I admit I was fool enough to be fed this
"When single women hit a certain age, they will be desperate to find a husband/boyfriend." BULLSHIT.
My fellow men, it's a big fucking LIE and it's made up by men with a patriarchal sight. It's an immature BOY's consolation.
The world is a different place now, and believe me it doesn't work like this👆🏻(anymore, at least) Even unemployed women in their late 30's and even 40's are not dying for marriage. They still have standards and money is not even one of them. (We LOVE to think the opposite but, sorry...) They want to see some character and more importantly, "maturity" in you. I was so immature and stupid. Now I am paying for it.
Listen to women and try to understand them. Learn women from women, not from losers in your neighborhoods.
The future is female!
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love my irls to death but sometimes it’s like looking into a mystical pool to see me 2 years ago. and sometimes I think ‘if I could give me from 2 years ago some advice I’d know exactly what to say to him’ and then I give said advice to my irls and they go ‘no im not doing that lmao.’ I am trying to help you here. I am trying to help you skip 2 years of incredibly difficult realisations and recovery. and yet they all continue to refuse any help I offer. Well Fine. not my job I guess.
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I generally don't become attached to ideas of how I would like to see characters develop or how I hope for relationships to play out, part of the thrill for me when I'm so invested in a show is letting the storytelling take me wherever it needs to without too many expectations (that's not to say that I don't still speculate and have wish lists or I'm not sometimes disappointed when the storytelling turns out to be rubbish, but I'm pretty confident we're not at risk of that with Good Omens, thankfully).
So as for the way any physical aspects of Aziraphale and Crowley's relationship unfold from here, whether there's handholding, a kiss, more, nothing else or everything else, whatever physicality there is, the one thing that will undo me more than anything overly overt would be tenderness (and a hug. I would sell a kidney for a melt-into-one-another hug so yes maybe I do have other things on my little list but that's not the point here, carry on)
It's there already, with the way Crowley softens or the way Aziraphale responds teasingly, they already relate to one another tenderly in a way neither Heaven or Hell allows and it is something angels and demons are starved of. We see the way tender interaction transforms Gabriel and Beelzebub, culminating in the moment they tenderly take one another's hands, the simple gesture exuding a love that surpasses any sense of duty or obligation.
For Aziraphale and Crowley to give themselves permission to be tender with one another, and to receive tenderness, would allow them to not just fully express their love, but to understand and believe they are each worthy of it.
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My unfinished Diana/47 comics from last year that unfortunately I forgot their lines OTL
So i post them here and hope you guys can use your imagination to guess what are they saying
This one is inspired by the fanfic Blueberry Muffins by @diana-fortyseven. Diana buying 47 a muffin each time they meet in person is the sweetest thing i can imagine, so why not make a comic based on that?
And what if 47 met Diana in the Lust Assignation DLC? I have seen such headcanons of the DLC and thought it would be cool to draw them out. Btw Diana in the comic is a sinful/demonic depiction of Lust
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pro tip: If you have curly hair, do NOT cut it short, you will look like an angry cat
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hiding your money in a 'secure location' is a bad idea when you have object impermanence.
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The scene after defeating Spamton has been talked to death already, but a neat thing that occurs in it is:
You can choose how it ends. Even if you can’t choose anything else.
-Yes, there’s different dialogue options depending on if you choose ‘Yes or No’: if you choose ‘yes’ Susie and Ralsei attempt to cheer Kris up despite our attempts to declare everything is fine.
And then the cutscene ends like normal, with Kris facing the 4th wall, and we regain our control over them.
(And Ralsei reveals an interesting amount of knowledge about Kris’s background...)
- And if you choose ‘no’ Ralsei shuts down an attempt to discuss what happened with Spamton.
(...While making suggestive comments that Kris should focus on him (the love interest) instead.)
But as the scene ends...
Kris moves on their own to exit.
Huh.
Seems that choice did matter, after all.
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oh no i appear to have made the mistake of thinking about hermann gottlieb on zero sleep. surely this will not have repercussions on my emotional state
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