To say that Kakashi and Gai’s relationship (talking solely platonic rn) was mostly about him helping Kakashi cope with the loss of Obito is disingenuous to Kakashi and all of his relationships.
Any person is going to be traumatized after seeing someone — much less their teammate — be crushed to death under a rock. Kakashi is shown to be someone susceptible to depression due to 1. His environment 2. His initial beliefs and 3. His genetic line. Of course his life is going to be centered around one of the most traumatic experiences of his life, romanticizing it is so hurtful to his character because it destroyed him - and if Kishimoto actually cared about expanding other character relationships instead of making a “generational duo that falls apart” + wasn’t a misogynistic writer, Rin’s death would be the bigger influence on his life than Obito’s.
Yes, Gai had to help him numerous times in his grief but it wasn’t solely or even mainly about Obito. Rin was an absolute vital point in Kakashi’s downfall into chaos. The self harm he inflicted upon himself, the self hatred, the self shame. He became a whole different person after he was forced to kill her. I would say Kakashi’s father Sakumo is by far the biggest influence on him. He wouldn’t have needed any speech of “your father was a hero” by Obito if it wasn’t for Sakumo. His personality of today is thanks to his father’s own death.
Gai and Kakashi’s friendship is almost entirely about them when they’re in scenes together. Look at the chunin exams, look at any scene in the land of steam arc, look at their race, etc. naturally there will be grief the two bring to the relationship and it’s on them to work it out separately, together and with other people which did happen.
You’re actively ignoring every other character that has shaped and formed who Kakashi is by saying Obito is the biggest and only reason he is who he is. Gai is one of the strongest reasons why Kakashi is as motivated and strong as he is. Kakashi would’ve absolutely died at some point in (general) anbu if Gai didn’t pull him out and he was slipping so far when he was in it because of Rin and Minato.
Kakashi’s heart does not “belong” to Obito because he’s in love with Obito and can’t get over him, his heart belongs to the people he loves because that’s who Kakashi is at his core - a lover. He’s a person who cares so deeply, even for people he doesn’t necessarily like or get along with.
Kakashi is a person who is shaped by everybody in his life, that’s why he is one of the best written Naruto characters. He feels like a real person because real people are influenced by everyone in their life, in every way. It’s unfortunate to see those who call themselves Kakashi fans only to mischaracterize, limit and erase the bonds he was written to have to prop up one single bond for your ship.
Do you care for this character? His themes, parallels, relationships and writing? or is he just a placeholder / self insert for shipping content?
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i understand the frustration with “i made this gay pairing cis x trans so they can still have biological babies” with no thought to other methods and how ppl assume thats the case when it comes to mothpool aus where mothwing is also the mother of the three, but also…. idk i kinda dont give a shit if someone wants to do that and i dont really think its inherently transphobic as long as its handled with care and respect.
what really concerns me about this debate is how some people are adamant that you cannot portray trans people having biological children in media or youre being disrespectful. and im gonna say as a nonbinary person who doesnt want children for themself- thats kinda fucking weird? like i understand that for some people, theyre trans themselves and theyre speaking from a place of dysphoria, and i absolutely get that, which is why i think the topic should be handled with nuance and diversity in trans characters, but like…. guys. pregnant trans men exist irl. trans women get people pregnant irl. trans ppl’s ability and right to parent and have biological children are being debated irl. we get denied the opportunity to adopt as well.
in a climate like this, are we SURE we want the stance on rewrites and headcanons in the silly cat books to be “if you portray trans characters having children, especially with a gay couple, youre a transphobic freak no matter what!” does it really matter? especially if its being done by a trans person handling the topic with nuance who has a lot of trans characters with varying perspectives?
obviously yes, remember that thats not the only way certain gay couples can have kids, remember that not every trans person is fully comfortable with it and keep that in mind, remember that surrogacy and adoption are also perfectly valid ways to give fan babies- but remember that there are OPTIONS. not that you need to condemn the idea of transgender parents in the first place unless they fit the very specific criteria of “proper transgender representation” and anything that dares deviate from that is proof the op is a transphobic monster (bonus points if theyre a trans creator bc i mostly see trans people getting shit for this and it kinda pisses me off. although idm if cis people do it either as long as theyre handling it with respect)
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worst arcade headcanons (not mine!!):
he is not a doctor (he is literally a doctor he literally tells you this several times directly and indirectly and he literally goes back to practising medicine in one of his endings)
he is sooo sweet and nice just a little baby (he has been forbidden from dealing with patients in the Old Mormon Fort due to his fuck awful bedside banner; probably not unrelated, his cute icebreaker joke is making fun of ‘junkies’)
BUT ALSO he is sooo mean and harsh and unfeeling (he doesn’t like to say ‘stupid’/etc. in front of someone with a learning disability; he’s sympathetic to you wanting revenge on benny though he finds it distasteful to say the least; he will hear you out in pretty much any circumstance, including if you say you have a ~reason~ for murdering his colleague, albeit angrily)
he would fight boone in the l38 (they are two ncr citizens who are critical of the mojave campaign or at least in boone’s case how exactly the sausage is made; arcade literally expresses sympathy towards the perpetrators of the bitter springs massacre)
BUT ALSO he is as anti-legion as boone (it’s true arcade is the only other companion with a firm stance against them, but he won’t attack them unless they attack you, he won’t take a perfect chance to kill caesar, and he flat out tells you he’s ‘sure caesar meant well’)
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i still think about how the owl house came out with their first episode and just went insane with it tbh
like they did not hold back lol the protagonist was quickly shown to be a bit weird, and then she goes into a world where fairys want to eat her, people eat their own eyes, and middle aged womens body parts just fall off
and the first message was that weirdos stick together! and they made it very clear!
and i remember catching this episode on one of its first airings the night it aired because i didnt have a computer or laptop at the time so i was watching tv a lot back then. and despite it only being the first episode, it caught my attention immediately! i mean, most shows take me a few episodes, but that show only took 22 minutes.
i remember even thinking something along the lines of 'you say that but would you have queer characters? i doubt it, disney' AND THEN THEY PROVED ME WRONG!!!! and then proved me right by shortening the show but anyway
just. what a fucking great show. genuinely one of a kind and it was so screwed by being on disney, when it probably wouldve had better luck on nick or CN, but we will never know that now. gonna miss it forever.
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)
I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.
On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.
But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.
And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.
When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.
Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.
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