#i shipped them when i was reading it for the first time and finding out other ppl did too fueled me and i will NOT shut up about them

[itpemod]

SIGN UP POST

It's late September and that means #ITPE sign-ups are OPEN 🎉🎉🎉 Links will be at the end, so please read through the post as we have a lot of new information/procedures this year!

This is the FOURTEENTH year of the exchange, but the FIRST year we will be hosting it on Tumblr, which was far and away the winner in our platform move survey. Happily, this means we get to keep our acronym and branding!

What is #ITPE?

#ITPE is a low-pressure, no-minimums podfic exchange that originated on Twitter. We are now on Tumblr because of Twitter’s…everything, since it was bought by the Muskrat. Everything–sign-ups, communication, assignment/gift distribution–used to be run entirely on Twitter, but as the exchange has grown, we’ve incorporated other platforms to help make our lives as mods easier. Consequently, sign-ups will be on AO3 and submissions of your finished gifts (when it comes time for them) will be via Google form. Otherwise all communication, including announcements, questions, assignment and gift delivery, will be conducted over Tumblr and instant messaging. 

Who are the mods?

Our mod line-up is @blackestglass (blackglass) & @knight-tracer, with flowersforgraves assisting on the backend with data management. 

What is the schedule?

The dates for #ITPE 2024 are:

Sign-ups: SEPTEMBER 21 - SEPTEMBER 29

Assignments go out: No later than OCTOBER 8

Projects due: DECEMBER 17

Distribution: DECEMBER 24

So long as it's still September 29 somewhere in the world, you can still sign-up.

How do I sign up?

We are continuing to run sign-ups through AO3 (without a nominations process, so just write in your fandoms). We are asking for a minimum of 3 unique fandoms and if you want to sign-up to give or receive more than 20 fandoms, pick your TOP 20 for the AO3 and put the rest in your Dear Podficcer Letter. If you have less than 20 fandoms, we encourage you to list all of your primary and secondary fandoms in the sign up form so we have options for matching!

Note: We consider certain RPF fandoms as “umbrella” fandoms. We know we have K-Pop podficcers and sports RPF podficcers who often sign up for our exchange. Individual K-Pop bands and individual sports/sports teams do not count as “unique” fandoms (so for instance, only listing SHINee, BTS, and A-Teez would not count as having 3 unique fandoms for sign-up purposes; for our purposes, they would all fall under the K-Pop umbrella). In addition to listing your favorite bands/sports/teams in the fandom field, we do ask you to help us out for matching by thinking of at least 2 other fandoms which you might be happy to give and receive in. The RPF podficcing pool is small and we try not to repeat matches within a 5-year period, so giving us more fandom options will help us find you a match. 

What is a Dear Podficcer letter?

Your Dear Podficcer letter should include stuff like squicks, triggers, ship and trope preferences, and anything else you think we & your gift giver should know regarding your fandom tastes. Letters are mandatory. They don't have to be long! But if you have extremely specific tastes, it’s better that you let us know upfront in your letter so that we can ensure that you receive a gift you’re happy with. Please don’t worry about seeming “difficult”! We want you to love the gift you receive! Also, do feel free to request your small, obscure fandoms! Just help us out by also including some more popular or “mainstream” fandoms among your options. 

If you’re still uncertain what a letter should look like, here are some examples from 2020: blackglass’s 2020 letter & knight_tracer’s 2020 letter. You can also check out linked letters in the “Requests Summary” on AO3 to see what other people’s letters look like!  

Letters should be hosted on a publicly viewable platform, such as on Dreamwidth, tumblr, carrd, GDrive, Dropbox, etc. 

Please put your Tumblr and AO3 handles (if they don’t already match) in your Dear Podficcer letter. For our sake, ideally somewhere in the title field. Toss a coin to your mod team. 

Also please be kind to your mods & avoid using smushnames or cute fandom ship names in your letter. We're not always in your fandom & sometimes people will use different names to refer to the same pairing & we mistakenly believe you're requesting different pairings (see: the Zimbits/JackBitty/etc. debacle of 2020). Using Char A/Char B(/Char C) would help us out a lot! You don't have to use AO3 levels of disambiguation – just provide us with enough information to figure out who the characters involved in the ship are. 

If you have specific tastes in what you want to RECEIVE in a fandom, but you’re willing to CREATE outside of those preferences (for instance, wanting to receive podfic about a specific pairing, but willing to podfic for other pairings in a fandom), please indicate that in your letter! If you want to offer or receive fandoms that aren’t currently on the AO3, or you’re one of those gutsy people that is willing to offer and create in “any fandom”, message this account and we’ll make sure it’s all recorded. 

In addition, if you’re an adventurous listener who is open to RECEIVING podfic for “any fandom” please ALSO message us so that we’re aware! We still need a minimum of 3 fandoms for your sign up so that it can go through.

If you have any DNWs (“do not wants”)  that you don’t want to post publicly in a letter, concerns about matching, or anything else you’d like to privately let the mods know, there’s a section in the sign up this year that you can fill out. Or you can send us a message!

How should we be communicating with you over Tumblr? We will primarily be using the instant messaging function. Therefore you will need a Tumblr account to sign up, because that’s where all communication and assignment/gift delivery will take place. It’s totally fine to use a placeholder account you only use for this exchange. (We do recommend adding a userpic, filling out your bio, and maybe reblogging a few posts so that you don’t seem like a bot.) All participants should be following the mod account, especially if you have restricted settings so that only people you follow can message you. The instant messaging system, unlike the ask system, allows us to maintain a record of our communications, and is the best way to share information you want to keep private between us or have extended conversations. You may use asks if you have a one-off question or questions you don’t mind getting public answers to. 

(Notifications for new Tumblr messages can be finicky so try to check out the messaging tab semi-regularly throughout the duration of the exchange instead of relying on the blue dot to let you know there’s a new message.) 

In an attempt to avoid tripping spam filters and hitting the Tumblr limit on sending messages to new people, we are asking you to help us out by sending us an instant message to let us know you’ve signed up, rather than us trying to reach out to dozens upon dozens of people (prime spambot behavior)! 

What happens if you get marked as spam?

If we get shadowbanned/tossed in potential spambot purgatory, the mods will reach out to you from our personal accounts/mod sideblogs or via email. During the sign up period, we will reach out to you via messaging to ask you for a reliable email address to reach you at in case all of our attempts to not get flagged as spam fail.

If we are marked as spam, we’ll still be able to post on our own blog and we should still appear on your dash, but we won’t be appearing in the tags most likely, which is another reason why it’s important for you to be following us!

How does matching work? How will I get my assignment?

The mods do hand-matching, meaning rather than just letting the AO3 algorithm run and make arbitrary matches based on fandom, we read all your letters and try to match you with someone with similar tastes and interests. We’ll only be relying on the AO3 algorithm to help us spot tricky matches. 

Another of the ways Tumblr combats spam is to shadowban anyone sending multiple similarly worded messages. We’re going to make an attempt to deliver extremely pared down assignment messages so that we’re mostly sending unique information. If we do get marked as spam, as mentioned earlier, we may reach out to you on sideblogs or via email. 

What kind and how many gifts should I make? Do you really mean “no minimums”? 

Yes, ITPE gifts have NO LENGTH MINIMUMS. Make something as big or as small as you want to commit to! We truly do mean it. This is meant to be a low pressure exchange! Accordingly, please set your expectations that you may receive a short gift. In the past, we have had participants who’ve been extremely generous and made a prolific amount of gifts for their giftee, but they are outliers and there is certainly no expectation that anyone else should strive to those heights. 

I have more questions about making gifts!

We’re sure you do, but we’re not there yet! We will update this FAQ with more information about submitting gifts and treats once assignments go out, so check back!

I’m ready to sign up! What are the next steps? 1. Fill out the sign up form on AO3 here.

2. Follow us @itpemod if you haven’t yet!

3. Send us a message over the chat letting us know you’ve signed up!

4. Optional (but encouraged if you want to talk to people!): join the Tumblr Podfic Community to participate in the friending/following meme!

5. Optional: Track/follow the #itpe or #informal tumblr podfic exchange tags! 

[reyreadersblog]

ALRIGHT Y'ALL MADE ME DO IT!!!

My unpopular tig/tgg opinions!!

FIRST!

These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.

1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.

2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.

3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀

4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.

5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.

6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.

7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.

I'll probably do part 2, i have more to say i'm just really tired rn.

Also it's not proof read so sorry if there are many mistakes.

[little-luna-llama]

I love the idea and I'm being inspired here by the lovely @/imaginariumwanderer again and their my ship in 5 minutes post where they said they can't imagine vanilla and shadow being particularly domestic which I agree with.

But I'd like the pitch: the only times they do act like a traditional parental involved couple is when custard is involved. Is it bed time? Well is dad gonna read you a story or papa? Overwhelmed? No worries one will make sure the conditions are right to get you through it, the other will help.

Feeling down? Guess we're making Dino nuggies and watching Belle/Howls moving castle etc

Nightmares? Shadow milk doesn't sleep so he catches on fast to custards pattern. If it gets to the point it's needed shadow can has and will teleport into custards bedroom and help him out.

Has brought custard back into his room with vanilla and softly admits he needs vanillas help and ended up for the first time ever falling asleep with them both.

Vanilla has also woken up in the morning to his bed half empty and finding shadow buried into custards cubby with him and dozing.

I'm sorry I can't help but think that they love that kid so much that it can, even if just for a bit convince them what they have goin on is normal.

[chubbybunny25]

you like jercy too??? honestly it feels like the jercy nation is dying out sometimes so finding someone who likes jercy is a !!! moment

percico are my first and dearest pjo ship but jercy wormed their way in there too and now I think about them on the regular

do you have any jercy headcanons or ideas? I'd love to hear them!

~ inhabitinganotheruniverse

Hi! Of course, Percy/Nico ship has my heart forever, too!! Generally, I love writing about them because their dynamic is so complex and has so much potential and—sorry, uhm, about your ask:

But jercy!! I love them more as a reader, because their relationship is sooo cool and mostly comforting. I'll always be a sucker for their 'bromance to romance' dynamic (and ofc I stubbornly refuse to believe whatever canon did to Jason Grace).

As for hc's, besides the more common ones that I've read so far...

I like to think that Percy gets the craziest ideas while Jason helps him to "strategically" carry out said ideas. Like some time after the war, Percy thinks of a prank he likes to try and Jason makes a plan so he can get a kiss from Percy.

Also, Percy's love language is affection like hugs or kisses, while Jason's a sap so he always compliments Percy in a poetic way. Bonus if he switches to Latin because he's so overwhelmed with Percy's smile, eyes, and just everything that's Percy.

When giving gifts, Percy's are aimed to make Jason laugh, while Jason's make Percy tear up (in a good way ofc).

Eventually, they learn from each other and surprise each other when Jason casually hugs Percy and Percy mindlessly makes a poetic remark.

[pikuniku53353358]

My au for "Rain world" - "Sinful world"

ATTENTION, FURTHER INFORMATION WILL TOUCH A LITTLE ON MY PERSONALITY AND INFORMATION ON MY AU on rain world "sinful world"! PLEASE READ ALL THE WAY TO THE END, THIS IS VERY IMPORTANT TO ME! AND I'M ALSO OPENING AN ASK BLOG ON MY AU, SO IF YOU WANT TO ASK MY CHARACTERS ANY QUESTIONS, THEN YOU'LL HAVE TO HAVE AT LEAST SOME INFORMATION ON Sinful world ANYWAY! (and this post was written with the help of a translator, so I apologize in advance for any possible mistakes^^") So, if someone doesn't know, then I'm Piku_nik, but you can just call me Piku. I am 13 years old, I draw on my phone with my finger in ibis paint. I'm looking for different fandoms, such as: rain world, hollow knight, ori and the blind forest, just shapes and beats, gravity falls, fundamental paper education, etc.I will mainly draw art for the rain world game.My favorite ships for this game:

Saint/Monk

Artificer/Rivulet

Gourmand/Survivor

Watcher/Enot

Spear master/Hunter

I also have my own au related to rain world, and now I will tell you a lot of it. However, I will not mention one part of the information, since my Persians themselves will be able to answer it in the form of an aska (so do not hesitate to write me messages with your questions about my au :)), and I will not be able to mention other information since I am currently writing fan fiction on a Russian platform called "Ficbook.net " by This week, and it's not finished yet. Some of my readers are following me on tumblr, which means I won't be able to drop plot spoilers here. Don't worry, you'll find out in time, but it will take some time :)

AU setting: all SW actions take place in a kind of simulation. The world is quite realistic and is located in three-dimensional space, however, by its very nature it obeys game laws and logic, which means that the creatures there have an indicator of karma, hunger, cycle duration report, etc., in general, everything that is in the base game.

Characters: Inv (Enot)

Fear (THE REAL NAME IS STILL UNKNOWN!)

Developers

Monk

Survivor

Hunter

Gourmand

Cold-blooded Wind (Golden Eye)

Fragile Compassion

Big Heart

Feeling of Fault

Hate

(the list of characters will be updated over time, but at the moment there are as many characters in the fanfiction as written above)

The plot in brief:The developers have already created many different mini-worlds called "campaigns" and placed slugs with different histories, chaoacters and goals for life there. But that wasn't enough for the gods. They became bored with ordinary worlds that follow some kind of rules. Therefore, they hastily created the "Enota campaign" and created almost simultaneously one of their most important and dominant persons in SW — Enota and Fear (he was not called that before, so I will call Whity in this period of time, BUT this is not the canonical name of this character, but only a temporary code name)). They were both immediately told that they existed in a fictional world and that they were created only so that both poor slugs would suffer. And Enota was also given out how pathetic and insignificant he was, and then they threw both slugs into their world. An important clarification: Whity and Enot had not seen each other before, the developers created them separately from all the others so that they would not see each other inadvertently.

Enot did not know how to survive in his world, which is why he spent a lot of effort to survive his first cycle. All this was observed by Whity, which in fact is essentially the soul of Enot, which is imprisoned in his consciousness, into which Enot himself can penetrate only when he is asleep. And so, in a dream, the slugs met and became friends. The developers also informed him about their nature when creating Whity, and also said that if Enot commits at least one sin, it will affect his soul, that is, on Whity itself. He will be in terrible pain and constantly writhing in pain. And knowing all this information from the developers, Whity asked his friend not to commit any sins. The soul was terribly paranoid and did not allow Enot to enter normally and step in. He even forbade slug to pick up a spear in principle, and as a result, to fight in order to banal self-defense.

Enot did not know how to survive in his world, which is why he spent a lot of effort to survive his first cycle. All this was observed by Whity, which in fact is essentially the soul of Enot, which is imprisoned in his consciousness, into which Enot himself can penetrate only when he is asleep. And so, in a dream, the slugs met and became friends. The developers also informed him about their nature when creating Whity, and also said that if Enot commits at least one sin, it will affect his soul, that is, on Whity itself. He will be in terrible pain and constantly writhing in pain. And knowing all this information from the developers, Whity asked his friend not to commit any sins. The soul was terribly paranoid and did not allow Enot to enter normally and step in.

No matter how hard Enot tried to rid his friend of these sins, there were more and more of them, and at the same time the pain from these sins only became stronger and more unbearable. At this point, a Feeling of Fault appears in the plot. This character is metaphorical, we can say that he does not exist in reality, he is needed so that one can understand the thoughts and feelings of one of the characters, in our case, Enot. That is, it means that only Enot can see Feeling of Fault and talk to him. Because of the fractures in the relationship with Whity, Feeling of Fault began to tell Enot that he was still a loser and a weakling, which only added more oil to the fire and made the whole situation only worse. At some point, a real scandal broke out between Enot and Whity during which they stopped being friends. After that, after a while, Whity was completely consumed by sins, and Enot's Feeling of Fault became especially strong during this period of time. Enot's consciousness, in order to protect him, sharpened Feeling of Fault and began to gradually erase all painful memories associated with Whity. At some point, he completely forgot about his former friend and can be said to have started life with a clean slate. And it would seem that this is a good thing, now Enot has become completely free from the prohibitions of his former friend, and even now no Feeling of Fault will bother him, but... The thirst for blood still remained in him. At first, Enot tried to suppress her and he killed especially only scavengers, because they had caused him too much pain in the past, but over time, Enot's moral compass completely erased and he began killing everyone indiscriminately in rather cruel ways, eager to hear the screams of his victims and taste their torn flesh and meat. Enot-maniac was very strong because he faced enemies every cycle and learned to defeat them. He became so strong that the scavengers, realizing that they could not resist this psychopath in any way, began to hide in secret bunkers underground without proper food, heat and much more. Enot-maniac destroyed the lives of many creatures, and those who miraculously survived were left with many mental injuries. The most revealing of them will be my scavenger character named Cold-blooded Wind. As a child, an Enot-maniac tore off his eye, but he was able to escape, however, this incident affected not only physically, but also mentally (you can learn the details of the Wind's background from ask. Believe me, everything is much worse there than you think. This is the third most tragic character in SW)

He even forbade slug to pick up a spear in principle, and as a result, to fight in order to banal self-defense. It seemed to Enot-maniac that he had reached the top and found his happiness and the meaning of life, but... That's not so. He actually needed companionship and good friends all this time. He began to wish for it as soon as the developers abandoned him to his fate. Throughout his life, Enot has never been able to feel real affection and support from others, and as a result, the murders of Enot-maniac began to get boring. What's the point of killing everyone and everything like that? He had tried all possible methods of murder on his victims anyway, everyone had long ago realized that Enota was a maniac worth being afraid of... A small piece of forgotten memories was able to remind Enot-maniac of the void sea, which Whity once told him about and he headed to it in order to finally find his long-awaited peace. But plunging into it, Enot found himself in a dating simulator. He spent a lot of time in it, and during this time, Enot, communicating with other slugs and not killing anyone, realized that he was wrong. That killing is not an option and that he wants to find friends! That's just how to do it if you can't get out of dating sim? But who said that it is ABSOLUTELY impossible to get out of dms? Remembering what kind of drug addiction an Enot egg could create in a dating simulator, he threw it at one of the buttons in this space and it was swallowed up by a singularity. Then the walls cracked and behind them was the code of all slug campaigns, as well as the code of the dms itself, which was also swallowed up by this black hole. After that, this hole in space and time turned into a portal and sucked Enot into it.He found himself back in his campaign, but now some of the chips from dms are now working in his world (that is, the egg can now create fierce nonsense and drug addiction here if desired), as well as slugs from its campaigns appeared in different parts of his world. The Raccoon has a new chance to start this life from scratch, make friends and find his happiness by ascending into the void sea. First of all, he changed his name to Eve, since the name Raccoon was now associated with his dark past. After meeting the Monk, he realized that there were probably a lot of such popadans in his world, so Inv decides to create his own gang called the "VC Gang" (VC - Void Cats). At the moment, this gang consists of Monk, Survivor, Hunter, Gourmet, their tamed red lizard and Inv himself, who is the leader here.On the way of our friends, there will be many obstacles that will mainly occur due to Fear (as Inv called Whity when they met again), which, due to sins, received quite a lot of power and authority. In order to put obstacles to slugs, he sends a black parasite blob into the real world, which infects a creature nearby that is afraid of Inv, which means that he cannot infect the same Inv friends, because slugcat is obviously not afraid of them. However, other obstacles will be encountered due to Inv's dark past, which he tries to hide from everyone. Scavengers still remember the time when the Enot Maniac raged in their world, and this will have its consequences...

That's all for now. I remind you that you can safely ask me additional questions about my au. My characters will answer them in the ask blog. I hope at least someone has read up to this point and is interested in my QwQ fanfiction, and I'll also give you a link to my fanfiction just in case, maybe someone won't be too lazy to read it with the help of a translator: https://ficbook.net/readfic/13570641

Additional content by my au:

Designs by Cold-Blooded Wind and his friends - Fragile Compassion and Big Heart.

[the-golden-kingdom]

hugging him like that atleast take him out to dinner first damn

[rexscanonwife]

Concept sketch of my new JJBA self insert and her stand, BellaDonna (who will eventually be known as Madonna). Inspired by the song 'Like a Prayer' by...well, Madonna! @sapphire-heart-tippy

(lore dump under the cut, TW for mentions of animal injury and religious trauma)

My self insert (who will also go by Jane) grew up in a deeply religious family and tried to be a good jehovah's witness child that made her parents proud.

One day, she comes up with the power to heal various injuries and ailments, almost to the point of being able to revive the dead. She figures she's given this power by the lord himself and vows to do good with it, but when she's found using them to heal a bird that had been wounded by a cat, her mother falls into hysterics thinking that she MUST be possessed by the devil to have such abilities.

She's punished and shunned by her community while her mother prays for a cure and though she tries to repent her power doesn't seem to go away, so eventually her mother snaps and drags her into the wilderness and attempts to throw her to the bottom of an old well.

Her Stand, which had previously not manifested physically, appears then to cushion her fall and eventually she manages to pull herself out of the well with her Stand's help, who she now believes to be a guardian angel. But not wanting to return home, she runs away to face the world alone, growing jaded and bitter over time. She loses all of her faith, and the power to heal inverts itself, becoming a sort of poison. Something that LEECHES life, rather than heal it.

When she's an adult (my age irl so 25 I guess) she's made her way by becomes a bounty hunter/assassin using her Stand and eventually catches the attention of Dio. Who takes her in and explains to her what her Stand REALLY is, promising to teach her how to properly wield those powers if she agrees to serve him. She reluctantly takes his offer, but starts to see him as a familial figure, since no one else had ever tried to nurture or even accept her gift. Dio is the one who giver her Stand the name BellaDonna, after the deadly plant!

[fluffle-writes]

I wanna. Pick them up in my mouth and shake 'em around like a dog obliterating a squeaky toy

[andthebubbles]

i actually kinda miss rpf fandoms haha like... i don't miss f1 itself, but i miss rpf fandoms where everyone knows what they're doing and what's up, like how nobody really believes that their otp is actually together (and even if they actually are (?? haha), it has no bearing on what you write/create). and just. i miss that there are no canon ships, so everyone just ships whatever they like (or whore their fave out like i do) and well, i didn't really catch any ship wars during the time i was in the f1 fandom (twice) but maybe i just managed to stay away from all of that. and (at least in my experience) there wasn't any weird comments on fic of how the plot should've been like that, or you shouldn't have done this with this character; i also really liked how there wasn't just smut fic (although there was plenty of that too heheh), but also wonderful, wildly creative AUs of any sort, like it just became so easy to take these characters (because by the time you write about rl people in fic, they DO become characters) and put them in any situation/scenario that you liked--like it just became so easy to know them on a fic/writing level because people before you did the research and put it in their fic, and then you'd read their fic and you'd learn that this guy has blah number of brothers and sisters and these are their names and these are their parents' names--

anyway. i miss the chillness of rpf fandoms. or at least, the ones i've been in anyway.

[imaginarypasta]

one of the things i’ve noticed that changes between this series and the last is the newfound emphasis on diplomacy & decorum. i do understand why, both in how the narrative changes w the introduction of new ideas and frameworks as well as how it might want to adapt to have its own voice, themes, etc. but gone are the days of yes-anding oneself into strange situations and in are those of yet another scene highlighting the importance of a letter of introduction—and that was personally a huge reason why i liked the original series so much. i don’t even mind like diplomacy as a narrative device when it’s equipped in interesting ways but when it’s constant introductions to new characters that go relatively similarly every time & a very clear narrative voice insisting that original solution wouldn’t work when it’s 1. more interesting to me personally and 2. not even working any better practically, then that starts to get super boring

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

Learn about Palestine

[nellasbookplanet]

Book recs: black science fiction

As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.

Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

Lagoon by Nnedi Okorafor

Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.

Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes

Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.

The Scourge Between Stars by Ness Brown

Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.

Midnight Robber by Nalo Hopkinson*

Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.

Rosewater (The Wormwood trilogy) by Tade Thompson

In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.

Do You Dream of Terra-Two? by Temi Oh

Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.

The Best of All Possible Worlds by Karen Lord

After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.

Mirage (Mirage duology) by Somaiya Daud

Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Where It Rains in Color by Denise Crittendon

The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.

Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden

Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*

In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.

Parable of the Sower (Earthseed duology) by Octavia E. Butler*

In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.

Binti (Binti trilogy) by Nnedi Okorafor

Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.

War Girls (War Girls duology) by Tochi Onyebuchi

In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.

The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson

Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!

The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*

In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.

The Women Could Fly by Megan Giddings*

In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

The Summer Prince by Alaya Dawn Johnson*

Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.

The Blood Trials (The Blood Gifted duology) by N.E. Davenport

After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.

Babel-17 by Samuel R. Delany

1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.

Pet (Pet duology) by Akwaeke Emezi

Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.

Bonus AKA I haven’t read these yet but they seem really cool

Lion's Blood by Steven Barnes

Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.

The Sound of Stars by Alechia Dow

Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.

Womb City by Tlotlo Tsamaase

Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.

Orleans by Sherri L. Smith

Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

The Splinter in the Sky by Kemi Ashing-Giwa

Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole

[fairymosh]

bruh

[phefics]

veritaserum

ship: fred weasley x reader x george weasley summary: fred and george dose the reader with a truth serum, which leads to her admitting a sexual fantasy including both brothers. warnings: dubious consent (truth potion is used to make the reader admit her sexual fantasies which then play out), pseudo-inc3st (the twins don't do anything sexual to each other but are both involved in the same sexual scenario), gender-neutral!reader (reader has a vagina but no pronouns are used) word count: 1.9k

Being friends with the Weasley twins was a constant rollercoaster.

There was never a dull moment, always an adventure to go on, a prank to pull, or witty banter bouncing between you and the brothers. Sometimes, you were helping Fred and George pull off their next big joke, but other times, you were their target. Sure, it could be frustrating, but it was also fun for you, and you always found ways to get them back.

You had been friends with the twins since your first year at Hogwarts, and that friendship had continued past Hogwarts and followed you into early-adulthood. You visited them at the flat over their shop in Diagon Alley often, where they showed you prototypes for new products and made you laugh until you cried with their antics.

It was a cold evening when you appeared in their fireplace, a bit dusty from the ashes, and were greeted with excited shouts from Fred and George before being pulled into a group hug.

As you looked up at their grinning faces, you couldn’t believe that there were people who still got the twins confused.

Fred had more freckles on his face, while George’s shoulders and arms had an abundance of them. When Fred laughed, he threw his head back, cackling loudly, while George usually gave more reserved chuckles, laughing down at his lap. And, well, George was fully missing an ear now, and Fred had a large scar on his temple from the Battle, where a piece of castle wall had crashed down on top of him.

“Finally,” Fred said, man-handling you onto the couch. “We’ve been waiting ages!”

“I’m only a few minutes late,” you replied, glancing at their clock, which wasn’t even working—it read 3:15, but it was well past 7:00 judging by the darkness outside.

“And are our few minutes not important to you?” George asked, sitting by your side. “We could have been using that time to come up with more brilliant inventions.”

“Or planned a clever scheme to spill a bucket of water on your head when you arrived,” Fred added.

You rolled your eyes. “I’m terribly sorry to have wasted your precious time,” you said, tone thick with sarcasm.

It was nice catching up with them. They updated you on each member of the Weasley family, such as Fleur’s pregnancy with her and Bill’s first child, or Percy’s upcoming wedding. You updated them on your own life as well, and it wasn’t long until they had pushed a glass of Firewhiskey into your hands.

“So, Y/N,” Fred said, leaning against the back of the couch. You immediately recognized the glint of mischief in his brown eyes, and braced yourself for whatever ridiculous question he was about to pose.

“Which of us do you think is the better looking twin?”

You opened your mouth, intending to say something like ‘neither of you’ or ‘you’re identical—what kind of stupid question is that?’ but the sentence that spilled from your lips instead was, “Well, you look pretty much the same, so I’d say you guys are equally attractive. I think the scar makes you look pretty hot, Fred, but George can really pull off the whole missing ear thing.”

You clapped a hand over your mouth, face burning.

The twins both erupted into giggles.

“Oh, you’re too kind!” George said. “I’m glad you find my lack of an ear sexy.”

“And my scar is flattered,” Fred added.

“What did you two do?” you asked, scowling.

“We might have stumbled upon a vial of Veritaserum…” George said, trying and failing to look guilty. “And put it in your drink. Just a drop, though! It’ll wear off soon.”

You wanted to insult them, yell at them, call them every insult and curse under the sun, but no words would leave your tongue. It was like the truth serum wouldn’t even let you pretend to be pissed off. Sure, this was an invasion of your privacy and totally sketchy, but you had known Fred and George for so long, you were sort of used to their antics by now. You should have been way angrier than you were, but it was just so typical of them, you couldn’t muster much more than annoyance.

What you did manage to say was, “Why?”

Both twins shrugged.

“For fun,” Fred said.

“And because we were curious about something,” George replied.

“About what?”

“About which of us you like better.”

You blinked at them. “Are you serious? We aren’t eleven anymore. Is it really a contest between you two to be the better twin?”

“Not really, no,” Fred said. “Even though we all know that it's me.”

George reached over you to playfully shove his brother’s shoulder. “It’s not about proving anything. We’re just curious. So, Y/N, who do you like better: me or Freddie?”

“I like you equally,” you said. “You are both hilarious, intelligent, and my best friends. I find it easier to connect with George on serious things, but Fred always knows the right thing to say when I need cheering up.”

Your face was flushing deeper, embarrassed at the cheesy, sentimental words that left your mouth. Fred and George had grown up in an incredibly loving, affectionate family and had never shied away from making their love known, but it was awkward to voice your own feelings out loud like that.

Both twins seemed rather touched, though

“Wow, I was expecting you to have to pick,” Fred said. “But that’s oddly sweet.”

You groaned. “Okay, okay, yes, I love you both, can we knock this off now?”

“No, we have more questions!”

“Such as…?”

“Would you fuck either of us?” George asked.

Fred was normally the more vulgar of the two, and the question coming from George’s lips instead took you even more off guard.

“Yes,” you said, unable to stop yourself. “Either of you. Or both of you.”

“At the same time?”

“Yes.”

Fred and George also showed their emotions differently. Fred was better at keeping his feelings to himself, but when he was flustered, his ears would turn pink. His ears had flushed slightly, and his eyes were wide as he licked his lips, clearly intrigued by your answer. George was also flushed, but the color went to his face, and he brushed his thumbs repeatedly over his thighs, a nervous tick he’d always had.

“Have you thought about this a lot?” he asked.

“Yes.”

“Tell us how you’d want it.”

You couldn’t help but answer. “I would let you strip off my clothes, groping me. One of you is behind me, kissing my neck as you take off my shirt. The other is at my feet, pulling my pants down. Neither of you shut up the whole time, talking about me like I’m not even there. Commenting to each other about how pretty I am, how wet my pussy is for you. Whoever is between my legs starts to go down on me, while the other holds my body still so I can’t move away from how good it feels. I cum on your tongue, and the other wants a turn, too…”

The twins were both clearly aroused as you spoke.

“Do you want that? Now?” Fred asked, his voice low.

“Yes,” you breathed. 

They waste no time switching their positions on the couch, George pulling your back against his chest while Fred positions himself between your legs, his hands eagerly moving to the waistband of your pants, tugging at it.

George took his time, hands sliding up your shirt, touching softly as he felt you up, his face nuzzling into the crook of your neck, lips teasing the skin there.

You couldn’t help but whine under their touches, loving every moment of it. You had truly dreamt of this for years, always too afraid to ruin the friendship. Sure, you had kissed both twins for dares back at school, but this was real and intimate and beautiful.

Fred made quick work of getting your bottom half undressed, and he kissed his ways along your thighs, cupping your ass with one hand, squeezing hard.

“So fuckin’ hot,” George breathed.

“I know, right?” Fred replied. “So good for us, too. Are we making your fantasy come true, love?”

You nodded, whimpering softly.

“So needy, too. You want to cum for us?”

You nodded again. “Yes, yes please.”

George chuckled, nipping at your ear as Fred’s mouth finally reached your pussy, his tongue licking tentatively at you before he found your clit, which he immediately focused his attention on.

Your noises only grew louder, more desperate.

“Already? You’re not very good at this whole build-up thing, Freddie,” George said.

“I think we’ve waited long enough for this,” Fred replied before returning to his task.

“You don’t want to be patient, do you, darling?” George asked, hugging you tightly from behind. “You’ve wanted this for so long, you just want to be good for us, take everything we’ve got?”

“Fuck yes,” you moan.

Fred was clearly just as eager as you are, apparently trying to make you cum as quickly as possible, like he was placing bets in his head.

“You like that, hm? Is he good at it? Making you feel good?” George said.

“Feels so fucking good.”

“Good. You gonna cum for him?”

“Yes, yes, I’m—”

It didn’t take long at all. Fred’s tongue was good for more than just witty comments, and your legs trembled as he sat up, lips shining with your slick and a smug smile on his face.

“I think this is the part where we switch jobs, Georgie.”

Your pussy was already so wet, so sensitive, you knew that George would be able to make you cum fast, too. It was almost embarrassing how easy you were, how turned on they made you.

The twins switched positions, and Fred wrapped his arms around your middle sweetly, dragging his fingers over your waist and making goosebumps spread over your abdomen, squirming in his grasp.

“Don’t try and get away, sweet thing,” Fred said. “Otherwise George won’t be able to have his turn. Just be good for us, okay? Be a good little slut.”

You whined, face hot as George’s lips found your inner thighs and kissed the skin there, slowly, teasingly. He was the more patient, more methodical of the two. He wasn’t going to go straight for your clit, he was going to keep you wanting. Maybe until you begged.

Fred began sucking a hickey into your throat, leaving you a moaning mess as the twins both worshiped your body like it was something sacred.

Finally, George’s tongue found your pussy, teasing your hole and folds before even bothering to touch your clit.

“Should he put his fingers inside you?” Fred asked.

You nodded fervently, thrusting your hips.

George complied immediately, sliding one finger inside which was quickly followed by a second, pumping slowly before curling into that special spot, which he had found surprisingly easily.

Your second orgasm came just as quickly as the first, your hands balling into fists and your toes curling. Once your body was able to relax, you looked up through teary eyes to see George licking your taste off of his fingers.

“Was that everything you dreamed?” Fred asked.

You opened your mouth, expecting the answer to roll off your tongue, but it didn’t. You realized that the potion had worn off, and smirked.

“It could have been better,” you said, thrilled with your ability to lie again.

Obviously, Fred and George had to remedy that immediately.

[writer-logbook]

How to improve your writing style : a 5-steps guide.

Intro : I love the 5-steps format, don’t mind me. Again, this essay is based on my personal experience.

Read in different genres. Ok, I know you’ve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ‘‘How reading some historical fiction will help me writing my sci-fi novel ?’’ For that simple reason my friend : they meet different purposes. You don’t know how to describe a castle ? It’s okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism it’s bad - and illegal)

Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another author’s style !!!! It’s about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.

Rewrite the same scene from different POVs. First of all, it’s fun. And it’s a really good way to spot quirky formulations. For instance, if you describe a ship, the captain’s POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). It’s go hand in hand with coherence - but it would be an essay for another time (maybe).

Read your text aloud. I put major emphasis on that one because it’s as underated as reading books for various genres. You have no idea how much we DON’T speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if it’s not me).

Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes you’d be more likely able to spot what needs to be erased or rephrased.

That’s all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.

Gentle reminder that I’m still French and not a native so please forgive my dubious grammar and outrageous mispellings.

[revasserium]

can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)

hold me (still)

opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence

summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.

a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)

You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.

“Come with us!”

“Oh…” your lips pressed into a thin line of consideration.

Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.

“C’mon! It’ll be fun!”

And then, you’d smiled wider, and nodded, and that had been that.

It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.

Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.

“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.

“Hm?” is her very eloquent response.

Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.

“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.

“Why don’t you ask her yourself?”

Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.

“Oh, you like her.”

“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.

“No, no, no — we’re gonna work this through.”

“No thanks, I’m good.”

“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”

Zoro narrows his eyes, “I did drink more than you.”

Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”

“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”

Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”

Zoro heaves a sigh and leans back against the main mast, closing his eyes.

“Fine then. Go.”

Nami sits back on the edge of the barrel.

“No, you go. Admit that you like the new girl.”

“I don’t.” He doesn’t open his eyes.

“I’ve seen you staring at her. We’ve all seen you staring at her.”

“What, that a crime now?”

Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”

Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”

Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”

“And how’d you propose I do that?”

Nami once again waves in your direction, “Go. Talk. To her.”

Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.

And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.

There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.

Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.

The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.

On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:

“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”

Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.

For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.

“Is it good?”

It takes you a second, but eventually, you turn towards him.

“The book? Yeah, I suppose.”

“Not exactly a glowing review.”

You laugh, a soft, breathy little thing as you look back down at the page.

“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”

“Must’ve been one hell of a kiss.”

“Yes, and one hell of a prince.”

Zoro finds himself chuckling, his shoulders loosening as he takes another breath.

“And then what?” he asks.

“And then… he asks her to marry him.”

You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.

“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.

You look back up at him and smile a smile a sphynx would have been proud of.

“I don’t know. I haven’t gotten there yet.”

Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.

The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.

“C’mon, it’s lunchtime.”

Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.

“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.

“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”

Zoro scoffs but digs in nonetheless.

When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.

And you do.

He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.

But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.

The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.

On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —

“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”

You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.

“It’s… something of a long story,” you say, your voice low and hoarse.

Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.

Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.

“Could do with a good story.”

Your eyes flash in his direction and he offers you the barest hint of a smile.

You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.

“When I was three, my father sold me for a barrel of beer.”

A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.

“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.

You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”

Nami gasps before clapping her hands over her mouth.

“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”

Luffy swallows hard, frowning, “What’s it like?”

Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”

Usopp’s eyebrows jerk up, “The most feared?”

A faint smile seeps across your lips like blood.

“Yes. The Shadows that Live.”

Everyone turns to look at you. Luffy picks up another drumstick.

“Whoa… cool name!”

Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”

“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.

“Then…” Usopp’s voice is soft, “What about… you?”

“I… I ran away.”

Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.

“Wow! You must be pretty good to run away from an island full of shadow assassins!”

You almost laugh, his boundless trust hitting you like a punch to the stomach.

“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”

You nod, “Something like that.”

Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.

“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.

You purse your lips, “I… I don’t know.”

Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”

At this, everyone laughs, and the tension snaps like a wounded spring.

Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”

You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.

“I… I’m not sure — I’ve never fought… any of… them… before.”

“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”

Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”

Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.

You turn, but he only raises his glass before taking a sip.

You mirror his movement, cradling the cup to your chest when you finish.

Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.

“Hey.”

You turn, “Hi.”

Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.

“Luffy’s right, y’know.”

“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.

“If they come for you,” Zoro says, “we’ll have your back.”

You let out a small chuckle, looking down at your hands, “I know.”

“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”

You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.

You take a shivering breath and force it out again.

“Fear’s a hard habit to break.”

At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.

He turns back towards the sea, “Yeah,” he says, and then —

“But we can take it slow.”

You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.

You don’t get a lick of sleep that night.

The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.

You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.

Neither of you are blind to it; nor, it seems, is the rest of the crew.

Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”

Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.

You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.

It’s a peaceful sort of companionship, even if it is living on borrowed time.

When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.

The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.

“Is he ever still?” you ask one day, sometime in the second week.

To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”

You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.

“What is it?”

You shake yourself back into the moment, forcing a smile.

“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.

Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.

Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.

Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.

“Look! It’s an island! It’s an island!”

And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.

You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.

Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.

Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.

“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.

Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”

You wrap your arms around yourself and look around, glancing back at the darkening horizon.

“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.

“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”

Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”

You let out a tiny laugh, “Yeah, something like that.”

He nods, “Don’t worry, I’m — we’re here.”

And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.

You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.

“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.

“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.

“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”

“I know… and I’ve said before —”

“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.

You breathe out, looking down at your own hands, “Yeah… but I’m trying.”

You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.

“Do you… want me to grab a book for you?”

You smile, “No, I don’t think it’s bright enough.”

“I could restoke the fire.”

“No, it’s — it’s okay.”

“Alright.”

A bird coos the distance.

“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.

In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.

“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”

“Yeah, but I want to hear one from you.”

Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.

He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.

“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”

His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.

“Oh… I’m sorry.”

Zoro shrugs, “Don’t be.”

You nod, “Still.”

Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”

You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”

Zoro lets out a long breath, “Yeah… or something.”

There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.

You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.

You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.

“Gum Gum — Pistol!”

“Seize her!”

You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.

“No one… ever… leaves us…”

The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.

You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.

His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.

“Hey, look at me.”

You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.

“Z-Zoro?”

“Yeah, it’s me — eyes up here.”

You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.

“Th-they’re here — they —”

“They’re gone — we got rid of them — hey.”

Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.

“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —

You jerk back and feel a sticky wetness against your cheek.

“Zoro, I hurt you!”

At this, he scoffs, pulling back far enough to flash you a look.

“This is nothing. C’mon.”

He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.

“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.

Nami and Usopp both look a bit shaken, but none worse for the wear.

They all pivot to look at you.

You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.

Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”

Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.

“See? Told you we’d have your back! We are your crew, after all!”

Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.

“Got something on your neck, mate.”

Zoro glares but you glance over and feel your stomach twist with guilt.

“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”

Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.

The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.

You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.

“Sorry.”

“I’m fine.”

You bite your lips, “If this had been a bit deeper or a few inches over —”

“But it wasn’t. So it’s fine.”

You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.

“Hey, look at me.”

You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.

“I’m fine.”

And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —

The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.

For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.

For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.

For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.

And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.

“Oh,” is all you have the strength to say.

Zoro, in all his solid brilliance and quiet audacity, laughs.

You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.

“Crap, I forgot about these.”

Zoro chuckles as you hurry to press a few small bandages to the wounds.

“It’s okay. So did I.”

You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.

“So…” you say, unsure suddenly of where to look.

Zoro’s laugh is just as soft, just as uncertain.

“So.”

You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.

“Do you… wanna talk about it?” he asks, quiet as always.

You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.

“Right now? Not really.”

“Yeah, neither do I,” he says, sounding as relieved as you feel.

You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.

“Can I ask for something else, though?”

“What is it?”

You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.

“Kiss me again.”

Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.

And does.

And does again.

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