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#i haven't figured a whole lot about her character yet
alolanrain · 1 year
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Can we have more Aurafangshipping pleasee Also would they ever have kids and is the timeline the anime one or Ta!ash one?
those are just general Hc, they fluctuate between au's where I have Ash and Raihan together. the kids will be under the cut.
Oldest are fraternal twins; Cadenza Kasumi Alexander-Ketchum and Lunala “Luna” Takashi Alexander-Ketchum 
Cadenza is five minutes older than Luna and takes more of Ash’s personality and height wise, even though she’s three inches taller than her Papa. She isn’t Pokemon battle inclined like her Athair (Father in Scottish Gaelic) and Papa. She’s more artistic than book smart like her sister. Later on in life she makes a seperate much smaller business to the way bigger one her Grandmama, Raihan’s mother Celeste, she makes formal clothing and has commissions open for other kinds as well. She’s very good at making affordable dresses of all kinds that have pockets and a lot of women's suits that fit better than the ones already out there. Even though Cadenza takes after Ash height and emotion wise, she really does physically take after Raihan and Celeste. She has long curly hair that is ombré from yellow to a deep bright red at the bottom. Her eyes are just as blue as Raihan’s and her Grandmama Celeste. Her skin is a bit lighter then both of theirs but much darker still to Ash’s and Luna’s much paler tone. 
Luna follows her Grandmama’s foot prints and is now being mentored to take over the multi billion trainer wear/Pokémon necessity company that’s even bigger than Devon Corporation. She’s the logical, book smart, edgier, shark tooth side of the coin to Cadenza’s Sun rays, sweet tooth, artistic side. Luna is extremely smart and both Raihan and Ash struggled a bit to find the right course of school to put her through that would keep her focused and entertained while also keeping her on track and not let Luna consume it all in one sitting like she wants to. She’s absolutely perfect for the role of CEO of the company. It gets handed down to her when she reaches twenty three and she is recorded as the youngest CEO in the world. She has fluffy black hair like her Papa’s that is cut just a little below her ears. She’s two inches shorter than her Athair and is just as skinny as he is. Her eyes are the same whiskey brown as her Sobo’s (Grandmother is Japanese) and Ash’s. She’s a bit paler then Ash like when he first started out traveling in Kanto and she can not get a tan for the life of her, unlike her sister who tan’s pretty easily. 
It was actually Raihan who pushed for Misty and Brock’s Kantonian name’s to be their girls' middle names. Ash had actually wanted to propose the same idea earlier but was too afraid Raihan wouldn’t like the idea. When both girls were born, and after Raihan, Delia, and Celeste were able to hold the twins, Misty and Brock were able to hold them. Both definitely cried.
The girls are about four years old when Ash brings in a batch of triplet boys; Dace Celeste Alexander-Ketchum, Dimitri Kukui Alexander-Ketchum, and Dante Hanako Alexander-Ketchum. Raihan and Ash didn’t mean to name their boys all with names starting with ‘D’s… it just kinda happened. 
Dace grows up more Pokemon oriented than his sister’s and fellow brothers. Much more like Ash was at the beginning of his journey and his personality leans more towards the soft yet very strong type of person. After his third Pokemon journey he goes through Unova and defeats Champion Trip soundlessly and takes the man's place as the new Unova Champion. He’s very kind like Alder was, but a lot more attentive then both past Champions were. He now has to constantly deal with Iris trying to challenge him every time they meet though since “She was supposed to be Unova’s new Champion!” He and the rest of his siblings have brown hair like their Sobo and not as tight of curls like Cadenza, Athair, and Grandmama have. It’s more loosely curled and almost just as fluffy as their Papa’s. His eyes are just like Luna, Papa, and Sobo have, though there are big flecks of bright blue throughout his eyes. It’s kinda hard on Dace because he’s blue-yellow color blind, but his Pokémon helps him and so does his family who’s extra supportive of him. 
Dimitri is more books and study base like Raihan kinda is. Explores more in the hidden scriptures, scrolls, and learning about dead languages. He and Raihan bond over poetry and Galar’s old myths, Dimitri bonds with Ash by going through his Papa’s much more friendly memories with Legendaires in the world. He becomes a world renowned architecture, researcher, and digger. Dimitri was also mentored under Roark and Byron for three years and a half before finding a whole lost city in Sinnoh that was just barely mentioned in some very, very old scriptures he and everyone else couldn’t really make out. The city was all built in a very large cave that was bigger than the Lumiose tower. Dimitri’s personality swings more towards Raihan easy going attitude but he also picks up a strict nature from both his Grandmama and big sister Luna since Dimitri had wanted to hang around Luna and Grandmama at any moment he can when Papa wasn’t off traveling for his two Champion titles and Raihan wasn’t teaching Gloria (the female MC of SwSh) into taking over his gym. The only difference physically is that Dimitri has bright green eyes like his Grandfather Rose. Mew has also actually taken a liking to Dimitri since the boy is so far the most respectful digger/researcher there is in the world so far. 
Dante grows into the love of cooking and baking. He ended up becoming one of the top culinary chef’s in the world and was personally taught by Brock, Cilan, Mallow, and his Sobo Delia before she passed away from old age. He starts up a few different kinds of cooking shows and is also kinda like the Gordon Ramsay for the Pokémon world. He’s brash with older adults and very sweet and understanding with young trainers and young kids. He loves his parents a lot and Dante’s favorite memory was his Papa showing all kinds of holiday recipes to Dante when he was a young boy and all his siblings and Athair were in the living room watching Tv or doing something else. He has more blue then brown in his eyes then Dace and he takes pride in what he’s accomplished in life so far.
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slackerlifewhere · 4 months
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random thought #4: no romance
I appreciate that the author doesn't add a romantic subplot for her characters just because they're of the opposite sex.
Like Cage and Taylor who, if this is a tv show, would've immediately been tagged as a couple even if they're just good friends. They're the best of friends who really care deeply for each other and right from the start, I never saw their bond as a romantic one. It's special since they understand each other so well because of their burdens and similar sense of humor. Like imagine how devastated Cage must've been in TBoaH. It must've been like losing a part of herself, her other half.
Yeah, I can see the idea that they can be a couple but it's so nice to see that the author just focuses on their friendship throughout the first part of TCF instead.
Then there's that time when Cale had Rosalyn and Choi Han help out Lock.
Cale clapped once, before pointing at Choi Han and Rosalyn.
“That is why we will pretend that you are the mother and father, or, if you do not like that scenario, then you shall be the older brother and older sister. You two will need to figure out how to protect him.”
- Chapter 30: You
I love the fact that Cale just gives them options to choose from so they can feel comfortable with each other. Especially since he knows they literally just met a few days ago. I also think that they just give off sibling vibes. Like Rosalyn and Choi Han never gave off anything else but friendship or family vibes and it's just so nice to see it happen.
I don't hate romance, okay? I actually love them. That is, when I look for that specific genre. If I'm not looking for it and it's there, I usually feel annoyed. Sometimes, it's not tagged but it still happens in the story.
I just find it exhausting at times when novels or tv shows push for romance when there's no need or reason for it. Especially the love at first sight trope. That one just aggravates me.
Like they can explore how close two characters are without putting a romantic context to it. In fact, the "romance" that we get in TCF are mostly from Deruth and Violan and from Deruth and Jour. It can't be said it's romance either since the focus on them is about the whole family instead. Other characters never show any sign of being in love with someone either.
And I also love the fact that Cale, the main character, doesn't have a romantic relationship throughout the whole first book. He has no time for one since he's in the middle of a war, he's focused on protecting his friends and family, and he's busy fighting some crazy bastards. He never looked at another person and thought he was in love.
If Yoo Ryeo Han ever adds romance later on, ✨I still hope she doesn't✨, it's easier to accept since I know these characters are close to each other. They've been together since the beginning. They bonded and experienced a lot of good and bad things together. Although it'll be weird to me...
[On an unrelated note: If this whole post looks weird, it's because I haven't slept yet]
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melbatron5000 · 5 months
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Murder Board 2.0
Updated 9/18/24
Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.
What I think I know:
Hints given out by NG are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)
Lots of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.
Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS. Incriminating records that are why the Metatron let Beelzebub and Gabriel go, but nailed Aziraphale. The Metatron knows Gabriel has those records, he doesn't know they got passed to Aziraphale.
Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)
Crowley's memory is fine, it's a red herring. It might mean something else, though. I think he is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene is from Aziraphale's perspective, so the conversation likely didn't actually go just like that.
Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.
The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.
What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. That's why Crowley says "Oh God" before his speech in the final fifteen. He's bringing up what they're hiding, reminding Aziraphale that someone has to stay and keep an eye on Maggie. That's why he can't go. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL?? (Ah, shit, now I'm doubting this one. Now I suspect it's Nina, and Maggie is Mary MAGdeline. Same questions still apply.)
SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.
I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.
The Metatron is a naked man. i.e. he was originally HUMAN.
Aziraphale and Crowley are talking in subtext A LOT. Aziraphale's tells are easier to spot than Crowley's. He raises his eyebrows and does vocal bunny rabbit ears, says "um," and "ah." "Our Gabriel miracle," "The establishment in question," "Certainly on to something," "Haven't yet cracked the case." Crowley's tell seems to be being effusive. "Frozen peas," "You wouldn't be interested in love?" "Well, today is your lucky day!" "How do you know I didn't do it?"
We are missing the scenes that should mirror the Resurrectionists minisode. What we do have instead of mirrors to that are Crowley telling the demons they are out of order. He can tell time has been messed with.
There are two Crowleys. I think the head in the book shop is his way of keeping in touch while his twin is off doing things, and the red eyes are him, too. Now, why?? What do they need 2 Crowleys for?
What still needs answering:
The clocks jumping time. And why are the extras moving in double-time when we first arrive to Whickber street?
The weird hand in the 1941 photo.
Aziraphale's chair position being moved still doesn't make sense. Unless Crowley was talking to himself??
The extras behaving strangely.
Crowley's car being in the wrong spot on the road after Shax threatens him.
Weird sounds -- Aziraphale turns to look at a crashing sound when he returns from Edinburgh, to look at a car horn, the very loud clock in the final fifteen BUT ALSO when Jim says he will go out to the demons, nightingale singing when Crowley leaves in the FF.
I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.
I don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is, or why he looked like he realized something important while he was there.
Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?
We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?
What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him? I think he stole something.
What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.
Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Frances McDormand? It's hard to hear. When he remembers the beginning, I think it's God's voice. When he prophecies, it may be someone else. Frances McDormand has no credit in that episode.
Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about? Were they trying to speak in husband-code to warn him about the Metatron?
When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?
When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??
Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get many demons?
What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?
The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing at the pub -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?
Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Nina!Jesus.
So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?
The whole collection of Maggie's album's from the Amazon X-ray are great, big CLUES.
A post that I didn't reblog pointed out that the record Aziraphale is listening to when Garbriel shows up is neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how. (The record is opposite when Crowley gives Aziraphale the fly containing records -- the actual symphony is, according to the original blog, one written by a rebel in contempt of his government. Do the records have to do with the rebellion and fall?)
What the heck does Furfur mean by "little monkey in the waistcoat?" How does that sound like Crowley?
Why does Furfur change the subject when Aziraphale asks where Gabriel and Beelzebub would like to go?
Why does Mrs. H say "for God's sake" two times in a row? No one says that on this show without a meaning.
Shax notices Crowley going to Heaven and makes an epiphany face.
Why is the end credit music for the ball French cafe music? French must be important. And the end credit music for The Hitchhiker is old timey and scratchy, then skips and becomes the same song in a newer, clearer style. Because they repeat the bullet catch trick in the modern day, perhaps?
I thought I heard that Crowley and Aziraphale are in the fly in the opening sequence, but nope. So why are they in a cave?
Why are there multiple elevators and multiple mountains in the opening sequence??? What the hell does that mean?? And multiple Edens?? All right, what's up??
I count at least two times Aziraphale glances right at the camera, probably more. Who is he looking at? Us? Is he looking at Crowley?Why??
When Aziraphale arrives back from Edinburgh, he asks how "everything is with -- mm." Crowley says "he was sleeping, I heard him singing." I don't think they mean Gabriel. At the cafe, Crowley says when Gabriel smites you, you've been smitten. Aziraphale says he isn't "you know who any longer." Again, I don't think he means Gabriel. Who are they hiding?
Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)
Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim. Oh, and LAUDANUM. And coffee!
Time -- lots of clocks/mentions of time. Everyone notices the ticking clock during the Final Fifteen, but it's ticking loud when the demons attack the ball, too. Also, why is the first scene of Whickber street shown at high-speed? Is time sped up? Or something else?
Love/partnership/togetherness being stronger than separateness
Memories/forgetting/remembering
Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money. Both times money is brought up, it's Crowley using Aziraphale's money, and both times, it's to buy a life. It's funny, but I feel like there's a point to it.
Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season.
Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.
Death in general -- but 8a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 8b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmm.
Morality and what is "good" and what is right
Recognition and identity and hiding one's identity. Ah! Probably at least partly because Maggie someone? is Jesus. How would you recognize them? (I think it's Nina now.)
Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.
Colors. Lots of colors!! Job's kids are dressed in the colors of Nina, Maggie, and Aziraphale's shops. Jesus on the Resurrectionist Pub sign is in blue and red, blue and red crop up a lot in extra's clothing, as do yellow and red, Crowley colors. The Ladies of Camelot are in red and blue. Aziraphale says Earth will be a blue-green planet, Nina's shop is blue-green.
Horses. Horse statue, horse wine label, people saying "dark horse." The four horsemen again? I feel like they already had their ride, so what the hell? I think it's because season 2 is an echo of season 1, I THINK -- I have to check -- that horses appear or get mentioned when the horsemen have corresponding scenes in season 1.
Numbers. A lot of numbers get said. Does it matter, or am I overthinking?
Repeating words and phrases:
Technically
Properly
Isn't it just?
Too late
Funny old world
Not as such
Made for each other
EVERYWHERE
Obviously
Two shakes of a lamb's tail
Dark horse
What are you/am I? As opposed to WHO. Aziraphale asks in the Land of Uz, and Crowley asks Gabriel.
Are you sure? Quite sure.
The Marvelous Mr. Fell is described as marvelous in his mysterosity, Shax says the demons have dangerosity.
Mrs. H in 1941 says "for God's sake" twice in quick succession.
Schtum
Every day
Hints:
Powell and Pressburg films
The Crow Road
Catch 22
The Amazing Maurice and his Educated Rodents, Terry Pratchett in general
Jane Austin
Book Good Omens
Season 1 Good Omens
The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.
Objects that get a close-up/centering:
Starmaker's nebula book -- Nebula 231,080
Shax's compact mirror
Maggie's note
Shostakovich record
Tomatoes
The box
The Bentley
Eccles cakes
The bell
Head statue
The book Jim drops
Jukebox
Gabgriel's statue
Laudanum bottle
Phones in Edinburgh episode
"Very closed" sign
Broken whiskey bottles in 1941
Hourglass in Hell
Furfur's camera
Bullet catch in the magic shop
Instruction booklet for bullet catch gets 3 close ups -- because the bullet catch trick is that important, or because it happens 3 times? Both, I think.
Puppets
Dancers' silhouettes
Mr. Fell sign
The actual bullet
Angelic beings book
Photo evidence
Shax's shoes
"Surrender the angle" brick
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sandy-the-glader · 7 months
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Hi!! I hope this is okay!! If not, no worries!! 💜💜💜 (I love you lots!)
Can I please request an Adrian Chase x fem!innocent!reader Where while Adrian is out and about doing his Vigilante work he comes across a bunch of criminals in a warehouse, and after they’re all “taken care of”, he hears someone crying and finds a girl hiding behind a pile of the criminal’s stuff, and she’s handcuffed to something over there, so she couldn’t leave even if she wanted to. She’d obviously be completely terrified of Vig, but as we know, he is very good at reading a person and would clearly see that she is innocent, and had been taken by the bad guys. Normally he would just set the innocent girl free and be on his way, having already taken care of the bad guys, however… He had unfortunately taken off his mask right before finding her, and had forgotten to put it back on, so she has seen his face. Panicking, he just picks her up, and takes her to his car with him, driving straight to the 11th Street Kids HQ, carrying in a terrified Y/n, he himself all panicked, and the team is like “wtf did you do????” “Did you abduct her???” And he’s just like, “No no, I saved her! But then she saw my face… So I guess, yes??”
Lmao it’s honestly a mess, but the team takes care of Y/n’s injuries, apologies for Adrian’s behavior lmao, and lets her stay there until she has recovered, as not only is she hurt, but very scared. After a while of staying with them, she gradually starts warming up to Adrian, him desperately trying to get her not to be afraid of him anymore (for a while there she was terrified of him), and their relationship eventually grows into a more romantic and intimate one🥺🥺🤧
Afraid of Me
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*Not my gif*
Character: Adrian Chase x SoftFem!Reader
Type: Fluff and sorta angsty
Length: 5.4K (a bit long)
Summary: Request above <3
Trope: Strangers to friends to lovers, Slow-burn
A/N: LONG A/N!! Sorry this took forever I've been busy with a lot of stuff and I just haven't had any time but I worked on this whenever I could. Btw again I bent the request a little bit (I'm not sure if I wrote what you wanted for it and I apologize ) so I hope it’s okay I just made this go over the whole period of time the show does and like more so there's more time for a bond to be built lol
I heard a quick gunshot followed by another. Tears continued to fall from my eyes as I was tied to some random wall in some warehouse, Apparently, I was not supposed to come across two men selling heroin to each other but here I am. They claimed I saw too much, took me, and tied me up. Who even does that?
I just wanted to return to my apartment and read this new book I bought. That's all I had planned for my day anyway. Yet now I was tied to a pole in some wet and cold warehouse with random crates surrounding me. I tugged and tried to break from but it was helpless. I cried and sniffled as I continued to try but there was no avail.
Were those shots from them or someone else? Please god, let someone save me. I had been here for hours and I was scared of what they had planned for me. They already hit me pretty hard over the head which caused a small trail of blood to fall from my temple.
I heard loud and heavy footsteps coming towards me. I braced myself and waited for the figure to come around the crate to where I was. He was wearing a teal suit, with blood covering it. It was Vigilante. Should I be happy or terrified? He's a killer but isn't he supposed to be a hero?
"Fuck oh my god." He gasped slapping a gloved hand over his mouth. He was missing one exceptionally important part of his suit. His mask. That must have been why he was so frantic.
In all honesty, he looked nothing like I always pictured him. He was lanky with glasses and he looked really young. He looked mid-twenties though I had a feeling he was older. He honestly looked nerdy.
"I'm sorry. I really won't tell anyone who you are. I-I mean I don't even know your name." I stammered. He didn't care though because he continued to curse.
"Fuck fuck fuck. This is so not good." he groaned. The man ran a thick hand through his hair while bouncing back and forth. "Umm." He pondered confused about what to do. "Shit, I can't let you go." My eyes widen. He already has saved me why not let me go on my merry way? He took off his glasses and put his mask back on.
He came over to me and examined my situation. He crouched down and started untieing the rope that kept me on the pole but didn't bother with the ones around my hands or feet.
I was about to thank him for his acts but he picked me up and started to carry me out. Oh, he's actually not letting me go.
"What are you doing!?" I panicked. I started wiggling my body in his grasp then he held me tighter. "Where are you taking me? This hurts." He continued to keep walking until we reached his car a couple of feet from the warehouse.
Holding me with one hand, he opened the door to his back seat and tossed me in. Judging by his face, he didn't mean it to be as aggressive but it was enough to get me to shut up. He slammed the door and rushed over to the driver's seat.
This is it. After all that's happened today I'm being kidnapped by Vigilante and who knows what's going to happen. I guess the law doesn't apply when it comes to him. I actually can't believe it right now.
The entire car ride was silent. Not a sound from the man or from me. It was terrifying. All I could think of was what was going to happen to me. it took him forever to get to his destination and when we got there I realized it was some rundown video store. That couldn't be where we're going right?
-
"Guy's we got a fucking situation!" Adrian called opening the door with the girl in his hands. The whole team in the building stared at him with wide 'What the fuck' like eyes.
"Who the fuck is that?" Economos asked adjusting his glasses and leaning over his desk.
Adrian (not so carefully) dropped the woman on the floor making her yelp out in shock and pain.
"Did you just kidnap a girl?" Adebayo's eyes widened at the sight.
"No Adebayo!" He yelled defensively. "Okay, well technically yes but-" He was cut off quickly.
"And why did you bring her here?" Harcourt burst out running a hand through her blonde hair.
"Okay, I was doing my badass stuff, right? Like beating up these bad dudes and I found her behind some crates." They all stared at him waiting for him to continue. "And since I didn't know these dudes took a hostage I took my mask off and that's-" He removed his mask again and replaced the glasses on his face. "Really bad." He grimaced.
"Adrian what the hell dude you could have left her. She would have never turned you in. Look at her. No offense." Chris said. She stayed silent like she never heard the comment in the first place.
She was scared to death, trembling on the floor with small tear streaks down her face. Some of the tears mixed in with blood on the left side of her face. She looked innocent as could be and she definitely didn't deserve to be in this mess.
"Dude what the fuck!" He shouted at Chris. "Now she knows my real name! You have so fucked me!" He continued to cure which didn't make the girl feel any better.
"I did not fuck you! Besides it's your fault for bringing her here anyway." Chris furrowed his eyebrows looking back and forth between the petrified girl and his idiotic friend.
"What is happening out here?" Murn came out from one of the rooms and immediately regretted his decision. "We're supposed to be working on the project butterfly case what are you doing Chase?" He asked sternly.
"Oh, now she knows about Project Butterfly!" Harcourt placed a hand on her forehead.
"Well, it's not like I can kill her because she's innocent" The girl's face drained at the mention of death. "and we can't get rid of her because she might tell someone who I am!" Adrian wined out. He was finally right about one thing.
"She also might screw our plan up," Murn muttered trying to think of a reasonable thing to do with this girl.
"Then what do you suppose we do with her?" Economos folded his arms. The girl had been silent the entirety of this conversation but she finally piped up.
"Um.." Her voice caught everyone's attention and they turned their heads to look at her. "I-I can clean and o-organize around here." She stammered. "I can help you guys just please don't kill me." She pleaded. They all non-verbally agreed she had been through enough judging by the look of blood running from her temple and dirt caking her shirt.
"Yeah that honestly could be useful," Harcourt spoke. She looked around the room to only be met with agreeing faces. She let out another deep sigh before Murn spoke up.
"You will work the same hours as us and will get paid a fair amount." He folded his arms tightly over his chest. He didn't ask he just demanded she work.
"I'm also a fast learner and I can help you with anything you need. I don't have a current job so that would be perfect." She tried to look at the bright side of the situation. I can work for money but this is a destructive and hard-core business she pondered. "And since this is a very um dangerous job I just so happened to be trained in medical care." She offered.
"Oh, sweet! That's perfect so now dyed bear can stop doing such a shit job of stitching me up!" Chris smiled.
"Hey!" Economos protested. It was perfectly fine he thought.
"What about my living situation? C-can I still stay In my apartment?" She asked. They all looked around at each other because that was one thing they hadn't thought of. If they let her stay, she could always tell people without them knowing.
"If we let you stay in your apartment, you must realize he" Murn pointed at Adrian Chase himself. "has to keep watch of you? He somehow always knows if someone is doing something they shouldn't be." She nodded slowly. "And if you tell anyone and I mean anyone you will be terminated immediately, do you understand?" He spoke firmly making her hands tremble.
"I understand." She muttered.
"Now that everyone is done with this whole situation I suggest you get back to work," Murn concluded walking back to his office annoyed with the inconvenience.
-
I sat there absolutely stunned at what just happened. I just got myself into a bat shit crazy job. I mean I don't even know these people and one of them literally abducted me. This is not normal.
Project butterfly? Are these guys all heroes or something? I already was aware of Vigilante's existence and somewhat Peacemaker but there's a lot more than just those two.
"Oh my god, he didn't even untie you." The blonde-haired woman spoke in surprise. I didn't say anything because really what was I supposed to say? "I'm Harcourt." She kneeled beside me. She opened a switchblade and sliced through the ropes binding my hands together and then my feet. "Come on let's get you cleaned up. She went and collected the first aid kit from one of the desks on the left side of the room and motioned for me to sit at her desk. "What's your name?" She asked.
"Y/n L/n." I said quietly as I stared into my lap anxiously.
"Come sit Y/n." She said calmly trying to make me comfortable.
I stood up uneasily and almost fell back down. I steadied myself and carefully walked over to the chair and sat down gently. She pulled out a couple of cotton swabs and some alcohol. She poured the strong liquid onto the small ball.
"I'm sorry about him." Harcourt hummed taking the cotton swab to my forehead.
"Hm?" I replied softly.
"Adrian." She looked me in the eyes. "He just isn't all there sometimes." She mumbled. She tossed the bloodied-up swab in the trash and put a bandage over the small cut.
I looked over at Vigilante who I guess was named Adrian. He was talking to Peacemaker and he looked perfectly innocent. Not even an hour earlier he was tossing me into the back of his car. Jesus, what did I really get myself into? Not only does he have to escort me home, but now I have to work with him. He's a psycho!
"She has a point you know." The woman I was pretty sure was Adebayo spoke up. I glanced at her and she nodded trying to make me realize it. "He's a really good guy you just have to get to know him. I get it he basically kidnapped you but he's stupid in everything but fighting."
"Yeah okay," I mumbled softly. I don't care what they say now I can't trust him after what he did unless he really proves he's trustworthy. At least these people actually had the decency to tend to my wounds.
She continued to bandage and take care of every cut I had on my arms and face. I enjoyed her already because she was delicate to me and cared about my feelings. Pretty quickly she finished and put all the materials away.
"Come over here I think we found a box of old clothes you could change in." She led me back into the store and I could feel Adrian's eyes burning into my back.
-
"Dude she's afraid of me!" I panicked at Chris looking him dead in the eye. I waited for her to leave before I talked to my best friend about the whole thing.
"Well, I mean you did throw her in the back of your car. Chicks don't really dig that. Unless they're like hardcore." Okay yeah obviously I fucked up big time but I was under a lot of pressure and I wasn't doing what I should have!
"Dude I didn't know what else to do." I whined
"I mean you just gotta make things right with her I guess. I don't know I usually don't have to apologize to girls." He shrugged his shoulders. Great okay how am I supposed to do that when she's obviously afraid of me? Fuck. "Listen when you walk her to her apartment just be like 'Sorry for kidnapping you in my shitty car that was a pretty bad thing to do!' or something like that." I let out a heavy sigh. This is never going to work.
-
I came back out to the main room in a sweatshirt with the video store's logo on it and sweatpants that were longer than my actual legs with the same logo down the side of it. I held my original clothes in my arms and I was quiet.
What do I do now? Go home? How am I supposed to feel safe in my own home when I know that guy is watching me?
"Listen." Harcourt grabbed my attention. "You can take as much time as you need before you go home. I know that was probably a traumatic experience for you so let me know when you want to leave." She spoke as if she had read my mind. I nodded. "Also we have your address so we can get you home easily." Okay well, I told her my name and that was all it took to find out where I lived. Spectacular.
"What are my work hours?" I still can't believe I got myself to work for these people.
"Just don't get here any later than 8. Hours are different every day. Since you now work here I guess I should tell you who everyone is." She pointed to Peacemaker and Vigilante who were still chatting near the corner of the room "Chris and Adrian ." Then to the other man in glasses. "Economos." The guy in the other room that I could see through the glass. "Murn." Finally, she pointed at the last girl which I already knew. "and Adebayo."
I stood around for not too much longer before very anxiously describing to Harcourt my wishes to leave. She understood fully and went over to Adrian to make him take me home. He looked at me with some sort of care in his eyes but I just couldn't look at him so my eyes fell back to the sight of the floor.
"Come on kid." Harcourt motioned with her head to leave out the door with the man. I walked out the door and the cool air hit me as the sun started to sink down below the horizon.
One car ride and then I'm home. This time I got to sit in the front seat of his car instead of being thrown in the back like a doll. I secured my seatbelt and then just slumped against the car door. All I could really do was pay attention to the passing cars outside and the quiet buzz of the radio.
I also noticed the pleasing smell of his cologne that filled the car or how he hummed along to the Taylor Swift song on the radio. Someone like him is a swiftie?
"I'm sorry that I kidnapped you." Adrian broke the silence between us in an attempt to apologize. I ignored it and kept looking out the window. It was a long day and I genuinely couldn't tell if he was being sincere or was just trying to make me feel like he cared. "Please talk to me. I know I fucked up." I glanced over at him; his eyes flickered between the road and me. "Hey." He reached for my hand and flinched away with wide eyes and a quickened heartbeat.
His eyes lit up in sorrow. He looked like he felt bad. He backed off and for the rest of the car ride, he didn't talk anymore. There was so much tension in that car I felt like I was going to suffocate. I could barely look at him. I was still scared of his guts.
Every turn and stop made me think over and over about the events that occurred today. It was nauseating.
Finally walking through the door of my apartment left me with this feeling I couldn't describe. All of the events that happened today were fucking unbelievable.
The book I was planning to read was on my bed and was quickly tossed on my side table with a small thud. I sprawled out on my bed not bothering to do anything else tonight.
What. The. Fuck.
-
It's my first day on the job and my teammate already hit someone with a car. A van actually. I got to the disguised video store a bit after seven and Murn described the plan to me. Since I wasn't significant to the plan I just stayed in the car with a first-aid kit just in case things went south. And oh they did.
"Is he dead!?" I stood in the van looking at Economos dumbfounded. He didn't reply at first he was just making shocked quivering noises.
"I... I don't know?" My eyes widened as he started to get out of the car holding a crowbar tightly in his hands. I left the kit on the seats (since I had been fidgeting with the latches the whole ride) and followed him for support or something like that. Maybe I thought I could help. He inspected inside the car which he had hit fully force.
Judomaster was crawling on the ground in front of the car slowly. Economos inched closer and closer to him holding the crowbar. He whacked him once over the head and jolted backward then his body went limp. We waited and sure enough, he kept crawling. He hit him again and he still was moving. I slapped a hand over my mouth as he repeatedly hit him on the back of the head. He poked him a few times like you would a bug making sure he wasn't moving.
"Oh my god." He let out. "Fuck yeah!" He turned around to high-five me. I lightly returned it. "Don't worry he's not dead." He said sensing my shock. "They're hardcore it takes a lot."
"Well, what do we do with him now?" I looked at Economos for ideas. We ended up tying him up and throwing him in the back of the van. I watched him intensely. When would this dude wake up? I really hope not any time soon. Murn radioed us and let us know that they would be coming back soon with of course Vigilante. Economos drove us back to the spot we were supposed to be in and awaited their arrival.
"You're pretty cool." I complimented him. He was taken aback by the positive words.
"Well thank you." He adjusted his glasses with a bright smile.
We waited for 15 minutes until they finally arrived and loaded themselves into the van. Everyone looked untouched besides Harcourt's messy hair, a couple cuts on Peacemaker's face and Vigilante crying about his bleeding toe. I grabbed the medical kit I had set down on the seats just minutes before and rushed to Adrian's side.
I motioned for him to move his foot up to where I needed it. He hesitated for a moment but then proceeded to lift his foot into my lap. I scoped out his injured toe and I pulled out the needed materials.
Yikes. I was definitely glad that I stayed in the van. Adrian’s foot jerked in my lap as I tried to get some alcohol.
"Hold still!" I complained to Adrian trying to hold his leg down from wriggling under my grasp. From the looks of it, this man had managed to get half of his pinky toe cut off. That is such a bizarre thing for torture.
“It hurts so bad though!” He wined when I took the alcohol to his foot. He had obviously had worse happen to him but this?
“It could have been worse,” I said. My hold got tighter on his leg since it kept jolting side to side.
“Pft yeah, this was nothing!” He lied as if he hadn’t been complaining two seconds ago. “I’ve gone through worse in DND.” A small smile appeared on my cheeks. DND huh? Who knew the big strong Vigilante was a total nerd? And a swiftie...
“One of my characters got their arm bitten off by a bear so I’d say you’re okay,” I said. His eyes lit up at the mention that I had played before." Just sit still it's about to get worse." His eyes clenched shut.
"Oh shit!" He screamed out making everyone irritated in the van. I shushed him gently with a soft hand on his leg. He shut up very quickly but his body still tensed occasionally with every sting. I held his foot carefully as I bandaged it up thoroughly.
"Are you hurt anywhere else?" I asked. I still didn't dare to look him in the eye.
"Yeah, but I can wait until we get back." He tried to act tough but I could hear the pain in his voice. I noticed a couple of holes in his shirt. Maybe I could fix his shirt while I'm at it. God am I being too nice?
I mean I'm trying to think of the bright side of what happened yesterday and honestly, it didn't seem so bad anymore. He saved my ass and I'm having a paying job. I can only imagine the pay is fantastic for what these people have me doing. I sat next to Adrian. I was feeling a little less scared of him now when I thought about him like that. Even through the visor, his eyes were peeled onto me. It felt like since I got here they never left.
Getting back to headquarters I couldn't get Adrian to get out of the van without making a scene. I dragged him quickly into the store so he wouldn't draw any attention from people lurking around In the streets. I pulled him by his hand and made him sit in the closest chair I could spot. He whined and moaned obnoxiously loud. I knew the stories and new articles about the man. He was tough and put up a big fight, he never lost against criminals.
I grabbed the larger bandages from an area Harcourt showed me just this morning and also some more alcohol.
"Show me where you're hurt." I looked at him curious about what else had happened to him. He pulled off his chest plate and revealed the deep stab wound in his shoulder. The fabric of his shirt clearly revealed the bloody mess it left. My eyes widen. "You kept this from me until now?"
"I could handle this. The toe I'm not entirely sure." I cleaned and bandaged the wound with intense concentration. I was careful and sure not to cause any more harm after this long night. "Thank you." He said softly. I just nodded and didn't reply with anything else.
-
The days passed as we worked on this project and the days were long and there was a lot of work to do. I didn't have almost any free time anymore so it was hard to make time for friends I actually wanted to talk to or things I really wanted to do. Adrian continued to try his hardest to earn my trust and befriend me.
I started to warm up to him crazy enough. He did little things for me I thought were sweet. Sometimes he brought me breakfast or he would try to learn about things I liked so he could talk about them with me. I started to trust him more and more as the mission proceeded because he was really good company. He would talk and I would listen.
A couple of days after the whole 'Adrian getting his pinky toe almost cut off' situation he got himself arrested. I didn't even know until Harcourt talked to me about it and what Adebayo said to him. I felt bad for him because as much as I thought I disliked him, I hated to hear he was where he was and how Adebayo literally manipulated him into doing it.
The night he got out he showed up at my apartment because he still needed to check up on me and since he hadn't been able to. For the first time, I felt comfortable enough to hug him. So I did, I wrapped my arms gently around his torso and gave a small squeeze. We stood like that for a minute before he quietly wished me a 'goodnight' without any further words. That was the kindest moment we had ever shared with one another
Then the next day we had another mission. Since all this time has passed, I had been informed on what a Butterfly fully was. At first, it was entirely confusing until I realized these were tiny alien butterflies here to kill us. I know it sounds like something straight out of a sci-fi movie.
I had to sit through a whole meeting in the morning next to Adrian where he (the whole time) joked with me. It felt sorta nice honestly. He never stopped being friendly and I just kind of started to accept it more.
And the whole mission went by quickly.
"Oh my god." I blurted when everyone arrived back in the truck. Peacemaker and Economos were fully drenched head to toe in blood, Harcourt had a good amount on her, and Adebayo and Adrian had little to none on them.
"We fought a fucking gorilla!" Adebayo exploded with astonishment. Jesus, sometimes I wish I didn't sit in the car the whole time.
"Economos is the fucking man." Peacemaker clapped him on the back with a proud grin. I did miss a lot if those two are now getting along.
"All the blood is the gorillas right?" I asked startled for a second considering the amount.
"Yeah we're all fine," Harcourt said tiredly.
"At least no one's arm got bitten off, like your DND character right?" Adrian nudged me in the side and sat down next to me. Sure I had only told him a few days ago about that but it still made me happy that he had remembered that tiny detail.
"Right." I smiled. Chris sat in the front and started playing music like he had at the beginning of the ride. I sang along with the rest of my team members to 11th Street Kids and I actually started to enjoy my work a little more.
I looked over at Adrian who was dancing like a dork. He looked so adorable? He was playing air drums and making up random dances as he went. I don't know why but I started to not hate him anymore. I started seeing this more personal side of him. Not Vigilante but Adrian.
"C'mon dance," Adrian whispered in my ear and nudged me again. I started to sway along with the group.
Later that night Harcourt made a group chat with all of us and sent a photo she had taken in the van. I set the book down I had finally got to reading beside me on my bed and picked up my phone.
Everyone was dancing in the van but on the right side, you could see me looking at Adrian with the sweetest smile on my face. The chat is filled with different emojis. The only number I had was Harcourts but from the merman emoji, I already knew it was Adrian. I liked his message and sent a fitting emoji to match the others.
I set my phone down and continued reading with a big smile. I never seemed to stop today.
-
It was the final day of the project and I wasn’t allowed to go. I wasn’t entirely complaining since this job was so bizarre but I was also disappointed. I mean all this build up and I don’t even get to go. They said it would be safer for me and of course, I understood.
But as the night carried on and the morning came through I was nervous. I had no texts or word from anyone. Sure, they still could be busy and have to do some other stuff before texting me but what if?
I heard a rushed-sounding knock on my door which threw me off. I ran to my door since the person decided to not stop knocking.
"What do you want?" I hissed as I threw open the door but I was only met with Adrian. My eyes soften upon seeing him. Oh, thank god he’s alive. "Adrian. Hi." I paused when noticing he was in a pair of shorts and a nursing gown. "Come inside." I ushered him in with wide eyes and closed the door quickly behind him. "What are you doing here?"
"Listen I jumped out of a hospital building to be her so-"
"Adrian!" I scolded him for being careless. I had started to really enjoy him I didn't need him being so careless all the time.
"Shut up. Sorry, but I need to tell you this." I stared at him silently with folded arms awaiting what he was about to tell me. "Okay, so after almost dying, I know what you're about to say please just wait. After almost dying, I realized had more feelings for you than I have ever had for someone and that's like a lot for me." He stepped closer to me. "I had to tell you those feelings just in case I actually died sometime. But now I'm scared if you reject me because of the whole kidnapping thing when we first met and usually I would be okay with rejection but I don't feel usual with you." He rambled and his hands made several confusing gestures along the way.
Everything about him told me he was being truthful. His hands were trembling with nervousness, He literally came from a hospital to tell me this and he just had that look on his face.
The feelings from the other day came rushing back. I really enjoyed being with genuine Adrian. The time we spent together over the course of this project was enjoyable. I noticed small things about him like the way he always made sure to keep an eye on me and was careful not to get me into anything super dangerous. He had become almost like a personal guard.
He even taught me how to use weapons, and also never overstepped my boundaries. So yeah maybe I developed a crush on my kidnapper co-worker.
"Why are you looking at me like that I'm like really nervous right now." He asked.
"Because I feel the same way. Even though you did totally kidnap and traumatize me." I nudged him smiling but he didn't return it. "Adrian I was playing with you. But I really do feel the same way." He let out a long breath. I was quite sure he had stopped breathing for a little while.
"Oh thank god." Adrian stepped closer and picked me up in his arms as he kissed me deeply. I've kissed a couple of times in the past but never did it feel as amazing as this. I held him close to me as if he would slip away again. He pulled away to look closely at my face.
"Just because you kissed me doesn't mean I won't scold you for almost dying." I glared at him but he just smiled kindly and kissed me again.
"If I keep. Kissing you then. I won't. Get yelled at." He said in between kisses making me start to laugh.
“Don’t scare me like that again Chase.” I shook my head kissing him passionately once more. I could get used to this feeling.
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whydoyoucare866 · 8 months
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The Night We Met
PAIRINGS:
Titans! Jason todd x reader
SUMMARY:
Bruce has taken in Jason Todd as his youngest son and the new robin some months ago, Bruce's goddaughter also came back to Gotham after being away for a year.
Some months after meeting Jason she starts a friends with benefits relationship with him, suddenly Jason has to move to the Titans tower and two weeks later Bruce sends her too, but, why is Jason ignoring her and acting like he doesn't know her and why does it get worse when Rose Wilson arrives to the tower??
A/N: I finally figured out a song to base this chapter off, I’m sorry I went so off with their conversation and didn’t really get anywhere with it, I just really want them to bond and I don’t think ahead of writing I just start and see where it takes me, I know this can be really boring but I want this to be a LONG fic and a slow burn and that can’t happen if the whole plot happens in two chapters so bare with me please!
TWS: slow burn, angst, blood, canon violence, mentions of death, anxiety, jealousy, friends to friends with benefits to enemies to lovers?, maybe death of a main character (haven't decided yet) change of plot
Keep in mind that English is not my first language, I also know nothing about guns, human anatomy or fighting in the language so I'm sorry if I make a lot of mistakes
Gif credits to Titanstv on Pinterest
Story Masterlist / Main Masterlist
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You felt a throbbing pain in your head and started slowly opening your eyes and becoming aware of your surroundings, you were trying to figure out how long you had slept for since according to the sky it was night now and you didn't know if it was the next day now or if you had just slept some hours, now that you think of it, you didn't actually remember falling asleep either, well thats what happens when you cry too much after not sleeping for two days i guess, you decided that you would really love a glass of water right now and started making your way to the kitchen, you hoped no one was awake or at home, after your whole emotional moment with Bruce and Alfred you realized how embarrassing it had been to cry your heart out in front of someone who did not even know you and how much of a big deal you had made things that seriously were not that deep, then you cried more of embarrassment, and then you realized how much of a baby you were being, and realized you were really sleep deprived and really needed some sleep.
You arrived to the kitchen and just as luck would have it, there was no other than Jason Todd, the guy who had to awkwardly witness a girl he didn't know sob her eyes out but while thinking about it you realized that making it a bigger deal than it was would only make it actually embarrassing and would probably ruin any chance of friendship with that guy so you decided that you would let it go and it had never happened.
Jason didn't acknowledge you at all, he was too concentrated on eating what he had cooked for himself earlier and honestly he didn't seem like a very social guy so you just let him be.
You reached for a glass but then decided that maybe you should grab a thermos so you could bring it to your room and not have to make your way over to the kitchen every time you were thirsty, the noise made Jason acknowledge you but he just gave you a nod while he looked at you and you just returned it, you went to fill the water and you could still feel Jason staring at you, the environment was really awkward and Jason looked like he wanted to say something, or maybe he just wanted you to leave, well, this was your chance to talk to him, if he didn't want to talk to you back then you would just let him be, no harm in trying to make friends in your own home.
"Aren't you supposed to be out there with Bruce?" you asked him
He shook his head and pointed to his ribcage "got stabbed, Bruce wouldn't allow me to go back out there"
"Huh, how'd you get stabbed?" you asked not being bothered by it, you were used to these kind of things
"Harley" he said nonchalantly
"Oh" you said and nodded at him
"Mhm"
"I thought she hadn't been active in a while?" I said, Dick had told me before he left Bruce that Harley hadn't made an appearance in almost a year and it looked like she might want redemption.
"Yeah but Joker was put back in Arkham some months ago, we thought they had broken up but turns out it was just an act and she was just plotting something to try and get him out or get revenge or something like that, and well i may be skilled but Harley is Harley" he said taking bites of his food.
"Yeah I get you, even I am scared of going against Harley"
"You are? haven't you beaten her like a lot of times?"
"Yeah but miss girl is not just crazy and skilled but she's also in LOVE like not cutesy love, but maniac love that's a dangerous combination" you said in an exaggerated way to get your point across.
"I wouldn't call that love" he said while shaking his head before taking another bite of his food which you had no idea what it was.
"Then what would you call it?"
"Obsession I guess, she's like obsessed with him, she would throw herself against chemicals that will probably kill her if he asked for it... oh wait she already did"
"Yeah, poor girl would give her life for someone who just manipulates her and uses her”
"I mean yeah, but I wouldn't call her poor she's still a psycho" he shrugged.
"Maybe, but she's in love, even if you wouldn't call it that i think i would, its not a healthy love but she just loves him in a really obsessive unhealthy way, also if you see it in a way, we are psychos as well" i say before taking a sip of my water.
"What do you mean?" he asked as he sipped what must be coffee from a mug and looked at me curiously.
"Well, what kind of people just beats up other people every night?"
"Well yeah, but we only beat criminals and people who deserve it, they actually kill" he said trying to defend his point.
"I mean, yeah they may kill and we don't, but what's worse? dying or being paralyzed and basically tortured for life?"
"What do you mean?" he frowned and tilted his head a bit, he was intrigued in the conversation now.
"Well do you honestly think everyone will just be fine after being thrown around and beaten up until the point where you know if you give one more punch they'll die? I mean even professional fighters get brain paralysis or quadriplegic or like vegetative state from a bad blow and they have like precautions in those fights, now imagine in a fight where there's no precautions and the only stop sign is either them going unconscious or them not being able to move or them being a step away from death keep in mind that the criminals that you beat sometimes aren't trained or don't even know how to fight like regular thieves and shit, im obviously not talking about criminals like Ivy or Harley and stuff and a lot of the vigilantes have actually killed at least one person, maybe not intentionally but yeah" I explained to him.
"Huh, I guess if you think about it like that you're right" he nodded and took one last bite out of his plate
"Of course I am, I"m always right" I smiled at him
"Sure you are" he rolled his eyes in a playful way and stood up to wash his dirty dishes.
"I am!" I say pretending to be offended
"Uh huh, whatever you say" he smiled at me, "well, uhm its pretty late and I guess I should try to get some sleep, so see you tomorrow, I guess" he said before starting to head out of the kitchen.
"Sure, goodnight" I said to him.
"Night" He replied before finally leaving the kitchen.
taglist:
@fairyeoll @singitoutgirl26 @mad-die45 @just-lost-inbetween-worlds @pariahsparadise
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ROUND 4 MATCH 1
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Qiu propaganda:
“i love them sooooo much i was completely head over heels for cove but then i found out about qiu lin and ol2 and they took that spot in my brain IMMEDIATELY. that should say enough. also i just really want them to win this time </3”
“They're my beloved :] and also the only OL character not disqualified so I had to hdjdbdj I just wanna see how far they can go now :]”
“Genderfluid ADHD monarch. They enjoy mountain biking and ballet. As a kid, if they're set to Crush, they'll desperately try to find a way to link the MC's favorite color to themselves in an attempt to impress. They're the most popular kid in town and for good reason. Can be sharp as a tack, especially in social situations, but also can be so endearingly stupid.”
“Listen. Listen to me. Here's why Qiu Lin deserves the win (ha)
- They're a trans POC love interest (specifically genderfluid and chinese-american)
- They spend a lot of time in Step 1 (the first part of the game where everyone is a kid) being super nice and trying to accommodate for you
- They specifically try super hard to bring you (and Tamarack) into their already established friendship group
- (It doesn't work out super well initially but they're trying, be nice)
- Qiu's also just. Super sweet when you're set to have a crush on them in Step 1
- Like, their word count almost doubles when they have a crush on your MC
- There's one part of the game where you can bring up your favourite colour
- On a friendship route (or if you're set to neighbours), Qiu will maybe make a short comment about something related to your favourite colour
- On crush? Qiu stretches so far to tie your favourite colour back themself. Your favourite colour is green? That's the colour of their jacket!!! It's black? Like their bike, did they mention their cool bike!!! It's white, [imagine this is in italics] the inside of their house (no, really)!!! [end of imagining this is italics]
- They're also set to have an arc about much they accommodate for others and how they go from over accommodation in Step 1 to no accommodation in Step 2 to finding a balance in Step 3
- Also, like, they do in fact go through gender identity issues. In fact, they spend Step 2 not quite knowing their gender identity fully
Now, vote for Qiu!!!!”
"Genderfluid and uses they/he pronouns.
Their hobbies are mountain biking and ballet.
Most popular kid in town by, like, a mile. And for very good reason.
Immediately devotes themself to making sure their new neighbors (the MC and Tamarack) feel welcome in their new town.
Loooooves teasing their friends.
Is genuinely confused if the MC doesn't immediately consider them friends because. He considered you friends.
Not canonically ADHD (yet. things can change.) but like. The ADHD vibes are strong.
Forgetful and writes stuff down in a notepad to remember it, then proceeds to lose the notes. This happens constantly.
They have a whole arc about going from being overly accommodating and giving too much of themself to others, to closing off and not giving anything, to finding balance and figuring out how to be kind and caring without overexerting themselves.
Also, one of their closest friends is a trans woman. This is relevant simply because I love Renee and had to mention her."
Halsin propaganda:
“I haven't played the game but he's hot, and that's enough for me”
“Big sweet dude who’s a bit of a daddy and a bit horny. He’s also really chill and the potential poly route for this game, which datable games hardly ever do. Also, apparently he might not originally been meant to be a full companion and romance, but then people were so horny for him in Early Access they memed him into the full game like Sans Undertale in Smash? I think that should just say it all for why he should get in.”
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blacknedsoul-blog · 1 year
Text
My bets on Nevermore's development
In the middle of the arc and with the White Raven divorce beginning, I think I feel comfortable betting on how all the story lines the comic has laid out so far will play out. A mixture of analysis and theories.
Duke and Montressor
I don't think Duke will die. For several reasons (one of which I'll explain below), but the main one is that Duke is a character who still has a lot to give: they've gone to the trouble of giving him a name, a past, a personality, and yet none of these things have been properly explored. The comic wouldn't really benefit from Duke dying because he still has a lot of interesting things to bring to the story.
Coupled with the fact that we're still learning how Spectres work, and with Duke unable to manifest, it's the perfect time to flesh out that part of the lore and give us a cool moment to show us his Spectre.
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That said, I have a hard time seeing a way for Montressor to stay in the game once this issue is over: he's proven himself to be a menace that won't stop and an unmitigated sadist. The guy is just evil, and frankly, he didn't seem to have much more backstory or anything new to bring to the table.
My bet on him is that he'll die, maybe Lenore will go with the group in psycho-killer mode, Duke will confront him with his spectre, Morella will go against him to save Ada, Annabel will try to make merit so Lenore won't be asked for a divorce, or the Deans themselves will see him as a problem they need to take care of. If the comic thinks murder is irredeemable for its characters, maybe he'll have a Frollo-style death where it's his own ego that kills him (what if he becomes one of the creatures roaming the school?).
I think this because, besides how satisfying it would be to see him die, I think it would be a good time for the comic to show you the consequences of death within Nevermore. We know that going to the Land of the Dead is a terrible thing, but we don't know exactly what it entails. And seeing it would make any future threat seem more terrifying.
Post-Divorce
The White Raven will reconcile. This is obvious: the comic is about their relationship, the publicity for the comic has them together, and much of the appeal of the work comes from their romance. It's not a question of whether it will happen or not, but how it will happen and what the consequences will be.
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Maybe some extraordinary event will happen to bring them back together, or we will have the equivalent of the Greenhouse 2.0 scene where they have a whole conversation about why, even if Lenore understands Annabel reasons, this is a situation that can never happen again.
One thing I want to point out here: I don't think Annabel did this out of jealousy. Maybe she feels it, but this story has made a consistent effort to show you that while Annabel is hypocritical, manipulative, and Machiavellian, she still has a moral compass: her reaction after when Montressor makes Ada bark and when Prospero is about to have a breakdown indicate that her limit is to hurt others gratuitously. She won't defend them if it puts her in a problematic situation, but this clearly pisses her; by that logic, it would even be out of character for her to try to hurt Duke because she's jealous, and more importantly, it would do irreparable damage to her relationship with Lenore (which is why I don't think our favorite Frenchman dies).
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Understanding that, there's one thing these two haven't really talked about: for Lenore, getting her friends out of here is not something optional, she's completely determined to do it, and given this moment, it's very likely that the next step will be for Annabel to join the "save everyone" team: she thinks Lenore is capable of anything, and so she's going to put all her faith in her being able to pull this off.
Coupled with the fact that the plan to keep Lenore as a harmless figure went to hell after the incident in the tower, she's going to have to adjust things. And my theory on this is that Annabel is going to expand her rivalry plan to the group level.
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I believe this because the logical conclusion after the banquet is that the Deans, for some reason, want the students to fight, to foster an atmosphere of competition among them. So far, giving them what they want has worked perfectly for them, so they would suggest that it would be helpful to pretend that things are going exactly as they think they are while they try to figure out how to get out of this place, at least until they can think of something better.
Yes, I assume Annabel will join the Misfits. She'll probably be like Zuko from Avatar, begging for forgiveness and winning them over one by one in individual arcs.
Another important development that will come out of this is that when Lenore is fed up enough with her bullshit, she will remind Annabel of her promise about how they both get their memories back: they are already right in the middle and it will be time to start putting the puzzle together.
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However, I have reason to believe that Annabel will manage not to talk about the exact way they both died for a very simple reason: whether Lenore was Annabel's executioner or not, they died together. Lenore was there, and she will most likely blame herself because "if I hadn't gone looking for her, Annabel would still be alive" and for "not protecting her".
But by the time they have this conversation (or she finds out otherwise), the comic may be starting to address one of Lenore's major conflicts as a character: because of her fear of abandonment and her feeling that she is undeserving of love, she has no qualms about putting herself in danger to protect others. This is a terribly damaging perspective in the context that the Deans have created: not only is it naive to think that she can always protect her friends or Annabel from getting hurt, but Lenore unwittingly carries the feelings of the people who love her by endangering herself.
My head canon
Everything I've said so far is based on things the comic has shown and storylines that may not be explored in this specific way, but are more or less on the comic. But there's a lot of nonsense out there that I'd really like to see, even if there's little or nothing in the artwork to indicate to me that any of those things will come to fruition.
Annabel vs. Montressor
I would love to see Annabel vs. Montressor precisely because Annabel has no chance against Montressor: she has no experience in a fight, even if her spectre is a powerful one, Montressor would wipe the floor with her. But I think it would be a nice way to put a point: Annabel and Montressor are not the same.
He enjoys torturing others, she will be a villain to protect what she loves.
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I can also think of two interesting things that could come out of this encounter: Lenore having her moment where she thinks Annabel is dead, parallel to the maze scene (for Lenore, Annabel is an unbeatable queen, so she could use a little reality check), and a conversation along those lines:
-L: Did you think that by putting yourself in danger like this I was going to forgive what you did?!
A: I didn't do this because I thought you would forgive me. Deep down, I know you already did, even though that doesn't mean I shouldn't face consequences for my actions.
-L: ...Then why?
-A: Because I promised you I would. I said I would distract our enemies, that I would protect you from my allies, and that's exactly what I did. I knew I couldn't handle him, but I was distracted and wounded enough to get the job done.
This would finally establish one thing that has been up in the air about Annabel: yes, she really behaves and acts like a villain. But after something like this, there would never be any doubt (for the readers or for Lenore) that she always keeps her promises.
Imagine the delicious drama that could come from establishing that so forcefully.
Eulalie is a Lennabel shipper
Come to think of it, the two of them haven't done a very good job of hiding it: we go from Lenore running all over school to take care of Annabel to watching them fight for no apparent reason.
I like to think that Eulalie seriously suspects something is going on between them, and when the Misfits inevitably find out about Annabel and Lenore's relationship, she'll be like, "Oh, you guys hadn't noticed?" while saying things like, "Oh, so you're the one who took us to the haunted mansion!"
Annabel and Berenice as unlikely friends
I love the image of Berenice physically threatening Annabel with the knife and saying something like "You're a posh bitch, but you've got style" after she doesn't react in fear. I also think Bernice would be the first to admit that while she won't easily forgive Annabel for putting Duke in danger, she wouldn't have hesitated to throw Annabel, Prospero, Ada, or Will under the bus to protect any of her group of friends if necessary.
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Also, the idea of Annabel saying, "She's a violent slur. I want her around" is oddly hilarious to me.
Prospero as the ultimate "tired friend"
If Annabel takes Prospero with her, I can imagine the guy banging his head against the wall all the time because he sees all these idiots who are strangely competent when you get right down to it, but choose to spend their energy doing stupid things when no one is dying.
A terrible deal between Duke and Annabel
Remember that wonderful scene in Avatar where Katara threatens to kill Zuko if she thinks he's going to hurt Aang? I like to think that Duke and Annabel will have a scene like that:
-D: They didn't see the look on your face when they put up the wall, but I did. And I can assure you that I won't hesitate to act if I think you're going to hurt my friend or any of them, cherie.
-A: Promise?
-D: ...
-A: That you will be there to protect her no matter what, even from me. I wouldn't mind you holding the sword of Damocles over my head if it proves to me that you can protect her from any threat.
-D: You have my word.
In conclusion
So that's my bingo on how things will go in the comic from here on out. There are some things (like Morella's development, what's going to happen with Ada, or when the hell we're going to get some backstory on Will) that I don't think I have enough information on to theorize. But here it is.
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softxsuki · 5 months
Note
Hiii, i just joined the club and everything here is amazing!!! I absolutely love how you write and i wanted to make a request if it's ok, it's half urgent half not...let me explain: these last days have been very stressful for me and i have been trying to find a comfort mha fanfic for a simular situation as mine, i feel like a i need attention but now just soft one like a worried kind one and not from a partner but from more like a fatherlike figure i need to feel secure and cared for to relax before i breakdown :")...idk if you take requests with characters other than bakugou etc but i really wanted to request this fan fic:
Reader is part of class 1A and she's been having trouble at home and training hard plus insomnia, in other words she's not feeling too great but she always takes part i class, trains and never skips anything. Mr Aizawa has noticed that the last few days reader seemed out of it so he decides to have a talk with her after class but reader in that specific day has been feeling much worse than the other past days of exhaustion and while Mr Aizawa is expressing his concerns and trying to get her to talk to him she has a stress induced seizure and then passes out from then all carrying reader for urgent check up and the comfort. :))
I would be so happy if you took this request...thank you so much for all your hard work!!
Aizawa Comforts Reader Who Has A Stress-Induced Seizure
| Pairing: Aizawa x Fem!Reader (PLATONIC) | Genre: Comfort | Post-Type: Headcanons | Word Count: 650 |
Warnings: Mentions of seizures, stress, insomnia, alluding to at-home troubles
Note: Hey, welcome to my blog it's great to have you! I don't write for Aizawa anymore because I'm just really bad at writing for him as you'll see NBFHKEAFJ. But I wanted to make this for you since it's a topic I haven't been asked for yet, but moving forward for anyone reading this, I do not write for Aizawa so please don't send any requests for him :3. I have a full list of characters that I do write for on my navigation page if anyone wants to check that out. But hopefully this does it's job for you! All my urgent requests are written in headcanon format so I hope that's okay! I hope the stresses in your life ease up so you can get the rest you need ! <3
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You could feel your head pounding as Aizawa asked you to stay for a few moments after class, a worried expression on his usual stoic face
It had been a tough week for you, with your usual troubles at home and the countless nights you’ve had without sleep
Yet instead of taking a break, you pushed yourself even harder, training every day and never missing a class
It got to the point where Aizawa could see how out of it you were, hence why he pulled you aside
You could hardly focus on the words he was saying, but by the look on his face it seemed like it was serious
Tingles shot up your body as the pounding in your head grew more severe, and before you knew it, your body was convulsing
Alarmed, Aizawa supports your head, waiting for your violent shakes to cease from the little knowledge he held about seizures fill his mind, but once you go still, you're passed out from your lack of sleep and fatigue that had filled your body these past few days
He lifts you up and brings you to Recovery Girl who watches over you until you finally wake up later in the day when classes are over
Upon opening your eyes, you see Aizawa asleep in a seat beside the bed in the room
“Aizawa Sensei,” you say softly, making the older man jolt at the sudden noise, his eyes immediately on you as he sits up
“How are you feeling?” He asks with a sigh, rubbing his tired eyes
It was the most rest you’d gotten the whole week so of course you felt a lot better, but you could see the slight furrow in Aizawa’s brows as you speak, letting him in on your rough week and how you’ve been feeling in general
“L/N…you’re a great student and I know you want to give it your best, I see the effort you’re putting in, but you can’t do it at the expense of your health. Take the next few days off recuperating at the dorms. I’ll have Uraraka or Yaoyorozu bring you any work you miss. Don’t bring yourself to your breaking point like this again”
He’s stern, and stoic as usual, but you can hear the tinge of concern in his tone, you’re his student so of course he’d be worried about you just suddenly collapsing and having a seizure like that
You were ready to protest–how could you go a full week without training? You’d fall behind your classes. Seeing your inner turmoil, Aizawa speaks again
“You’re free to train after class hours for no longer than an hour each day, I’ll have one of your classmates observe you…Just know your teachers are here for a reason, even if you feel like you can’t come to me, every teachers here at UA has an obligation to be there for their students, so reach out if you need it. I’ll be stopping by the dorms to check in on everyone more frequently from not on, so please rest”
You nod your head in agreement, with Aizawa’s support perhaps you could work your way through your troubles and stresses moving forward in a better way
You were a future hero, if you couldn’t properly take care of yourself, how could you save anyone else?
With a small smile, Aizawa pats your head, standing up from his seat as he nudges his head towards the door
“Then let’s get you back to the dorms, Recovery Girl said you were set to head back once you woke up”
And with that, Aizawa leads you back to the dorms where everyone is informed of your situation (briefly) to make sure you actually do rest instead of overworking yourself again for the next few days and even moving forward in general
Not only do you have your teachers support, but even the support of your classmates
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Posted: 4/15/2024
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shimmershy · 5 months
Note
You could just talk or ramble about how you imagine drawing you're oc and give update for us and you, could be fun.
True, I could do that! I'm a little hesitant to talk about my OCs because most of my ideas are very much in the "just vibes and vague concepts" stage, and I want to figure them out a little more before I share them anywhere. But I do like talking about these two:
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This is Mellody and Blu! A doodle from almost exactly two years ago but that's alright. They're the characters I've had the longest, and the ones I've put the most thought into over the years, so they're really important to me. I haven't actually done much to start writing their story yet but..... I will someday. Soon I hope. Basically Blu can erase memories from other people, but it has Consequences, and he's very bad at setting boundaries so it ends up taking a toll on his mental health over time. Mellody doesn't have any special abilities, but she DOES have trust issues and Trauma and a whole lot of personality. They're enemies at first, not due to any negative feelings on Blu's part, but only because Mellody decides she hates him when they first meet and she proceeds to go out of her way to mess with him. But they have a lot of shared angst and issues that leads to them becoming good friends eventually. But yeah I love these guys so much. They're my faves they're my Guys they're the OGs. I have so many random facts about them and their world/story floating around in my head and one day they'll get a comic or something. :]
I guess I've never really posted about any of my OCs on Tumblr? Mayyybe I'll do it more in the future, we'll see.
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wifelinkmtg · 2 months
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man i'm not gonna figure out which of these beatrix potter animals fuck
I'm predicting I will get less and less interested in reviewing new magic releases as time goes on, but 1) there's still a lot of older stuff I haven't even touched, and 2) you never know, maybe they'll do something to recapture my interest down the road, like bringing Kaja Foglio back, or taking any creative risks whatsoever. Or, you know, there's other games!
BY 2029 THIS BLOG WILL EXCLUSIVELY REVIEW THE MOST FUCKABLE ANDROID: NETRUNNER ICE
Meanwhile, original Theros block!
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Kiora, the Crashing Wave (Scott M. Fischer)
I don't have that much interest in Kiora as a character but I cannot deny that this is a fine piece of pin-up art. Big Hokusai wave, pearlescent light off her thighs, the cheesecake pose, feet - and the gentle way her hand rests on that tentacle. The connection to the other Hokusai piece everyone knows is surely not accidentacle.
JACKIN OFF? BUDDY LET ME TELL YOU ABOUT KRAKEN OFF
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Ashiok, Nightmare Weaver (Karla Ortiz)
There's so many good feet in Magic that you never get to see because Wizards crops them out of the final card, because they're cowards. I, however, am not. You're welcome.
Anyway yeah Ashiok's hot, we all know this already.
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Forgeborn Oreads (Ryan Yee)
The starry infusion of Nyx here mixes with the fires of Purphoros to create a look I'm calling Julie Mao if the protomolecule had been red. It's a good look.
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Spirit of the Labyrinth (Jason Chan)
Stupid little airhead can't even solve Mommy's brutalist maze, can she?
IS THIS NOT THE PLOT OF REMEDY ENTERTAINMENT'S HIT 2019 ACTION-ADVENTURE GAME CONTROL
Dunno, never played it! If anyone has, let me know if that joke was funny or not!
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Reaper of the Wilds (Karl Kopinski)
I guess I do kind of want a woman who can turn me to stone and also crush my petrified ass into powder with her powerful feral serpent body.
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Hythonia the Cruel (Chris Rahn)
Goddamn, did Elesh Norn really not have an original thought in her life? "Throne of petrified victims" makes so much more sense for a gorgon tyrant than a cyborg cult priestess, too. Anyway this ain't about her, this is about Hythonia turning me to stone and then sitting on me. Look how her snake-hair entwines her victims bodies. It would be like sleep paralysis, but sexy and forever!
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Pharika, God of Affliction (Peter Mohrbacher)
O, for the limb-loosening fever, the delirium of the god-touched! O, for the venom-rite and the sharp ecstasy of the serpent-kiss! O, to be obliterated by a rolling wall of scale and snakeflesh! O O O for Pharika, She of bitter remedy and sweetest poison!
MAN JUST READ SWINBURNE ABOUT IT ALREADY
Ooh, yeah, good idea.
O lips full of lust and of laughter, Curled snakes that are fed from my breast, Bite hard, lest remembrance come after, And—
I WAS OBVIOUSLY KIDDING, DON'T DO THAT SHIT
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Aspect of Gorgon (Willian Murai)
The flavor text for this one reads, "My adopted children are loved no less." —Pharika, God of Affliction, so in addition to being an extremely pretty woman with curly black hair-which-is-also-snakes (already a great start), there's a trans metaphor going on here. Which is to say, one can by the grace of Pharika transition to gorgon, and then presumably have a whole lot of T4T gorgon sex. And if I can do all that and also call Pharika "Mommy" then I do think I'm living my best life at that point.
PHARIKA ISN'T RUNNING A SEX CULT
Pharika isn't running a sex cult yet.
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binibininghermosa · 1 year
Text
Giving him the love he deserves (Sanji x Reader) Part 4- Ending
Note: Reader is still Mc (Main Character), but I made it sound like it’s a name! I’m still too lazy to think of a real name. Forgive me!
The prompt for the story is: “The reader gets sucked into One Piece after wishing that someone would love Sanji like he is supposed to be loved, as nobody has given him a chance. She would love to give him that chance if only she could. One time, she was in her room, falling asleep while recording her voice for a cover request sent to her. When she woke up, she found herself in a boat floating, wearing pieces of jewelry fit for nobility. Her neck, ears, and bracelets were all glittering in the darkness.” Part 4 under the cut.  Part 1,  Part 2, and Part 3 are here!
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Amidst the ruins of Arlong Park, the Straw Hat Pirates stood victorious, their figures illuminated by the soft glow of the setting sun. Luffy had triumphed over the formidable Arlong, and the fishmen who once terrorized Nami's village were now subdued and defeated. Nami's eyes shimmered with unshed tears of relief and gratitude as she rushed towards her saviors, her embrace tight and heartfelt.
"You guys did it! You saved my village!" Nami's voice cracked with emotion, her gaze moving from one crew member to another, her gratitude overflowing.
Usopp, grinned proudly, puffing his chest out. "We're the Straw Hat Pirates, after all! Saving villages is what we do best!"
Zoro offered a rare, approving nod. His injuries might have slowed him down, but the genuine gratitude in Nami's eyes lifted his spirits. “Not like we got a choice, you’re one of us,” he grunted, a hint of a smile tugging at his lips.
Nami turned to Mc, her eyes softening with curiosity and affection. "And Mc, your voice! How did you manage to put the fishmen in a daze like that? It was incredible!"
Mc smiled mysteriously, her eyes holding a depth of knowledge beyond her years. “I just figured out a few years ago when I arrived in this world,” she replied casually, though her gaze hinted at hidden mysteries.
Nami frowned, puzzled by Mc's cryptic response. "Your world? What do you mean?"
Mc winked playfully. "I promise, I'll tell you all about it sometime. Oh, and by the way, nice choice on the new tattoo design. It suits you perfectly." Nami's jaw practically hit the floor in shock. It was as if Mc had read her mind.
As the crew basked in the glory of their victory, a sudden, ominous presence cast a shadow over them. Garp, the legendary Marine Vice Admiral, appeared before them, his stern gaze fixed on the Straw Hat Pirates. Panic rippled through the crew. Luffy's carefree expression turned serious, and even Zoro, in his injured state, straightened up, ready for a fight.
Mc's head was spinning, her thoughts a whirlwind of confusion and frustration. This wasn't how the story was supposed to go. She muttered under her breath, her voice a mix of disbelief and frustration. "This isn't right. This isn't how it happened in the story!"
Sanji, standing beside her, sensed her distress. He placed a comforting hand on her shoulder, his touch gentle yet reassuring. "What do you mean, Darling? What's bothering you?"
She shook her head, her eyes clouded with uncertainty. "I... I know these events. I've read about them, watched them, but this... Garp shouldn't be here. We shouldn't be facing this threat now. It’s way too soon!”
Sanji's brow furrowed with concern. He pulled her close, his voice low and soothing. "Well, we've faced worse, haven't we? We'll get through this, just like we always do."
But Mc was hyperventilating, her panic rising. “You don’t understand, love. This skipped a whole lot of volumes. Oh god, it’s my fault being here.”
Sanji's eyes softened with worry. "Darling, don't say that. We'll find a way out of this."
Luffy, overhearing their conversation, chimed in with his usual confidence. “You don’t have to know everything! It won’t be fun that way, Mc!”
Nami, ever the strategic thinker, started considering their options. "We can't take on Garp directly, especially with Zoro injured. We need a plan, something that will let us escape without a fight."
Mc, brought back from her spiral of anxiety by Sanji's comforting kiss on her forehead, chimed in, her voice steady. “Fighting is not going to be an option ever. Garp is way too strong.”
Usopp, his eyes wide with fear, added, "What about the Going Merry? We can escape by sea!"
Nami nodded in agreement. "Good thinking, Usopp! Let's head back to the ship. Mc, can you use your powers to keep the marines subdued while we make our escape?"
Mc nodded, her confidence returning with Sanji's reassuring presence. "Of course. I'll do my best to buy us some time. Let's get back to the ship, everyone. We'll figure this out together." When they turned, the Marines and Garp were there. The plan failed from the start.
Amidst the fading twilight, Garp's unexpected decision hung heavy in the air. The tension that gripped the Straw Hat Pirates began to dissipate like a storm giving way to a calm sea. Mc, still reeling from the sudden turn of events, felt Garp's eyes on her, as if he had sensed the secrets she carried within her.
With the weight of Luffy's stubborn determination, Garp's formidable presence, and the unspoken words that passed between them, the crew found themselves in a surreal moment of silence. Garp, after a fierce clash with Luffy, had somehow been convinced to let them go. The focus of his rage shifted from the Straw Hat crew to the real enemy: Arlong and his vile pirates.
As the dust settled, the crew found themselves forced into a celebration. Cocoyashi Village, once under the oppressive rule of Arlong, was finally free. The nearby villages joined in the festivities, their gratitude palpable in the air. And amidst the joyous atmosphere, Sanji, the ever-chivalrous cook of the crew, took it upon himself to prepare a feast for the liberated villagers.
In the heart of the village, amidst the aromatic melodies of sizzling ingredients and the harmonious clatter of pots and pans, Sanji's hands moved with the grace of a seasoned artist. Each movement was deliberate, each touch purposeful, transforming humble ingredients into culinary masterpieces. The village itself seemed to come alive with the symphony of their movements, a dance orchestrated by Sanji's culinary expertise and Mc's careful serving, her every glance and touch laden with affection.
"You know, you never really taught me how to cook, Ji," Mc mused, her tone playful as she watched Sanji work his magic.
Sanji, the ever-charming cook, smirked, his eyes gleaming with mischief. "You never asked. You just kept watching me. Not that I don’t love that."
With determination in her eyes, Mc nodded enthusiastically. "Okay, give me recipes and I’ll try!"
Sanji's brow furrowed in mock seriousness, "I don’t know about sharing my recipes," he teased, his tone laced with feigned reluctance.
"But you just told me it’s because I never asked!" Mc countered, a playful pout forming on her lips.
A mischievous glint entered Sanji's eyes, and he couldn't resist a playful challenge. "Well, I suppose I can be talked into offering private lessons," he said, his voice lowering seductively, a playful smirk dancing on his lips.
"Oh, I’d love some private lessons," Mc responded with a giggle, her eyes sparkling with amusement, fully aware of the effect she had on her flirtatious lover.
Around them, the villagers observed and interpreted them as signs of a budding romance. Whispers floated through the air like leaves carried by a gentle breeze, their voices barely audible but charged with excitement.
"Hey, lad! You ought to make her your girlfriend! She's smitten with you!" one villager teased, nudging his companion with a knowing grin, his voice intentionally loud enough for the couple to hear.
Sanji, his usual suave demeanor undisturbed, responded with a chuckle that danced through the kitchen like music. "Way ahead of you! She's already agreed to be my wife," he announced, his voice a velvety blend of confidence and charm that sent a ripple of amused laughter through the crowd.
The villagers shared knowing glances, their eyes twinkling with amusement. "Good for you, mate!" they chimed in, their voices a chorus of playful encouragement.
Caught off guard by his nonchalant yet audacious announcement, Mc felt her cheeks flush with a delightful mix of surprise and affection. She turned to him, her eyes wide with astonishment, her lips slightly parted as she searched for words amidst the lively banter of the villagers. "When did you propose?" she stammered, her voice a soft melody amidst the bustling sounds of the kitchen.
Sanji, his focus still on the pot he was stirring, shot her a quick, sidelong glance, his eyes smoldering with intensity. "You've racked up quite the debt with all the food I've been bribing you with," he replied, his tone teasing, yet laden with a depth of emotion that only she could decipher. And then, with a flirtatious wink that set her heart aflutter, he added, "I remember vividly you said you don’t mind and I’ve kept my end of the bargain."
A gasp of delight escaped Mc's lips, her heart skipping a beat at his words. His confidence, his unwavering certainty, and the promise in his eyes stirred a whirlwind of emotions within her. "You remembered!" she exclaimed with a radiant smile, her eyes sparkling with affection, marveling at his ability to recall the very words she had spoken when she asked him to take her out on the date. With a playful wink, it sent Mc down memory lane. He added, “I planned on keeping you with me forever right there and then. Didn’t know you were going to ask me to take you out on a date. But I’m not complaining that just pushed the plan along.”
“Planned it all along huh?” Mc playfully teased.
"Why do you think you are getting so much expensive food and snacks that last for years?" Sanji playfully questioned, his voice a low, intimate murmur, his gaze fixed on her, drowning in the depths of her eyes. "I'm holding on to that, just adding rings and all that."
In that moment, amidst the fragrant aroma of the feast he prepared, Mc felt a surge of overwhelming love. The world around them faded away, leaving only the two of them in their cocoon of affection and promise. "Fiancé it is, then!" she declared, her laughter bubbling with joy, sealing their unspoken vows with the sweet melody of her voice.
"As much as that sounds amazing," Sanji added, his voice laced with playful affection, "I’d rather have the husband title and call you my wife."
Mc huffed playfully, narrowing her eyes at him. "Oh yeah?"
"My endearment, darling, seems lonely," Sanji continued, his tone flirtatiously teasing. "Making it 'Darling Wife'... well, it just makes it better."
Mc shook her head, her eyes softening with affection, unable to hide her smile. "You never cease to amaze me, Ji." With a playful glint in her eyes, she added, "Husband it is, then."
Amidst the laughter of the village and the backdrop of the endless sea, Mc found herself lost in thought, her mind drifting back to the countless meals and snacks Sanji had fed her over the years. She couldn't help but marvel at the fact that despite the indulgence, she didn't gain a single pound.
"I assure you, my darling, you look as exquisite as ever," Sanji purred, his voice dripping with flirtatious innuendo. His eyes twinkled mischievously as he glanced at her appreciatively, a habitual flirtation that never seemed to fade.
"I just can’t believe I haven’t gained so much weight from all those delicious meals," Mc admitted, her tone a mixture of awe and amusement, her eyes narrowing playfully at Sanji.
Sanji's grin widened, his confidence unshakable. "I don't think you ever will," he replied, his words laced with a hint of arrogance and a lot of adoration.
"How can you be so sure?" Mc teased, raising an eyebrow in playful skepticism.
“You burn all those calories-" Sanji said matter-of-factly, his tone confident.
"Serving is exercise. Huh?"
"-With me at night," he added, his voice dropping to a seductive murmur, his gaze smoldering with desire.
Mc gasped, her cheeks flushing crimson as she covered Sanji's mouth with her hand, a futile attempt to silence him. She glanced around, her eyes wide with embarrassment, but it was futile – the villagers nearby had overheard, and so had the rest of the crew, including Nami, who was trying her best not to burst into laughter.
"You know, I don’t know if I like the idea of a married couple on board," Nami teased playfully, her tone laden with amusement as she joined the banter, unable to resist the opportunity.
"Ah, madame, I assure you, we have mastered the art of silence," Sanji replied smoothly, his charm undiminished despite the situation. His eyes sparkled with mischief, fully aware of the effect he had on Mc.
"JI!" Mc exclaimed again, her embarrassment deepening, her eyes playfully narrowing at him.
"That's exactly how you gasped my name," Sanji retorted, his tone teasing, his gaze smoldering with affection and playful desire. He tapped his chin and grinned at his crewmate. “We also mastered stealth at this point.”
“Ji! We have been caught before!”
“I never said we have never been caught,” Sanji smirked. “We got better at it, didn’t we? People in Baratie think after getting caught we had stopped and have a chaste relationship. Little did they know-”
Zoro and Usopp shook their heads as Mc covered Sanji’s shameless mouth and he kissed her hand, reassuring her that's all the audience are getting.
She couldn't help but be flustered by Sanji's shameless flirting, even after all these years. But deep down, she cherished every moment of it, appreciating the unwavering affection he showered upon her.
The crew chuckled at their interaction, their camaraderie stronger than ever. In the midst of the lighthearted banter, their ship sailed forward, carrying the Straw Hat Pirates and their engaged couple, Mc and Sanji, towards new adventures, laughter, and the enduring warmth of love. The sea stretched out before them, endless and full of mysteries, just like the love that bloomed amidst the crew, a love as boundless and eternal as the ocean itself. ══════════════════
And that's a wrap for the series! 😊 From now on, I'll be sharing stories set before, during, and after the series – could all be standalone but connected to the series. I've got plenty up my sleeve! As a huge fan of established relationships and the crew's interactions, get ready!
Catch up on the series: Part 1,  Part 2, and Part 3, Check out the Masterlist too!
Stay tuned for more Future Fluffs aboard the Thousand Sunny, starring Mc and Sanji's adorable married life, and the Straw Hats joining in on the fun!
Don't miss out on the fluffs:
Breakfast in Sunny
Caught in Act
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nostalgebraist · 7 months
Text
Here are some fun / amusing / potentially-interesting facts about the process of writing and plotting Almost Nowhere, if anyone's curious.
Major spoilers for the whole of Almost Nowhere under the cut.
(There's really no way to spoiler-censor this material without rendering it incomprehensible. If you haven't read the book, do that first before reading this post.)
(1)
A large fraction of the book's eventual plot emerged from my attempts to patch a single, in-some-sense trivial continuity error I made while writing the very first chapter.
The Mooncrash section of that chapter ends with this sentence (emphasis added):
All parties were used to stillness, now, for the Mooncrash was nearly four years old.
And a few paragraphs later, in the opening of the Academy section, we get this (emphasis added again):
For (as everyone knows) the Shroud is upon us and while it tolerates the Academy — as it presently is, as it has been for the last eight years, a chrysalis, preparing itself step by minuscule step [...]
So: The Mooncrash is 4 years old. The Academy crash is at least 8 years old, and indeed older.
Yet the Mooncrash is also as old as the crash system itself! It was made by humans, during the period between the discovery of the anomalings and the mass-crashing of the human race. (This is only shown in the second chapter, but I had it in mind before then.)
How long has the human race been crashed, then? At most 4 years, and at least 8 years? How could that possibly be?
It would have been easy enough to just edit the chapter, but that's not how I do things. Restrictions, famously, breed creativity. I enjoy attempting to solve puzzles I have inadvertently created for myself, and many of my best ideas have been produced through this process.
It would also have been simple and easy to merely say: "OK, I guess time elapses at different subjective rates, in different crashes."
Amusingly, I ended up doing that anyway! But for some reason, this avenue didn't occur to me at first. By the time I started asking myself whether to include this kind of effect, I already had a different solution in mind.
I spent a lot of time beating my head against the figurative wall, trying to resolve the 4-vs-8-year issue. The early parts of my AN notes are full of this stuff.
----
At some early point, I came up with the idea that the anomalings/shades would deal with troublesome crashes by "rebasing" them, rewriting their histories.
I didn't intend, initially, for this idea to take over the plot as much as it eventually did. It was just a fun idea that underscored the huge power differential between the anomalings and their captives, and felt in line with the Cartesian/Wachowskian themes of transcending a "fake"/illusory world, radically doubting one's own perceptions and memories, etc.
But, having stipulated that "rebases" were a thing, I hit upon the idea that they could be used to modify the total quantity of past (subjective) time inside a crash -- turning 8 years into 4, or vice versa, or whatever.
So, I could fix the problem by stipulating that one -- or both -- of the problematic crashes had already been rebased, in this way.
But why? And by whom?
----
Now, at this early stage, I also had the idea in mind that the character "Anne" would eventually escape from her crash, and that she would have a hand in various major events in the story -- including some events that had already occurred, relative to the "present" of the textual PoV.
But I didn't know, yet, what these interventions actually were.
(I put "Anne" in quotes, here, because in the very early stages I casually assumed that only the PoV Anne introduced in Chapter 1 would be a major character, and that her sisters were merely background material for her personal narrative, like the tower itself. Of course, in the process of thinking through the details of things, I realized that this assumption was needless and indeed counterproductive.)
As often happens when I'm plotting a story, I found that two unknowns slotted neatly into one another, each one providing a potential solution to the problem posed by the other.
We need something for "Anne" to do in the past. Something consequential, something that shows off her newfound agency -- but also something that obscures her role from view. Ideally, something kind of weird, esoteric, "advanced"; something that feels buried inside the deep, dark center of the backstory, which the reader will only "excavate" at the end of a long, strange journey.
And we need someone to rebase the Mooncrash.
That answers the "who?" question. But again -- why?
Well, it was already in the plan that Azad would join forces with Michael, when Michael went in search of his lost Anne. That Anne would meet Azad, as a result, and that it would be Azad who persuades her to return to Michael's crash.
I didn't, at the time, have much else planned for the Anne-Azad connection.
As originally conceived, the "Azad convinces Anne to return" scene was about Azad's uncertain loyalties, and about Anne's lack of exposure to other human beings (and to the power of words, as deployed by human beings with access to real human culture). That is, it merely served specific, separate purposes in the sub-stories of these two characters. There was no intent to set up, or develop, a thread connecting these sub-stories, making Azad a major character in Anne's arc and vice versa.
But that seems like kind of a shame, doesn't it? Why go to the trouble of preparing these characters, and bringing them into contact, if I didn't have anything for them to do together?
Anne and Azad.
We need someone to rebase the Mooncrash.
We need Anne to learn about real human culture, somehow, before she leaves. I knew that, already, though I didn't have a mechanism in mind.
(I also knew, by this point, that causing Azad's appointment as translator was another one of "Anne's" consequential moves. I had conceived of this, at first, as a relatively impersonal act, done only for its historical significance. Indeed, that would have been enough -- but the more the merrier, theme/motivation-wise.)
Problems paired up, interlocked, and became each others' solutions.
(1b)
As is obvious from the above, I didn't have the scenario planned out in very much detail when I wrote the first chapter.
At the time, the story had been gestating in my head for a while, but only as a bunch of vague inklings and intentions.
The proximate cause of writing-the-first-chapter was a sudden and unexpected burst of inspiration. I was riding the bus to a social event, and suddenly my mind was awash with crisp, never-before-glimpsed details about Anne and her tower, the Mooncrash, the Academy, Cordelia's blue dress -- all the stuff of Chapter 1. It felt like a crucial message was being beamed into my brain, VALIS-style, from the Muse / Higher Power.
I had an urge to bail on the social event, turn around, ride back home, and start writing immediately -- what if the magic went away, as suddenly as it had arrived? I resisted that urge and made a perfunctory appearance at the event, but then went back home and wrote as much as I could before falling asleep.
So, when I was writing that chapter, stuff like "four years" and "eight years" wasn't based on any single coherent picture, just vibes and vague inklings.
(I think 4 years probably sounded like the right amount of time for G&A to have been in the Mooncrash, character-wise. Meanwhile, Hector's ascension from the Academy had to be long enough ago that there would be no direct overlap between Hector and any of the current students. The "Bad Old Days" had to feel like something you'd only hear about in rumors, or from authority figures who probably weren't telling the full story.)
(2)
Like TNC before it, Almost Nowhere was originally conceived as relatively simple and straightforward story, only to become something much weirder and more complicated as I fleshed out the details.
As I said above, I only had a very vague "plan" at the outset of the writing process. But I kinda knew where I was going with it, in very broad strokes.
The original arc, insofar as it existed at all, was something like:
The bilateral / anomaling tension is introduced.
The bilateral PoV characters come to an understanding of their situation.
Many of the bilateral PoV characters join up with Hector Stein, who is already trying to defeat the anomalings and free humanity from the crashes.
Azad temporarily sides with the anomalings, and Anne temporarily returns to her captive state. But both them "come around" eventually.
Anne eventually triumphs over Michael, delivers a dramatic monologue castigating him for imprisoning her (etc.), and mounts a successful escape.
Shortly after Anne's escape, some (TBD!) resolution to the main conflict is achieved. Whatever it is, it is proposed/spearheaded by the bilateral faction (and specifically Anne herself), and it somehow exemplifies "the bilateral way of thinking/being."
The humbled anomalings conclude that "the bilateral way of thinking/being" has its advantages, both practically and morally.
So the story, as originally conceived, was much more straightforwardly about the "good" PoV humans fighting back against aliens.
It unabashedly took the bilateral side in the conflict, and it ended with a "beauty of our weapons" sort of moment in which the bilaterals are both victorious and righteous, and in which these two kinds of success are closely linked and almost merged.
I have to imagine that, even in counterfactual worlds where some things went differently, I never would have stuck to this version of the story all the way through.
Because, one way or the other, I would have eventually realized that.. like... this version of the story kind of sucks, right?
I mean, why go to the trouble of introducing these aliens, and trying to make them interesting, only to say "nah, actually these guys were just wrong, it's us and our existing 'ordinary' pre-conceptions that are right, and that's what the story was about all along"?
It would have been "inventing a guy to be mad at," as the saying goes.
Not a great foundation for a story. And the least interesting possible direction to go in, given this kind of setup.
It also presents a seemingly unresolvable tension, for the writer, about how to portray the distinctively "bilateral" nature of the bilateral side in the conflict.
If "bilateral" is as broad a category as the anomalings say it is -- if you and I and all of us, whatever other qualities we possess, participate equally in this sin -- then it's hard to strike a note of emotional triumph around the quality of "bilaterality" that doesn't feel wrong, vacuous, or bloodlessly abstract.
"Woo, yeah, humans are great!" I mean, are they? All of them? You don't get to say "well, only the good ones," here, or "in their ideals if not always their acts," or anything like that. Everyone is included in the relevant category, except for the guys-who-aren't that were invented for this specific story.
It's difficult to make this land properly, in the same way it would be difficult to write a story that inspires "carbon-based life pride" or "having-DNA pride" or the like in its reader.
So this version of the story was dead on arrival. And indeed, by the time I was thinking through the stuff chronicled in (1) above, this version of the story felt like a provisional placeholder, at best, in my mind.
Nonetheless, there are various echoes of it in the story I eventually landed on.
For example, in the original version of "Anne's" escape -- conceived in a much more straightforwardly positive way -- I had Anne reading "real" books in secret, drawing moral strength from them, and then including a bunch of literary quotes in her big dramatic monologue to Michael. (I took inspiration, here, from John the Savage reading Shakespeare in Brave New World.)
And I had the idea that "Anne," being an autodidact, would read omnivorously without making culture-bound distinctions familiar to you and me; that her selection of quotes, in the monologue, would put low culture alongside high culture, infamous books alongside famous ones, etc.; and as a particular case, that it'd be fun if -- before going on to quote Shakespeare and co. -- she began the whole thing by quoting Ayn Rand.
And that one idea stuck, even if the rest of it didn't.
(Or, consider how the idea of "a powerful move in the conflict that exemplifies the bilateral way of thinking/being" actually crops up multiple times in the finished story, right up to its last scenes. One can see traces of it in the "trick" that obsesses Michael, in the use of autobiographical writing to build up nostalgium, and in Annabel's improved crash design.)
(3)
I came up with the Mirzakhani Mechanism relatively late, in between writing Chapter 13 and writing Chapters 14-15 (in which the MM is introduced).
The MM was a product of looking back at the sci-fi elements that already existed in the story, like crashes and rebases, and trying to invent some single underlying explanation that covered all of them in a relatively parsimonious way.
This basically "worked," I think -- it certainly worked better than I had been expecting, after playing the dangerous game of "write a bunch of weird stuff and hope you'll be able to explain it all later." (I remember talking to one reader who was shocked that I hadn't had the MM in mind from the very beginning, which was flattering.)
It also had unintended consequences that kinda took over the story, but largely in a good way.
Earlier, I had planned to have the post-rebase crash timelines "screened off" from the outside world somehow, so that rebasing a crash wouldn't mess up the timeline of the outside world. But, once I'd fixed the idea that "rebasing is an MM event" in place, I realized that this wasn't consistent with the way MM events were meant to work. Instead, the exposition in Ch. 15 directly implies the stuff about rebases that Grant realizes much later in Ch. 41.
Once I'd noticed this, it was obvious that it was extremely important, and I re-incorporated it into the broader plot.
On a related note, I eventually decided that the account of the anomalings "going backward in time to our era" in Ch. 15 didn't really make sense. This meant I needed a different, more viable way anomalings and bilaterals to exist at the same point in time.
This line of thought, along with several others (like "what happened to all the nonhuman organisms?" and "which parts of the MM multiverse are real?"), eventually led me to invent Everywhere-Heaven and the beasts.
That happened right at the start of 2022, between Chapters 21 and 22.
It quickly became clear that the E-H/beasts stuff could be put to a lot of valuable use in story's third act, which was largely a worrying blank space in my head (even at this point!). From thereon out, I worked on fleshing out the third act behind the scenes while writing the second.
Not coincidentally, Chapter 22 contains a ton of E-H-related foreshadowing, and also some hints that human scientists (like Aidan in Ch. 15) had never fully understood the anomalings.
The use of Maryam Mirzakhani, a real (and recently deceased) mathematician, was a weird choice and arguably one in poor taste. All I can really say in defense of it is that it came to me suddenly, and had a number of properties that fit the vibe of the part of the story in which it appeared, and I have a policy of "going with my gut" when it suggests such things to me.
I felt similarly about this choice and another thing introduced in Ch. 15, the nuclear attack intended to kill scientists. Both of these things underscored the fact that the story took place in an alternate reality. And both felt sort of "edgy," "too dark," "too close to the real world" compared to the tone of the story so far. But I wanted to take the story to new places in the coming acts -- "darker," "more real" places -- and something felt right about introducing these elements at this exact point, as signposts providing an indication of where things were headed.
(4)
The phrase "NOWHERE TO HIDE" was originally "NO MERCY," in my notes.
And the abbreviation "NM" for "NO MERCY" was used throughout my notes for Nowhere-To-Hide related stuff, e.g. "NM Annes."
This wasn't the product of much thought, just the first thing that came to mind that had roughly the correct vibe. I almost immediately concluded that I'd have to replace "NO MERCY" with something else in the work itself, since it would seem like an Undertale reference that I didn't intend to make.
"Moon" was originally just a placeholder name -- a shorthand for "the 'NM Anne' who rebased the Mooncrash." But I liked the idea of actually using it, once it had occurred to me.
The corresponding placeholder name for A11 was "Ling," as in "linguist" (but also an actual name).
(5)
I went through 3 different outlines of the third act.
Really, there was a first outline, which was really bad, and then there were two slightly-different versions of a very different outline that mostly corresponds to the finished draft.
The first, bad outline was amusingly titled "notes-satisfying-ending.txt", because I explicitly used this post about "satisfying endings" as a guideline while writing it.
(To be clear, I don't think the linked post was to blame for the badness of that first outline. I didn't ultimately find the post very helpful as writing advice, but the "satisfying ending" outline wasn't even a "satisfying ending" in the post's own terms, and was also bad in unrelated ways.)
I don't want to go into much detail about the bad outline. It was really bad, and also really different from what eventually occurred. It's honestly a pretty embarrassing document.
A lot of the key ideas were there (E-H, etc.), and the very end of the story was roughly the same. But it had a ton of needless flaws that I later corrected. Various existing character arcs and motivations were dropped and never picked up, or suddenly diverted in some new and unfruitful direction; way too much time was spent on getting characters and objects from point A to point B, or otherwise sort of rambling about in a way that didn't matter in the end; it included a lot of whimsical "fun ideas" that weren't necessary and would have added clutter to an already very full canvas; etc.
I never got to the point of building a chapter-by-chapter version of this outline, but I'm sure it would have much longer than the existing third act, also.
The existing third act is pretty long, but it was actually the result of an aggressive pruning and tightening process.
If the "satisfying-ending" outline had a single greatest flaw, it was terrible pacing. Lots of slack, lots of empty space, and when big things did happen, they came out of nowhere, not really prompted by what came immediately before them.
The next draft of the ending resulted from taking the raw materials of "satisfying-ending," purging all the dross, re-thinking all the obviously flawed stuff, and then trying to rearrange the pieces in front of me in a way that was maximally "tight" and interconnected, with questions and tensions introduced and then resolved in a rapid-fire manner, and without any major thread "sitting around in the background" long enough to feel stale, or get forgotten.
That outline was in a file called "notes-good-end.txt."
Much later, I tightened up the plan even further, merging some things that were originally in separate chapters. This was in a file called "notes-true-end.txt", and -- true to its name -- was the version reflected in the book itself.
So there was "satisfying-ending," which sucked; "good-end," which was good; and "true-end," which was slightly better.
(I realize the multiplicity of the ending, and the account of deliberate "tightening" etc., is in apparent tension with my recent account of working by direct inspiration.
There are a few things I can say about this tension.
For one, it really is true that the third act of AN was more deliberately reasoned-out, and less directly-inspired, than some of the earlier stuff. This is kind of inevitable: you don't get to do anything after an ending, that's what an ending is, and so you have to deliberately try to make the final act of a story fully work as a thing unto itself, rather than writing checks in the hope of cashing them at some later point.
And separately, I do think the final version of the ending feels "more real," "more true to the work" than the satisfying-ending draft.
I think I was aware, even while composing "satisfying-ending," that it felt off and wrong in some ways. But it was only after going through the exercise of creating a complete ending -- some sort of complete ending -- that I was able to look back and say "OK, this fits, but this doesn't fit," and distill something that actually felt right.)
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lacktastrophe · 2 months
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What are your thoughts on Sue in the current chapter? She usually says she dislikes drama but participates in it. (No shade towards her. Especially since they’re all teenagers and sorta end up in these situations)
Do you have any thoughts or analysis on her here? Abbey too? Since she’s more easygoing while Abbey has a genuine grudge here
I think people misunderstand that disliking drama doesn't necessarily mean you're exempt from gossiping about drama, let alone drama you happen to be involved with. They're mutually exclusive actions. Sue's aversion to drama is like most people's in how it's an unwanted distraction that requires your attention and time that you'd rather spend elsewhere, where resolving it more often than not requires a variety of skill to masterfully navigate to a good resolution. You have messes, and this story has no shortage of them especially when the kids refuse to listen or don't yet have the means or knowledge to move past an issue. The messes aren't navigated well and become larger messes (hellooooooo The Play). So it should be understandable why she feels this way to the idea of drama. Who seriously wants drama???
Still, that doesn't mean she's averse to gossip either and as we've seen she's very keen on a little gossip.
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Anyway, there's nothing really new here that I feel we haven't learned from a later chapter to do analysis on. Behind closed doors is a new chapter but it's an event that happened between Golden Hour and Dial Tone. I don't feel a deep analysis is worth it because it doesn't really add anything new particularly to Sue or Abbey. It's more to deal with correcting the flow in the story on things we have figured out to give better explanation into Paulo's behaviour during Volume 6 after Dial tone -- there being another motivator than just Abbey and the fight Paulo had with Daisy over the phone in Golden hour as reasons why Paulo is avoiding her, and why despite his talk with Matt's in the same chapter he reverted to his womanizing persona.
As far as Sue, Abbey and maybe Stacy are all concerned, with perhaps looking at the whole group by extension, there is more supporting perspective and an understanding of a conclusion I feel a lot of people might have made about Paulo's relationship with the circle of friends in that he's largely tolerated (excepting David). I feel you'd be able to pick up this notion quite early in the story just by observing Paulo and his antics objectively, but where we got an impression that the seniors in his other circle largely pity him as we read in Sugar Substitute, we get confirmation of his relationships to many of the other characters.
Depending on how this chapter ends it could give greater meaning to some of the choices Paulo makes in later chapters, like maybe further justification why he was ready to throw Mike under the bus in Double Down for a chance with Lucy for instance (though I think there's enough there to show how desperate he was for her regardless).
But yeah, Sue can't help but not gossip because Paulo is her drama -- she has to deal with him on a day-to-day basis and they're in close proximity while they're at the school. He's a debilitating presence who belittles her and makes fun of her hobbies, and there's very little that she can do about it. I feel a lot is relying on Paulo to be less of a dick than usual.
---
I was going to make a comment how Paulo had backed off on Sue but I had momentarily forgotten about Popularity Contest. Behind closed Doors is a fantastic chapter and does a fantastic job of making Stacy trip over herself in the future.
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(Fuck, man, I love Popularity Contest, why was this chapter made for me?)
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meatballsub-senpai · 2 months
Text
Sol's death ruined me like actually. I never post original stuff on this blog but I have to ramble.
"because i lo-" just as osha chokes him. Like it's been there this entire time that he views osha like a daughter, even if the jedi code forbids him from admitting this. He says as much to jecki in episode one. Like throughout the show we saw these little moments where he disagrees with their ways and their coverups, just a little bit, but ultimately he never did anything. In some ways because he wanted to "protect" osha but in a lot of ways he believes and trusts the order entirely. Like this is the group he serves and he knows nothing outside of it and it's so. He's not in the right about these things, at all, but he fears what he doesn't understand, as do most. It's a battle for power in an order where you must limit your uncontrollable feelings. God I love complex characters.
The fact he finally admits all of this in a moment of desperation but ultimately it was too late. His silence and compliance led to his demise in the end and at the hands of the girl he thought of as his daughter. All these things he did because he thought he was protecting her, because he loved her, only caused her to hate him. His mistakes and wrongdoings and fear piled up and caused that special bond he formed with osha over the years to come crumbling down in seconds. it's so tragic and ough i need to walk into the ocean.
It's similar in some ways to the scene from tfa where ben kills han but imo this was more tragic. Kylo was already on the dark side in tfa so it just didn't have quite the same impact. Like, bffr we knew Kylo wad not gonna turn we have a whole trilogy ahead of us. Most of the tragedy came from seeing a beloved character die. And while his death at the hands of his son is tragic in itself, it's only tragic for Han. For Kylo, it primarily demonstrates how far gone to the dark side he is, because this is the first movie of three we haven't worked through all the kylo development yet.
But the acolyte scene HITS. Osha having the vision earlier that Mae will kill Sol, but we know Mae and Osha are the same person. It's not looking good from that point but there's room for doubt. Osha isn't going to turn that far, right? Then we see the twins fight, the change of costumes, Mae changing her desires from revenge to justice. It's not looking good. Osha immediately giving into her anger and hatred as soon as the truth comes out. That bond she had for 16 years means nothing to her anymore, she lets herself give in and she takes the life of her father figure just before he can finally tell her he loves her. Sol paid the price with his lies and now doesn't get to tell Osha the truth. He never went against code so he dies by it. They're just two flawed individuals whose actions cost their love.
Ily tragic family <3
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tbyfandoms · 2 years
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Invisible String | Austin Butler x Reader
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Pairing : austin butler x actress!reader
Word Count: 11.6k
Summary: y/n and austin have known each other for years. each harbors feelings for the other yet they remain clueless to it until an accidental slip up from austin leads to a series of events that reveals just how destined for each other they've always been (requested)
Warnings: mild swearing
Masterlist/Request Form | Ask/Tell/Request
A/N: when i got this request, i knew immediately i had to write it. i adore the thought of soulmates and second chance romance and this request was perfect for that. i loved writing this story full of these two completely missing the signs they’re supposed to be together, and i hope you love reading it just as much. it is dialogue centered, so a lot of explaining and talking is done (hence the word count) and i just wanted to give ya’ll a little warning! Make sure to keep track of who’s saying what. I feel like I’ve structured it in a way that makes it easier, but still. anyways, to the user who requested this, thank you and i hope you like it! :)
psa: i tweaked dates of when certain interviews came out and what happened during them. also kaia and austin aren’t dating in this. all for the sake of the fic, but i just wanted to say something about it in case anyone gets confused!
Fourteen years ago
“So-uh, was that-was that okay?” Austin reaches up and scratches the back of his neck. The blush on his cheeks is evident, even under the grime the makeup artists have piled on his face. The sight makes you giggle, leaving the boy’s cheeks to flush deeper.
“It was more than okay,” you reply, your voice dropping to a whisper. “It was perfect.”
The blonde gives you a lopsided grin and you can’t help but to give one in return, feeling like you’re floating. You and Austin have just finished your final solo scene together for the film Aliens in the Attic. The two of you are love interests; you playing the best friend of the character Bethany, and Austin playing her cousin.
To say the role was a bit of a challenge is an understatement. It’s not that you couldn’t remember your lines or you were suffering from stage fright, it was that you didn’t know how to act around Austin. The moment you got introduced to the boy, you knew you were done for. He was, is, charming and funny and beyond attractive. The two of you are both still teenagers. You’re not sure about him, but for you at least, you haven’t dealt with a whole lot of crushes or relationships yet. So it was a bit difficult to deal with more or less.
It’s like every time you would go to shoot a scene with him, your brain would short circuit and your pulse would jump higher than you thought it could. It didn’t help at all that he was so nice to you and did whatever he could to make you laugh in between takes.
The days leading up to your final scene alone with him—the kissing scene—you were a wreck. Both excitement and nerves coursing through your veins. You figured it was merely a little on the job attraction, of course you'd feel something for the person playing your love interest. You completely ignored the true feelings planting roots in your heart, as was a certain blonde companion.
Lips still tingling with warmth, you try to subtly lift your fingers to them, grazing over the slightly swollen skin. You watch as Austin takes his bottom lip between his teeth, still looking nervous as ever.
It's undeniable—the connection between the two of you. Although you haven't been filming for long, it took practically no time for you and Austin to become close. There was something about him you couldn't get over and he felt the same way about you.
Days and nights were filled with endless laughter and conversations you felt like you couldn't talk about with many other people. He made you feel special, seen. You can't believe it's all over now.
"Hey-" you both speak at the same time, simultaneously realizing you can't bear to let it all end like this.
The two of you laugh; Austin's blue eyes—that noticeably light up every time they spot you—shift to the floor for a second over his awkwardness. No matter how hard he tries, he can't seem to keep his cool around you.
"You first," you say, tilting your head to try and catch his eye again. Looking up from under the curls of his sandy blonde hair, Austin takes a breath before he goes to speak again.
"Would you um-." His voice gives a little and you have to hold back your smile at how nervous and unsure of himself he seems. The thought that maybe he's acting like this over you sends your heart into overdrive. Clearing his throat the boy continues, "Would you want to go-"
"There you guys are! You two lovebirds killed it! For a second I thought it was real!" Ashley comes up to you and Austin, wrapping her arms around you both while she laughs. You swear you couldn't love Ashley Tisdale any more than you already do, but God did she have bad timing.
Your eyes meet Austin's across from the girl and there's evidently something unspoken there between you. Was he going to ask you out? Was this more than just an innocent little crush?
"Thanks, Ash, glad it was believable!" The two of you laugh together, but you can't help the pull towards Austin, to get back to that conversation and find out what his next words were going to be.
Ashley instantly knows something's happened, she was always good with stuff like that. "Did I interrupt something?" She looks between the two of you, trying to grasp what it is she walked in on, but you're not even completely sure what it is.
"No, nothing at all," Austin says, barely looking at you now. You shake off the feeling of the tiny pang in your chest. "I was just gonna see if Y/N wanted to go hit up the snack table one last time, and now that you're here, we can all go together!"
Ashley doesn't believe it for a second, especially with the look on your face, she can tell there's more to the story. While the three of you walk over to the refreshments, Ashley holds herself back from butting in. It's too bad she did and that she's the only one who can see through Austin's lie. If she would’ve said something or if you would've noticed, maybe things would've been different. Maybe it would've been you on his arm a few years later instead of Vanessa Hudgens...
Present day
The memories of that final filming day swarm your mind as you sit with your jaw dropped to the floor while staring at the tv in front of you.
It took ten seconds, ten seconds, for your buried feelings for Austin Butler to come bubbling back to the surface.
And it’s all his fault.
Curse you finally having a night off to sit and watch television, curse James Corden for creating games that make people spill their secrets, and curse Austin Butler for causing your feelings for him you thought you buried long ago to claw their way out again.
He could’ve lied. You’re sure there are tons of guests who have lied on The Late Late Show to get out of embarrassment or scrutiny, and Austin definitely could have. There is no way what he said is true, no way.
But why you? Why say your name out of hundreds of others. When James pressed for who his celebrity crush is, why did your name come up first?
The blush on Austin's face is clear as day, even through the screen. He's fidgety and chuckling as he rubs the back of his neck, the audience 'ooo'ing at his confession. The sight is all too familiar.
Your mind reels over what's happened. You're shocked but you also can't help the tiny feeling of giddiness that's making your stomach flutter. Brushing your hand over your face, you grumble at the warmth of your cheeks.
Damn this man and his affect on you. It's been fourteen years, fourteen, since you've seen him in person, since you've talked practically. And yet he still makes you feel just like you did on that movie set; jumbled, nervous, and smitten.
After filming wrapped on Aliens in the Attic, you got a job offer you couldn't refuse. You moved to a different country to begin filming a show you never thought you'd get even a supporting role in, let alone the lead.
That role set you for life, it was a fan favorite, but it took up practically every aspect of your existence. Sure you were able to come back home to visit family and friends once in a while, but those visits were few and far between. To even think about meeting up with Austin was out of the question. It just wasn’t in the cards as far as you could tell, especially when he was attached at the hip with his girlfriend or off filming his own roles. Even if you could’ve met up with him, the fact you couldn't admit those feelings you had for him would’ve crushed you. You couldn’t bear the weight of keeping those feelings hidden while he fell so deeply in love with another woman.
When your show wrapped, only needing a few seasons to tell the creator's full story, you figured it was back to square one; time to go home and face everything, but that was so far from what happened. That leading role was a once in the lifetime opportunity and it boosted your career to a height you could've only dreamed of. Due to the popularity of the show and your evident acting chops, you were on every casting director's radar from then on.
You booked movies with franchises like Marvel, Godzilla, and even Star Wars. The offers poured in from every angle, and majority of them you graciously accepted. To say you were nonstop busy for years would be an understatement. You barely even had time to think about Austin anymore, and to be honest you wouldn’t allow yourself to anyways.
He never admitted any feelings in the short months you stayed in contact over the phone after Aliens in the Attic wrapped, and even if he did have any, he clearly moved on. You took it as a sign to cut your losses, shake the feeling that he felt the same about you, no matter how much it hurt.
Still, It's crazy to think about how long it's been since you've talked to Austin. The both of you had such a strong bond, one you have yet to find with another. It blows your mind how easy it was to sever something so special.
Breaking you out of your thoughts, your phone starts rattling on the table before you. Picking up the device, there's a name across the top of the screen that you're not totally surprised to see; Ashley Tisdale.
"Ash-" You're cut off immediately, Ashley's voice rapidly spilling from the speakers.
"Y/N! Oh my god, girl, are you seeing this!?" There could be a million things your best friend of over a decade could be talking about, but you know instantly what she's referring to. What else is there, really?
"I have yet to pick my jaw back up off the floor." Ashley laughs and you can practically see her now; standing in her living room, probably holding Jupiter on her hip as she paces back and forth in front of the tv. It's hard to keep her still when she's excited. Ashley that is, not Jupiter.
"So what are you gonna do about it? You’re gonna reach out to him, right?” Your eyes widen instantly at Ashley’s questions, the idea seeming absurd to you.
“What!? No, no way! Ash, you know how long it’s been since I’ve spoken to him! That’s out of the question. There’s no shot I’m gonna call him up and say, ‘Hey saw you on tv saying you had a crush on me! Wanna hook up?’ Absolutely not!” The blonde’s laugh cuts through your phone speakers and the sound makes you smile, even with the present state of disbelief you’re in.
“I mean, it could work! He’s a simple guy,” she teases, and you roll your eyes even though she can’t see you. “In all seriousness, though, this is a big deal. I know Austin and he wouldn’t just say something like that and not mean it, no matter how nervous he was.”
You let that roll around in your head for a second. It makes sense and Ashley would know better than anyone, she is his best friend for God’s sake. But still, it just doesn’t seem right to you, it’s too out of the blue.
In reality, it’s your fear of being hurt again, of once again thinking falsely about how someone—how Austin—feels about you that’s preventing you from letting this be something positive.
“I don’t know. I guess I’m just stuck on the fact it’s happening now. Why after all this time? It’s been fourteen years, Ashley.” Your voice is timid and your friend can tell even over the phone that you’re scared, even if you won’t admit it. She decides now is the time to let it all out, if only for your sake. It’s better late than never.
“Y/N/N, I have to tell you something.” The sentence makes your throat go dry. As if anything else could happen tonight. You clear your throat and urge your friend to continue.
“What is it?”
“When we were wrapping Aliens, do you remember when I came up to you and Austin after your final scene together? After your kiss?” Your blood runs cold. As if you hadn’t just been thinking about that memory.
“Yeah, what about it?” You’re confused and anxious. This shouldn’t be that big of a deal, but it is, at least for you. Because it’s not just some guy or just some crush. It’s Austin, the guy you can honestly say now that you were falling in love with all those years ago. The guy who made you laugh and feel special in a way that no one’s ever been able to replicate. To think you missed something, to think maybe there could’ve been a chance, sends you reeling.
“When I walked up to you I could tell I interrupted something. I think the whole time we were filming I knew there was something happening between you both but I never said anything because I didn’t want to make things awkward for you. I knew when Austin asked if we wanted to go get snacks that he was lying. We may not have known each other for that long at that point, but he was so easy to read it was ridiculous he even tried hiding what he really wanted.” You wince at that, but keep quiet. You wish you could’ve been able to read him that easily, maybe things would’ve been different.
“I never asked him about it, but I think it was two years after that when he admitted everything to me on his own. You were off filming your show and Austin and Vanessa were just starting to get serious. We were hanging out like we always do, we had a couple drinks, and were trying to find a movie when suddenly Aliens in the Attic came on! We watched it just for shits and giggles but then the ending came when you guys kiss and I could tell Austin wanted to talk about something. I paused the movie and turned to him and took one look in his eyes and knew I was right about the two of you before he even said anything.
“He liked you, babe. Like really, truly liked you. He didn’t say it but I think it was more like loved you. You should’ve heard the way he talked about you, about what it was like between you both. I asked him about that day, called him out on his lie, and he told me straight up he wanted to ask you out but got too scared. Austin said he wanted to tell you so many times when you would talk on the phone, wanted to try and make it work even though you moved countries, but he just couldn’t admit it. Convinced himself it wouldn’t work. And then I introduced him to Vanessa and things took off from there. He said it was for the best and that he felt good with V.
“After he said all that he tried to play it off, make it seem like his feelings for you were gone, that the past was the past and it just wasn’t meant to be. But I could tell there was still something there. I know he loved her so much, Y/N, but I swear to God after that night I never once saw his eyes shine again like they did when he talked about you.”
Sinking into the couch, you feel as if you’re in some kind of dream space. Nothing quite seems real as you stare at your television and watch as the man of the hour laughs at something James has said, while you try your best to process all that Ashley has revealed.
“Oh my god,” you croak out, your mouth feeling incredibly dry. Mind racing, you can’t quite find the right words to articulate what you’re feeling.
“I know it’s a lot and kind of sounds crazy, but it’s all true. Hell, I don’t even know if Austin remembers it happening, but I’ve never forgotten it. I’m sorry I kept it from you but I figured it was best; Austin was getting serious about Vanessa and you were busy with your show and casually dating at the time. I didn’t want to cause any unnecessary drama or hurt. Ugh, maybe I should’ve told you sooner. I should’ve said something that last night of filming!” It’s obvious the girl feels bad about it all, conflicted even. Even in your shocked state, you immediately put a stop to her worries.
“Ash, please don’t blame yourself for anything. Even if you had told me what Austin said or if you had done something when we wrapped, it wouldn’t have changed anything. I still would’ve gotten the show offer and still would’ve moved. Austin and I didn’t deserve to jump into something just for us to be torn apart. Besides, he and Vanessa would’ve crossed paths anyways. It was never going to be him and I. If not Vanessa, Austin would’ve found some other girl. Our lives just didn’t line up back then, that had to be some kind of sign we weren’t meant to be.” Your voice trails off, mind traveling back to those years and how hard it was to keep your closest relationships afloat. You can’t even imagine what it would’ve been like trying to keep a romantic relationship going, especially being separated by an ocean.
There’s a part of your brain that tells you you would’ve tried with Austin despite the obstacles, would’ve done anything to keep him close and not lose contact like you did. You shake it off quickly before it can consume you.
“You’re right about the timing and distance I suppose, but you're wrong about you and Austin not being meant to be.” Ashley pauses for a moment, thinking about her next words. She takes a breath and then, “Maybe it wasn’t meant to be back then, but what if it’s meant to be now.”
Your breath catches in your throat and you do your best to not choke on it. “I don’t know about that. I-It’s been too long. We were just kids back then. I don’t even know who he is anymore. Besides, even if he’s being serious about me being his celebrity crush, that’s all it is. It’s not like he said he’s in love with me.”
Bringing your feet up on the couch, you hug your knees close to your chest, needing some sort of comfort and a way to ground yourself. This past half hour has been one of the craziest of your life, and that’s saying something.
“He may not have said it, but he’s sure shown it.” Ashley goes quiet for a moment, you can hear shuffling and small noises from Jupiter; she must be putting her to bed. The lack of conversation leaves you a moment to ponder what your friend might mean. How has Austin shown he loves you? You haven’t even been in the same room together for over a decade. She must be mistaken.
Before you get a chance to dismiss her claims, the actress chimes in again. “Just hear me out on the things I’m about to tell you, okay? Over these past few years since Austin and Vanessa’s breakup, I’ve noticed certain things that make me believe Austin at least still thinks about you, and I say 'thinks' since I can tell you don’t want to believe it’s love.” There’s a joking edge to her voice and you lightly laugh at the way she’s able to know your thoughts without even being with you in person.
The whole thing seems absurd. You don’t really understand how you got to this point; discussing with your best friend how a man you knew fourteen years ago might still have feelings for you, but here you are. There is a tiny part of you that thinks maybe it isn’t so absurd because maybe, just maybe, you still have feelings for him too.
“Okay,” you decide. “Lay it on me.”
“Alright so I’m just gonna be honest and tell you he hasn’t said anything to me about it upfront, but like I said he’s easier to read than Jupiter’s baby books so I can tell this man is hiding something from me.” The both of you chuckle and you shake your head. This girl truly never misses a beat.
“First of all, he hasn’t dated anyone in three years, Y/N/N. Sure he’s hooked up with one or two girls, but every time I ask if this new girl is the one, he says it’s not gonna work out, that she’s not the one. And when I try to get it out of him who he thinks the one is, he looks at me like a little boy afraid to say he has a crush on a girl at school and then changes the subject.”
“Ashley-“
“Wait! No, okay, I know what you’re gonna say. You’re gonna say ‘that could mean anything, that doesn’t automatically make me the girl he’s talking about’, and that’s what I thought at first too, but then he started asking about you.”
Heat rushes to your face, your chest beginning to tighten as a fluttering feeling takes over your body. He asked about me? You bite your bottom lip and rub your hand over your face, preparing yourself for what Ashley is going to say next.
“It was subtle, I know he thinks he got away with it, but I knew every time he brought you up, it was because he was trying to find out more about you, trying to figure out a way to get close to you again. He was slick about it at first, would ask how you are when a commercial for one of your movies came up, but then he would straight up ask if you would be coming to the parties or hangouts I would have.”
“Oh my God,” you whisper, once again at a loss for any other words as excitement and disbelief course through your veins.
“I don’t know why he didn’t just ask me for your number, he knows I have it. I should’ve just given it to him but I didn’t want to overstep with you, didn’t know if you would want me to. I knew how busy you were and figured you wouldn’t have the time or maybe just wouldn’t want to considering how long it had been since you guys talked. I should’ve just been my normal scheming self and handed it over. To be fair I did try to get you guys together without either of you knowing over these last few years after I realized what he was up to-“
“Ashley!” You shriek, laughter erupting from within you and ringing out across your living room.
“What!? I couldn’t help it! It was clear to me Austin was into you, or at least wanted to reconnect, and I kinda wanted to see what happened! I told you I knew there was something between you guys way back then so I figured you probably felt the same as him. It never worked though because every time he would come to my functions, you couldn’t, and every time you would come, he couldn’t! I for sure thought it would finally happen when we had Juju’s party, but you had to leave to catch your flight right before Austin got there. It’s like you guys kept missing each other.”
Every single one of those instances floods your mind as Ashley says this. To think you guys could’ve been reunited, but something or someone pulled you away from it every time. And Jupiter’s birthday? The fact you missed him by mere minutes. You don’t know whether to take this all as a good or bad sign, clearly Austin wants to be in your life, but the universe seemingly has other plans.
“I don’t even know what to say,” you breathe out. “I mean, that’s crazy, right? It’s like we’re on the same path to each other, but we’re taking different routes, just missing each other every single time.”
"I know you're probably thinking this might be a bad sign, but I don't think it is. You and Austin had a bond that not many people get to have in their lifetime. You don't just forget about something like that. Sure you haven't talked in years, but that doesn't mean you still can't care for each other. Sometimes the universe has a plan that may not always happen when you want it to, but it's there. Like you said, it's like you're on the same path to each other, and maybe it's finally time the two of you are meant to be back together."
Ashley's words hit you hard. On the outside it might look like you and Austin just aren't supposed to cross paths again, but there's no way that could be true, not with all that's happened.
"I can't believe this is actually happening," you say. "All this time I thought I lost him for good, that he never felt the same as me back then." Tilting your head back on your couch, you let out a short, breathy laugh.
"And to think it's all because Austin just had to spill his guts on television." Once again you find yourself laughing with your best friend. To think you met two of the most important and special people in your life on the set of a silly little alien movie is so crazy, but you're glad it happened. You really don't think you'd be where you are today if things had been different, you definitely could say it was fate.
"So what do I do? Damn, I really am gonna have to call him and say 'Hey saw you on tv saying you had a crush on me! Wanna hook up?', aren't I?"
Ashley snorts on the other line and the sound makes you giggle. “Okay honestly, for once I’m gonna go back on what I’ve said. I definitely think this is too much to discuss over a phone call. You two need to be face to face when this happens.”
“I guess start your party planning then because I have no idea how else I’m supposed to meet him in person without having to call him first.”
While you sit on the couch and begin to nibble lightly on your bottom lip as you contemplate, an idea immediately comes to Ashley’s mind, and she knows the second she thinks of it that you’re not gonna like it.
“What if-,“ she hesitates, tossing the idea back and forth in her head, trying to decide if it really is the way to go. She decides it doesn’t hurt to at least suggest it. “What if you talked to him at the Met?”
You blink and then your eyes go wide. The thought of meeting up with Austin at the Met Gala hadn’t even crossed your mind. To be fair you’ve been trying to block it out since you found out you’d both be attending. The prospect of running into him for the first time in fourteen years during one of the biggest nights of the year sort of terrifies you.
“I-I mean I guess I could but-,“ shaking your head, you let out a huff and lean back into the couch.
“I know it’s not ideal, but this is your chance! I know you guys have obligations in the beginning, but the rest of the night is yours! You can find a cozy little corner to chat or whatever…” Ashley giggles and you gasp.
“Ashley, seriously!?” The girl laughs and you just roll your eyes, fighting back a smile.
“I’m sorry! I know this is serious, I’ll stop. But honestly, Y/N, this could work. It’s two weeks away, you have plenty of time to prepare. I know there’s no guarantee of anything happening, but don’t you at least wanna see what happens? This could change everything.” Ashley’s tone is light and supportive, you know she’s rooting for you and Austin, apparently always has been.
You know she’s right, that this could really be it. Maybe the universe really did have a plan for you and Austin all along, sure it wasn’t when you wanted it to happen, but it’s better late than never. There’s only one way to find out.
“Okay,” you reply. “I’ll do it. I’ll talk to Austin at the Met Gala.”
*****
The last two weeks have been…interesting to say the least. When Austin’s interview aired, you thought nothing of it in terms of media and fan attention, surely nothing would come of it. The only ones who would notice and mull it over would be you and Ashley, but boy were you wrong.
For fourteen straight days your socials have been filled with tags, comments, and mentions of you and Austin. All of which include photos or videos of the two of you from your days working on Aliens. There were so many people picking apart everything they could, theorizing, and making absurd assumptions. Majority of the time everything was light hearted and funny, but you couldn’t shake the feeling of how weird it all felt.
While looking at everything and seeing all the comments, it made you feel like you were right back on that set, like you were fourteen years in the past and you couldn’t make your way out. The whole thing made you feel like a teenager again, made you feel like that naive girl who was falling for her costar.
It’s funny how easy it is to slip back into those feelings, how some photos or clips dug up from strangers on the internet can suddenly transport you back to a time you tried hard to forget about and move on from. For the past few days you’ve been fighting with yourself on whether you’re taking that as a good or bad thing, but for now the jury is still out.
It’s almost time now. Any minute your car would pull up to the Met and you’d find yourself climbing those stairs and making your way to the one person who’s taken up space in your mind for two weeks.
Anxiety is definitely starting to rattle your bones and for once it isn’t because of the paparazzi or fans. It’s because of a boy, a man.
Times goes faster than you would’ve liked and suddenly you're stepping out to a swarm of flashing lights and excited screams. Somehow these things calm you, ground you. You choose to ignore the reason for this; the chaos drowns out your thoughts of seeing Austin tonight.
Staff ushers you along as you make your way towards the entrance of the building. Even with the fluid movement of everything, there’s no doubt you’re turning heads, almost forcing everyone to stop what they’re doing in order to get a look at you.
The past few years when it comes to the Met it’s no secret that people have been disappointed in certain looks, disappointed in a clear lack of on-theme fashion. But that’s so far from what’s happening with you tonight.
People would bet money that if Anna Wintour laid eyes on you right now, she would fall to her knees in both gratitude and awe over how on theme and brilliant you look. And that is saying something.
The fact that what you're wearing is even a topic to be discussed leaves you giggling and shaking your head, being a celebrity sure is crazy sometimes.
For a moment, you take a mental step back and really take everything in. It's crazy to you how far you've come, how much things have changed in such a short time. In just over a decade your whole life has been turned around. You've had experiences you've only ever dreamed of and it just keeps getting better. Not a day will ever go by where you aren't thankful for what's happened to you.
Sure, maybe you would've changed some things, taken different paths, or tried a little more with certain people. But at the end of the day all of that led you to where you are now—right here.
Keeping that in mind, you allow yourself to take a breath, to stop obsessing over what may or may not happen with Austin—if you even get a chance to talk to him. Stressing out over what ifs will do nothing good for you, and you know that. Whatever's meant to be, will be. Good or bad—with or without Austin—tonight will happen as it should.
You tilt your head down and close your eyes for a second, smile at the thought if it all, and then proceed to head inside.
*****
As the night goes on, it's clear to you that there's a possibility you really won't speak to Austin this evening. Somehow, you haven't seen him at all. You wouldn't have even known he showed if it wasn't for one of your friends gushing over how great the whole 'Elvis ensemble' looked earlier.
To be fair, you haven't really gotten a chance to even look for the guy. It's like everywhere you turn there's a friend or work colleague pulling you every which way and wanting to talk to you. It warms your heart to be speaking with so many lovely people, but if you wanted to even have a chance at letting something happen between you and Austin tonight, it would have to happen fast. The night may be young, but people would be leaving the museum soon to attend the countless after parties thrown throughout the night.
Who knows, you think, maybe Austin already left...
*****
Unbeknownst to you, Austin had seen you countless times tonight. Each time he caught a glimpse of you he was awestruck, as if he had never seen such a beautiful person before. But it was more than that too, it was the way he would watch as you laughed at something your friend would say, the way you would smile when greeting someone. Austin so desperately wanted to walk over to you—to hear that laugh and to have you smile at him like that. He had missed it so much.
But each time he would gather up the courage, someone would pull him away towards some producer he just had to talk to, or to some chairman he didn't even know existed until tonight, or to just someone who wasn't you.
Austin did his best to not look like a creep as he kept sneaking quick glances at you as often as he could. There was a part of him that hoped maybe you were looking to catch his eye as much as he wanted to catch yours. Every time you'd scan the area—as if you were looking for someone—his pulse would jump. You'd be just about to see him when someone would call your name or pull you away. You were constantly slipping through his fingers, have been for the past fourteen years from what he could gather from Ashley, and he wants that to end now—he needs it to.
"Austin." The blonde nearly jumps out of his seat as he's ripped from his thoughts. He clears his throat and rubs the back of his neck, hoping and praying he didn't just get caught staring at you as you speak to Daisy Edgar-Jones.
It's Priscilla and from the knowing look on her face Austin can tell he's busted. "M'sorry, what did you say?" Austin does his best to look fully invested in the woman sitting beside him, but no amount of fake attentiveness could fool Priscilla Presley.
"I said," Priscilla smiles. "When are you going to stop staring at that girl and go talk to her?"
Austin can feel the heat rising to his face and he tries to collect himself as much as possible in order to not let on to anything. "I-uh, I don't-." He chuckles, not totally sure on how to salvage this.
"Oh c'mon, Austin. You've been looking at her since the moment we got here. I didn't think anything of it, but when Baz was talking to you earlier and all you were doing was looking over his shoulder at her, I could tell something was up."
Austin immediately feels a small sense of shame, "I hadn't realized. M'so sorry, Priscilla. I didn't mean to be disrespectful or anything, especially not to you and Baz-"
Priscilla shakes her head, placing her hand on Austin's arm to let him know she's not trying to reprimand him. "There's nothing to apologize for! Trust me when I tell you it went right over Baz's head. He's so invested in this whole thing and drunk off the champagne he didn't even notice. I'm saying this to you because I want to know why you haven't gone over to her yet. We've just been sitting here for over a half hour, there's nothing stopping you from reaching out to her."
Austin can tell by the look in Priscilla's eyes that she knows something is up. She can tell he cares for the girl and wants to talk to her, she just can't understand why he hasn't already. You don't look at a woman like that and not go up to her.
"I just-I want to it's just-" Austin feels at a loss for words. His eyes flick to you across the room and his heart nearly bursts at the sight. He doesn't understand how he could care for someone so much even after how long it's been since you two have spoken. He's never been able to shake the way you make him feel, even after he fell in love with someone else and buried his feelings for you deep down, they were still always there. You were still always there.
"I know it may not seem like it, but I am hip to what goes on online. She's that girl you worked with a long time ago that everyone's talking about, isn't she?" Priscilla's eyes and smile are warm, inviting. She has this way about her that's always been able to calm Austin. Even when he was nervous as all get out when he met her for the first time, she was able to ease his nerves. Able to make him feel like he had someone to talk to, someone looking out for him.
The actor can feel his shoulders relax, feel some of the tension melt away as he decides there's no better person to open up to about love than Priscilla.
"Yeah, she is," Austin smiles. "If I'm bein' honest with you, I'm pretty sure I've been in love with her since I was seventeen years old. Sure I fell for other people, but I think there's a part of me that's always known no one else has ever, or will ever, make me feel the way she did-does."
There's a sense of relief Austin feels as the words leave his lips. He never thought he'd ever admit that to anyone, especially not out loud, and yet here he is. And if someone were to ask how it feels, he'd say it feels damn good.
"That's a beautiful feeling to have, and to know it as well. Not a lot of people find that person that makes them feel such a way, and they definitely don't always get the chance to have them back in their lives when they do."
Austin reaches out to grab Priscilla's hand and she places her other on top of his, squeezing it lightly. "No, they don't."
There's an unspoken understanding passed between the two. A nod to a past love and the chance a different ending can be written for a present one.
"I may not know a lot about the two of you, but it's clear to me you care a lot for this young woman and you can't let anything hold you back from finally going after her, from telling her how you feel. Love is one of the most important things in a person's life, and you've got to do everything you can to hold it close while you still can."
Austin nods his head, understanding completely what Priscilla is telling him. He knows with all his heart she's right; that he can't let anything or anyone hold him back any longer from the one he truly loves, not even himself.
"Go, Austin. It's obvious there's something destined to happen between you both; timing doesn't align like this for no reason. Now is your chance." Priscilla lets go of Austin's hand and there's a glint in her eyes Austin's only ever seen a few times before, all for the same reason.
As the blonde begins to stand up, he stops for a second. "Thank you, Priscilla, truly."
The woman closes her eyes briefly, nodding her head. Austin smiles once more before turning and walking straight to the person he's wanted to talk to for fourteen years, not stopping for anything.
*****
Taking a final sip of your drink, you stand from your chair. Half your table has cleared out, leaving with excited mumblings of after parties and late night escapades.
Part of you aches to stay longer to try and seek out Austin, but you really have no way to. All of your friends have already gone, the only one left being Daisy, but she wants to leave now too. Sure you could stay on your own, but who would be your cover? You don't really want to go walking around asking if anyone has seen the Elvis star—not with everything that's been going on in the media lately. You'd hate to draw attention to your desire to seek out an old friend and have it spin into something it's not.
"Ready?" Daisy asks from beside you, a light smile on her lips. Nodding, you return her smile before taking one last look around the extravagant room, hoping to catch a flash of familiar sandy hair somewhere.
"Yeah let's-"
Cutting yourself off, your neck nearly snaps at the speed in which you turn it back around. It was only for a second that you saw him, and only out of the corner of your eye, but you would recognize that face anywhere. It's Austin. And he's coming straight towards you.
Daisy notices your sudden change in demeanor instantly and it doesn't take her long to figure out what's happening. She sees the blonde and connects the dots. It's hard for her to contain her smile.
"I'll talk to you later, yeah?" She says, drawing your attention away from the approaching actor. Your eyes widen a little as you turn towards her again. There's no shot she missed your reaction, but you're glad it's Daisy who's caught it and not someone else. You told her a little about what's going on the other day when you were catching up, and you know she'd take everything to her grave if you asked her to.
"Yeah, of course." Reaching out to grasp her hand you whisper, "Thank you."
Daisy squeezes your hand in hers, nodding. "You're welcome and good luck." The girl gives you a knowing look before grabbing her clutch from the table and following the steady stream of people towards the exit.
Even over the constant flow of chatter and light music, you hear when Austin's steps stop behind you. You know that this is it, the moment you turn around everything will change. This could mean nothing, Austin could simply want to exchange pleasantries and catch up, but there's a part of you that knows that's far from what's going to happen.
Turning on your heels, you're met with ocean blue eyes you never thought you'd see in person again, and suddenly your mind is completely numb. All previous thoughts and anxieties are thrown out the window as you get lost in those big blue orbs.
"You look...beautiful," Austin gasps out. The comment leaves your cheeks feeling flushed, but you do your best to not shy away.
"Thank you," You whisper, your voice failing you as you're hit with so many emotions. If you thought seeing those old videos and pictures of you and Austin would be bad, it's got nothing on how you feel with him standing right here in front of you.
It's been over a decade and yet it's as if no time has passed at all. He's the same boy from that movie set all those years ago. Sure he's older, more defined, but he's got those same warm features. That same inviting and comforting aura that drew you to him in the first place.
"How long's it been?" He questions, but you can tell he knows exactly how long it's been. You can see it in his eyes, in the way he looks over your features as if he can't get enough of you, as if he's been waiting ages for this day.
"Fourteen years," you both say at the same time. There's a beat of silence, the weight of that revelation being spoken to each other for the first time hanging in the air.
The way it makes you feel is odd. There's a rush of sadness that passes through you and it passes through Austin as well. It's funny how quickly time flys. How it never really affected you because you had always been so busy. You didn't have time to think about what could've been with Austin, you didn't allow yourself to. You practically built a wall to block out the what ifs and the feelings you knew you had to let go of.
But knowing what you know now—that there could've been a chance and the fact he’s here with you—makes it all come crashing down.
In an instant you find yourself lunging towards the man before you, wrapping your arms tightly around him and falling in an embrace you haven't had in a long time.
To hell with the gossip, you think, let them talk. I missed him.
To anyone else the way Austin holds you so tightly might feel uncomfortable, but for you it's the most comfortable you've felt in a while. You bask in the way his scent and warmth envelops you. It's all so strangely familiar, yet you also had forgotten the way it felt to be wrapped in his arms. You wish with all your heart that you never had to forget in the first place.
"Why did you never reach out to me?" The words leave your lips so fast you surprise yourself. It could be seen as hypocritical asking this of Austin because why didn't you reach out? But the difference is, you always thought Austin never felt anything for you. You were under the impression he found his match and that was the end of it. You felt rejected only to find out there was something there all along. Why didn't he let you know sooner?
Austin takes a breath, sighing into the side of your head. It's obvious he has a lot to share with you, to explain. You want nothing more than to hear all of it and to have everything make sense. You’d sit with him all night if you have to.
Releasing his arms from around you, Austin takes a step back and softly turns you towards your table. He places a hand on the small of your back and leads you to your chair. The both of you sit down and you turn towards Austin to show him he has your full attention.
Unlike just a few moments ago, Austin looks anywhere but at you. He’s nibbling on his bottom lip and contemplating how he’s going to explain himself. There’s definitely a reason for the fact he didn’t try to contact you sooner, why he didn’t make more of an effort to keep in touch, why he didn’t fight for you.
He just doesn’t know how he’s going to explain it to you. Austin’s struggled to admit it to himself for so long, so admitting it to the woman it all has to do with is borderline terrifying for him.
“Aus,” you say, reaching out to give his hand a light squeeze. “It’s okay. You can talk to me, you know that.”
The blonde slowly raises his eyes to yours and sees how genuine your concern is. He can tell that you need this. It breaks his heart knowing how long he’s left you hanging without any explanation as to what he felt. Austin feels like an idiot over the fact you thought he felt nothing for you while the whole time it was the opposite.
All because of my own fears, he thinks, my own insecureties...
Austin shakes his head, essentially shaking off his nerves. He can't let them hold him back anymore. He can't let himself hold him back from going after what he really wants, who he really wants. Austin wants to be honest with you, he needs to.
"Y/N, I never reached out to you because I thought I wasn't good enough for you."
The statement practically knocks you over. Your head jolts back in confusion and your eyes go wide, disbelief clouding your features instantly. "Austin, why in the world would you think that?"
You don't want to diminish the importance and validity of Austin's feelings and fears, but the fact he believed he wasn't good enough for you is beyond mind-boggling.
A small smile tugs at a corner of Austin's lips, realization dawning on him that maybe it was a little silly to feel that way. But it's what he's always felt as soon as you left for your tv show, and he hasn't been able to shake it since.
"I-I don't know. You left the country and I saw how big your career was gettin' and I thought I wouldn't be able to compare, that you could do better, that you could be with someone more on your level. I know it may sound stupid but it's true. I also didn't want to come between your success or hold you back in any way. Trust me that not a day went by after we wrapped on Aliens that I didn't want to do better at stayin' in contact, but I figured with your big break that it was no use. You shouldn't have to choose between trying to make a relationship or your career work. So I just let it go. I let you go when I shouldn't have."
"Austin," your lip trembles as you try to not be consumed by your emotions. The fact he felt like this, no matter if it had even been a little bit, hurts your heart in a way you've never experienced before.
The actor lifts his hand in an effort to try and halt you feeling bad for him. "Sweetheart, please don't get upset over this, okay? It was all on me, I should've done something about it instead of keeping it from you back then. Lettin’ our relationship crumble is the worst thing I've ever done and I'm sorry.
"I thought after a few years that I had gotten over it. As you know I was in a committed relationship and I felt a good balance during it. I thought I had grown and that I could handle the fact my career wasn't at an extreme height compared to my partner's. So when that relationship ended I had a lot of time to reflect and figure out what it was I really wanted. I came back to America after filming Elvis and I swear to God when I stepped off that plane one of the first things I saw was a billboard with you on it for one of your new movies at the time.
"I figured this had to be some sorta sign or somethin'. But the more I kept thinkin' about it and figurin' out how I could reach out to you, the more I started to doubt myself. I felt like I was a teenager again questionin' if I was good enough for you. You were in all these huge films and seen with these other guys who are so much more successful than me, and I didn't know if you would even wanna talk to me considerin' how much time had passed."
Austin takes a breath, feeling like a weight has been lifted off his shoulders. It was a lot to admit, but letting you know exactly how he felt all these years is such a relief. He's kicking himself for not doing it sooner, for letting more time pass that he could've spent with you—as a friend at the very least.
He shouldn't have relied on possibly running into you at Ashley's parties, he should've just taken the leap and gotten your number. What's done is done though and there's no going back, but he sure as hell is gonna do everything he can to stay close with you going forward.
“Austin,” you start, feeling very much overwhelmed in both a good and bad way. No matter how you’re feeling though, you won’t allow Austin to think he’s inferior to you or that you wouldn’t want to talk to him because that’s so beyond far from the truth. “Never would I ever not wanna talk to you. If anything you’re one of the only people I’ve wanted to talk to these past few years. I’ve missed you like nobody’s business and I hate the fact you’ve ever felt anything less than equal when it comes to me and my success, and that those feelings forced you to stay away.
“No matter how many movies or shows I do, or what famous people I’m seen with, none of it will ever change the way I feel about you or make me see you in a different light. You’re one of, if not the, most honest and kind people I have ever met. I may not have known you for long way back then, but every single moment we spent together has stuck with me, and the way you treated me and made me feel has never left my mind. No one’s ever been as special to me as you were, Austin—as you are.”
The way Austin's eyes shine with emotion is indescribable. Somehow they get even more blue, a pale color you could get lost in for hours if given the chance. It's clear how impactful your words are on him, so you let him take a moment to just gather his thoughts.
"Y/N, I-I don't even know what to say," he chuckles, rubbing his fingers over his chin. "There aren't really enough words out there to describe how much that means to me, how much you mean to me. Gosh, m’just so sorry I let so much time pass between us and that I let my insecurities get the best of me."
You had begun shaking your head before Austin even finished what he was saying. "Don't be sorry. We both had our own part in everything and I would never hold that to you, especially when it comes to insecurities. I just hope you know how much I appreciate you being honest with me and letting me know everything. It definitely answers a lot of questions I had back then."
Austin nods his head and smiles lightly at you. It's a relief for him to know that helped you in some way. He knows finally letting it out absolutely helped him.
"And hey," you continue, a teasing tone poking through. "There's no way you can still feel like that, Mr. Elvis Presley himself! Like are you kidding me, Aus? That's incredible, I'm so proud of you and how far you've come. You deserve this so much and I know only a little bit has been shared, but I can just tell you're going to be amazing in that film. I can't wait to see it."
Your smile is wide as you watch Austin get shy, his cheeks reddening and his hand immediately rubbing the back of his neck. The sight makes you feel giddy.
"Thank you, Y/N/N. I appreciate that a lot. I really hope you do enjoy it when it comes out." There's a timid tone of pride as Austin says this. It's so surreal for him to think about how this film is actually real, and even more so that people are excited to see it. He's grateful for all the work he's ever done, but this is beyond his wildest dreams, and he can't wait for you to see it.
"You're welcome," you grin. "I'm sure I will."
There's a comforting stillness that surrounds you both for a few moments. The two of you just staring at each other fondly, feeling a fourteen year weight off your shoulders. It's a lot to take in all at once, especially after so much time, but it feels good and as if you're picking up right where you both left off. The questions and doubt you've carried for years finally roll off your back and you feel like you can start fresh with Austin, like things can be different after all.
"So, there's a lot to catch up on, isn't there?" Austin says, a coy smirk playing on the corner of his mouth.
"Yes, there is," you reply, settling more into your chair as you eagerly await the endless stories you know are coming.
"Where should we start?"
You ponder that question for a moment, thinking of where the best place to begin your catch up would be. It doesn't take long for the only correct answer to surface in your mind.
"How about right where we left off?" You suggest.
"Sounds perfect."
*****
You're not sure how much time has passed since you and Austin started reminiscing, but from the state of the gala around you—or at least what's left of it—it's been a while.
In the time you've spent chatting with Austin and getting to know who he is now, you realize just how aligned your lives have always been.
There's this little café in Los Angeles that you always pass by when you're out and about, and they have the best drinks and food you could imagine, so you stop there in the mornings before you start your day. Turns out Austin goes to the same place, except instead of in the morning, he goes at the end of his day right before he goes home.
Another thing was when Austin brought up how he saw your billboard when he got off the plane, it reminded you of how you had the same experience when you got back to LA from filming your tv show. While you were on your way home from the airport you saw a bus with an advertisement for the show he had been on at the time, The Carrie Diaries, and it had made you want to reach out to him as well. Of course you never did, though.
All of these things coming to light had made the two of you laugh so many times throughout your conversation. It was crazy to think about how many times you missed reuniting with each other, either unknowingly or knowingly.
Despite the time lost, you're honestly just grateful to be back in Austin's life now. Maybe him spilling his guts on national television wasn't so bad after all. Without it, you really might never have crossed paths again, even with being at the Met together.
"Austin," someone says off to the side of you. "I'm so sorry to interrupt, but Baz is making his way out and I figured you'd want to say goodbye before he leaves."
The voice is gentle and calm, and when you look up to see who it belongs to you nearly fall out of your seat. Priscilla Presley in the flesh. You have to bite the inside of your cheek to keep your jaw from dropping.
Austin basically startles, suddenly realizing where he is. He got so caught up in listening to your stories and telling his own that he completely forgot he was even at an event.
"Oh absolutely, thank you, Priscilla. I'll be right there, I'll be just a moment."
Priscilla smiles warmly at Austin, and then her gaze quickly shifts to you. You can feel her kindness and compassion without her even having to say anything. She looks back towards Austin and you watch as she reaches up and lightly squeezes his shoulder, a knowing look passing between them.
You wonder what it is she's communicating to him, but something tells you it has everything to do with Austin coming over here to speak with you. The thought makes you feel warm inside.
In an instant, Priscilla's gone and it's just you and Austin once more. You know he has to leave now to say his goodbyes, so you begin to stand up from your chair. Austin does the same.
"She seems amazing," you say, staring in the direction Priscilla set off towards. You catch a glimpse of her as she laughs at something Baz Luhrmann has said.
"Yeah, she's incredible," Austin gushes. "I'll have to introduce you two properly sometime."
There's a shyness in Austin as he awaits your response. He doesn't want to overstep or push you into anything. From what he can tell he thinks you want to be back in his life as much as he wants to be back in yours, but still he doesn't want to just assume that there will even be a next time between you two.
"I'd love that, Aus," you reassure. His blue eyes meet yours and you can see how happy he is. You're sure your eyes show the same.
Austin looks quickly towards his table and knows he doesn't have much time left with you, so he speaks up before any more time can pass between you. "There's somethn' I wanna ask you. It's somethin' I should've asked you about fourteen years ago."
An airy laugh passes your lips and your heart swells at the idea of what the blonde is about to ask, a familiar feeling settling in your bones. You nod your head for him to go on.
Austin leans in, a little flustered but somehow still exuding the utmost confidence. "Would you wanna go out with me sometime?"
There it is. The question you were hoping he'd ask you all those years ago. It sounds even better than you thought it would.
"You have no idea how much I wanted you to ask me that." Austin laughs and the sound practically rattles your body. You'd never get tired of it. "Of course I would."
Austin wastes no time in wrapping his arms around you, bringing you close to his chest and holding you there. Once again you find yourself basking in it, wishing you didn't have to say goodbye already. The fact this won't be the last time you see Austin keeps you happy, though. The fact you have a date with him really seals the deal.
"You ever feel like, I don't know, there's somethin' that ties two people together sometimes? Like they're always gonna be connected, that they were destined for each other or somethin'? Sort of like a-" Austin cuts himself off, trying to think of what it is he's referencing.
"Like an invisible string?" You beam, pulling back to look up at him, knowing precisely what he's getting at.
"Yeah, exactly," he murmurs, staring at you with such adoration you swear you could melt right here.
You lightly squeeze Austin's waist before whispering back to him, "Then yeah, I absolutely do."
*****
It's been a couple weeks since you reunited with Austin at the Met Gala. It had taken a bit of rescheduling and careful planning, but you two were finally able to go on that date, and to say it was one of the best nights of your life would be an understatement.
There was a small part of you that was worried you had exhausted your topics to discuss while at the Met, but the way you and Austin fell into an easy rhythm while going out felt incredible. He made you laugh more times than you could count and just being in his presence again after so long felt like a dream come true. You missed talking to him and feeling a genuine connection with someone.
So, you were ecstatic when he kissed you goodnight. There aren't really words to describe the way it feels to kiss Austin Butler. All you know is that it definitely left you dizzy and wanting more. Needless to say, you can't wait for your next date.
Now, you find yourself in what feels like a full circle moment. Just like Austin was over a month ago, you're sat with James Corden on The Late Late Show. Luckily, you're not playing Spill Your Guts or Fill Your Guts like Austin had, but you're sure the topic of the two of you will come up soon enough.
The internet was kind of a mess since the Met, even more so than it was before. Word got out that you and Austin had spent the night talking—with a few added assumptions—and it hasn't been the same since. When you got papped while out on your date, that's when it got even worse. It was all so crazy, but all you two really cared about at the end of the day was that you were finally together.
"So, Y/N, I have to ask," James turns the questions to you now instead of your fellow special guest. "There are a few rumors flying about you and a certain blonde heartthrob—care to comment?"
Scattered 'oh's and 'ah's make their way across the audience and your heartbeat picks up a little at the sound. You knew this was coming, but it still makes you feel a little nervous. This relationship between you and Austin is fairly new, even if you have known each other for over a decade, but it's special and you'd hate to make it out to be something it's not.
"What would you like to know, James?" You're willing to throw a bone here and there, it's not like you and Austin are keeping your relationship a secret. You'll only dish out a little, but then it's lips sealed, at least for a little while longer.
"Anything, really. I mean is it true you and Austin reconnected at the Met and then proceeded to go out on a date?" James scoots forward in his chair a little, as if not wanting to miss a single thing you say.
You nod your head, that's obvious enough. Not too personal. It takes a quick search of your names over the past few weeks to connect those dots. "Yeah, it's true. The Met was actually the first time we saw each other in person in fourteen years. It was pretty crazy."
James and the audience react accordingly, finding that little tidbit to be fascinating. It kind of is, in a way. "That is pretty crazy! You know when Austin was on the show a while back and he said you were his celebrity crush, I was just so happy. I knew you guys had worked together a long time ago, so the idea of a reconciliation just seemed so cute to me."
"Thank you! Yeah it was great to meet up with him again. We definitely had a lot to catch up on, and I guess I really have you to thank for that considering it was Austin's comment on the show that sort of set everything in motion," you smile.
The host laughs and then grins before pretending to brush off dust on his shoulders. "Well you know they do say I tend to bring out the best in people. It's a gift, matchmaking."
Everyone laughs and James claps his hands together before shaking his head. "No, I'm joking, but really, Y/N, congratulations on everything. I know it's a tricky subject to bring up so I'll leave it at that, but I'm happy for you and wish you all the best."
"Thank you very much, James, I appreciate that." The man smiles at you before a thought appears to dawn on him.
"Okay wait I lied. I have one more question and then I'm done with you, I swear." You bust out laughing, along with everyone else, and shake your head at him.
"Sure, hit me with it," you giggle, interested to know where this is going.
"Y/N,” James pauses, building up the anticipation in the room. “Who is your celebrity crush?"
You don't even hesitate.
"Austin Butler."
831 notes · View notes
akutasoda · 3 months
Note
HELLO HELLO 🐊 ANON. IS BACK HERE WITH ANOTHER WEIRD AHH REQUEST OR IDEA WHATEVER :333, soo may i pls pls request bsd men with a fem reader who is literally Krul Tepes from Owari No Seraph :D? Like she is an all mighty vampire queen idk i just saw her wiki but i dont know how to describe her personality 😭😭 i saw the anime a long time ago and i dont remember anything smh😢😢😢 but anyways thats all, could it be crack and fluff? :P the characters would be Fukuzawa (can u tell im a bif fan of this ancient man:3) Bram, Dazai and Mori (ofc if you write for him)
So heres the idea, fem reader like i said is a vampire too like Bram, she is a member of DoA but she didnt joined to 'end wars' she joined to end with humanity, like her wiki said 🤓🤓 she sees humans as mere cattle. But her wiki didnt said anything about her personality 😭😭 so i guess shes bratty and laizy bc she looks like it lol i love her sm.
Anyways thats all i have to say, if u dont want to make the request is fine i have other few ideas too lol, take care of yourself and drink water, thats all ty for reading me <3 also i saw u have a lot to write from other requests, no matter how late you make this one, take your time, the least i want you to be is stressed, byeee 🐊🐊
vampire among livestock
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synopsis - how are they with someone like krul tepes
includes - dazai, fukuzawa, mori, bram
warnings - fem!reader, fluff, slight crack, wc - 755
a/n: hello hello anon!!!! i haven't actually watched or read ONS in ages either but we do love fukuzawa here.. take care of yourself aswell <3
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osamu dazai ★↷
↪rather amused by the fact that the doa was harbouring two vampires among their ranks. and in honesty, he figured that you were probably just as concerning as bram and you both needed to be kept an eye on.
↪extremely intrigued when he heard that one of them, you, held the title of a 'queen'. he didn't understand why but it was interesting nonetheless and was curious as to how one obtained such a title.
↪mainly you for the fact that you're goals simply didn't stop at 'ending wars', you had a much wider goal of 'ending humanity' as a whole - seeing them as only mere livestock. this reminded him of fyodor a tad but atleast he only went after ability users.
↪your natural pride and temperamental nature definitely gave you an advantage at reaching your goal. dazai also sought a great amount of amusement from hearing your confident talks even when in battle.
↪what was also rayher noticeable was how you took a more natural role of leader even when you really weren't meant to - whether or not the other members would assist your goals or not was still unclear.
yukichi fukuzawa ★↷
↪the doa was already a loooming threat as is, he didn't need to learn that they had gained another member who also possessed vampire traits. it certainly was a concerning factor for the ada.
↪your rather excitable and outgoing personality definitely reminded him of a certain great detective, your slight bratiness didn't get really help either. that same sense of pride was definitely prominent aswell.
↪it was certainly interesting that you didn't share the same goals as your colleagues, not like you had to but it was certainly intriguing. although your goal was certainly more alarming and serious than just 'ending wars'
↪to him, your views on humans were certainly interesting... to say the least. he'd never ever seen someone that viewed humanity in such a derogatory way yet be so insistent on their beliefs.
mori ougai ★↷
↪for the most part, he stayed out of the doa affairs personally - only really sensing his own people to get involved. but he couldn't help bit become intrigued when news of two vampire like people being involved.
↪especially when he learnt that one of them allegedly held a title of 'queen', of what he didn't exactly know but it surely wasn't an everyday title. the same one who also apparently never held back in putting people in their place.
↪your goals, per say, were also extremely intriguing. seeing humans as mere livestock that would do anything for personal gain. he could see where you were coming from.
↪the natural sense of leadership that you carried certainly was challenging to overcome, especially paired with the pride that you carried yourself with. ypu certainly could become an issue, especially when you're desire to achieve your goals clearly wouldn't be stopped so easy.
bram stoker ★↷
↪when he first heard of the new member and then found out they were a fellow vampire like him, he was both relieved and slightly intrigued.
↪relieved, as he felt like you could be the only tolerable member of the doa. he didn't exactly want to be there and the people he was forced to work with weren't exactly the best. so he figured someone like you would be his only hope at getting along with.
↪intrigued, as he'd never met another vampire before - sure there were the one's under the influence of his ability but they were practically brain dead. you would be thw first vampire he met that he could actually talk to, even more intrigued by your title of 'queen'.
↪surprisingly enjoyed listening to you ramble on about how humanity were mere livestock - it was either that, complete silence or listening to fukuchi. bram could see where you were coming from and he could definitely help you if he chose to.
↪im honesty, he thought you were a better leader than fukuchi. you always took on a more authoritive role and he preferred when you did so, even more when you'd shut down fukuchi.
↪your temperamental nature could be a bit much for him sometimes but he adjusted to it when you started talking to him more often.
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