#i still have many other portfolios to post

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok

[aedearly]

WAITLIST FOR FEB~MARCH/2024 IS NOW OPEN! i'll be taking up to 10 orders. please message me for more details and to secure your spot! i'd also like to add that, depending on the complexity of your commission, it can take me up to three months to complete it. more information about my process and my ToS will be disclosed to interested clients once they have messaged me. (˶ᵔ ᵕ ᵔ˶)

thank you all so much for your continuous support and patronage!

[boygirlctommy]

barely caught the last few minutes of tommys stream, but it doesnt matter bcus i still cried my eyes out :,) i love you dsmp and most of all i love you dsmp fandom <3

[harrie-cc]

The Klean Collection - Part 4

This month I focused on creating the Klean Home Office. I focused my attention on what a designer's home office would look like/contain. I have wanted to make shelving like this for quite some time & was excited to try out Sims 4 Studio to angle the slots, unfortunately many painful hours later after trying to troubleshoot why exactly the rotation didn't work in game, I managed to come up with a workaround, so that you can still snap flat books and deco items onto the slanted shelves at the correct angle. For some peculiar reason the rotated slots would not work unless I locked their orientation. As a result once an item snap into one of these slots it will stay at the 45 degree angle even when you snap it to a regular slot. If I did this for all the slots to work it would end up being very difficult for you to effectively clutter all the other shelves as all your items would snap to these angled slots instead. So I've created only 3 of these slots on each shelf to help you to orientate your deco items to the correct angle. They are located in the middle and either end of the the shelf, so you should be able to avoid them while decorating the regular slots on the other shelves. I think this issue is down to EA changing the slotting information in the game as it a very simple process to rotate these slots and both programmes I used to do so ended with the same result. Fingers crossed this is changed in the future so I don't have to irritate myself and you all with such a workaround and they just work how they are supposed to! 

Items Include:

Bookshelf configurations 1 to 5 (short & medium)

1 tile bookshelf configuration (short & medium)

Left ending bookshelf configuration (short & medium)

Right ending bookshelf configuration (short & medium)

Bookshelf post (short. medium & tall)

Desk chair

Glass desk

Statement desk/ conference table/ dining table

Design portfolio

Open design portfolio

Pantone swatch books (3 options)

RAL swatch books (2 options)

Fabric sample book

All items are Base Game compatible and you can find them by searching KLEAN in the build/buy catalogue.

As per usual textures are linked between similar items, so if you download the unmerged file, make sure to include all items from that family, so the textures appear correctly in your game.

Now Available on Patreon Early Access

Public Release: 7th April 2024

[pansyfemme]

jude + he/him + twenty

i'm a trans, queer, and disabled art student, diehard indie-popper, colorfreak and amateur tboy appriciator from the east coast. i post about music and comics and art and my boyfriendddddd💖💖💖 and all my other favorite topics with frequency.

testimonals from real life jude pansyfemme friends on why i’m epic and you should follow me:

“jude is one of the sweetest people to ever grace this planet and one sexy motherfucker” - M, jude’s number one coffee shop buddy

“he’s just a little guy” - L, jude tolerator (and fan) since 2022

“you’re legally not allowed to be mean to him” - F, jude’s bestie for life maybe

“1# boyfriend. in the world. 💖” - you can probably guess this one

follow at ur own risk, i do not tag and i reblog nudity, sex jokes, discussions of kink or other things generally considered nsfw <3

putting a short faq under cut bc. i get the same questions a lot. check it before you ask about my icon or header or anything

faq:

Art blog/Commissions? @fagboyfriend is the blog. dm me and i can send you my professional portfolio site/organized portfolio/past commission work if you’re interested in commissions. closed for a little bit since im moving into college atm but still hmu if you have interest in originals ive posted or have a project you dont mind a few months waitlist on <3

How long have you been on T/How long have you been transitioning? I came out at 12 years old, started blockers at 14 and HRT later that same year, and had top surgery at 17, making me 5.5 years on t and 3 years post op, and transitioning/out for about eight years.

What’s your tagging system?/What does this tag mean? #Jude pansyfem irl is for selfies and ootds. #songposting is my now retired method for posting song links. (all new song links are now at @upforabit) #echo is the name of my boyfriend, it’s posts that remind me of him, my interactions with him, etc. (that tag is very lovey-dovey and really just for him to look through) other than that i don’t usually tag. you can expect untagged nudity and sex, at this point you have been warned twice so dont get on my ass about it 👍 my blog my rules

What show/game/comic is your icon from? its a cropped version of the album cover of the 1999 album “shake the pounce” by vancouver based twee pop band Gaze. It’s a favorite album of mine as well as just a cool little guy i like a lot

Where is your header from? a painting i did in gouache a year or two ago and thought would make a nifty header.

How do I refer to you/How do you identify? I’m a queer femme transgender man. I use he/him pronouns and masculine terms. i like many genders, i’m strictly t4t and primarily interested in men though. i enjoy femme/gnc gender presentation, but i do not identify as anything other than a binary ftm transgender person. I do not use they/them and have not at any point in recent history. referring to me as such is misgendering/degendering and will probably get you blocked like any other misgendering.

What compliments are okay? most are okay, masc or fem. so pretty, handsome, all thats good 👍 i am a taken man tho so if you flirt with me hard or dm me looking for pics or something you prob wont get much of a response.

What style are you wearing/where do you get your clothes? I originally identified as a decora boy, but i kinda do my own thing these days. I like bright color and clashing patterns and maximallism. I shop a variety of places, but a lot of my stuff is from Kei Collective and Candy Trap. All of my kandi and most of my jewlery is homemade.

What is Twee/Do you Make Music? Twee is a music genre I developed a special interest in a few years back. It's a style of indie pop that originated after the UK rise of the famous c86 compilation tape in the late eighties, and was developed with a focus on low-fidelity, diy sound combined with upbeat, bubblegum-y pop sentiments and a naive, childlike outlook. It's both cute and somewhat rough around the edges. I do not make music, and don’t hold any musical skill. I’m just a major fan.

Do you have a DNI? I haven't in a long time, due to it being pretty frequently ignored and my following count growing to the point i can't really control that anymore. I can and will block people, but i feel my opinions are made fairly clear through what I post here.

[yukipri]

Some thoughts on Cara

So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.

First, what is Cara?

From their About Cara page:

Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.

Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!

Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.

Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:

1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!

2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.

3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.

4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.

5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.

6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!

So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.

7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.

8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!

To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.

Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.

As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:

And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!

Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.

I hope this post has been informative!

Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!

[dodge-ra]

I’ve been stuck in the Naruto (founders era mostly) fandom for some time now, and finally managed to throw something together to post. Enjoy some Tobirama and Hashirama sketches :) I gave Hashirama a little sprout on top of his head that changes based on his mood (it flowers when he’s excited, wilts when he’s sad or getting relentlessly bullied by the combined powers of Tobirama and Madara…). I just think it’s neat.

I love them both so much and reading fics where they’re in a healthy sibling relationship makes me irrationally happy (though they’re quite rare, since Hashirama is often portrayed as evil for some reason 😅 - no matter, I’ll still read them).

I also sketched them planting a tree together. In my mind, they’re planting it on the day of the official establishment of Konoha, so it will act as a reminder of peace for many years to come. It’s set in a world where nothing is wrong, Izuna is alive and well, Madara isn’t insane, Konoha is thriving (happy endingy FTW).

There’s a short rant beneath the cut, nothing important :)

I’ve been a bit under the weather lately. Thankfully, my final exams (the most difficult exams in my life) are behind me (I’m still waiting for the results, but I’m pretty sure I passed), but unfortunately, my portfolio for an art college I had applied to had been rejected. I’ve never liked my artstyle (and art in general), and the rejection hurt me more deeply than I thought it would. It fuels my insecurities about my art to the point where I was second-guessing if I should post these sketches or not. I’m constantly worried that they look fine to me, but horrible to others, but I managed to convince myself to post them nonetheless. No worries though, I plan on practicing more, now that I have more time. I’ll probably post more as well (no promises), and I also thought about writing a bit (fanfics). I’m excited to see where life takes me, since it kinda came crashing down on me in the past few days, but I’ll pull through, I’m sure. Thank you so much for reading and I hope you’re enjoying your day :)

[koimethehorizon]

Fionna and Cake theory: Simon the Artist

Nothing like a good old creative panic attack.

Fionna and Cake good. Haven’t been excited about a show like this in a long time, though it being a part of Adventure Time does help quite a bit. I was holding on to some cautious optimism for the show when it was announced as yet another big IP series covering the multiverse (still waiting to groan at THAT scene where Prismo has to explain to us about there being infinite universes), but as usual, Adventure Time’s crew continues to surprise me with its creativity, humor, and thematic resonance.

The most striking part about Fionna and Cake so far is just how deliberately the show wants us to differentiate it from the original Adventure Time.

We’re getting shots where Simon pops an artery from his arm, a theme song that explicitly talks about suicidal ideation, discussions of rent and financial problems, and curses no longer disguised with AT’s usual dialogue. Adventure Time has always had violence, thematic density, and juvenile rating pushers, but they were always reserved at small points. Meanwhile, these are factors that are just casually shown and discussed in Fionna and Cake every 3 minutes or so. This is not an all-ages miniseries, it’s for young adults. (hint: this will be relevant later)

Let’s get right into it. This is much less a speculative lore theory and more on what thematic direction the story may be going.

Before we do, let’s get this out of the way first. This theory assumes that the current Fionna and Cake world is all a part of Simon’s head and not merely a separate multiverse, which… I’m certain is fact for the following reasons.

The immediately obvious piece is that Fionna and Cake was always the Ice King’s fanfiction. Now if you’re versed in AT’s continuity you’re probably going to be asking about the red light in Fionna and Cake + Fionna and… I’ve no answer for it unfortunately. It’ll probably be relevant later in the series and possibly age this post like milk but for now, we’re not here to focus on the how, but the why.

Second is that the intro and the ending of Ep 2 literally show Fionna’s world spilling right out of Simon’s head like an animated world out of a frozen brain. If that isn’t clear enough-

Didn't realize this until writing, but these glasses are just plastic made to look like Betty's

There’s no other explanation for this other than that this world is artificial or influenced by Simon in some sense. Fionna even specifies that the statue went under renovation 12 years ago, but nobody seems to know who it is. Considering how Finn looks in the episode, it’s likely that it’s been that long since Betty’s sacrifice in the finale.

With that out of the way, here it goes.

The reason Fionna and Cake exist in the first place is because the creators found Natasha Allegri’s genderswap designs charming and wanted an in-universe reason to use them the Ice King wanted to create trashy, wish fulfillment through art. It was a phase.

Definitely changed that image for publishing.

Simon can argue if they’re good or bad but it’s undeniably his art. It’s not just a portfolio he left behind in a closet, it’s an experience that was shared with a larger audience.

And even if wasn’t liked at first, the citizens of Ooo seemed to have come around to it. And some of them love it!

Whether Simon likes it or not, he has a fan base that is so endeared to the story he made all those years ago that they demand he makes more. Why let a good story, loved by many, go to rest when you still have some life and creativity left in you?

Can't move on in more ways than one.

Except, the problem is that Simon isn’t Ice King anymore. He’s aged out of it.

His real passion is history, he's an adult who who finds passion in the mundane and antiques from the past. And frankly, there isn’t much room for wish-fulfillment and fantasy anymore. Simon has responsibilities. He has a job and a daughter in a world that is moving faster than he can process.

And where Ice King wrote about looking for love, Simon has already had it.

And lost it. His mind isn’t focused on the rosiness of finding new love, it’s grieving the one he already thought was the one.

Wasn't he supposed to be good with kids?

Despite his new life experiences, all his peers seem to want from him is to make more of what they’re familiar with.

A story made from wants and wishes that he doesn’t even have anymore.

A story that was literally made by someone else at a different time. It’s a fiction he cannot connect to anymore, art that he’s embarrassed by. Yet also jealous of. Because at one point, the body Simon used to be in understood what exactly was missing from his life and could express that easily.

Seeing it again is like experiencing a retrospection of a cringey loser you don’t want to imagine having ever been. It’s not you anymore, and you don’t want to be reminded of that.

Because despite him having a new creative passion, no one seems to care about that. All they want is Fionna and Cake. And what is more lonely than other people misunderstanding what you’re trying to express?

If I failed to make it clear somehow, my theory is that: Simon’s relationship with Fionna and Cake is a metaphor for creators growing out of their art. And this new Fionna and Cake world is still comfort art born out of Simon’s current desires and perceptions.

The snippet subtitles this “child holding a phone”. I guess I’m wrong. Essay over.

Episode 1 and 2 both have direct parallels with each other. They’re both about a protagonist who are feeling displaced from their world, living a phase of losing a significant other, leaving a thankless job, wearing a mask of stability in front of the people they care for, seeking a guru at the heart of the forest, and concluding that they no longer belong in their current world.

But more importantly, Fionna and Cake (the characters, the world, and the show) are no longer for an all-ages crowd. Fionna and Cake now feature young adults, curses, gore, alcohol, partial nudity, financial issues, morning routines, mid-life crisis, and overt suicidal ideation. These are the feelings that Simon relates to and possibly desires to express through art. Thus, his story and our new miniseries have warped that way.

Am I overthinking this? No. How dare you assume that.

Is equating the unconscious writings of his dementia-ridden self to Simon as his younger self seem a bit odd? ….Kinda. Again, it’s not the how but the why that matters in this case. I'm NOT crazy, I have proof that there is some acknowledgment of this directly in the show.

Rewatch the bar scene and apply this reading of the episode to what Simon says there:

“Your old stuff, Fionna and Cake, honest to glob my man, is an inspiration to me.”

“My old stuff, I don’t really want to talk about my old stuff…”

“Why not? You should be proud! You wrote an entire extended universe in a fugue state if you think about it.”

"Simon cringes"

If you have ever shared art with a group of people in the past, you’ve had this conversation.

Not likely, not possibly, no perhapses. You HAVE.

And Fionna and Cake being an epilogue to a massive award-winning, near-decade-spanning, cultural sensation 5 years after it ended, might result in its creators feeling very retrospective about what audiences want from them now.

And how difficult it’s going to be to tell new experiences and tones from what’s come before. Also, come on. “Extended Universe?” That doesn’t sound like Fionna and Cake. That sounds a lot like something else.

Again, seems bad with this kid.

One of the more profound shots in the main trailer for the show features the inconspicuously Finn-like kid crouching at her Fionna and Cake book in Simon’s trash. I believe this character is going to have a major role in two ways. Convincing Simon to be proud of what he’s accomplished and/or embracing that Simon wants to move away from his original work in order to create something new, or perhaps more likely, reinvent Fionna and Cake into what Simon relates to now.

We’ll just have to see what Simon thinks of his new Fionna next week.

PS. Talking as a fan now, WHAT IS UP WITH THE 1000+ TREEHOUSE IN THE INTRO?!!! ARE WE REVISITING THIS TIMELINE AGAIN?

SOMEONE TELL ME NOW!!!

[heyftinally]

April 30th is the Day of the Homeschooled Child

I was one of the 1.7 million children homeschooled in the USA.

I am also one of Homeschool's Invisible Children.

I was heavily restricted at home - I was barred from nearly everything that my peers were connecting with. I had incredibly limited access to movies and TV, even more restricted internet access, and was even barred from many of the same toys my peers played with. This on top of my academic isolation made socializing very hard.

I didn't relate to my peers socially.

Children younger than me were more academically advanced than me.

I was socially unaware, and frequently missed jokes or made faux pas comments because I didn't understand how to interact with peers.

My ADHD went untreated my entire childhood.

And the issues were not only social. Despite living in a state that boasted some of the most rigorous checks for homeschooled students, I was missed. My portfolios every year were falsified - much of what they claimed I had learned I had little to no understanding of.

By the time I graduated high school "with honors" (that I did not earn and were entirely false), this is a brief list of some of my academic failings:

I had never written an essay, and did not know how

I did not know how to do a critical analysis of a piece of text or media

I was incapable of math above a 4th/5th grade level

I could not tell time on an analog clock

I could not identify more than ~5 states on a map of the United States

I could not identify more than ~5 countries on a map of the world/globe

I could not spell above a ~6th grade level

I did not know that there was proof of life on earth prior to dinosaurs

I did not know that the lymphatic system was real

And so much more.

I entered college woefully unequipped for both the academic and socal demands that were placed on me. At 18, I was closer to as 14 year old, social/emotionally. Academically I was much worse.

I had to work three times as hard as my peers to achieve the same results, battled my still-undiagnosed ADHD as well as my academic and social neglect.

I didn't fully know who I even was as a person, due to spending so many years being expected to fit a specific ideal that was enforced upon me 24/7 through the isolation of homeschooling.

This April 30th, I'm wearing green for Homeschool's Invisible Children - for children like me.

If you are a child experiencing homeschool neglect, please know that you are not alone. There are resources available to you, and your future is not doomed just because your guardians failed to educate you. I'm listing some resources below that may be of help to you.

Homeschool alumni/survivors who resonate with this story: we deserved better. We deserved education. We deserved freedom. It's okay if you're angry at your past. It's okay if you're grieving the life you might have had without homeschooling. It's okay if you're conflicted. I hope you're able to find closure and healing in whatever form that means for you.

And, because I know it unfortunately needs to be said, if you're an ex-homeschooler or a homeschool parent who feels the need to jump on this post and defend yourself, I need you to step back, sit down, delete your comment, and sit with why you feel so attacked by our truth.

This is not a personal attack on you - this is abuse survivors speaking up to prevent further abuse. It is not your place to tell us we should be silent.

"But homeschoolers test better and are more successful!" I'm sure you're dying to say. To wave your statistics at me.

And you would be wrong. Because here's the problem with those statistics.

Let's pretend we have ten homeschooled children and ten public schooled children.

All ten of the public schooled children take a school assessment. Because some excel at different things than others, the public school students average out to an 85.

Only four of the homeschooled children take the assessment. Of the other six, one is traveling with their family during the assessment, two are not permitted because their parents know they aren't up to grade level and fear backlash or judgement, two are mentally or physically disabled and so their parents don't feel the test will adequately display their knowledge, and the last hasn't received any kind of education in years because their parents keep them at home either doing chores, working a job, caring for siblings, or they are simply neglected and spend all day hungry and scared.

Of the four homeschooled children that do take the assessment, they do quite well, as their parents knew/suspected they would. Their average score is a 98.

A 98 is better than an 85, yes. But just because 4 out of 6 homeschooled children were above the public school average does not mean homeschooling is automatically better. If you tested the top four public school students, they might very well score a 98 as well.

However, if you included those other six homeschooled students, the average homeschool score would very likely be something closer to a 45.

So when we talk about Homeschool's Invisible Children, we're talking about those six that never got the chance to take an assessment. Those six who never had a chance to tell a teacher "I'm ten and I don't know how to read". Those six who may not even realize how far behind their peers they are. Those six who deserved to have access to supports so that they could learn in ways that actually met their needs.

So while your statistics look good on paper, they are not honest. They do not present the full picture of homeschooling. Listen to the homeschool survivors who were one of those six kids who never got to make their voices heard. We have a voice now - don't try and take it from us.

Resources for current homeschool students and alumni:

Khan Academy - basically free online self paced K-12 classes. They have fantastic explanation videos for the lessons, you can review them whenever you want, and you don't have to stay in the same grade level for every subject - great if you're trying to catch up and you're in 6th grad for English but 2nd for math. They have courses besides just core classes (math/english/science/etc), too! They run on donations, but it's completely free to use. Also, this site is used in my local public school system to supplement the existing curriculum, so it's not just for homeschoolers!

Coalition for Responsible Home Education - actively fighting for more oversight and restrictions on homeschooling in the USA. They mostly do awareness and advocacy, but they also have resources on their site for things like what to do if you don't have a high school transcript. They run on donations, but the information is freely available.

Probably the most famous resource on this list. Videos that give you a "crash course" (aka a condensed overview) of a wide variety of topics. These are best used as supplement to more structured lessons like Khan Academy, but they have a lot of merit on their own if they're all you can manage. Knowing a bit about something is better than knowing nothing about it!

[craykaycee]

sneaks onto ur dash to talk ab one of my aus with these magma doodles------

This is a Street Artist AU I-- basically adopted from @starrspice (thank you, lovelyy!!) This is a post-fire AU where the DCA escapes the fire themselves and into the city. They're stripped of the proper prompts and triggers for their childcare and entertainment programming, but are able to find something their coding can latch onto: a group of children who need entertainment. They modified their performance and entertainment programming with their arts and crafts protocols to create art as a performance!

More details (so many details-- I went off xDD) and designs of the AU, of which I've titled "City Lights and Paint Water", under the cut :3c

They're pretty beat-up from the fire, and without proper access to maintenance, they've retained the burn marks, splattered paint, and other grime associated with being outdoors. Over the months as street artists, passersby donate their old paints and other supplies, hence the oversized trousers and worn apron! (P.S.: cloth placement is more accurate in the magma doodles)

Sun and Moon each have preferred mediums and styles!

Sun prefers acrylic paints and spray paint, his paintings a controlled chaos with loud, scattered colors, large brushstrokes, and splatters. His paintings always have a lot of movement due to his freeform painting style, splattering paint and getting a laugh from the kids.

Moon like to work with watercolors and colored pencil, the colors more muted with small pops of brighter colors (such as lights within windows). He likes to capture the lights of the streets, wondering what the true night sky looks like, his art giving a soft and ethereal mood.

Then we have our Main Character (MC), the viewer/reader! They're a graphic designer for a big corporate tech company, tasked with making pamphlets, brochures, posters, et cetera for the company. Though they do good work as a graphic designer, their true passion is fine arts, but their work isn't taken seriously due to its "childish" appearance despite the real-life deeper meanings. In the meantime, they create for themself, crafting and making trinkets for their apartment. They even make some of their own clothes, made up of several different garments to make something one-of-a-kind. Their outfits are fairly chaotic, typically accompanied by a hair accessory, but the patterns and colors compliment each other well.

MC grew up in a rural area, and still love the open and free areas it provides, but they had to move to an urban city for work and better opportunities. It's a big step up from their small town, overwhelmed by the activity. At the start of the story, they feel disconnected from their work, drained by the cookie-cutter bland work of their graphic designer job, but it's the only way they can reliably earn income.

The story starts with Sun spotting MC beyond the crowd, rushing somewhere. He continues to see them in the distance, unable to approach them due to their haste. He's mesmerized by their appearance, drawn to their creative expression just in their outfit. Moon catches a few glances of MC in the evenings, but doesn't have the same draw to them as Sun, figuring them as just another "everyman" in the crowd. One day, in MC's haste, they lose a paper from their portfolio. When Sun catches it, he sees a presentation sheet of several different designs meant for a business card or a t-shirt emblem. Sun is astounded by them, making MC more interesting than they already were.

It's not until about a week later that Sun takes an opportunity to return the paper and give his compliments. When he does this, however, MC's face falls before forcing a polite smile, thanking him. Before Sun could say anything more, they're gone.

There's so many small moments I'd like to explore, but that's the set-up :3cc I nearly have chapter one (1) completed, two (2) chapters after that already planned. The chapter length is pretty short right now, but I don't know if I wanna beef them up or keep them at this shorter length. We'll see! :D

Welp, these are my boios! I hold them gently in my hands and present them like a proud parent

[crystallizedtwilight]

I really like how you draw what you love in the moment. I am making a shift in my drawing interests as well, but I'm starting to feel guilty. My friends and followers know me as the (insert fandom) artist. Deep down I know what I am feeling is silly. Draw what you love! Who cares! I know that is the truth. So my question to you is, what do you do when those thoughts come to your head (if it does)?

What a thoughtful question! Below the cut:

Thank you! I've been on tumblr for 10 years and I have come to accept that I will always receive certain messages when I begin drawing a new interest:

"Guess you don't draw X anymore" / "Why did you stop drawing X?" / "Are you ever going to draw X again?" / "I want more X" / "When can we expect more X?" / "We're never going to see X again, are we?"

Though I've emphasized many times that this is my blog for all of my art and all my fandoms, every time I switch interests I am swamped with messages like this 3-4 months afterwards. It's an inevitability, because new folks may have missed that this is a "my current interest" blog, and old folks may not like the new content you're interested in.

At first it really bothered me, because I'd draw like 150 pieces of art for a fandom for 6 months straight, need a break, and the next day people will be like "guess you don't care anymore" like all the art I did wasn't enough.

The reality is: I like the idea of managing one blog for all of my artwork. I like how low-stress it is to have one, singular place I can still use a playground for my interests. I think it's a concept some people have forgotten is an option. Dare we call it a portfolio.

I am aware that the more "modern" way to conduct things, if you want to build an audience, is to have several blogs, each dedicated to one of your interests. But the very thought of managing 100 blogs every time I got a new interest makes my skin crawl and I know it would instantly suck the fun out of it for me.

I don't want to do that. I don't want to "build an audience", I just want to have a fun space for me. There are already so many social media sites out there besides tumblr, and if you're an artist that uploads to more than one, multiplying those by each of your fandoms? Sounds like more work than I want to do.

I can't remember the name of the artist, but I recall a few years ago one of the artists for the show Korra was bombarded with these sorts of messages when they started posting art that wasn't Avatar-related. And they said something to the effect of "I gave 2 years of my life to this show. Let me explore something new." And I'll never forget that. I feel the same way.

The theme of this blog is "my art". That's it. My interests change, sometimes circle back, and change again. And that's ok—that's how artists keep art fun for themselves. Every artist deserves a playground where they can share and connect with other people who are also just as excited about their newest thing. That's the joy of it.

Keeping yourself in a box just because that's what people want or expect you to do is the death of creativity. I am at peace with people unfollowing if our interests don't align anymore. This was never a blog for catering to anyone but myself, and that is ok.

So those messages don't bother me anymore. I know they're coming. I know they will always be there. And, every time, I will find new folks who do want to share in my new interest. I think in many ways I like starting over again. It feels refreshing.

But more than that, I know the importance of keep a space for myself online where I can be as creative and fun and silly as I like, chasing after the latest thing that is making me smile.

[heartfullofleeches]

Oohhh I love the night gallery crew!! <3

Okay so- how would the art gallery harem react to the news that their precious night guard used to pose as a nude art model for one if their previous jobs? Bonus points if they end up digging around and finding old drawings/portfolio pics of them posted online lol

The Painter

Their muse - a model in the past? A nude one at that? They can't say they aren't jealous others have bared witness to their beauty, but they won't be so upset about it if their dearest is willing to come out of retirement and maybe send their older photos up to their study. They promise not to stare too much, but they pray their muse doesn't mind if their eyes linger. It's rare for them to be in the presence of such raw perfection. They are more of a hands on type of painter so their muse wouldn't mind a few touches, no? As they would say, it’s all just apart of the process.

Rosebud

Of course they are interested, but they won't press the matter unless Reader offers to share.... Please ignore the excitement of their roses - though they do reflect Rosebud's inner feelings they assure Reader it's just past their feeding time. Clearly more flustered than they let on. Refuses to look at the images because they would only make them more tempted to leave bites all over Reader to claim them as their own as they are when they see the Guard's exposed neck or wrists or pretty much any uncovered inch of skin.

The Scavenger

Hope staff gives the printer in the breakroom a nice funeral because if Scavenger gets its hands on those portfolio shots it's the end of the line for that poor machine. Anything relating to their precious treasure is the pinnacle of their collection. They must have more - even if it's the same picture a thousand times it's still not enough. If anyone comes across one of their copies it's best theu leave them their because even if they're trying to return them Scavenger will accuse them of stealing. There's not doubt I my mind they've eaten a copy or two because they're weird like that.

The Faceless Angel

Conflicted. On one hand they are interested in seeing their guard in all forms, but on the other it feels like an invasion of privacy. Unlike some, their intrigue comes from an artistic viewpoint rather than sexual. They'd give anything for the opportunity to touch Reader's warm flesh without clothing in the way. It feels like heaven on their stone skin.

The Lady in Red

It's the less images she's interested in and more the people who have seen them. Swiftly cuts down anyone who views Reader's pictures while in the gallery be they human or fellow exhibit. She can't do anything about the past, but does everything in the present to keep too many eyes off her love. Takes the photos Scavenger loses and while she keeps a few on hand - she burns the rest.

Julian

Slimy fuck is probably the first to come across them being the noisy little stalker he is. As an artist in his free time, he does use them for reference, but it's much more fun to use them for other things. Like teasing Reader about their past or taping copies to the breakroom fidge. He only does it when he knows they're the only two on shift because he'll have to hurt anyone who sees them nakee besides him. Like Lady, he's more likely to attack paintings who have gotten a hold of the scavengers copies.

Anri

Their favorite coworker was once a model? How fun! They aren't the best artist, but they can draw Reader too. A little bashful about seeing them naked so they stick to just about the shoulders. They want to at least waiting until their ten date with Reader before seeing them in such a state. Covers their eyes and runs off whenever someone tries to show them. Julian only allows Anri to see the photos because it's fun to chase them through the halls with them or point out various aspects of their features to make Anri flustered

The Director

Dislikes imagine of Reader because while they can be used to create copies of them, The Director wants the real thing. Still has one of Scavenger's photos tucked in his coat pocket.

[mathitas]

Let's say Leo and the other Hephaestus kids found a way to have cellphones without the monsters tracking them.

How would the demigods' Instagrams look like?

(If you want me to headcanon other characters, just comment it! I can make a part 2)

Percy

Knowing this guy, he would probably repost some vines and a lot of 'I love my girlfriend' type of memes.

I think he'd post some stuff when he hangs out with the others, or when something funny happened.

He definitely posted a video he accidentally took of Grover falling, and I just know he posts it again once in a while.

I bet he posts a lot of Tyson, especially as he's grown up, and throughout his mom's pregnancy he dedicated a lot of pictures and stories to her.

And don't even let me start when Sally Jackson gives birth to his little sister and sends her pictures to Percy! He's so proud he posts every single photo of her, even if he's not there. I feel like he'd randomly post pictures of him with Sally holding a tray of blue food saying 'I love my mom'.

I just know this guy's profile is full of friends, family and love. And he has amazing highlights.

He def has a shared bio with Annabeth.

He doesn't post many pics of himself alone.

AND HE'S SO FAMOUS...

Annabeth

She doesn't post much, but when she does it's mainly book or smart quotes she relates to.

She probably shares some architecture she's really passionate about and I feel like she would post some pictures of herself, mainly the ones Percy takes.

Which aren't always good, definitely not.

Percy definitely saw her drooling as she was sleeping after a long quest, and took hundreds of pictures of it. He definitely never let her live this down.

Anyways, I feel like her stories are mainly reposts from Percy's and her friends' profiles.

Still, I just know her profile looks neat and clean, unlike Percy's.

Grover

I was thinking that Grover wouldn't have an Instagram profile, but then I realized something way funnier. He would have one, but an old man kind of profile.

He probably has a low quality picture of a lake as a post (which was published at least 5 years ago), follows his friends, has a bad smiling picture of himself as a profile picture and that's it. That's his profile. Pure old man. He's one with nature, don't judge him. He'd eat his phone if he was hungry enough.

Jason

Here he is, another old man. His profile wouldn't be like Gorver's, but way worse.

He'd be slightly more active... just... random? He probably doesn't even know what he's doing.

I just KNOW he accidentally posts pics of himself from time to time, looking like this and this. Piper usually warns him, and he deletes them. If he knows how to, that is.

Just saying, he never grew up with technology, so he's not really good at it.

He'd have some average quality posts. I think two, or five. Either two or five.

And they're really straight man core.

He'd definitely post himself holding a big ass fish he caught on a fishing trip with Percy and Leo.

I think the other posts are landscapes, maybe some pictures with friends.

He also posts stories, and somehow, some highlights.

They're messy and they don't make any sense tho.

Piper

Her Instagram is amazing. She posts regularly, not a crazy amount.

But she does post funny videos, almost daily.

She definitely has separate highlights with her best friends. I feel like she posts her and Leo being dumb a lot.

She definitely shares music on her profile and makes highlights about it. And she posts lyrics.

Her posts are mostly from trips and friends, they're not too many, but they're great.

She usually posts stories.

Also, her Instagram is probably famous. Leo definitely asked her to post him to get him a partner. She did a whole portfolio of him. It was unsuccessful (Leo, please, get with me).

Leo

SHITPOSTS EVERYWHERE.

His profile is based on humour, vines, memes, shitpost... you name it. His surname would also be something dumb like 'alldaladiesloveleo._". You get the feeling.

His profile picture would probably either be him with sunglasses, and a happy face or him dressed up as spider-man.

He definitely thinks he's spider-man.

I just can see him posting things like this or this. Just... yeah... Leo.

He doesn't have many pictures of himself, probably because he's insecure.

He has some, and it's either with his friends or from some great memories.

He probably thinks he looks weird in them, but he keeps them 'cause they were fun times.

I just know he looks the cutest in them.

AND I ALSO FEEL LIKE HE'D LOOK AWKWARD IN PICS.

Idk, he's either smiling really widely or holding his thumb up awkwardly.

Either way, he doesn't have many followers, unlike Piper, Percy and Annabeth.

Nico

Our third old man.

He wouldn't be that bad, tho, he'd know how to use it. Mainly because Will helps him.

However, he'd post Tumblr quotes. Like, the depressed and sassy ones.

And I'm not saying he does it seriously, there's definitely some irony in it... but I do feel like he kinda relates to all of them...

Idk, I can see him posting this or this.

AND IF HE HAD INSTAGRAM WHEN HE WAS AN ANGSTY KID?!?! THIS. THIS IS WHAT HE WOULD HAVE POSTED. Also this...

Let's just say we're lucky he got Instagram after he settled in Camp Halfblood.

His posts would be full of sarcasm. Everyone thinks he means every single one of his posts, but that just pushes him to post more.

He's having fun, and Will probably sent him the worst ones, telling him to post them. They definitely got some people worried.

He has a good amount of followers somehow, and he only reposts when he feels like it. He probably has a shared bio with Will, and an highlight dedicated to him.

Will

I think he would also post some funny videos, it's not common, but he does. He probably posts some animal videos that made him crack up. Like this one (I'm only putting it because I literally couldn't stop laughing because of it. It is my favorite video on the internet. And yes, my brain is rotting.)

Like I said, he has a shared bio with Nico, and he'd also have a dedicated highlight for him.

I feel like he posts some candid moments with Nico. And yes, I'm talking about taking a pic of your s/o eating and posting it. It's cringe but he loves it. Nico despises it.

He'd also post some friends and has some pictures of him and his siblings at the infirmary.

I feel like he'd have a good amount of followers, and he posts some pics of himself.

He's so pretty, and his pictures are blessings! Nico definitely stalks his profile just to look at them again and again. He probably has them saved too.

Frank

He's reposting the whole WWF page.

I feel like he'd also post some candid moments with Hazel, but definitely not cringy ones like Will.

He probably blocked Leo.

He has a few pictures of him posted, but you can't see him really well.

He posts about the stuff he's doing and archery and his page is pretty serious and interesting overall.

His profile pictures is unclear, but you can kind of see him in it.

He doesn't have many highlights, maybe one with Hazel.

He doesn't post often, but idk, he's just chilling in his instagram.

Hazel

She also comes from the past, so she's not good at technology. Frank helps her with almost everything on her profile.

After she learnt, she started posting videos of animals doing stuff, tagging Frank, saying it's him.

He pretends to be annoyed at first but he thinks it's really cute.

She doesn't have any highlights but she has some posts (Frank posted them for her).

Also, her profile picture is her and Frank smiling during a best friend hang out. It was before they got together.

Idk, to me they seem like the sweet couple that everyone admires. They're not too clingy, but they are a power couple. Their Instagrams, tho? They do look clingy.

[kkotda]

HAPPY BIRTHDAY KKOTDA (DEAR-KOI) ˖°𓇼

for a month with so little notable (national - us) holidays, august sure is a busy month for dear-koi (both this blog and i have our birthdays in august!). to celebrate, i am planning on opening rolling slots for art requests! it'll be on a first come first served basis. i will close requests on september 1, 2024 (no more requests will be accepted when september starts)

what this means:

all of my followers, mutuals or not, are eligible to participate! please no requests sent with anonymous! they will not be honored! (i don't plan on publically posting requests unless given explicit permission! so please allow images in your ask box or dms open!)

please continue reading to learn how to participate and other important rules!

how to participate:

in an ask (or dm if we're mutuals), tell me what you'd like! character only art and selfship are the ones i'm most comfortable doing, but i'm willing to hear out other requests (oc's for example). maximum of 7 requests (characters) per person are allowed! note: you will not need to provide me with any sort of monetary compensation in order to participate! i will not accept any monetary compensation! (i don't have the means to do so). this is supposed to be all in good fun, to practice and develop a style i think suits me! so taking money for making your request a guinea pig would make me feel all types of guilty (if you really feel the need, tell me your favorite song(s)! i'm always open to new music! better yet, donate to a palestinian family!) for selfship art requests, please also include a picrew from which i can color pick (i.e. the more accurate the picrew's colors are, the more personable it can be!) and reference poses. if the picrew is not accurate, please feel free to provide preferred hex codes or color 'swatches'! vague descriptions like dark brown aren't very helpful and might make the situation uncomfortable (though i will of course honor any changes that are needed!). i will honor character requests from any media even if i am not a part of said fandom group! (i will ask for no idol/celebrity requests though because i am uncomfortable with that, sorry in advance for any inconvenience!) for oc art, please provide as many details, references, picrews as possible. i absolutely do not want to mess something as precious and valuable as an oc up. i will try my very best to fulfill your request to fit the image you had in mind! tl;dr: give me so much information i have to spend days reading (also i forgot to say this but if you'd like a background that isn't white, you're more than welcome to change the color! transparent is also an option!)

ok to draw:

people (characters, etc), small animals (like pets), sfw (suggestive is also okay with enough reference pictures!), chibi

not ok to draw:

nsfw (i'm not that good yet, i'm sorry T-T), gore/horror, overly complicated things (i'll let you know if it gets too complicated)—basically just ask, and i will tell you!

please keep in mind:

i am slowly getting back into drawing (but i was never good in the first place tbh...) so i'm still very much learning! my art style currently is still a lot of mimicking (i do not use fanart as references, please don't misunderstand!!!), and as such i will ask you all to keep your expectations very very low T-T like rock bottom low...

default art will have a white background! i can and will color if colors are provided! (but there won't be any crazy good rendering, i'm sorry ;-;)

the purpose of this event is me practicing and learning art, but it's also me giving back to my beautiful friends who make the world go round! thank you so much for trusting me with your request(s) and i will do my utmost to make it come to life! if you'd like a 'portfolio' of sorts, please search the lovekoi tag! it is my art tag that i'm using and all of my stuff will be there (there's not a whole bunch though unfortunately >.<)

if you have any questions, please ask! i feel like i've left out a lot of things...

and finally, some parting words:

dear-koi has come a really long way i think. i moved here on a whim and essentially lost all of my previous mutuals (i should've just shared the url... </3) but you all found me again! and new people found me too! i'm so honored to have been worthy of the follow to following transition, you guys will not believe the squeals every time people i've looked up to like big time became mutuals with me... it's still crazy to me actually... but that aside, thank you for spending my birthday and dear-koi's 1st anniversary with me! here's to many more!

i love you all, please remember to smile today ᰔᩚ

[vilevampirez]

long list of funny things abt my experience doing emote commissions for mike

first of all I wasn't expecting to get commissioned at all (my commissions weren't even open, I just made an exception for mike) let alone by MIKETHELINK of all fucking people, so I had nothing prepared. I had no portfolio, commission sheet, nothing. I had never made any twitch emotes, so I had no examples to show either. meaning that when barbmine showed up in my dms asking if I took emote commissions, first I lost my fucking shit, then I panicked and rushed to find the most recent emote-like illustrations I had, including animation, and the most recent animation I had on hand happened to be a viewtiful joe one lmao. the animation in question 👇

(the usernames on the watermark aren't even accurate anymore..)

I have some experience taking commissions but they'd always been for friends of mine, this was my first time getting commissioned by a real "client" and the client was fucking mikethelink tazercraft of all fucking people . I know he "found" me through Mine, she sent me a dm first asking for commission info, saying she would show it to mike later. the thing is that when she said that she also implied that she was in touch with other artists too, so I was like "oh ok I'll send my stuff but I probably won't get chosen lol" and then a few hours later I got two twitter notifs, one saying that mr. thelink tazercraft was now following me and another was his DM. to say I almost had a heart attack would be an understatement

later I found out Mine had made a tweet asking for artists to reach out/people to rec artists for mike's twitch emotes. that post had around 40 comments. many people had been recommended more than once. I wasn't mentioned by anyone once, and in fact, I had no fucking idea that post even EXISTED until way after the fact. I have no idea how I ended up getting this job

mike happened to contact me on a day where I was severely sleep deprived. our entire business conversation took place while I was half-panicking, half-almost-passing-out. I don't know how I survived

at many points during our conversation I gave a lot of leeway for mike to give up on commissioning me, implying multiple times that he would be better off commissioning a different artist. and it's not because I lacked confidence (though a bit of that too, of course), but because of my lack of experience. I was very open about that to him, so many times I expected him to second guess his decision to commission me. unexpectedly, he was really insistent. I think partially he didn't want to go through the trouble of finding and contacting a different artist, but also I guess he just liked my art that much (??!?)

I definitely undercharged him lol. it's not that I don't value my work, it's just that I was absolutely not prepared for any of this shit to happen and didn't have enough time to think

I use adobe after effects for animating mike's emotes. I already knew how to animate (though I had never animated anything big), but I had never used after effects before. I even told mike this before accepting the commission, but he just said it was easy and I could totally do it, and I was just like "fucking hell. fine". and look, I know my limits, I knew I'd be able to learn after effects with relative ease. if I thought it'be too much for me to handle, I wouldn't have accepted the commission. it just that to this day I'm still shocked that mike commissioned an artist who HAD NEVER USED THE TOOL NECESSARY FOR THE COMMISSION HE WANTED.

due to the point above I was pretty apprehensive about animating the emotes, but now I'm glad I got this opportunity bc it reignited my passion for animation that had been dwindling for a long time and I've been learning a lot while working. also with every new emote I figure out how to use a different feature of after effects and it makes the job a little bit easier

before giving my payment information I came out to him to avoid confusion with my legal name being different from the name on my socials. he was very chill about it and always used the right name and pronouns for me whenever he mentions me on stream

fun fact: I was reached out to by another big (brazilian, not in qsmp) youtuber for a commission but I had to refuse because I had too much on my plate already (still do..)

my favorite emotes are the devil one and the nerd one

I made his twitch avatar and banner too! I'm really proud of the avatar. the banner was absolute hell

I'm a lurker (and nowadays a vod watcher since I've been busy w/ uni work) but I do watch every single one of mike's streams, so just know that I'm always seeing you guys use the emotes :3

[ghostbite0]

update!!!

apologies for the lack of art this week! i started a new medication that has turned into me feeling really groggy and tired all the time, and I've been working on commissions for the most part!

Speaking of which, commissions may take a while to complete! I received fifteen orders in the first two days (and I'm so grateful!), and many of them are REALLY big, so I have lots and lots to do!

in other news... i was accepted into my university's VERY strict graphic design & media program... my portfolio was accepted first try, and I'm still in shock about it, since it's a difficult program to get into!! but I'm very excited!

i hope to have more art for you guys soon! currently I'm working on a Ro redesign/revamp, along with more tiny 21 trio art, and an Obanai + Muichiro comic and a doodle page of my take on the KNY "what if everyone lived" AU ....

thank you guys for all your support I'm so so so grateful!!!! i cant thank you guys enough <333

and apologies if i miss you in my askbox-- a lot of the time I get the same requests, so I just compile everything in a compilation to post later haha-- or I forget. memory loss moment

while i have you guys here-- i was wondering if you would be interested in an ask blog for the pint sized pillars au, or the tiny 21 trio au?

nothings set in stone yet... but i think it'd be fun !!! I'm not sure if I would just compile it all in one blog or whatever but. yeah!!!

thank you guys again!!!