#i should probably just write

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chloesimaginationthings]

What comic is the bottom left image of springtrap from? (On the post where you say why you draw him blocky)

It’s from this comic!! A very normal father son reunion

Og post here

[wild-lavender-rose-musings]

My brain won’t shut off and the Lofi playlist is just hitting different and I don’t know what to do

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[mssoapart]

Day 7

Free-day (Out of order and late) Alenoah as Sherlock/Moriarty.

I like it when two characters play mind games and scheming against or with each other.

I didn`t plan to create an AU, but – my rant and bits of literature/character analysis (The Vision). Also, draw concept sketch.

Noah (Detective Sherlock Holmes). I mean, they're both geniuses, introverts who don't care about social opinion and some versions depicted him as being good with dogs. In Victorian England, I totally see Noah opening a detective agency, because you either go working on a plant or you might use your geniuses’ intelligence to solve crimes, like game puzzles, and make monies to pay bills and buy new books because in 1800 many books were expensive and produced in small quantities.

Plus! I might look at this too far, but I think the Sherlock and Watson analogy was implemented in London episode when they strip team Chris just to Noah and Owen for investigation.

Owen (Dr. Watson). Basically in the original books, Watson plays the role of the guy, your typical visual novel MC, well narrator, who has character, but his whole purpose is just to be a witness to detectives doing, asking questions for the audience. This leads to usually representing Watson as either annoyed with Sherlock's antics or (usually in kids' media) naïve but with good intentions because of this simplification, to show his kindhearted nature in cartoons and caricatures he is portrayed as chubby, which is what we need! But all of them did service in the Anglo-Afghan War, even Disney version mentioned it. (Also if you want to do Nowen version of Jhonlock I don`t mind, sure go for it)

Alejandro (professor Moriarty). Do I really need to explain? Both archvillains in their stories. Professor, respected in society for his talent and achievements, wealthy, but behind all of that façade he`s "Napoleon of crime". He doesn’t usually do crimes himself but rather, schemes, orchestrates the events, or provides the plans that will lead to a successful crime, like paying money to a court so that someone can be released from prison.

Heather (Irene Adler). OK, in the original books (all books written not by Arthur Conan Doyle are basically fanfics) her character and Sherlock don`t date (But if you like, it`s fine). She was more like “I know what you are” towards him.  I want to base it more on Warner Bros Sherlock where Irene works with Moriarty, but they also try to get rid of each other. She is also famous for blackmailing royals, If it isn`t most Heather thing I don`t know what is.

Eva (Mrs. Hudson). The landlady. I think it would be funny, she yelling at them to pay their bills in time.

See you next week

[theramblingvoid]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[the-golden-weapons]

I’d like to think Jay and Nya are very funny because they are both mechanics, but in entirely opposite ways:

Nya has all her tools in proper order. In her workshop, there is never any scrap part going unused. Any notes and blueprints since the ripe age of 12 have been carefully stored and saved, no matter how much she cringes when looking back on them. The Samurai X designs and revisions have their own file cabinet as well as digital backups. Her measurements are double and triple checked, even though she probably had it right the first time. Every choice she makes is calculated and buffed out, from the interlocking gears to the paint job. She prides on her work on being practical and aesthetic, thank you very much.

Jay, meanwhile, is the definition of fuck around and find out. Blueprints? Who needs em, anyways? The only thing vaguely resembling “notes” in his work area are scrap pieces of paper with the most round-about mathematics ever (complete with indecipherable short-hand and a stick figure drawing of Jay holding a blowtorch, naturally.) He will change up plans on the fly and casually stick his hands in very sharp moving parts like there is no tomorrow. Safety equipment? He grew up in a junkyard. He had a wrench in his hand before he could walk. Yeah, no, he’s pretty sure he’s fine, thanks.

[kathaynesart]

will we ever see the moment donnie’s old visor bursts and gives him the injury?

Hm, that will probably be a short story I'll add into my Patreon once it's up and running!

Still in the plotting stages for what I'll be offering, but I think I'll mostly post summaries of events not integral to Replica's plot along with a drawing. As I get through the ones I have planned I'll probably make a slightly pricier tier where people can ask questions/request scenes kind of like what you did just now.

I already have the drawing and summary practically done for what happened in Shanghai with Donnie and Kendra so at least I have my first update ready to go haha.

[tswwwit]

Cipher's Personal Portable Portal

'How they meet' won the poll!

So just to make things fully contextualized, as far as they're gonna be - here's the full first chunk of this stupidly long fic I'm writing.

I hope you enjoy!

Standing in the wreckage of the burnt-out building, Dipper wishes he didn’t know who did it.

Anyone else would have left some trace sign. A scrape of blood, a hint of burnt hair. A friggin’ decent eyewitness report, even.

But here, like last time, and the time before that, and the time before that - there's absolutely zero traces. No video footage, nobody around at the time of the crime. Not even footprints.

Dipper kicks one of the remaining supports, sending a puff of charcoal up from the impact. 

If he knew the bastard’s name, he’d curse it all to hell.

With a sigh of exhaustion, Dipper sits on a chunk of scorched foundation. He pulls his shoe off to tip the ashes out of it; there’s enough that the resulting cloud leaves him coughing. 

Around him, the scoured west wing of the museum is silent, still, and empty. A grey-black skeleton of its former self, filled with dust and charcoal.

This arson is yet another one in a very, very long line of crimes. They’re not just ‘unrelated incidents’, or ‘bizarre coincidences’. Dipper’s not ‘being paranoid’ or ‘coming up with some pretty weird conspiracy theories’. 

There’s only one person who could manage this. The same guy who turned a bank upside down - literally -  and the same one who impaled a mob boss on an oversized silly straw and gave tails to half of a household last week.

It’s all connected.

Each crime is marked with the same style, mostly by how remarkably weird they are. Along with a thread of magic, distinct in its composition. One so distinctive that it's almost a flavor. Though admittedly, without certain magical analysis, it’s pretty hard to detect. 

And if other freelance magicians would take the time and look at Dipper’s notes, maybe one of them would help find this asshole.

Dipper stalks through the burned building, fists balled in his pockets. He stumbles over a fallen support column, and nearly trips before he makes a hopping retreat back. 

Though the culprit has been at his game - whatever ‘game’ that is - for a good half a year now, this is the most destructive ‘incident’ so far. Nobody was hurt, since it happened in the middle of the night. The one relief from a terrible crime, that only objects were obliterated in the process - 

But the ashes speak for themselves.

Here, there’s nothing left.

He breathes in slowly. Then regrets the attempt at calming himself as he coughs again.

Whatever the culprit’s initial motive was, it hasn’t lasted. He’s grown not only in ambition, but also in his abilities. Things are escalating at a rate Dipper doesn’t like to think about.

Someone has to get to the bottom of this. Before it’s too late. Dipper’s got his number, metaphorically speaking, so. Well, might as well be him. 

And when he proves that all of this chaos was created by the same person - 

Well. A little boost to his meager reputation couldn’t hurt. Maybe a few medals and accolades. There isn’t a trophy for best monster hunter, but he can imagine standing on a podium and -

Dipper waves that thought off, swearing under his breath. Stupid. He has better things to focus on.

He’s the only freelancer on the case. Definitely the only one taking this seriously, the only one who thinks it’s the same person to begin with -  and even he’s starting to have some doubts about ever finding the bastard. 

Six months of tracking this guy down, and what does he have to show for it? A ramshackle compilation of incidents, a vague feeling of magic, and a description that could fit any bottle-blond actor with bad fashion sense. Scraps. He might as well pin them up and connect them with red string for all the good it does him.

Another kick sends Dipper hopping back, clutching his foot with a swear. He winces at the hole in the tip, he nearly punctured his foot on a nail.

Just his luck. Wrong place, wrong time, always just barely avoiding disaster. Dipper shows up whenever there’s an event, he’s got the means to follow the guy - but he’s always just a little too late.

Even worse, lately the guy’s been picking places… not at random, exactly. More like he causes trouble wherever it’d be the most annoying to follow.

The culprit must know someone is on his trail. But he’s not making it impossible to keep up, or even majorly difficult for a determined pursuer. Just really, really irritating, like making moves at three in the morning, or pausing just long enough for someone to catch up, then heading right back where he came from. At one point Dipper had to trudge through a literal swamp, only to find that bastard had sauntered in by baking himself a neat little trail right through the damn thing. There wasn’t even footprints to follow.

It’s a repeated point in Dipper’s notes. Whoever this is, they’re a total, absolute dick.

With a sigh, Dipper runs his fingers through the ash on the museum’s floor. Not a single thing is left beyond the shattered glass of some display cases, and the charred remains of the building. Even the enchanted metal tools have been melted into slag. 

The day before yesterday, he could tell something was up. Building energy, something that felt like it was made by the culprit. Something with the twinge of a powerful curse, coiled and being wound up like a spring. 

Dipper spent that evening convincing - okay, maybe also bribing, thank you Stan for the idea - the museum to let him borrow materials. The day after that, he spent all night, morning, and most of the afternoon running around slapping up anti-curse emblems. The entire south of the city warded, in a fine careful net of spellcraft. The work was exhausting. Both in running around, and in the amount of magic he’d needed to use.

But it was worth it. That evening, in the quiet and very uncursed city, all the emblems activated. Dipper would have sworn he sensed someone in the distance, cursing his own name. That night he went to bed with a smug sense of satisfaction, floating on a cloud of triumph.

Which is probably why the bastard burned down the museum next.

With another sigh, Dipper tucks his notebook back into his knapsack. He’s gleaned all he’s going to for today; in the fading evening light, searching more is pointless.

So much for all the magical artifacts. Most of those had come in really useful in messing with the guy. 

…How the hell did the culprit know where they came from, though? He’d need a near encyclopedic knowledge of artifacts to know which ones Dipper used, then track them back to their origin. 

Or maybe he just searched on the internet. It’s hard to tell.

Dipper just wishes there were more clues. But just like every other incident, the guy up and freakin’ vanished.

No human can disappear like that without some very irresponsible use of power. That hope is one Dipper’s hanging his hat on. After six months? He has to be reaching his limits. He’ll burn himself out before he can manage too many more incidents. Maybe Dipper will find him by stumbling on his withered, dissolving corpse.

Whoever this is is pretty strong, but no power is infinite. He can’t hide forever.

It can’t be too much longer. Won’t be. Dipper has a plan, he’s gotten really close, and - He’s good at his job, damn it. He knows he is. 

Taking a deep, slow breath, Dipper lets it out. Patience is the name of the game here. He’s just gotta keep moving.

One day, he’s going to catch up with that bastard. He’ll see the guy in the flesh. Then he’ll grab that stupid dick before he can escape, again, and wipe that presumably smug look off his probably ugly face.

Turning around one last time, Dipper surveys the destruction, stuffs his hands in his pockets - and pauses. 

A speck of light glints in the pile of ash. The last bit of evening sun, shining off a metallic surface.

Alert with surprise, Dipper scrambles over to the pile. Kneeling down, he brushes the dust carefully aside, careful not to disturb anything fragile that might shatter if handled wrong. 

One thing did survive. Thank fuck, it’s not an absolute total loss. Just, uh… Ninety-nine percent of it.

He scuffles through the still-warm ashes, cupping his palms underneath the lump and lifting it from its bed. The motion sends white puff rising up as ash slips away from the artifact.

A small black, squarish thing rests on the pile, a bit larger than both his palms put together. The material is faintly warm from residual heat, insulated by the ash it laid in - and there’s not a mark on it. Not even a scratch. 

Dipper turns the artifact over in his hands with a frown. The shining black surface reveals no obvious buttons or secrets. Just a kind of phone-ish shape, though more square and squat. If he didn’t know any better, he’d say a guest dropped it on the rush to escape. 

The fact that it’s still intact though. Nearly glowing with magic, a tremulous feeling under his palms - this is not dropped by some clumsy tourist. Not even Ford could put this together.

 Wiping at the object with his sleeve, Dipper manages to clean off most of the smooth surface. On one of the sides, dust clings to the thinnest of engravings. The very faint outline of an equilateral triangle. No runes or other magical scribing, just… a shape.

Dipper thinks back but - no, he doesn’t remember seeing this in the collection. A quick check online reveals…

Basically nothing. There are - were - a bunch of stone and metal slabs in the archives, all described so poorly as to be useless. Some are even bunched up in groups. ‘Magical slab 1-24’ and ‘Metal artifact 1-78’, no description involved.

Not surprising. Probably dug up in some mass excavation site, transported here, then never really looked at again. The bulk nature of the shipment means it was overlooked, its magical properties never discovered.

After today, he’s just glad that even one item escaped this onslaught. 

The other artifacts must not have had much to them. But some magical property in this artifact’s making must have saved it from the blaze. Fireproofing, perhaps? Against weird fire? That’s unusual. Maybe even unique.

As the only survivor, it really needs investigating. 

Dipper glances over his shoulder, then around. With everyone evacuated, it’s quiet in the rubble. Nobody here would notice if, say… a clue wandered off.

The artifact slips easily into his pocket. The shape conveniently looks just like a phone, even if the shape’s a bit off. Not something that would attract any attention.

Whistling nonchalantly, ducking out of the way of local law enforcement and any onlookers - Dipper makes his escape. 

Another day of pursuit. Another scene of disaster, the culprit there and gone in the blink of an eye. 

He’ll be up to something new, next. Never the same thing twice, never in the same place. 

Dipper will follow in his evil tracks, of course. But for tonight - his fate is another crappy hotel room. 

He ditches his backpack by the door, slumping against the wall and its chipped paint. He could start going through his notes, and the pictures of the arson. Put in more work, find further connections - 

But it’s been a long day, and he’s tired. He might be magical, but he’s only got so much to work with. A reasonable night’s sleep, if he can manage, will make the task loom less horribly over his tired brain.

With a sigh, he drops back on the mattress. There’s some bounce to it, springs squeaking like they’re full of mice. Hell, maybe they are. The type of room he can afford isn’t exactly decadent.

That, though, should be temporary. Dipper’s career is only just starting; freelancers in the ‘solving magical problems’ scene don’t get great rates. Especially as a beginner. Definitely without a partner; it makes him look super young. Like he’s just starting out, fresh-faced and not having any inroads.

Because this field is really stupid, and doesn’t pay attention to results. Dipper’s been fine on his own for years, and he’s done really cool things without that ‘networking’ crap. 

All by himself. Totally cool with that, because Dipper’s a cool guy, sometimes. If Mabel hypes him up enough on one of their phone calls, he almost believes it too.

Though it would be nice to have some backup, it’s hard to find someone who really gets the job. Or does it in the way that Dipper goes about it. The number of people who are willing to take long treks in hyper-magical territory to search for an obscure clue, or set up really complicated traps for  dangerous monsters, or talk over high-level magical theory while sitting in the rain all night just to get one body-snatcher are…

Well, besides Ford, who recently retired, there aren’t any. Only Dipper himself.

One day, things are going to change for him. All his effort will pay off. If he keeps solving mysteries, and fighting monsters, he’ll forge a reputation as someone who always gets the job done. No matter how hard it is, he can handle it. The work is picking up, too. The last six months have shown the biggest series of magical incidents in decades. 

And he’s gonna be the one to get to the bottom of it.

Dipper Pines, the guy who proved it’s all connected. He’ll have it laid out in facts and math, all the evidence. They’re all gonna see that he was totally right.

Once he finally gets this guy, everything’s going to start looking up. 

The sheets rustle as Dipper settles back, holding the artifact up over himself. He stares into the black surface, and a slightly distorted reflection narrows its eyes back at him. 

A good mystery always intrigues him. This one should take his mind off the other, irritating one for a while.

The only remaining object from the fire is clean and smooth. A mysterious creation, of unknown purpose. Clearly riddled with magic, too; Dipper feels it running just under the surface like a rapid current. It gives the artifact a weight that has nothing to do with mass. 

Power.

Did the criminal see this artifact, still intact after all the other magical objects were gone? Did he try to destroy it too, and fail? Or simply not notice he’d missed one out of thousands?

Whatever it is, it’s got a lot more going on than meets the eye.

Dipper casts a quick identifier, which comes back with nothing. He’s not surprised. That’s the first thing anyone would try. If it was that simple, he’d already have the full description off the site. 

With a shrug, he traces another set of runes, his own version, adding a little more oomph behind it - 

And the magic leaps back instantly, with the bizarre sensation of a bouncy ball hitting concrete.

“Huh,” Dipper says, thoughtfully. He sits up, hunching over the slab in his hands. “Now that’s new.”

A more subtle approach, then. Tracing the lines of energy with the barest brush of magic upon magic reveals something deeply complex. Thin layers twist together deep under the surface, building an entire circulatory system. Dipper has to put it down for a moment, suddenly worried that it is organic. 

When a cautious prod doesn’t get a response, he relaxes. Not fleshy, just complicated. Which also proves he was right earlier - the artifact’s just as powerful as he’d thought. The spellcraft is unlike anything he’s ever seen. 

Dipper rubs his hands together, starting to smile. 

Even if he doesn’t find the guy he’s after, figuring this out could be a heck of a win.

Several attempts later, he’s beginning to get why this bastard brick got tossed in with all the other junk. 

Nothing here is working. It simply deflects. Standard spells poing off of it like rubber, while giving his magical senses an odd, back-of-the brain afterimage of a circle with a slash through it; a firm ‘nah’. 

Dipper nearly chucks the thing across the room in frustration, before shutting his eyes and taking several, calming breaths. 

Okay, weird thing, weird enchantment. The ordinary stuff won’t work. The magical logic is… twisted in a way that leaves it incompatible with most everything. He’ll have to find a different approach. 

“What are you?” Dipper says, low and frustrated. He gives the artifact a shake, as if he can knock the secrets out like a rock from a shoe. “What secrets are you hiding in there?” 

No response, not that he expected one. With a wry smile, he taps the sleek surface with a finger, twice. “C’mon, man. Talk to me.” 

Huge yellow letters flash onto the black surface. 

HEY

Dipper throws the artifact, a bit awkwardly since he’s lying on his back. It sails in the air in a high thin arc, landing with a thump between his legs. He scoots rapidly backward, sheets pulling up behind him. 

The artifact lies where it landed, an unmoving brick.  There’s magic in the air now, but no sense of any spell building, ready to unleash power to blow his face off. The latent spellcraft of the artifact has just been activated.

More text displays on the surface, bare except for the glowing letters. 

To the jerk that’s swiped my private stuff: You got some nerve! I expect this back by interdimensional mail in a week, or trust me - there will be consequences.

Dipper waits a full minute before he lets go of the headboard. Tentatively, he kneels near the…

 Is this a phone? 

Clearly it’s a communication device of some sort, with the freaking text messages. A phone is the obvious equivalent, only - he thought it looked far older than that, something way before mobile phones. Possible ancient. Is that a coincidence, maybe, or is it secretly modern?

Dipper taps the ‘screen’, just below the glowing words. To his surprise, there’s actually a keyboard, what the hell. This thing keeps getting weirder.

Since it hasn’t already thrown a horrible curse at him, or burst into flames - it’s reasonably safe to assume that it’s simply ‘on’. Not ‘explosive’. 

With hands that are definitely not shaking, he picks it up, and types,

Who is this? 

His own text pops up in blue. A strange contrast to the yellow, but he’s guessing it’s for convenience - there’s no bubbles to tell who’s said what otherwise.

A few seconds of nervous waiting later, there’s a response. 

Oh hey, you answered! Well, human - You’re talking to the one and only Bill Cipher, Dream Demon, all-powerful master of the Mindscape! I’d say it’s nice to meet ya but you’re not supposed to have a direct line to me!

Dipper raises an eyebrow. 

Now that’s one hell of an introduction. It might even have been interesting, if it didn’t smell of complete bullshit. 

Complicated spellwork, sure. Incomprehensible architecture? Maybe. Dipper can admit it; he’s never seen anything with a web of spells on it this complex, in such small of a package.

But the idea that Dipper just stumbled onto a demonic artifact of all things. One that wasn’t instantly detected, recorded, then ritually destroyed is…

Someone’s fucking with him. 

Dipper rolls his eyes as he types back,

Really? Demon? You can’t expect me to believe that. 

What, you calling me a liar? ‘Cause I am, but not about this! I got better things to mislead mortals about. This is my property, not something for your grubby mortal mitts.

Dipper snorts. Guess this person’s sticking with the bit. Obviously whoever created this would want it back - but too bad. Whether they’re delusional, stupid, or just a flat-out liar, they’re really good at enchanting. It’d be a waste not to study their work. 

He lies back on the bed as he replies.

Sure, have fun roleplaying, or whatever, it doesn’t make a difference. Finders keepers, losers weepers.

ARE YOU CALLING ME A LOSER. MORTAL.

Hmm, I’m detecting a certain amount of ‘crying about it’, so. Yeah. Suck it, loser.

Smirking, Dipper settles back - then his half-smile drops, as he holds the ‘phone’ a little further away from himself. 

Though the blue fire building up in the screen looks like a bad sticker effect, the artifact’s also getting a alarmingly warm. It vibrates in his hands - then suddenly stops, cooling down. 

Ha! Alright, alright, I admit - you got some balls.

Maybe you’ll change your tune once you REALLY know what you’re dealing with! Might wanna check the connection, if you’re even capable of it! Mortal magic doesn’t reach across dimensions!

With a grimace, Dipper taps his fingers on the phone. It’s slightly cooler now, but still worryingly reactive to… whatever happened on the other end. 

Damn. Whoever this is, they’re not only really really good at enchanting, they’re also pretty confident that tracking them down won’t spoil their game. The confidence exuding from this ‘Bill’s’ words feels genuine.

Honestly, though, the suggestion is a good one. Dipper should have tried to trace the call the second he knew someone else was on the line. 

Maybe ‘Bill’ thinks he won’t manage to find him. Joke’s on him, though; Dipper’s amazing at finding stuff. He’s the best tracker of magical anything in years. Maybe decades. With a solid, stable connection right in front of him? Hell, he could do this one in his sleep. 

Time to call the bluff.

He casts the tracing spell, though it takes longer than usual. A few gestures and muttered ritual aren’t gonna cut it; he has to improvise around the strange construction of the enchantment. Even trailing along the magic seems harder than usual, like it resists mixing with his own, and it takes him a few attempts to match the signal. 

Once he finds the right way to tune it… the lead snaps along the already-existing connection, and zips away to find its source.

The line extends out from the shabby hotel room, a plucked string in Dipper’s senses. It twists around the phone, rising slowly. Invisibly passing through the walls and the - 

Ceiling? Dipper looks up on instinct, even though nothing is visible.

From there it swirls around in the air like a silly straw on steroids, and then - out, very far, in a way that isn’t up or down or left or right, just  

Away.

Dipper has to cut off the tracing spell before vertigo has him reeling. The swirling sense of standing on top of a skyscraper is followed by a flip in his stomach. That he’s using a device he barely understands that reaches out into something even more incomprehensible.

He drops the phone-artifact, trying to clear his head by shaking it rapidly. 

That’s not nearby. Not on this planet. Possibly, genuinely, not even in this dimension. 

Shit. Bill wasn’t bluffing.

Dipper wipes sweating palms on the sheets. To pick up the phone again takes an effort, willing himself to grasp it in unsteady hands.

A demon. 

All the monsters he’s fought, curses he’s broken, years of work tucked into his belt, and he’s never seen one of those. 

Demons are dangerous, evil, and very, very powerful. Consorting with them is by all accounts a terrible idea. He should never have picked this up. He should hang up, and throw the damn artifact out the window, hoping that nobody else makes as dumb a mistake as he just did. 

On the screen, there’s a long long scroll of yellow letters, filling the entire surface. ‘HA HA HA HA’ over and over and over again. 

Before he can think better of it, Dipper starts a response. He’s halfway through a sentence - what the fuck, that’s not funny- before he pauses.

Terrible evil monster. Stupid powerful. Probably Bill sensed the tracing of the connection, like he did with Dipper’s other testing. Bill wanted the result startle him. Because he thinks it’s funny.

Dipper grits his teeth, and glares at the screen. 

Actually, screw this guy. Dipper’s keeping the stupid phone. If for no other reason than spite. This ‘Bill’ guy seems pretty full of himself, like he’s totally above some human. He’s in for a bad time, then, because Dipper’s not going to let one little surprise scare him off.

Besides.  The average guy would get into horrible, even deadly trouble, whereas Dipper… sort of knows what he’s doing.  No, he is good at his job. Finding secrets, solving mysteries, thwarting evil jerks who think they’re oh-so-hilarious, the whole shebang. He does it all.

Taking another breath, hissing through clenched teeth - Dipper lets it out. Losing his temper isn’t going to help deal with an extradimensional being. He has to be careful.

He thinks for a long moment before he responds. 

Okay. Let’s say I believe you. Maybe. Then you should know I didn’t steal your… whatever this is. I found it lying around, and I just. Got kind of curious. 

HA HA HA! Of course you were! Careful with that impulse, kid, it kills more than just cats!

A jerk who definitely thinks he’s hilarious. Dipper rolls his eyes, then, rather pettily, decides to ignore that statement. 

More pressing questions take the lead. Like what the fuck he’s holding right now, and if there are any other nasty tricks in store. A little bit of him, bubbling under the surface, wonders what being a demon is like. What they get up to, common habits. Ways they could be tracked down and, y’know, defeated, maybe. 

Theoretically, he’s got a line to a bunch of innocent, totally not-thwarting-related information that could be super useful to someone trying to, maybe, be a super cool monster-fighter.

Dipper backspaces a bunch over some poorly thought out questions. First things first. Like what the hell he’s holding right now.

So. What is this?

Good question! The gadget you’re poking at with your sweaty meat-paws is paired to the one I have here at my place. A little one-on-one communication assistant, if you will. Once you started groping around with your magic, it wasn’t hard to tell someone had picked it up!

Dipper raises an eyebrow. Though he already has an idea… a little confirmation never hurts. 

Like, you got a notification? Or literally felt?

The latter! Kinda like smell, but by touching things with your eyeballs. And with all your prodding around you might as well have been stinking up the place! Your spells aren’t real subtle!

Hey, they’re subtle! Having weird extra senses is just cheating.

Sucks to be human, then! In that you suck at everything! What’s a LOSER like you gonna do about it?

Dipper nearly throws the stupid artifact again - but he holds back, gripping it tight. Instead he sits up, leaning down and hauling his backpack up from the side of the bed. 

Maybe Bill thinks he can’t do anything. That he’s some ignorant nobody, who doesn’t have any real skills or talent or doesn’t have any friends - but he’s got that wrong. Dipper’s not a loser. Bill’s not getting away with that bullshit.

One quick unzip and a bit of rifling around later, he finds what he was looking for. Carefully, Dipper bounces the heft of a flashlight battery in his hand. Shutting his eyes, he focuses on crafting a quick working.

Magic is all about energy, and its direction. Focusing power, conveying it from one place to another. Pushing anything across dimensions would take impossible amounts of energy, stuff Dipper doesn’t have. If it weren’t for a very convenient connection, already in his hand.

Dipper has nothing on hand to actually exorcise the guy - he’s not sure that’s even possible when Bill’s where he should be - but retribution is in order.

More text lines appear on the artifact. He ignores them. Changing this up to work with the demon device is a challenge, but after figuring out how to alter the tracking spell changing this one up isn’t hard. He adjusts the flow of magic this way, into the tangle of not-veins in the device that way, finishes the chant-

Then touches his tongue to the battery.

The jolt passes through him painlessly, following the spell. It zips along his nerves, down into his hand and from there - into the artifact itself. 

Where it should, theoretically end up right at that bastard.

Dipper tosses the battery back into his backpack. Picking up the ‘phone’, hunching over to stare at the screen. 

That worked. He felt the energy move… unless he got the math wrong. Or a detail of his spell. Or maybe demons are immune to electricity, and he just did something totally pointless. 

God. It might even prove Bill right, and wouldn’t that be the worst - 

The next line of text comes in. 

What the hell? A joy buzzer? That’s some real petty prank stuff! You seriously pulled that bullshit? And across dimensions?

A tense pause. Dipper taps the phone, checking for it heating up again - but another line pops up after a few seconds.

Y’know what, kid? I think I might actually like you! You’re FEISTY.

Dipper nearly does a double-take. 

But no, that - what? Aren’t demons supposed to be vengeful? He was half-sure he’d have to chuck the phone out the window before it exploded in his hands. 

In fact, you’re in luck! ‘Cause I’m pretty bored, and I can totally show you how to improve that jinx of yours! If you can keep up with a little theory, that is.

Because that’s not suspicious or anything. Conversation with a demon can only lead to ruin and disaster. He should absolutely, definitely stop this right in its tracks.

Still, Dipper shrugs, and types, 

Try me.

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[minty364]

DPXDC Prompt #94

Danny falls through a portal to the DC world from a natural portal that opened up while he was in mid fight with Skulker a fight that began at Vlads where the creep put a collar on Danny that kept him in ghost form, Vlad thought he’d force Danny to reveal his secret to his parents by taking away his human form. Looking around he’s in a dark city with dark smog colored skies. Unfortunately he’s stuck here as the portal closed leaving him trapped. He tried to find help but no one can see him in his ghost form. He starts tailing the vigilantes of this world and eventually follows one onto this space station through this tube (possessing inanimate objects sure comes in handy). He wasn’t expecting for the random British guy in a trench coat to see him.

[gutsfics]

so. i just watched most of the new quintonreviews Sam & Cat video and for Reasons i looked up both Goomer and Frankini on ao3 and theres only One Single Fic thats tagged with Goomer/Frankini. fucking criminal.

double criminal for it being tagged as "past Frankini/Goomer" bc the actual relationship focused in the fic is fuCKING GOOMER/DICE. BITING AND KILLING.

[binthm]

in which angel dust and husk ask lucifer about his type considering lilith isn't around anymore and regret asking him that

edit: AHHHHH NOOO I JUST REALIZED I FORGOT THE STRIPES ON ANGEL'S BLAZER</3 y'all just pretend that one got lost in the wash and he had to wear a discount one 😔

[transmascutena]

the poor little meow meow-ifictation of saionji in this fandom has got to stop i can't take it any more

[feroluce]

For some weird reason, I've always been fascinated by how wildly different Sampo operates in the Underground vs the Overworld.

Sampo is present in both places and even in official sources, he's not really counted as one side or the other- now that the theory has been confirmed in-game, he's generally just lumped in with the Masked Fools.

But there really is a big difference!

Probably the most obvious and well known instance of Sampo's...business practices *cough burglary and fraud COUGH* in the Overworld is from the Belobog Museum event. In it, you don't find out Sampo is the main culprit until near the end, because Pela has to set up a sting just to catch him in the act. And that sting is necessary all because the initial suspect they arrested, Norbert, had pretty much no idea of his partner's identity. Sampo wouldn't even speak to him face-to-face.

And whereas Sampo is normally very pleasant and friendly with the trailblazer...when he thinks he's talking to Norbert here, he straight up says that they are NOT friends. Like he really shuts that shit DOWN.

There's also an Overworld NPC, Chavez, who heads the "Dark Blue Scam Support Group." And he. Really really really does not like Sampo fjkdasjklfdj

Chavez clearly wants Sampo caught, and has literally no positive feelings about him. So. Why call it the Dark Blue Scam? Why not just out him by name? Chavez obviously doesn't give a single shit about Sampo's dignity or privacy. But he never once refers to him as "Sampo," and even the pamphlets he passes out make no mention of it. No one in the entire support group seems to know how to identify him or how to refer to him except by his hair color. If the trailblazer says his name, Chavez reacts as though he's never heard it before.

(I've seen people say this means Sampo Koski is an alias and not his real name? But Ray pointed this out, and honestly I agree; even the Fools call him Sampo, after all. I think it's just that Chavez never knew Sampo's name in the first place, and given his immense distrust, immediately assumes it's an alias.)

And then there's his characters stories, where he proceeds to pull off a heist in the Overworld while in disguise as Brughel Poisson the entire time. Literally his own stories don't mention Sampo's name even once.

So anyway, all this shows that when he's up in the Overworld working cons, Sampo is incredibly slippery and secretive about his identity. The only people who seem to know him are Pela, Serval, and Gepard. He doesn't get close to anyone else, and is even surprisingly unfriendly. Nobody knows his name. No one knows his face. He has zero qualms about backstabbing or double-crossing, and even plans for it in some cases.

Meanwhile, down in the Underground, I'm pretty sure literally the worst thing we hear of him doing is scalping tickets in front of the Fight Club. Which isn't even illegal in a lot of places (although it's certainly a dick move).

In Hook's companion quest, a vagrant miner steals Fersman's equipment and tries to sell it to Sampo. Even before the trailblazer and Hook jump in and out the vagrant as a thief, Sampo hesitates to buy it because it sounds like stolen goods, which he doesn't want any part of.

Even knowing that a geomarrow detector is rare and incredibly valuable in the mines, Sampo makes no attempt to double-cross Hook or profit off of her loss, and even tells her who to go to to get it fixed.

And my favorite example of Sampo in the Underground is the Survival Wisdom adventure mission. In it, Sampo starts up a business with Peak, another miner. And like. In wild contrast to all the cons he pulls above ground, Sampo is actually super nice and helpful here.

Just the same as with Hook's quest, Sampo talks to Peak face-to-face, with no disguises or barriers. When the trailblazer finds them, they're just in the Great Mine, no secretive meeting places. Peak knows Sampo, is familiar with him, and calls him by name. It's not even a con! There's nothing illegal going on; it really is just a business partnership. Peak is more than happy with their deal, he's even pretty enthusiastic about it, because thanks to Sampo he can now make enough money to get by while also accommodating his chronic fatigue.

The only person Sampo lies to in this whole ordeal is the trailblazer, who he manipulates into getting Peak's mining equipment back from the vagrants that stole it in the first place. And when it's done, he rewards them with a legit treasure map.

So when he's working in the Underground, Sampo is MUCH more upright and lawful. Part of this is probably to do with his "business" model- Sampo only takes advantage of the wealthy, and poverty runs rampant in the Underground. When he charges Peak an extra 30% (the same percentage he charges Norbert as a consultation fee in the museum heists- Sampo seems to go by percentage instead of a flat rate, which means his prices are more fair for lower incomes) for carelessly losing their supply, Peak literally starts counting out pocket change.

Dude's working for pennies and good will down there dknsmdmd

And you can twist this into a Robin Hood thing if you want- Sampo IS technically working to feed orphans and heal the sick. He says himself he's more than happy to make up the shortfall between the greedy and the marginalized- I mean he says it in the shadiest way possible, but I doubt the people benefiting from his work really care that he's a slimeball if it means they can survive another day. Even the two heists he pulls in his character stories are literally just him stealing absurd amounts of food.

Personally though I think it is solely because of Natasha, and Sampo is hilariously well-behaved specifically for her, because she keeps him on a short leash JSKZJMSMSKS