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#i don't/not a writer
montanabohemian · 10 months
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if i see a single one of you pissed that your faves canceled an event or a con appearance because they're striking for fair wages then imma come for you in your sleep 🔪🔪🔪
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(direct that fury where it belongs: AMPTP and the execs)
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shichidikai · 2 months
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had a dream where i logged in to ao3 and saw this
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so i'm manifesting it for every author who sees this
likes charge reblogs cast, rb to wish kudos and comments upon your favorite fics
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erraticprocrastinator · 3 months
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A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.
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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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ionomycin · 4 months
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Forest Guardians
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marthajefferson · 4 months
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BLACKADDER + iconic quotes
1983 - 1989, BBC, created and written by: Richard Curtis, Ben Elton & Rowan Atkinson, with: Rowan Atkinson, Hugh Laurie, Miranda Richardson, Stephen Fry, Tony Robinson and Tim McInnerny.
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thevioletcaptain · 1 year
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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frenchublog · 1 month
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gejnialnie · 2 months
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hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D
+bonus:
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look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-
(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)
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chattematsu · 9 months
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[4.0 archon quest spoilers]
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buggachat · 10 months
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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brujahinaskirt · 1 month
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arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right
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museaway · 1 month
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✍️ more fic writer asks!
reblog & your followers can send asks with the questions they’d like you to answer!
the last sentence you wrote
a character whose POV you’re currently exploring
how you feel about your current WIP
a story idea you haven’t written yet
first sentence of the fifth paragraph of an unpublished WIP
the word that appears the most in your current draft (wordcounter.net can tell you)
your preferred writing fonts
if you had to write a sequel to a fic, you’d write one for…
start to finish, how long did it take you to write the last fic you posted?
what is the longest amount of time you’ve let a draft rest before you finished it?
a WIP you’d like to finish someday
a trope you’re really into right now
a fandom you’re thinking about writing for
where do you get your inspiration?
favorite weather for writing
favorite place to write
talk about your writing and editing process
if you keep them, share a deleted sentence or paragraph from a published fic
the most interesting topic you’ve researched for a fic
in what year did you publish your first fic?
when did you publish your most recent fic?
do you ever worry about public reaction to what you’re writing? how do you get past that?
pick three keywords that describe your writing
how do you recharge when you’re not feeling creative?
besides writing, what are your other hobbies?
are you able to write with other people around?
your favorite part of the writing process
your least favorite part of the writing process
how easy is it for you to come up with titles?
share a fic you’re especially proud of
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u3pxx · 2 months
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KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
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(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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mimiscappinisideblog · 10 months
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Me throughout 2020-2021-2022-2023:
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Me the moment AO3 has been down for more than ten hours:
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theluckiestlb · 11 months
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girl...WHEN??? WHERE????
what are you talking about???? when you kept him isolated for 14 years??? when you robbed him of bodily autonomy???? when you exposed him to his mother's corpse to akumatize him, TWICE????
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wait, wait—OH you mean when he was terrified for his life, literally begging you to stop after you beat him up. my bad.
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no? OH, you mean when you forced him to leave the country and the love of his life.
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Huh.
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