#i think she is a very interesting character personally bc we can read a lot into what kind of person she is

[noxtivagus]

ain soph aur brainrot

[amourlyns]

hey. I already made a request, but if you have a limit you can scrap that one.

My cat has been gone for 3 days (shes never been gone this long, shes an in door cat). We just got a ton of snow and I just overheard my parents saying they think the neighbor did something to her. I've had her since I was 11 and she means so much to me. I've been having a hard time having any sort of fun with my family for the holiday season and if you could I could really use any windbreaker characters of your choice comforting reader about that scenario?

❛ HEY VENGEANCE. ❜ ➜ ⁽ masterlist ⁾

✧ 𝒄𝒐𝒏𝒕𝒆𝒏𝒕: a jealous owen, reminding you that you’re his forever and always. after hearing a fan compliment you after one of his races.

✧ 𝒘𝒂𝒓𝒏𝒊𝒏𝒈𝒔: none

✧ 𝒏𝒐𝒕𝒆𝒔: owen uses a lot of praise, but he’s also getting his ego fed bc he’s a brat. insane by summer walker was on repeat ngl + imagine that one video of asap hearing riri’s laugh. 😭i’m sorry to hear about your cat!! i hope yall found her in the end. hopefully this fic helps.

⟡ ⠀ | Owen Knight is not insane, you know that and he knows that. So, why is he hearing your voice ? And why does it ring out so clearly in the stadium ? You’re supposed to be in the UK.

Korea wasn’t going to work with you schedule, he knew that and begrudgingly accepted it. So who the fuck is making you laugh and giggle like that? Yeah, he won the race but at what cost ? Where is his baby at—

There you are.

Now you don’t see him, but you could definitely feel his gaze on you, he knows you can. So why aren’t you looking at him? The race was over— and you came to Korea just for him.

So why was another man hogging your attention ? You didn’t even seem remotely interested. Your eyes eventually meet with Owen’s, a smile graces your lips. You’re already making hasty strides in his direction.

Even though all of your attention is on Owen now, his stare still lingers on the man you were talking to moments ago. Owen was always transparent about his feelings, you could read him like a book. He was vocal, and if he was thrown off by something? He would make it known.

He starts it off slow, discussing your appearance in Korea and what a lovely surprise it is, it really was of course. So there was no lie there, but he does mention the man you were talking to before.

❛ Why did you sit closer, baby? ❜ Owen pouts, jutting out his lower lip. You place a quick peck on his lips, cupping his cheeks and chuckling at his own behavior. He’s such a drama king, you’re not quite sure how you manage, especially with him.

❛ Owen, sweetheart I’m only here for you. And you only, so why are you worried? Hm? ❜ He flushes at this, maintaining eye contact. A hand reached out towards your wrist, sending soft kisses around your finger tips. ❛ I deserve all your attention, you know it. ❜

Your practically beats out of your chest, it takes you a moment to remember you two are in a very public space. And he didn’t mind the PDA at all? ❛ Owen, slow down. ❜ It comes out much more softer than intended, he stops. Looking at you with wide expecting eyes. What’s next?

❛ Did he say anything? ❜ Owen huffs, pushing further into your personal space. A smiles graced your lips at his intensity, he is so in love. Isn’t he? ❛ The guy complimented my shirt, he knew I was supporting you. ❜ You’ve obviously struck a nerve.

Owen scowls, pursing his lips at the thought of some stranger complimenting you. Despite the shirt and all. ❛ And that was seriously it? But he was staring at you for so long— ❜ Lips find purchase on his. Quickly silencing Owen in the most effective way.

He’s already asking for another by the time you’re backing up. Trailing you like a lost puppy dog. You let him, of course. Telling him to pack up so you can cuddle at home and enjoy each others company. He’s already agreeing—

[zedleaked]

What is your opinion on drv3 chapter 2... or just kirumi and ryoma's story/dynamic?

[Lyrics from: 'Julie vs. Robot Julie' by ARTHUR]

I'm probably biased but OUGHGHFGH CHAPTER 2........

It's a running thing with me but I tend to really like the chapter 2s in each game,,, probably cause they involve characters I like [i.e: Mondo, Chihiro, Fuyuhiko, Ryoma, etc.]

[read more if you want to read my rant bc I wrote more than I usually do]

From the very start Ryoma was really interesting to me, especially in chapter one when he offered himself as a sacrifice to stop the time limit,, It was nice to see him slowly get better and try to find a reason to live... but uh... we eventually get to see what happens...

Kirumi on the other hand didn't really catch my eye as much, well I mean her design goes hard but for me, she faded into the background a lot...

Also holy shit this chapter probably has one of the best body discoveries in the series. The chill I felt when Ryoma's body just fucking appeared in the piranha tank and seeing it shortly get torn apart really made an impression on me. It was obvious that something was going to go wrong during the magic show but that was still so shocking to me. Out of all the games, V3 is definitely the one that made me audibly go: "NO!💥💥💥!!!!!" the most

It kinda makes me wish that Himiko and Ryoma had more of a connection before his death or at least had Himiko acknowledge his death more... not only did someone die in her show that was supposed to distract everyone from the killing,, but it was someone who was actually pretty nice to her... But also to be fair Himiko represses her grief a lot, only really letting it out during chapter 3. I dunno I just want the depressed mage and the depressed tennis pro to be besties, is that too much to wish for? <//3

The trial was pretty alright,, to be honest, I was a little annoyed at Himiko for still sticking to her magic shtick even after someone fucking died but I think that was made up for when Kirumi got accused. Oh boy, I said Kirumi didn't catch my attention earlier but this trial made me like her so much. The manipulative shit she says during the trial activated my brain cells, she was willing to deceive the people she'd been surviving with to try and essentially save the country...

It feels like a more personal version of the trolley cart problem: Would you fight alongside these 13 people you've gotten to know and survive with, with the slim chance that you might escape? Or would you take the risk and purposely kill all of them to fulfill your duty and save a whole country? It's debatable if what Kirumi did was really 'selfless' or not. It made her really interesting to me.

And finally... oh my god, Ryoma, man.... The reveal that his motive video was empty and that he had no one to live for broke my heart so badly <//3 poor guy has gone through too much. The fact that he gave up like that, offering himself up to Kirumi is so... RGHARGHR!!!! 💥💥💥,, PLEASE.........

Even though I really wanted Ryoma to survive, I thought that chapter 2 was a depressing but fitting end for him. Like it really sucks bad that he wasn't able to find a reason to live but not everyone can have a good ending unfortunately... I just want to grab him and shake him around GRUGAHRGHH 💥💥💥

so uh in short: me likey chapter 2 I go insane every time I think about it.................

[chubs-deuce]

I think I also saw a post explaining that if a ship in the fandom got too popular, the network producers would try and force that ship to become canon.

It's like, I love Charlastor, but I really don't want it to be canon. I feel like non canon ships are more fun!

yeah!!! 100% agreed, and I despise it when producers actually let that happen too :/ Glaring very hard at the grossly entitled people a good while back to tried to sway their preferred ship into canonicity by doing petitions....

I wouldn't want charlastor to be canon tbh.

It's, frankly, wild to me that so many people even equate shipping to exclusively mean "to root for two or more characters to get romantically involved in the source material", and any exploration of dynamics beyond that is then frowned upon, shamed or invalidated.

To an unfortunately large amount of people, shipping is little more than a popularity contest :')

To me, a huge part of the appeal in shipping is that it's a means to explore interpersonal character dynamics from a piece of media in ways we don't necessarily see happen in canon.

I LOVE non-canon ships for the fact that they leave us with SO much creative freedom! [more in-depth thoughts + what appeals to me about charlastor under the cut]

It allows us to hypothesize and experiment in-depth with how these characters would find their way from one type of dynamic into a different direction in so many different ways, without canon to give us one solid path to stick to.

One trope I'm very fond of in fanfiction in particular has always been slowburn with a touch of mutual pining - when a dynamic is truly given room to breathe and naturally grow into different directions and REALLY digs into the involved characters, it enables the authors to thoroughly lay out why and how their feelings change, what affected them in the process and how/when they eventually choose to act on them!

Character analysis is my bread and butter, so if a dynamic strikes my interest it's almost always because it has something unique about it far beyond just wanting to see them all lovey-dovey bc it's cute (though that can be part of it lol).

Charlie and Alastor as a combination are so intriguing to me because they're in many ways polar opposites, but simultaneously also have just enough similarities to leave a lot of potential for a genuine bond.

They combine the most conniving, manipulative, steadfastly and proudly immoral person with someone whose good intentions color absolutely everything she does, who also has the willpower and moral code to see it through.

They're like a forbidden, alluring dance, endlessly circling in each other's gravitational pull - which parts of them will prevail? Who will inevitably buckle to the other's influence first? What draws them in? What drives them apart?

I love watching Alastor's masterfully crafted plans get absolutely thwarted because he can't get a consistent read on her - a being who's - by her very nature of being part demon and part angel - a bundle of contradictions.

I'm also extremely fond of Charlie 100% seeing through him every step of the way and still keeping him around - regardless of his motivations, he is a vital, helpful part of the hotel, and she won't give up on trying to win him over for her cause in earnest.

There are very few things as funny to me as the idea of Alastor -master manipulator - being so far up his own ego, obsessing over getting a figurative hold over this fascinating and yet frustrating princess, that it takes forever for him to realize he's the one being used all along, expertly playing right into her cards.

Simultaneously, there's so many other ways to write them!!! It's just so damn fun to explore all of the what-ifs.

[gudrunbrangwen]

So I’m very autistic about music and I loved how succession made Kendall’s music taste have so much character and be so accurate to who he is and who he thinks he is, which made me start thinking about the other siblings listening to music. I just cannot imagine it. I can’t imagine Roman putting on his little AirPod and opening up a Spotify playlist or putting on posters in his room for a certain thing. The idea of shiv being into drill and grime is extremely funny to me. I think connor tells Alexa to put on slow old Spanish ballads blasting (at an appropriate volume) through every floor of his desert house and Willa wears noise cancelling headphones constantly. I just can’t decide if Roman has an obscenely normal man music taste (like what plays in gyms) or if he actually cares about music. And then I listened to horse foreplay again and I need to make a playlist for it so basically: what do you think Roman would listen to?

incredible message. oh man. for one, connor genuinely seems like a music lover because that’s in line with his situation being the only sibling to genuinely enjoy the spoils of wealth and just stuff generally. he also has that fleetwood mac line at tom’s bachelor party, and famously karaokes a fucking leonard cohen song. love him.

kendall’s music taste is central to his character, we all know what ken’s taste is (or at least i think we do, i have seen some very funny “ken listens to this” mixes. they should resemble the intern-curated obama end-of-year picks LOL). shiv i have no idea about, but i wouldn’t be surprised if she had some appreciation for whatever dad liked if dad ever bothered to point something out. i don’t think she listens to florence + the machine though be serious you guys just see a girl with red hair…………….

my personal read on roman’s whole Deal is that he has the least “life of his own” of the siblings. even his reputation / the rumors about him (that he’s a playboy who loves coke) are the least accurate to his actual behavior and preferences (esp when contrasted with ken’s public takedowns which hurt his feelings precisely Because they’re often true). it’s difficult for me to imagine roman having strong personal taste in….. pretty much anything, even when he sees his choices symbolically (“i want steak” speech in america decides). in the end, roman is most interested in cultivating an image of himself that is going to be the most protective of his true desire for authenticity and connection, but we know that he has no idea what to do with himself when he is confronted with an opportunity to actually “express himself”.

all this to say, it is very difficult for me to imagine roman sincerely enjoying music/art without a level of detachment, irony, or jokey judgement. if he likes certain sounds, i couldn’t see him singing along like kendall in the backseat. maybe a handful of songs are nostalgic for him, maybe some post-hardcore (…. fugazi….. honestly……) or even MAYBE some britpop or eurodance from the european half of his childhood. he wouldn’t allow himself true sentimentality with it though. he certainly knows all of the lyrics to a few songs bc he’s very In the World, esp culturally impactful songs, but he just seems like a guy who fucking hates bohemian raphsody. he knows who the pinball wizard is but i can viscerally feel his frown at hearing the baba o’reilly opener in a shop. he simply would never admit to loving a band, let alone buy a t-shirt! (i think i get a little annoyed generally with assumptions about roman that cast him as even a little bit twee just because he’s silly. look at how he actually dresses. this man would not paint his nails or have a charm on his phone. you’re thinking of kieran culkin!)

anyway this is my fav horse foreplay fanmix by @gotouda just bc it’s bursting with songs that are simply About Romtom. full of stuff me a young millennial gay person listens to so i play it a lot lol. there’s also an unsettled/upsetting undercurrent to some of these choices that matches the tone of the fic PRECISELY!!!! i have no idea how someone would go about building a mix based on romtom AND character taste just bc it is nigh impossible for me to picture roman roy listening to a song BECAUSE it reminds him of tom.

tom on the other hand…………….. that’s elton john, that’s ABBA, that’s broadway original cast recording, that’s george michael, that’s adele. ok

[sparklingsora]

For the Vee-Swap AU, how does the Vee polycule develop? The polyvee shippers (me) need to know!!

HEHE OK OK SO putting it under cut bc it ended up longer than i anticipated LOL

as you already know, velvox is the established relationship in this au. and as i believe i mentioned before, velvette and val are sinstagram mutuals, it's how val finds out about the hotel. on val's part, falling for velvette isn't really a surprise to him - back when they just knew each other through social media, he already found her attractive, admired her work and they got along well, so all that turning into a full-on crush when he gets to know her better isn't very shocking. his relationship with vox is where it gets interesting, because it starts out rocky. i mentioned before that vox can tell that val's putting on an act. but because vox obv can't relate to val's situation, val just sees it as vox pitying him and refuses his help. a turning point comes in ep 4 - in the swap au, it actually starts raining during loser baby, which results in val getting sick. vox helps him out and they have a tender moment, maybe a little heart-to-heart (its hard to just describe, i will make a comic/ficlet of it at one point so you'll see :3). their relationship starts getting better from that point on, and soon enough val finds himself falling for vox. (it's funny, really - ep 4 in the swap au leads to the bettering of a grand total of 3 relationships: al & val's, vox & val's and indirectly al & vox's. load bearing episode LOL) on vox and velvette's part, well. val is a douche at the start of the story, much like canon!angel, but vox and velvette can both tell that there's a heart of gold in there somewhere. vox because of the aformentioned seeing through val's facade, and velvette because she, in fact, wasn't mutuals with val's official account, but with his art account, where he keeps his identity hidden. he shows his softer side a lot more on there, and so that's mainly the side of him that velvette knew (so now imagine the whiplash when she actually meets him in person and he's an obnoxious jerk LOL) (i dont know if valentino being an artist is actually canon - i read it on the fandom wiki and fandom wikis cant rly be trusted LOL but in any case if its not canon then its a neat hc that i incorporated into swap!val's character) but anyway yeah, vox and velvette both start falling for val as he slowly becomes more true to himself and starts showing that soft side more. eventually the two of them talk about it um. somewhere around ep 6 i think? maybe? somewhere between eps 6 and 7? something like that. anyway. there we get some juicy conflict - they agree that theyre both in love with val and wanna give the whole polyamory thing a try if he's up for it, but while velvette wants to confess as soon as possible (she's scared that one of them might die in the battle), vox wants to wait until after the battle, because the stress levels are high in the hotel right now, and he doesn't want val to feel pressured. during the last night before the battle, in a scene vaguely equivalent to more than anything (reprise), they make up, velvette admits that vox is right, and they decide to confess to val after the extermination. and then yeah they do that (it's one of the 2 things that i'm sure i want to happen at the beginning of season 2), val is like "HELL YEAH I WANNA BE IN A POLYCULE WITH YOU GUYS" and they're a polycule and its awesome :3

[thequietesthing]

Bridgerton S3 Part 1 REVIEW!!!

Gentle readers, the time is finally upon us…

SPOILERS AHEAD - books and tv show 

Read at you your own risk

let’s go storyline by storyline

Polin: I LOVE THEM YOUR HONOR. they are great. the first episode you wanna smack CB up and down bc he behaves like an ass. Pen my darling i love you but some of your scenes give me second hand embarrassment and i had to watch them thru my fingers lol. I enjoyed the insertion of the character of Lord Debling; he was there, he did his part, which was basically making Colin more evidently jealous. In the books there is no need for that because we follow the thought process of the characters, but in a visual adaptation they have no way to do that so they used the old fashioned jealousy trope, that never disappoints. Confession time, I’m really not a big fan of friends to lovers because a lot of times there is the risk of falling into a series of banalities, BUT in the series, like in the books, it was really really well done. I like how they showed the progressive obsession that Colin has with Penelope, (and I feel like the best is yet to come), because of one thing you can be sure is that that man is OBSESSED with his (future) wife. Scene in the carriage: NAILED IT. Personally I’m also really fond of the scene in the book when he follows her and finds out that she’s LW, which from the promo for the second part I assume will happen (yey!). ALSO THE MIRROR SCENE. I’M WAITING.

Moving on

Francesca: my beloved. Not only do we share a name, but also a core deep awkwardness and the inability to be at the center of attention for more than two minutes straight; not to mention a deep appreciation for silence. I’M LOVING her storyline, I think it has great potential, and we’re finally discovering something more of the mysterious Bridgerton. The way I SCREAMED when John presented himself at Bridgerton House!!!! He is also a sweetheart and they are absolutely lovely together (this characterisation is needed as it will serve as a counterbalance for Michael later). Also Hannah Dodd is just the sweetest tootie-patootie and has such an angel face (which makes me really eager to see her in her season, IYKYK). Idk if you can tell that her book is my favourite lol.

Eloise: my girl, I cannot blame you. Like, let’s be honest, when a friend keeps something from you, especially of such magnitude, you can’t help of being a bit mad. I do think that she still has a great love for Penelope and it shows during these first four episodes. Also, only Eloise can make Cressida Cowper nice apparently. I think it’s going to be very interesting in the second part see her trying to protect her brother from Pen’s secret, but I do believe that in the promo that they showed us there are mostly scenes from episode 5 and 6. She has embraced the mentality if you can’t beat ‘em join ‘em, which makes her less “contrary” to society but she still has her quirkiness and wit that distinguishes from the rest.

Kanthony: they are happy, they are in love and they are enjoying their marital bed, and honestly who can blame them?! I love that they are happy and that they are showing us them being happy. I feel that is something that lacked with Daphne and the Duke because of actors unavailability, but I’m happy that both Johnny and Simone decided to continue. Especially Johnny because I have to say I’m a sucker for Anthony as “father-figure” for the youngest siblings, so I’m hoping for a scene with Frannie/Eloise/Gregory/Hyacinth and Anthony, even in future seasons.

Benedict/Violet: I really think that the next season will be Benedict season, and I will elaborate later why, because my man here needs a change of scenery. 3 seasons, every single time the same freaking storyline for my beautiful Benny that is a precious soul and could do so much more than to shag the first person that comes across his path. Violet is really sweet. She worries for her children a lot, like it’s normal for any mother but she’s learning, with a trial-error approach, how to let a bit go. I’m not entirely convinced of this Marcus guy. I think that Lady Danbury needs to sit Violet down and come clean of why she and her brother are estranged because she (being me) needs to know. 

Mondrich family: they are so cute, but I feel (and hope) that we will be able to close their story this season because it’s starting to feel a bit dragged on.

All in all, the first part of S3 gets 4,5/5⭐️

Now, my predictions: like I said before I do think that the next season will be Benedict turn, and not Francesca or Eloise, for the following reasons

1.They don’t know what to do with the poor guy anymore, every season a different person but his story arc feels a bit incomplete. They did something last season with the whole art school debacle but we are mostly back to square one.

2.Eloise has not given any indication that she has started writing to Mr.Philip. I think she will start at the end of this season or beginning of the next one.

3.Since we don’t have anymore debutantes for a while, I think next season will begin with Francesca and John’s wedding, and as a secondary storyline they will start to show more of their relationship + they will introduce Michael and all their dynamics. 

4.If they continue, I believe Eloise will have the fifth season , with her running away after Benedict (her favourite brother) gets married. 

ALSO, and this is more a personal curiosity, I wonder what they will do with LW. Technically, in the books Penelope is discovered and LW dies out; in fact in E/F/H/G we don’t have any LW at the beginning of the chapters but extrapolates of letters from the main character to other characters. It’s interesting I think because, if they do decide to cut her out completely, it will change the format of the series quite a bit as it has become such a core part of how the show is perceived by the audience. Which leads me to a reflection on how they decided to promote/present the show. If Benedict is actually next, I think it will be a bit of a transitional season. Let me explain myself; I don’t think that the queen (and the court in general) will have a big role like she’s been having for the past seasons because the next Bridgerton debutante will be Hyacinth, which is quite a few seasons away. We won’t have anymore LW (technically) and also the stages set in the books, especially for E, but also for F partially, takes place far way from London. If they actually manage to get to H/G seasons (which I hope because I want to see Garrett and Lucy), they will bring back the entire London setting. OBVIOUSLY ASSUMING THAT THEY FOLLOW WHAT IS WRITTEN IN THE BOOKs AND DON'T DECIDE TO SWITCH IT UP AND MAKE EVERYTHING HAPPEN IN LONDON (honestly, I hope not)

All this to say that I think that they split this season for two reasons: one of purely economical nature; being the fact that they have been absent from the screens for very long and in order to keep the people talking about the series more (and for longer) and to regain all the money spent, is very strategic to split it in half, keeping engagement high for all the time before/in between/after. The second reason I think is of narrative choices, if we assume that I’m right and Benedict is next, for the reasons I told you before. They want to show a bit of a detachment between the Bridgerton we have known until know and the one that will come later.

Ok I’m done. Gosh, how I ramble.

I have a sixth sense that I need to add this, just to be sure: these are my opinions, feel free not to share them just please be nice if you want to manifest your disagreement.

[utilitycaster]

🔥 each member of vox machina

Vax: really the sadboy narrative for Liam has always been stupid but it's egregiously bad that it started with Vax, who is like, sad for maybe a fifth of the episodes and largely because Liam O'Brien's actual mother was dying, like, with all due respect what the actual fuck, fandom.

Vex: I am the founding and probably only member of the "Vex is my favorite character and also I am 100% cool with Colville's depiction of her." The generosity she shows even very early on in C1 is still a generosity borne of some degree of security - they have a keep by then - and I also just don't think you have to like a character to write them fairly. Granted it's been a minute since I read early VMO but nothing stood out to me as out of line with my understanding of Vex.

Pike: repeating myself once again but I like Pike a lot and wish we could have seen more, but because we didn't, people who say she's their favorite in C1 do tend to turn me off in that I feel they're looking for a relatively flat and widely praised character to project onto rather than a character who goes through more messy development.

Grog: I think he's often underestimated and I was guilty of doing so myself, to be honest, until I saw Travis play more and until I personally got better at D&D. Also I still maintain that playing INT 6 sensitively and well is infinitely harder than playing INT 16, all things considered, and this is yet another reason why people should play high INT more often.

Scanlan: Also underestimated; I do understand being turned off by the whole extremely horny playboy thing but as I've said before Bard's Lament is a major litmus test for me: if you think Scanlan is completely at fault here, you are wrong, and if you think he's not partially at fault, you are also wrong.

Tary: I genuinely love him and think he's a great character and one of Sam's best, but while his character arc is strong the Taryon Darrington Arc of the VM Campaign, through no fault of his own (and partly bc I personally think D&D Hell, especially pre-Descent Into Avernus publication, is kind of boring), is one of the weakest parts of the campaign because it's kind of a grab bag of loose ends. With that said I would happily watch more Darrington Brigade-one shots.

Percy: Percy is also generally a litmus test in that it's like. Is he a good person? Eventually I believe he becomes one, and even before that I think he's very sympathetic and deeply traumatized and like, 24, so I get it, but also, who the fuck cares. This ties into the Essek and the Ashton opinions and all kinds of other stuff but why are people so invested in fucking absolving their blorbo of all sins? I want someone who's lived enough of a life to have done some heinous shit because that's fun and interesting and it's pretend and also because then they can have a rewarding character arc by either working towards redemption or coming to terms with who they are or spiraling into tragedy.

Keyleth: I like Keyleth a lot but I am, as this post indicates, far more sympathetic to Vex, and so while I do think Keyleth is a fairly good person she is also extremely sheltered and naive and terrified of doing the wrong thing and I would have, like Vex, wanted to scream at her half the time were I just a random NPC wandering about the campaign. On the other hand C3-era Keyleth? fantastic no notes she has grown up in such an interesting way.

Tiberius: I think we, and by we I mean people capable of separating the art from the artist, can recognize that his concept actually fucking slapped and unfortunately he was played by someone who absolutely sucked in a myriad of ways. I would love to see the alternate universe in which the same general concept (prodigy sorcerer from Draconia who is full of themself) had to face not just the destruction of their civilization but the realization that they were taking advantage of the Ravenites and while they did not deserve to be killed by Vorugal, had done nothing to justify aid from those they had subjugated either. Like, the alternate world in which one of the current cast members or like, a close friend of the main cast (Ashly, Erika, Mary Elizabeth) played this is one I'd love to see.

[mognamon]

hangry

Tsunami didn't get her mcfries

Au things below

Nami is such a fun character

Righteously angry and impulsive to the point of aggression. Potently exuding and reflecting my impulsive desires, I relate to her a lot. She's quick to bite and too stubborn to regret.

Exploring how that personality would translate to a very different Tsunami, someone who had a traitor for a father and a list of detentions ripe to bite her in the back. This Tsunami is a penal soldier, someone who spent time in the electric eel prison (depicted in the image) and found freedom in war. She's still impulsive and raging but it's more prickly and rather passionate.

Here's a compilation of ideas:

She's loyal and believes fully in the propaganda. Prideful and will do anything to prove it. Maybe it's stubbornness or some hopeful part of her thinks being a perfect soldier will give her a lighter sentence.

Tsunami before getting detained lived life quite normally as normal as you can get in war. She wasn't allowed to be a soldier due to her father so she took to craftsmanship, repairing dented armor and such to support the war effort.

She's imprisoned for no particular reason or mb the queen felt like putting the traitor's kid in jail finally.

Still friends with Riptide but ykno he has a personality (he's a lil secretive guy with a liking for radical thoughts)

Her hatred for fate is still a thing as well, she wants to avoid going back to her fate, to prison where she belongs bc her father's crimes and his fate became hers. She hates destiny bc its thrust upon someone who never asked for it, she didn't ask to have to live a harsh horrible but that's what she got for being born to the wrong father.

Nami's too far down the class to ever have met or seen the royals up close so all her thoughts and opinions on them are rather influenced by what she's read or heard. Coming from the eel eating masses so her education of things that happen above is scarce at best, Riptide is her source of info since he got into the army.

The idea that the Queens and royals are so alienated from the common dragons that not even our pov characters would meet them or only see them from afar would be funny (sorry i fucking hate how like nearly every mc is related to royalty in the pyrrhian books like plssss plsss can we not).

Nami's arc of thinking before acting and being more calm is pretty alright, it's one of the most simplistic character arcs in this series. Her guilt though is the most interesting thing about her. Since she's a soldier rather than tackling the guilt of killing her father it's killing other soldiers and kind of moral quandary of war. Nami never really let herself think about her actions, always ends justify the means even if she has to throw away her morality for a chance at freedom its selfish but understandable. She has to fight to survive bc what else is there, if she stops being a soldier she'll just get killed or thrown in jail, at least if she keeps fighting for another day she'll still be alive. The overwhelming guilt of it all would probably mess her up really bad in the angry self hatred way turned intense gung ho redemption mayhaps

lots of unconnected thoughts this time around

Thanks for readin my ramble!

[sophaeros]

golden trunks theory but i've forgotten how to do literary analysis:

so i think much like a lot of tbhc golden trunks is about a juxtaposition between intimacy/desire and the facade u have to put up as a public figure

like the opening verse/chorus are so starkly plain in the mental image they describe. it's just a simple portrait of an intimate night falling asleep together, and theres a very secretive tone created by the words "whispered" "admit". so from the get go we know immediately that it's about "true love" → romantic connotations, and this true love is associated w the night ie secrecy

this is a stark contrast to the second verse and bridge but esp the bridge where he plainly says "in the daytime". usually the day and light are associated w truth and revealing things but here he uses the daytime to talk about "a fresh new pack of lies", in contrast to the nighttime's "true love". the fact that the bridge is about being a celebrity and contending with lying for the sake of public relations is made very clear w how he says "bendable figures" → public figures who just bend/conform to the narrative crafted by pr managers, and most obviously w the use of the word "publicise". in an interview w la times hes asked if he enjoys being a pop star (w all the pressure and attention that entails) and he says "i have very little basis for comparison. the band has been going on for a larger fraction of my lifetime than it hasn’t." so as a very private person even leaving conspiracy theories about sexuality aside hes obv familiar w trying to keep the details of his relationships out of the spotlight. + this idea of the nighttime being the time for truth has been used before in diwk so it's a consistent theme

lots of people say the song about politics bc of the second verse cuz they say it's about (eugh) donald trump but i feel like thats a very surface reading. it's very out of place to me for him to have this randomass political commentary in a love song that he never brings up ever again which is why i dont think it's actually political commentary (or well, not Just, the pitchfork interview shows that is Is aware of politics obv it's just not the Point) it's just another angle to illustrate the idea of a public facing facade. he states in an interview that he thought of the wwf, which has given us the very interesting concept of kayfabe: the fact or convention of presenting staged performances as genuine or authentic. the public persona, like a wrestler w a dramatic theme song, is larger than life, rehearsed, beloved and famous, and also very much fake. 

this next part i said entirely as a joke making shit up while talking to my mutuals but then i was like wait maybe i was cooking. we're getting into more speculative rpf territory here but essentially i thought it was very interesting how he specifies that this is "the closest thing to a love song on this record", and also that the character it's centred around is one that he "made". many of his past love songs everyone knows are about his real actual love interests (eg shes thunderstorms was about alexa. alexa was a tv presenter) and now here's this song that is about simple, straightforward admittance of desire towards someone that doesnt exist. summed up in my og message to my mutuals, "hes singing to the amalgamation of his lovers an imaginary ideal to whom he can be simple and honest with in a way he can't quite bring himself to be in real life". i honestly feel like this gels well with the ultracheese's last two lines; a vague admission of guilt, of complicated feelings, vs capitulating to honesty and tiring of lying for the sake of pr ("i'm sure you've heard about enough"). + i find it interesting that golden trunks is that only tbhc song that has never been performed live

++ this idea of duplicity and lying has come up a lot in his discography but in tbhc specifically the bside anyways has the line "what a place for both the opposite sides / of my double life to finally collide"

and finally. the absolute funniest part of golden trunks.

Let me set the scene: sometime between Axl Rose getting braids (2002) and People Just Do Nothing jumping the shark (right now), those brothers in melodic yarns Turner and Kane, plus “another human being” – let’s call her “The Girl”, shall we, to save her poor mother’s heart condition? – are intertwined among the postcoital flotsam of an upmarket hotel room. “Hey, I’m glad you came,” Turner is alleged to have said, forever on the right side of etiquette and politeness in such matters. While Kane, in his sludgy Scouser lilt acknowledged, “Ah, thanks, man.” At which point Turner sat bolt upright in his sparkly gold briefs (unconfirmed) to stress who, in fact, his grateful aside was aimed at: “Not you, you wally. Her!”

sauces: - quotes curated by genius - la times - gq magazine / tumblr post

[grapesodatozier]

okay but nancy’s reaction to robin at the library front desk makes so much sense for her character. karen is affectionate with her, and tries her best, but we saw in season 1 that she really struggled to communicate with nancy and only really got to openly communicating with her about her feelings by season 3. and karen and ted clearly haven’t been a very good example of communicating how you’re actually feeling and what you’re actually thinking. so nancy is really not good at communicating (we see this with mike too). nancy didn’t really open up about her feelings about all of the events of season 1 until she got blackout drunk a year later. and we can tell she’s still not super accustomed to heart-to-hearts in season 3 when she says “I don’t need a jonathan byers pep talk right now, I need to be on time,” which shows how much more used to having emotional conversations jonathan is, bc he’s always having them with joyce and will, whereas nancy rarely talks about her feelings with karen and pretty much never with mike.

so imagine being that unfamiliar with open emotional communication, being so used to passive aggression and keeping personal stuff to yourself, and then within the first ten minutes of meeting robin she just starts being like “hi I feel like you’re annoyed here are my insecurities and anxieties and where they come from and how my mother reinforces them” like nancy probably feels like she got hit by a bus in that moment, like she’s SO out of her depth. and it’s played for laughs but it’s kinda sad that robins like “here is plain open communication immediately” and nancy’s just like “what the fuck is that what is happening” like she is so bewildered by someone being clear and open so quickly bc she’s so personally closed off. and it is v painful a a viewer to watch her be rude to robin when robins trying her best to understand what’s happening, but even though it’s not the kind response I think its the in character response and it makes sense that nancy’s immediate response is a little passive aggressive bc there’s a lot of passive aggression in her house.

and like lbr robin probably did hurt nancy’s feelings a little by calling her idea a shot in the dark bc nancy’s intelligence is very important to her so she probably feels like robin was calling her dumb which probably hurt her and her response is to be a little bitchy bc that’s what she’s learned! (and mike does it too throughout the whole show, which also shows how it’s learned from the environment they both grew up in). so it’s so cool to see that scene bc yes it’s played for laughs but also it’s a really concise look into how nancy and robin each respond differently to their feelings being hurt. when nancy feels insulted she gets snippy and when robin feels like nancy’s being a little rude she’s like “let’s talk about why!” and nancy has no idea what to do with that. anyway I just appreciated that point of consistency in nancy’s character and think it’s really interesting how you can see how each character’s upbringing affects them (especially nancy and mike and how similar their communication skills—or lack thereof—are).

also makes it very sweet to see the slow progress. like nancy still being snippy even as she opens up to robin more: “so maybe I did flinch or wince or something!” but then she does eventually get soft and vulnerable too when she says “does that make us… friends? like, officially?” like she seems so hesitant and nervous to put that out there openly but robins been so open with her that she goes for it! and then when robin takes her hand she looks surprised but then eases into it and is able to be open and comfort her and responds well to robins vulnerability by the end of the season!! UGH their relationship is so important to me. okay sorry this was just supposed to be about nancy not ronance but here we are anyway lol okay have a good day thanks if you read all this lmao

[girlbossnezuko]

The thing about stobin is that they only work as well as they do because Robin was originally supposed to be Steve’s love interest, rather than in spite of it.

Like, what do we love about them?

They’re each other’s best friend

They’re incredibly co-dependent

They can basically read each other’s minds

They’re together so often that you can essentially treat them as one entity

They have genuine moments of emotion

These are all things that are par for the course when it comes to writing romantic relationships. You see it with Jon and Nancy (though not quite to the same level, they don’t have the Stobin Mind Meld) where they’re also each other’s best and only friend, and they also do almost everything together, and most of their genuine moments of emotion are with each other or with family.

Stobin don’t have any family or friends, because Steve’s family just doesn’t exist for some reason, and Robin was introduced to fill his empty friend slot after the stoncy divorce. Robin doesn’t have any either, because why would they flesh out a backstory for Steve’s New Girlfriend when they need to spend all their screentime establishing a believable romance?

So what we end up with is the bones of a romance that they have to hastily cover with the skin of a friendship, and they’ve already laid all that groundwork so they can’t exactly start backpedaling now.

That’s why stobin are mostly comic relief when they’re allowed to be together in s4 btw, they genuinely don’t know what to do with them now bc they didn’t intend for their relationship to be platonic (surely there’s no interesting room for growth in a close platonic relationship, that would be silly). Steve still doesn’t have a love interest, which is catastrophic for a fan favourite main character (bc amatonormativity dictates that being single is a Bad Ending and they can’t give him a Bad Ending, he can’t be punished by the narrative when he’s supposed to be finished his redemption arc) which is why he was shoehorned back with Nancy (bc they didn’t have the space to add another character just to be his love interest). (Robin gets a hint of Vickie bc denying their only explicitly canon gay character a ‘happy ending’ (read: romantic relationship) is also Very Bad, both narratively and optics-wise)

Basically, if they’d started out with the intention of making Robin Steve’s friend rather than his girlfriend, well, for one she wouldn’t exist. But secondly they’d be a lot less close than they are now. They’d be more like what we see in s4: a comedy duo, except without the same level of emotion and intimacy behind all their interactions. They literally wouldn’t have been allowed to get that close, because the number one spot in Steve’s life would’ve been reserved for his girlfriend, because again: amatonormativity dictates your romantic partner is your first priority and your most important relationship. Robin got that spot through a miracle and some gay trickery, and I for one will always be grateful.

I’m probably not the first person to mention any of this, but I’ve been thinking a lot about platonic relationships in media recently, and a lot about stobin specifically. It’s kind of sad that one of the best examples of a close platonic relationship I can think of is just a romantic relationship in a wig, but I’ll take what I can get (and god I love them anyway).

[moonfungers]

this is sort of random as hell but i can't help but think of like. a funger termina isekai fic. 💀 no but like. FEAR AND HUNGER IS THE WORST universe to be inside, really. it's all misery!!! pain!! suffering!! and i'm just picturing this like, regular person gets transported into the universe and just absolutely loses her shit bc she KNOWS, she KNOWS DAMN WELL exactly how she's screwed, far better than anyone else!! she's played the games dozens and dozens of times, died so many times, and now she's IN that setting, she's in that world, and death is now PERMANENT with REAL stakes. she knows the entire game like the back of her hand, but what does it matter, bc it's fear and hunger. there's only so much knowledge that can help you . .

in my head, in a lot of isekai fic and stuff, ocs tend to like, hide the fact that they know things? but i feel like a modern-day oc who gets transported into fear and hunger would be forced into a position where she has to be honest bc its the best chance of survival. this isn't a game where she can just follow the right steps, recruit the people, get them to do the things, this is now real and dangerous and terrifying, and she knows that she can't do it alone.

and i'm just picturing like. d1, she wakes up before everyone else, loses her shit, and then promptly refuses to let ANYONE leave the train. no no but like, also can you picture what im seeing, this woman just pacing back and forth frantically, very clearly losing it, and she's like "you fuckers are not going ANYWHERE, we are all traveling TOGETHER, bc you all do not understand how much danger we're in" and then the others are like, you know, the train just stopped, weird dream, they haven't even been to prehevil yet so they don't know how fucked up everything is over there, and now this random stranger is just losing her shit, they don't take her seriously bc honestly who would, and so she just. she just starts fucking putting them on blast

"o'saa i know you went into the dungeons and nasrah's with you" "pav you will SIT your motherfucking ass down, you do not stand a chance against the fucking kaiser and it isn't even the REAL one you fucking idiot"

"levi i know youre going thru like. withdrawal right now and its totally ok and we have a doctor here and i will get you some heroin if i need to but like please dont run off where i cant find you"

and just basically knows stuff she absolutely shouldn't know, and she's like "YOU GUYS GOTTA BELIEVE ME BC OTHERWISE WE WILL LITERALLY ALL DIE, DO YOU NOT UNDERSTAND. there is only ONE way to guarantee us to live and im telling you this bc i know how screwed we are and i cant do it alone ive never even held a fucking weapon in my entire LIFE i just play video games at home-" and also how fucked up is it, that this isekai oc would know damn well that no matter what, someone has to die? like. you either kill everyone else and like get sulfurized/escape, you get moonscorched bc you run out of time, or someone has to become one with logic. aka to get the best "everyone lives" run, someone still needs to die

idk my brain just had this pop into my brain and won't let it go. it'd like, a cliche trope ofc, but i feel like in the context of fear and hunger, it'd be just so horrifying and awful and so WONDERFUL to read

bc its like, fear and hunger is a game series that we know damn well is a horrible like, UNIVERSE to be in, its depressing and awful for the characters who live in it, but can you imagine the ripe ANGST of having an isekai oc from our world go into it? they have our world as a reference point, in the way none of the other characters do, bc this is their world, they don't know anything else, how could they? but this isekai oc would just be so fucking-- innocent in the way the others aren't, bc she hasn't lived through the horrible F&H world and like, the dynamic there is so so interesting too bc all of the characters in termina, all of them on that train are AWARE or have been involved/done bad things, and this here is a character who hasn't, who hasn't seen blood or misery for her entire fucking LIFE. she'd be an "everyman" character by our standards, you know, but by their standards? she'd be such a fucking anomaly with the shit she says, the things she believes in. and also, you know, the fact she knows things about all of them and the situation they're in she has absolutely no right to know and its so SO interesting to think about, actually?? like genuinely losing my mind thinking about this rn

[liquidstar]

do u have any recs for folks newer to the yuri genre? I've never really read any manga other than shounen and some magical girl stuff

Omg i can totally give yuri recs. (And which ones to stay away from. Sakura Kiss has cousin shit in it, Citrus has stepsister dubcon, Dragon Maid has lolicon, Happy Sugar Life is also lolicon but it’s edgy about it and tries to act like this makes it deep, we can do better)

Anyway here’s my actual recs! I'm going to give details but if you don't wanna read them I bolded all the titles.

YuriKuma Arashi (By Ikuhara of Revolutionary Girl Utena fame), is about lesbian bears. But it’s actually a metaphor for the simultaneous objectification and demonization of lesbians, the expectation both for purity and predation. There are some nitpicks I have with it like the sexualization being a bit too much to bring the point home, but overall I do like its themes and its message. And I think the ending pulls everything together really nicely. There is both a manga and an anime, and I believe the anime came first. I’ve only seen the anime so I’m not sure if/how the manga deviates!!!! 

Bloom Into You is an absolute must. Like, for real, I think it’s one of the best romances out there, yuri or otherwise. It gets really deep into both characters' respective psyches and the ways that they’re both Very Screwed Up when it comes to love and romance, or really just life in general. Giving details would be doing them a disservice honestly. Both characters are very messy but also do try their best to genuinely communicate, and what comes of that is a lot of teenage lesbian drama, but the growth they both experience though it TOGETHER is just great, and you can tell they care about each other so much.

Okay this one I’m not really recommending for the good writing, it’s more-so just really cool. Liberta (EXPLICIT) is a series about a vampire who can turn her body into guns and a human woman who is sick of being seen as lesser in her ordinary life. And then they fall in love and are vampires together. The artstyle and character designs are awesome and it has some really cool fight scenes. However it also has full blown barely censored sex scenes. A few of them. One of the women uses her tail at some point. If that’s not what your cup of tea is, give it a pass. 

Anyway for something more wholesome you should check out The Guy She Was Interested in Wasn't a Guy at All, which I’m actually not fully caught up on bc life, but has still been a super fun read so far. It’s about a girl who works at a music store, and her classmate who gets a crush on her while she’s at work. The classmate doesn’t realize that they’re the same person, due to her looking different at work, and thinks her worksona is a guy. Hijinks ensue. 

Otherside Picnic is also highly recommended. Its manga adaptation is lagging behind the light novel, which I can’t find a translation of online (But if anyone can help me out w that 🙏). The story itself is about two college students who go on adventures to a parallel plane of reality, which contains cosmic horrors who can only communicate with humans through fear so intense it will make you go insane. They’re also looking for someone who went missing, and gain cool powers like Ghost Hand and Sans Eye. Yes this is still a yuri series and it’s also really really extremely fucking cool. 

She Loves to Cook, and She Loves to Eat, is a slice of life story about… Well exactly what it says. A woman with a passion for cooking, making lots of food and sharing it with her neighbor, and they end up bonding through this. It’s also like, cool to see a big butch woman for a change! The story itself is very straightforward but I love watching the relationship progress as well as the mc question her sexuality. This story will absolutely make you super hungry though.

Show Me Your Bust (EXPLICIT) is also exactly what it says on the tin, though it’s technically a webtoon. Again this is a series with explicit sex scenes, but it actually does have a story and actual depth to its characters. Honestly there’s a lot to unpack with all of them and a lot of the relationships aren’t totally healthy but it’s a drama so that’s the point. 

A Monster Wants To Eat Me is actually hard to describe without spoilers. It’s about a girl who lives by the sea, meeting a mysterious girl with eyes that remind her of the ocean itself. The girl says that she’s actually been looking for the mc for a long time, and it’s revealed that….

And lastly I wanna mention Hanamonogatari, a story about an old widow who begins to regain confidence in herself as she experiments with make-up with the help of another old lady who works at a local cosmetic store. Honestly it’s very very very sweet, it’s rare to get romances like this of old women when so much of the focus of romances (yuri or otherwise) is often on the characters being attractive. I also really appreciate how the make-up is being used specifically to accentuate their wrinkles. Not hide them. Because aging is beautiful too. Sadly IVE ONLY READ TWO CHAPTERS BECAUSE I DONT THINK THE REST ARE TRANSLATED IF ANYONE OUT THERE CAN HELP ME PLEASE DO 🙏

[ladysophiebeckett]

You made me want to rewatch ysblf and it made me realize that Armando is lowkey actually kind of insane? He goes from barely noticing Betty to getting real intense about her. He blurred the professional and personal lines way before the plan. Like why was he so upset to find out she had a boyfriend? He really expected her to confide in him with such a private matter. He was just his boss even if he treated in a special way like he states, but then again, why do that in the first place? I think you mentioned that there was no way this is how he treated his prev secretary which is honestly very interesting and speaks volumes about when his feelings for her started to deepen without even realizing it. Of course we know It wasn’t true that she was dating Nicolas, but even if she had had a bf for real, she still wouldn’t have told him. She was really reserved and constantly tried to keep her personal life private before their affair. And also they way he reacted after Charlie Zaa kissed her on the cheek and she got all excited? And to react like that with Marcela in close proximity?

It almost makes me wish her supposed bf had been someone other than Nicolas bc since he was aware of everything and involved with Terramoda it was easy for Mario to become paranoid of his true intentions with Betty and pass this on to Armando, but with someone else in the picture that was not involved on their business in any way? His whole jealousy would have been very hard to disguise. Or would Mario still find a way to get paranoid and suspicious? Was she really not allowed to have a love life while Ecomoda was hers? This part is crazy to me. Love and business was mixed so well in the series. There’s this whole ambiguity regarding Armando’s feelings and about the reason of his reactions that adds so much to the story and makes him a very complex character. I had watched lfmb before and Lety’s revenge wasn’t enjoyable to me because the filler they added before she read the letter made it very obvious that Fernando was in love with her and already wanted to cancel his wedding to be with her instead, he flat out admits this out loud whereas Armando tried to deny his feelings for so long, put on a façade in front of Mario even when it was no longer believable that even he had to call him out on it, all of this made this whole arc very satisfying to watch as a viewer. End of this whole discourse lol sorry it took me so long and it’s all over the place but your comments are spot on always so I wanted to share my unsolicited thoughts with you. Thank you ☺️

You made me want to rewatch ysblf and it made me realize that Armando is lowkey actually kind of insane?

I know i say he's insane here (lmao) but I gotta defend him and say you know, perhaps he is just intense? (it's both). I've said before he's very emotional (and not very rational) and he has an ego (and he's insecure). You combine those these traits (plus a child of nepotism who has never been denied anything) and you get Armando.

He goes from barely noticing Betty to getting real intense about her. He blurred the professional and personal lines way before the plan. Like why was he so upset to find out she had a boyfriend? He really expected her to confide in him with such a private matter.

Betty impressed him from the interview when she said, 'I know I can learn a lot from you'. Fed his ego a little bit but also Betty's honesty brings out a tender look in Armando's eyes. Softens him. Also, despite what everyone says, he really did want a secretary that could do actual work. Aside from not wanting to hire Patricia bc he didn't want Marcela spying on him.

Armando, despite having everything one could dream of having in life, has never had someone in his corner without asking for anything in return. Let's backtrack real quick---His dad voted for Daniel to be president, despite the fact that its said that Daniel has never worked at Ecomoda. Armando got the extra vote he needed from Marcela, whom he discussed marriage with days before the vote. So all he knows is transactional relationships and how any kind of support is conditional. His animosity towards Daniel stems from competition that Roberto instilled. Armando has no idea what loyalty looks like or what it means to be unconditional to someone. Until he meets Betty.

If Armando is insane about Betty in one way, then so is Betty in her loyalty to him. She held onto his agenda like she was asked even tho it got her fired, she turned down a top dollar bribe even tho it could have helped her family (and felt terrible for contemplating it when she confessed it to him), she helped him cover his affairs with other models, she helped him commit financial fraud, she helped him set up a company so the banks wouldn't jump him. Who does that? An insane person (who's terribly in love with their boss).

Armando has never had someone in his life that he didn't have to share, who isn't related to anyone he hated, who he doesn't have to make backend deals with to get what he wants. For the first time he has someone who's on his side and no one else's.

And in the middle of all of that, she becomes his friend. His confidant. His co-schemer. He's instilled so much trust in her. Allowed her to know so much about him. Things that Marcela doesn't even know. In return, he's met her family (bc as a mutual said, they are always together), she later confesses to him that she lied to her dad about how she started off as his secretary (not assistant). He feels, up until the embargo happens, that he knows her.

But then he hears she has a boyfriend and suddenly he feels a sense of betrayal. Why didn't she confide this personal information with him when he probably gave her his social security number? (and also his company but he's not even thinking about the company when he hears the possibility that she has a boyfriend). Now suddenly he has to share her?? (Mi Betty tiene novio??) That all that loyalty, admiration, and devotion she's shown him up until that moment might not be his at all. On top of that, he realizes that he may not know her as well as he thought and that she may not want him to know her like she knows him. And I think that both offends and hurts him.

The lines from Armando's POV become blurred first because of all the above. The more he trusts her, the more he depends on her, (which scares Mario btw). ect. But it's different for Betty because she is very aware of the lines and when the affair portion starts, she begins to struggle with it.

Of course we know It wasn’t true that she was dating Nicolas, but even if she had had a bf for real, she still wouldn’t have told him. She was really reserved and constantly tried to keep her personal life private before their affair

She absolutely would not have told him and the only reason the cuartel thought she had a thing for Nicolas was bc Mariana read her the cards and the cards implied that there was a man in Betty's life and they teased her about it. She used Nicolas's name to cover up her growing feelings for Armando as a consequence of her attempting to keep her private life private. And the sad thing about that is once Armando gets word about Nicolas and the boyfriend rumors, Betty writes in her diary that she fears something bad will happen. And, u know, it does.

And also they way he reacted after Charlie Zaa kissed her on the cheek and she got all excited? And to react like that with Marcela in close proximity?

Jealous of the way she enjoyed Charlie Zaa's attention, straight up forgot Marcela was there. Also, the fact that for a nanosecond she admired another man that wasn't him.

...but with someone else in the picture that was not involved on their business in any way? His whole jealousy would have been very hard to disguise. Or would Mario still find a way to get paranoid and suspicious?

Mario would still find a way to be suspicious. If it was someone, say for example, some old co worker from the bank she worked at--We'll call him Bank Guy. If Bank Guy was Betty's BF, Mario would say 'Well how do we know we can really trust her when she didn't tell you that Nicolas was working for Terramoda? How do we know she won't also tell Bank Guy about the embargo? How do we know she won't also give a job to Bank Guy?' It would still bother Armando that she didn't tell him about hypothetical Bank Guy bc he thought they had a reciprocal friend\schemer\employee\boss relationship (you're right, he's insane).

Was she really not allowed to have a love life while Ecomoda was hers?

This requires an essay length response bc BOY do I have thoughts on this!!!! Short Answer: In Armando's eyes, NO. Because that's his Work Wife.

....I had watched lfmb before and Lety’s revenge wasn’t enjoyable to me because the filler they added before she read the letter made it very obvious that Fernando was in love with her and already wanted to cancel his wedding to be with her instead...

I watched LFMB when was like, 16, and have gone back a couple times to rewatch some scenes and no--Lety's gaslighting arc doesn't hit the same. Even tho I will always defend LFMB's 'before the letter filler arc' bc its cute, it makes the story lose its pacing. Betty has to read the letter right after the second night, right as Armando feelings are at a high point so that their roles are reversed. Lety and Fernando aren't as calculating, they're too emotional (crybabies), their romance reads like two infantile adults who grew up lonely. Betty and Armando are not like that at all. They're set up as soulmates, but their inner problems as people are not identical.

...whereas Armando tried to deny his feelings for so long, put on a façade in front of Mario even when it was no longer believable that even he had to call him out on it, all of this made this whole arc very satisfying to watch as a viewer.

LFMB really robs Fernando of this bc they didnt want him to be unlikable. Armando at the beginning of the story is not someone you wanna see get the girl, but that's part of his journey. And modern audiences dont understand that. Fernando not hiding his love for Lety doesn't hit the same as watching Armando fight with himself and making excuses for his feelings and then finally witnessing him say to an empty office 'Armando Mendoza you're in love for the first time in your life and it's with Beatriz Pinzon Solano'.

That is the build up audiences are waiting for with a character like Armando and when Fernando does it....It's doesn't hit and it's not as memorable.

[rollercoasterwords]

ugh!!! different anon but i just read your thoughts about everything r is thinking and feeling and i canttttt, and it also hurts bc from s perspective, the feelings and developments he thought they had for so long were a ruse!! so on both sides we have them fighting their feelings and denying the reality of their connection :(((

one follow up question i have is, how does r (and really the whole gang) reconcile this initial distrust and subsequent shock (that s is Becoming Good) with the existence of reg? bc like on the one hand yes s represents so much evil shit to them, has done so much evil shit, but his redeemed brother is right there as well. so i’m curious about how these characters marry those feelings

yeah <3 i mean 2 clarify it's not so much that r thought s was like. actively tricking him like he believes what s was feeling was real too it's just that s knew before they kissed etc. that he was going 2 be obliviating himself so the idea that those feelings could become something was, at that point, a lie, and that's where r feels betrayed.

and that's an interesting question!! re: reg (and re: s) all 3 of them have v different perspectives. like for james reg chose on his own 2 betray voldemort, and even tho reg kinda dismisses the idea that he was rebelling 4 some noble reason etc james still like...kinda gives him that credit & sees him as someone who organically came 2 this position that was at least somewhat aligned w the values & goals of the order, whereas s did not do that; hence, james cuts him way less slack. s was also a lot more active in the d.e. & actively harming order members + allies in ways that reg was not, which also makes james like him less to begin with. but james has also grown up pretty separated from broader society, so even tho the d.e. have always been his enemies, he hasn't been like...quite as subjected 2 their reign in his daily life the same way r has, and bc james has been raised as like a soldier in a war he views voldemort as his ultimate enemy & the d.e. as like enemy soldiers, so there's overall less of like...this personal hatred 4 them as individuals. which makes it easier 4 him 2 accept that people like reg & s can grow & change if they demonstrate they're willing 2 side w the order + work towards order goals.

for lily a lot of this is similar 2 james--she views reg as having made his own decision 2 leave the d.e. + s as being forced, so trusts him less 2 begin with, etc. but lily, unlike james, has spent even less time actually like...directly interacting w d.e. like she's spent most of her time in order bases + hq working behind the scenes on potions etc, so she's even further removed from the personal aspect of all this & has an easier time accepting that both s + reg can become good people (tho at first she dislikes reg bc james is tutoring him + flirting w him lmao). lily also sees a lot more gray area than james, who tends 2 view the world in black & white terms (if you're fighting for the d.e. ur bad, if you're fighting for the order ur good, etc). for lily, everyone has the capacity 4 both good & evil, and a person's life is largely shaped by conditions outside their control, so her worldview + relative distance from the whole conflict makes it easier for her 2 accept that reg + s can change.

but remus has grown up as a werewolf under voldemort's government for most of his life, not in order bases, and so he has a very acute sense of the ways in which individuals make up + perpetuate these systems of violence, and is not particularly forgiving towards them even if he recognizes that yes, people can change and yes, that's probably a good thing--it doesn't undo the hurt they've done and it doesn't mean he's going to forgive them. this is why r + reg aren't friends, even tho lily + james are friends w both of them; r didn't really like reg from the start & basically just avoided him as much as he could, which wasn't hard bc he was out doing work 4 the order + reg was working in potions labs w lily. so even tho r could recognize that like, ok i guess it's good we got a reformed d.e. working 4 us, he never had 2 go through like a personal struggle of actually feeling friendly towards the guy & basically just kept disliking him lol. so not only does he already hold these grudges (understandably!), he also doesn't think of evil in the same way as the others--whereas james views voldemort, the figurehead of this entire system, as the Ultimate Evil, and lily can understand how people born into these violent systems would perpetuate them but thinks that's usually more from being misguided than ill intent, remus views this as a structural issue in which people like s, who (from r's pov when they first meet) think of themselves as generally 'good' people, still justify their role in these systems of violence because it benefits them, which is much more insidious and infuriating than someone like voldemort, who is just pretty straightforwardly a Bad Guy. and that's what i mean when i say r views s of representative of like, everything wrong w society--bc the vast majority of people in society are like s, who view themselves as good people and blame all (or at least most of) the bad on figureheads like voldemort without recognizing their own role in structural violence. and his whole relationship w s & feelings for him just make it way more difficult 4 him to watch s change + grow & to accept that that's possible, even though, theoretically, he should want it 2 be possible, bc there's this more personal level of pain...someone who views themself as a good person hurts u & u want 2 go "hey!! ur not a good fucking person!!" but then they actually become a good person (or at least a better one) so then what do u do w that hurt, y'know?

anyway. this got v long but yeah have actually spent quite a bit of time thinking about these 3 characters & how their different worldviews + experiences shape their attitudes towards the black brothers!