#i think its an important thing for shows to do because we already have so many where the characters do end up togetehr

[ryssbelle]

The Brozone Misconception

(This picture is more a joke don't take it too seriously)

This is a kind of long analysis, deep dive, and discussion about certain fandom misconceptions. I am 100 percent open for discussion but I would ask that you read the whole thing first before reaching out, and please be respectful!

A link to the og google doc with images as tumblr image limit killed part of the essay XD

Essay under the cut

There is a common misconception in a small subset of the trolls fandom about the character of Brozone. That is their reaction and treatment of Branch, their overall purpose in the story, and whether or not Branch should have forgiven them. Whether or not their trauma born toxic traits which they aim to grow out of should be forgiven or not.

Let’s begin with an analysis of the beginning, middle, and end of their arc progression more or less.

We start with our favorite problem child, Jonathan Dorian, mounting the pressure of tonight's show, building expectations, and showing us, the audience, a bit of what goes on every time these guys perform: 

Making Bruce do 100 more push ups in the time before showtime (1 minute) 

Pressuring Clay to wear the funderdrawers even tho he clearly doesn’t want to 

Rebuffing floyds attempts to calm himself down

And his worst crime

Making Baby Branch Nervous

Now you could see all of these and think “Evil! Evil John Dory! Jail for John DOry for 1000 years!!” because he is being oh so toxic. Now JD’s main motivation for pushing his brothers so hard in this moment has to do with the “Perfect Family Harmony” which according to baby Branch no one has ever hit before

And you can see the strain it puts on the other brothers not just through the scenes i showed before but Clay literally tells us

John Dory not only sees it as a great achievement, but he is putting his own and his families self worth all on whether or not they accomplish the perfect family harmony

(ignore the crappy cropping image limits)

And when they fail he blames it on them not following his lead 

He still believes after all of that that they can successfully complete the Perfect Family harmony 

This looks to be about the first time the brothers air their grievances out to their older brother about how they actually feel about not only completing the harmony, but the direction of the band itself.

All of this happens within the heat of the moment, and only continues to get worse as when confronted with all of this Negativity JD decides to leave. You can see by his facial expressions in the above screenshots he was already feeling terrible about the situation as a whole. Animation is very show don’t tell just as much as live action is, it’s very important for storytelling as a whole. A character should not have to SAY they are remorseful for you to be able to see it.

So JD leaves leading his other brothers to leave as well. Ironically they are following his lead badum dum dum. 

Now we can assume this is probably par for the course for these guys, cuz Grandma is right there, and she just lets them leave, you say plot convenience I say subtle story telling/ It is implied they do this all the time and will eventually come back. (they don’t)

(Also ignore this image its also a silly and not serious XD)

Now you may be thinking, Ricky, you say that Brozone is not toxic, yet you show us the worst examples of their character. Listen dear reader, this is only the beginning, what I’ve shown you is merely the establishment of the eventual conflict that will be part of the driving force behind character growth and the story itself. 

Let’s move on to adulthood. The main arguments against Brozone happen here, other than the initial abandonment of Branch, which, I should remind you, happened when the oldest among them was still a teenager (teenagers are dumb). 

In this section I also have to mention another movie, and another character, as he is usually brought up in these discussions 

Creek

Creek is usually used as a comparison to the Brozone bros in the argument that Brozone is EVIL AND TOXIC AND UNFORGIVABLE and Creek by comparison should be seen in a better light and not deserve the hate. To be honest I have never seen the level of hate that has been given to Brozone leveled at Creek in the slightest. He is canonically a toxic character, and one who is incredibly self serving which a majority of the fandom recognize and vibe with. Creeks admittedly rancid personality is a massive factor in his appeal (at least for me), and that is kind of the point of his character: To be awful and unforgivable. Creek wasn’t made as your average side character, Creek was specifically made to be an antagonist, to be a contrast to one of our main protagonists, Branch. That is why they are always at odds with each other within both 3D media and 2D media. 

Taken from the trolls wiki

Creek has also shown disregard for Branch’s hobbies in the main show, tossing his puzzle into the fire. This was during Haircuffed, when Creek didn’t want to do Branch’s puzzle

Which you think not so bad, its just a puzzle! Well…

Puzzle’s have incredible significance to Branch, a comfort object if you will, and another way to feel connected to his Grandma. Now you might cry “Creek didn’t know it was significant! He can’t be held responsible for that!” HE SHOULDN’T HAVE TO KNOW THE TRAUMA BEHIND THE PUZZLE TO NOT DESTROY THE PUZZLE.

Conversely let's look at the Brothers:

Throughout the course of the film they are a bit rude to Branch and dismissive of him:

JD:

Bruce:

Clay:

(You could argue the face grabbing is just a troll thing cuz)

But anyway

These scenes are minor things that add up during the course of the film for the purpose of showing off the traits they will put aside and grow out of for the sake of each other.

(brb reading xmen)

Lets talk about Xmen, you think JD is bad well watch this

Bam!

Anyway

Before we tackle the entire argument scene let’s first tackle the individual character of each of the bros, Specifically: John Dory, and Bruce, who are most criticized for their actions.

John Dory is one of the first brothers we see return in the film, and his first and foremost objective is to collect Branch so that they can go get their other brothers to rescue Floyd. Some have called John Dory uncaring for his younger brothers, but if that were the case why start the rescue mission at all? An uncaring brother would just ignore the letter and go on with his life, but John Dory literally drops everything just to go rescue his little brother. The letter even specified getting the other brothers first, but John Dory goes alone to get Floyd out of danger as fast as possible only retrieving the other bros when he fails (and cuz he didnt know where they were, can’t waste time when you got a brother to save)

A brother who didn’t care about his family wouldn’t go through all this effort. Some would say he’s only doing it for appearances sake, but for whom? Him and his brothers have been out of the limelight for 20 years, JD especially has been isolated in the neverglades, who is he trying to impress with this? No one, he’s just a good brother.

Also a reminder! When thinking about breaking Floyd out he is not the first to bring up the harmony! Floyd is, John Dory had a much more clever idea

So it's not just to complete the harmony either.

He’s also held on to all the merch from their Brozone days, mementos of his family, it shows how he cares, but also the flaw he aims to overcome: his desperate attempt to cling to the past, the better days.

Now let's go to Bruce, easily the most scrutinized of the brothers (because of the baby comment) 

When he first sees his brothers again this is his reaction: 

(Another point for JD, got ignored but is more happy to see his bros getting along)

Bruce is excited to introduce them to his family, excited to reconnect.

(Note: At this point tumblr stopped allowing images so i will be giving descriptions along with a link to the original google doc for reference purposes these are screenshots from the movie)

Cut image: Bruce introducing his wife to his brothers "These are my brothers, unexpectedly"

(Still excited and immediately introduces them to his wife despite them being “unexpected”)

Cut Image: Brandy saying "It's so nice to finally meet you"

“It’s so nice to finally meet you” Implies that he’s talked about them at length and the possibility of them meeting up with one another.

Also all of his kids completely ignore their mom, just to ask their father something, or tell on their sibling, or ask for his help as seen in this entire clip

With the ketchup kid he assures his kid he will handle it (and yes Brandy had to handle it but um rescue mission?) and that he loves them he just needs a bit of time to address, um who was it again? His brothers, right…

Bruce is argued as being incredibly selfish, I had seen a meme once that had suggested Bruce would let his own children die before he would give up his own life, which is horrendous and blatantly untrue. Bruce only tries to turn away his brothers when John Dory brings up the perfect family harmony and that’s before he knows it's for Floyd, once he finds out it’s for Floyd he is immediately on board! His biggest concern about the harmony at this time is how they’re going to do it. 

As for “abandoning his family again” Bruce is going on a rescue mission, which he asks his wife before hand if it is alright

Which she approves, he also agrees to cover for a WHOLE MONTH for the yoga retreat (Also seen in the clip above)

He spends the majority of the journey caring for Tiny Diamond as well, he lets Tiny into his hair, carries him around in a baby sling he’s a dad to any kid who needs him.

Clay doesn’t get as much scrutiny as either of the older bros, most likely due to his inability to leave the golf course and the fact he apologizes to Branch at the end. There are many things that mimic the same in the ending scene but let’s address the points brought up within the argument that people use to claim the evilness of Brozone. 

Also fun reminder, Clay is the one to start the fight, Not John Dory, not Bruce, Clay just a fun note (he is a lil problematic and argumentative and thats why i love him)

Clay brings up John Dory being bossy which sets everyone off into a tangent about the past, past actions that they think are resurfacing

Cut image, the beginning of the argument:

Clay: No. No, dude. You’re forcin' us to be perfect, just like you always have, so we can hit the perfect family harmony.

John Dory: Yeah. For Floyd.

Bruce: Is it? Or is this all just so you can tell people what to do again?

John Dory: Wha What?

_

Bruce: This isn’t gonna work if you keep on bein' the same old John Dory.

We all know John Dory’s reason for being “bossy” ; his reason for his perfection, once done out of an effort to impress, is now one out of necessity. They need to be perfect because now someone can die, and the others can’t see that due to their own trauma at the hands of JD’s perfectionism. 

As shown way at the beginning of the essay, all of the brothers suffered at the hands of JD’s past obsession, Bruce had to look a certain way pushing his body past its limits, Clay had to act a certain way disregarding his own happiness to keep up an image, Floyd was ignored and his advice pushed aside, and Branch was pushed to be perfect when he was only about 2 years old (or a month old if you go by the brozone blog). JD also suffered, pushing himself to make song after song, mentally exhausting himself and inadvertently hurting his brothers in the process of doing what he thinks is right for them. 

JD also had the responsibility (as a teen) to parent all of his younger brothers:

Cut Image:

John Dory: Well, I’m not allowed to change. I’m the oldest. I had to be the leader.

John Dory: Why do you think I moved to the middle of nowhere? So I didn’t have to be in charge of anyone. Four little brothers is a lot of responsibility.

You could argue it's his responsibility as the oldest but Grandma was right there, they shouldn’t be his sole responsibility. 

When most of them left it was done out of self preservation, to protect their sanity and to finally find happiness outside of a place that was no longer bringing it to them. They were kind of acting how most would want Branch to act, they cut out the toxic family for their own safety. 

Bruce:

Cut image:

Bruce: [stammers] Why do you think I left? So no one would treat me like you did.

Clay: 

Cut Image:

Clay: I’m gonna find trolls who take me seriously. Next to Clay is a picture of himself in a graduation cap

(Also that is Clays graduation photo, they are all around teen years in  the prologue which means this is either a middle school graduation photo or he graduated early and is still not taken seriously, which as someone who also faces that [only being seen one way despite your achievements] is incredibly discouraging and soul destroying) 

They most likely didn’t return due to the fact they didn’t want to be faced with this kind of treatment again (golf course entrapment aside) 

(Now you’re probably wondering about Floyd and he’s a whole other post, this is mostly focusing on the brothers who receive the most criticism due to misrepresentation)

During the argument they talk about going their separate ways, it is admittedly harsh they way they talk about leaving again, but they never say they’re leaving forever. Bruce has to return to his wife and kids, Clay left the golf course without one of its leaders, JD has his own life and routine, of course they’d go back to it once it was over, but that doesn’t mean visiting is off the table, and that they’d never see each other again. 

Cut Image: John Dory: What? The mission’s the mission. [chuckles] You didn’t think we’d all live together when this was all over, did you? Singin' songs and roastin' marshmallows?

Again i recognize JD is being an asshole here, but he is only knocking the idea of living together off the table, which kind of understandable they’re all adults with their own lives they don’t need to live together, I don’t get mad at my sister for going back to her house when shes done visiting. But again it is more how they say it then what they’re saying

Cut Image:

Branch: [scoffs] Oh, I’m sorry. Is that funny to you? That I might want us to actually be a family again? Tiny Diamond, pull over. Now.

Seen is JD's look of regret

You can see on his face that he regrets what he said when Branch says this, when he gets angry at him, he didn’t mean it like that. Thats when the don’t be a baby comment comes in, they still don’t actually understand why he’s upset, they think he’s acting childish, they don’t recognize he’s changed yet

Cut Image: The bros reaction upon hearing of grandmas death

These are their faces when they hear what Branch has been through, they obviously are upset, they’re hurt on his behalf, they are remorseful, this and their future actions signify the shift from who they were (hurt kids turned hurt adults, fighting over their past trauma) 

After Branch leaves, they, on their own accord, continue the mission to save Floyd, which is how they get caught, and during the final climax control freak JD relinquishes control, having changed and lets Branch take the lead. This is after Branch reminds them they don’t have to be perfect to be in harmony, just to be as they are together which they AGREE

Cut Image:

JD: We'll follow your lead, Branch

Once they save Floyd we are brought to Bruce’s restaurant, he brings them there to host their reunion, there is where branch gets encouragement from JD, where Clay apologizes, where Floyd reminisces and you can see JD engaging with his brothers more than just encouraging Branch he has joined Clays sad book club

Cut Image: JD reading a sad book behind Branch and Clay talking about said book club

This isn’t the end of their reconnection, this is only the beginning. They still have lots of time to grow, and to become closer as family. 

Now lets head back to Creek for a moment before we close this off:

We have brought up the puzzle destruction and his purpose as an antagonist. The main argument most people use is that Creek had no other choice but to sell out his entire race to be eaten and killed to save himself. He had a choice, Branch would’ve let himself get eaten if it meant protecting all of troll village as noticed when he protects poppy in twt (though he might’ve actually found another way out), Poppy would’ve as well. In tbt Floyd begs each of his brothers who meets him before the climax to let him die so they don’t face the same fate, these are all selfless acts. Creek reacts selfishly, eat everyone else but don’t eat me, then he smugly confronts Poppy, obnoxiously laments about how he has to live with his actions when if he were a truly good and selfless character wouldn't have been an issue. He smiles smugly, shrugs his shoulders, and lets himself be carried to safety when his people look at his betrayal with disbelief and sadness. 

Creeks actions in the 1st movie are awful, they’re supposed to be, they’re meant to be unforgivable crimes, and that is why he is killed in the 3D canon, legit he is dead in the 3D canon. 2D and 3D are different continuities, which is part of why I find them (Brozone and Creek) to be mostly incomparable.

Brozone’s arc only affects Branch and each other and in the end they grow stronger, and into better people. Creeks arc/actions affect an entire species and their survival, within the 2D continuity his actions only continue to be self serving, and rather toxic (more for funsies but you know) he should not have been forgiven, but he was. His actions were deplorable yet forgiven which then begs the question why aren’t Brozones? Creek also wrote the apology song solely to humiliate Branch in front of his friends which is not cool bro, Branch did not deserve the treatment he got in the episode from anyone. 

To conclude my thoughts are that Creek and Brozones actions are incomparable, Creek’s actions are not meant to be taken in a positive or sympathetic light, he is a villain cut and dry, that is who he was made to be and he does it wonderfully. I don’t hate Creek, I love his character, he is awful and that is great! Love toxic awful characters! Brozone are a representation of a broken family coming together again, they are toxic, and then they grow, they are meant to do so, the villains of that movie are Velvet, Veneer, and familial trauma all of which get mended by the end of the film. It’s not perfect but its there, and the ignorance of it is what causes these major misconceptions. 

TL;DR Learn media literacy please

[ihopesocomic]

I just rewatched the My Pride video essay and nothing gives me more satisfaction than how much yall shit on Powerstrike as she should be, specially on the fact that she's supposed to be a sympathetic villain. It's just-- not well done at all even if they didn't tried to make her sympathetic.

One could argue that abusive parents believe they actually love their victims but man, even her monologue about how she feels weak for loving Nothing so much, the scene is only targered at Powerstrike's feelings. That's pretty much saying "Well yeah, she's a piece of shit to her own disabled daughter and favors her able bodied children BUT SHE FEELS BAAAAD :["

Anyways, I'm just glad that essays like yours exist so that you can open the eyes of anyone who ate up any of the BS from media like MP, me being one of them aside from the "I lOvE yOu So MuCh It HuRtS" when I was younger and stupid

Unfortunately the majority of people who see our video don't even watch it and just leave a comment assuming everything that's in it. Its quite annoying LOL but the few people who DO watch it have had a good reaction to it. I'm glad we could make people understand the problems MP has (tho a lot of people already felt the way we did, they just felt validated)

Powerstrike could've been a good character. Setting aside how RJ and I think her plot should've been given to Sharptongue, she could've shown as an example of how condescending she is. Because she IS condescending. Nothing kiiiind of calls her out, but then she gets emotionally beaten down again and carries on like it never happened.

It would've been fun to give the Golden Grove pride the dynamics we thought the pride in MP was gonna have, like making Watchful an oppressive grandmother, but it was important to us that Hope's main source of abuse came from her mother. And Watchful being there would've made things easier for Hope because Watchful is a higher authority than how Vicious views her sisters.

Our audience has picked up that the more Hope becomes independent, the worse Vicious gets. And if people think that's "random", it makes sense if you had a parent or guardian like that. She wasn't indoctrinated, like people tend to make up about Powerstrike. She just was manipulated by Jasper, but he was nurturing thoughts that were already there to begin with.

And most importantly, she won't be forgiven. And even if we make her sympathetic, we don't want people to think she deserves to be forgiven by her kids. This is important to show in media that sometimes people don't deserve to be forgiven even if they feel bad about what they did. - Cat

[earlyspringtranscendence]

Smth that I always come back to in the pee Nureyev experience is like. My view on Peter and Mags relationship and how I disagree with like 99% of the fanon interpretation of it (and also perhaps the canon starting in S4) (and so will ignore it henceforth) like Mag is . Nice. He's nice. I fucking know he lied to peets ok but he also like killed Mag so it evens out but it's heart wrenching to hear the audio when they're duping that New Kinshasa woman and they laugh so raucously (AND FREELY!!!! WHEN HAVE U EVER HEARD PEE SO FREE...) and well it's like. They love eachother . Kinda all I even have to say about that. I refuse to believe that Mag was a bad parent beyond the usual bad parenting of someone who isn't by any means ready or even nec willing to be a parent beforehand, but like anything that extends beyond that is so depressing to me... There's strength in numbers, even on Brahma, and pee used to have that with Mag. and anyway you cant take that away from me im putting my fingers in my ears and yelling if u try to reason w me GOODNIGHT & GOODBYE

[malkaviian]

i am having a great time here on life dot com

[chisatowo]

Okie I took a shower and now I'm normal again (lying) anyways look at my son

[hamsterwalled]

That boy is so surrounded by love and support it makes me SICK

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[maplewozapi]

I should have known if I brought up wc I’d have to talk about. But it includes of a lot of issues with feral/furry designs that use feathers in hair. I don’t necessarily know why the conversation only started and stayed in the wc fandom when horse/wolf/lion feral fandoms are still doing the same thing.

Now having feathers in the design isn’t a racial attack first thing off because there’s a lot of context around what feather’s are used, the shape, and where they are placed. If the look is anything like "rave Coachella looking tribal fantasy feathers and beads" it’s probably insensitive. I’m not to sure why it has to be feathers, I honestly think the wc fandom are holding themselves back when it comes to forwarding designs in a unique way. Tail feathers are also left out in this conversation as well, one or two feathers or feathers in the shape of a birds tail are fine but bunched together feathers are leaning to close to how we have our horses wear feathers. This is in the context of the design already looking like a "medicine cat" already its bad. it’s like those yt girls wear feather head bands but animal addition.

I’ve talked about this before but silhouettes are so important, like Native American stereotypes are on the global scale you cannot escape this silhouette you just have to avoid it. There’s no "but it’s in so many other cultures" no it’s not it’s totally unique to our people that’s why people flock to it because it’s so "mysterious, sacred" whatever their weird twisted up reason is. There’s so many unique ways to break this silhouette you just gotta be more creative. And I feel like instead of being more creative and coming up with totally different ideas it’s just easier to lean on these visual native stereotypes to get across "wild mythical nature fantasy"

I could get into the horse fandom and the weird situations they’re doing over there but that’s another crazy thing. I should say because someone will ask, ostrich feathers on like show horses or knights or puss in boots style is fine not the same thing (breaking the silhouette) they’re not related.

And it comes down to understanding what you are drawing and where this imagery comes from, I’m not gonna get my feelings hurt because of your design but I’ll question why are you drawing stuff like that. You cant remove that cultural/stereotypical imagery, and if you don’t care about it then you don’t care about the history or how it looks on your character and art.

I made it this far on the internet but if you want to be conscious about these things good on yea it doesn’t take much☺️👍

Edit: can’t believe I gotta say this but yes other cultures utilize feathers, if people are using feathers that are used in their culture then don’t harass them. That’s weird have some common sense. Ostrich feathers, peacock feathers it’s actually so interesting how native birds to an area affect the culture there.

[foone]

Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:

We can always decide later that we don't need something we archived.

Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.

We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!

We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.

And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.

If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:

What if it turns out something we thought was junk turns out to be amazing new art?

What if something we thought of as pointless and not worth curating turns out to be influential?

What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?

All of those things are great... If we archived it when we could.

Because this is an asymmetric problem:

If we archived it and it turns out it's not useful, we can delete.

If we didn't archive it and it turns out it is useful, OOPS!

You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.

And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.

The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.

Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.

If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.

If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.

This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".

But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).

So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).

But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.

Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.

We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.

My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"

Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[bamsara]

If given the motivation I would ramble more about Trod, specifically Tyren and how he's my little dude but also a character who's behavior I've based on being a victim of obsession and idolization myself and how it's very cathartic to write a character exhibiting all the traits, both good and bad I've experienced in the Lamb's position and then knowing exactly how his story ends

That and some Narinder rambles and how Lamb is more comfortable with him than a sweet dog that surely shows more respect for them (idolization that does not see them as a person)

edit: nevermind I did end up rambling. Some TROD spoilers

its great I love this stupid dog and his scheming ways and writing just *why* he's doing what he's doing with genuine belief it's to better protect what and who he loves without actaully taking into account the subject of his affection's feelings on the whole matter. He would never hurt the lamb physically but clearly that three eyed cat is nothing but stress for them (and is he wrong? is Narinder not a source of stress? We are not light in the 'enemies' part of the friends to enemies to friends to lovers part of the trope)

Though the difference between Narinder and Tyren, the rehabilitation and the corruption, although all entitlement, is agency.

Narinder often touts himself as uncaring and hostile to the Lamb and is still angry from the betrayal, as they are, but their agency is still considered even in anger.

In the Fox chapter where Narinder wishes to sacrifice Grekimar and Tyren, Lamb refuses. They argue about it and Lamb stands their ground, Narinder is unhappy about it but does not go behind their back and sacrifice cultists anyway when he very well could.

After reuniting after the fight when Leshy is revived, Narinder and Lamb argues heavily over the subject of whether or not Narinder is allowed to kill Leshy, someone who harmed both him AND the Lamb severely, and even though he's bitter about it, Narinder acknowledges the Lamb was not given a choice prior and will sacrifice his own revenge and comfort so the Lamb can have their agency returned, at least a little bit.

^^^ This one is a complicated one because between both characters, neither killing the bishops nor keeping them alive would result in both characters getting what they want, with reasonable desires for it (wanting to have choice again, wanting revenge on their tormentors, ect)

so Narinder essentially sacrifices his comfort for the Lamb, someone who is constantly sacrificing pieces of themselves and sanity to keep everything in peace

It works the otherway around as well: Narinder demanding talismans and God Tears and Relics from the Lamb and they agree, not because they're required to do what he says but because that's their friend, and they trust him enough to help him with whatever he's doing

(and back to the argument where the refusal to sacrifice two followers was in exchange for some of their heart, Narinder refuses and breaks the deal off immediatly even though the Lamb was willing. The Lamb is obviously more important than whatever goal he had in mind, essentially scrapping his partnership with the Fox and method to gain power because he didn't want his usurper to be weakened. and other things.)

I won't talk about EVERY instance of this because this is already a long post, but overtime the two are forming communication, compromise, and even in anger, there is a respect there that puts them on the same level as equals.

Tyren does not really fall into that.

Tyren would never, and I mean NEVER hurt the Lamb physically. He would never yell at them, never be angry with them, never be upset with them, because he does not see them enough as a person to feel those things around them. And if the Lamb does disagree with him or make him upset, he will simply....disregard their current feelings on the situation and do what he thinks is best for him and them, even if it goes directly against their wishes.

And unlike Narinder, he would do it behind their back to stay in their good graces.

Tyren does care for the Lamb. Genuinely. He did long before that necklace was around his neck. He was already a little obsessed before the loyalty necklace was on him, it just gave him a slight edge.

He respects them but also doesn't. He takes their rejection at the party in stride and is completely unphased by it, completely understanding, but also plots to kill someone the Lamb called a 'friend' because the three-eyed hermit is clearly stressing them out and it makes no sense as to why they're crusading with him, or spending time with him when he's been nothing but a murderer and a blight.

I think a good summary of all this ramble is that when the Lamb tells Narinder to leave Tyren alone, Narinder goes 'whatever i fucking hate you and this stupid cult anyways. die forever' but does what they ask, while Lamb tells Tyren to please leave Narinder alone, and Tyren goes 'sure! :) anything for you my lamb' and digs up a corpse and drops it's mashed remains outside of the cat's hut with a fake letter from the Lamb saying it's 'breakfast'.

Narinder and Tyren are both very selfish, but in different ways

None of this probably makes sense

It is also 6AM

[abnerkrill]

fantastic rebuttal to "writers don't deserve better pay because the stuff they write is terrible/unoriginal", full thread here

(to explain, the "Unknown" under his name is from a add-on bot detector; it usually can assign a percentage likelihood that a user is a human being and not a bot, but I think the blue check system disrupted the add-on so it says "Unknown" underneath his name now.)

[image id under the read more:

May 7, 2023 tweet thread from Tom Vaughan @/storyandplot

With #WGAStrong rightfully in the spotlight this week, I've seen some less-than-sympathetic comments focusing on the lack of originality in our projects. This is a fair criticism of the system, but not the writers. A quick history of how we got here (thread emoji)

The first thing to understand is that Hollywood has NOT run out of new ideas. The studio’s preference for I.P. has nothing to do with regurgitating ideas and everything to do with MARKETING.

The late 60s-70s is generally considered the artistic high of the studio system. Ironically, many contribute this to corporations buying up the studios! The corporations knew they had no idea how to run a movie studio, so... they put creative people in charge.

This is how you got the run of so many great films the studios would never make today. They also took bigger chances on young, promising talent (the first "film school generation" of filmmakers.)

But with the success of JAWS and STAR WARS, the corporations demanded more of those kinds of hits. The creative folks insisted such things were unpredictable, and the business folks said let's make them less so.

(Sidenote: This was also the same time a completely different phenomenon was happening. A/C was becoming the norm for theatres, making summer movie-going much more attractive.)

Over the next decade, more and more MBAs and marketing people gained influence in the studio system. Being business folks, huge hits were not a creative problem as much as a product/marketing problem.

The 80s is when the “high concept” became pre-eminent because it narrowed a sales pitch to one sentence, a trailer, and a poster. This made everyone a marketing agent for a movie because everyone could explain what it was about!

In the 90s, marketing became just as important as the film itself (reflected in their respective budgets) when Hollywood discovered they could profit from fifty years of pre-existing awareness for old TV shows and movies.

This allowed the marketing department to move away from pitching a movie and convincing you to go see it (lower success rate), to simple “audience awareness” and building anticipation. (higher success rate.)

The audience knew what THE FLINSTONES the movie was. They just needed to know the casting and when it opened. No one needed to have the remake of GODZILLA explained to them. They just needed to know when it opened.

The marketing department prefers AWARNESS over SELLING because awareness is something you can throw money at. Selling is harder, and it’s less predictable. This is why franchises are so valuable.

Whenever someone says, “That’s something I can sell!” It’s usually something that can sell itself. What they mean is, "I just have to let people know about this!"

Hollywoods's reliance on property the audience is already familiar with is 100% because... the audience is already familiar with it. It is easier to market the product and this increases its chances of success.

This focus on I.P. has become so pervasive, many, including executives themselves, have forgotten WHY it's valuable. They'll option an unknown comic BECAUSE it's I.P., forgetting that it's unknown and lacks the main asset of I.P.

Writers do love writing on an I.P. that means something to them. Every Star Wars fan who became a filmmaker would love to work in that universe. But we do not love it more than our own original work. We would always rather work on that.

So when you see another remake, or reboot, or adaptation, and think, "Can't they come up with something new?"

Remember, the answer is yes. Yes, we can. And we want to. You can blame the market or the marketing, but either way, the widespread production of truly original content is just not the studio business model we're in right now. #WGAStrong

end ID.]

[blueteller]

You know... I often think about the fact that out of all events in TCF? Rescuing Raon was the most important.

It wasn't just because Cale got himself a "Draco Ex Machina" at his side that could use OP magic at his convenience. He could have used tools or Rosalyn's magic instead, at the beginning at least. We saw how he planned ahead and used an enchanted tool to make Taylor and Cage invisible to sneak them into the capital.

It wasn't just because through Raon, Cale was able to make connection with Eruhaben and later Sheritt and many other Dragons. They were important for their victory, but Cale could have gotten in contact with them through other ways – Pendrick, for example.

It wasn't just because Raon could detect things like dead mana or magical traps and disguises – even if Rosalyn wouldn't be able to, Cale would have probably figured out Alberu's connection to Dark Elves sooner or later. He already had suspicions about "a secret to his birth" before Raon mentioned the dyed hair.

Yes, those thing mattered, don't get me wrong. But, out of all the changes Cale made after his transmigration – saving Raon was the event that truly changed the whole game... not for the world, but for Cale himself.

Raon was, in many instances, the pushing force behind Cale's motivation to participate in various events. Slacker life? Cale's wishful thinking. But the motivation to actively get people involved – like Mary, for example. Raon was the one who cheered Cale on, kept him company through everything, especially the tough times. Raon was the one who, along with On and Hong, melted Cale's heart the fastest, getting this stubborn, traumatized man to admit they were "family". It's not that he wouldn't be a good man doing good things without Raon; but without Raon he would be in a lot more denial (even more than he already is!!) about why he is doing such things.

Raon represents everything Cale loves about his new life. The joy, the hope for the future, the curiosity and enthusiasm. Yes Cale often acts tired of (or freaks out over) Raon's antics or pretends to ignore him. But in the end... he never actually does. Cale never stops paying attention to him or tells him to go away.

Raon was the one who truly "got under his skin", so to speak. Cale wholeheartedly trusts and respects Raon. Of course, Raon is still a child under his protection... The reason why Cale always insisted on him staying hidden, throughout most of their adventures. I remember the moment Cale got the Dragon Blood Drinking Crown, and his first reaction was "let's throw this away/destroy it". The utter repulsion towards anything that could be a danger to Raon, despite how potentially useful such an artifact could be, logic be damned. Or that moment when they met the White Star for the first time, the villain telling Cale how he would kill the child and feed his heart to him – how Cale outwardly showed terror for the first time in the whole novel, instantly hugging Raon close to him and activating the shield to its fullest.

That's what really gets to me, you know? Raon's protectiveness for Cale is so obvious, but Cale is just as protective of him in return. I truly believe that while all relationships that Cale had shaped him as a person (just like the God of Death stated in his letter to him), the relationship between Cale and Raon is one that shaped them both in equal measure on both sides.

This relationship between them feels like fate, and that's no accident.

Changing Raon's fate was fundamental for saving the world, yes. But it equally important for Cale's own growth. An event which happened right at the beginning on the story, shaped the course of the entire future.

[katsukistofu]

USER KATSUKISTOFU, WRITE A HANTA SERO PIECE, AND MY LIFE IS YOURSSSS‼️🙏🫡

all eye wanted was you

contents ౨ৎ ⋆ s. hanta x fem reader. fluff. ★ sero reminds you of a few important things that your all-seeing quirk overlooks.

“So you’re not dating him?” The girl in front of you asks again to clarify. She’s either from General Studies or the Business course you think, you honestly don’t really remember and don’t care.

You heave a sigh. “You asked that already, I said no the first time.”

At this point you’d assume the conversation would be over, but of course she opens her mouth again.

“Then you wouldn’t mind if I asked him out, right?”

Your head’s starting to throb and you force your tone to be calm. “Sorry, but do you understand the definition of not dating—“

“Uh, yeah she would.”

A familiar voice speaks, and your eyes widen as you make contact with its source, your best friend. “Sero? What are you doing here?”

“Making sure people don’t have the wrong idea of us.” He offers you a sly grin, tugging you closer by the sleeve of your uniform.

“How is this making sure people don’t have the wrong idea of us?” You hiss, placing your hands on his unfairly firm chest to stop yourself from colliding with it. With a quick glance around, it seems like the girl is gone.

“Hmm.” Sero’s smirk only deepens on his pretty lips. He did this on purpose to have you alone to himself, didn’t he? “Didn’t see you complaining when we pretended to be together to get a discount for tatts.”

“Their prices for hypothetically single people were crazy!” Your cheeks burn as his fingers trail over a spot on the fabric of your school uniform.

The skin underneath burns as he continues to trace the almost exact pattern of your tattoo, like he has it memorized from when you both showed each other right after getting them done at the parlor.

Sero playfully fidgets with the hair tie on your wrist that he let you steal from him earlier as he continues. “Or when I told the waiter at that fancy restaurant you were my girlfriend and that he couldn’t give you his number, but we’d love to take the couple’s deal instead.”

“That’s different!” You protest weakly, sounding unbelievable even to your own ears.

“What, are you going to play with my hair, like how you always do when you get stressed?” He murmurs, gently tilting your chin up to force you to meet his eyes.

You curse as you realize he’s right, somehow your finger has already found its own way to twirl one of his dark locks.

Sero’s dusky eyes darken with a hint of hurt.

“How long are you going to keep pretending?” His voice is painfully soft.

“I don’t know, I’m just…“ You take shuddering breath. “I’m scared, I guess.”

“Scared of what?” Sero’s brows furrow. “Is it because of that rando? Because you could easily take her, I’ve seen you with some strong ass villains—“

You laugh and smack his bicep. “No, dummy! I’m scared because…” Your voice hesitates, and he hugs your waist tighter.

“Use your words, sweetheart.”

Your breath catches as he uses that tone. “Okay now you’re just being unfair.”

“Hey, I’ll beg if I have to.” He grins before faking a drop down to his knees.

You squeal as his strong arms take you with him, only to come back up and steady you, and he chuckles as you smack him.

“Okay, I’ll tell you! I’m scared because I don’t want to end up pretending like we don’t know each other when we break up. You mean a lot to me, and I think,” You mumble as your finger continues to play with a button on his dress shirt. “I think that would really mess me up.”

“You mean a lot to me too.” Sero’s eyes soften. “And if we break up.”

“Nothing lasts forever, Sero.”

“Let’s prove them wrong then.” He brushes his knuckles across your cheek with such tenderness that it hurts. “Baby, why are you so worried about a future that won’t happen?”

“Because I’ve seen it happen to people.” There’s a worried frown on your face as all your past visions from your Quirk flash through your mind. “One moment everything’s going fine, then it all falls apart. Fate runs its course. I don’t want that to happen to us.”

“Forget fate, I want you.” He cups your cheeks, and you huff as you’re sandwiched between his hands. “It’s hot when you get all Doomsday on me, but I think you’re overthinking it.”

You let out a giggle, realizing he’s right. Nothing is ever set in stone, and you knew that your powers would cause you to be predisposed to anxiously anticipate things, even ones far from your current time.

He’s always reminded you to breathe, like now.

“I want you to focus on the present in that pretty little head of yours, okay?” Sero’s warm, caramel voice tickles your ear. “Can you do that for me?”

“Okay.” You whisper from where your head’s tucked under his chin, clutching his uniform in your hands. “I really want you too.”

He breathes a relieved laugh into your hair. “That’s good. So I can say it now right?”

You bury a smile into his shoulder and his lips tug upward as well when he feels it. “Go ahead.”

Sero takes a deep breath.

“Can I be your boyfriend?”

The butterflies in your stomach flutter while you stand on your tip toes, and to your delight his pupils are blown out and his cheeks are already flushed before you even lean in to give them a kiss.

“Yes. In every future, yes.”

[see-arcane]

Something I’ve been chewing on for this go-around of Dracula Season is the fact that, for all that I am absolutely 110% on board with the whole ‘Dracula wants Jonathan for himself, calls dibs, wants first taste, wants to keep him as part of the castle permanently, I too can love~ et cetera’ deal, I can admit now that I’ve been overlooking one very key part of the whole Bluebeard wifery setup.

And that’s the unavoidable fact that Dracula fully intends to leave Jonathan Harker to be drunk and collected by the Weird Sisters.

Now there’s all manner of guesswork to make about what exactly these three’s relationship to Dracula really is. A personal harem is usually the go-to, and what I usually land on as explanation, considering how things will play out in the future regarding his usual choice of vampiric victim. But others have suggested familial connections, going by Jonathan noting a couple similar traits between the two brunettes, ala facial features, hair, the same red eyes and so on, leaving Blondie as a potential wife the Count turned along with their daughters. Or hell, maybe they’re all actual sisters. We never get to know.

All we know is that they accuse Dracula of ‘Never loving,’ while Dracula stares meaningfully at Jonathan, insisting otherwise. And claims that the trio themselves know it is so from the past. Whatever past that is.

To that end, the Weird Sisters matter to Dracula. Enough to keep them fed, enough to not even put up a full villain monologue at them when they go against his orders to try and snatch Jonathan out from under him, followed by laughing in his face. Beyond his far-too-intimate interactions and abuses with Jonathan, this is the closest we get to seeing Dracula trying to be close with and/or properly*** interacting with someone. An exchange that ends not only with handing over the poor stolen baby in the sack, but outright promising Jonathan to the Sisters once Dracula is finished with him.

And that’s sticking with me this year. Because for all that I’ve joked and memed about it in the past, it never really whacked me over the head with the import and terror that comes with Jonathan’s opening line in this entry.

God preserve my sanity, for to this I am reduced.

Reduced. That’s the key word here.

Even if he doesn’t know all the rules, he knows now that he is no longer just a temporary prisoner. Not even a mere murder victim waiting out the clock. No. He has been reduced to a living decanter. A possession there to be nursed from and used and given as a gift from Dracula to his companions. Like a toy or a new pet.

At the risk of slight spoilers (avert your eyes first-time Dracula Dailiers!), two important lines are yet to come during Jonathan’s stay in Vampire Hell. One from Dracula:

But I am in hopes that I shall see more of you at Castle Dracula.

(Yes, he does think he’s very funny. Prick.)

And another from Jonathan:

At its foot a man may sleep—as a man.

Two vital beats.

The first, because it is a winking confirmation to all that Jonathan has feared. Namely, that Dracula and the Weird Sisters mean to never let him leave the castle again, alive, dead, or otherwise.

The second, because it shows that for all Jonathan is not aware of, he does rightly suspect that there is more expected of him than being a mere meal to have and discard. He knows he is not due for a fleeting pain and escape, even via death. Because Dracula wants to ‘love’ him. To keep him.

And Dracula will do so because he keeps the Weird Sisters, and they will keep him. A parting gift from their loving lord of the castle. The conqueror’s playbook in miniature.

I turned you. You turn him. I have you all.

This, buried under the veneer of:

See girls? I care! Here, a fine new plaything to keep you company. Housebroken already.

(To this I am reduced. To this I am reduced. To this I am reduced.)

There’s time right now. However much time Jonathan can win by playing a good guest. But if he doesn’t get out by the time Dracula is done with him? He lives the rest of his human life as a wine bottle and then all of eternity after that as joint undead property.

Better hope your acting skills are up to the task, Mr. Harker.

[tetsuslove]

🖤: Can’t stop thinking of Simon with a breeding kink:( so I needed to write this short Drabble about it sobso

Suggestions are always welcome, especially if it’s about Simon <3

︙Husband! SIMON RILEY x Wife!.Reader

Warnings: nfsw! (18+ ; mdni!), breeding, talking about pregnancy, biting, praise, soft! Dom Simon because I love him, pet names, no editing! ( will do it in the morning )

“Go on, love”, Simon groans besides your ear while he speed up his moves, “tell me what we are doing”. Your eyes are maybe closed because how intense everything is right now but you sure can hear and feel his smirk, knowing that he got you there where he wanted you

“Bab-“ you gasps because Simon of hard bites down on your shoulder “what was that, hm? Tell me” he says in a more teasing way but sure sounds like an order to answer him and of course the man he is, he sure gets what he wants

“Baby!”,you scream louder, “we are making a baby!”. And for now your husband is satisfied, loving the idea and action that you can get ( and will be) pregnant with his children, already thinking how you will look all round with his child. Breats full of milk to feed the child. It turns this man into an animal, wanting turn his pretty wife into a pretty mama

“good girl- what a good wife” he chuckles and sits up again so he can see your tits bouncing while you try to hold on the bedsheets with your dear life. “It feels good making a baby, right love? Going to look so pretty with our child- going to spoil you more- urgh.. going to spoil you more than you already are”

And he is a man who keeps his words. Maybe you are already a spoiled wife but you sure can be a spoiled mama too. Trying to make sure you eat and drink enough, so you and your baby are doing fine. You see cute baby clothes? He will buy for you and your child right away. Your feet’s are hurting? Lay down on the couch and he will give you a good massage. Some carvings at 1 am ? Don’t worry, he will drive you everywhere you want, just don’t go by yourself!

— It’s all started when one of his coworkers showed him and the other teammates some photos of his newborn proudly at the pub few weeks ago and somehow the whole baby thing started to haunt him. Like one day, a little boy thought that Simon is his father so he hugged Simons leg giggling while Simon just wanted to buy you some flowers at a flower shop, noticing the child on his legs and calling him “papa! Look at the flowers!! ”. Or when he only saw for a whole day commercials for baby products on the TV and every time he tried to change the Chanel, a new commercial popped up.

But the most important thing why it all started for him to want a baby is because he had a dream of you and him.. and a third family member in your arm. You looking beautiful and carrying the child in your arms, smiling at Simon with so much love that he even fell in love with you all over again in his dream. “Look, Papa is here” you said to your baby in the dream and tried to show your child to Simon but only to wake and to realize what he dreamed about

With all these thoughts he doesn’t realize how strong his poundings are but it sure feels good enough that your brain turns into liquid. He moves a hand from your hips away to massage your one tit. Squeezing it so you feel him everywhere and to make sure if you still have the brain to now what’s going on (spoiler: you don’t)

“Si-Simon, can’t no more” trying to look at him but fail, with the tears in your eyes, you just can see things blurry but that okay, just let your husband take care of you<3

“Go on, love- it’s okay, let yourself feel good.. let go” he huffs and groans while trying to reach his high too, cumming inside your walls and now giving you his babies

“Fucking hell-” he groans while you came too, squeezing his dick inside and finally reaching you climax and relaxes again.. finally your brain can turn into its normal form again

While you both try to catch your breaths, Simon looks at you, at his cute fucked wife. How beautiful you look even if you would say otherwise but no, you are always beautiful and he sure enjoys the view. You and your body in sweat and his cum inside, his babies

He cups one of your cheeks so you look at him, you don’t say anything, just to busy trying to catch your breath but your and his eyes are communicating, telling each other how much you love the other one and giving one last kiss to end the whole making love thing

“You good, love?”he asks, looking a bit worried hoping that he didn’t hurt you in any way but seeing you nodding and smiling, he lets out a sighs of relief. Giving a kiss on your forehead and of course always praising you “you were perfect my love, my sweet wife” and starts his ritual of after care

“Here, something to drink, love. I will now clean you up, okay” he gives you a comforting smile, putting some hair away of your sticky forehead and goes to the bathroom

Now it got you thinking how Simon would be as a dad and you know, that the Lieutenant would do anything to complete his mission