#i love when characters challenge each other like this

[pomefioredove]

helloo! ^^ can I req hcs of dorm leaders + Rollo and neige with a fencer reader? If it's okay with you, ofc!! I really enjoy and love your writing 🫶

ofc and thank you! ^-^

*ੈ✩‧₊˚ fencer reader

type of post: headcanons characters: riddle, leona, azul, kalim, vil, neige, idia, malleus, rollo additional info: romantic or platonic, reader is gender neutral, reader is not specified to be yuu, short

Riddle would be into it. he goes on and on about what a dignified choice of sport that is, how he's always wanted to try it, on and onnn. I just think he's really into swords. he'll ask to watch you practice, all giddy and cute. the guy is genuinely fangirling

*ੈ✩‧₊˚

Leona is like... okayyy. and? you can play with sharp objects? he grew up in a palace surrounded by guards and nobility, he probably had his first sword when he was three

defo challenges you to a duel because he thinks it would be funny. and he WINS

(then he buys you whatever you want as a consolation prize bc he's soft for you)

*ੈ✩‧₊˚

[Azul voice] please no weapons or magic in the lounge

...you'll have to demonstrate for the (very eager and interested) tweels outside from now on

Azul will, of course, come to watch. he'd be interested in anything you do, really, because it's you. and watching you try to tell the tweels they can't really kill each other with these kinds of swords is amusing

*ੈ✩‧₊˚

Kalim is somehow 100% convinced he can teach himself how to fence within in a week. he thinks you're that cool, and, sevens does he want to play with swords. he probably has a lot of them, too, which Jamil very strongly advises him not to touch (because he has little regard for himself or his surroundings).

Kalim will let you take as many as you want when you come over. he does not know that these aren't the swords you use in fencing

still... um, it's the thought that counts, right?

*ੈ✩‧₊˚

like with any sport, Vil can respect your dedication to your passion. and you have really good posture. he would get Epel to join you, but the thought of that boy with access to weapons of any kind, safe or not... yeah

he's nowhere near your level, of course, but he's always happy to help you with any aches or pains from bouts. in return, you can help him rehearse for roles that require swordsmanship. fair enough

*ੈ✩‧₊˚

the Neige Leblanche, swooning? yes, actually!! I can't overstate how much of a sucker he is for the whole... dashing and chivalrous thing. it's the sword, yes, but it's also the outfit, the rules, the way you're so... charming. you could pull him 100%

*ੈ✩‧₊˚

Idia is a simple man. he sees someone being really good at a niche sport he knows from his fav manga and anime, and he absolutely trips over himself. literally head over heels. blushing, giggling, et cetera, he's just such a freak about this sort of thing (affectionately)

*ੈ✩‧₊˚

ah, Malleus. if anyone here can appreciate swordsmanship in all its forms, it's him. with his royal guard and his knights and his freaky gothic castle...

he'll probably invite you to fence with him, and he completely wipes the floor with you (this is Malleus Draconia we're talking about, after all). but lovingly!

he's having the time of his life :)

*ੈ✩‧₊˚

wakey wakey Rollo fans

to be engaged in a non-magical activity, based on agility, wit, and, arguably intelligence, in which there is form and order and rules...

of course, you have his full support

he somehow shows up at all your bouts, is with you before and after practice, and takes his duties as your companion very, very seriously

[rafaelsilvasource]

Husbands (we love typing that as much as you love reading it) T.K. (Ronen Rubinstein) and Carlos (Rafael L. Silva) are coming into the fifth and final season of 9-1-1: Lone Star (premiering Monday, September 23 on Fox) already dealing with the unsolved murder of the latter’s father. But there’s more drama to come.

Carlos’ obsession with that investigation is going to put their marriage to the test. T.K.’s half-brother, Jonah, is coming to Austin (which is sure to affect Rob Lowe‘s Owen as well). Below, co-showrunner Rashad Raisani previews that and more that’s ahead for the fan-favorite couple.

Carlos is investigating his father’s death. What can you preview about that investigation? That’s also going to involve Campbell (Parker Young), right?

The way we’ve been talking about Campbell and Carlos is that they’re like two brothers, the big brother and the little brother. Carlos comes along, and in Campbell’s mind, he got kind of a free pass because of who his dad, Gabriel Reyes, was, the legend, and to go to the front of the line and become a Texas Ranger. The first episode is about these two brothers both fighting for daddy’s love and daddy being Chief Bridges, their boss. But what’s gonna happen is they learn to respect each other and they’re gonna discover that they’re so much better when they work as a team and they really complement each other brilliantly, not just as investigators, but as characters and frankly to me, as actors. I think just they have a wonderful dynamic that only gets richer as the season goes forward.

Carlos’s father’s murder is a thing that Carlos is not giving that up. It is the central driving force in Carlos’ life. And there’s no way we’re going to end the series without giving that poor guy some answers. So there will be some answers at the end of the day on that.

The season description says that T.K. and Carlos’ marriage is put to the test because Carlos becomes obsessed with solving his father’s murder. What can you tease about how we see that play out and how tough things are gonna get in the middle of that for them? I do have faith that they’re gonna be okay by the end.

A big part for me about their marriage was I really wanted to treat it like a real marriage, and by that, I mean that even though these guys are so wonderful to each other and they’re so handsome, life isn’t perfect no matter who you are and everybody has real struggles that affect even great relationships. And the true strength of a relationship isn’t the absence of challenges and problems, it’s how you grapple with them and encounter them and if they make your relationship stronger or weaker.

And so for Carlos, this burden of his dad’s murder is going to sit there and take up a lot of oxygen in the room and T.K., who is an incredibly supportive husband, is gonna try and be patient and graceful and allow Carlos to have that space. But at a certain point, he’s got to advocate for them to have a future together, and that’s part of what you were talking about with Jonah. I like to think that little boy, in some ways, represents the future of their relationship and Gabriel’s murder represents the past of their relationship, and there’s gonna be a tension between those two things and that’s gonna be their central dynamic this year, is that one person is struggling to get answers in the past and the other person is struggling to move on and build a future, which I think is a very relatable human experience.

All of this makes me think about kids, and that has been a bit of an issue for them in the past. How does that come into play?

I think that’s another pressure point because Carlos was very upfront with T.K. about, “Hey, I’m not ready to have kids and I don’t know if I ever will be,” and then now that his dad’s been murdered, in his headspace, that’s the last thing that he’s got the bandwidth or the emotional energy to deal with. But like I said, T.K. is feeling like life is happening right now, like we don’t get moments back, and especially as a first responder, they see that you can’t take anything for granted. And circumstances are going to align that are going to [lead to] a situation where T.K. is like, I know that you were uncomfortable with taking this next step as a father, but I feel like it’s something powerful that I need to do, and to make that a crisis point for them as well.

I hope that the audience can see the argument from both of their points of view and just go, “S**t, I don’t know what to do. I don’t know what I would do either.” That’s what I hope because I feel like people have real problems that aren’t so simple as to say, well, he’s right, he’s wrong, whatever. We just wanted to put them through that.

[storiesfromafan]

Don't Do It - Mattheo Riddle x Reader

A/N: Just a under 1000 word one-shot 😊 And trying to break writers block, haha.

Prompt/s: Write a scene in a library where the characters must whisper or stay silent.

And,

“Dont do it” “But...”

Late afternoon, an hour since classes ended for the day. The library was reasonably busy, due to various groups of students at the tables studying for the next days tests in different classes. It was mostly silent, minus the soft whispers of the students to each other.

Sitting at one of those tables, your boyfriend at your side, you were the only two to have their own table. Which irked a fair amount of students, so every so often you would get dirty looks. Yet neither you or Mattheo cared. Not now, not ever.

You were currently reading over a book for potions. Your boyfriend at your side, chair close to yours. His arm was slung over the back of your chair, his hand playing with the ends of your hair which cascaded down your back. Every now and then Mattheo would lean in, whispering sweet nothings in your ear. Making you smile or giggle. That also got some unkind looks from the other females in the room. As your dear boyfriend was one of the few sort after boys of Slytherin and Hogwarts.

While you weren’t really high up on the list of girls the boys wanted to snog. Though that never bothered you. You weren’t ugly or anything, you were quiet pretty. It’s just boys tended to go for the prettier, and sometimes easier girls. And you might ask why Mattheo chose you. You didn't fuss over him, or make goo-goo eyes at him. Sure, you thought he was cute, even had a small crush on him. But you kept a level head. And Mattheo liked that, as well as the challenge of getting you.

After he got you it just got better and better. Mattheo never got tired of you. If anything, he just liked you more, even loved you. And after getting to know the real Mattheo, you began to love him back. Separate, you were smart while he was a troublemaker. Together, you were yin and yang. You managed Mattheo's wild side, while he brought out the fire in you.

This looked to be one of those moments. For your boyfriend's attention wasn't on you so much any more, rather he was shooting daggers at the Golden Trio. To be fair they had been looking at you both, sour looks upon their faces. Not to mention whispering to themselves while looking to you both.

It was starting to get to you too, but you had more patience then Mattheo. You just knew he was itching to say something, or hex them. The way his hand on your back twitched told you his restraint was wavering. When he drew his hand from you, and hands hid under the table before you both, he had made his decision.

“Don't do it" you whispered, eyes still on the book before you.

“But...” he whispered back.

“I said, don't do it" you repeated, turning the page casually.

“It's just one small hex, love" Mattheo tried to reason.

You sighed, “one small hex will lead to detention, love" you mocked. “You can’t afford another detention. Or else no Quidditch for you".

Mattheo sat there silently. No doubt weighing up his options, hex and detention or play Quidditch. With a soft groan Mattheo pouted, slouching down in his chair. You looked at him from the corner of your eye. You found his childishness amusing. He wanted to hex those three so badly. But Quidditch was his escape.

Closing the book, you leant back in your chair with a small stretch. Shooting a dark look to the Golden Trio, you turned to face your boyfriend. Who had gone back to glaring at the three. You leant into him and placed a kiss to his cheek, before moving your lips to his ear.

“It's alright, love. You can get your payback on the Quidditch field" you whispered sweetly in his ear. “Wouldn't it be just dreadful if Potter was knocked out by a bludger, or hit with a Quaffle".

You moved back just enough to watch the dark smirk cross Mattheo's sinful lips. “Yes, love, just dreadful”. He then turned to place a linger kiss to your own cheek, making you laugh a little too loudly.

[forest-hashira]

Naked in Osaka

hi friends! this is my submission for @pixelcafe-network's "challenge friday" that they do every other week! the prompt this week was a random song selected by shuffle, and my assigned song was "Naked In Manhattan" by Chappell Roan, and after a bit of debate (& some help from friends), i decided to go with shoko for this fic. it's a quick thing, but it was fun! i hope to write more for female characters in the future, and this was a good jumping off point 💜

read on ao3 | wc: ~2.6k | cw: gender neutral reader (no pronouns used, but implied fem reader based on song lyrics), alcohol consumption, making out, implied smut at the end (kinda?), implied first sapphic experience (thus the pride divider), shoko calls reader "cute", minor background stsg

“Please leave your message after the tone.” Beep.

“Hey Sho, I know you just landed, and I know you're probably busy, but I would love to see you, so call me when you can.” 

You sighed softly to yourself as you ended the call, tucking your cellphone into your pocket. It wasn’t exactly a surprise that you’d gotten Shoko’s voicemail – she’d been out of the country on a trip and had only just gotten back – but it was still a bit of a disappointment. You hadn’t been able to see her much since you’d graduated from Jujutsu High together, since you’d moved to Osaka just a few weeks later. She was good about returning your calls and texts, so you tried not to think about it too much.

Despite how infrequently you got to see your friend in person, she never really left your thoughts. In fact, you probably thought about her more than was normal. The two of you had been pretty close in school, spending a lot of your time together, especially when Gojo and Geto were off on missions or otherwise wrapped up in each other. You’d been friends with the boys too, of course, but your one on one time with Shoko was where you formed all your best memories of your school years. Around third year was when you realized your fondness for the other girl may have been more than just platonic, but you never allowed yourself to dwell on it or bring it up to Shoko, telling yourself it was no different than the way the boys felt or acted around each other, so there couldn’t be anything weird about it.

Then again, the boys had gone on to start dating after graduation, and last you’d heard they’d gotten engaged, so… Maybe it was worth revisiting those feelings again.

The sound of your phone ringing pulled you out of your thoughts, and when you saw Shoko’s contact picture – a slightly blurry selfie she’d sent you nearly a year ago while she was out getting drinks with her friends in Tokyo, her cheeks a little flushed and a soft smile tugging at her lips – on the screen, you felt your cheeks begin to burn, as if you’d been caught doing something you shouldn’t.

“Hey.”

“What are you doing tonight?” Shoko asked, and you couldn’t help but smile. Your conversations with her never really seemed to stop or start; instead, it was more like you’d been having one long conversation with her from the day you’d met.

“Nothing,” you told her, idly beginning to pace your room. “What’s up?”

“Figured I’d come see you if you were free. That okay?”

You bit your lip for a moment, suddenly feeling very flustered. “I-I, uh… Yeah! Yeah, that’s fine. That sounds great, actually.” It was obvious even to you that you were stumbling over your words, and you cringed slightly at how weird you sounded.

Shoko only chuckled quietly at you. “Careful,” she teased, “if you act too excited you might give me a bigger head than Gojo.”

That made you laugh. “As if that could ever happen.”

“You’re right,” she agreed, her words airy with laughter. “Does that udon place down the street from you still do carryout?”

“Yeah, as far as I know.”

“Cool. I’ll cover dinner if you’ll cover drinks.”

“Wine or sake?”

“Surprise me.”

She hung up without saying goodbye, though that wasn’t unusual. You glanced at the time, and though you knew you had a few hours before she’d be there even if she’d already been on the train when she called you, you already felt like you were running out of time for all the things you needed to do before she arrived. 

After a few moments of internal scrambling, you figured out a rough order of operations: popping into the liquor store to grab Shoko’s favorite wine, then a mad dash to make your apartment presentable, then finally a shower before she arrived. The trip to the store didn’t take very long, and you tucked the two bottles of wine you’d grabbed into your freezer to chill while you cleaned and got ready. 

Thankfully, your apartment wasn’t as much of a mess as you’d convinced yourself it was, so cleaning it didn’t take long at all, and you were able to hop in the shower within an hour of getting off the phone. The last thing you wanted was to smell when you saw your friend for the first time in over a year, and you knew you were sweating from nerves. It was ridiculous to be nervous about seeing her, you knew that, but this time felt different, somehow. Maybe it was because you’d been wondering earlier that day if you really did have feelings for Shoko.

Whatever the reason was, you were desperate not to smell like nervous sweats.

After thoroughly scrubbing yourself with your best-smelling body wash, you hurried to your bedroom to get dressed. Overwhelmed with options, you threw on some underwear and paced your room, feeling like a nervous teenager.

It’s just Shoko, you reminded yourself, sitting down on your rug. She’s not gonna care what you’re wearing as long as you’re wearing something. A soft groan escaped you then, and you flopped onto your back and covered your face with your hands.

Your pity party came to an abrupt end when your phone chimed. Pushing yourself up just enough to grab it from your bed, you saw a text from Shoko, letting you know her train was about to arrive, and that she’d be at your apartment in half an hour at most. 

The message made your heart flip in your chest. How long have I been laying here? How long was I in the shower?? Instead of letting her in on your internal panic, you shot back a simple “see you soon!” text, then leapt up from the floor, scrambling to find clothes that were comfortable but also somewhat presentable. Eventually you settled on a pair of pajama shorts and a loose t-shirt, then stepped into the bathroom to make sure your hair wasn’t a complete disaster.

You’d only just finished putting your hair out of your face in a way you were satisfied with when you heard a knock at the door. Heart skipping a beat again, you took a deep breath to steady yourself, then hurried to answer the door.

Shoko stood there with a small smile on her face, an overnight bag slung over her shoulder and the takeout in her other hand. “Long time no see,” she greeted, stepping inside as you moved aside. “Is it cool if I go change real quick?” She set the takeout on your table as she spoke, then turned to you and arched a brow slightly.

“Yeah, of course. I’ll get the drinks out and everything while you do that.”

Her smile widened the tiniest bit. “Perfect.”

She made her way to your bathroom with her overnight bag, and as she shut the door, you pulled a bottle of wine from the freezer and two glasses from the cabinet. They weren’t fancy, and they didn’t match, but you told yourself it was better than drinking out of plastic cups.

Once the glasses were out, you opened the bottle, pouring a fair amount into each of the glasses, though one had a bit more; Shoko’s tolerance had always been a bit higher than yours, so you were sure she would want to drink more than you did to make sure you had the same buzz. 

You had just started pulling the takeout from the bag when Shoko came back from getting changed, and your heart fluttered a bit when you saw her. She wore a tank top with a big picture of Gudetama in the middle and a pair of yellow shorts to match. It reminded you of the pajama sets Gojo had gotten everyone when you were in high school – Cinnamoroll for himself, Kuromi for Geto, Badtz-Maru for Shoko, and Keroppi for you – though you knew it wasn’t the same set from back then, since she wore a different character now. 

“You’re staring,” Shoko teased, bumping you lightly with her hip once she was standing beside you. “Do I really look that hot in my pajamas?”

Though her words left you feeling more than a little flustered, you just scoffed at her and rolled your eyes. “They remind me of the ones Gojo got us when we were in school, that’s all.” 

“He got me these ones, too,” she said with a small chuckle. “They were for my birthday last year.”

“Why’d he pick a different character than the one he picked when we were in school?”

“He said the penguin reminds him too much of Megumi now,” she said with a shrug, and you both laughed. You could see the resemblance too, though; both had the spiky black hair and the deadpan expression, and imagining Gojo telling the boy that nearly made you die laughing all over again, but you kept it to yourself for the moment.

Just as comfortable in your home as she was in her own, Shoko opened a few of your kitchen drawers, grabbing soup spoons and chopsticks for the both of you. “We should watch a movie while we eat.”

“What do you want to watch?” you asked curiously, carrying the takeout to your living room and setting it on your coffee table.

“What was that American movie we watched all the time in school?” she asked, following after you with the utensils and wine. “It was about those high school girls who wore pink.”

“Mean Girls?”

“Yeah, Mean Girls!” she grinned, setting everything down before sitting on the floor, gesturing for you to join her. “God, I don’t know how we never got sick of that movie.”

“Because Regina George was hot,” you replied without thinking about it.

The words drew a laugh from her, and she bumped you with her shoulder. “Glad I’m not the only one who thinks so.”

A small, relieved chuckle left you at her teasing words. “I’m sure we could stream it somewhere if you wanna watch it again.”

“Please, I could use a good throwback.” She took a long sip from her glass, then opened the lid on her bowl of udon.

With a nod, you grabbed the remote for your TV, sipping from your own glass as you flipped through various streaming services looking for the movie. Eventually you found it, not even caring that you had to pay to watch it; it was worth it to have a night in with your friend, especially when you knew it would make her laugh and smile more.

Once the movie had started, you finally got into your own food. You smiled when you saw that Shoko had gotten your order perfect without even asking. She’d memorized it in school, but it made butterflies flutter in your stomach a bit to know that she’d never forgotten it, even after so much time apart.

For the most part it was quiet as you watched the movie, only the soft sounds of occasional slurping and the faint clinging noise of glass on glass when Shoko topped up your wine glasses. Every once in a while, one of you would make a small comment or joke, or you’d quote the lines along with the movie before bursting out laughing. It felt like being back in school, huddled in one of your dorm beds, sharing drinks from a flask shoko had managed to sneak on campus.

At some point, you set your glass down after finishing the contents. It had been your second glass – or maybe your second? Shoko had topped you up enough times that it was hard to be sure – and was enough to have everything feeling a little fuzzy around the edges. Leaning back against your couch, you turned your head towards the other woman, smiling to yourself as you watched her, rather than the movie.

She’s so pretty… even prettier than when we were in school. When did she get so pretty?

“I’ve always been this pretty.”

Shoko’s words startled you a bit, and though it took your brain a moment to catch up, you realized she was responding to your thoughts. Only… you must have said all of them out loud, rather than just in your head. The realization had your face burning with embarrassment. “Oh my god, Sho, I—”

“It’s okay,” she assured you with a smile. She settled into the same position as you, turning to face you a bit. “‘M glad you think I’m pretty. Always thought you were cute, too.”

The whole world came to a screeching halt around you. “…You did?”

“Yeah,” she said easily, brushing her hair out of her eyes. Her words weren’t slurred, but you could see that her movements were loosened a bit from the wine. “Thought you knew that.”

“No, I… How would I have known? You never said anything.”

“I saw the way you looked at me. Thought you’d only look at me like that if you knew.”

You blinked, confused, and more than a little worried. “…How did I look at you?”

Her expression softened at that. “The same way I caught Gojo staring at Geto when Geto wasn’t looking, before they got together.”

The words sent a mixture of shame and hope swirling around your tipsy mind, and before you could really contemplate your next move, you heard yourself asking, “Can I kiss you?”

Shoko’s cheeks flushed a bit, and she nodded, shifting closer and wrapping her arm around your waist. Your eyes widened as she came into your space, and when you felt her breath on your lips, your own finally started cooperating with you again.

“I’ve never kissed a girl before.”

“I’ll teach you,” was Shoko’s only response before she kissed you. She was surprisingly warm, and it only took a second for your eyes to slip shut and for you to melt into her, returning her kiss eagerly. As she kissed you, everything else in the world faded away, the only sensation you were aware of was the feeling of her lips on yours.

It didn’t take long for her to press in closer, tilting her head a bit to deepen the kiss. Stumbling and a bit inexperienced, you did your best to move with her. She held you closer with the arm around your waist, her free hand coming up to cup your cheek, guiding your movements the tiniest bit. Time slowed and stretched out, the moment between you endless in the best possible way. You weren’t entirely sure when her tongue came into the mix, but next thing you knew you were parting your lips to let her in. 

A small sound escaped you as she deepened the kiss further, turning slightly to press you both into the couch a bit more. Still struggling to keep up because of the alcohol in your bloodstream, the movement threw you off a bit. Reluctantly, you pulled away for a moment, needing desperately to catch your breath. 

Shoko smiled down at you as you panted, faces only inches apart. “How was that for your first kiss with a girl?”

“I really wanna kiss you again.”

She laughed softly. “Is kissing all you wanna do tonight?” She arched a brow curiously, her thumb tracing your bottom lip lightly. 

“I don’t know how to do anything else,” you breathed, “but I'd love to learn.”

“Looks like I've got some teaching to do, then. Lesson one: kissing with tongue.” She leaned in again, capturing your lips in another passionate kiss. You were more than willing to let her take the lead, though; there was no one else you’d rather have teach you everything, anyways.

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[merinsedai]

Thank you, @ficreadingchallenge for this fun little bingo challenge this summer! Some of these, I could have filled multiple times and some I had to have a search for, but all part of the fun!

1. Under the influence: Spoils of War by @seiya-starsniper [E] Aphrodisiacs! Starting strongly with the smut. Kinda feral for this piece, multiple rereads. Hob is not a good man but he is good in bed. Dream has not spoken since he arrived. How long ago that was I don't know, but I'm in awe of the pettiness. Excellent, love it. Very much E (and probably not the only one on this list...)

2. Newest fic in the tag of your choice: listen, I'm very one-track minded. Dreamling has basically been the only tag of my choice for the past two years. So, the newest fic when I decided to do this square was: Dream Ship by @often-adamanta [E] A spicy little tale set on a space ship which Dream controls and Hob's his muscle. They're a new partnership and Dream's not happy about it so he's giving Hob the silent treatment. Queue Hob taking some alone time, Dream accidentally interrupting and Hob having no privacy issues at all. The start of something beautiful, no doubt.

3. Inspired by another fanwork: I'll Go To Sleep and Dream Again by @chaosheadspace [E] which is inspired by Shelter by softestpunk. An accidentally human Dream has need of the help of Hob Gadling to help him navigate life as a human (eg facial hair, food, and morning wood), regain his Endlessness and recover his tools. Whilst falling in love and having some hot sex ofc. Also, a lot of lovely petnames.

4. Mistaken Identity: As a Stranger I Know Myself by @phinofthestorm and @sleepsonfutons [E] Could be no other choice for this square. Gripping drama, mysteries, feeeeelings, smut (obvs), plentiful existential angst, and shit goin' down. Featuring Jessamy the raven knocking her head against the wall; Burgess's cane; name repetitions; everyone having A Time of it; side characters Shipping Them Too; oh, and a main character you don't expect to like as much as you do...

5.Slow Burn: What Dreams May Come, When Living is at an End by Sebena [T] This fandom is slow burn central, but this is the fic I'm currently in the middle of, and I'm quite enamoured with the relationship between Knight Hob and Morpheus, and it's beautifully descriptive. Plus some lovely pieces of art by @teejaystumbles A real treat.

6. Dressing Up: Make it Count by @arialerendeair [E] Dream gets to dress Hob up very nicely for posh dinners aboard the world's most famous ocean liner in this wonderful Titanic AU. Dream gets to dress down, too! A longer fic but absolutely gripping! Could also use Aria and Konstadt's Colour Forecasting [E] for this square. There's lots of fancy tailoring and clothing choices going on here. And lots of smut, relationship navigation and lots and lots of kissing.

7.Author's oldest fic: Metamorphosis by @windsweptinred [M] Delightful fic about-yes- the metamorphosis of Dream and Hob into Something Else. Starts with high drama as Dream is about to take Death's hand as the Kindly Ones are ravaging the Dreaming and takes things in a very different direction. There's stunning artwork on each chapter that really adds to the reading experience!

8. Small Fandom (<1000 fics): In Which Cat/Cow Is Not A Yoga Pose by @temve [E] ok, technically a crossover with The Sandman (although for pure Aldrich Kemp there's A Fishbowl, a Forklift, and a Friend: or, Who Hired Aldrich Kemp? which I read back in April, so doesn't count for the summer challenge) Temve has Aldrich's voice down to a T and her humour is so on point. I laughed out loud many times in both these fics.

9. Gift Giving: For Your Affection by @cuubism [T] short and sweet little fic by cuubism dealing with high larceny as a love language. cuubism's writing is so joyful, the playfulness she often gives to her Dream brings me great happiness and there's no exception here.

10.Enemies to friends/lovers: Tower and Rose by @moorishflower [E] Beauty and the Beast style 'au' with a magic tower, a mysterious lord, a plucky peasant Hob, an 'imprisonment', a terror stalking the grounds and many, many questions. Why are all the servants ravens? Twists and turns a plenty, and some fun eldritch sex sprinkled in.

11.Lyric Title-listen to the song, too!: please wake me/for my love lies patiently by @beatnikfreakiswriting [E] sequel to the also-having-a-song-lyric title, would you let me know...? aka fics that live rent-free in my head after having rewired my brain. Featuring the most relatable Hob ever, copious interesting facts in the author's notes, and a Dream who would have scared the shit out of me if he'd been my lecturer but is hot af and needs lots of love really. Lots of scorching smut too. Is this a theme? Obviously. Bonus that each chapter, and the series title, have song lyric titles too.

12.de-aging/kidfic England and Nowhere (Never and Always) by @dsudis [M] The last fill on my card, and one I had to search for. And I'm glad I did. I'm about 1/2 way through so don't know the resolution but a lot of it is very soft, especially Dream's relationship with the changeling toddler, Finn. Finn feels very much like a real little boy in his actions and his dialogue. I'm very much enjoying this fic.

FREE SPACE: literally anything by @tj-dragonblade fluff and smut and pure delight.

13.character study: Unsent Letters, Nameless Stranger by @rainbowvamp [M] letters from Hob to Dream throughout the centuries detailing the evolution in Hob's thoughts, attitudes and feelings towards his life, his history and mostly, his feelings for Dream (aka a lot of pining). I'm about halfway through the letters so far and am looking forward to getting back to them.

14.happy ending: My Fair Gadling by @zigzag-wanderer [E] a work in progress, so we haven't reached the happy ending yet, but I have faith in the author and this absolutely wonderful fic. Hob has such a strong narrative voice, he is a delight to read and so, so funny. I laugh out loud constantly in all of ziggy's fics, whether that's the dialogue or the hilarious analogies and metaphors. Professor Morpheus is a study in buttoned up sadness to begin with, but just wait until he's unleashed. He's unbearably sexy when he rolls his sleeves up and fixes car engines at the side of the road, and endearingly earnest in bed. I eagerly await every chapter (especially to find out what outfit Hob has shimmied into that day).

15.Secret Relationship: Risk and Reward by @signiorbenedickofpadua [E] absolutely cracking Regency au. Lord Morpheus spends a lot of time early on feeling mildly fevered. It's probably nothing to do with his new house guest, Mr Robert Gadling, right? These guys slowly, so slowly move towards Something Special. There is the ultimate thrill of finger brushing; the admiration of shapely legs and the highly charged Shakespeare reading. Also balls, duels, painting, stargazing, horse riding and misuse of biblical quotes. And I'm only half way through! The relationship is of necessity given the time period, secret. At the point I'm at, it's finally begun in earnest and I'm excited to see where the plot takes them next!

16. Angst: Exit Wounds by @valeriianz [T] There are many angst-ridden fics in this fandom, and I am a sucker for angst. I love it and seek it out. This fic by sanyumi tore my heart out, stomped all over it and then threw it in the river for good measure. Sometimes you just need to feel destroyed and this delivers.

17. Omegaverse AU So Tell Me Where To Put My Love by @seiya-starsniper [E] Another of my favourite au topics! This starts out with an unhappily arranged marriage, secrets and angst and lots of miscommunication and then explores the developing relationship between Hob and Dream; Dream getting to feel empowered; more miscommunication; knitting; Hob getting to be incredibly rude to Dream's mother, and a very happy ending. Could have tagged loads in this square. Special mentions to i have no fear of time / for who knows how my love grows? by @gabessquishytum [E] for pure horny good times most centuries; and also the incomparable Lover, Be Good to Me by @omgcinnamoncakes which I haven't actually read this summer but which hasn't left my brain. The ultimate omegaverse slowburn and healing fic. Wonderful.

18. High School/College au: Dr Hardass and Professor Sweetheart by crimandclove [G] an outsider pov look at Hob and Dream, who are both professors at the same university (and also married, of course, though the protagonist doesn't know it). And by the same author: Coincidence, [T] which is the story of how Dream and Hob met and became friends in high school. Pure nostalgia for me and Hob is such a delightful pov character to follow. Unfinished but with a full synopsis of how the story would have gone.

19. Road Trip: The Blood of Bucephalus by @llflorence [E] no actual roads, but these guys sure go on a journey. Set in ancient times, with shades of Alexander the Great. Except it's king Morpheus and his loyal soldier (and lover) Hob. Featuring Hob being mostly bewildered about what's going on and Morpheus being the most tight lipped monarch in existence. Also featuring a love for horses and Morpheus's unquenchable desire to travel incognito. Written with the same tenderness, intensity and mystery that is Lis's hallmark.

20. New author (<1 year) Coma Dreams by TheTroubleWithTribbles [M] a fic I had to actively search for but very much enjoyed reading. Some domesticity, Dream being caring, Matthew being traumatised, and Hob enjoying an extended trip to the Dreaming. Featuring some laugh out loud moments, Dream with broccoli patterned oven gloves and Hob being free with terms of endearment.

21. Crossover or fusion fic: Half Asleep, Half Waking by @softest-punk [G] again, I could have chosen fics by softestpunk to fill most of the spaces on this grid! Isn't their writing delightful? Such warmth and such range. Something for whatever you're in the mood for. Am in awe. Anyway, this is a crossover between The Sandman and Rivers of London. I didn't know the RoL books, but after reading this I listened to them on audible and came back to the fic. Very enjoyable- thanks, Cecil! Nightingale is my favourite character from RoL and I loved his relationship with Hob. And Hob gently chiding Molly and Nightingale to get their acts together, ha!

22. Superpowers/no powers Au: Here in the Darkness by @cuubism [M] Since we've got one 'super' character, and one 'normal' character in Dreamling, I chose cuubism's reverseverse fic where they've switched around. Good grief, it was good. Hope is a ray of sunshine, eh? He's just going around being lovely and offering hope, and being kind to Morpheus. And then gets captured and treated horrifically for a century. There's plenty of angst, Morpheus being snitty, then depressed, then a vengeful angel and then they get some softness. It's pure cuubism magic: it's fucking brilliant.

23. Only One Bed: The Chase by @imnotcrying-ipromise [M] I followed along with this story as it was being published early last year, and it was a wild ride of emotions and cliffhangers! Not only is there only one bed, there is a hunt across the country, a wonderful yet dangerous connection, and of course, some falling in love. It's such a fun and thrilling tale: a unique concept with a menacing villain. The sense of peril is real: for our canon characters and some lovely ocs we meet, too. And in the quieter moments there is a lot of sweetness and care between Dream and Hob. An excellent re-read this summer.

24: Soulmates: Destined by @arialerendeair [M] I love a good soulmate au, and this is a cracker by Aria. Featuring not one, but two rescues, a number of villains getting their just desserts, and visits to a Greek temple. Hob is, by turns, a bamf and a gentle, considerate man. He's spent 600 years trying to figure out what the letters of his soul mark mean, and when he does... Dream has spent countless years not even knowing he has a soul mark/mate; it takes a severance from the Dreaming to reveal it, and when he finds out...

[hayatoseyepatch]

𝕯𝖊𝖘𝖈𝖗𝖎𝖕𝖙𝖎𝖔𝖓: Hoshina knew better than to get romantically involved with a subordinate, but he sees you in a different light, the object of his desires.

𝕮𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗: Soshiro Hoshina (Kaiju No. 8)

𝖂𝖔𝖗𝖉 𝕮𝖔𝖚𝖓𝖙: 1.4 k

𝕮𝖔𝖓𝖙𝖆𝖎𝖓𝖘: Soshiro Hoshina x Fem!Reader. (SMUT). 𝖈𝖜: oral (fem receiving), minor impact play, dirty talk, praise, degradation, fingering.

𝕬𝖚𝖙𝖍𝖔𝖗’𝖘 𝕹𝖔𝖙𝖊: This is a very late submission for the pixel-cafe's "Challenge Friday", and this challenge was music-themed! *ahem* shameless plug just in case anyone was thinking of joining. *ahem*. I had so much fun with this, I lucked out with one of my favorite songs from one of my favorite artists. So naturally I had to use it to try out a new character from a new fandom I'm so in love with him someone save me. Anywhosies, I hope you enjoy! (ᴗ͈ˬᴗ͈)ꕤ.ﾟ

𝕾𝖍𝖊’𝖘 𝖓𝖔𝖙 𝖆𝖈𝖎𝖉 𝖓𝖔𝖗 𝖆𝖑𝖐𝖆𝖑𝖎𝖓𝖊, 𝖈𝖆𝖚𝖌𝖍𝖙 𝖇𝖊𝖙𝖜𝖊𝖊𝖓 𝖇𝖑𝖆𝖈𝖐 𝖆𝖓𝖉 𝖜𝖍𝖎𝖙𝖊. 𝕹𝖔𝖙 𝖖𝖚𝖎𝖙𝖊 𝖊𝖎𝖙𝖍𝖊𝖗 𝖉𝖆𝖞 𝖔𝖗 𝖓𝖎𝖌𝖍𝖙, 𝖘𝖍𝖊,𝖘 𝖕𝖊𝖗𝖋𝖊𝖈𝖙𝖑𝖞 𝖒𝖎𝖘𝖆𝖑𝖎𝖌𝖓𝖊𝖉.

He knew he shouldn’t, knew that in this line of work romance should be off the table. Knew that at any moment either of you could killed in the line of duty. Feelings in your profession were thoughtless, illogical, and just downright stupid. Why would he put his heart into someone he could lose at any moment? Why would he jeopardize your heart in the event he was the one to meet his end. The idea of losing you alone already had a painful pinch blossoming in his chest, he knew he should stop this, but even he knew it was too late. Knew you both were long past the point, even if a heartbreak was temporary, you both cared for each other too much. Even if separated you both cared for each other too much to not be shattered by the loss of the other.

But those thoughts are quickly shoved to the wayside, thoughts like that had no room in his head, not when he felt your body on his. Not when the both of you snuck out of your rooms in the dead of night. Not when he shut the door to the library with your back, his mouth finding yours hungrily in a desperate kiss. And certainly not when he let out an arms to swipe the contents of a table, uncaring of the clatter of books falling to the ground. Pushing you to lay against the cool wood, hiking your thighs around his waist.

“So fucking beautiful.” His words are muffled against your lips, breathless, barely getting them out before he's claiming your lips once more. The kiss was a mess of tongues and clashing teeth, the both of you unfathomably filled with need. A magnetic pull drew you to each other, unable to be separated until you were both satiated. His lips trailed down the side of your face to your neck. Open-mouthed kisses left in their wake, sharp canines finally sinking into your tender flesh. He hadn’t realized how hard he had bitten down, not until the metallic taste filled his taste buds. His wet muscle swiping against your skin, a tender kiss almost an apology against the afflicted area. But he couldn’t deny the knowledge that he had left his mark on you didn’t send blood rushing to his cock. The thought of anyone who was suspicious that you were taken would now have confirmation.

“Fuck kitten, I need you.” His own voice sounded foreign to his own ears, the need-filled husk making it sound octaves deeper. Hands tugged desperately at each other’s clothing, the overwhelming need to feel each others skin was all-consuming. He needed a taste of you, his mouth going dry with the need to taste you on his tongue. He was grateful you had forgone sleep pants, clad only in an oversized tshirt, one that made it oh so easy to slide your panties down your thighs. He gripped the damp material, unable to stop himself from pressing the fabric to his nose. Eyes locked on yours as he inhaled, relishing in the way you looked away from him in embarrassment, your cheeks darkening with a flush. He lets out a long drawn-out sigh, pocketing the article of clothing for later. “God, kitten, smell so fucking good. Let's see if you taste even better yeah?”

His hand trails down your body, long fingers sliding between your folds, collecting your arousal. His lips leave yours, parting only to whisper “You’re this wet already? Is this for me, kitten?” He purrs needing to hear you say it. His eyes nearly roll back in his head as a delicious whine fills his ears. “Its for you Shiro, all for you.” Those words pull a malicious smirk onto his features, his other hand coming down against the plush skin of your ass in a harsh slap, his lips swallowing the gasp you let slip at the impact. Seizing this opportunity to slide his tongue into your mouth once more.

𝕴’𝖒 𝖈𝖆𝖚𝖌𝖍𝖙 𝖚𝖕 𝖎𝖓 𝖍𝖊𝖗 𝖉𝖊𝖘𝖎𝖌𝖓 𝖆𝖓𝖉 𝖍𝖔𝖜 𝖎𝖙 𝖈𝖔𝖓𝖓𝖊𝖈𝖙𝖘 𝖙𝖔 𝖒𝖎𝖓𝖊. 𝕴 𝖘𝖊𝖊 𝖎𝖓 𝖆 𝖉𝖎𝖋𝖋𝖊𝖗𝖊𝖓𝖙 𝖑𝖎𝖌𝖍𝖙, 𝖙𝖍𝖊 𝖔𝖇𝖏𝖊𝖈𝖙𝖘 𝖔𝖋 𝖒𝖞 𝖉𝖊𝖘𝖎𝖗𝖊.

His fingers glided against your clit, easily with the aid of your own slick arousal, rubbing tight circles before letting a finger slip past your entrance. Your warm velvety walls sucking in his finger, hugging the digit as if begging for more. He slides in another finger with ease, pulling from the kiss as he dropped to his knees before you. His eyes locked to where his fingers disappeared inside you, his heart racing in his chest. He leans back, admiring you being so exposed for him, hand pulling his fingers from your core, rearing back to slap your exposed cunt. You cry out, pain immediately being replaced with pleasure as he dives down, burying this face into your folds.

His nose bumps your clit as his tongue invades your entrance, curling inside you. He collects your juices on the wet muscle, withdrawing from inside you he pushes himself up. Tongue lolling out of his mouth, allowing your juices, mixed with his own saliva, to drip down on your neglected clit. You whine, the warmth contrasting to the cold of the room. You’re shaking, trying to hold the position he’s placed you in. “Shiro, please!” You cry, not even sure what you’re begging for at this point. “What does my pretty kitten need, hmm?” he hums, lips curled into a malicious smirk “You know you need to use your words and ask your vice captain how he can service you angel.”

“Please Shiro need more, fingers, please fuck me with your fingers vice captain!” You cried out, voice laced with desperation, hips wiggling wantonly in search of any kind of friction to your throbbing clit. He grinned, pulling away to bite harshly on your thigh, his title moaned from your lips did something to him. “Now how could I say no to such a pretty request?” He coos before plunging two fingers back inside your cunt. His lips attach themselves to your clit, lapping at the sensitive bud, nipping occasionally as he eats your pussy with a deep seeded hunger. The way your walls clamped down on his fingers as they pumped inside of you let him know you were reaching your first orgasm of the evening. He curls the digits, focusing on that spongey spot that has your vision going white. His words spoken against your pussy as he speaks. “Go on kitten, cum for me, cum for your vice captain.”

His words are the anchor that sent you plummeting to your release, the coil tightening in the depths of your stomach, moments from snapping. “Shiro, please, fuck fuck fuck!” You can feel his lips curl into a grin against you, other hand coming up to pin your hips to the cool wood of the table. His fingers work in tandem with his tongue, the cold of his fingers perfectly contrasting with the warmth of his mouth. You were thrown over the edge, walls suffocating his digits as they spasmed around his fingers. Your hips bucking desperately against his face as you rode out your orgasm.

Coming down from your high, you catch your breath, your chest rising and falling heavily as he stands to his feet. Hoshina slips his fingers from inside of you, cradling your still-shaking form to his chest, running his fingers through your hair in a soothing gesture. Only to lean down, lips brushing the shell of your ear to whisper. “Well now that we’ve gotten our warmup all done, you ready for the main event kitten?” the fingers of his free hand deftly freeing his cock from the confines of his pants. Quick to rub the head of his cock against your clit a few times before moving down to probe your entrance. Sure, rational thought would tell him that getting involved with you was a mistake. But, as he watched you writhe beneath him, looking up at him desperately through your lashes he couldn’t determine if you were born in hell or heaven-sent, but either way he was into it.

Dividers by @/cafekitsune. Character banner and writing by me. Tagging @pixelcafe-network.

[lyssak09]

Hello. Can you write yandere The Governor ( Philip Blake) ? Please

Yandere Philip Blake (The Governor)

So I've been rewatching his season to get some ideas for this and to refresh myself on his character, and god damn I forgot what a fucking psycho this man can be. Anyways, I hope you guys enjoy. Happy reading

The governor could have met you in many ways, finding you during a recon mission, you and your small group finding Woodbury, or maybe he saw you injured while you were doing a scavenge run for the prison, and by god, you’re just so pretty, so how could he not help a pretty little thing like you.

Either way, he’ll fabricate elaborate lies about the fate of your loved ones/group, making you believe they are either dead or have abandoned you. This will isolate you emotionally and make you more reliant on him.

He collects mementos of your time together, ranging from innocent tokens to more disturbing trophies that remind him of you and your bond. These items are kept hidden, serving as a reminder of his ‘love’ for you.

When his control over you is threatened or challenged, The Governor’s demeanor can quickly shift from charming to violently possessive. He may resort to extreme measures to eliminate perceived threats to your relationship or his authority.

 In his mind, The Governor truly believes he is acting out of love and protection for you. He justifies his actions as necessary sacrifices for your happiness and survival in the harsh world they live in.

His love for you is twisted with manipulation. He showers you with gifts and affection one moment, only to use guilt or emotional blackmail to keep you from leaving his side when you express any desire for independence or doubts about his methods.

The Governor uses emotional blackmail, often threatening to harm himself or others if you try to leave or disobey him. He manipulates your guilt and compassion to keep you compliant.

I also wouldn’t put it past him to manipulate your health. If you ever fall ill or get injured, The Governor ensures you receive the best care, but he also uses your vulnerability to further establish your dependence on him. He might even exaggerate or fabricate medical conditions to keep you close.

The Governor often gives you gifts, each a reminder of how much he loves you. These gifts are sometimes eerily personal, like a necklace made from something you once mentioned liking in passing, showing just how closely he pays attention to you.

Any sign of rebellion or disobedience from you is met with stern reprimands or punishments. He uses psychological tactics, like silent treatment or feigned disappointment, to guilt you into compliance.

He constantly checks on you, bringing you gifts and necessities, ensuring you have everything you need. He uses these gestures to remind you how much he cares and how dangerous the world is outside his protection.

He uses his charm and authority to manipulate you into believing that everyone outside of Woodbury is a threat. He often exaggerates or fabricates stories of violence and betrayal to make you dependent on him.

The Governor often goes out of his way to personally inspect any new people who come into contact with you, ensuring they are no threat to you or his control over you.

To you and others, The Governor appears charismatic and caring, often offering a helping hand and creating an image of a benevolent leader. However, on the inside, his possessiveness and manipulation are prominent.

In public, The Governor often displays exaggerated affection towards you, making it clear to everyone that you belong to him. This also serves to remind you of his power and influence over your life.

The Governor keeps a journal where he obsessively documents everything about you – your likes, dislikes, daily routines, and any conversations you two have. This helps him tailor his behavior to be the perfect partner in your eyes.

He has a secret room filled with photographs and memorabilia of you. This is his sanctuary where he indulges in his obsession, convincing himself that everything he does is for your own good.

In his mind, your relationship is destined and he often speaks to you about a future where they rule over Woodbury together, framing it as a utopian dream while ignoring your discomfort.

The Governor involves you in personal projects or missions, making you feel important and valued. These projects are often designed to keep you busy and distracted from thoughts of leaving.

He frequently uses emotional manipulation to keep you dependent on him, going between showing you affection and then subtly reminding you of the horrors outside Woodbury’s walls.

He fabricates stories of people trying to harm you, using these lies to justify his controlling behavior and making you believe you are safer with him.

"Baby girl you don't understand! That man was saying some of the most awful things about you behind your back. There were rumors of him planning to help some bandits raid us! He wasn't right for Woodbury.” Phillip lies right through his teeth to you, you wouldn’t understand the truth, that man was getting in between you too. He also was starting to alert people about Phillip's weird behavior towards you. So, he needed to be eliminated.

The Governor plants false allies in your life, people who pretend to support you but are loyal to him. These spies report back on your thoughts and actions, ensuring he always knows what you’re planning.

He controls the flow of information to you, censoring news and updates about the outside world. This keeps you unaware of potential opportunities for escape or allies that might help you.

He insists on knowing your whereabouts at all times. If you’re late or out of his sight for too long, he becomes furious and demands an explanation, using his anger as a way to guilt/scare you into compliance.

"Where have you been Darlin'? You were supposed to meet us for dinner 15 minutes ago. Someone keeping you chattin'?" He says with a charming grin but if you look close enough you could see his eye twitching ever so slightly. He had planned a romantic dinner for just the two of you and with every minute of you not joining him was driving him crazy. If he had to wait even just five more minutes for you then he might have put out an alert to his security team and started hunting for you.

He manipulates situations to make you see him as your savior. For instance, he might stage a walker attack and “rescue” you just in time to reinforce your gratitude and reliance on him.

The Governor believes that his actions are justified because of the dangerous world they live in. He convinces himself and tries to convince you that his extreme measures are acts of love and necessity.

Despite his controlling behavior, he shows moments of vulnerability, sharing his past traumas to elicit sympathy from you and bind you to him emotionally.

Whenever you tries to escape or express a desire to leave, The Governor stages elaborate scenarios to prove how dangerous the outside world is, reinforcing your fear of leaving the community.

Phillip was breathing heavily, one arm wrapped around you and the other out, gripping a machete tightly. He had just secretly cut open a hole in the fence, allowing walkers to trickle in, just close enough to scare you as he rushes to be your knight in shining armor. Once he’s killed most of the walkers and gotten back up he drags you to a private spot as he investigates to see if you’re hurt at all, enjoying the feeling of you clutching onto him. “This is why you have to stay here baby, with me. Who knows what could have happened if I wasn’t here to save you.” Phillip proclaimed, having to bite back a pleased smirk as you nodded your head yes, still trying to catch your breath. Maybe this’ll stop your talks of leaving for a while.

If you continues to try and escape The Governor quietly sabotages any of your attempts to leave the community. He'll tamper with vehicles, hide supplies, or create barriers that force you to stay. But if that doesn’t deter you then he’ll become a bit more aggressive in keeping you with him and from escaping.

The Governor constantly seeks validation from you, fishing for compliments and gratitude

I 100% believe he’s an attention whore for you. All he wants is for you to focus on him 24/7. He’ll definitely have his attention on you 24/7 as well, even when he’s not with you.

He installs hidden cameras and bugs in your living quarters, ensuring he knows your every move and conversation. He often uses this information to confront you about perceived disloyalty or to manipulate your emotions.

He will become extremely violent if any harm comes to you or if anyone tries to take you from him.

The number of people he has secretly killed many for you, people who threatened you, got too close to you, got in his way, and even people who just didn’t like you. 

Phillip loves you more than anything, meaning he’d do anything for you. So good luck trying to escape him. Maybe if you’re lucky the group (Rick’s group) will manage to save you. 

Keyword maybe

[lemongogo]

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[discjude]

Yeah this is about right (as always my thoughts are in the tags so there's actually kei content there lmao)

[aroanthy]

hi!! i know u talk a lot about aromanticism a lot on here, but i don’t think i’ve ever seen u talk about aromantic anthy. would u mind discussing/elaborating on it or linking to a post where u do because i’m very curious!!

i got a similar ask half a year ago or something ridiculous like that on my main blog, but i’d like to really do justice to my url right now and explain it in more concrete terms.

i will say, it’s important to bear in mind that this reading of anthy’s character is very much informed by my own experiences, and a lot of those experiences are ones im not keen to talk in depth about. but you know. let’s make some nebulous gestures towards ideas of being traumatised, being autistic, struggling to meaningfully connect with others and honestly not really wanting to do such because of how they treat you.

like ive previously said, an aromantic perspective on the world would, i think, really benefit anthy. when youve lived your whole life experiencing violence at the hands of these patriarchal structures, of which romance is absolutely one, it’s kinda like. damn. im uncomfortable buying into those ideas.

anthy also has this lovely line in ep 19 where she says to utena ‘romance either happens or it doesn’t’ and it’s just sooooooo. so very interesting to me, actually, that anthy would say something so black and white about ‘romance’, a topic that anthy knows better than a lot of rgu characters is hopelessly confused and arbitrary and often enabling violence. and utena (fellow aromantic gaybo) says 'yeah, i know, but...'. these simplifications, these elisions. what is and isn't articulated. but what? maybe things are much more complicated than we'd like to think.

anyway enough of that tangent. one thing i as a trans and aromantic person always return to when discussing trans and aromantic readings of characters/texts more broadly is that there's no singular piece of evidence that can really cement these readings as Undeniable. it's like. okay. there's a critique of romance as a patriarchal structure in revolutionary girl utena. there's an ambiguity about anthy's feelings towards characters like utena, where there is clearly a queer connection but it takes shape in unconventional and complex ways. me, i'm aromantic, i see all of these pieces and i go oh well that's because she's an aromantic lesbian. you know, there's plenty of little moments i can evidence but those moments can be used to argue for an alloromantic lesbian anthy too. romance is a very arbitrary thing and i think everyone should take their own approach to it unapologetically. of course, mine is that it's hellish and i want nothing to do with it, but im just one guy. and im okay with that. i feel strongly about this reading and it is personal, and id be dishonest to say otherwise, but i do also find that it's well-evidenced in the text. as one of my lecturers once said, don't worry about authorial intent, it isn't real <3

[skrunksthatwunk]

stole this chart from @asubakaa and spent wayyy too much time making my own so. yeah. also i did 6 instead of 5 bc i know no restraint

[toiletpotato]

Check out this production of The Mountaintop by Katori Hall and then read the script!

The script link (the second one) also includes some very helpful guides to the show!

[mareestoermers]

i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.

1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.

2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.

3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).

4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.

5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.

just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.

in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.

even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.

in a fucked up way, they all get what they wanted out of each other.

[luvsavos]

collecting like pokemon cards monster ocs to draw

[deception-united]

Let's talk about killing off characters.

Killing off characters is a dramatic device often used to advance the plot, create tension, or evoke emotional responses from readers or viewers. We love doing it. The initial shock, the mourning after. The effects of it on the other characters. It's fun.

Nevertheless, you can still achieve the desired impact on your plot and characters without necessarily resorting to fictional murder.

Here are some alternatives to drive the plot forward:

Character Transformation: Instead of killing off a character, you can have them undergo significant personal growth or change. This could involve overcoming challenges, facing moral dilemmas, or undergoing a shift in beliefs or values. Their transformation can still drive the plot forward and impact other characters. (I especially love it when the transformation is negative—like when a traumatic experience of some sort completely strips a character of their soul. But that's a sentiment for another day.)

Betrayal or Conflict: Introduce betrayal or conflict between characters that challenges relationships and creates tension. This can lead to significant plot developments and character arcs without resorting to death. And it can be cause for quite a lot of angst.

Separation or Estrangement: Have characters physically or emotionally separated from each other, causing tension and driving the plot forward as they strive to reconnect or deal with the consequences of their estrangement.

Sacrifice without Death: Characters can make significant sacrifices that don't necessarily involve their death. This could be sacrificing personal goals, relationships, or values for the greater good or to achieve a specific objective.

Injury or Disability: Instead of killing off a character, you can incapacitate them through injury or disability. This will create challenges for the character and those around them, leading to character development and plot progression as they're forced to adapt to their new circumstances.

Redemption Arcs: Characters who have committed wrongdoings can undergo redemption arcs where they seek forgiveness, make amends, or strive to become better individuals. This can drive the plot forward while also adding depth to the character. Keep in mind that this may not be a suitable alternative to death for some characters—for instance, the protagonist forgiving their abusive parent despite all they were forced to go through may evoke a sense of indignation rather than admiration for their supposed selflessness.

Revelations or Secrets: Introduce revelations or uncover secrets that have significant impacts on characters and their relationships. This can lead to conflict, tension, and plot twists without the need for death.

Forced Alliances or Unexpected Partnerships: Characters can be forced into alliances or partnerships with unlikely allies, leading to interesting dynamics and plot developments as they navigate these new relationships.

Loss of Power or Status: Characters can experience a loss of power, status, or reputation, which can drive the plot forward as they strive to regain what they've lost, seek revenge on those responsible, or adapt to their new circumstances.

Time Constraints or Pressure: Introduce time constraints or pressure situations that force characters to act quickly and make difficult, split-second decisions that may end up being quite regrettable later on. This can raise conflicts of who's to blame, or what should have been done.

I feel like I strayed off a little, but there you have it. Hope this was helpful! ❤

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