#i know it sounds really fucking full of myself but like

[roosterforme]

hellooo

I had an ask for jake and darlin'

you know how sometimes older millenials esp men don't specify things? or just are vague when talking about trendy things because they don't want to get it wrong/or just don't care-

Jake: It had one of those things you guys like

Darlin' (done): What things, Jake?

taken from real life convos, it's hilarious! xD

Yes, nonny. I think men of all ages are often clueless, and Jake is no exception....

You were parked on Jake's couch. You'd been here for what felt like days, studying for your final exams meticulously while he was at work. When he got home each evening, he helped you study until the two of you either fell asleep on the couch or had sex on the living room floor before going to bed. It really had been going on for days.

Jake knew you were exhausted and stressed out, and somehow he also knew how to make everything so much better for you. He's been bringing home little treats he picked up on his way, and tonight he walked in with his hands full of grocery bags and a pastel pink box.

"Hi," he whispered after settig everything on the kitche counter. He walked to the couch ad gave you a kiss on your forehead. "I'll make something quick for dinner, and the I'll help you study?"

"Sounds good," you murmured, already feeling more confident with him around.

"Oh, and I brought you those things you like for dessert," he added before turning back toward the kitchen.

A smile found your lips as you sweetly asked, "What things, Jake?"

He grunted. "You know. Those things you and all your friends like to eat."

You pressed your lips together until you were sure you weren't going to start laughing. "Actually, I'm not sure I know what you're referring to."

"Come on, Darlin'." He glanced at you over his shoulder with a glare. "The cookies."

"Where are they from?" you asked innocently.

"Crispy Cookies," he muttered, and you burst into laughter. "You know I can never remember the name of the place!" He reached for the box to read it and glared at you even harder. "What the fuck kind of name is Crumbl? It doesn't make sense. It's not even a word."

You jumped to your feet and tucked yourself into his arms while he shook his head at you. Sometimes the ten year gap in age between the two of you jsut made him so much more endearing.

"I love you so much," you whispered, still smiling. "We can eat the Crispy Cookies after dinner."

"Smartass," he mumbled, kissing your forehead again. "If you don't start behaving, I'll eat all of them myself."

[pparacxosm]

wounded in

(blue-eyed son part 2: electric boogaloo !!!! ; (hate to be that gal but you may have to read the first bit for context); homeless era!patrick zweig x jaded businesswoman!reader; nonlinear narrative; tw office job; tw coworkers; tw mcdonald’s; the sound of music stuff is for myself; i fucking love sound of music; and i fucking love cats (the animal not the musical, though that's lovely too) so there’s that; pushing a patrick zweig can’t spell agenda; tw new england maybe; i gave new rochelle a better rap this time; kiss scene kindaaaa ??..? ; tashi coaching patrick after new rochelle is canon to me; tw descriptions of emojis; what if i told you there’s a part 3; then what)

You hold in a bout of laughter when Patrick brings the drinks to the table.

His hair is longer than the last time you saw him, which wasn’t that long ago, in scale. In bones, in feels like a while.

Dear old New Rochelle. Far enough out that the city is a twinkle on the horizon like a cluster of stars, far enough that there are some actual stars above you, now. It’s odd to see him in New England. It’s odd to see him in jeans. But then it’s September.

There are new lines on his face already. He’s aging quicker now, as if to make a point.

Drinks are on me,

Is the first thing Patrick told you, when you walked in in a juniper parka. Scanned the room, picked out his booth.

Is this the part where you tell me you’ve opened a savings account? you said, trying to seem completely blasé about it. It would have been childish to be thrilled by such meagre chivalry at twentyeight. I feel like I should pay, you’re in my city.

Yeah, but you’ve hosted me enough for now.

That’s what you are, half the time. A host to him.

A museum. Thumbing through a rolodex of all the different shades of blue his eyes could go in one humid night.

You pass on more nights out than you accede to. You got a cat. You’re getting LASIK soon. But what it really looks like is that you’re wearing glasses to show that time has passed.

“What’re you smiling about?” Patrick asks, placing the foamy mug of beer in front of you.

You wipe discreetly under your eyes, spreading the mascara smudge. “Just thinking about how my aweinspiring generosity has rescued you from the misery of total squalor.”

Patrick chuckles. “Well, they say to pay it forward.” He sounds pleased as he lifts his own mug with a wink.

You look out the window. There’s a film of dust on it. There’s dust on the faux-chintz curtains too.

You start to wonder if that’s what he really thinks. That this is him going forward.

Patrick picks up the plastic menu. “We ordering sidedishes or do we want a full dinner? What’s good in Wellesley?”

You try to laugh, though the noise has the distinct tender hue of a sob. But you’re sure you feel mostly fine. “What are you doing here?”

“Hm?”

“What are you doing in Wellesley?”

Patrick looks up at you with bright, twinkling eyes. “Challenger in Boston. Thought it’d be a waste not to come see you.”

You clench your jaw to prevent more runny mascara. It’s stupid. You don’t much like waste either. But you’re not going to weep in front of Patrick like a child.

“You hungry?”

You nod, picking up your own menu, hiding your face behind it.

His hand reaches suddenly across the table, trying to touch yours. You pull away, but make it look like you didn’t.

“Bet you had a hard time leaving Tobes for the night,” he says, trying to lift the mood.

“Um yeah. A little. I like to imagine what she gets up to when I’m away.”

“My sister had a cat, when we were young. My sister was, like, seventeen, and I was eight, so pretty big gap.”

Because he has to clarify those sorts of things. Because you don’t know he has a sister. You don’t know anything.

You find it hard to picture him pinned down in any humane way. It’s always his beautiful leg (now sheathed in denim) writhing in a bear trap. Always his papery wings unfurled and pinned against a picture frame like a butterfly. Something metamorphosed. Something capable of a great change, and that must be tortured for it.

“She found the cat in an alleyway. She called it Patrick.”

You lift your eyes. You feel it bubbling in you like magma, the urge to coo. You feel all soft these days. And maybe that’s just open heart season, and the passage of time. But you see a vivid meridian in your life, and it falls right along the night you met this guy. And this back half is all soft, so you sort of want to blame him.

You swallow.

“Well, that’s sweet.”

Patrick lowers the menu. “Nope,” he shakes his head, that huge smirk on his face, like his name is on every ticket of the raffle, like he’s cheating at something. “Let me tell you what she used to do. She used to put the fucker in, like, a blanket, right? And she’d lift it up like a sack, with him inside, and he’d obviously start clawing and making all of these noises—“

He makes the noises. Just starts whipping his head around and making kitten growls, imitating this cat with his name. You get the sense that this is one of those anecdotes that explains a lot about a person.

“—And she’d come into my room, in, like, the middle of the night—this is real psycho shit—and she’d lift my covers and drop the cat. And the shit would fucking claw at me and bite me, just—“

He’s doing the noises again. And now he’s clawing at the air with his hands.

He stops, and the way he closes his mouth around his grin makes his teeth look like they’re trying to escape past his lips. But it looks sort of lovely.

“When the fuck died, Saskia texted me. She was like, oh, he loved you so much, you should’ve said goodbye.” He pauses, widens his eyes, looks at you with the pointed intimacy of sharing in this ludicrousness.

You roll your eyes. But you catch yourself smiling. You like the idea of him being mauled like that, skin deep. You get the sense that life has done to him a lot of that—those growls and scratches. And that sounds a little fucked. But what you like about it is how he seems so unmoved now, by this psycho shit. This flailing animal, this torture device. Pinning him down. He's laughing.

You try to imagine him as a child, but the proportions are all comically bizarre, in your mind’s eye.

“Pork chops,” you say, throwing the menu aside. “I feel like stuffing my face.”

Patrick gets three sausage egg McMuffins on the way to the New Rochelle Country Club—and fries, and a hash, and a soda—and he’s eating the second by the time you pull out of the drivethru.

There is a compelling sense of chaos to how he drives. Like, he’s so bad at driving. Three different people honk at him in a dozenminute window. And you feel content knowing that whatever had had your heart thumping last night has not shrivelled and died with the morningtime. Though now it’s maybe a partial distress for your safety. But you get the sense that, maybe, this is actually the person you are now. The woman who sleeps beside a rugged stranger and buys him breakfast and doesn’t care how he speaks with his mouth open while he’s eating the fries. Doesn’t care about the writhing mire of half chewed potato on his tongue. The way his lips gleam pink with salt.

“I need to listen to really specific music to, like, get in the zone? If you don’t mind?”

He sounds so uncharacteristically shy, for brief a moment. You have to lean forward and look to see he isn’t joking. He isn't.

“Uh— yeah, of course. It’s your car.”

He slides a Sound of Music soundtrack disc into the mouth of the dashboard.

You laugh so hard you fold over.

He’s got one hand on the wheel, and shifts is his seat, peeling the unfamiliarly clean skin of his thighs off the leather before sitting back down. He’s tearing into his third breakfast sandwich with a reckless abandon reserved for death row. He laughs around the bite, glancing, bemused, between you and the road, and, ultimately, spending more time looking at you.

“What?” he laughs around a halfmasticated mouthful. “What?”

There are tears sluicing down your face. You can’t breathe. You think you can, and then you start laughing again, and you can’t.

“How do you solve a problem like Maria?” Patrick hums cheerily as he noshes. It’s a gross and wonderful noise, the food moving between his teeth, circumventing Hammerstein.

You think the large coke is probably no performance enhancer, not only because he all but tumbles out of the car when it’s hardly halfway parked (poorly, you’ll add).

“Fuck, need to piss,” he says frenetically.

When you know the notes to sing…, carols Julie Andrews.

You’re still laughing. Crying. Your tummy fluttering painfully.

Patrick makes you order dessert too, since you’re celebrating.

Celebrating what? you had to ask, though, at the time, you were wearing an impish, knowing, frankly celebratory sort of smile.

Patrick feigned great offense. He said, I’m fucking here, aren’t I?

He wants you to have sundaes together. You spill some ice cream on your skirt. He finds that funny. He’s always got this weasel smile, like he’s constantly ready for amusement. He’s shaved, at some point between now and then. The hairs on his face are sparser. The skin on his face looks milky and organic like a crinite litchifruit.

The frumpy diner was his idea too.

He’s spent some time on the veritable extremes of the economic spectrum—that’s what life tends to be for him; veritable extremes, scratching him meanly—and now he just wants to play at being the average wage earner.

“You really are welcome to stay with me, if you’d like.”

Patrick looks at you like he’d rather shoot himself.

You sort of marvel at his sense of pride, as if it were a rare stone, swallowing light and spewing it out at all angles. The Sociology course you took in uni had a whole two modules on personal pride. It is one of the few emotions that are unique to humans.

Patrick—for his weasel smile and beastly hunger and feline anti—is remarkably proficient in being human. In the real, visceral parts of it. In wielding his emotions like kaleidoscope hues. Dancing freely in confinement.

“When are you leaving?”

“Don’t worry about that. If you have time for breakfast tomorrow, we can—”

“Mm, not tomorrow, I don’t think. But I have no plans this weekend.”

You say it with this weird, bright intonation, like you’re jesting. Which—a lot of things feel like a bit of a joke these days. But he seems to understand you well enough. Delivers a curt, unspurned nod, and even a smile. Not the weasley, chronicling one. The wolfish one that makes his eyes crinkle up.

“Come here then,” he says.

Patrick leans in for a hug. You can’t avoid it. He enfolds you in a fascinatingly soft, burning embrace. He still smells sort of musky and acrid. Like even though he can shower regularly now, he maybe doesn’t as often as he should. But you find a gross comfort that. This pleasantly fetid, human man. His cologne smells like a wine cellar.

He says, “It’s nice to see you again.”

Something churns in your belly. Maybe the pork chops. Maybe the ice cream. This whole fucking day. You accidentally deleted some files and IT spent five hours trying to help you unsheathe them from oblivion. You felt like a failure. And now you’re here and,

“Fuck, you’re still so cool.”

You push away from him with a forceful laugh.

You used to be able to tell your sister all kinds of things. But, lately, you haven’t been able to talk to anyone about anything.

Working so many years for a soulless corporate hive mind has turned you into an expert at short, polite, and meaningless feedback that only varies with inflection.

“Right”, “Sure”, “Got it”, “Whatever you think is best”, “Already on it”.

Half the time you sound illiterate. The other half, you sound like you could have written Prozac Nation.

When your sister asks, how was New Rochelle? she expects you to say something annoyingly vague and ominous in your cool, collected adjunct’s voice, like: Everything is under control.

But, instead, you say, “Do you and Mark still go to mass? I really want to start giving more of myself away.” And you’re wearing this smile that’s utterly sincere.

That’s what spooks your sister.

Of course, you want to tell her more. Because your sister married a Herman Melville character; one of those grizzly, stinky, sacerdotal men who don’t want to work but don’t want to lose either. You know your tale of Linklateresque, serendipitous connection would render her mesmerised and marginally jealous.

But, soft and charitable as you may now be, you keep it all to yourself.

Patrick is still in Massachusetts a fortnight later. You say you’d have loved to come and see him play, but you’re really busy, and he says not to sweat it. Insists really. Maybe even begs. Do not sweat it.

You text him, presumably a day or two afterwards, and ask how it went.

Smahsed it!, he texts, and garlands the (misspelled) notion with eight sunglassfaced emojis. You counted. Dibner? he texts.

Then, a moment later,

*dinner?

You get to see your first New Rochelle sunrise.

You slink out of bed with toothfairy softness, even though Patrick is sleeping the sleep of death—with a deep, miserable snore like a resounding dirge to prove it—beside you. Your pillow wall, in the night, had collapsed like Berlin in 89.

You step outside. You check your phone, first, but you do go outside. You do believe in fresh air in the mornings, even if you don’t have the fortitude for mindfulness and journaling.

The parking lot is a vast open soul. Regretfully resigned and stunningly silent.

The sky looks like a bleeding mouth, but the hard grey edges around it don’t seem to care. The concrete enterprises and litter splay do not want anything to do with this bruise. A tart, sort of sewery smell makes your eyes water.

Cars drive by too fast. 

You think, in some faraway capacity, you can hear the soft, rhythmic thunk of tennis balls hitting asphalt. But it’s only your heart.

You hear things. You see things.

You don’t want to sound like some haunted Victorian heiress with a mystical past, but you do.

In the break room, mostly.

So you hadn’t noticed before. Your coworker, Sam, goes fucking wild for tennis. Sam’s slobbering lewd and voracious over tennis. It’s hard to witness. In fact, you feel dirty witnessing this. You should call HR. Sam’s in the break room doing an onanistic oneman scene play about tennis.

Or maybe he just kind of likes it.

And you hadn’t noticed it before.

There’s a lot, for your part, that you were content not noticing around the office.

But now every errant tenniscentric commentary makes your hands feel sore and weightless without the presence of a gun.

“No, you don’t get it, Deirdre, this is like if LeBron played a game at some random Y, and got dunked on by this fuckin’ nobody, and then just… quit the game.” He sounds tumid with bewilderment. “Just fuckin’ dipped!” Sam’s incredulous. “Forever!”

“LeBron…?”

“Fuck, Deirdre, you’re killing me.”

You slot the mouth of your bottle beneath the spout of the water cooler. You close your eyes—zombieleaden, uneven on the tiles; it’s only 10—and listen to the halting trickle, trickle… stream. The plastic goes cold against your palm as the water rises.

“All because of some… fuckin’,” Sam snaps his fingers, “Fuck, I forget the name.”

Peter Zeppelin, your mind supplies dryly.

It is then that Sam chooses to notice you. Points his finger. Wide smile. “Oh-ho, here’s trouble!” says Sam.

Sam and you have had enough one on one conversations for you to list on your one free hand, and you wouldn’t be spoiled for digits. But, all the same,

“Here’s trouble!” Sam announces, “Big shot boss babe, huh? Back from kickin’ rear in New Rochelle. I know you’re glad to be back.”

You don’t say anything. You feign responsiveness, flash a stilted smile. But you don’t say anything. Because what would you say?

Outside the men’s bathroom of the New Rochelle Country Club, you fidget awkwardly, standing against a wall and trying to look inconspicuous. Patrick’s duffel sits at your heels like a staunch hound.

Your gaze meanders around the venue with an idle sense of inquiry.

You’d expected a certain echelon of grandiosity, anyway. And the country club is nice—you feel silly casting any judgement at all—if a little outdated. All glossy wood-panelling and pea green outdoor carpet.

You can see yourself, warped and bleary, upon the polished floor. The bar flourishes a glassy sheen and cloistered amber rows of lavish whiskeys.

Through glass windows, golf splays unfurl, ceaseless viridescence, beset on all sides by sharpcornered hedges.

People mill about with the air of the lookedafter, and polo shirts as white as the maw of God.

Which is nice—it’s all nice—and all, but your chest seems to enwreathe a stark state of dread. You feel the sort of nausea that would rack you as a child. Floating in the curtains at your dance recitals, like an anxious little poltergeist.

When Patrick emerges from the loo, he is whistling. Fluting finely the swooping tune of ‘Sixteen Going on Seventeen’.

“You certainly seem unburdened,” you murmur, gaze shadowing him as he draws near. You know you sound unconvinced. For his part, he looks undeterred.

Slings his bag over his shoulder like it is floatable, even as you know it bears the poundage of half a man’s life.

He grins, flashing a canine.

To you, he has just eaten his weight in greasy, leaden carbcloth, and proceeded to piss for twelve minutes straight.

But Patrick seems imbued by morningshine.

He throws a heavy arm around you, squeezes your shoulder. Says, “Look alive!” Says, “I’ve had a good night’s sleep, a hot shower, the breakfast of champions, and I’m about to get paid!”

You wince a bit at his volume, and also because he seems to be emanating a bit of that morningshine. Not to speak of the heat. Searing from his very bones.

If nothing else you admire his buoyancy. In that way, the warmth—even as the sun blooms above you—is a fascinating comfort.

Like something to be shared.

You say yes to dinner.

You keep having dinner. He keeps taking you out for dinner, and to decent places, too, places you haven’t even been to around here.

You’re sitting across from him. You’re eating, as one does. He’s regarding you with something like awe. Though you wouldn’t know it, because he regards, too, his plate, when the waiter rests it before him, with a sort of comical reverence. Even though you’re pretty sure he’s not starving, anymore.

But hunger’s not always about those sorts of things, you suppose. Maybe he's just still hungry.

He’s winning a lot. Must be, if he’s taking you out all the time, and—hey—maybe you can get him to sign something for Sam. That’d be nice of you.

Patrick watches you eat.

You try not to stare back at him. As long as you keep chewing, you won’t have to ask why he’s still here.

“That’s a nice shirt,” he says after a long silence.

You smile. “Thank you.”

He doesn’t text you for months, many months, after New Rochelle. You’d given him your number, because you wanted to put the ball in his court, and—fuck—here’s hoping you didn’t say that.

But you can’t recall.

It’s been months.

So, when you do get the text, you’re pleased to see it’s aptly contrite.

ypu probably think I’msn idiot, it reads, and it’s late at night and you’re already in bed, stewing over NYT Connections.

You eye the ID. Maybe: Patrick Zweig, but that’s implied—so many implicit little shards—because not a lot of people are so tortured by the prospect of your opinion on them so as to text you at 1 AM. So.

Define idiot, you text back.

dictionary defenition is Patrick Rupert Zweih. There’s prpbably even a lil picture of me next to it.

A few moments.

A bad one.

Ten or eleven emojis of abject terror.

You consider this—not a bad picture of him (though he doesn’t quite strike you as wildly photogenic anyway), just... This Whole Wound—and tap the side of your phonecase in tentative thought.

Your full name is Patrick Rupert Zweig? Tough.

Like ypu didnt already look me up.

You blink. Whoa—okay.

Not a humble idiot, I see, you type.

You don’t know where you get the balls. There’s a sweeping litany of long, gorgeous miles between your bed and New Rochelle, but maybe he can smell you thinking as much because,

Im in MA next week

In the registration room, a man with a binder asks his name, and Patrick sheathes his canine in a way that makes him look conspiratorial and bemused. You suppose it’s become an inside joke.

The ATP official seems to gleam with recognition when Patrick does give his name—his real name—and he says, “Oh wow, that is you!”

You can’t see his face from this angle, but you can envisage the way his moue has settled in confusion.

Apparently, the ATP official was a line judge at the Junior US Open back in 06.

You try to think back to what you were doing in 2006. Probably populating your microcosm in The Sims. Trapping little imitations of those who had scorned you in swimming pools to drown.

“You were really something back then, huh?” says the ATP official.

Your eyes flicker to Patrick’s profile. He doesn’t quite know how to respond to that.

The official hands Patrick a packet. There’s a little map of the facility in there, in case he gets lost. His first match is against one Gonzalez, on court seven.

Patrick says, marginally halting, “Hey, so, is there any chance of an advance payment on the prize money.”

The official blinks.

“Because I know I’m guaranteed a minimum of four hundred dollars even if I get knocked out today—“

You frown a bit at that. The official frowns a lot at that.

“Well,” he says, “Generally we don’t give out winnings until a player makes his way through the tournament…”

A beat.

Then,

“You could always just lose today. Then we’d have to cut you a check this evening.”

Patrick hardens to bone. You hope he has another lifeaffirming piss in him. He doesn’t meet your eyes when he turns to leave, but flicks you a glance that seems to ask that you spare him the judgement.

You leave New Rochelle today. Good as the night’s sleep may have been, he knows better than anyone that life’s loveliest things are fleeting.

So—fine—you don’t begrudge him. Instead,

“He seems hopeful,” you say wryly.

“Must’ve been thrown off by my pretty caddie,” he says dismissively. Maybe a little bristled.

The warmup courts, deep blue plane, shimmer in the sunheat.

Patrick takes the asphalt, flicks his racket around by its handgrip as though refamiliarising himself with the palmfeel for the first time in a while. Which—well—doesn’t give you confidence, at risk of contesting Julie Andrews.

He practices his serve. Starts to work the ball up and down the court. Hits a few forehands, a few backhands.

Then,

“He was lying,” he yells to the bleachers.

The bleachers are mostly empty. A few errant loiterers. Bored spectators who have finished their lunch earlier than their friends. What have you.

He’s looking at you, though. With a staggering precision from so far away.

“What?”

“That guy. He was lying. Or… bigging it up. Or whatever. I wasn’t really something, I was just decent.”

He strikes a ball over the net. You can see, from here, the vibration ricochet through the racketstrings with a shudder that has you expecting music to flutter out.

You lean back in your seat, sort of sliding down against the glossy plastic, a tremor of induced electric tickling your bum through your jeans. You cross your arms.

“That’s kind of bullshit,” you call out.

He spares you a glance, sort of doubletakes, and you can see the corner of his mouth tremble with intrigue.

He takes another ball from the basket. Tosses it up. You watch the neon starsphere spin fleetingly in the air before being walloped to oblivion. And what do you know of tennis? But you do think his serve is a thing of beauty. Beauty measured in power and precision, sure (he hits the ball straight and hard and fast and low, just barely clearing the net), but you can also see the way his muscles work beneath his skin. Which—you know.

Patrick walks to the fence that partitions the courts from the stands. He leans over, rests his arms on the palisade, and looks at you.

“This was the whole problem,” he tells you, “Everyone was always telling me how good I was. And it got to my head. And now I’m here.”

It’s a shabby imitation of humility. What it really is, is an attempt to scale down the apogee, so the fall seems less mythic. So the years seem less unkind.

“I didn’t come here to watch you sulk just because some guy was nice to you.”

Patrick grins. His cheeks are flushed with heat, and there are little spots of sweat on the hollows where his skin and bones meet. But he seems to know not to exert himself fully right now.

“You think I’m sulking?”

“I think you seem pretty torn up for a guy who’s going to play a thirty minute match, and walk away a few hundred dollars richer.”

He makes a noise like you’ve wounded him, but he seems elated.

“A few hundred dollars?” he says, raising his brows. “So you’ve lost your faith in me.”

“I have some,” you allow, and you’re not surprised to find that you really do. “Just don’t choke.”

Patrick wears the smile of a newly crowned Miss Universe. He looks touched that you’re being so frank.

“I won’t,” he says, with a sense of finality and what you feel is an incongruous tenderness. “I’m pretty good at dealing with pressure. My parents always used to take me to work with them and tell employees to come to me at random intervals with madeup highstakes scenarios. Like, pretending to have a breakdown, and saying they needed me to help them out and make the final decision. Some of them could cry on command.”

You try and fail to hide a look on your face that divulges how demented you think that anecdote is. But you try to find something neutral to say.

“Well, maybe you’re lucky,” you tell him. “I was horrifically nervous as a child.”

“Not anymore?” he asks, swinging his racket idly, and you get the sense he’s actually very interested in how you will answer.

So it’s hard not to answer him honestly.

“I don’t know,” you say finally, and you look away from his eyes, and instead at the sky. You’re alarmed to find they are precisely the same tincture of aegean. “Mostly not. But if I have to give a presentation or speak up in a meeting, I have to take one of those beta blockers, you know? Propranolol?”

You are stricken, at odd moments, in New Rochelle, in Massachusetts.

You get the sense that he’s trying to be cavalier. But, at the same time, there’s this unmistakable fragility about him. Like it wouldn’t take much to knock him down.

You are stricken by how he’s managed to maintain this cocksure swagger for so long. With such a brittle, aching core.

How easily it all might’ve been shaken by the wrong person, and the wrong word.

You love the smell of your dear kitty’s head right after a bath. The fluff of dandelions and baby bird. You love toweling her, taking her little paws in your hand and prying the toes open.

Toby pretends not to like being fussed over, but she doesn’t put up much of a fight. In fact, most nights, she falls asleep in your arms.

When he pays you the visit, Ms Tobes is breathing evenly in your arms, your thumb caressing the organtender slope of her silky head.

You open the door, and great weeping gales have been jostling your windows all evening. But he is in shorts.

Patrick’s been in New England for nearly a month.

There’s an odd sort of look on his face, and an unlit cigarette behind his ear.

Hands in his pockets, he leans against the door frame, staring down at you. You feel a remarkable heat radiating from the downy flesh of his bare legs.

He doesn’t seem confident, nor does he seem unperturbed. He seems… pensive and maybe even penitent, but he wears it with a fascinating poise. There’s still something wounded and vulnerable about the way of his shoulders, the slant of his mouth. It's the softness that kills you, anyway, you think incoherently. 

You peer up at him, dubious, through the briar of your lashes. He looks down at Toby, at the sweep of your finger over her head. You do not know if it is he or Toby who purrs.

When he speaks, he is whispering very softly, though there’s a frayed, low seep of his voice in his throat. It feels revoltingly intimate.

“When Patrick died,” he says, “The cat. I felt so shitty. I had this weird feeling of—like—I don’t know. Shittiness. Because of how Sassy said what she said. You should’ve said goodbye. What am I supposed to do with that, y’know?”

You swallow. The hallway is so vacant and noiseless you can hear the plush shuffle of his running shoes against the carpet. Dutifully beyond the boundary of your home, even though he’s been here quite a few times now.

“Patr—“ you croak.

“I’m not in Massachusetts for a game,” he tells you, shrugging hopelessly and almost smiling. But failing to. Which you register. “There’s no challenger in Boston. There’s just you. In Wellesley. All these… fucking ponds everywhere. Private schools. Bunch of rich little assholes who need a tennis coach, I bet. All these res—fuck. You know,” he shifts, taking the cigarette from his ear and gesturing with it between the two of you, “We’ve been out, like, twenty times, since I’ve been here, and there’s still, like, fifty restaurants we haven’t been to.”

You stare up at him. Your palms, where they cradle Toby, grow damp. The throbbing organ of your heart takes up residence in your throat. There’s a sad sort of clanging from the clock in the hall.

You lift one trembling finger to your lips.

Please, don’t say anything else, you beg with your eyes. Please, not in front of Toby.

Patrick’s eyes glint ruefully. Almost ominously. He seems insulted by your gesture, but he understands. He always understands. He never holds anything against anyone.

“No need for that,” he says very quietly. “I come in peace.”

He moves closer, breaking the enclave where the carpet of the hall meets the vinyl of your floor, until he is inches away.

A head taller, yet shrinking, as if you were seeing him from across a room.

He smells very good today. He smells like spice and bergamot and the laundered fabric of his navy blue halfzip. You sort of miss the musk. Of course you think of New Rochelle. You think of Bob Dylan and Hello Kitty and thermostats. Fucking Sally.

You lift your chin.

“I’m not asking you to—“

Patrick leans forward, his nose touching your nose.

“I’m gonna do the tennis,” he speaks the words into your mouth, voice like gravel melting in the sun.

You part your lips. A part of you hates him, hates how he’s insinuated himself in your life without warning. Another part, however, is asleep and betrays you.

He shushes you, though you’re sure you haven’t said anything. It’s just that you’re crying now. Completely still and silent. Weeping like the dead, because the dead weep, too.

He shakes his head, his nose brushing over yours, says shhh like you’re a cat, and, even then, Toby only stirs between your fingers.

“It’ll be good,” he says, and you’ve heard him sound convincing. You know that right now he sounds… something else. And he’s still shaking his head as he whispers, “It’ll be good, I’ll be good. I have a coach, I’m not done, I love the tennis.”

You look up at him. Lick your lips, which, when you’re so close, also means sort of licking his. Sort of licking into him. You want to say, fuck your tennis and fuck you too, but you also want to fuck him and you want to fuck his tennis, too.

You think of New Rochelle.

Patrick’s hand meanders upward toward Toby, and, if his cigarette was lit, you’d see sweeping coils of smoke floating heavenward.

It isn’t lit, but still.

You catch him quickly. You hold him by the wrist.

His skin is nauseatingly warm.

“You love it?” You sound unimpressed now. Your mouth moves over and around and against his as you speak.

“I do.”

“You love it, you love the tennis?” You’re sort of spitting it at him, and he tastes it.

And he thinks of Patrick the cat, how he lay there and was mauled. Pinned down. He thinks he’d let you draw blood, now, if you really wanted to.

“Tennis doesn’t love you.”

“Do you?”

There is time enough for you to answer. But when a sound is finally made it is only Toby, who mewls.

Patrick smiles. You feel the seam of his lips touch your lower teeth. “Didn’t think so.”

He straightens, his lips swiping your nose on his way up. He gently removes his arm from your grasp, your nails scraping is skin.

You exhale sharply. You feel stung.

Poor Toby, caught between your beating hearts. Patrick steps away. He places the cigarette between his lips, and then you do not stop him from touching Tobes. He strokes her gently.

“You got a lighter?” he asks around the cig.

There are three aflame candles in your home right now. He can smell the vanilla. You shake your head. He smiles again. Toby purrs. Patrick’s fingers touch yours between the heather fur.

You feel a strange ignition in your bones.

The game begins.

Everything is quick and violent.

You don’t know if tennis is actually quick and violent, or if that’s just him.

You are astounded by just how much a man can sweat. You are spellbound by the visceral implication of being drenched in one’s own exertion.

Gonzalez is younger. A little bit more thrilled to be here. And he’s got the kind of easy, quick thoroughness that means he probably practices with a ball machine at home, but not a lot of real experience.

Patrick makes brutal work of him.

There is a certain way his muscles tense through his forearm and the pulse travels up his bicep when he strikes the ball. His shirt rises as he twists to send it flying over the net. There is so much laboured breath and dripping skin.

He has you sit exactly where you sat during warmups.

Between sets, he extends his arm, taut and sweatsoused, and points to you with the scratched edge of his racket, one eye closed like he’s mapping trajectory. And he does sort of have this bloodhungry precision in his gaze, like a marksman.

You feel it in your neck, the ache of your focus, how your eyes water for lack of blinking as you swivel your head side to side. You do not close your mouth once.

He hits the ball again, and then again. Each with an almost startling accuracy. Each with a deep and fleshsatisfying thwack that makes your very ear canals thrum with the sort of pain that has you expecting the warmth of dripping crimson on your shoulders.

But it’s not just the force that strikes you. It’s that precision. That bulletgleam precision.

He seems to know, with a profound, animalic certainty, exactly where to place each shot.

At times, they will land exactly where the last landed.

And by the time his adversary cottons on, he has set his hungry eyes upon another target.

It’s beautiful.

You start to wonder if you have ever—ever—looked so fucking beautiful doing any single thing in your life. This strange and beautiful violence. Refined and delicate violence. He is violent and graceful.

Patrick groans when he hits the ball. Makes a guttural sound, a pained sort of sound, like he loses something of himself with each forceful departure.

The sun beams down, and you see his beautiful legs flex aglow with the beautiful gleam of his abject labour.

You think, fuck—

New Rochelle is beautiful.

“You know, I could have gone pro.”

Sam leans back in his Herman Miller chair. Takes a deep quaff of his coffee before pointing to Deirdre with his mug.

“You played for two years in middle school,” Deirdre deadpans, her gaze unmoving from her monitor as she populates a spreadsheet with who the fuck knows.

“This is huge, D,” says Sam, unhurt, “This is like if Jamal Mashburn started coaching the fuckin’ nobody that demolished LeBron at the Y.”

Deirdre seems to have forgotten this analogy, which, for her part, Sam first made months ago now.

“But also if Mashburn was married to Lebron,” adds Sam.

Your computer screen casts depressing polygons across your glasses. You slide your AirPods in. You don’t want to know where Bob Dylan will appear on your Spotify Wrapped.

I met one man who was wounded in love. I met another man who was wounded in hatred. And it’s a hard, it’s a hard— It’s a hard, it’s a hard—

It’s a hard rain’s a-gonna fall.

[aroacesigma]

.

[smol-tired-binch-blog]

tell me about your correct opinions. I love hearing opinions...

Honestly I can't think of any specifics rn hdggjndg I just know I am a Nishikiyama Understander. I think one off the top of my head is that yes, he's clearly more emotional than others, but he is not remarkably so and he is NOT a 'crybaby'. Like every time he's cried on screen it's been for very understandable reasons and in highly emotional situations.

Or the idea that him not reciprocating Reina's feelings is like, an inherent character flaw??

[panspy]

hmmmmmm.................vent post under tags...... feel free to give advice or dont¯\_(ツ)_/¯

[bhaalsdeepbat]

i literally walked into this space knowing NO ONE, sat off to the side and told them, "I'm sorry, I'm like a cat. I have to just watch for a second, then I'll socialize more." and like. the entire group was just like YEAH MAKES SENSE. no one took it wrong. they just let me observe until i was ready to mesh in more. and now almost two years later I am now burrowed so deeply into this troupe that i wouldn't have the friends or opportunities i have without it.

[fullmetal-the-last-alchemist]

googles how to politely tell my academic advisor that i would literally rather just end it all than go back to college for even a single class and if i cant get my grade for this stupid fucking class bumped up by a few points then i am going to fucking lose my mind

[shrikebrother]

im considering taking a full break from tumblr & stuff but the problem is i still want to talk to some of u guys . might delete later

[chompe-diem]

shoutout to my discarded poll post for my followers asking whether or not i should watch crown of candy

[monty-glasses-roxy]

Me posting: HEY!! I LOVE SPAM LIKERS!!! LOVE TO SEE YOU AROUND!!! FANDOM IS A COMMUNITY AND WE ARE SHARING THIS SPACE TOGETHER AND ITS FUN AND GREAT AND MAKES ME SMILE!!! AND PEOPLE PUTTING STUFF IN THE TAGS?? I SEE YOU TOO AND I LOVE YOU AND-

Me reblogging: Ohhh I'm so sorry for the spam tags oohhhh :( I'm so sorry I'm such a nuisance sometimes oh noes I'm sorry it will happen again and the spam liking is such a bad habit and oh no-

I'm wondering if someone hits me on the head hard enough if I'll go back to not giving a shit. Because this is Tumblr. Who give a shit?

This is your reminder that if you love to see it, then you should let yourself give it too. Anxiety can go suck one.

[supercantaloupe]

the thing is i have always been the type to get very Frustrated when i repeatedly am not able to do something and get ery Worked Up About It in the process. and also the type to get really embarrassed when i'm visibly struggling in front of other people, which only makes me more frustrated and worked up etc. so uh. rehearsal was not. great for me tonight

[caninecowboy]

crying screaming throwing up etc etc etc

[our-inspire-verse]

Just keeps going round and round eh?

[lanatusnebula]

I wanna draw backgrounds but I am too lazy and inexperienced and my patience is low.

But there seems to be a lot of trends with the backgrounds I'm looking at in detailed works that appeal to me. I don't think I would able to replicate the things others draw since it seems they're taking shortcuts (compensating for simplicity by compacting details into the pieces, using 3d models, using environment brushes like buildings, etc), ones that would end with my art looking really hilarious.

I know it's too late in my life to start thinking about job opportunities and I need to start acting now. But if i could get an art job, I think I'd feel more fulfilled. At the moment that obviously isn't an option. (15 more days I am losing my mind) I keep wanting to make a professional looking portfolio but my art simply is too much leaning towards hobbyist. :/

This looks very mediocre. I know though I could have added some trees but I still struggle with composition.

There are characters sitting on the "bench" but I didn't use a reference so it looks... hm.

This one was really fun an relaxing to do, but the mediocre aspect of it is present here as well. Obviously some shit doesn't make sense because I removed the character layer (that's why there are random shadows), but there's surely gotta be some sort of way for me to improve.

Compositions like this make me feel at peace, but the forefront character's color clashed terribly with it. I need to not be afraid to adjust things in photoshop I think?

These are the only examples I have on hand, which is also a really huge red flag; if I don't have many examples, that means I'm not practicing enough. I could do warmups to draw backgrounds quickly, but the struggle is more in composition and color theory. I don't know how to do those things, despite the large collection of resources and tutorials. It just doesn't click. I don't know what I'm supposed to do. > <;;

I will inevitably have to figure it out. I heard that drawing other peoples' images that are closer to what I want is the ticket, and if i do it enough times it'll come naturally. The process isn't too difficult to grasp but feels morally wrong to start my day like that. But I'm building up a collection of art I admire for composition (withbackgrounds) as a starting point at least.

None of it will be posted obviously but... I hope to have something to show for in a few months.

Big things comin.

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[oneofthosecrazygirls-mp3]

ALSO I MADE A TERRIBLE REALISATION EARLIER