the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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I'm a firm believer that Edwin does NOT have internalized homophobia ☝️ repressed his sexuality? sure, obviously. but internalized hatred for himself? NO!!!
My man immediately confessed his love to Charles once he realized what his feelings were. He was going to even earlier but literally got dragged to Hell in the middle of it !!! He did not question the validity of his feelings and he definitely didn't question whether he was allowed to feel them !!!
Edwin has a lot of complexities when it comes to dealing with and acknowledging his emotions, but this is not one of them. Charles is not one of them.
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“The ADA don’t care about Dazai!!!!!!”
They have a detailed plan on how to literally fucking defy death and bring him back to life, a plan which Yosano is heavily involved in
Kunikida routinely calls and cooks for him. They fight in perfect sync after four days of them meeting
Fukuzawa trusted Dazai ON HIS WORDS ALONE with Atsushi’s entrance exam and getting him used to the Agency and didn’t get involved just because he put his faith in Dazai
Atsushi hallucinates Dazai when he’s in distress and looking for help, the fear he had for the Headmaster was once the strongest force in his life was replaced with his gratitude and love for Dazai
Fukuzawa says during the Guild Arc that he wouldn’t even consider allying themselves with the PM, but he’s still fine with Dazai, the Demon Prodigy, joining the Agency’s ranks
Ranpo knew from the start that Dazai was an executive for the fucking Port Mafia, the Demon Prodigy and just went “sure fucking whatever” and let him go through his entrance exam to join DESPITE THAT THE AGENCY WAS MADE FOR RANPO AND AGAINST CRIME
Dazai trained Naomi. This was never elaborated on but it did happen
As Ranpo and Kunikida state while debating on whether to rescue Atsushi: the Agency doesnt interfere with someone’s personal issues or unless Fukuzawa tells them to ig
Stories are always more fucking interesting if there’s conflict between characters, ‘good’ or ‘evil’. The Agency are full of clashing characters, complicated backstories and nuances and they’re going to clash against each other. That’s human.
He’s proven time and time again that he won’t kill himself, that his plans are good and strong and for the Agency. He can handle himself and they trust in that
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if you ever think ur doing a bad job just know it cant be worse than the historians that read “I tore open your letter and licked the envelope's seal for any lingering trace of you” “my darling, so near I seem to you, that I disdain this pen, and wait for a warmer language.” “I hope for you so much, and feel so eager for you, feel that I cannot wait, feel that now I must have you—” “To own a Susan of my own Is of itself a Bliss -Whatever Realm I forfeit, Lord, Continue me in this!” “I need her - I must have her, Oh give her to me” “Now, farewell, Susie... I add a kiss, shyly, lest there is somebody there! Don't let them see, will you Susie?” “Show me Eternity, and I will show you Memory -Both in one package lain And lifted back again -Be Sue - while I am Emily - Be next - what you have ever been -Infinity.”, and thought emily dickinson’s relationship with sue was that of two very close friends— sisterly like.
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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