changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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papa nanami and how he can't decide which fleece jacket he should buy for his little girl—
they’re tiny, the length of the fabric spanning his two palms and a half. he’s thinking hard on this one—tan or pink? tan or pink… tan or pink.
the store is closing soon; the only free time he had was after work, now, half an hour before dinner. he should hurry so he can go home already—to his little girl and you.
he sighs, holding the jackets up again. tan or pink...
hm.
he makes his choice.
.
when he arrives home, crouching low as his little girl comes crashing into him—the shopping bag falls to his side, hands holding her close. you peek from the kitchen, smile warm and in love.
kento always makes it in time for dinner, no matter what.
after tickles and giggles and a big munching on her cheek, your little girl pulls her papa by his pinky, dragging him over to you.
you always give him a kiss on the cheek.
“welcome home, my love.” you whisper by his ear, setting the last bowl of food down on the dining table.
you spot the shopping bag by the foyer, sneaking him a look, “did some early gift shopping?”
he follows your eyes, picking up your little girl as he sets her down on her seat.
“bought some fleece jackets for her, before it gets too cold.”
your lips curl up, knowing you chose the right man; his foresight, the way he looks after you both—it makes your heart swell as you walk to pick up the shopping bag.
when you pry it open, you’re met with fuzzy bundles of tan and pink. you snort, “couldn’t pick?”
he flushes, cheeks turning the same shade as the fabric in front of you—he points to his suit, “she said she wanted to match with me.”
your mouth forms an ‘ah’, still smiling, “and the pink?”
“i thought it’d look cute on her.”
he turns to your little girl, grip tight on her silicon utensils as she stabs around her food. she’s almost on her way to full sentences now and it shouldn’t make him this sentimental, but it does.
he wants her to stay this tiny forever.
his little girl.
“what do you think, baby?” you hold up the pink jacket beside you, speaking to your daughter.
she giggles, silicon fork in hand as her bib bounces; her eyes, the same brown as her papa’s but shaped like yours, sparkles, “pwitty! pwitty on!”
“papa always has good taste doesn’t he?” you look at your husband fondly.
your little girl babbles, giggling.
and nanami doesn’t know what he did to deserve this—your little family, but if he has to buy every fleece jacket in the world to keep you both warm and toasty, he will.
he’ll even make you all matchy.
comments, tags, and reblogs are greatly appreciated ♡
@kentoangel @em1e @augustinewrites @crysugu @soumies @itadorey @mididoodles thought about u all while writing this 🥹
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Some pieces from my art final last quarter.
I haven’t returned to Taiwan/China in a decade. My family, my cousins, have grown up without me; I don’t even know what they look like anymore. This series superimposes cartoon self portraits onto real photos taken by myself and my mother during my last visit ten years ago. The photos have been collaged with elements of childhood. The series reclaims my memories of Taiwan/China and reckons with the passing of time and the changing of space, flattening my experiences into a fictional, digital world where I never left.
The bottom piece is a timelapse of my old family house from 2009 to 2023, now an apartment block.
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I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
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despite playing volleyball for over a dozen years, sakusa kiyoomi now thinks the sport is too dreadful for him to play.
it’s not that his team had lost their winning streak or that he no longer finds joy in the sport. no, he just abhors the fact that he’s required to remove his wedding ring.
“i hate this horrible rule… no, i loathe it! yeah— wait! abhor! i absolutely abhor this horrible rule!” kiyoomi drunkenly exclaimed while on your honeymoon after you mentioned he’d have to remove his ring during practices and matches.
with his head on your lap and your fingers in his hair, he mumbled, “fuck the volleyball gods.” and you couldn’t help but agree as you watched his fluttering eyelids and soft little grin.
and so every morning, just before he steps out the door for volleyball practice, he’ll plant a kiss against your forehead, on your nose, and on your lips. he’ll take your left hand and bring it towards his face, and his eyes will shine a bit brighter seeing your ring, a reminder and a signification that he’s yours and you’re his.
then, he’ll press a kiss right atop the band wrapped snuggly around your ring finger. he’ll cup your face, allowing you to feel to cool metal from his ring on your skin, and mutter a soft i love you, showing you the smile kiyoomi reserved just for you.
…so maybe, you can forgive the volleyball gods and this horrible rule just a teensy tiny bit.
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