#i think it should be fine but idk

[rainbowthedragoncat]

I love that in 6-5 you try to talk to nahyuta and he just fucking leaves. Multiple times. And he's not even just walking away, he's running. you literally have to chase him out into the royal courtyard or whatever it's called lmao

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[musubiki]

.🖤🔄🤍.

[redwitchrune]

had some time to think and watch people watch the minecraft movie trailer, and i think I've realized my main gripe with it. out of all the directions they could have chosen, why did they go with the one they did???

like. okay. i watched both phil and mumbo watch the trailer who had very different and opposite thoughts. i think mumbo was right in that it seems like it's trying to be an absurd, camp, and silly movie that makes fun of itself. the style (how ever mismatched) leans into that and the humor seems to go in that direction. and I think for what it's trying to be (camp, absurd, making fun of itself), it will probably be an okay movie! the focus won't be on minecraft, it will be on the minecraft world, if that makes sense. the look and mechanics over the feel and vibe.

on the other hand. i hate that they chose this direction. minecraft is such a game of stories, of the hidden stories, of what you make of the mysterious and wonderful world around you. you have the end poem. you have the music. you ha e the ruins. you have new expiernces and wonder and fear. yes it's a big world, but it also feels small. it's just you! in this abandoned and recovering world. and it loves you.

it just feels like that whole aspect of the game doesn't matter here. it's just the surface level appearance, mechanics, and look of the game. it honestly feels more like minecraft legends than normal minecraft, but even then it's missing the whimsy of legends.

yes it looks bad. yes it has like four different art styles. I think for what they're trying to do it will be Okay at best. but what it could've been. that's the real loss. It could've been about nostalgia. about love. about the universe. about making your own world with your own hands. about the quiet emptiness left behind you now have to live in. those raw experiences that won't be considered. whatever

[zoebelladona]

okay i'll say it: percy being "different" because sally taught him the myths before he knew he was a demigod is an unnecessary change. percy was never "different" because he knew the myths and thus came into the mythology world knowing how fucked up everything is. he's different because he has a strong sense of loyalty (fatal flaw). he's different because his mum loved him and he learned love and compassion and kindness from her. he's different because when the time comes, he will choose to be the demigod of the prophecy. he's different because despite the life he's had he's a good kid. he's different because he will not give respect that hasn't been earned, even if it gets him into trouble. he's not different for knowing the gods are a fucked up family and that sometimes a monster is not a monster. he's not different for not wanting kleos. in fact i think it's much more impactful if he gets to that conclusion himself, if he sees it and he comes out kinder and choosing not to continue the cycle on the other side.

also they should have let annabeth say the exposition. not just because she's the "smart one" even though she is, but because she was raised in the world of the gods since she was seven and she would absolutely have biases percy could challenge with his own choices.

you know.

like in the book richard wrote already.

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[lazylittledragon]

i keep trying to think of funny/poetic ways to talk about all the things i'm feeling right now but i honestly can't so. i'm really sad about what happened with my partner. i know he was an inconsiderate prick about it and that i didn't do anything wrong and i couldn't have prevented it but i'm just really fucking sad.

[ghostespresso]

staff logging on to tumblr dot com today

[the-sage-libriomancer]

personally i love the "Jason is the emotional member of the Batfamily" interpretation of the character. He's angry. He's exuberant. His love for his family ballooned so much that it ruptured when he died and swelled into a swollen, unbearable weight when he came back. When he feels his emotions he really feels them - they're so unfathomably big that his body can't contain them.

Bruce never lets himself feel things, Dick knows how to regulate himself to a point, but Jason puts emotions first. He loves fiercely and hates explosively, gets angry and then cools off, lets fear swell & blister until it physically hurts him. And sure, he can't help poking wounds just to make people look at him, but if there's some bullshit happening, he'll be the first to stand up and make a scene. Maybe it won't be the most tactical thing to do, maybe it'll even be detrimental to the goal, but the iron is too hot to temper and sometimes that's a good thing.

Like, i know Jason can be a real punk at times, and i'm not trying to say he's a good role model by any means, but i think it's interesting and even valuable to have a character who puts their emotions first - someone who takes action far more freely and doesn't check themselves like the other characters, who is (for better or for worse) a very passionate person and not afraid of it. I think it's a great to have a character who can't (and ultimately shouldn't) follow the Bats' policies that are just variations of "bottle everything up for the sake of the mission", because they just feel everything so damn much and it's okay because that's just who they are. And i think it works best both narratively and thematically if that character is Jason.

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[rythyme]

really not a fan of boston very explicitly saying "I want to be exclusive romantically but not sexually" only to be told "You're lying to yourself. I think you should be alone."

[oozeandgoo-art]

heard it's open season on yachts down here

[m-for-now]

Headcanon that Leo has the song "Honey, i'm good" in his distraction working playlist and whenever it comes on, he refers to Festus as the "somebody at home" when that line comes on and him and Festus just have a nice little time enjoying a silly little song

[eldritch-ambrosia]

Let me hit you with my Shade!Lancelot idea, keeping in mind I haven't seen that episode of Merlin yet. (This works for both established Arwen/established Merthur and Gwencelot/Mercelot in my mind so think of it whichever way you'd like but it does focus on Lancelot, Merlin, and Arthur.)

So! Morgana creates Shade!Lancelot using Lancelot's body and sends him back to Camelot to stir up trouble. Instead of trying to just break up Arthur and Gwen, he's meant to isolate Arthur and make him believe that he can't trust anyone except for Aggravaine.

So he flirts with Gwen, takes the knights out to have fun when they should be training/distracts them, and takes Merlin's attention away from Arthur as well, frustrating Arthur.

S!Lancelot and Aggravaine both place doubts in Arthur's mind directly as well and S!Lancelot realizes that Merlin betraying Arthur would be far worse than anyone else and sets his sights on Merlin instead.

So he keeps stealing Merlin away when Arthur needs him, makes comments about how he knows Merlin better than Arthur ever could and about how he knows Merlin sneaks away but he's loyal to Merlin over Camelot (which also upsets Arthur because that's one of his knights for god's sake!) and won't tell him where Merlin is going.

Arthur confronts Merlin about his sneaking away (magic things) and, when he refuses to tell the truth, Arthur thinks he can't trust him after all.

Merlin talks about having magic in front of S!Lancelot and, when he doesn't know what Merlin's talking about, Merlin becomes suspicious. He references something that didn't happen and S!Lancelot acts like he remembers that which confirms his suspicions but when he tries to sidle away out of the room to tell someone, S!Lancelot attacks him, attempting to choke him out.

Arthur finds them like this and S!Lancelot says that Merlin was sending information to Morgana so he had to subdue him which Arthur doesn't believe for ONE SINGLE MINUTE. Thus, they begin to duel as Merlin tries to recover his breathing and stop from passing out in the corner.

S!Lancelot attempts to kill Arthur and knocks him out, Arthur fading out with the last thing he sees being Merlin trying to push S!Lancelot's killing blow away as his servant stands.

Somehow (I'm thinking earlier in the ep Merlin finds a magical crystal that can hold souls released from the afterlife that Gaius is researching and Lancelot's real soul gets released during the ep and the crystal glows and maybe gets broken in the scuffle) Merlin pushes the Shade from Lancelot's body and his real soul is able to return to his body.

The Shade's form changes into a kind of Shadow Monster Lancelot and duels the real Lancelot now (who is very shaken and weak because he was just revived!) and, when he stabs the Shade, it does no damage. The Shade laughs and says that he can't be killed without magic and Lancelot says that then he'll just have to kill it like he killed the Griffin.

"You're a knight of Camelot and you're saying that you used magic to kill a Griffin?"

"No. I did." Merlin says, casting the same spell he did all those years ago on Lancelot's blade as he stabs through the Shade, killing it.

There's a beat where Merlin still isn't sure if it's the real Lancelot and asks him something only the real Lancelot would know, which he answers and they have a tearful/huggy reunion.

Arthur wakes up and they explain that it was a creature sent by Morgana and Lancelot is actually back with them now.

Later, when Merlin is getting Arthur ready for bed, Arthur tells him that he doesn't need to know where he goes off to because he trusts him. Merlin goes to tell him the truth but stops and thanks him instead, snuffing out the candles and shutting the door as he leaves.

(I want to hopefully write this one day but I will need to actually catch up and watch the episode first to get the vibes. Everything I know about it rn is from clips and gifs and such)

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[skitskatdacat63]

"Arrogant, ruthless, and by all reports (including his own) utterly charming."

(I don't know why I drew this but please take Revolutionary War British officer George, I think it suits him, okay!!!)

+ George Russell the type of guy to t-pose in front of rebels

+ the usual

Okay first of all, process, as always:

I drew this in one day hahaha....Actually really fun! I haven't finished anything in almost a month, and haven't painted for even longer, so I'm kinda dying at the fact that 18th century George Russell got me motivated 😭 Sometimes when painting, I realize I have free will and can actually just start painting over the lineart, and that's the best moment of every drawing process 🙏

Also I'm very proud of his face!!! I've said before, but art progression is such a weird thing. You'll keep repeating to your self "I'm no good at [insert art thing.]" And then randomly realized you can in fact do it. That's me with drawing real people's faces 😭 I'm just so shocked I got his face pretty good in one try!!!

Okay about the pose and quote. God its so fun to misappropriate quotes for my own evil deeds. Both of these are from this one officer from the Revolution: Banastre Tarleton. Idk, I randomly saw his painting in a history video, and it's stuck in my mind ever since. And then yesterday, bcs I spent a lot of time looking at George, I'm like "hey you know what he kinda reminds me of-" and thus we have this.

I just found that quote about him from some historian to be funny, so I put it as a caption, as I would with Napoleon. This won't be an AU by any means but. I think if George was in the Revolution, he'd be the most stereotypical, evil British villain in American media type guy ever. And Tarleton is kinda that guy tbh, to the point where him and others like Arnold Benedict are the poster boys of evil Revolution guys. He even has a mocking nickname! "Bloody Tarleton/Ban", very "Osama bin Russell," no? 😭

Some notable moments from Tarleton's campaign that I think fit George: Apparently killed a bunch of American soldiers after they surrendered, making sure everyone was dead(😭😭), threatened to burn an American general's house down to make him surrender and then took him hostage, went toe to toe with George Washington himself and Washington even taunted him and Tarleton got a shot in, has a helmet named after him(very slayful.)