#i really enjoy drawing her actually

[mokadevs]

reeds that burn away at the touch of fire

[chloesimaginationthings]

why is Clara kinda…

Ain’t no way y’all gonna yearn for her,,

[thatonechocogirl]

is that okay if you can draw nimona meeting kenai and koda in the woods.

bada bing bada boom

bear in mind im still not good with backgrounds (haha bear)

BUT HERE YA GO

[getosugurusbangs]

if you’re a strong female, you don’t need permission.

[poorly-drawn-mdzs]

who's your favorite character to draw? (doesn't have to be only mdzs characters)

I'd have to go with...Little Apple and Wei Wuxian!

[ralseinumberonebiggestsupporter]

sparkle on its wednesday dont forget susie and ralsei are friends

[graveyard-society]

the sheer amount of headcanons i produced while i was drawing this is insane

[astranauticus]

had to relisten to 2.4 for my last drawing and got compelled to draw the scene of dani point blank shooting her own dead dreams so here we are

[sysig]

Some possible* Tala stickers :D (Patreon)

[goldendoodlerlockerlove]

“Have you ever seen the movie Footloose? I feel like you would enjoy it.”

“*Rolls eyes* My dad never let me watch it. He said he didn’t want me getting any ideas, whatever that means. Maybe I should watch it someday.”

May I interest you in a Tinimmy beach date??

[ID]: Digital fanart of Tina and Jimmy Jr. from Bob’s Burgers. Tina is resting on Jimmy Jr.’s lap with her knee in an upright position and is wearing a purple outfit with matching purple boots. She’s looking up at him with a loving expression, and a heart can be seen above her head. Jimmy Jr. is looking away with a more irritated expression. His hand is resting on Tina’s stomach. He is wearing a blue shirt with yellow boots. A blurred background of the ocean can be seen behind the two of them.

[the-six-fingered-villain]

Caught yesterday's Dracula Daily and was reminded again of that particularly striking scene...

Kneeling on the near edge of the bed facing outwards was the white-clad figure of his wife. By her side stood a tall, thin man, clad in black. His face was turned from us, but the instant we saw we all recognised the Count—in every way, even to the scar on his forehead. With his left hand he held both Mrs. Harker's hands, keeping them away with her arms at full tension; his right hand gripped her by the back of the neck, forcing her face down on his bosom. Her white nightdress was smeared with blood, and a thin stream trickled down the man's bare breast which was shown by his torn-open dress. The attitude of the two had a terrible resemblance to a child forcing a kitten's nose into a saucer of milk to compel it to drink. As we burst into the room, the Count turned his face, and the hellish look that I had heard described seemed to leap into it. His eyes flamed red with devilish passion; the great nostrils of the white aquiline nose opened wide and quivered at the edge; and the white sharp teeth, behind the full lips of the blood-dripping mouth, champed together like those of a wild beast.

I think it's the line 'a terrible resemblance to a child forcing a kitten's nose into a saucer of milk to compel it to drink' that I especially enjoy. Was inspired enough to try and stretch long-neglected digital sketching muscles, but of course chose to model it with my favorite rendition of the Count...

[welcometogrouchland]

[ID: four page comic of the owl house. Page 1: Eda walks past Luz, Gus and Willow, who're sat on the floor of the owl house around a box labeled "Eda's Music". Eda notices them and peeks around the corner asking "uh, hey kid- whatcha doin?". Luz says "oh hey Eda!".

Page 2: Luz says "we were just going through all your old human music!" While holding a CD case. She continues "I've been getting nostalgic listening to some old latin pop CDs, like what my mom used to play around the house! (You have a surprising amount of merengue music btw)". Gus sheds a single tear and says "I've sampled human music before but, wow, just, wow! The technique...the inspiration...Carly Rae Jepsen is a genius". Willow looks to the side and says "and I've been listening to your old breakup mixtapes!".

Page 3: Eda looks at her blankly before saying "my what?". Willow says- "your breakup music! There's a whole box of it. I'm pretty over it now but back in the day...when Amity stopped hanging out with me...it hit me hard. I kinda had a phase of only listening to angsty breakup songs for like...a month. Maybe more. It's kinda sad in retrospect".

In the background we can see a flashback of young willow sobbing in bed while summoning vines to cover photos of her and Amity on her wall. Willow continues "things are a lot better now don't get me wrong...but I still listen to that playlist every once in a while when I need a release". Eda contemplates, then grimaces, remembering breakup with Raine (who's pictured saying "it's over, eda").

Page 4: Eda looks at Willow. She eventually says "wanna trade?" And Willow looks up. Final panel shows Luz standing in the doorway concerned as she looks at Willow and Eda. willow is kneeling in front of a casette player and headphones with a shadowy expression and Eda is in the family guy death post with a phone and headphone wire next to her. Both have annotations- Willow's says "got One of Us by ABBA" and Eda's is "got Nightshift by Lucy Dacus". Luz says "you guys good?". End ID]

*slides my Eda and Willow trade angsty breakup songs on s2A hc across the table*

[good-beanswrites]

Hello!! If you're still taking requests for that drabble game, might I request either Strength with Kotoko + Mikoto or Weak with Amane + Futa? It's fine if you aren't doing it anymore, of course

I've been in this fanbase since trial one and out of all the things I've read, your writing is probably amongst my favorite! (Even if I haven't finished going through it all yet...) I hope you have a splendid day! <3

!!!!! You are so kind waaahh this completely made my day, thank you ;---; I'm so glad you're enjoying omg ✨And thanks for these, they were really cool and fitting combos!! I tried to do a dual-perspective of Kotoko and Mikoto's pre-T2 fight, and I posted the one for Weak below.

Strength can manifest in a variety of ways, not just physically. Kotoko had a strong determination, for example. Mikoto had a powerful way with people. She showed solid self control and willpower. He held to strict deadlines and routines. She maintained a sharp intelligence. He upheld an unshakeable resolve.

Also, they were both ridiculously physically strong.

The pair came to this realization around the same time. They’d gotten a taste of the others’ power when clashing in the interrogation room, but it had begun suddenly and ended just as quickly. This time was different. They stood in the center of the panopticon, with the echoing space to themselves. As Kotoko swung a punch toward Mikoto, and he caught her against his forearms, they had a moment to gauge the other’s muscle. 

Kotoko stared into his eyes, which had a different sort of awareness to them now. He’s more coordinated, she thought, he must not be the same one I faced before. He’s leaning on the strength in his arms -- he’s not using his legs to their fullest potential. It doesn’t matter, given the raw force of his blows. Has he trained for fights, or just built his muscles in general? 

Mikoto stared into her eyes, returning her fiery gaze. Fuck, this lady’s strong.

She wound up again. He retaliated quickly. She shoved his back into the guard’s tower. He sidestepped her next attack. 

He didn’t really care why his fellow prisoner had come charging at him swinging, but she made sure he knew.

“The warden may not be able to administer punishments,” she said in between timed breaths, “so they entrusted me with that responsibility. This is justice, for the lives you’ve taken. You won’t be able to hurt anyone else.”

He broke into harsh laughter. “You’re one crazy motherfucker! You’re the only person hurting anyone.” He tried to grab her, but she slipped from his arms. His eyes narrowed, laughter dying away with unsettling speed. “But there’s no way in hell I’m letting you hurt me.”

Kotoko was struck by the way he said it. Her voice had shaken with the very same determination when putting herself between an innocent citizen and some creep. It was how she felt now, trying to keep his violent hands away from the other prisoners. There were children here, weak and scared. Es themself was just a child, and had already suffered his violence. She refused to let this villain cause any more pain. “I’m doing what needs to be done. You’re nothing but a murderous monster.” She swung her fist.

Mikoto caught her by the wrist, forcing her to look at the blood caked in her hand. He didn’t know whose it was, but it wasn't either of theirs. “You’re the fucking monster!” He shoved her backwards. “And I’m gonna kill you for it…!”

He didn’t know how she could think she was the hero in this whole situation. He was the one protecting someone else. 

Neither held back. Mikoto wheezed as her boots connected. Kotoko cringed as Mikoto landed a solid hit on her face. There was some shouting from the hallway. Their resolves hardened. Mikoto wasn’t going to let anyone else threaten him. Kotoko wasn’t going to let him threaten anyone else. They were strong, they reminded themselves. They had to end this now.

The two charged at one another. A moment before they were set to collide, they both cried out in pain. Blinding white light flooded the dark panopticon. They clutched their eyes, stumbling away from one another. A figure shoved through, planting himself between them.

“Stop this, both of you!” It was Kazui.

“Get outta my way,” Mikoto growled.

“This is not your concern,” Kotoko said, blinking in the light. 

The spotlight in the guard’s tower had been switched on, pointed directly at them. Kazui remained in place. “That’s enough. Look at yourselves, for god’s sake!”

Under the harsh light, they now saw the sort of state they were in. Mikoto’s uniform had torn in new places, blood seeping through. He could taste some in his mouth, too. Kotoko’s face was cut. Her leg ached. They stood covered in bruises, panting. 

“Go back to your cells,” Kazui commanded. “We’ll sort this out in the morning.”

Kotoko squared her shoulders. “There’s nothing to sort out. He’s a murderer. I won’t lose to him.”

“This bitch tried to kill me. I’m not letting her get away with it.”

“I don’t care.” Kazui said simply. “Call it a draw. You’ll both tear yourselves apart if you keep going.”

They continued staring at one another as if their gaze alone could take them to the ground, but neither moved to fight. 

Mikoto felt a pang of guilt. Lost in adrenaline, he didn’t realize how banged up he was. He thought of how much pain he’d experience in the upcoming days. The whole point was to save himself from harm. 

Kotoko cursed Kazui for interrupting her. As one of the forgiven, he was supposed to be on her side. Even if he wasn’t honorable enough to see her as an ally, she’d have to be the bigger person. She wouldn’t threaten him. 

Neither was happy about conceding, but couldn't think of a better option given their end goals.

Kazui remained between them as they stalked off to their respective cells.

“A temporary draw,” Kotoko muttered to Mikoto. She flashed a grin that felt more like an animal baring its teeth.

He returned the smile. “You won't be so lucky next time.”

[twipsai]

a princess's unspoken apologies

[opens-up-4-nobody]

...

[hellothere-generalangsty]

It's way past my bedtime ans my cat is sleeping-purring next to me but I thought I'd post the process of the @ailani-reillata Ailaniversary art I made today just to talk a bit more about it

Disclaimer: doing traditional art is cool until you need to scan it or post a picture of it 😂 also kinda long post below so ofc no obligation at all to read it!

Phase one: Sketching the Idea

My inspiration for the posture was a Yara Flor comic strip I found on Pinterest. Yara looks over her shoulder and her hair falls on the side of her face, and I loved the way it framed her face and thought it would look great with Ailani's hair.

I drew a little doodle on the page to help me visualize how the hair would be divided, and focused on 3 main parts (the lines, the bubbles, the empty space) which would - supposedly- help me during the lineart stage. Below are images of the final sketch.

I was hesitant on adding details to her arms, such as the folds of a dress, but I was so anxious about ruining the drawing I abandonzd that idea. I was considering adding her tattoos and was still not decided at this stage of the drawing.

Phase 2: Line-ing the Art

Is that even a real word? Idk, I'm too tired to English properly so we will say it is. Following the sketching phase was naturalle the lineart phase, which is one of my favorite stage when drawing. I bought new inking pens too so I was able to test them out, and it went quite well!

As you can see, the ribbons, outline of the skin and facial features have been done with my new pens, and i was quite happy with the result! It gives a more natural look to the whole drawing in my opinion.

At this stage I decided not to add her arm tattoos and consider this version of Ailani as the one you would find in the early chapters of Begged and Borrowed Time, so before she would get her tattoos.

Phase 2.5: Line-ing the Hair

This stage has it's own part because it was really fun to do! The inspiration for the way I draw hair comes from @/ssavaart (aka Scott Christian Sava on Youtube). I've been following him for a while now and I'm trying to push my art beyond my comfort zone and try new stuff thanks to him, and having fun with drawing hair is one of these things!

Look how beautiful these curls are. I'm not trying to toot my own horn or anything, but I'm really proud of the drawing at this stage 😂 it's the perfect moment where the inking went well and I have not yet ridked myself with the watercolours - so I always take a long sight (and tons of pictures) to celebrate reaching this stage without incidents.

Phase 3: Watercolours

Here comes the difficult part. It always makes me nervous because I always fear ruining my drawing and all the efforts I put into it by doing the watercolours. But I love the medium too much and if I want to get better I need to practice. So, testing the waters, I finally dive head first into this crucial stage.

The watercolouring goes well, I'm overall satisfied enough to take some pictures and even try to scan it, with the hope that the scanned rendering will be better than the usual "photographing and editing" I do with my phone.

Spoiler alert: the scan was NOT better than the pictures, and no amount of editing could change that. (Or maybe I am just very bad at editing.) So, back to my "photographing and editing" habits, I somehow managed to get a good enough result:

I still feel unsatisfied as I find these digital versions do not properly render the visuals I have on paper, IRL. With the digital versionsw the hair is either so dark we don't see the details, or too bright, the colours are too warm and light... And while Ailani looks light-skinned, the paper version has these visible brown tones that I struggled to find on the digital version, even when editing the pictures. The closest I got is the tone you see on the first picture, but the image is not lighted enough so the overall quality of the picture is a bit lessened by that.

Still, I won't complain too much, because overall it was a very fun drawing to do, I enjoyed every stage of it and I would love to do another piece like this! But for now I will go to sleep because it is Way Past My Bedtime 😂

If you've made it this far, thank you for your attention, feel free to let me know which stage is your favorite and what you liked most (or disliked most) about this drawing!

I for one really had fun doing Ailani's lips, as well as filling her hair, and colouring her eyes! 😊