reading and watching “classic” books and films is such an interesting experience because, before you get into them, when you only know them by name and maybe the vaguest plot outline, they’re intimidating and stuffy and up on a pedestal, but then you finally take the leap and check them out and realize that almost every story that’s achieved such a legendary level of popularity did so because something in its emotional core reached out and grabbed a lot of people by the throat and you are NOT immune.
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the way people are reacting to chappell roan simply saying she does not want to be harassed in public is weird as fuck. “i don’t think she’s cut out for same if this is how she acts” WHAT???? HUH?????? SHES NOT CUT OUT FOR FAME BECAUSE SHE DOESNT WANT TO BE SHOUTED AT IN THE STREET AND CONSTANTLY BE FOLLOWED BY PEOPLE ???? the entitlement you freaks are starting to have is insane, w the mindset of “we gave them their career so they should let us do whatever want to them” 😭
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My favorite brand of Ratiorine is definitely:
"They both experienced immediate attraction upon seeing the other and are (silently) interested in the possibility of pursuing a relationship, regardless of their differences and the difficulties of their situations."
But also:
"Despite being two of the most hyper-competent people in the universe, they are absolutely idiot4idiot when it comes to romance or discussing their feelings, and they are about to make their complete inability to express themselves and court like normal people into everybody's problem."
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Watching MASH after watching modern shows is lowkey kind of refreshing because everyone in MASH looks like a normal fucking person. Hawkeye is greying. Radar is balding. Margaret has wrinkles. Nobody is concerned with being drop-dead gorgeous (aside from Klinger, of course). I think it's good to remind yourself that not everyone has to be beautiful all the time
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so I've been rewatching Static Shock because of @bearsspace 's Duke and Virgil art, and I'm not even a season in and its already so clear how good they'd get along.
Like Virgil's story focuses on not only actual racism and systemic issues, but the allegory of race within the bang babies/metahumans. Duke's story also does this with We Are Robin and Robin War; the robins are a group of mostly disenfranchised kids who rise up to protect themselves and their communities while being targeted by cops. WAR also makes direct comparisons to racism/systemic issues.
Besides their stories having some similar themes, they're also similar in the way they interact with their communities directly. (Let me mention here that Duke's mom and Virgil's dad are both social workers). Both Duke and Virgil are able to talk and connect with the people they're saving, and this includes the "villains" they encounter who really just need help (ohoho! another part of their stories connected to systemic issues).
Of course a lot of heroes do this but it's special for Virgil and Duke. Virgil's able to connect and help his foes not only because he's a bang baby, but because the standing he already has in his community. Like he spends a lot of time at the community centre and it means a lot to him. One of the things I really love about Virgil is that if he wants to get info on someone he starts knocking on doors and talking to people. It's special for Duke because not only does a big part of his story centre around bringing a community together to protect itself, but in contrast to the rest of the bats, his whole thing is LITERALLY being in the daylight. Like the whole premise of his character is being a beacon, Duke will always have a connection with the public the rest of the bats can't.
I also think it's really funny how both of them almost immediately become superheroes the first chance they got. Like Virgil's bestfriend is like, "You could be a superhero!" and he agrees instantaneously and does it. Duke's kinda just like, "Ugh, I GUESS I'll join this group of vigilantes if you REALLY want me to!" and "What? You want ME to lead this vigilante group? Aw shucks well SOMEONES gotta do it!" and "Not like being a vigilante is important to me or anything but I will literally let nothing including Batman's trained sidekicks stop me." then he jumps out of a moving cop car off a bridge.
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