#i get so upset because i have

[anna-scribbles]

emma dupain cheng on the brain😽🎀

more:

[casscainmainly]

Why Duke Thomas Should Be A Dick Grayson Hater

Dick and Duke is such an underrated and underexplored relationship. Here is my pitch for why Duke should be a Dick Grayson hater.

1. The Rooftop Thing

Reason number one and the start of Duke's grudge should be the rooftop incident in Robin War. Dick, as part of his plan or whatever, leads Duke to a roof and abandons him to the cops.

LOOK AT DICK'S SMUG FACE. Tell me you wouldn't hold a grudge too if this was the FIRST major interaction you had with him?? Duke should use this against him at any possible opportunity.

2. ACAB

From We Are Robin #2. Once Duke finds out Dick used to be a cop, it's OVER for him.

3. Jason and Damian

Duke is quite close with Jason and Damian (in my head, particularly Damian - that's his LITTLE BROTHER). Anyway, these two are obsessed with Dick. You have Jason, with his miles-long brother issues that puts Dick on a pedestal, and you have Damian, who thinks Dick is the best person on Earth who can do no wrong. They would talk Duke's ears off about him. Duke would HATE IT.

4. Robin

This panel from Night of the Monster Men sums up quite nicely the difference in the way Dick and Duke approach vigilantism. Duke is the 'idealised' Robin, whose Robin-ing isn't contingent on Batman; Dick is more or less too tied up in Bruce. I think, because the Robin identity means a lot to Duke, having the original Robin be like this would irk Duke a LOT.

5. Tom Taylor

SPOILERS FOR CURRENT NIGHTWING RUN: in Nightwing #116, Dick gets framed for murder and Babs tells him to reveal he's Nightwing to clear him of suspicion. She says Bruce suggested it, and recounts everyone who agreed:

Hm. Is someone missing here? Oh yeah: DUKE. TT probably just forgot Duke, but where's the fun in that? Instead, if Duke is a Dick Grayson hater, you have the funniest scene imaginable. Everyone gathered in the Batcave, laying down their identities for Dick, and Duke is like 'I don't give a damn. He can rot in jail.' and peaces out.

BONUS points if he does this to get back at Dick for reason number 1.

6. Parallels

Duke's origin deliberately mirrors Bruce's, but that means it mirrors Dick's as well. Duke and Dick parallels go insane: they both had loving families, lost both parents at once, were in the foster system (varyingly for Dick but for the purposes of this post I'm gonna include it), were wards/not adopted by Bruce initially, have a huge reverence for family, have a thing about heights, view Robin as separate from Batman, forged their own identities, etc.

Tell me this page doesn't slap:

Anyway Duke would HATE this too. He'd be so annoyed that the person he has the most in common with is Dick, and that would fuel his Dick Grayson haterism.

Dick, on the other hand, has no hard feelings towards Duke. Duke would be glowering at him from the corner of the room and Dick would meet his gaze and be like 'ah Duke is so cute' and smile back. This would make Duke 10000x angrier.

Anyway that's my ideal Dick and Duke dynamic, feel free to add or modify or disagree with anything!!

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

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[divineandmajesticinone]

4 MINUTES (2024) I EP 5 "How about this. How much do you want? Give me a number."

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[claraoswalds]

#mrs flood who are you: time lord edition

[hyacinthsdiamonds]

Fuck anyone who makes jokes about a crash that literally sent a driver to hospital.

Max's crash at Silverstone is the third most severe crash we've had in F1 in the past five years (most severe being Grosjean's in Bahrain 2020, followed by Zhou's in Silverstone 2022).

Additionally, the fact he was sent to the hospital at all is significant as Silverstone has its own medical facility on the grounds. It says everything that even as a precautionary measure, Max (+ Alex & Zhou the following year) was sent to the nearest hospital instead.

Do not for a single second take a driver walking away from a severe crash for granted. Sometimes, the miracles don't happen. Sometimes, a driver doesn't walk away unscathed. You do not want to be watching when the worst-case scenario becomes a real possibility, or worse; a reality.

If the like from Lando's dad is real... I have nothing else to say, from the bottom of my heart; FUCK YOU!

[blueskittlesart]

hey has anyone tried to buy a covid test lately. because i just had to buy one for a friend at my local walgreens and the cashier very seriously asked me if i was sure i wanted it because. a 2-pack of tests currently costs $23.99. do we not think that it's a little insane that the only reliable diagnostic tool for a very much ongoing pandemic costs over $20 for a single package. what if I didn't have that kind of money to burn??? Especially if you're already facing potentially losing at least a weeks worth of pay if you DO test positive and can't work. How many people are going to see that price point and decide they can't justify the expense??? literally insane. remember that brief moment of sanity this country had when we all got these for free

[pizzaqueen]

A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:

“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.

Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.

Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”

“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”

“Not everyone I've dated has.”

“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”

Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”

“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.

Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.

“I love you too.”

“And they both love you as well.”

Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.

Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.

[sorunort]

i said in another post i was rping loop in a multifandom rp group and i'm having a lot of fun! so much fun that i made a giant doodle sheet of loop's glitch....that i haven't even gotten to rp yet but am so excited to im getting carried away. whoops

(in the context of the group, think of glitching like in spiderverse, they don't belong in this new world/dimension so their existence rejects it. we can do whatever we want for glitches so i just made loop's that they get their humanity back. yknow. for misery whenever they unglitch and go back to being a star [thumbs up])

i think my favorite here might just be the Go there Go Into the Dark catcrumb edit lmao

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[lesbikill]

being so honest right now heathertail should’ve taken every plotline given to harestar and then built on them & it’s a disservice to the po3-oots arcs that she didn’t. she has a disregard for the parts of the code she disagrees with, and she’s been turned away by a member of the three as a result, first with compassion but then viciously, with him swearing her as his enemy and threatening her straight after nearly murdering her mentor. he comes close to killing her and the book tells us she *knows* it.

seeing the dark forest pick up on this rivalry, on the way she’s been unfairly treated by lionblaze, and taking advantage of it would have been really interesting. it would have given way more set-up to her relationship with breezepelt and given her more agency in it then being the wife who fixes him later on. it would’ve given her an arc of her own. it would have given her a long-lasting and present relationship with lionblaze, making his chapters significantly stronger. seeing this rebellious little apprentice go from a friendly presence to a serious threat created by the flaws of the main character & the clan system would be fun.

and then eventually, after lionblaze has lost his powers and is struggling, we would see heathertail grow behind the scenes and eventually ascend to leadership of windclan. maybe they would reconcile, maybe they would remain a bitter reminder to each other of the past and what could have been, of childhood friendship tarnished with clan patriotism and needless violence. who knows. but id love to read about it.

[plulp]

IM NOT A DOCTOR BUT I THINK I MIGHT BE ABLE TO HELP

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[slavhew]

you win. try again?

[mayasdeluca]

MAYA AND CARINA STATION 19: 7x07 'Give It All'