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#i mean that's what you call character development
stagefoureddiediaz · 2 days
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We’ve been looking at this all wrong the entire time...
So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!
This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!
Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.
Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 
Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 
We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 
We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.
As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.
While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.
Right this post is super long so the rest is going below the cut! I hope you enjoy!
Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.
These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 
7x04 
at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans
at the court - light grey marl cut off hoodie and bright blue shorts
at Bucks loft - red/black short sleeve henley and stone wash jeans
7x05
at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)
coffee meet up - light grey henley and navy blue hoodie with mid wash jeans
7x06
karaoke club - navy blue short sleeved henley
7x10
light grey marl tee and greenish denim shirt 
So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.
Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!
Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)
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Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.
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Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.
Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.
The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 
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So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.
But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.
So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.
All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 
Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).
There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 
The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.
This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.
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We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.
I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.
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If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.
Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  
Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.
The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.
At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.
We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.
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Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.
Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.
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We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 
The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.
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Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.
Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.
Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 
Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.
It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!
Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 
All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!
Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!
Tagging some people who asked (and some who didn’t but might be interested anyway!)
@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil
@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo
@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx
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aethien11-blog · 3 days
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NOTE: I DO NOT OWN ANY OF THESE CHARACTERS. (Also, I’m a sappy, silly, dork at times. Sorry not sorry.)
The boys reactions to learning their s/o has been kidnapped
Fem Reader x : Muzan, Gyutaro, Rengoku, Sanemi
WARNINGS: use of ‘naughty words’, mentions of blood, rape, mutilation, death, violence, and possible spoilers. 
MUZAN KIBUTSUJI
It was supposed to be your last day under the sunlight, that had been your request. Muzan had found you far too intriguing (he would never admit to actually having developed feelings for you) to leave you as a mere human, and you for your part had fallen hard for the red-eyed King of the Demons. Granting you one last day in the sunlight was a small price…or it should have been.
Muzan’s nerves were already on edge. He did not like you being away where he could not watch you and be certain of your safety, but Douma had humans with you, other humans that were to see to your every desire for the day. Muzan had ensured they would have ample funds to do so. It would be fine, at least that’s what he kept trying to tell himself all the way up until Douma appeared before him and tossed a mangled human at his feet. 
Muzan had seen Douma assume many expressions and faces over the centuries, but the death glare down at the now legless man at his feet did not help Muzan’s nerves. Before Muzan could snap at Douma that he did not require anyone else to do his hunting for him, Douma snarled at the human. “Repeat what you just said to me.”
Muzan actually took the time to look then and noticed the robes the man wore. He was a member of Douma’s cult and his face looked vaguely familiar, but the words he uttered through pain stilled the Demon Lord’s heart in his chest, before his blood raged to life through his body.
“T-took her.”
“What do you mean by that?” Muzan's quiet question that was laced with a thousand promises of pain beyond imagination if the answer received was anything but pleasing.
“S-swords. Men with swords. They,” the man coughed another pile of blood at his feet before he stopped breathing. 
“Demon slayers, my lord,” Douma answered from a prostate position.
Before he could blink, Douma’s head was snapped back, clawed hands fisted in his hair forcing the multi-colored eyes to meet the furious ruby of the Demon King. 
Slowly, as if dragging the words from the pits of his now hollow stomach, Muzan ordered, “Where…is…she?”
Douma blinked only once before he heard the familiar strum of the biwa and four other demons appeared on the floor behind him. 
*******************************************************************
You sat up, still with your hands bound before you, in front of the men gathered. There were two women but you would not look at them. All you could feel was cold fear and rage. They had been going on for hours now, asking questions that you gave only short, curt replies to… if you answered at all. 
“You don’t seem to understand just what kind of monster that man is!”
That did it. You snarled out, “You don’t get to call him a monster when you are the ones that murdered my escorts.”
“It might seem that way,” one of the women spoke up and you snapped a glare at her smiling face. Her bangs hang loose, but otherwise her hair was drawn back in a bun, behind a butterfly of all things. You silently scoff at the concept. “We were actually saving you.”
There was no keeping the scoff silent that time. 
The smile faded from her face barely before she forcibly replaced it. “We were.”
“From what? A happy life?” You didn’t wait for any of them to answer. “They were to escort me to gather the rest of my matrimonial supplies and you killed them and you expect me to believe a single lie that drips out of your open maw.”
“This poor woman.” The giant rubbed his beads between his hands again as he began crying. “He has deceived her.”
“She’ll need to remain restrained.” The heterochromatic gaze made you shiver on its own, nevermind the albino snake slithering over his shoulders. “She managed to do quite a bit of damage to slayers that rescued her.”
“Captured,” you snipe back. “Not rescued.”
“Look, sweetheart,” the large man with gems hanging from his hitai-ate on either side of his face began in a far gentler tone than the rest had used, “you’re safe now. The demons aren’t going to get you here. That’s what we call rescued. Yeah?”
You scoff and purposely turn your face from him. As if. Muzan was nothing but gentle with me and would murder any demon who tried.  Your eyes find his face and harden into (e/c) chips. “You are the only ones to cause me harm.”
“Do we know why Muzan wanted her?” the man with hair akin to living flame asked loudly. It was like he didn’t know how to talk if he wasn’t shouting and much like your lover, the noise grated your nerves. 
“Nope,” the flamboyant shinobi answered. “She still won’t say.”
“I think we should schedule a watch. Make sure no other demons come looking for her,” the scarred over man stated.
You couldn’t help the smile that crept up your lips then. You do that. Your gaze fell to the now setting evening sun. It was beautiful, the vibrant blue shifting into orange and red hues as if the sun itself knew what you did.
“It won’t matter,” you stated proudly. Your heart beat in your chest steadily and you smiled pleasantly at the fools before you whose mouths dropped at the beauty you could radiate. This view was for him, for the thought of your Lord that you knew was coming for you. “You’ll all be dead by dawn.”
Despite their pestering, you said nothing more for the remainder of the sunset, slowly watching that brilliant orb sink below the mountains with a radiant smile placed on your face. In its final glory, the sun painted the sky a vibrant vermillion that evening and you could think of nothing more than the beautiful red eyes of your Lord and the arms you wished so desperately to return to.
GYUTARO SHABANA
Gyutaro smiled his too wide smile down at the necklace. Daki had helped him select it. She didn’t understand his obsession with you but she did like that you at least caused her otherwise maudlin brother to smile once in a while so she was tolerant of you. It wasn’t like you’d ever compare with her in his heart anyway, right?
Gyutaro adored the way you would take his face in your hands and smile at him, telling him that he didn’t need to bring you things. You were just a simple farm girl after all. Such finery was for high class ladies.
“I’m just happy to see you again.”
The memory of those words made his grin go wider. His hopeful eyes met his sister’s. “Should I ask her… to become a demon like us?”
Daki smiled fondly and squeezed his shoulders in a hug. “I’m sure you’ll know that answer when it's the right time. For now, the sun has finally set. I’ll step back. Go to her.” And with that she surrendered full control to him and Gyutaro stood, gently cradling the gift for you in both hands.
************************************************************************
Gyutaro arrived at your meeting spot, in the shadows of the fields and froze. The door to your home was never left open. Cold panic sank in his stomach as he sprang across the fields. Your father always kept a single light in the window, but the house was dark and the closer he got, the more he could smell the scent he recognized immediately…blood.
Frozen in the doorway, the scene before him turned his stomach. The walls were spattered in blood, the two little bodies of your younger siblings both mutilated. There was a woman on the bed, older, must have been your mother. Gyutaro looked away. What had been done didn’t need to be guessed at. 
The man on the floor, a large pulsing gash of blood still seeping out into his garments still, mumbled and Gyutaro leaned closer.
“Sa-save…ha…Took…y/n.” It was the last wish of your dying father.
I’m not eating that, Daki echoed through their link but he barely heard her for the blood filling his ears.
His kamas appeared in his hands to a blood curdling screams that erupted from him before his feet were moving. The bandits had left obvious footprints to follow and this wasn’t the first time he pursued humans, but it was the fastest. His vision clouded in red as he saw only his target, only the patterns of feet and something heavy being dragged between them. He would get there. He would find you and save you and convince you to become a demon, so no one could do this to you ever again.
KYOJURO RENGOKU
Kyojuro hummed to himself as he opened the doors to his home one handed, balancing a load of groceries you had asked for on the other hand. His lovely wife sending him on errands first thing in the morning was nothing new. After all, you saw to the whole estate and made sure Senjuro was getting his study time in even when Kyojuro was away.
You supported your husband in everything, especially in being a Hashira and striving to improve the Corps from the top. Kyojuro chuckled to himself as he thought of your insistence that he take a Tsuguko so he could eventually retire.
“I do support you, my light. I just,” you had paused to blush that pretty blush he loved so across your cheeks back to your ears, “sometimes I want you to myself too.”
“Y/n! I’m back!” he called with a grin as he set the items down in your kitchen. 
When you didn’t immediately answer, Kyojuro’s brows furrowed and he began wandering the estate calling to you. 
Finally he stepped out into the yard and raised his arm, calling “Kaname!” 
Kaname alighted to his raised wrist and peered up at him. 
“Kaname, I cannot find y/n anywhere. Could you find her?”
“But of course.” And Kaname alighted once more. 
Kyojuro’s earlier smile failed to reappear as his instincts overrode his gleeful personality. Something was wrong. 
“Brother?” Senjuro called as he walked out onto the patio.
Kyojuro walked over. 
“Are you training, y/n again today?” Senjuro asked, glancing about for you.
Kyojuro couldn’t resist the smile that took him then. “I was actually looking for her. Have you seen her?”
Senjuro seemed almost to freeze, staring up at his brother as if he might have grown another head. “But she went into town with you…to get your steamed buns, right?”
Kyojuro laughed then. “That woman. Such a handful.” He grinned at his little brother. “I hope when you marry, that you find a more docile wife.”
“I don’t want to marry at all. Those things are trouble,” Senjuro shot back. 
Kyojuro’s hearty laugh filled the courtyard. 
“Seems the boy at least learned something useful from your wife,” Shinjuro jibed. “Probably should go after her though.”
“And why is that, father? Y/n is capable after all.”
Shinjuro glared heavily at him. “Because capable or not a woman shouldn’t be on her own. Now get going!”
Kyojuro caught the sake bottle hurled his way and set it gracefully on the porch before grinning down to Senjuro. “When I come back, we can all train.”
“Lotta good that’ll do ya,” Shinjuro grumbled and wandered off. 
**************************************************************************
Meaning to surprise your husband with his favorite steamed buns, you had slipped into town after he left. What you had not intended, was to be held up before you could leave. The men blocking your way were not on the list of things that needed handling today but it seemed, they were going to insist. 
“Please stand aside. I need to get through.”
Their sick chuckles were really answer enough but you held hope one of them would see sense and move.
“Pretty thing like you shouldn’t be wandering about alone. Why don’t we keep you company?” was followed by another round of chuckling. 
“I am never alone. My husband’s light accompanies me everywhere. As does his strength.”
“That light’s welcome to come with us too,” one sniped on a grin. 
“Yeah. Your husband’s light can shine on my cock all it likes.” Another round of chuckles as she sigh and slowly shake your head.
“How uncouth.”
SANEMI SHINAZUGAWA
Sanemi grinned as he bowed off to Muichiro and Iguro. 
“Thanks for another fun night.”
Iguro only scoffed and Muichiro cocked his head to the side. “Your standards for fun seem very different lately.”
Jumping on the chance, Iguro teasingly asked, “Is it because of y/n?”
“Pft, as if,” Sanemi snarled, turning away, though neither sparring partner missed the dusting of pink over his cheeks to the question. “Man can’t enjoy a good sparring match now or something?”
“I didn’t say that,” Muichiro started as he began walking away. “Only that you seem to have gotten stronger since you began dating-”
“We’re not dating,” Sanemi snapped quickly.
“Uh-huh,” Iguro agreed sarcastically. “You’re just training and fucking. No one calls that dating. Oh, and living together. And eating together. And -”
“Shut up, snake head, before I really give it to ya.”
“Give it to her. I’m out of here.”
Muichiro smirked before putting it away and continuing his walk. They would walk together as usual for part of the way back so he could ask after. 
And when they were nearly to Shinazugawa’s residence, he did. “Are you going to allow her to join the corps?”
Usually, Sanemi would snap at the question but this time, he didn’t get the chance.
“Lord Tokito! Lord Shinazugawa! Thank goodness!” the out of breath kakushi managed as he doubled over before them heaving breath. “Miss y/n…and mister Kanamori…have been….captured.”
Sanemi’s feet were moving before the kakushi could finish their report. YOU IDIOT!! How could you let yourself get caught?! Sanemi dodged between branches of the forest at a full run. He had trained you better than that. Even made you promise not to join the corps if he trained you personally and now…
“Dammit!”
“I don’t think expletives will help us find them any faster,” Muichiro commented from his side, keeping up with his stride nearly soundlessly. 
************************************************************************
One hand to the weapon, the other set out beside you as you spoke, though never turning from the opponents in front of you. “Stay behind me, Mister Kanamori.”
“I’m so sorry. I feel I should be the one protecting you,” Kanamori stated meekly, though he obeyed. 
You couldn’t help but smirk. “Then you don’t know my lover,” you stated as the other hand set to the hilt. “Now come at me, you bastards.”
Special thank you to Miss Vry for helping me with tags :D
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Why Writing Is So Lonely | Rin T.
Hello writers, and anyone else who uses Tumblr on a daily basis like me. (Although I’ve been inactive off and on.) It’s me, Rin, and I wanted to talk about something that I think a lot of us struggle with. Or at least anyone, and everyone who considers themselves writers.
The loneliness that can come with the writing life and being a writer. We spend so much of our time alone. It doesn’t matter if you're using your laptop or scribbling in notebooks. Or pacing around in your living room and muttering dialogue to yourself (which I'm completely guilty of.)
Writing is really a solitary passion, and it hasn't just recently been like that. I'm sure Jane Austen and Edgar Allen Poe dealt with similar feelings. And sometimes that isolation can take a real toll that many of us choose to ignore, both on our creativity, our passion, which I assume is writing in this case, and our mental health.
I’ve been writing for about 4 years now, mostly working on my own little passion projects that I plan on publishing and side hustles, not only for my writing project but also my blog (TheWrite AdviceForWriters). I’m currently knee-deep in 4 different novel drafts that I’m absolutely in love with. However, let me tell you. It can get Very lonely a lot of times. There are days when I feel like I’m the only person in the world who cares about these made-up characters and their fictional problems. The characters I create in my mind are so vivid that they seem like the only individuals who actually care about my passion. (They technically are, considering they are basically my passion.)
It’s so easy to start wondering whether anyone will ever want to read the stories I'm pouring my heart into. The self-doubt I get has been a big part of my writing journey, and sometimes it breaks my heart knowing that I may not please everyone who reads my stories. That I possibly could get the worst reviews out there on my book. If it's not perfect for society. For example, I have been reading and receiving news on Alex Aster and the amount of bad reviews she received for her LightLark novel, and she has had a few times where she’s stated she poured her heart into it. And it's not just Aster who deals with these as a published author; there are many others, and it sometimes scares me.
But you know what? I've come to realize that this loneliness is just part of the writer’s journey. And that it truly is going to be the process of every writer’s journey and career. It’s going to be one of the prominent challenges we have to face if we want to do this crazy, wonderful, painful thing we call writing. And I think it's important we talk about it, especially since I'm a blogger who owns a blog specifically for writers. The biggest reason I chose to create this blog was for this reason and the many other challenges of being a writer. 
I definitely will consider this blog post to be a discussion, and if anyone wants to reblog or reply to this blog post and start a conversation, please do so, just so we can support each other and figure out healthy ways to cope.
So, why is writing such a lonely pursit? Well, there are quite a few reasons, especially reasons for each individual writer; however, here are a few key reasons:
The Act Itself is Solitary.
At the end of the day, writing is something we have to do on our own. Sure, we can brainstorm with other writers and friends who write or get feedback from beta readers. Or even develop  and edit your manuscript with a professional book editor. But the actual act of putting words on the page is a solo endeavor. We’re the ones doing the typing, the (physical) writing, and the constant racking of our brains to find the perfect word or phrase to put down on paper or the blank page on a screen.
Even when we’re writing collaboratively, there’s still a certain level of isolation involved. I mean, after all, our individual writing process and creative visions have to align for the collaboration to work.
And let’s be real—aligning those things isn't always easy.
I’ve reached out to book editors, more so of developmental editors, which is an editor who guides the writer/author on the actual plot and outline of the novel itself. And they have mentioned the difficulties of needing to align with the creativity of the topic or novel. It isn't easy at all.
I know that for me, my most productive writing sessions happen when I'm alone. And I know for a fact I'm not alone on that.
Having no distractions when it's just me, my thoughts, and the blinking cursor on the screen with a Spotify playlist playing in the background. And while that can be deeply fulfilling and very productive, I will admit it can be incredibly lonely.
It's an Emotionally Draining Process.
Writing isn't just about stringing words together. It's about pouring our hearts and souls onto the page. Were digging into our deepest emotions, our biggest fear, our wildest dreams, our thoughts, our philosophy, I can go on. And that kind of vulnerability can be utterly exhausting.
When I'm in the process of drafting a new novel or the many current projects I'm working on. I often find myself emotionally drained at the end of the day. I've been living and breathing these characters, feeling their joys and pains as my own. describing the actions, words, and emotions these characters do and feel. And then after that, I have to close my laptop, put my pen and notebook away, and try to reenter the “real world"—a world that doesn’t always understand the weight I've been carrying. 
It can be so isolating, feeling like the only person who understands the emotional journey of your writing. Knowing what it feels like to create characters and their stories and emotions and personalities just as if they were real humans. Our non-writer friends and family members try their best to be supportive, but unless they experience it firsthand, they cannot fully grasp the depth of what we go through. I can tell when I explain my projects to others who aren't writers, it can sometimes feel like they don't care about what I'm saying to them. Or it can also feel like, my stories are just a synopsis for an underrated movie no one’s ever watched.
It's a Profession of Rejection
I think we all know, writing is a tough gig. It's a tough career and job. Even the most successful authors have had to face their fair share of rejection. The rejections can be received from agents, publishers, readers, or critics. (like I mentioned earlier), and that constant stream of “no’s” can really chip away at our confidence and sense of self-worth. And especially if you're an aspiring author and have not yet published your work. Knowing that rejection is a big part of the career of writing is frightening. Really.
I remember when one of my best friends, who is a writer, who is currently in the process of publishing her book, would send query after query only to receive endless rejections. She told me it felt like the entire world was telling her, “Your writing isn't good enough,” and that can be a pretty lonely and demoralizing place to be. It has made me anxious about getting to the querying phase, as I still haven't begun to query yet.
Even when we start to find some success, the fear of rejection never really goes away. Will readers love our next book as much as the last one? Will readers even like my debut novel? Will the critics tear it apart? I know when I first started writing my first novel project. I rewrote the first chapter. 13 times!! And that’s because of all the questions and doubts I had in mind. It’s enough to make any writer want to crawl into a hole and never come out.
And the thing is, as writers, we often don't have the same support system that people in other professions might have. We don't have coworkers to commiserate with or a boss to reassure us; it’s just us. Our doubts and the eerie silence of an empty inbox. For example, Ana Neu, one of my all-time favorite Author-Tuber's, has dealt with similar struggles. She’s mentioned several times how lonely she feels and how her family doesn't fully understand her love and passion for writing. And I completely agree with her. If you want to listen to more of her, please listen to her podcast and watch her videos on YouTube here.
So, now that I went over the key reasons as to why writing is so lonely, I didn't want to end this post on negativity, that’s why I wanted to list the main strategies that have helped me:
Build a Writer’s Community
One of the best ways to combat the isolation of writing is to surround yourself with other writers. That’s why I found social media to be a gift, not just for the other obvious reasons, but because we get to find writers around the world who enjoy the same things we like. Having that sense of community can be a game changer.
When I first started my Tumblr blog, TheWriteAdviceForwers, I was really hoping to create that kind of supportive space for writers. I wanted to create a space where anyone who enjoys writing—not just fiction writers, but anyone who finds writing to be a passion of theirs—can share their dreams and struggles with. It's been amazing to connect with so many incredible people who just “get” the unique challenges we face. Being able to share our achievements and share our compassions. It's been vital for my own mental health as a writer, and I hope that it can also be vital for all of you.
And of course, the community is not about venting or seeking validation from others; its about providing feedback, encouragement, and just being able to make friends. Having that makes the lonely parts of the writing process and journey feel a little less lonely.
Prioritize Self-care
It's so easy to get caught up in the work and neglect our well-being. There have been multiple times where I wouldn't take a break from my writing sessions and simply not eat and drink. I wouldn't give myself time to process everything I wrote, and I immediately after would criticize it.
However, I find that self-care is the most important part of combating the isolation that comes with being a writer. For me, that looks like making sure I get enough sleep. You can't process, learn, and remember anything when you don't have enough sleep. During my personal self-care, when I do 45-to 1-hour writing sessions, I usually take a short nap after. Eating nourishing meals and snacks is important, as is making time for the hobbies and activities that bring me joy. I usually like reading books, spending quality time with my family members, and very feisty (and sometimes scary) cat.
3. Cultivate Gratitude
When loneliness starts to creep in, it can be really helpful to shift our mindset and focus on what we are grateful for; this can be really productive and rewarding. Being a writer is a gift; we get to spend our days doing what we love, bringing our creative visions to life and sharing them with people who love literature. Readers are such a big part of being a writer, and they're huge motivations to me.
So, if you can, just take a moment to appreciate the joys of writing. For example, if you have any writing quirks, I personally have to wear bracelets on both of my wrists in order to produce some type of creativity when I write. I'm not sure why it's just something I noticed. I also really love writing my manuscripts physically. I tend to do this when I'm suffering from writer's block, and for some reason my writing style is a lot better.
And don't forget the many other joys of writing, like drafting, and the excitement of sharing your work with others. Having a new idea come to mind that fits perfectly in your plot. Or even a reader or beta reader sharing a comment on your work and giving you encouragement.
Also, please celebrate your wins; it makes writing all too fun, and it's a great way to integrate writing into the real world.
End Note
I wanted to write this post because I know a lot of us deal with feeling lonely; I’ve been feeling that way for quite some time, and I wanted to share it with Tumblr. I feel like each and every one of you all feel the same way. And that’s why I created my Tumblr community; that's the reason I created this blog, and that's the reason I strive to build this into an entire brand.
I want to bring more awareness to writers, we are the people behind the stories, movies, and media that we consume today, and we barely get any credit for our work. I want to make a brand where others who never thought writing to be their passion could actually for once consider “Is writing for me?”
I feel like it's such an underrated yet overrated passion. Yet it's not acknowledged as much. 
I hope this post can make you understand that writing is 90% lonely and you are not crazy for thinking so. But, we can use the resources we have today, like social media, to change that and make writing better for the present and the future. 
Thank you all for reading. And please, if you are considering joining a community if you haven't already, please join The Write Right Society. We recently met 100 members, and the community is continuing to grow.
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reyreadersblog · 19 hours
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ALRIGHT Y'ALL MADE ME DO IT!!!
My unpopular tig/tgg opinions!!
FIRST!
These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.
1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.
2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.
3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀
4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.
5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.
6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.
7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.
I'll probably do part 2, i have more to say i'm just really tired rn.
Also it's not proof read so sorry if there are many mistakes.
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inthemaelstrom · 3 days
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So we're about six weeks out from another "most important election of my lifetime" and it's predictably making me literally sick to my stomach. When Trumpacabra got elected in 2016, I threw myself into politics in a way I never had in my lifetime and it almost wrecked me. I was one of those people who never voted for religious reasons (long, separate story) and I felt I had to make up for lost time. By the time 2020 rolled around, I was an unhealthy mess. I had stopped reading. Everything. When I wasn't watching MSNBC and political commentators obsessively, I started consuming absolute junk TV: home improvement shows, crack paranormal ghost hunter crap, etc. Things with no plot, no emotional investment, no danger. No fear.
Right before the 2020 election, old fanfic friends from my days in the Master and Apprentice Star Wars listserv found me and saved me.
They dragged me back into fandom, introduced me to Discord, and got me writing again. I updated a story I hadn't touched in 5 years. I made new friends online and in RL. I got some great fiction and fic recs from those friends and discovered a subgenre called Hopepunk—low stakes fiction with very little if any violence and fear and with happy endings. (Becky Chambers writes a lot of what I read, and Amy Crook has also become a favorite.)
One morning, I had one of those really vivid, realistic, linear plot dreams that literally dragged me out of bed to the keyboard. It was a meet-cute modern au of The Phantom Menace's characters, set in the Upper Peninsula of Michigan. I cranked out about 2000 words the first day. Then another 2000. Then another 2000. Then another 2000. And so on every damn day for the next four years until I had four novels, about 668k words, several timestamps written by three other collaborators who've come on board, some beautiful art I've been allowed to use, and now a fifth book in the works.
This is the Yooperverse.
It's not just The Fic That Saved Me, it's the place where I'm writing a vision of what the world could be like into being. A place where people with fucking obscene amounts of money don't spend it on themselves, or hoard it, or exploit other people to get more, but use it to help other people. It's a place where people who are bigoted dicks either get their comeuppance and crawl back under their rocks, or learn better and do better. It's a place where abused kids get rescued, everybody gets therapy and healthcare and is paid a living wage, people learn to value themselves and each other, and protect each other and defend each other. It's kinky and queer (although I'm neither) and above all, if not entirely safe to be both, I'm trying to write both things as just being another setting on the dryer. ¯\_(ツ)_/¯
It's not a utopia, by any means, because there are still assholes and the government is still ... the government, and capitalism is still a thing. There's some danger, especially in the first book, and there are accidents and illnesses and the vagaries of life. In the middle of the series, I had spinal surgery and was out of commission for a few months and that made me start thinking more about my main character dealing with aging and the limitations thereof. There's a LOT of mental health issues and the working through thereof, and a lot of ongoing process. Nobody's perfect. The world outside is still pretty much what it is. But in the little corners where my characters dwell, life is pretty dang good, sometimes great.
It's a vision of a life we all deserve. It's the thing I loved about Star Trek's universe, where people's basic needs are cared for and the obstacles to them developing their best selves removed. It's what I've loved about science fiction in general, especially Ursula LeGuin's: that opportunity to explore possibilities that are better than the present. It's modeled on the MacArthur Genius grants, but you don't have to prove your worthiness first. My main character invests in people's potential, young or old, with scholarships and grants and a steadying hand. His partner builds low or no-cost housing for people in need. There's an informal network of queer and straight kid rescuing going on under the noses of unfriendly governments and failed social service safety nets. The main characters build refuges, literal and emotional. They love each other fiercely and respectfully.
Right now, we're living in a country that is almost the antithesis of these ideas, for far too many of us. People are being manipulated by their fears, which are stoked by unscrupulous, lying shitbag politicians whose all too real evil would never make it past the pitch if you were going to try to sell it as a TV show or movie. They're consciously turning us on each other with lies about our common humanity, about the state of our country, about who and what's responsible for many of its faults, sewing suspicion and hate. And though the Yooperverse started as my personal comfort fic, I'm trying in my very small way to counteract what's happening in the world right now.
I've always believed in the power of story to change people's minds and lives, and I've experienced it myself. When I talk about story, I don't just mean fiction, though. I mean the narratives we tell ourselves and others about our own lives as a whole and day by day or moment by moment. I mean the stories we tell about each other when we're together, at the bar, at wakes, at a party. I mean the stories we invest in as fans in whatever kind of media we consume. I mean the stories we spin for ourselves and others to explain what the everloving fuck is wrong with the world.
Stories aren't separate from the world, they are the world. They tell it into being. They give it shape and purpose and meaning and a sense of possibility. Whatever stories we tell ourselves or each other about how things should be or how we should act as human beings (also called our "beliefs" or "morals" or "ethics"), they shape us, and we shape society. We are society, both together and as individuals. One person with a big voice and a story can tip a mass of people into either violence or solidarity.
I have no illusions that the Yooperverse will ever have that kind of power. It has a tiny audience on AO3 and Discord and it's mostly written for me to explore the things I feel deeply about, and wish I could do, and to teach myself to be a better person and live up to my own ideals. It's a world I'd like to manifest, to call into being, even in a small way. Even if it's just a story.
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dr-spectre · 22 hours
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RANT POST ABOUT CALLIE AHEAD!!!
I need to get some old and built up feelings out of my chest before i explode into a trillion pieces, if you do not wish to see a LONG rambling about me getting mad and rageful about this important character to me then by all means skip over and have a good rest of your day or night!
If you can handle me getting a bit pissed off and mean then keep on reading!!
This will also be a VERY LONG POST!!! Because I have a lot to rant about. Some of it i have talked about before many times but i need to talk about them... Again..
So anyways. If you wanna move on, that's okay, if you wanna stick around? That's all good as well!!! I highly HIGHLY encourage you to read all that I have to say. Okay? Thank you!
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You know, as someone who has put in a lot of time and research into Hypno Callie and the others. What I've come to notice in media is that people tend to use the words mind control, brainwashing, hypnosis, influence, indoctrination, corruption, all interchangeably despite each word having vastly different meanings and connotations and effects.
Brainwashing has been used as an incorrect word to describe a lot of these kinds of plots in TV, movies, games, etc. and it really bugs me personally. Like, if you see something as clearly hypnosis, they explain that it is hypnosis and there is a hypnotic element at play here, you cannot just slap the word brainwashing onto it. It's like if I called a mango an apple you know? Or if I showed you a squid and you called it an octopus and you were REALLY adamant that it's an octopus.
Another example, if there's mind controlled zombies that are being controlled by aliens or something, slapping the word hypnotised or brainwashing onto that scenario is stupid because they clearly explained it in the story with evidence that it's straight up direct mind control and nothing else.
This doesn't just to apply to Splatoon btw, this annoyance goes for every other time a "mind control" plot has occurred in fiction.
I don't wanna sound rude here, I really don't! But guys, do you realise that we have this cool thing all across the world called a language? And languages have words in them!!!! And words have meanings in them that are brains understand and interpret!?
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If I say the word "fluffy" what do you think of? "Fluff, fur, cute, huggable, adorable." You think of cute fluffy things, yeah?
If I say the word "hypnosis" what do you think of? A trance like state, a weird altered state of consciousness, maybe even a weird sleep/flow state?
If I say the word "brainwashed" what do you think of? Cults, militarily, experiments, evil, etc.
You guys see why I take issue? You guys see why I am extremely picky and laser focused on people's word choices when it comes to Callie and what happened? You guys see why I get really angry when people who do fuck tons of research into the events of Splatoon forget that languages exist and fail to see things past a fucking Wikipedia article?!? Is it seriously THAT hard for some people to say hypnotised?
I don't even necessarily blame most people for the words that they use, they don't know any better! And you know what? That's okay! I don't wanna get mad at SOME people since that word has been used incorrectly in media for a long ass time. And you wanna know another reason why i don't blame the casual fan or someone not in the know that much too? Because even the SPLATOON DEVELOPERS use brainwashing to describe Callie which is just... from my research and posts, incorrect.
I have yet to find a single person who can confidently explain to me that Callie was actually brainwashed and provide evidence to me to prove their points. Cause all I see is people just saying that "oh, a wiki and an artbook said so, so it must be true." Instead of looking at the actual game and looking at Hypno Callie's personality, behaviour, actions, etc. and comparing them to regular Callie.
Why do you think 99% of people call her Hypno Callie? Like there's a reason as to why her name is that in most circles... Have you ever talked to someone who calls her brainwashed Callie? Probably not...
God... I'm really sorry if i come off as some gatekeeping fan or elitist snob or some shit. I'm not trying to be and i don't wanna be like that. I wanna educate people, make people think of a different perspective and make people think a little more you know?
I'm just getting tired of it all... It affects how I see Hypno Callie and the events of Splatoon 2. I can't enjoy it when some people throw out these certain words, and it makes me feel so sad and terrible. And not in an engaging way, just a sadness that fucking stings my chest and I'm SO SICK OF IT!!!!!
I just despise this notion in the Splatoon community, Inkipedia, YouTube videos, social media and official sources that Callie was kidnapped out of the blue when she was alone and Octavio forced the shades onto her, brainwashing her and removing her memories. I hate it so much. It's something that truly fills me with great sadness and pain and pure anger. Callie is a comfort character of mine and to hear that scenario for her in official canon is just... no. I can't accept it. I refuse to accept such a vile and awful thing. It makes the Octarians more evil and way less sympathetic that way too, it makes DJ Octavio's eventual redemption make less sense because in one game he's this fucking monster and the next he's like "Hey guys imma help you out!" It makes his character incredibly inconsistent at that point.
it makes his appearance with Cuttlefish at the Grand Fest feel less satisfying because there this huge black spot on his character from Splatoon 2 where he apparently did something truly evil and unredeemable. Why would Cuttlefish be okay with standing next to a man who """kidnapped and brainwashed"""" his grand daughter?! I don't care about their history together, if i was Cuttlefish and I heard about that kind of event for my grand daughter, I WOULD NEVER FORGIVE OCTAVIO!!!
Hypnosis by nature is less evil and has more nuance and agency for Callie and the Octarians. Sure it's still fucking bad but not as extreme and dark as brainwashing is. The two terms are so vastly different and using either word willy-nilly is extremely annoying and frustrating to me.
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Hypnosis ≠ brainwashing and you cannot prove to me otherwise. You literally cannot mind control someone with hypnosis, that's not how it works. They are so opposite of each other it's actually insane. I DON'T GET WHY PEOPLE USE THEM INTERCHANGEABLY ALL THE FUCKING TIME?!?! WHY?!?!!? Is it a lack of knowledge?!? Lack of caring?! Is it because of how hypnosis is portrayed?!?!
And the whole "Callie was kidnapped/abducted." My god... Do people understand what words are coming out of their fucking mouths?
Callie was more than willing to join the Octarians and she said to them "okay fine I'll hear you out." That is not KIDNAPPING!!!!!!!!!! THAT STATEMENT MADE BY CALLIE GOES AGAINST THE DEFINITION OF THE WORD!!!!
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I don't know why they say this in some official sources either, i don't know why Inkipedia lists it on their pages. i don't know why fans keep wanting to push this idea that Callie was kidnapped, is it because an artbook said so and nothing in the game? I don't know why timeline explainers and people who do a fuck ton of research into Splatoon push it too. If Callie was kidnapped you figure she would mention it. But she doesn't!!!! Marie does and says she was brainwashed in the North American (NoA) localization, but of course she would think that and from her perspective she would figure that is the case from her limited knowledge of what happened to Callie.
God I just.... I hate it when people say Callie was brainwashed. I fucking despise it. It makes me so violently angry and upset and EVERYONE WHO HAS A LOUD VOICE IN THE COMMUNITY SAYS IT!!!
This doesn't even impact just Callie. It impacts the entirety of the Octarians as a species and DJ Octavio too. I LIKE DJ OCTAVIO!! I THINK HE WAS FUNNY IN SPLATOON 1! I like his role in Splatoon 3 and how he redeems himself and how he appeared in the Grand Festival with Cuttlefish. It ties back to before the Great Turf War when the Inklings and Octarians were on good terms and now finally that peace is back....
But this enjoyment... this appreciation of his character growth gets ruined because of the shit Nintendo did and what the fanbase did when Splatoon 2 rolled around... I can't enjoy Octavio as a character anymore because of the notion that Callie was brainwashed by him.
I can't look at his inkipedia page because IN THE FIRST PARAGRAPH THEY SAY HE BRAINWASHED HER!!!!
And don't you EVEN MENTION the line "I remixed Callie's brain!" My brother in Christ, that is not only a call back to a line he said in the final boss of Splatoon 1, but it's also because DJ Octavio is a.. idk... DJ!!!! A DISC JOCKEY!!!! In the NoA version of Splatoon, Octavio's personality is very loud and in your face, compared to his more sinister and intense personality in the European and original Japanese versions. This serious personality was only given to Octavio finally in the NOA version of Splatoon 3 ROTM where his personality actually matches his Japanese and European versions from Splatoon 1 and 2.
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Octavio says puns and musical terms to describe shit in the NoA versions of Splatoon 1 and 2. Remixing by definition is taking a song and altering it to make something new. What is Hypno Callie? A REMIX OF CALLIE!!!! It's Callie but she's more aggressive, emotional and impulsive. And you know where we've seen this remix of Callie before? IN SPLATOON 1!!!! IN THE SPLATFEST DIALOGUE!!!!
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Octavio didn't literally mean that he "remixed her brain." via actual brain, washing. He just means that he gave Callie a new twist, and Callie in her hypnotic state was like "okay fine I'll hear you out."
Octavio hypnotising Callie who wanted to help the Octarians anyways out of her own free will, planting suggestions into her head that SHE HERSELF ACCEPTED AS DURING HYPNOSIS, SUGGESTIONS GIVEN CANNOT GO AGAINST THE PERSON'S MORALS AND IDEOLOGIES!!! So that Callie would be more likely to stay in Octo Canyon and not decide to suddenly run off as Callie was under a lot of mental distress and emotion from her busy and lonely life, and allowing Callie to put her influence onto Octo Canyon to help his people and boost motivation, fits more in line with Splatoon as a series and Octavio as a character than the whole "he brainwashed Callie" bullshit that has plagued the internet for 7 years and continuing. Why do you think Callie is so chill to see DJ Octavio come back in Splatoon 3 huh? Why do you think she misses shaven Octarians in ROTM? Why do you think she calls Octarians cute? Hmm... I WONDER WHY?!?!?!
Is Octavio still bad? Yes! Did he use Callie to benefit his people? YES!!!! Was Octavio being manipulative and selfish? FUCK YES!!! HE'S THE ANTAGONIST!!!! I AM NOT RESOLVING THAT MAN OF BLAME!!!! DONT GET MY WORDS TWISTED!!! HE'S STILL BAD! just not unredeemable... because once you say he brainwashed someone and forcefully removed Callie's memories like a pure evil monster, then you have a character who is pretty much unredeemable at that point. You have made him cross a line that he can't turn back from. You implanted these disgusting and disturbingly sexual suggestions about Octavio and Callie and her outfit. Why the FUCK do you want that? Why?! Why do you wanna even suggest the idea that Callie was forced to wear skimpy clothing against her consent and knowledge? Do you know how fucking DISGUSTING AND EVIL THAT IS?!?!?! FOR A SERIES SUCH AS SPLATOON?!?!?! DO YOU HAVE ANY IDEA ON WHAT YOU ARE TRYING TO FUCKING IMPLY HERE?!?!?!
WHAT IS WRONG WITH YOU PEOPLE?!?!?! GOD!!!! WHY DO YOU WANT THESE AWFUL THINGS DONE TO CALLIE AGAINST HER KNOWLEDGE AND CONSENT IN THE MAIN TIMELINE!!??!?!?!?!! For AUs I get it, it's your right as a fan to make fanfiction and explore darker topics. I personally won't read it but I won't EVER stop someone from making a darker AU. It has its place in the community and I 100% respect it with all of my heart. I truly respect those who make dark AUs and darker takes on Splatoon because I'm sure it's fun and interesting for some people. To each their own! I actually like hearing my friends talk about Fuzzy AUs and stuff like that, given the time and place, darker toned AUs are something that i find really interesting but I'm not super duper in love with them.
But don't you DARE put these disgusting and sexual undertones about Callie and the Octarians in the main canon. Fuck off. Don't you even try and suggest that the Octarians are this purely evil race that forced Callie into a revealing outfit while she was completely unaware and it was against her consent. And that they just grabbed her... god... Jesus Christ man. Fuck. I hate thinking about that so much dude.
This type of scenario that people push did NOT happen.
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THIS DID!
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I'm so angry. I'm so sorry for this giant humongous rant. I care a lot about Callie. I only want the best for her. I only want a more engaging and more in-depth take on Splatoon 2. I want to enjoy Tidal Rush, I want to enjoy Spicy Calamari Inkantation, I want to enjoy Fresh Start, I want to enjoy the Bomb Rush Blush remix like how i enjoy Unconscience by Marina Agitando. I want to enjoy Hypno Callie in general, BUT SOMETIMES I JUST CANT AND I GET SO SAD AND MY CHEST HURTS!!!! This has been going on FOR SOOO LONGGG!!
I keep making all these posts about Callie because I still see that kind of bullshit being thrown around. Imagine having a perspective on a character you really love and you try and hold on to it. But everyone else around is pushing that perspective down and you feel so sad and stupid and ridiculous... And so your only option left is to scream and bark and yell....
I am literally gonna keep ranting until I can see the word "brainwashed" in media without having a fucking heart attack. I wanna just be able to enjoy Callie's arc and see it for what it truly is...
A story about two cousins drifting apart... Callie becoming so popular and famous... and lonely... that she became so mentally distraught and overthought everything. She did something incredibly irrational. She went to Octavio and the Octarians. Octavio knows that Callie can be a huge help to him after his loss and so he enlisted her help. And she just said, "okay, fine."
She was given hypnotic shades by Octavio in order to keep her more under control as she was ridden with mental illness and could leave Octo Canyon at any point with her overthinking. But he did NOT put her under total control and brainwash her, he needed Callie's influence for the Octarians, to decorate bases and add her touch into their music. The Octarians became happy and more motivated then ever. He didn't need a drone to help him. He needed, CALLIE.
However... Callie, in the canyon, lost herself, she gave into bitterness, hatred, sadness, anger... She knows who she is, but her memory is so cloudy and muffled by emotion and the shades... She needs help... Proper. Help. You can hear it in the songs found within the Octo Canyon, her reversed vocals sound so sad and deeply emotional...
When Marie arrives, Callie is mad at her, she wants nothing to do with her. But when Marie shoots the shades off of her, Callie is still dazed, upset, emotional, sick, she dances and continues to sing back against Marie's desperate words and pleas... Marie only wants to repair their broken relationship and lend out a hand to her cousin who needs to see the light....
But, when that heavenly melody echoed in that stadium, it was like a rushing tide of memories and feelings flooded into Callie. All of her and Marie's time performing, hosting news, celebrating Splatfests, and arriving to Inkopolis for the first time, came back to her and dispelled the darkness in her heart.
Callie heard the melody and went "wait... This isn't me! What am i doing!? YEAH! I REMEMBER!!!!!!!!!!!!!!"
And well... The rest is history, the pair healed their relationship over the course of a few years and are stronger than ever.
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They fulfilled their fresh start, they helped redeem an angry vengeful man from the past, they inspired the present with Off the Hook, and they planted the seeds for the future in Deep Cut.
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and they won the Grand Festival... TOGETHER!
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Well... At least that's MY interpretation on things ;). And i want my interpretation to be held strong in my head... I'm tired of getting chest pains man... I'm tired of feeling this sadness and pain... I'm tired of going on Inkipedia and seeing that FUCKING word. I'm tired of being scared to watch YouTube videos focusing on lore and the story of Splatoon because deep down i KNOW they will say that word that has such fucking horrible connotations and meaning behind it...
Anyways. I think I'm done. I think I'm just in a huge ranting mode and I had to get it out, my autism was really acting up and i wanted to vomit this stuff out of me. I hope you guys feel what I'm feeling and if you have a character who you feel similar towards, let me know! Let the anger out. Okay?
Have a Callie for sticking around and actually reading. You're amazing.
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sanflawoah · 13 hours
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Black Myth: Wukong
More brainrot commentary because I'M NOWHERE NEAR DONE WITH GOING INSANE OVER THIS MONKE GAME.
Cursed texts and massive spoilers bellow. Lots of random bits and wee woo wee woo.
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First of all, YEEESSS to everything well written big budget media with heavy cultural elements that isn't western centric. Love it 👏, a thousand more like this please.
HONESTLY can't get enough of the character designs. Watching the old tv show in my childhood got me imagining the JTTW characters as these cute human with animal ears. But since the game took a more serious and darker tone they took the character design to 1000. So many memorable characters with distinct style, drip, and combat.
Ok so whose idea was it to make some of the plants sentient and will beat your ass for daring to pick them up. I now have trust issues with ginseng and mushrooms
The toad bosses reminds me of Gamabunta. For a moment they also gave me a war flashback of Jedi Survivor's Oggdo-Bogdo, I want those things vaporised from earth 🔫🔫
Kang-Jin darkening the environment during her second stage, I legit thought it was a problem with my screen, until I found out other players had it too lmao. Also looove her design, silver loong with holographic glow, prettiest loong in the game
Boss musics are so LIT, I've been looping them for weeks
The Scorpionlord. First I saw him I was like HANZO HASASHI :DD??? But instead of hellfire, this time he uses venom. And the fact that the environments have autumn palette, connects me to MK 11 Shirai Ryu fire garden arena lol
an NPC called Starved Abomination. The name really sends me because ngl it's a relatable concept, I too became an abomination whenever I'm starving.
To punish Wukong for his lifetime worth of trash-talking, the game now choose The Destined One as shy and doesn't talk much except for when he screams during fights. All my grievances of expecting him to be chatty and noisy actually works out the more I understand the story. And turns out it was all part of his journey, you are meant to complete him by collecting Wukong's scattered senses. Lil introverted fur-ball of scream I love you so much. Since the NG+++ Wukong stance actually gave him voicelines, I'm guessing the Destined One is going to complete his development in actually becoming Wukong in the DLC.
Everyone and I mean EVERYONE had a beef with Wukong and now we gotta pick up after his mess. My poor Destined One walked into an area completely clueless and suddenly everyone is jumping on him because "REMEMBER THE THING YOU DID TO ME A FEW HUNDRED YEARS AGO??? WELL FUK YOU, NOW DIE."
~
🐱Yin Tiger🐱. First time I met him I was like ohhh who are you, you look so cool and kinda cute tho, look at those big boba eyes, pspspsps.
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He's all busy with his hammer and zabuza sword, thinks you're so annoying for bothering his work. Then there's this "challenge" option and suddenly he rose and casually tossed his hammer to the ground, I was like wait I was just joking aYO I WAS JUST JOKING-, then proceeds to delete my HP in 30 seconds. Anyway I love how he appears big and heavy and yet moves so swiftly. Of ALL the tiger bosses in this game, imo he's the coolest and THE SANEST. I still can''t get over the Tiger Vanguard and Mad Tiger trauma, those orange cats are on a whole new level of insanity.
🕷️Fourth Spider Sister🕷️. I'm actually so INVESTED in her mystery, like why are you helping me? Why do you look so sad? Are those tear stains on your cheeks?? Why did the Immortal Crane said that I'm giving you "false hopes"? What were we in the previous life?
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"Think about her, won't you? Should you feel like stirring trouble in your next life." WHAT DOES THIS MEAN, TELL ME. SHE SEEMS SO NICE THO, she's just a sad goth girl what did she do?? What did WE do?? And her journal entry is so interesting.
🐉Yellow Loong🐉. LISTEN.... I literally had to pause for a moment when I saw him. Cutscene plays and I was like Oohh it's going to be that type of charismatic character reciting monologue, and then I saw his name and it's THE YELLOW LOONG??? This suave horned man is The Yellow Loong??
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Well damn I have to say that's one handsome loong. He's one of those elegant style fighters, my favourite genre, up there with Whiteclad Noble and Erlang Shen.
👁️Erlang Shen⚡. The way I turned up the volume when I heard Andrew Koji's Erlang voice.....It's just so.......pleasant to hear. Something about the way he did his voice, the smug taunts, the gentle almost-whispers, and the gROWLS???
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I can't even with the entirety of Erlang's character design in this game, because dAMN BOI what a BEAUTY. I thought the game was going to make his appearance more mature looking, or even scarier, because that's just how it is with game character design formula, especially in games like this. But NOOOOO..... they made him ABSOLUTELY BEAUTIFUL. His face, his voice, HIS MOVESS, the way they designed his martial arts so elegantly. When you perfect dodge everything with him, it really feels like a dance. I have to note that when sometimes you tried heavy attack on him aND HE SIMPLY JUST-.... took one step to the side.... THE ABSOLUTE SLAYYY DISRESPECT💅💅. Welcome back Isshin from Sekiro.
Also I just found out that depending on what transformation you're using, he's going to react differently on each. Particularly interesting one was when you use Azure Dust. Most of the time, when you transform, he's going to transform too and chances are he's going to one-shot you out of the transformation. He doesn't do that with Azure Dust for some reason, instead he got amused because Lmao returning back to your origin?. And this line, "Walking his path is no easy feat, it will test you relentlessly". SOMETHING SOMETHING ABOUT ERLANG HAVING THIS HIDDEN BURDEN THROUGHOUT THE PLOT IS DRIVING ME INSANE, I NEED THE DLC TO EXPLORE HIS CHARACTER MORE I'M BEGGING YOU GAME SCIENCE. You can't leave me hanging with his journal entry please I want him to have some peace and closure.
Powerful quiet character with hidden struggle, the bane of my existence, my beloved.
☂️🐉The Four Heavenly Kings🎸🗡️. MAN I love these guys, their fight feels so rewarding somehow, because after all those struggles with Erlang, they feel more like a reward battle for visual entertainment.
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Aside from being relatively easy, they're just so fun to watch. I keep wanting to stall the fight just to see what move sets they could perform because their coordinated attacks are just SO COOL.
South king throwing the sword at us, joined by the West king throwing punches, and then the West king passing the sword back to South king. That brief moment of them passing weapons, they need to do more of that, so sick.
The North king combo with every other kings. The West jumping up using the North's umbrella, summoned the dragon, the South yeeting the sword, and the East buffing up the umbrella thrust attack with his Pipa magic. I'd hate to be a normal human citizen under them during that scene GODDAMN. I'd say the West is the game's favourite king because he's the one with the most screentime. He's the one with distinct glowing eyes and he was the most visible behind Erlang during the opening. The North being the coolest because WTF WAS THAT TYPHOON UMBRELLA WITH THE WEST'S DRAGON ROLLING WITH IT, AND THE MUSIC QUE, ABSOLUT CINEMA. The East probably being the chillest of them all because my man was just serenading the fight yo, I like how his fingers actually moves accurately playing the BGM. I know they're on the heaven's side, but for some reason I want them to be on our side if it's possible in the DLC. If we could get Erlang, then surely we can get them? They're too epic not to have.
🐒THE GREAT SAGE'S BROKEN SHELL🐒
THE MONKEY, THE MYTH, THE LEGEND. SUN. WU. KONG. THE SCREAM I SCRUMPT WHEN THIS MF SHOWED UP ON SCREEN. TEARFUL CHEER AND AND UNIMAGINABLE TERROR. AND WITH THAT BITS OF THE OG TV SHOW THEME MOTIF PLAYING WHEN HE SUMMONED JINGU BANG.
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Who would've thought that we're going to fight our former self as a literal your greatest enemy is yourself concept. Like yO IT'S THE G HIMSELF WUKONG but now FUK I HAVE TO FIGHT HIM?? Look, sir, Mr. Great Sage, I know I've been playing around as you and I don't even know what I'm doing, I'M SORRY.
So now we're fighting zombie Wukong. He's literally soulless inside and his voice sounds demonic. YET STILL he radiates that lively asshole energy. You try pillar stance to get away from him, he does the same but his pillar is TALLER than yours. You try to walk off calmly, he does the same but then taunts you for it, eats a peach and then flicks the seed to your head. Kicks you to the sky and transforms his jingu bang into a pillar and plants it to the ground with you under it. He cheats by summoning kintoun and body slammed you. He summoned his clones to kick you in all directions only for the original Wukong to wait on the side yawning, then he kicks your jingu bang back at you like "pick it up bitch", and taunts you with his hand gesture to come at him. Ok now you're raging and you tried to pillar stance heavy attack at him, he's like "shut yo bitch-" and GRABBED YOUR JINGU BANG WITH YOU STILL HOLDING ON TO IT AND STARTS USING YOU AS A FLY SWATTER. Just as you think that these suffering couldn't get any worse, you tried to heal and he IMMOBILISED YOU, SNATCHED YOUR GOURD AND TOOK A SIP, decided that it tastes like shit and threw it back at you. Now THIS is the little shit that I know and love.
The whole time you tried to do a move against him, he returned the favour but better. You think your staff extension is long? Ok he'll extend his staff to a kilometer, and that's STILL him holding back. You can do ring of fire? His is bigger in diameter and burns brighter. The game had to nerf out his lore accurate skills because it's just so atrociously OP.
Ok so you finally defeated him? Just as he got dusted away he still managed to croak a last laugh.
Que good ending animated cutscene with the JTTW plot in reverse serenaded with Celestial Symphony. Happy onions, happy onions tearing up the eyes. Crank the volume up, it's all coming together. That's Ba Jie, that's Sanzang, that's Wujing, that's horse.
MMMMMMM MONKE.
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hiraeth-nostalgic · 3 days
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SO (sorry i was gone i'm back to YAPPING)
who the FUCK is out here thinking reki had absolutely NO growth through the first season of sk8??? I saw a post talking about how even though he is the main character we "never see any development" regarding him and i just need to tell people who believe that: you are wrong.
Listen, reki is the main character™ so let me recount some things for us all.
first thing that comes to mind: when he is experiencing the jealousy that comes from the insecurity of being left behind, but he still shows up to see Langa race Joe. He still calls out to langa, and we see that even though he was insecure and feeling left behind he STILL came to support someone. he then sees that video talking about the guy who created the track shoes that were being worn and thinks it's stupid. that if he can't be at the top of skating, he shouldn't even skate anymore. he should just give up his dream bc a couple people are better than him. He has the talk with his manager that even if you aren't the MOST talented that doesn't mean you can't be involved and Reki still isn't quite there yet. I believe it was Joe who reminded reki that they are all on different levels and reki gets pulled into the beef with Adam. NOW the beef with Adam we see Reki trying to bridge the gap. He wants it so bad. it's not that he's not a great skater, because he is, but i think it comes from the general lack of self-love/self-confidence that held him back for a couple of things. HOWEVER he avoids Adam's moves, he literally JUMPS off the side and FLIPS (something he had never done before!) reki NEARLY wins and he would've if his board hadn't snapped!!! He embarrassed Adam!! something no one else had done!!!
the second thing: We see Reki become okay with not being the absolute best of the best and how he is a great skater, in his own way. (this starts to show in the race with Adam and then at the end we see it REALLY show) sure it may take him a little longer to learn a trick or something but he still learns it. he still loves skating. he redefines his LOVE of the sport not because he's the best of the best but because he actually has a support system in skating instead of before when he had no friends who shared the interest (you know, aside from a previous friend who could no longer skate) and its the story of even if you aren't as great as someone else you know, its still okay to do things for FUN and hanging out.
like this idea haunts all of us. for example: singing? most people are fine singers!!! but because they don't sing like Beyonce or Billie Eilish, suddenly they shouldn't sing for fun bc "they can't make a job out of it" like, the same for reki. Joe, Cherry, and Shadow are all adults who have lives outside of skating but for a CHILD it's the only thing for them at this point in their life, they are still trying to figure out who they are. its crucial to teens. Reki's not getting on a national team, he can't build a career out of actually skating so does that mean he shouldn't enjoy it? no!!! he works at the skate shop, he's really talented at building the boards, designing them, and understanding what will help individual people the best!! that's more than anyone else in the S community that we see actively skating.
Anyway, reki has so much growth in not only his skating but in his mental health but because it's not as flashy as Langa's or Adam's, people overlook it and downplay it.
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pruneunfair · 3 days
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Why Laura is the worst remarried empress character. *crack post*
this bitch here gets on my nerves more than anyone.
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Shes one of Naviers lady's in waiting so her sole purpose is basically propping Navier up as the one true empress. I don't hate her for that, if I did then I'd hate all of the ladies in waiting. It's how she does it, all of the ladies have a certain theme to them, Eliza is the motherly and mature one who handles conflict with grace most of the time, Mastas is the badass knight tomboy who can wreak your shit in under 5 minutes, Rose is... wait what even is Rose's thing? I don't think she has anything about her other then loyal servant.
Anyway back to Laura, her thing is that she's a angry redhead who tears down other women who don't emulate exactly what she thinks a good woman is (take a good guess on what she considers being a "good woman) the bitch already gives Navier a poor introduction to Rashta, calling her a filthy thing that was found in the woods and is already looking to steal Naviers man because she's really beautiful and Sovieshus attracted to that so.. I guess it's Rashtas fault for being a slave who took what options she had?
She instigated so much shit that did not need to be instigated. Rashta tears a dress (on ACCIDENT mind you), Laura slaps her, calls her a wench and then it's supposed to be a big surprise when Sovieshu has her locked up for being a bitch, nah you expect me to feel bad for her? I was smirking with Rashta when I read that line. It doesn't even end with Rashta, Laura also wasted no time in seeing Krista as enemy like all the other ladies just because Krista didn't get on her knees for Navier and then insists Navier throw her out of the palace after a misunderstanding. There was NO sex, all that happened was Heinrey had his head on Krista's lap and Krista had NO CLUE that he was drugged, she assumed he came onto her and her only crime was not telling everyone the truth when did learn what happened .
But is that it? Promoting internalized misogyny is pretty bad but is there anything else.
This. "Use it on his majesty."
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She considers infidelity to be so awful that she tells Navier to basically drug Sovieshu with a love potion and SA him.. I'm sorry what!? Sovieshu is a POS but in no way does that mean SA should be even considered! Yeah who gives a shit if Rape is the worst thing a person can do to another as long as it's your husband it's fine! (It's not, Marital rape is not only absolutely disgusting, it was used as an excuse for decades that married couples can't be abusive.) Thank God that this was during a season when Navier still had all her common sense.
Also her names Laura. That tells you everything you need to know about her.
I usually like to call her Cinderellas step-sister since she kinda looks like an evil step sis, but you know what? Anastasia doesn't deserve to be compared to that bitch, because she is leaps and bounds better than Laura can ever dream to be. If you want a red haired character that's written with the finest character development Disney could make, watch Cinderella dreams come true or Cinderella a twist in time.
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camelspit · 1 year
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i think the neverseen wouldve been defeated by now if theyd let dex keep his book 1 bitchiness
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musical-chick-13 · 6 months
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Regarding the previous post, I think the way I approach trying to evaluate a piece of art is asking "Do I think the positive things I get out of it outweigh the parts of it that I don't like?" And when I call something a "guilty pleasure" song/show/book/piece of media/etc. it's really more in the sense of, "Given who I am as a person, the flaws I've found in this should be complete dealbreakers for me, but somehow they aren't, and it makes me feel like I'm having an identity crisis."
#like. I think something like...idk shiki or cxgf excels on multiple levels. I understand why I like them. given the things I look for in art#it makes sense that these shows would speak to me because they make the effort to showcase those things I look for. because the people#in charge of those works clearly valued the same kinds of things and cared about seriously exploring them.#but with something like. uh. ctrlz. that is NOT the case and I frequently found myself going 'why would anyone make this writing#decision?' but I still sat through all 3 seasons of it! I still really enjoyed it! those flaws SHOULD have made me give up according to#personal history but they never did. and I very very much genuinely question why. I have NO IDEA why I still care about this#silly convoluted teen drama show so much. but I do. I wrote SO MANY FUCKING POSTS ABOUT IT.#I really love wicked the musical. I've heard many people call it 'hokey' or 'cheesy' or 'objectively bad' but here's the thing! I DON'T#think it's bad!!! like literally at all!!!!!! and it does do some genuinely cool things in regard to the music and the way the characters#develop and what the show says about the nature of prejudice and human connection. is it like. idk Serious™ the way that something like#Parade is? no. but it doesn't have to be. it does what it sets out to do and it does it well and this is why the whole '''objective#evaluation''' thing doesn't actually mean anything. I value thoughtfully-constructed music and dynamic female characters#(which this musical has). I value stories that deal with the complex and messy feelings that come with being a human (which this musical#has). I value stories about 'other'ness and romantic subplots that aren't just built on 'This Girl Is Pretty' (which this musical has).#and I value professional displays of technical vocal ability because I know how fucking DIFFICULT that is (which this musical...if you cast#it well...has).#if you value something else in a musical then yeah you will probably think THIS one is '''objectively bad'''#if you don't see the point of musicals as an art form you will probably think wicked is '''objectively bad'''#do you see where the problem with categorizing analysis like this is??
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skaruresonic · 8 months
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actually, you remember that recent, er, thing that happened where I pointed out to someone that Metal wasn't exactly "screaming" about his existential woes during the Metal Madness or Metal Overlord fights, and they chain-blocked me and my mutuals in response?
I remember one time on Twitter, Kyle told Greeny he hoped her life "gets better soon" when she pointed out that Metal stated that he transformed himself with his own two hands, in contradiction to a claim Flynn had made.
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seilon · 7 months
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more and more it makes me kind of uncomfortable (for lack of a better/softer word) to call my own characters ‘ocs’. because like. they’re from a completely original universe and from completely original intertwined stories and all that. so why would i have to specify they’re original in the same way someone would when referring to a character they made for a pre-existing non-original universe/franchise/whatever? by that logic every fiction author ever would be referring to their characters as ocs rather than just. their characters. you know.
#i guess you could say it’s different or something because I haven’t published any one Solid Official Work yet or anything but.#I don’t think that particularly matters? cause then you just get into policing what does and doesn’t count as Real and Official and that#inevitably doesn’t do anything good#idk man I know the term Original Character isn’t technically incorrect in my case but. I just feel like that term was created to separate#fandom creations from their source’s canon. or maybe to describe characters that don’t come from any particular established universe#or story at all (fandom or otherwise).#cause otherwise. why shouldn’t I just be calling them my characters. the characters from my universe and my works. which are#established and incorporated. it’s definitely not properly organized or set up for true publication (at least not yet. definitely possible#I’ll publish something as a consumable structured thing someday)#you just don’t hear established authors calling their characters ocs. because why should they? the original part is sort of a given.#hopefully anyway#anywayyuyyyyyyeuyyyhh sorry this is not important just has been on my mind the last few weeks or few months or more#kibumblabs#I guess there’s also a difference maybe between making characters for the sake of making characters- and those being ocs- versus#characters that are developed as part of a larger work/story#I definitely feel like there’s a difference between the two and how they should be labelled (but im not saying one is more valid than the#other or anything like that.)#like when I see a poll that’s like ‘how many ocs do you have’ I just kinda sit there cause that question. doesn’t make sense in#my situation at all. because it’s the same as asking the author of a fiction novel that question. what do I count as my ‘oc’#would that mean my primary characters? or vaguely my primary and secondaryish ones? or do you mean every single character mentioned#regardless of importance or prevalence? every single named parent or grandparent or boss or childhood friend or one night stand or etc etc#I feel like it’s weird to call those characters ‘ocs’ in the way the question is implying. but then what DOES count? it just doesn’t make#sense for something like this. right? it irks me a little
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cherrymoonvol6 · 14 days
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#lately i've been going to twitter to get some lunter action bc most fanartists are there#and god it's just so annoying that over there they're stuck in a 5 day cycle of the same discourse over and over again#is it okay to ship this or is this a dirty nasty morally questionable proship? uwu#then the realization is 'yes lunter actually isn't a disgusting perverted proship which makes it okay to exists even if i HATE it'#and then two days later someone is like um akshually it's disgusting because incest and here we fucking go again#god. we need to extirp anyone under 16 years old from the internet. you have not developed enough brain matter to be on social media#(now if you're an adult unironically arguing in that discourse you either have a lot of free time or i just need to block you)#but man. like i wanna say to those lunter defenders..... can't you see what's wrong?#can't you see that the moment you've chosen to accept the premise of there being 'good' and 'reproachable' ships you've already lost?#that someone will always be able to pick a 'problematic' aspect in any ship ever?#that entertaining that idea from the beginning is the absolute worst thing you could do?#like i prefer when people call lunter boring. okay yeah i do Not see what you're seeing but also#thank fucking GOD we're bringing up actually relevant stuff here#like part of me is so fascinated about this. how murder seems to be the only thing that's accepted in media as a narrative tool#(and at some extent even that is too much)#but this yet again goes back to..... well what the fuck do you interact with fiction and media in the first place#when you're COMPLETELY unwilling to acknowledge any of these things as FICTION (not real) in the first place?#where your favorite character is the most morally correct and your favorite ship is the 'healthiest'?#i just wish we were able to talk about who the characters are and what their dynamic means in the show you know#instead of recycling the same reasons why it's morally 'okay' to be interested in them over and over and over and over and over and over and
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grips you by the shoulders
give FFXIII a chance
as much as I adore the game I will accept the gameplay isn't for everyone
but the story is so worth it
#you want found family? here it is#watch a playthrough on YT if you have to#and yes it might take a while for the gears to get going story-wise. but so it is with 99% of rpgs#the character development of the cast is SUPERB#it is exactly what you'd exprct from a FF story#FFXIII-2 also a banger game but it helped for me that i got obsessed with a side characters design#in the original XIII. and it just so happened that character became the protag of the next one LOL#but also noel baby boy. and caius one of the best FF villains i will not be accepting criticism#anyway. people love to hate the game but i have a controversial opinion on why that likely is#and id probably get mauled for stating it :-)#also the soundtrack (the thing that spurred this post on) is stellar. masashi hamauzu popping off as usual#but yeah. give it a chance. its a wonderful story of fighting fate while dealing with grief#amongst other things but tag character limit you understand#i will take this moment to share something about me i find so funny#my preferred name is snow. there's a character in XIII called snow.#i did not pick the name from him. he's actually my least favourite character in XIII LMFAOOOO#i appreciate how his character was built and i understand it. i just dont mesh well with overly brash hero types#(its why i didnt like kingsglaive.... sorry nyx)#all of the cast are so interesting with unique depths to them... even snow! and before i have to throttle anyone#that also means hope estheim too. grips you menacingly. that is a child facing the horrors .#ummm oops i be yapping again. my bad
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afterlife-2004 · 22 days
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THE 🔥FLAMES🔥OF DISASTER⁉️⁉️‼️
Here’s a link to the original tweet by @//FurabioOtoMAD on Twitter :D!
They also uploaded the video onto YouTube! XDDDDDDD
Go check it out!
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youtube
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