Sobbing rn I just got hit with the cutest hurt/comfort idea for fragile!reader and Dottore
(The hurt in this instance is just fragile!reader's self deprecating inner monologue 😭)
What if reader was the sort who fussed over their appearance a lot? In the Akademiya they wouldn't be caught dead with dark circles under their eyes or having their hair messy.
Even if they did pull all nighters for a project, they always found time to put just a little bit of make-up on to lighten up their eyebags, and always had a simple yet neat hairstyle in mind in times they're in a rush.
They might be perishing from all the studies and assignments but they're going to look good doing it!
This made Reader and Zandik an even odder pair in the Akademiya. Reader who is always neat and in style, versus Zandik who just spent the whole night taking apart a ruin guard somewhere in Avidya Forest until the sun rose and he showed up as is.
That was one of the features Zandik found 'annoying' about Reader before they got together. Like - ugh they're so bubbly and energetic! They're running around everywhere and they're so chatty! Them with their— nice hair! And— pretty eyes, and those robes that actually fit them as if they were tailored! How pretentious of them— (he was down bad. Bro was coping with anger to bat away the feels)
But of course, that was all in the past. In the present, Reader can't take care of their appearance anymore. They couldn't even pick up a hairbrush, their joints ached horribly, they don't have the strength to hold something so light, they don't have the energy to do the basic care of untangling the strands of hair either.
They can't stand looking at their own reflection. That sense of 'wrongness' they couldn't fix, what they couldn't hide. How desperately they wanted to put just a little bit of blush at least, to give their skin some life with how sickeningly pale it was, no longer warm and saturated as it used to be.
They can't look at their eyes either. The greying, sagging bags beneath their lids was a taunt. No amount of sleep would get rid of them.
They can't wear outfits that were too elaborate. Their temperature fluctuated too much, a deathly cold beneath their skin, then a sudden spike in heat as if they were being scorched by the desert sun. They have to wear basic garments, comfortable without hindering layers to slow down their daily check-ups.
Reader is thankful for the segments caring for them, they really are. A segment brushing their hair while talking to them is a highlight of their day.
But... it wasn't the same.
Of course it wouldn't be, the segments were carers, nor stylists.
Still, the fact that they had no control over their appearance and presentation had their mental state withering.
Dottore noticed this. How withdrawn his dear had become. They had their days of silence, yes... but this was more sombre than usual.
He concludes that their illness was flaring up again, and that they were masking their pain instead of consulting with him. He comes to their room of course, his current duties be damned (not that he could've been productive even if he had wanted to, the Segments were restless and shrinking away from their tasks, their darling's current disposition bothered them.)
Opening the door slightly to enter, he sees them blankly staring at their reflection, prodding a finger on their prominent eyebags, rubbing their cheek to see if it would redden.
Ah... how could he had forgotten that. They were once very particular of how they looked. He should have known this possibility, witnessing their own sickly reflection would be distressing...
[The Crow visits a certain Dove. Despite how stiff and vague the Doctor had been with his words, the Damsalette only tittered in understanding, and imparted the knowledge he was seeking.]
The next day, Reader is sat on their vanity, waiting for a Segment to tend to them (always with a little bit of struggle to walk in the morning, but it's the least they could do to be less of an inconvenience already.)
The minutes tick by... he's late. Did something happen?
More time goes by, and they become more worried. They were about to get up and search before the door creaks open.
Zandik...? And he's carrying a... why does he have a bag?
They have plenty of questions. Why the late arrival? What was in the bag? Why was Zandik himself here?
Before they could ask all of this, however, he sets the small bag down on the vanity. He riffles through it... are those make-up brushes?
Wait, make-up?
The next half-hour was spent in stunned silence for Reader's part, Zandik was silent as well out of careful concentration. Gently applying everything, his touch on the brush strokes and blending soft... applying gloss on their lips.
Once Zandik moves on to their hair, they finally catch a glimpse of their reflection. Their cheeks were rosey, the dark circles under their eyes concealed, their lips no longer appearing dry, and instead plump and shimmering.
Oh.
... they almost looked like the way they were before their illness.
Almost.
But it was enough.
(Reader tries so hard not to cry. Fighting back tears, not wanting to ruin the make-up Zandik so diligently applied. Once Zandik was finished with their hair... they may have hiccuped a little bit.)
They may no longer have that upbeat energy they once boasted... but it was comforting to see their old reflection once again. It had been far too long.
You know, I really love this ask because my whole life I've pretty much never used make-up even though I want to so having Dottie do it for me heals me a bit. Also, I'm not very knowledgeable on it so apologies if anything is wrong. Okay, I'm done. 🤏
In all honesty, Dottore was never one to care much for outward looks but he has to admit that you still always manage to look good despite all of the work from school plus all of the work you help with for his experiments, plus... literally everything life throws at you. Yet you still bounce back like it was nothing. The scholar still had not discovered your secret to this yet despite observing you for so long, which furthered his interest in you even though he didn't admit it.
Zandik did maintain his appearance, to an extent of course as he didn't go out of his way to look great, but nothing compared to the effort you put in. So while he did look presentable most of the time, there have been quite a few times you made him late to class because there was no way you were going to let him out looking like that. You don't regret it, even when you get weird looks from the other students. Being 'odd' with your equally as odd lover was nothing to worry about, in your humble opinion.
Although Zandik couldn't hope to understand your strange nature, always mumbling under his breath about you while you laughed at his comments, he also couldn't help but enjoy being around you. You kept him on his toes (your words, not his.)
Unfortunately, this nature and style of yours gradually dissipated into nothing when your illness struck. At first, you refused to accept it, pushing yourself to do what you usually did but soon enough you realized that it simply wasn't going to work out. You had all these tools and resources and options in front of you but you couldn't use them anymore. The self-consciousness only grew more and more each day as you struggled to see yourself as beautiful - struggled to see yourself as a person Dottore would find beautiful.
Of course, your gratitude to the segments couldn't be properly expressed or put into words. You quite literally wouldn't be here without them. However, it is still incredibly demoralizing to be unable to do what you once loved. You really did love them, but... it wasn't enough.
Dottore, despite spending much time in his lab or elsewhere, still kept tabs on you of course. Not just as your doctor, but as your lover, it was important. He had seen you at your lowest numerous times before, comforting you through the worst moments, and he was angered - not at you of course, but rather at himself for being unable to do anything that would be enough for you. Yet he continued, even when you hid yourself from him.
This time, however, maybe the scientist could do a bit more. He doesn't particularly... approve of the Third, or your "friend", but she's far more knowledgeable in this area than he'll ever be. Thankfully, she didn't tease him too much, knowing of your current state.
Dottore had never been one to take much interest in your make-up or style, preferring to simply watch as you worked your magic. So seeing him walk in with make-up makes you think you're still dreaming. (You remember laughing at his segment's various fashion tastes when you woke up though.)
The questions die on your lips the moment he lays everything out and the soft brush tickles your face, not to mention how he's obviously inexperienced yet he's still doing a good job. A part of you aren't surprised because of course he'd be skilled at most things, but still, you thought Celestia would sooner fall on Teyvat than Dottore do your make-up for you. Slowly, you watch as he transforms your face into something that was once dearly familiar.
It's not the same. It may never be. But it's more than enough for you, to revisit the old days that you loved so much. You fear you may cry full-on if you speak, so a simple kiss on your husband's face will have to do.
But regardless of what you look like, no matter how much your body and looks will change, Zandik will always view you as the most beautiful creation on this planet.
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
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