#i guess this is meta?

[biennatodd]

holy fck it just truly sunk in how fucking STUPID jin guangshan was. how insidious the classism in mdzs was always at work.

it is INSANE to me that he refused to value meng yao more beyond recognizing him as a jin when he just won the war.

He became sworn brothers with TWO sect leaders, guaranteeing a favorable position for their sect and all but ensuring that JGS would be Chief Cultivator after the war.

he couldve (SHOULD HAVE) used JGY as a line to both NMJ and LXC's ear--pressuring him to leverage their brotherhood in the Jin's favor, and also to monitor the movements of the other sects (assessing the political landscape as it were).

and JGY was ready to do it! he wasnt particularly happy about it but that's just how badly he wanted JGS's recognition! and he would've done GREAT at it, better than he already did.

and yet none of that was able to outweigh the circumstances of his birth

[vakarians-babe]

I'm always torn between the idea of Tolkien's elves being obviously nonhuman and then just being slightly nonhuman because both design choices emphasize different things and it just drives me into a spiral of thinking and thinking and thinking about the ways in which elves are weird.

And I think in some ways, it's more disconcerting to see this tall human(?) with pointed ears and androgynous features who COULD be just like you. You can't tell how alien they are from the way they look, just that they're ethereal and graceful, and maybe the dangerousness of elves as a whole falls to the wayside (because they ARE dangerous, they always have been). It's impossible to know just from looking at them that they experience literal TIME differently than humans, it's impossible to know that their minds conceive of reality differently, it's impossible to know just from looking at a single elf that they really are the closest thing to a cosmic being that a human might ever see.

So I love weird, ghostly, eldritch elves. I do. But I also love elves that are mostly human(ish), because it makes their alien nature that much stranger and more difficult to grasp.

[blockiestone82]

Love, love, loving this new meme format!

[longlivechips]

My favorite Merlin head cannon is that Arthur knew Merlin had a secret that they didn't talk about because it would get him in trouble with the law

but he always just assumed the secret was Merlin that preferred men.

feat: this scene

[howemuginative]

[neo--queen--serenity]

This episode really highlighted how close Marcille, Laios, and Chilchuck actually are.

The viewer is used to seeing our main characters behave like coworkers up to this point—even friends—and they express normal, understandable levels of concern and fear when their other party members are in danger. But when the nightmare attacked Marcille, it brought out sides of Laios and Chilchuck that the viewer hadn’t seen before.

Laios immediately notices when something is wrong with Marcille, and he tells the others as soon as he’s sure of the problem. Chilchuck and Senshi then follow Laios’ lead as it becomes clear that he intends to make her get some rest.

We see Chilchuck’s hands lay out the bedroll and Senshi’s hands set up the pillow, working in almost perfect tandem as Laios physically wrangles Marcille into bed.

Senshi is in a similar perspective as the viewer, and mostly sits and watches the ordeal unfold. He doesn’t have a shared history, like these three do, so he helps in little ways, but mostly waits on standby for direction.

From here on out, it’s mostly Laios and Chilchuck who take over in planning how to help her.

It’s uncommon for Chilchuck to openly show such distress and worry for one of his party members. He’s used to Marcille being able to defend herself; he’s used to her being capable and strong. He immediately defers to Laios for instruction, (rightly) assuming he will know what to do.

This actually produces a reaction close to real fear from Chilchuck, who outright SMACKS her in a panic to wake her up before getting any further information.

Laios has to quickly stop him, explaining that he could truly hurt her if he interrupts the attack this way. He tells them how he’s going to wake her, and he doesn’t hesitate. He jumps straight in, explaining what he’s doing for the others so that they (Chilchuck) won’t be afraid.

Chilchuck doesn’t question him once. He just does what he can to hurry along the process. He tucks Laios in with his blanket as soon as he lays onto Marcille—an unnecessary action that betrays how much he cares for both of them.

And Laios succeeds in helping Marcille out of the nightmare’s grasp. While trapped in her mind, he reassures her, protects her, tells her how much she’s valued and appreciated. He isn’t embarrassed or sheepish about it, either; he openly declares these things like it’s the most normal and obvious thing in the world.

He gets her out, he saves her. He did the exact thing he set out to do, even though he’d never done it before, and only had Falin’s secondhand information to work with.

Once he wakes, Chilchuck immediately checks on him to see if he’s alright. Chilchuck is clearly still rattled, displeased with having to wait while both of his close friends were unconscious, fighting a battle neither he nor Senshi could see or help with.

Marcille wakes up shortly after Laios, but Chilchuck is still on edge, worrying that she’ll fall back asleep. Laios, too, has a moment of alarm when he makes sure she won’t close her eyes again.

Once he takes the subdued nightmares out of Marcille’s pillow, only then do Laios and Chilchuck relax.

Laios, for his part, remained calm and collected almost the entire time. He did not show panic or fear when it became clear that Marcille was being attacked, nor when he told the rest of the party what he’d be doing to help her. And once the nightmares had been collected from her bedroll, he gently explained what happened, to everyone else’s horror.

Seeing this, it’s not a huge surprise that the Touden party is so successful. We’ve seen Laios handle danger with a level head; we know he’s capable.

But it’s an entirely different kind of talent to face a threat that’s targeting one of your closest friends—which can make even the most competent fighter sloppy out of fear of losing them—one that requires a high-risk, specific rescue style that none of you have ever tried before. And then pull it off flawlessly. Like damn, these guys are lucky to have him.

[sea-buns]

i feel insane

[pesky--dust]

the "diagnosis" Chilton gave Will during his trial was the one closest to the truth ("Will Graham has never been diagnosed. He won't allow anyone to test him. He has carefully constructed a persona to hide his real nature from the world. He wears it so well, even Jack Crawford couldn't see past it. (...) There is not yet a name for whatever Will Graham is.")

unlike Alana Bloom or Jack Crawford, he saw what a manipulator Will was and that in front of them he played a poor, confused, wounded bird ("(...) A particularly-manipulative one at that. Poor, confused, wounded bird for Agent Crawford and Doctors Lecter and Bloom. And for me, well, I get the psychopath's triumvirate: charm, focus and ruthlessness. The charm, of course, being debateable.")

he believed Will that Hannibal may be the Chesapeake Ripper and said Jack Crawford: "Hannibal once served me tongue and made a joke about eating mine. It's hard not to at least consider it.". Jack ignored him. (I think Jack was already planning some large-scale action against Hannibal, but that's a topic for another post)

he called Dr Lecter "Hannibal the Cannibal"

he understood that Will Graham was alive because Hannibal Lecter liked him that way

criticized Jack for letting Will and Hannibal get closer to each other and then leaving Will alone ("You dangle Will Graham and now you cut bait. You are letting Hannibal have him hook, line and sinker.")

when Jack expressed hope that the relationship between Hannibal and Will was one of those friendships that ends after the disemboweling, Chilton told him: "I would argue, with these two, that's tantamount to flirtation. Will is going to lead you right to him." and let's be real, he was right.

[tealvenetianmask]

Some things I like about Stolas's eye makeup

It's so pretty and cute! I think his eyeliner emphasizes his natural black waterlines. And sometimes he draws on cute little wing tips!

Like . . . let's just normalize makeup for male characters in general. It looks great.

He seems to wear eyeliner in his human form too:

There's sort of an early 2000's emo kid feel to the look, but like-- grown up. Once again, I just really dig the whole Stolas aesthetic.

When he cries, the running makeup is just . . . the peak of dramatic expression. Black lines dripping down his face, emphasizing his anguish. YUM.

There's a metaphorical side to it too. We see that Stolas doesn't like to cry in front of people, has a facade that he's been taught to keep up from an early age.

And then when Stolas cries it's like the facade is literally melting off and making a mess because his emotions are too powerful to be contained.

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[crimeronan]

it kind of gets overshadowed by the horror of the rest of the episode, but. how funny is it that hunter Takes Off His Mask to yell at luz in the beginning of hollow mind. he's the perfect boy i just-

sorry i know it's my usual agenda rearing its head but i do think this is adorable. the Second the rebels are gone, hunter is like well fine. you just tackled me and fucked up my whole arrest and you're an anarchist shithead who constantly ruins my plans. but i KNOW you aren't going to attack me. for some reason i trust you implicitly. i don't need full armor here. what i NEED is for you to see JUST HOW LOUDLY I'M FROWNING-

[magnecalliope]

They both think they're the Gabriella of their relationship. :')

[starflungwaddledee]

happy birthday. you are so, so loved

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[direquail]

I don’t think people give enough weight to the fact that Nona is chronically-to-terminally ill in NtN, either—the reason she needs help taking care of herself, by the end of the book, is because her soul is eating her body and her body is dying. Every time she has a “tantrum”, or accesses Alecto, she uses up Harrow’s body in huge gulps—that’s why she gets sick or passes out after them. She spends most of her time in the early book thinking wistfully about how lucky she is to just have what she has and how much she wants to be useful and it’s a meditation on her awareness of her own death. Like.

Yeah, of course she needs other people to help her take care of herself. She’s disabled and actively dying.

[lizardkingeliot]

Can we please talk about what a beautiful metaphor for their relationship this entire shot is. The two of them clinging to one another in the middle of the storm. The shack is falling down all around them. The hurricane is coming for them. The windows are shattering but they're holding firm to one another. They are not letting go. They will weather this storm and they will do it TOGETHER.