior. It’s especially concerning when it’s something important, though, like seeing a doctor. Although she may be worried for you potentially developing something as severe as dementia eventually, she’ll try to push her worries aside and help you to the best of her abilities. If you ever need reminders, she can help you. Farah remembers and retains things very well, she’s never had any issues with it since she had to in order to get by. If you need to remember something, she’ll remind you a few times a day. You have an appointment? Don’t forget about it tomorrow, I’ll tell you again then. However, she’s also a big fan of post its and will write down whatever it is you may need and place it somewhere she knows you’re going to see it. I know, out of sight, out of mind, but she’ll also text you and have you make reminders on your phone for important things so you don’t forget. Won’t get mad at you for forgetting your anniversary, she can see that it’s hard for you to remember things and won’t yell at you or anything either. However, she will mention that it was your anniversary, or maybe her birthday. For the most part she just wants to spend those days with you, if she can, and will thus remind you. Again, you don’t need to feel ashamed for forgetting, she’ll tell you that it’s quite alright and that you shouldn’t worry. She’s patient like that.

If you have a meltdown in front of her, she definitely would not know what to do at first. Depending on what kind of meltdown it is, she’ll react differently. If it creeps up on you, slowly making you irritated, then she’ll ask you what’s wrong. Regardless of your answer, she’ll ask you how she can help you, if you would like to be left alone or if you would like to take a small break in any way. She gets it and she’ll get you away from whatever is stressing you out so you can slowly recharge. If you really do want to be left alone for a while, she will comply, but will knock on your door to check up on you every once in a while and will bring you some food as well. Farah just wants you to be well, so she’ll take care of you how she thinks might help. Food is always good, food usually helps her, so she hopes it’ll do the same for you as well.

If it’s a sudden meltdown where you don’t know where left and right are anymore, then she’ll get you away from everyone else at first. While she can’t imagine what it’s like for you, it likely isn’t very pleasant for you to be crying and screaming in front of other people. Hoping that you trust her, she’ll try to ground you, asking you how you’re feeling, what you’re feeling and how she could help you. What happened is also another question she would ask you. Again, she won’t really know what to do on her own, but she tries her best. Farah will talk to you in a soothing tone and try to distract you at first so you can calm down a bit. Whether it be cracking a joke or asking you about your top five favorite reptiles. Even if you can’t answer her properly, she’ll just reassure you that it’s okay, that everything is just bad in this moment and that it’ll pass. She’s with you this entire time and won’t leave you unless you want her to. Asks you to breathe a bit with her. In all your time being together, she’s likely learned a breathing technique or two that might help you.

Once your meltdown is over, she’ll be very gentle with you, especially if she can see you’re beating yourself up over it. You really shouldn’t feel ashamed for something that you can’t help, it’s not your fault. If you feel especially down, she’ll give you a kiss on the forehead and get some ice cream with you. Something like a meltdown seems exhausting to her. While she doesn’t want to seem like she’s rewarding you for having a meltdown, she does want you to be kind to yourself afterwards, that’s what the ice cream is for. And if you don’t want ice cream, then some berries, fruits or a small snack will suffice as well. Either way, she’s there for you the entire time until you feel better.