#i try to make my campaigns character focused

[warlordfelwinter]

just getting asra's archdevil glow-up ready for if the party manages to impress asmodeus

a few more present celestial traits, some signs of corruption, a slight outfit update. he definitely isn't going slightly insane and can absolutely be trusted

[yoonyia]

my humanity in a book series now that I actually think about the premise is so weird.

the original concept is just to prove that all of humanity's pain and suffering and joys and gifts can be shown in just a few books, that a lot of our struggles are shared and a lot are unique but that they're all inherently human.

no matter what experience you go through it's going to be a human experience because you are a human, and no matter how isolated and alone or exiled you feel the rest of humanity you are still infact human and take that part of you everywhere

you will always be a step in some direction of humanity no matter what that deed is

it's not meant to be read as comforting, in all honesty most of the characters find the idea of never not being human to be sort of disturbing. But that's a part of the human experience too. To look at humanity and say "man we suck"

But now I'm looking at it and it's more then that

the book is set in the 32nd century

although because of my lack of imagination I can't think of what the language would be like I did haphazardly put together a culture that I personally felt like matched the common trend of development in humanity

everyone is given a livable space, concept of currency really isn't a thing (but that's less on humanity and just because the space colony is made up of roughly 10,000 people and trade is impossible, there's more reasons too but I won't get into them at this moment) and in all honesty the society is fundamentally different then most societies on earth.

It's what you would call a utopia but it's such an obvious system that no body even considers it good. They talk only about the unfairness of the council members and the inhuman layout the colony is built on to make it relatively fair between all people. (I say fair not equal because they do take children, occupation and just size of person into account, which yes is a nightmare for everyone invloved)

but I dont know if you see it but there's a disconnect

they don't value the things we value, they don't have the same desires the same ambitions the same secret indulges, many conflicts are the same as they are now but they have a completely different context, different reactions from people, different tones and no real recognizable side we usually see in modern debates.

it's worse then if it were completely different conflicts, then you could just do some narrative translation and make it based off of the modern lense but you can't do that because it's the same conflict. ofcourse it's not to a point where your brain thinks "I can't compherehend this at all" but actually that makes it worse, because it is compherehensible it just isn't common

it's a story trying to tell you that all human experiences are inherently human but it's showing you a humanity that you can't really quite connect with

things you think are basic desires exist but they're not considered the core things that makes someone human, there's something alien about these people that you can't really agree with the actions they take and can't make sense of the movements and words they make.

800 years is a long time and I wanted to show it but I made a story that's inherently ironic

it still fits the original theme, it might fit it even better since it's telling you no matter how much humanity changes its still going to be humanity

but I left my audience behind, I alienated them to show them that they are human, that despite the alienation they're still apart of this society that they're reading about that dosent feel quite right

it's a weird thing to do

I really thought this book was going to be simple to write but I'm already adding layers and I don't think I'm going to stop

and also the science aspect behind this story excites me so much

I'm no biology major so half the stuff I come up with for the alien planet's are probably going to be impossible but it's fun to write about

espicially the plants, I found the heat regulated Lilly pads to be really fun to think up of

also fox like creatures that glow under uv light, gosh that took so much research

they're adorable by human standards but they are deathly venomous so please don't pet them

this series isn't even the only one in this universe

there's a second story that I suddenly forgot the name of but it's something like 'Colony 1, Brother Lutangalo' or something similar.

oh and if you haven't noticed yes these books are heavily inspired by the enderverse and I just wanted to go more indepth into the parts of the books that was largely left unexplored. So this series is also inspired by the shadow series, so the humanity in a book is more morality, conceptual and personal in nature the col1 brother lutangalo books are more political and more grounded in the main society (the 2 main characters are sent to set up a colony on a different planet so they aren't really on the main colony themselves) the main narrator being lutangalo which is the son of the 108 year old colony leader Lau. (this society also has a euthanization law that all people over the age of 100 by law must die to prevent over population, but religious leaders are protected so they can live pass 100 indefinitely) and is currently 8 when you first meet him. Actually his books don't start until he's 12, we meet him when he's 8 because that's the year the 2 main characters comes back

his books, and I'm calling them his books because this series is heavily centered on the one character rather then the humanity series which is forced to jump between people in different time and space to get the message across because the 2 main characters litterally don't react to anyone else but eachother for the majority of book one, all of book 2 and half of book 3 (at least that's what my planning says but it may change when I get to writing the drafts)

anyways his books are very focused on the family that he's apart of and how they affect the colony, it also focuses on the personal perspective of this one kid which is honestly the closet thing the readers get to a instinctually relatable character, he has all the impulses and needs a person of the current age would have, because he basically lived in the 21st century because of his obsessive need to research about Mr ari who is notoriously a history nerd.

so you're finally getting a person that lives and breathes in the same patterns as you do.

and he's so miserable

he is one of the most troubled, impulsive people you have ever met

but also the calmest and kindest and gentlest person at the same time

he's a horrible liar until he isn't, he's intelligent and self aware until he's shockingly oblivious

just a ball of horrible contradictions that feels way too unstable and flipfloppy to be consistently relatable

yes of course in several moments you will exclaim "ha, he's just like me!" but it's going to be rather hard to admit that all of his experiences and actions are relatable or even compherehensible

unlike the first series it's not justifiable in any rational way

it's messy, it's complicated, it's convoluted and he's honestly awful in some scenes

but thats human too

[bloodwards]

when you have an incredibly stressful d&d session and come away from it frustrated and dreading the next one and two days later your DM has a Talk with you about you playing or not playing your character a certain way ✌

[im-still-a-robot]

Asked the dm about the ethereal plane in our modern setting and he gave me a piece of information that I didn't ask for but boy am I fucked up about

[hopeymchope]

No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.

They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.

If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.

FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.

Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.

(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.

The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)

Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.

And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.

And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.

Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.

New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.

The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?

There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.

SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.

For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.

Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)

But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.

Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.

I've never seen anything like it before OR since.

That's why it's so fucking fascinating.

So what went wrong?

Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.

Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.

On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.

Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.

He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.

That's kind of amazing.

[meanbossart]

Pin!

Hi, I'm RJ (Male, 27 years old) I'm a -usually- horror oriented artist and collaborator alongside my partner and better-half @barbatusart, though I'm currently on a Baldur's Gate 3/DnD streak with both my art and writing, specifically centered around the Dark Urge I created for my campaign and his antics, so that's most of what you will find here!

I want to leave a warning right here that I occasionally venture into delicate topics in regards to character lore and history - though none of it strays too far from what the game already delves into and I try to give a heads-up ahead of time whenever I feel like something might catch someone off-guard otherwise.

PATREON WHERE I POST WIPS, SKETCHES, UNRELEASED ART, ALL OF MY NSFW CONTENT, ETC : patreon.com/meanbossart/

BLUESKY WHERE I PUT UP FULL VERSIONS OF *SOME* OF THE NSFW THAT I CAN'T POST HERE: bsky.app/profile/meanbossart.bsky.social

TWITCH WHERE I STREAM SOMETIMES: twitch.tv/meanboss14

PSA: I get a lot of asks and I'm slow to go through them, please don't take it personally :U

Anyway, here's the guy of the hour:

🚨FAQ BELOW🚨

Q: Does your Durge have a name? A: Nope! I named him "drow" when I played the game because I didn't feel like thinking up anything special. His lack of a name has become part of the character's lore and you will find him to always be tagged with "DU drow", or referred to as The Drow or just Drow.

Q: Where can I read your BG3 fan-fiction? And what is it about? A: Right here! The main plot follows DU Drow, Astarion, and Shadowheart on a new adventure that fractures into a couple of different directions, but mainly focuses on the aftermath of the spawn that Astarion has released and the personal development of the main cast, alongside a number of original characters that get involved in the narrative. My goal was to create a kind of "DLC" experience, so you can expect a lot of themes that parallel the main game.

Q: Can I draw one of your characters, a scene from your story, or any of your characters interacting with mine/other characters? And can it be NSFW in nature? A: YOU ABSOLUTELY CAN, AND I'LL BE DELIGHTED TO SEE IT IF YOU CARE TO SHARE. I'm equally fine with NSFW as long as everyone involved (in the art and otherwise) is an adult.

Q: What drawing software/tablet/brushes do you use? A: I draw on a Wacom Cintiq 22, using Clip Studio Pro. I switch around brushes quite often but most of what I use comes from the DAUB super-bundle by Paolo Limoncelli.

Q: Where can I find more of your work? A: You can find mine and my partner's comics here, but please bear in mind that most of it is highly violent stuff and you should read the content warnings on the store page carefully before making any purchases - if in doubt of whether or not any of it could be detrimental to your mental health, DON'T BUY IT. Stay safe!

Q: Do you take commissions? A: I am not currently taking any new commission inquiries, sorry!

[emeritusemeritus]

Squirm, Hellfire Queen [Eddie Munson X Reader]

Title: Squirm, Hellfire Queen.

Pairing: Eddie Munson X Reader {Established Relationship}

Timeline: S4, No mention of Vecna.

Summary: You’re a little uncomfortable at Hellfire Club and Eddie investigates.

Warnings: Mentions of smut, creampies, cum, cumplay, secret relationships. Swearing (it’s Eddie after all). Dustin being my favourite character to write once again. I don’t think ‘Freak’ is mentioned but it’s my own HC that he’s called Richard, in case that comes up. Not beta read nor spellchecked, we die like Chrissy.

"Dude, you okay?" Dustin asks, leaning over the table towards you, earning an immediate glare from the dungeon master from interrupting the game. Dustin holds up his hands in surrender sarcastically, falling back into his seat and focusing his attention back on the game, all under the watchful eye of the seemingly omniscient dungeon master.

A few minutes pass before you move again, adjusting your hips in your seat as you wince subconsciously, earning you another confused glance from Gareth, sitting directly across from you.

"You saw it too? Right!" Dustin speaks out again, clicking his fingers mid air as he turns to you with a questioning gaze.

Heat rushes to your cheeks as you feel a blush bloom over your face at the attention you were unwittingly receiving. You shake your head, trying not to meet anyone's gaze, pretending to focus all of your attention at the game, analysing your character sheet to study your hit points.

You attempt to keep yourself under control, not to draw any more attention to yourself then you have already but only a few moments later your eyes close and you suck in a silent breath, fighting every instinct you have not to squirm in your seat.

Your writhing and obvious discomfort had caught the attention of the dungeon master sat at the head of the table, his gaze focusing in on you as he watches your curious movements. You can feel his gaze blazing on you and so you finally find the courage to look up at him, meeting his gaze.

You thought initially that he would be angry with you, for drawing away attention from his, frankly brilliant, campaign but as you gazed in his eyes, it was clear that not a single ounce of anger was present. Instead, he looked upon with intense curiosity and intrigue, eyes wide and orientated upon your figure. The table blocked the majority of his view of you, but he watched with interest as you readjusted your hips in your seat, pulling down on your skirt, full lips parted in a small 'o' shape, eyes fixed on nothing in the distance.

When you met his eyes again, your blush deepened, eyes widening like a deer in headlights as you tried to avert your gaze immediately. A smirk tugged at the side of his mouth as he realised exactly what was happening. He took a brief look around at his little sheep around him, each of them blissfully ignorant of what was happening just a few seats down.

"Eddie?" Mike asks gently, trying to get his attention.

"Huh?" Eddie asks, not realising that he had zoned out, lost in his own thoughts.

"We decide to flee," Mike says slowly, gesturing with his eyes to look at the game board below, seeing that there was so way out of the trap Eddie had created.

"Oh yeah man, course," Eddie says, earning a mixture of questioning and confused glances from the boys, and girl, around the table, each of them expecting him to make a bigger deal of it.

"Tell you what, we hang it up right here, next week we begin from this point exactly and you give me your intelligent decision then," Eddie says, clasping his hands together as he sits back on his throne, eyes squinting as he smirks.

"Princess, a word?" Eddie says, using your nickname as he looks directly at you. You nod, silently, laughing gently as the rest of the boys 'ooo' at you, assuming you are in trouble.

They quickly gather their belongings, saying bye to the dungeon master and the princess as they head out the door, leaving the rest of the cleanup to Eddie as usual.

Once he is confident that everyone has dispersed, the dungeon master leaps up from his throne and strides over to the door, locking it from the inside. He turns and fixes his dangerous gaze upon you, a smug smirk pulling at his lips as he begins to saunter over to you.

"It appears you caused a scene Princess," he says threateningly, running his hands along the back of your chair. You open your mouth to apologise but think better of it, no longer feeling embarrassed by your 'issue' now you were alone with the perpetrator.

"I'm not really the one to blame here am I, master?" You snark back, your voice breathy and deep, exactly how you knew he liked it. He cursed under his breath, especially at hearing his title, something he always enjoyed hearing fall from your lips.

"Pray tell, what is causing the fair maidens troubles?" He asks dramatically, leaning down to tower over you, his lips ghosting you neck as he speaks. You were about to open your mouth with another sarcastic reply but instead, decided to show him. You scooted your chain back every so slightly, the chair grinding on the linoleum floor the only sound that could be heard in the silent room.

His gaze immediately fixes on the skin of your thighs, your skirt riding up as you took your seat.

With a dangerously flirty smirk, you open your legs wide enough for him to see exactly what has been causing your discomfort during the hellfire session, your skirt riding even further up with your movement, blocking any obstruction.

He breaths in a sharp breath, curses falling from his lips as his eyes bulge, his gaze fixated on the space between your thighs, showing him exactly what your problem was.

Between your thighs, your panties were completely soaked, melded to your puffy pussy lips, with extra wetness leaking out onto the seat below you, pooling under your butt.

He's frozen to the spot, fixated on the sight before him, unable move, unable to speak.

"Seems like it's more of an 'us' problem to me, dungeon master," you tease, lifting your hand to run one finger over your panties and into the little pool below, feeling the mixture of your arousal and his cum beneath your finger.

"Jesus Christ," is all he manages to spit out, his eyes following your finger diligently as it trails gently over your panties, still sensitive from your activities earlier.

One of the most wonderful things about Eddie is just how much he cums. It's like he's hoarding it, right up until the last second where he unleashes everything he has, flooding you and leaving no doubt to where he's been.

"No wonder you were squirming sweetheart," he says, finally breaking his gaze to look up into your eyes, seeing a smile on your lips that completely knocks him for six. The mixture of your sweet smile, deliciously used body and evidence of his defilement was enough to render him completely useless, brain turning to mush as he looks at you with all the love and adoration he can. His tone is gentle again, using the pet name he favoured for sweet moments, if that was what you would call this. "To think I was going to ask you to stand and address the class," he smirks, shaking his head slightly.

"Yeah something tells me that would have been a disaster, I could barely keep your load in sitting down!" You reply, giggling. His lips part and his eyebrows shoot up as he lets out a strangled groan at your words, your beautiful, dirty mouth always affecting him. "You think the guys noticed?" You asked suddenly, worrying that someone would have caught on to your discomfort.

No one knew what was happening, what had been happening, between you and Eddie for quite some time. You'd been best friends from your first encounter, though the friendship was laced with innuendos, teasing, flirtation and downright mutual pining right from the very beginning. Your relationship had bloomed organically, never having felt so right, but it was locked away as both of your dirty little secrets. You'd become close with all the hellfire club and the bigger friendship group around it and were concerned about the implication it could have on your friendships if you just became 'Eddie's girl'.

You'd been successfully hiding your relationship for nearly 7 months and so far, not a single person had caught on.

"Sweetheart, I say this with all the love and devotion in the world, those guys wouldn't have a single clue about this sort'a thing," he smirks, leaning in to kiss you.

"Two of them have girlfriends!" You reply, breaking away, trying to argue the point. He snorts, shaking his head, leaning in for another kiss.

"Trust me baby, they're clueless nerds," he says with a sarcastic smile.

"As opposed to you... dungeon master," you reply sarcastically. He immediately reaches out to grab you, tickling your sides but he stops when you let out a strangled gasp, thinking he'd hurt you.

"What, baby, wh-?" He panics, causing you to laugh.

"Lets just say, I'm pretty sure I'm empty now," you blush, gesturing down to the chair below you where even more of Eddie's cum has leaked out in your frantic movements. He bites back a groan again at the scene before him and immediately looks up at you with a smirk.

"Can't have that can we sweetheart? Just gonna have to fill you up aaaall over again."

"Promises, promises," you smirk, pulling him down for one last kiss, before attempting to stand up, your face twisting into a grimace as you do. Eddie offers his hand out for you and helps you up onto the seat, his eyes flicking to your now unoccupied chair and he tries to fix the image to his memory for later use.

"We really need to start using condoms," you mutter, feeling the sticky residue clinging to your lower half, frowning at the state of the chair. You were on the pill, so no risk there, but situations like this were growing ever more frequent... and uncomfortable.

"Blasphemy!" Eddie mutters, pulling you in to him arms as his ringed hand comes to play with your hair and your jaw. You laugh sweetly at his outburst and he chuckles deeply to himself as his eyes wonder over your face.

You both pull away and immediately set to packing away all the game pieces, books and sheets that litter the table, both ready to be out of this room.

You grimace as you walk over to a cabinet at the side of the room, the wet clothes becoming increasingly uncomfortable as you bend down to reach for a pack of antibacterial wipes which are stored in the little cleaning cupboard. You make quick work of cleaning up the chair you'd defiled and can't help but laugh with Eddie as he sees just how many wipes it takes to clean it up.

Throwing the used wipes in the trash, you look over to Eddie who has packed everything into his cardboard box and is waiting for you.

You pause, weighing up your options before bending down and peeling off the wet panties, feeling an immediately chill as your bare pussy hides underneath your skirt. Eddie doesn't bother to hide his groan as he sees you take off your panties, before stuffing them inside your lunch bag so that they wouldn't ruin any of your notes.

"You're telling me, I've got to walk these halls, get across the car park and drive us all the way home, knowing that there's nothing under your little skirt?" He groans, pulling you towards him as you walk closer. You immediately feel the telling bulge pressed against you as he holds you tightly to him, causing you to smirk.

"That depends," you tease, running your fingers over his neck, making his breathing deeper and shaky with arousal.

"On what, Princess?" He asks, eyes blazing.

"We could wait... tease each other slowly and let it simmer until we get back to your trailer where you can have me however and wherever you want," you tease, your mouth pressing kisses to his throat as you speak, smiling as you feel his bulge jumping and throbbing at your hip. "Or, I could offer you some relief right now..." you say, pouting your lips in such a way that he knows exactly what you mean. "Though, if you can't wait, I can't promise that I can wait till we get home to play with my little pussy myself."

"Fuck," he curses, followed by a near painful groan as he takes in your words, his entire body shaking to try and calm himself. He reaches down to adjust himself completely without subtlety and groans again at the slightest touch. "Van. Now."

[wangxianficfinder]

Fic Finder

July 13th

~*~

1. it's been a while since I read this fic but it's set during the sunshot campaign and wwx jc jzx and lwj all develop some sort of bond and can share powers/cores(?) I don't remember if the golden core transfer happened. they can bring each other back to life (though I think there's some sort of time limit to it?) that they first discover when wwx was killed (I believe)

FOUND!🔒🧡 Song by WithBroomBefore (T, 41k, Platonic Soulbond, Hurt/comfort, Canon Divergence, No golden core transfer, JC&JZX stay in Xuanwu cave, Fix-it, Temporary character death)

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2. Thank you for this blog. I am looking for a fic that I read a few years ago, focused on Lan Sizhui. I think the pairing was ZhuiLing or else it was focused on Lan Sizhui, Lan Jingyi, and Jin Ling in some combination. They were still cultivators, Lan Sizhui was a monster/tentacle monster/eldritch kind of creature when he wasn't in human form and the Lan clan helped keep this secret. I think it was because he was a Wen but I don't remember the exact explanatiom now. It was a bit long, as I think it had some chapters, and the juniors were still cultivators who went on night hunts and trained. I liked seeing how the slight change from the original universe was used. I've searched several ways in ao3 and have not been able to find it again yet. @mejomonster

FOUND? sounds like "Lurking" by Verse, but they deleted all their mdzs fics. It may exist on the wayback machine.

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3. Hi!!! I was hoping you'd find this wangxian fic:

It was a Jonh Carter AU(? yes that Disney movie about Mars) Like Lan Zhan is from Helium and Wei Ying is a Thark. I think is listed as explicit and top Wei Wuxian... not sure about other tags... The Summary might be vague and say something along the lines of Lan Zhan doing a trip and encountering a stranger (Wei Wuxian) I've tried to search it but there's just so many fics!

I hope it's still up 😭😭 Thank you so much before hand! @nat-first-account

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4. Love this blog it always helps me find my next fic. I need help finding a fic where lan wanjai and Wei ying find a baby and they make jokes that Wei ying dreamed about it and got pregnant. But than a ton of woman start saying that man Shan got them pregnant through dreams.

FOUND? Taking Responsibility by deliciousblizzardshark (T, 6k, WangXian, Canon Divergence, Fix-It, Getting Together, Trope Subversion/Inversion, Pretend mpreg, Accidental Baby Acquisition, Fluff and Crack)

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5. Hi! I’m looking for a specific Wangxian fic. The Lan sect is full of monks and LWJ is a monk assigned to protect WWX on his journey to get something for Jin Guangshan. WWX is one of the best archers and that’s why he’s specifically sent on the quest to hunt something down. LWJ falls in love with WWX on their quest and near/at the climax they run into a sage who almost kills WWX. Can you help me find this fic? Sorry if this has been asked before! @whompmwhomp

FOUND? Climb Every Mountain by athena_crikey (E, 21k, WangXian, Magic, Warrior Monks, Archery, h/c, Quests, Bodyguard, vow of celebacy, Temptation, (sexual) frustration, Falling In Love, Loss of Virginity, First Time, LWJ's self-selected repression, the inherent eroticism of WWX)

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6. heyy! i'm currently trying to find a fic where wwx came back to the cloud recesses all beaten up and has his mouth sewed shut, the fic is basically focused on him recovering with nie huaisang and others getting revenge. i think in the end, it was sect leader yao who did it? thanks!

FOUND? Silenced by Tasharene (M, 63k, WangXian, Graphic Depictions Of Violence, Rape/Non-Con, Hurt/Comfort, Emotional Hurt/Comfort, PTSD, Temporary Blindness, Aversion to touch, Fear of crowds, Panic Attacks, Post-Canon, WWX Whump, Hurt WWX, Whump, Angst with a Happy Ending, world-class troll LXC, see the archive Warnings BEFORE you accuse me of not tagging things!!!)

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7. hii im looking for a wangxian fic where a phoenix god/spirit(?) has lived many lives. he chose his next life to be human and he reincarnated as wei wuxian. some big event happens that leads to him being kept in i think the cold pond cave and theres barriers that only lan wangji can go through. its definitely not a 2024 fic and im betting on it not being 2023 either. youre my last hope </3 thank you in advance

FOUND? 🔒 Breathing Firestorm by ladyshadowdrake (M, 110k, wangxian, angst, fluff, captivity, creepy WRH, no non-con, dreamsharing, politics, people making the best decisions they can, epic length, mythical creature WWX, canon-typical violence, dark, happy ending) I haven't read this but 7 sounds like the summary of breathing firestorm

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8. Hi! I need your help once sgain. Because once again I thought I had this fic bookmarked, but can't find it, and my Google-fu has failed too, so here goes: x number of years ago, Wei Ying and the Wen Remnants vanished from the Burial Mounds. Lan Zhan has never stopped searching for Wei Ying. There are strange rumors everywhere that WY & the others are in a resentment-filled no man's land (kind of like the void in the Shadow & Bone novel) where huge deadly monsters roam. Word is also that people who really need help have safely disappeared into this void. As time passes, rumors of strange cultivators suddenly appearing to aid people are also circulating. And I think Lan Zhan actually meets Xiao Xingchen in an inn at one point & it's clear he knows Wri Ying (he & Song Lan turn out to be Wei Ying's right-hand men). LZ does try to get into the void thing, but the energy is too strong & he barely makes it out of the area. After a number of years they get a message out of the blue, i think, from WY saying that the monsters are getting out, and WY ends up bringing the Wei Sect back to the cultivation world to help fight. Wei Ying will have nothing to say or do with Lan Zhan, at least to start, which Lan Zhan is devestated by. Um...and Lan Yuan is there, grown up & still the Best Boy ever. I think A-Yuan tirns out to be a Gusu Lan fanboy. Anyway, it turns out Wei Ying created a ghost path that allows the Wei Sect to safely use resentful energy. But you find out WY got too damaged back in the beginning and by the end they defeat the monsters but he's dying, so Lan Zhan gives Wei ying his golden core. I think LZ actually does the whole transfer himself in the Jingshi.

Your help is hugely appreciated!

FOUND! 💖 Echo, Murmur, Dream, Here by bluerainmist (M, 51k, WangXian, Canon Divergence, Universe Alteration, the yiling patriarch survives, Angst with a Happy Ending, Catharsis, Slow Burn, Drama, Getting Together, Romance, Hurt/Comfort, Melancholy, Love, Mutual Pining, Reunions, Love Confessions, Eventual Smut, Blow Jobs, Anal Sex, Switching, Grief/Mourning, fucking while pining, Implied/Referenced Torture, Self-Harm, golden core transfer, Playing fast and loose with worldbuilding, Battle Scenes, Canon-Typical Violence, Canonical Character Death, implied / Referenced suicide attempt, Sect Leader WWX, YLLZ WWX, Yílíng Wèi Sect)

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9. I found a fic where the sect leader Yao travels through time and fixes things. as far as I remember the title. I was going to read the fic but I missed it @quwieiidkd

FOUND? 🔒 how Yao Yongzheng traveled back in time to save everyone by ShippersList (T, 6k, Sect Leader Yao & WWX, WangXian, Canon Divergence, Time Travel Fix-It, Crack Treated Seriously, WWX is a Yao, Eventual WangXian, saving the world by accident, Genius WWX, Everyone Loves WWX, sect leader Yao is every overconfident underqualified middle-aged cishet man ever)

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10. Hii!! I'm searching for wangxian fanfic I read long ago and don't remember it's name. Wei ying and lan zhan are married at the cold pond and due to misunderstanding they don't acknowledge their marriage until the cliff scene. Where lan zhan follows after wei ying and fall down but they are saved by lan an and baosharan. After which they don't return to cultivation world and stay hidden for 16 yrs and has 3 kids(1 girl and 2 boys). Also, jin zixuan does not die and same with Jiang yanli but they lie to wangxian and have war and blame wei ying. After 16 yrs all sect leaders are threatened by meng Yao and to save themselves they stay with wangxian. Also, wen Qing family is also alive. @jungkookswife07613

Hii! Sorry but this is not the fiction I'm searching for. Can you try again?

The story starts from the cliff scene and wei ying remember all the things he had done with lan zhan. Also,lan zhan follows after wei ying and fall down the cliff and they are saved by baosharan and lan an. The elders also saved wen family and they lived in some place for 16 yrs in peace. With wangxian children which he gave birth to. Ayuan is eldest,followed by girl who is half blind and last son who is quiet. Ayuan goes outside and falls into some troubles and all sects(jin,Jiang,lan,nie) were present there including jin zixuan and Jiang yanli with their son because they were chased by meng Yao. He wanted to kill all of them. Wangxian comes their to save Ayuan and they get saved in the process. They got some cursed so Ayuan request wangxian to let them stay in their house until their cursed is solved.they stay in their house and yanli tries to connect with wei wuxian but he doesn't. Wen Ning is also married. Also, wangxian are immortal. Wei ying form is crow which he uses to spy on his son for safety reasons. Also, lan xichen repents himself and tries to make amends and connect with the kids. Lan zhan is also trying to connect with his family. Also, that Jiang family is a bit#h (bitch), cheng verbally abuses wei wuxian at any chance he gets and yanli only knows to cry. Same with lan qiren,he is still the same. Nice mingjue is still alive but he also already got cursed. I don't know about lan zhan. I didn't read after because it was not completed.

NOT FOUND!🔒These Things Unseen by bonyenne (T, 34k, wangxian, Canon Divergence, Fluff and Angst, Hurt/Comfort, Accidental Baby Acquisition, Getting Together, Happy Ending, Found Family, POV Alternating, Mutual Pining, Kid Fic, Additional Warnings In Author's Note) well, the first half the the description, the rest doesn't match. but i'll leave the link in case original requester is thinking of two different fics b/c the first half (with the three kids and rescue by bssr) is a pretty close match

NOT FOUND!🔒Blossoming flowers in a full moon - 花好月圆 by ThisIsWhereTheMagicHappens (T, 64k, WangXian, Canon Divergence, Happy Ending, Fix-It of Sorts, make LWJ happy agenda, wangxian cuddle to Immortality)

FOUND! If It's Too Hard To Forgive by Machevalli (M, 94k, WIP, WangXian, XuanLi, Somebody Lives/Not Everyone Dies, Fluff and Angst, Bittersweet Ending, Yunmeng Jiang Sect Bashing, WWX Leaves the Yunmeng Jiang Sect, Top LWJ/Bottom WWX, Mpreg)

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11. After being a long time lurker I finally found myself needing your aid. The fic I lost track of was an A/B/O fic that had omega!LWJ & alpha!WWX. It was a modern AU, but I can't remember much that would help narrow down this fic other than I know there was an age gap, with LWJ being older than WWX. Thank you so much for your help!

FOUND? The Ties That Bind by silverclaw (G, 43k, wangxian, A/B/O, Arranged Marriage, Modern, Alpha WWX, Omega LWJ, past toxic relationship, Slow Burn, husbandiest of husband material WWX, mention of mpreg in relation to side-character, hurt LWJ, WWX falls first AND harder, No Smut)

FOUND? To Belong, To You by mk404 (E, 44k, WangXian, JYL/JZX, JL/LJY, WIP, A/B/O, Alpha LWJ, Omega WWX, Alpha JL, Alpha LXC, Alpha LSZ, Beta LJY, Mating Cycles/In Heat, Mpreg, Modern with Magic, like they still go night hunting, But also its the 21 century, WWX doesn't die but goes into a coma, Age Difference, Older LWJ, Younger WWX, a-yuan is their bby, Age difference but like they are both adults, Like adults adults, Mates, Ass Play, Ass to Mouth, Anal Sex, Anal Fingering, Anal Play, Nipple Play, Nipple Licking, Finger Sucking, Knotting, Creampie, Size Kink, Size Difference, YLLZ WWX, Size Queen WWX, Multiple Orgasms, Overstimulation, Canon Divergence, Male Lactation) the description is a little vague so it doesnt really narrow it down

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12. Hi!! Do you know anything abt a modern au fic were lwj thinks wwx is in a relationship with someone called "a-yuan" and is kinda a jerk abt it but then it's revealed that wwx was never dating anyone but that a-yuan was his child. Sorry if this is kinda vague it's been awhile since I've read this fic 😅 (great blog btw) @imreallyonthishellsite

FOUND? 🔒 breathe in the air, the last of its kind by wereworm (T, 27k, WangXian, Modern, assumed cheating, Miscommunication, gc transfer modernised as hand-wavey illness (referenced/implied), 5+1 Things, wwx's lil family 3.0: the wens, wwx didn't adopt a-yuan the wens adopted wwx, lwj is a flawed person and people need to stop ignoring that, Translation Available, Перевод на русский | Translation in Russian)

FOUND? Green Is The Colour by lamusadelils (T, 2k, WangXian, Modern, A/B/O, Office, Omega LWJ, Alpha WWX, Jealous LWJ, casanova WWX, Or Is he?, Humor) I think I'm a bit late but I just found an alternative to 12

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13. Help me wangxianficfinder, you're my only hope!

I would swear I bookmarked this one but I can't find it anywhere!

It's a modern au where LWJ and WWX are college students. Iirc they are already in a relationship.

Iirc it opens with WWX and LWJ in a wrecked car which is possibly half hanging off a bridge - they'd been run off the road (though that's not established until later).

When the emergency services arrive, LWJ is taken to hospital but WWX is arrested for some bullshit reason - resisting arrest or something. Iirc the cops on the scene were Jin Zixun and Xue Yang.

There is worry from LWJ's family because they don't know what happened to WWX. Just that he was in the car and he should be in the hospital but isn't.

Later, WWX is in an interrogation room not making much sense because he's injured and hypothermic (it's winter and he was soaked through but he wasn't allowed to even dry off) then he gets left on his own.

I *think* he was tracked down by police (chief?) NMJ who got to WWX shortly before his heart stopped due to his injuries, the hypothermia, and the mistreatment while in custody.

That's all I can remember. Does this ring any bells for anyone? @greywake

Yep, looks like that's the fic I was after 😭

I don't suppose anyone has a copy downloaded?

FOUND! I found a link in another site in tumblr but i can't find the fic. Truth or There by FRecklis be well :) / The suggestion for 13 is available via the Wayback Machine here: Follow up on the Wayback Machine link for 13: it looks like only the first chapter was archived 😭

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14. Hi! This is for the fic finder. I'm looking for a fic where WWX takes A-Yuan and flees the Siege on burial mounts. He heads towards the ocean and meets XXC and SL, who travel in the same direction. He gives them a fake name and they eventually get to a seaside town where XXC and SL have a house that they offer WWX to stay in. I think in the last few chapters NHS found out he was there and WWX started to teach some town children (well, teenagers) so that the town has more protection and he doesn't have to use demonic cultivation.

I meant to suggest this fic in the ITMF on the 27. June but I can't find it for the life of me. Thank you in advance for helping me look for it! @hikato-chan

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15. Hello everyone, I come again looking for your help. This fic is an au of Harry Potter, or at least contains elements of it. I'm sure it's just one chapter and it's about Lan Wangji being cursed as a rabbit in the middle of his class, Wei Wuxian has a small bout of madness that involves torturing the spell caster because he thinks LWJ was killed in his presence (there's a mention that Jiang Wanyin was scared and didn't look him in the eye for a while, I think) until Lan Qiren pulls Bunji out of the fallen clothes. The curse is broken with a kiss of true love. As always, thank you very much for your time and effort. @makolashida

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16. I’m looking for this fic where Wwx is dead and while dead his (memories?) are shown to the cultivation world and when Wwx comes back everyone (or most people) consider him a good person. I believe in the description of this fic the Wwx that comes back this world is a different one from the one who dies in that universe. I also remember a scene in the fic where Wwx is overhearing people passing by talking about the compass he invented and he swore he named it something different, or he named something differently. This scene may not be in this fic but I swore there was a scene about Lán Xichen begging WWx for forgiveness for Jin guangyao actions

FOUND? remind me of this fic Have You Heard Of The Yiling Patriach by R_PONTS. But i think its deleted? Wei Wuxian is not strong, or at the very least his brute strength is not something he take prides in as much as his speed and flexibility, but those can only get you so far, and when going against stronger enemy, your mind is your trump card. Or, Wei Wuxian develop a time traveling array during the Sunshot Campaign in case everything went wrong but forgot about it after. It was during the Siege that people have disturb it along with Some other experimental talismans and truths was revealed a little to late.Wei Wuxian woke up in a world different from what he remembers.

amalthia said: well, the first half the the description, the rest doesn't match. but i'll leave the link in case original requester is thinking of two different fics b/c the first half (with the three kids and rescue by bssr) is a pretty close match

FOUND? scatter and sunder by silversshadow (T, 15k, JYL/JZX, wangxian, major character death, canon divergence, temporary character death) the first half of the request sounds like a perfect fit for scatter and sunder by silversshadow It doesn't have a seen with the misnamed compass but does have LXC begging for forgiveness

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17. HI, Im looking for a fic where i believe it was a kidfic? A yuan was adopted by lan zhan? There was a scene where lwjs car broke down in a snow storm and wwwx drove his old car to save them. Lol i cant remember much else. Pls help

FOUND? love thy neighbor by wincechesters (M, 7k, WangXian , Modern AU, Neighbors, Fluff, Friends to Lovers, Single Parents, Single Parent LWJ) not exactly snowstorm, but there's a scene in 'love thy neighbor' when lwj's car broke down in winter and wwx rescues him and a-yuan with his old, loud car.

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18. Hello, wonderful people! Thank you for your hard work! Can you please help me find this fic? It's wangxian and either xiyao or 3zun. What I remember is at some point Jin Guangyao did something to contradict his father I think so in punishment he was thrown to some abandoned mine. Lan bros, Nie Mingjue and Wei Wuxian were searching for him and WWX said he will use the spirits of the dead for the search. Others disagreed but he said that JGY doesn't have much time since it was really cold in the mine for someone without a good golden core. At this point LWJ started to suspect WWX doesn't have one, I think. Does this ring any bells? Thank you in advance! @themorrana

FOUND! Aftermath by KouriArashi (T, 57k, JYL/JZX, wangxian, LXC/JGY, JZX & JGY, JYL & WXX, Canon Divergence, Fix-It, Everybody Lives, Romance, Developing Relationship, Family, Sibling Bonding, Light Angst, Politics, Attempted Sexual Assault, some murder on occasion, People talking about their feelings, processing their trauma, The good shit) Jin Guangshan dies at the beginning of the story, but the part with the mine happens at the end.

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19. Hello! For the next fic finder I have a fic i would love to get found.

It’s Wangxian.

And I think it was time travel but I’m not too sure. It might not have been, I’m 90 % sure it was in the cloudless days though.

Anyway the only thing I really remember is that wwx tells lwj that the older disciples used to make him drink with them when he was younger, like he started young around 12 I think?

He mentioned to lwj that it took around two bottles of wine to get him drunk and that usually he didn’t have to drink that much around his year mates as they got passed out drunk pretty quickly.

I also remember lwj or someone telling him that his golden core had burned away the alcohol the entire time. Which had put it under some kind of strain I think?

I would be really grateful if you guys could help me find it. @ravenwithwings

FOUND!🔒 The Second Hand Unwinds by trulywicked (E, 64k, wangxian, JYL/JZX, WIP, Graphic Depictions of Violence, Time Travel Fix-It, Not JC Friendly, Not Yunmeng Jiang Sect Friendly, Not Jiāng Family Friendly, Not YZY Friendly, Time Travelling LWJ, Protective LWJ, Fluff, Minor Angst, Minor Character Death, JGS is his own warning, Wooing, LWJ is romantic af, Inventor WWX, Genius WWX, Cloud Recesses Study Arc, Implied/Referenced Child Abuse, Protective Gusu Lan Sect, Supportive LXC, Good Uncle LQR, WWX Protection Squad)

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20. Hiii!! I’m trying to find this one fic. I never read it but the summary was intriguing. Wangxian are in a relationship but they both think the other is asexual (neither of them are). I think it was in a modern universe but i’m not completely sure. Been trying to find it for hoursssss

FOUND? Pounding Madly by Dei_Starr (DeiStarr), DeiStarr (E, 11k, WangXian, WIP, Car Accidents, Love Confessions, Mutual Pining, Not Actually Unrequited Love, Hospitalization, Roommates, Boarding School, Teenagers, Adults, Unresolved Sexual Tension, Celibacy, Abstinence, Asexual Relationship, Where Neither Of Them Is Actually Asexual, Miscommunication, Misunderstandings, Attempt at Humor, Angst and Fluff, Eventual Smut, First Time, Loss of Virginity, No Underage Sex, It's Plot Relevant I Swear, Demisexuality, Demisexual WWX, Asexuality Spectrum, This Is Why We Can't Have Nice Things, This Is Not Going To Go The Way You Think, Communication Failure, Lack of Communication, Everyone Else Is Very Entertained, Epic Fail, Comedy of Errors, Romantic Comedy, Slow Burn, The Romance Is Fast, But The Sex Takes Years, Sex Is Not The Enemy, this is what happens when, Mr. "I Talk A Lot But Don't Really Say A Thing" & Mr. "'Mn' Is A Full Sentence" Get Together, Casting Couch, Corset, Gender Non-Conforming WWX, Crossdressing Kink, Crossdressing WWX, Seduction, Body Worship, Hand Jobs, Sexual Roleplay, Cock Warming, Mirror Sex, Intercrural Sex, Nipple Play, Oblivious WangXian, WWX Has a Breeding Kink, LWJ Has a Big Dick, Gay Sex, Anal Sex, Oral Sex, First Time Blow Jobs, Lingerie, LWJ is Bad at Communicating, WWX is a Mess, LWJ is a Panicked Gay, Horny LWJ, Horny WWX, Idiots in Love, POV LWJ, POV WWX, Human Disaster WWX, WWX is a Tease, WWX Has ADHD) I was trying to find the car accident fic someone else mentioned, and I think I found the one 20's looking for instead! I also haven't read it, but the summary matches!

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[utilitycaster]

Do you think the god debate and narrative around it in C3 would be more compelling if Ludinus only focused on killing the Betrayer Gods a la Cassida? As many pointed out, the impact that Primes have on mortals is largely positive. Aside from cool abilities, they give healing, meaning and comfort to their followers. Up until very recently (Braius) we haven't seen Betrayers do much of that and their followers are, more often than not, people who would cause great harm to others.

I actually do not. There's multiple questions in here, and honestly I could probably write 5000 words on any of them, which I'm not going to do, but I will split this up into components.

First: I don't think Ludinus is the problem at all. He is unambiguously the villain, but he is always narratively compelling. It is fun to make fun of him because he is genuinely a fantastically crafted villain. When I dunk on villains who are boring, it's nowhere near as fun because all you can say is "wow what do you even do. boring-ass" whereas Ludinus is full of interesting possibilities and hooks to be like how can you be so smart and have lived for so long and seen so much and come to the fucking worst conclusions. There's a reason why people have been side-eyeing him consistently since at least his first speaking appearance in Campaign 2, if not his first appearance ever, in Felderwin, and it's because he's a great character who I hope dies horribly. So his motivations are fine. I'm not saying the possibility you suggest wouldn't be a very interesting different story, but my complaints about narrative and the gods debate do not require anything different from Ludinus, who has been a consistent bright spot within the muddied narrative by being a consistent blot on Exandria and also sometimes the moon.

The narrative and the god debate are intertwined - the issue is a dull indecision that plagues both of them - so I'm splitting this one up a little differently.

What do I as a viewer think is the most reasonable stance regarding the gods based on my understanding of the worldbuilding of Exandria?

What is interesting to watch?

And therein lies the problem. I, as a viewer, think that killing the gods is a bad idea, and I've articulated this in various spaces and am not going to write another 5000 words about it right now, but between the events of past campaigns; the events of this campaign including Downfall; who within the narrative supports the choice to not kill the gods; and the complete uncertainty regarding the fate of existence let alone mortaldom should they be killed or chased away I have come to this position. Any counter-argument tends to rely either on entirely false statements, or a nebulous "a better world is possible" without any assurances that the allegedly better world is, in fact, probable. Ironically enough, I am not willing to take a leap of faith.

But as for what's interesting to watch? That's an entirely different story. My issue with the the gods debates is that they are endless, circular, indecisive, and between the least informed group of PCs we've had by a large margin. They say the same 5 sentences in different words over and over. It's like watching a bunch of high people while you're sober. It only hits hard if you're stupid. For more on this see here and here. If Bells Hells had decided 30 or 40 episodes ago to side with Ludinus, or to try to only kill the Betrayers, or to oppose Ludinus but kill the gods? Great. Fantastic. I'm not saying I wouldn't have had my critiques of it given the worldbuilding setup as described above, but I think it would have held up infinitely better as a standalone story, at least, than it does now. My problem is that instead they had endless circular indecisive conversations during a bunch of (comparatively much more interesting) fetch quests, finally came to some kind of conclusion that gave the end game some structure and direction like 4 episodes ago, and then had yet another wrench thrown at them. And convention panels and Cooldown have consistently confirmed my suspicions about the lack of planning in the places where this campaign really needed it. In my conversations after the latest episode, multiple people independently used the term "sludge" to describe their feelings about the plot.

In actual play, I want characters who have clear conviction and make bold and decisive moves because handwringing forever in such a slow-moving medium is excruciatingly boring. Like, do I think Percy in the Briarwoods arc is making good, informed decisions that make him a moral person? Absolutely the fuck not. Do I think the story where he's shooting first and asking questions later is infinitely superior to one where Vox Machina can't decide what to do for 50 episodes? Yeah.

The god debates are ultimately a symptom of this narrative aimlessness. The lack of an answer is the problem, not what the answer is.

[sprintingowl]

TTRPGs As Terrariums For Blorbos

One thing that I think isn't covered enough in TTRPG recommendations is styles of play.

There's a lot of "this game has this tone," or "this game is this amount of crunchy," but less "what are you playing towards?"

In games like Microscope and I'm Sorry Did You Say Street Magic? and The Quiet Year, you're playing to see what happens to the setting.

In games like Mork Borg and Into The Odd and Mothership, you're playing to see how far your character can get.

And in a lot of games, you're playing to create a blorbo, an OC, just a little guy, and the soul of the gameplay is the story of who your guy is and who your guy becomes.

This is blorbo style play.

And the thing about styles of play is that you can apply them to any game, even games that aren't really built to enable them. So I wanted to take a moment to shine a spotlight onto some games that do specifically enable you to fully blorb out. (I'll try to cover a mix of genres and tones, but the rpg scene is vast so if you have a favorite that I missed please feel free to shout it out in the replies.)

-Golden Sky Stories. This is the English translation of the Japanese TTRPG Yuuyake Koyake. You play as shapeshifter kids and spirits in a small town and, instead of tracking EXP, the thing that you carry from session to session is your relationships with other characters. The tone of the game is heartwarming, and if combat happens, both sides lose. There can be emotional turmoil, but this isn't a game where you have to worry about bad things happening to your blorbo.

-New World Of Darkness. On the other hand, let's say you *want* bad things to happen to your blorbo. You want to play a guy that's really going through it. If you also like modern supernatural stories, New World Of Darkness was built for you. Characters in NWoD can be entirely non-combat, or a literal werewolf, or a noncombat werewolf. The game places a lot of emphasis on navigating through the setting socially, as its supernatural creatures tend to run in factions and starting a fight usually means making a bunch of enemies.

-Pasion De Las Pasiones. Of course, not everyone wants a fantastical setting. Sometimes good old melodrama is hearty and comforting. Pasion De Las Pasiones is a playable telenovela, and it encourages you to play your characters bold and recklessly. Every class even has a built-in Meltdown, where if you're pushed to the edge they become extra reckless, ensuring a broad fallout of messy drama when they do manage to calm down.

-Cortex System / Unisystem. Perhaps you want to drop your blorbo into an existing fictional universe? But you also want stats and meaty character creation instead of just freeform roleplay? There are easily a dozen games on the Cortex engine, including Supernatural, Firefly, Smallville, Battlestar Galactica, Marvel, and Leverage. And on Unisystem, there's Buffy, Army Of Darkness, as well as a somewhat rare I Can't Believe It's Not Planet Of The Apes.

-Lancer / Gubat Banwa. If you like blorb-y play but still want a heavy side of combat, both of these games have you covered. Lancer has a sprawling scifi universe focused on mech pilots, and Gubat Banwa has a violent and lavish mythological Philippines setting. Both of these games also have stunningly beautiful artwork, so if you like seeing a setting visually come to life, these are for you.

-Fabula Ultima. My final recommendation is also an extremely gorgeous looking game. Fabula Ultima is built on the bones of Ryuutama (itself an excellent travel-fantasy game) to enable meaty, blorby Final Fantasy style campaign play. Combat is a rich and deep option in Fabula Ultima, but so is everything from spellcasting to crafting, and players have built-in resources they can spend to affect the story. If a scene isn't quite going the way you want it to, you can spend a point to nudge it in the right direction. Fabula Ultima also feels extremely complete without being too complicated.

So there you go. Eight options, and that's barely scratching the surface of the sea of blorb-y games (Seventh Sea, Exalted, Blue Rose, Legend Of The Five Rings, Coyote And Crow, Timewatch, Nahual, and more!)

It's also not wrong to play non-blorb-y games in a blorb-y way. Do whatever you're comfortable with! But you might enjoy dipping into these titles.

Finally, if you've read this far and you're somehow still looking for MORE recommendations, I wrote this game about runaway changelings trying to find their place in the world, and it's probably the blorbiest in my catalog.

[cringefaecompilation]

DORIAN STORM, ROBBIE DAYMOND, AND THE CRITICAL ROLE FANDOM

because some people don’t know how to act when a piece of collaborative media they like starts getting people of color to add to it. a good amount of this are things I’ve already discussed on my blog, so if you’ve been following me for a while, consider this a more polished version of my complaining. obvious content warnings for racism, with explicit focus on whitewashing, pinkwashing, and cultural assimilation.

quick note before we start: we’re talking about racism, not how annoying you think xyz white character is or how much you want to punt all xyz shippers into a fire. keep your comments focused on dorian himself; it feels counterproductive when conversations about the racism experienced by actors of color and the fictional characters they play snowballs into shitting on fictional white characters and completely ignoring the former.

with all that said, let’s begin.

if you’re reading this, there’s a strong possibility that you already know who dorian storm is, but just in case if you don’t, i’ll give you a quick rundown.

dorian storm is an air genasi bard from campaign 3 of critical role. he made his debut a few months before the third campaign official started in what was meant to be an anthology series on the channel: exandria unlimited. after eight episodes in that series, a short 14 episode run establishing the new campaign, and two more episodes in a sequel to the first anthology, dorian remained largely out of focus for the remainder of the campaign up until episode 92 whereupon he returned and rejoined his party for the third act climax.

while he’s generally beloved, most of his fans haven’t seen or acknowledged his debut, and have only watched the main series campaign. it’s a shame, given how little he’s given to do in the main campaign asides reconnect with his elder brother cyrus. most of his characterization is found in the anthologies and gets built upon when he comes back, so the fandom’s aversion to watching it means they’re missing out on a lot of what robbie’s established for dorian. the more i thought about this aversion, the more it hit me as to why people might be put off it. for such a beloved fandom character, most fans have completely forgotten that exandria unlimited was largely dorian’s story, with opal picking up the slack whenever he took a break from being in the spotlight. by comparison, fearne, orym, and dariax had minimal screentime and vaguer backstory setup. 

dorian and opal taking up the vast swath of story in makes sense for two reasons: robbie and aimee were completely new to the hobby! let the new guys have their fun instead of letting the professionals try to backseat drive the story! the second reason is that ashley johnson, liam o’brien, and matthew mercer are 100% going to return to critical role. it’s their jobs! so they can stand to fight over the same 15 minutes of screentime where aimee and robbie have their fun in the spotlight. even not-so-new kid anjali bhimani got a massive swath of her storyline and backstory established despite only appearing for half the first mini-series!

the same thing happened with calamity, where the plot was primarily moved by aabria and luis. sadly, lou did not get to add as much as them (or the rest of the cast imo) but brennan understood not to give marisha, travis, and sam special attention because they’re always there.

and if we’re talking about calamity, there’s another thing we’ve got to talk about. why is the pre-campaign three series that is predominantly played and dm’d by people of color, treated as more expendable than the pre-history avalir series despite involving three fandom-beloved characters and two fandom-beloved ships? how come people complained about an episode and a half being dm’d by aabria because “they weren’t warned ahead of time” but were fine with brennan taking over critical role for an entire month when there was equally zero “warning” for him to do so? and thinking harder, i suppose i came up with our thesis question.

do people even really like dorian?

DORIAN/ROBBIE BASHING

edit: robbie pulled a pro gamer move and this section is now somewhat inaccurate. see here for an explanation.

since dorian’s vocal haters aren’t as numerous as his vocal fans, i’ll go through this part quickly.

i understand that any character can be grating to anyone for any reason, but some of their insults and insistences about dorian and robbie tend to get a bit loaded. we’re not racist! we just think robbie daymond is just uniquely annoying with crosstalk and his character’s backstory doesn’t mesh with the story the campaign is trying to tell! he’s not a real member of the group because he wasn’t there for all their important moments! he should just die offscreen so they’ll shut up about him already! the only reason people want him back is because they’re rabid liam o’brien fangirls that want him to kiss a man with tongue on-screen!

we’ll touch on that last bit later, but there’s always a weird pit in my stomach whenever someone insists that dorian doesn’t work with bell’s hells. the watsonian side of me wants to argue that a runaway/disguised noble is a perfectly common npc type. but the doylist side of me wonders if they think it’s because robbie does not fit in as a person with the cast of critical role because there’s just something too different about him. i wonder if you can tell what it is.

and this last one is more of a nitpick, but a few people joked about how robbie, christian, and utkarsh were all interchangeable or sound or look the same. don’t do that.

in full fairness, i don’t think it makes someone a racist automatically if they dislike a fictional person of color. after all, you can say “i think finn was underutilized in the star wars trilogy and had an unsatisfying character arc, so i cannot bring myself to like him” and still acknowledge that there was bigotry in the writer’s room that led to said poor character arc.

unfortunately, someone might agree with only the first part of your complaint and then add on that they fantasize about blowing up john boyega with their mind so that rey and kylo can have their perfect aryan babies in peace. not only that, but the insistence that a person of color having a minimal role compared to the white people in the story to explain why you can’t be a fan of them goes from explanation to excuse rapidly when you realize how many white background characters are given their own sub-fandoms built solely upon headcanons.

which leads us to our next point.

DOUBLE STANDARDS AND WHITEWASHING

this fandom seems to have a massive problem with headcanons, but it’s not for the reasons you’d think. they have to act as though the person is only making up headcanons to spite either the rest of the fanbase or the human actor themselves. i’ve no such compunctions about headcanons. give pike glasses! make laudna viet! say that caduceus is a cane user! but there comes a problem when you insist that your angsty trauma headcanons are more genuine than someone who has legitimately gone through the same in canon.

what do i mean by that? let’s pivot a bit to a comparison between two seemingly unrelated characters that made the rounds about a year ago: essek thelyss and bor’dor dog’son. don’t worry, this ties into dorian, i swear.

both men were jaded by religion and religious people in their lives and were led down dark paths when martinet ludinus da’leth entered their lives and attempted to sway them into his anti-god cult. bor’dor was fully sucked into the cogs of his killing machine and offed by bell’s hells, but essek fled into hiding after giving ludinus a holy item that belonged to his people, realizing too little too late the weight of his actions.

according to fandom, essek was manipulated emotionally into a bigoted movement and just needed to be deradicalized because he didn’t know what he was doing was wrong. the fictional man of color, bor’dor dog’son, as portrayed by the real-life man of color, utkarsh ambhukdar, for some reason is not given this grace at all. in fact, he’s been compared to delilah briarwood of all people because both of them were villainous sorcerers that felt slighted by someone, despite this comparison falling flat outside of the aesthetic where she is a broken bird crying out for her husband rather than a conniving unrepentant villain. or perhaps they see him as just as evil as her for harming and deceiving the white player characters.

it seems fandom is more comfortable with the illusion of a person of color as voiced by a white man, filtered through a fantasy species canonically discriminated against, and further filtered through headcanons, fanart, and fanfiction by their choice rather than having to interact with the indian man on screen staring back at them.

and if bor’dor is demonized for being a person of color, then dorian is liked for… being a person of color… that the fandom can pretend he isn’t because his skin is blue and not brown.

dorian is literally a person of color with his blue skin and hair, but he’s still also an actual person of color because of his player. compare him to sam nightingale and katja cleaver, despite having powder blue skin and olive-green skin and being fantasy creatures (triton and orc), they wasted no time in telling brennan lee mulligan that there would be no “carmelinda” nonsense; they were a black transfeminine woman and an indian woman just the same as them.

and if you’re going to say, “okay but assuming a person of color has to play a character that’s the same race/ethnicity as they are makes you the real bigot!”

again, must i refer to sam nightingale and katja cleaver. they made the active decision to depict their characters the same as themselves. they consented to it. this was not some sort of shallow corporate-driven plot to force two women of color into portraying diverse characters to capitalize off their identities.

and likewise, the same can be said for robbie and dorian. robbie daymond identifies as multiracial and is part apache. that’s straight from his twitter, so it’s very easily accessible to anybody that would be curious.

so going back to critical role, dorian comes from a nomadic people who keep mostly to themselves and provide wisdom to its diasporic people that come to them for guidance. they’re extremely secretive and even more so distrustful of outsiders, resorting to violence as a last-ditch effort to ensure their secrecy. they can’t risk anything about their people or their culture falling into the wrong hands and warn their children to be wary of the outside world. dorian and his brother reject being called princes a lot of times, and cyrus only picks it up because he likes the sound of it!

if you aren’t from the united states of america you might not know (and even if you are, you still might not know) apache tribes are known for being nomadic. being diasporic and wary of outside forces attempting to harm one's culture only further bolsters the coding. dorian’s backstory appears to be robbie attempting to reconnect with his culture, and good on him! but for some reason, the fandom hasn’t picked up on that. look, i love fanart that emphasizes robbie’s culture, but the number of times i’ve seen people reblog/retweet it without a second thought and then go back to ignoring the exact same cultural coding in canon is… something else.

if vandran can somehow have an accent (and fjord can mimic it) from the southern united states of america off the coast of a continent based on eastern europe, if byroden is somehow comparable with the real-life city of laredo, texas despite being smack dab in the middle of a continent based on western europe, if the air ashari’s culture is a weird mishmash of samoan, irish celtic, and pan-east asian (by way of avatar the last airbender) cultures, then i don’t think it’s an unreasonable thought that the silken squall would not have to be a one-to-one recreation to be coded as such, laurel crowns be damned.

this lack of attention to this detail in fandom is a bit strange, as usually every other (usually male) character has their backstories and everything that their players intended for them memorized to a t by the fandom. it’s almost a running gag at this point where if someone makes a headcanon that bends canon the slightest millimeter and begins to gain traction, you’ll have someone more popular than them instantly vagueing “crazy entitled fans” who “think they know better than canon”. so what makes robbie’s unstated intentions for dorian (outside his affection for his friends and possible romantic crushes) completely fly under the radar? doesn’t anybody think that’s weird? does he need to say out loud that dorian is coded as native so people will realize it?

but even this erasure isn’t the worst of bigotry with his character, that’s saved for the next part.

STEREOTYPES

the irony of dorian’s backstory being whitewashed but his role in fandom still heavily conforming to racist stereotypes about native americans is not lost on me. it’s like there’s a veil keeping them from fully realizing it, but it’s thin enough for them to latch onto unconscious prejudices. there are a lot of caricatures of native americans in media, both within and outside of north america, but only two of them apply to dorian’s treatment in fandom. the magical indian and the noble savage.

the magical indian, much like the magical negro and the magical asian, is nothing more than a paragon of perfection that exists only to prop up the white characters. they give sage advice and mentorship, but have little to no aspirations of their own or even a life outside their relationship with their white protégé. they may die heroically to spur the white characters into action and mourn how kind and perfect they were.

the noble savage gives similar bolstering to the white characters, but carries even worse implications. at the very least the former is seen as something resembling a person, deified and lacking all depth as they may be. the noble savage is treated like an entirely alien species, and a violent and dangerous one at that. he is handsome, in an exotic, othered way, but violent and unable to be reasoned with and only ever sated for a time. despite being “one of the good ones” he still needs to be “civilized” completely out of his culture or murdered to avoid tainting white culture.

obviously nothing in this fandom gets that bad, but the parallels are there. prior to dorian’s return, the vast majority of fan content that detailed his return made him into the de facto therapist for bell’s hells. because obviously dorian wasn’t going through anything himself with the solstice, magic backfiring, and opal being corrupted! he’d be happy to be nothing more than a shoulder to cry on without any traumas or tribulations of his own to worry about! they all got solved and dealt with offscreen, honest. and after his return, people who were either on the fence about him or disliked him entirely began to come around once he positively interacted with and bonded with the other white characters they liked.

the complaint of “i dislike that dorian is never allowed to exist outside of his friends” gets misinterpreted as “it’s out of character for dorian to care so much about his friends” either by well-meaning or willful ignorance, but at the end of the day, it’s ignorance either way. this would be different if he was an npc, but he has hours of content that doesn’t focus solely on his relationships with other people. yes, it is a massive part of his characterization that he will do anything for his loved ones, but why are we focusing on them and not him?

then again, maybe fandom shouldn’t focus on other parts of his backstory.

any mention of the silken squall that isn’t reskinning it to be a generic fantasy keep tends to make it a living hell. sure, the bits and pieces we’ve heard from it make it extremely clear they’re unhealthily secretive, strict, and a bit full of themselves, but it’s not as if they’re evil aristocrats that kick puppies for fun. the tale of a young man that’s going against tradition is hardly one that belongs to a single culture, but i’ve found people find it the most digestible when they strip it of all nuances. it’s the “no, dad, i’m my own man! individualism for life, baby!” power fantasy everyone’s always dreamed of where you can up and leave a situation and leave everything you’ve ever known behind.

so the silken squall is just homophobic, transphobic, and fantasy racist. dorian should completely abandon it and all its ways to go off gallivanting with the hells in perpetuity, which is the correct option. never mind that matt himself said that lgbtphobia in exandria is not the same or is far less common than it is in our world. never mind that in the previous campaign there was a massive story hook about prejudice and xenophobia that humans enacted on species they viewed as “monsters”. because why should the silken squall be anything more than a hive of bigotry and cruelty with no grey areas? everyone knows every flying city in exandria was pure evil and should be nuked from orbit! it’s true, brennan lee mulligan told me so!

i suppose i was wrong for expecting better. if two disney films meant to sell dolls to little girls that more or less looked directly into the camera and said “sometimes people do bad stuff because they were hurt real bad in the past, but that doesn’t make them bad people! racism is still gross!” could both get misinterpreted with zero nuance as being about an abusive matriarch forcing her family into impossible perfection, then i should’ve figured that people would do the same with a piece of adult media.

SHIPPING CONTENT

let’s finally get this out of the way. there is a very intentional reason i’ve been dancing around the subject of shipping with dorian.

i do not have anything against dorym as a ship. i do think that they like each other! they’ve got a lot of really sweet moments together! they just have a lot of personal things they have to work through to get there.

to say that it’s forced, or they’re “trying too hard” to make it seem like they’re about to confess their mutual love, or has had zero buildup can feel at times like a “gotcha” to mock its fans for being pushy. they’re both clearly trying to get back into the swing of things now that robbie’s returned and they can move forward with developing their relationship. i wouldn’t be surprised if it’ll be like late game beauyasha, which had a similar problem with not having a lot of content for it due to one member of the ship being absent from the table because scheduling despite being beloved by fandom until we got into the mid-100s.

that all being said, there is a tendency for dorian to be treated poorly in the ship by the shippers. all my complaints about it hinge solely on the fans. now, i don’t think all dorym fans are like this; i would be making the same complaints if dorian/laudna, dorian/imogen, fearne/dorian, doomstorm, or greystorm shippers did this as well. but since dorym is the most popular out of all of them, i will be discussing it primarily.

small mercies that dorian’s coding is largely ignored because that means nobody's making pocahontas aus with the dorym ship. (and if they are, please don’t tell me. we know its racist. you don’t need to show it to me to confirm that it is, indeed, racist. i don’t frequent ao3 for a reason). even without that, dorym still falls victim to the ship dynamic of the delicate white person and the strong person of color.

i’m already uncomfortable with how orym’s trauma is viewed by a vast majority of the fandom, but adding in the “dorian has no feelings outside his own and is only a machine to deposit in trauma coins until sex comes out” situation i described earlier, it gets bad really quick. often times dorian’s whole worldview is warped to focus only on orym and orym’s feelings. he certainly trusts and looks to him as a leader, but the constant insistence that orym is the only thing that matters in his life, orym is the only person he would trust unconditionally, orym is the only one he would ever truly be in love with, he must be the one to fix orym’s trauma and make him whole with no work from orym’s side at all and orym orym orym orym orym-

yeah it’s bad.

and now we come to braius doomseed, the newest bull on the block. sam riegel introduced his new character as an over-comedic flirt who went after everybody with a pulse... and laudna! provided you’re able to take a joke, a lot of people had fun cracking remarks about how braius confirmed that bell’s hells were just another basement away from having a real orgy instead of a fake. but then there were those who did not like the joke, and by that i mean, people who genuinely wished death upon sam, braius and the shippers ironic and genuine for daring to get in the way of dorym. because dorian is orym’s man, not braius’ man!

do i really need to say why it’s wrong to say or imply a white person owns a person of color? do you need an explanation for that? it’s bad! very bad!

i must reiterate: i don’t think every single dorym shipper acts like this or has never spoken out about this trend. i follow a good number of people that like the ship and a lot of them have no problem with shipping them with other people and treating them as their own characters on equal footing. it’s okay to like the ship and it’s okay to not like the ship.

or if you don’t like the ship, you could always make nazi jokes.

would you believe that this post actually made me want to make this one? there is a score of perfectly good reasons to dislike dorym as a ship as stated previously, but you made a joke about how a white guy is getting denied of his rightful claim to a relationship by a native guy? i take it back, maybe people do need things explained to them. you certainly don’t see laura/marisha pc shippers speak about aabria or erika this way.

speaking of, that makes for a terrific segue!

imodna tends to be bashed by both ashrym and dorym shippers in equal measures, partially due to misogyny and lesbophobia usually rampant in m/m shipping spaces, and partially because people still have lingering wounds from entitled beaujes shippers from campaign two. i think it’s safe to assume that a vast swath of the holdover from campaign two abandoned ship (heh) following episode 34, as that’s when i remember seeing a lot of angry imodna shippers complaining about how orym should have died instead of laudna and ragequitting the campaign. but what does this have to do with dorian, you ask?

well, i haven’t seen any fanfiction or aus where dorian is laudna’s abusive boyfriend that imogen must save with her sapphic mind powers (again, if it does exist, keep that shit to yourself because we know it’s racist) but i have seen some imodna fans utterly despise orym and anything that has to do with him. and if they hate anything that has to do with him, that includes dorian.

most of the “dorian is a useless character that doesn’t need to exist/only exists for crazy fangirls/should die offscreen” comments as stated all the way back there come from imodna shippers sniping back at a lot of the people being crappy about their ship. or in fanfic/fanart they’ll overemphasize his snottier or selfish aspects or make him out to be an impulsive dimwit as a “joke.” long story short, they aim at the white guy and dorian gets gored with the shrapnel.

SO NOW WHAT?

i think it’s pretty obvious where to go from here. do better. watch exandria unlimited and exandria unlimited kymal! acknowledge the story that robbie is trying to tell.  be respectful and ask questions if people are willing to give answers. and if you don’t find dorian enjoyable or interesting as a character, think about why you don’t and ask yourself if you’d extend that same indifference to a white character. it’s not that hard to simply say that a ship or a character just isn’t your thing without being bigoted about it!

hopefully this post helped people see things they may have overlooked in their analyses of dorian and thanks to @bam-monsterhospital, @fear-ne and a bunch of anons for adding their input!

[coraniaid]

OK, so, for context:

I don't like Agent Riley Finn, at all. He is one of my least favorite characters in Buffy, by quite some distance. I hated him even before the events of Season 5, and I only continued to hate him afterwards. I think the show would be significantly improved if his character had never been introduced. I think Whedon's idea that Buffy and Riley represent the show's one "happy and healthy relationship" is nonsensical.

I don't like As You Were. It's arguably Doug Petrie's worst episode (well, worst so far, anyway: let's not forgive him for his Season 7 episodes just yet).

I don't even really like Season 6 much (certainly not as much as so many people on Tumblr pretend to do). I think the concept of the season is very good but the execution is often decidedly lacking. It is not a season I often feel the urge to rewatch.

But, that being said, I'll confess it is somewhat bizarre to see so many people reblogging a post that says As You Were would have been improved if Riley showed up contrite and humble and openly ashamed of his [yes, unquestionably terrible and indefensible] actions in Season 5, or that the episode is one last attempt by the writers to force the audience to like him. To me, that is just ... obviously not true. I don't even see how it could be true.

As You Were is barely about Riley Finn at all. It's about Buffy. Specifically it's about what most of Season 6 is about: Buffy being miserable and depressed, struggling with bills and a soul-crushing mininum wage job, resenting her friends for having brought her back to life, romanticizing her past and (wrongly) convinced that she somehow 'came back wrong'. Riley is only in the episode to further that aim.

So, yes, the episode ignores all of Riley's [very real, very irritating, very hard to forgive] flaws and past failings and instead presents him as a dashing and attractive ex-boyfriend; as the perfect guy who somehow got away. Yes, it focuses on how much Buffy's own fortunes have declined since they broke up. Yes, Buffy is meant to find him attractive and be sad that he's married to somebody else already. Yes, the show deliberately sets up Riley as being competent and put together and high status while Buffy herself is none of these things. But this isn't because the writers are somehow trying to trick you into liking Riley (it would obviously be a very stupid and ineffective way to do that if it were! it demonstrably doesn't actually make anybody who didn't like Riley change their mind! why assume that it is trying to?). It is because this is how Buffy sees things herself.

The episode is about Buffy first, and Riley ..., not even third. He is a plot device. Just as in Season 3's Gingerbread (when Joyce is possessed and tries to burn Buffy at the stake as part of her campaign to cleanse Sunnydale of all things supernatural), or Helpless (when Giles puts his loyalty to the Council above Buffy's own safety and well-being), in As You Were Riley exists primarily to tell us something about Buffy. In Season 3, Buffy was afraid that being a Slayer would ruin her relationship with her mother and that Giles didn't really want to be the replacement father figure she clearly wanted him to be, and those episodes have her fears come true. Both Joyce and Giles act in pretty repellent (and arguably out-of-character) ways in their respective episodes, but those actions are justified in that they are consistent with Buffy's own view of the world. You could replace both of them with nightmare versions of their characters (like Hank Summers in Season 1's Nightmares) and both episodes would play out the same way (and have the same glaring lack of follow-up in later episodes).

So too in As You Were. The writers are probably more sympathetic to Riley than the average Tumblr user in 2024, but they don't particularly care if you like Riley or not. He's not been in the show for a year and after this he's never going to be in it again. This isn't about him. What is important is that Buffy herself misses Riley and her relationship with him: not necessarily because Riley was so great [again, he wasn't: Riley sucks] but because he's a part of her older life that she wishes she could go back to. A time when she had a 'normal' relationship and was still in college (and doing well academically!) and her mom was still alive and things seemed to be going well for her. Because she misses the version of Buffy that she used to be. (Who exactly are we supposed to think the 'you' of As You Were refers to? I don't think it's Agent Finn...)

Sure, I'd personally think better of Riley Finn as a person if he showed up looking sheepish and told Buffy he was sorry for how badly he behaved in Season 5 and he said he'd fund all her future bills and help her get back into college before dedicating the rest of his life to campaigning against both missionary work and US-backed (para)military actions in South and Central America. I'd think better of Joyce if she'd ignored the two demon kids only she could see and supported her real daughter better, too. Or of Giles if he hadn't ever gone along with the plan of hypnotizing and drugging a teenage girl he'd sworn to take care of and protect and who, less than a year earlier, he'd promised his unconditional "support and respect".

But Riley being a decent human being and making Buffy feel better about herself wouldn't make As You Were a "better" episode. It would make it a completely different episode, one that belonged in a completely different season. It would make it something that was utterly at odds, tonally and thematically, with the version of Season 6 that actually exists. This is not a season where nice things happen to Buffy, and if you think it should be I honestly don't think you like the story the season is trying to tell very much.

As You Were is not primarily "the episode where Riley comes back" (in which the writers then decided to talk about how great Riley was with the aim of making the fans like him while Buffy ends up feeling like shit and being embarrassed about how her own life is going as some sort of collateral damage). It is an episode where Buffy continues to feel like shit and be embarrased about how badly her life is going (and, in order to further Buffy's arc, this time Riley is there too to make her feel worse).

Do I think that it works to have Riley fill the role he does in this episode? Well, no, not really. Like I said at the top of this post, I don't like Riley and I don't enjoy seeing him on my television screen. Into The Woods' awful ending makes me pretty angry and it is a shame we never got any pushback on the idea that Buffy "letting Riley go" was a mistake. Riley wasn't ever the perfect boyfriend As You Were has Buffy remember him as. This isn't one of the better episodes of Season 6. But an improved version of the episode wouldn't have Riley act like a better person. That more palatable, more fan-friendly version of Riley just isn't compatible with the story the show is telling. An improved version of the episode that was still trying to tell the same fundamental story wouldn't have Riley Finn in it at all.

[prima-materia-ttrpg]

The "why" behind Game Design

I've been doing a lot of thinking and talking with my friends about Prima Materia, as I often do these days. For the past few weeks there's been something itching at the back of my mind, I'm making mechanics that are starting to work well but for whatever reason they don't "feel" like Prima Materia to me. They technically fit in with the design pillars I've assigned myself; grounded, cinematic, dynamic, and fantasy, but I've felt like things are missing. Going beyond that, I don't think someone would properly grok the game if they were to read my past blog posts. If I read my past blog posts without knowing what Prima Materia is, I would think it's a game mostly focused on combat with some interesting worldbuilding.

I decided to talk with one of my friends about this, and the conversation led to me trying to properly articulate the kinds of things I want to happen in Prima Materia and compare that with the direction the design is going. In particular, how do I imagine a campaign going? What do people actually do in the game? While these are questions that can be applied to most ttrpgs, I hadn't realized how important it was to answer them concretely to make correct design decisions for my game rather than the design being driven by vague subconscious conceptions of a game that does not yet exist filtered through some core design pillars and my own limited experience in playing ttrpgs.

What do people actually do in the game?

This is a wide question, and has a wide answer.

When I think of what it would be like to actually play or GM a game of Prima Materia my mind tends towards uncovering secrets, diplomatically dealing with situations, and overcoming obstacles that require lots of preparation to pull off without getting seriously hurt. Secrets should be important to the party and world, and depending on the tier of play can be anything from uncovering new alchemical magics to metaphysical secrets of the universe that can act as MacGuffins for a longstanding party.

The more I think about it, the more I believe that uncovering secrets is one half of the beating heart of Prima Materia, and the other half is preparation for overcoming obstacles to achieve the uncovering of those secrets. Characters in the game aren't meant to be incredibly powerful but rather incredibly skilled at their area of expertise, whether that be being good with a sword, knowledgeable in certain subjects, good at diplomacy, or making useful items. That's the concept of the game that's in my head that needs to be concretely written down (and how convenient for me that I've just done that).

Going Forward

A lot of the ideas and drafts I've written or verbalized to friends make a lot more sense in this light of uncovering secrets and preparation, as lot of those ideas hinge on uncovering secrets or being prepared. There are lost manuscripts I've been itching to put in that grant skill bonuses as well as character features due to the knowledge contained within. The Alchemist profession alone is a class that takes the ideas of preparedness and uncovering secrets to 11, where you create new spells and tinctures and unlock more and more useful things to make as well as ways to make them.

There are several design decisions I've been making recently that do not spark joy for me. They will be dealt with, and going forward I will have this to keep in mind as what I want the heart of the game to be.

If you read this far, thank you very much! It means a lot. The astute among you who read my last post will notice that this is suspiciously not a post about the Sepia as I promised, and that's because I thought this post was important. I will of course try to get the Sepia post out next week, but if that fails I will bring you an update on my most recent mechanics experiment which will surely have transpired by then.

[dailyadventureprompts]

What’s fasinating about the d&d movie is that it is all the fun of d&d removed from the rigid restraints of the the clunky game system: Thrills and laughs and hairbrained schemes minus the minutia of needless rolls or waiting for your turn in initiative to circle around. Part of this is idealization, but as someone who’s obsessed with making my favorite game system the most fun possible I can’t help but draw some comparisons.

Combat: Holga’s fight scenes were a highlight of the film for me, displaying a huge amount of kinetic creativity as she pinballed between different combatants swapping out weapons, bouncing off the surrounding terrain . This is a far, far cry from how being a fighter plays out at the table, as most martial characters are focused into doing just one type of attack as good as they can because it’s their only reliable contribution to combat. Try to model Holga’s fights in game and you’d be caught in a boring slog of dealing 1d4+STR damage to a bunch of guards whittling away at their hitpoint pools, a far cry from the lighting quick flury of smashing, bashing, and flips that make her the film’s action setpiece.  

What d&d needs is a system for combat that exists alongside the traditional damage/HP paradigm: an additional layer of complexity for martial characters that encourages tactical thinking and lets those who do their damage up close feel just as cool and as clutch as casters. My mind’s already whirling thinking up something that revolves around stuns, suckerpunches, and positioning, so expect it later this week. 

Powercreep: This might be subjective but I find it fascinating that the official stats put out for the party has them hovering around level 16, a point in character progression  a)that  most characters never get to b) by which the game’s difficulty systems have begun to break down. I suspect this was done in order to keep their on-screen abilities in line with how they are in the base rules, but I can’t help but feel like its odd for the “idedalized” dnd experiance to be playing around with toys that most groups will never get their hands on. 

In my experience d&d is on a sliding scale of stakes V Shenanigans, with the exact ballance evolving over the course of a campaign:  Your group starts out as a bunch of dumbfucks and at some point while you’re making  making absolute fools out of yourselves you become a found family just in time for the consequences of your actions to circle back around and threaten the realm. First the characters start caring about eachother, then they care about the world, then they have to save that world. Level 16 is, for me, distinctly in “save the world” territory, despite the fact that the HaT crew are clearly still figuring out who they are and what they care about.  It makes me wish D&D was more free with its shenanigan enabling magic/items/class features at lower levels to help fuel these kinds of antics.  

Attunement: Perhaps the best “ oh I’m totally going to steal this” moment came from Simon’s attempt to attune to the helm of disjunction. Turning what was otherwise a rote game mechanic into an oppertunity for character growth was genius on behalf of the writers, though one I’d only really employ with items that were as necessary for my plots as the helm was for the heist. Just like Simon’s major flaw was self doubt, I could easily see delicious storytelling potential in throwing up other emotional hurdles depending on the situation: A hero’s sword refusing to attune to the haunted survivor until they’ve come to terms with what they’ve done, an otherwise altruistic character being forced to admit their sin and self interest by an evil-aligned artifact. 

Over all, I really enjoyed the movie, though paradoxically It didn’t hook me as much because for me one of the biggest charms of fantasy is the feeling of discoverying a new world, and I’ve been living the d&d world for the past 20 years so it didn’t come of as wild and magical as it could have been, having hewn so close to established d&d material. 

[leidensygdom]

ENNU EPILOGUE RECAP!!

OKay! So, our campaign ended! Yesterday was the 81 session, and last one of it- Our DM did a wonderful job at running it. We basically got to ask them for the scenes we'd like to see, and the session was built around that. It's been three years, so it was wild to see it come to an end! Here's a recap tho (a lil bit more focused on my blorbos since they're the ones you know)

The epilogue happened two years after the campaign's end, with a couple of flashbacks going some time back

First scene was welcoming Blasma (one of the party members), who had been on a trip all this time to heal her soul at her grandpa's dubious laboratory. She's pretty okay currently- if we ignore soul healing is something theoretically impossible. Probably many questionable things happened there. Osten traveled with her to make sure she was doing okay

Next scene was her welcoming party. A bunch of shenanigans happened. Yxala tried so play cool aunt, got her a motorbike. They ended in somewhat odd terms and my girl was trying so bad to get her trust again

Pulsar and Tephra- each polycule's kids- appeared to be overall terribly adorable. Yxala talked a lot about her Sweet Potato. Tephra is Yxala and Relé's biological kiddo (as evidenced by the branched horns), 6 months old, and just one of these big hefty babies who is starting to munch on everything (here's a token of baby her, and what she's like grown up!)

we also got to see the closure of Mythannae, Yden and Jorven's polycule! Myth and Yden recovered their enchanted clothing business. They specialize in magical clothing adapted to specific needs- Like fireproof clothing for fire genasi, helmets with bag-of-holding like pockets so you can put them on with horns, that stuff. Jorven has now been working on music again. (For context, Myth was my previous character before I switched for Yxala!)

Blasma's player also had an epilogue for his previous character- she's a tired old lady, who is now joining another tired old lady to get in politics. An improvement, given they were cops before that

Centi got to resurrect the weird celestial wife of an old teacher of hers- Who had been snatched up by Sol Ascensus and transformed into a monster. I can't wait to show Niereva to y'all tho, she's a bit of a weird aminal (a mantis/naga-like aasimar)

She may have done a fucked up pact with a psychopomp tho-

We had Yxala's, Relent's and Uri's wedding, we knew that was coming! It took Urion a long while to recover from after the Deep Lab, and they still struggle a lot with that they did as The Onirist

We had a scene of Urion's recovery. Initially they didn't even want to come to terms with being Urion- They were The Onirist. Relé had a hard time forgiving them too, bc they DID hurt Relent a lot. Yxala was a bit more fine about it, even after having her heart carved out by them.

they're all going to therapy lol

There's actually a cult to The Onirist/Ataraxia now though! Some people loved the idea of a godly machine that could solve everyone's hurts and ailments, and they're asking for them to come back and fix the world. maybe the mind control microchips were fine, y'know

(uri isn't doing great about this)

We had the ceremony- Money and seeds are given to the partners as a sign of prosperity and life. They're gonna have a great garden.

The polycule drank (alcohol-free) wine imbued with each other's blood too bc ceremonies there go hard- (this one is seen as a bit more archaic)

And a major exchange between marrying partners is expected. They exchanged basses- They had them custom made many decades ago, with Urion's being based on clouds (after Relé), Relé's being based on fire (after Yxala), and Yxala's being based on bismuth crystals (after Uri's). Now Uri has the fiery bass, Relé has the bismuth one, and Yxala has the cloudy bass

Urion was the bassist for Demonwire, a group they were a part of with some other anarchist friends. This bass has a very long history and it's very significative. Yxala was a bit shocked.

After that, the wedding after-party took place. Blasma set a date with Osten- They didn't actually get romantically involved up until now (and it's probably gonna be very slow still gfhudhdgf)

I forgot to mention this but Urion and Relent are now involved with an organization to help the people who were affected by the Deep Lab and The Onirist's actions. Uri had a very awkward interview about it.

We had few other closure scenes here and there. Finding out two other npcs are marrying, the fact the weird undead guy somehow has a new kid, that stuff- and then we went onto the final one

Which was a concert by Demonwire. Urion played with them for the first time in 12 years, and gave an awkward speech, and it was super sweet and just a great point to end the campaign in!

With that, we're now set to go play the next campaign- Which will happen 8 years after this epilogue (ten years after the end of the major campaign events). I'm going to be playing Siegmund, one of Yxala's kids, and I'm very excited for that.

Yxala won't be doing any major stuff- She's gonna still go fight corpos in the streets and she's going back to the Mecha Derby (did y'all know she was a mecha pilot in a sports competition lmao. I'm working on her pilot fit, it's cool!). Urion is going to be back on Demonwire, mostly to raise funds for those hurt by The Onirist and Ataraxia, and will have a bigger role coming up- Specially given Siegmund's (and Vyxander, his twin) have a lot to do with that. Relent will also be doing some major stuff, but it will remain spoilery for a time. He's got some big things to handle!

I may have cried a bit at the end because it's been so long. I'm glad the characters won't be fully gone. Next campaign will have a lot more lore stuff to gush about- We're going to adventure outside the city, and meet people from all over the world. There's a country that uses souls in place of nuclear fission. It's gonna be wild! (And thank you for reading-)

[90percentstudios]

What D&D classes would the CKC cast play as, and what would be their playstyle?

cody - changeling rogue. he'd get obsessed with trying to ride on the back of a hill giant instead of just freakin' killing it, and would probably forget he can do stuff like shapeshifting/bonus actions/etc 80% of the time. he's pretty deadly when he's locked in though, but it'd take some proof and convincing that an enemy is worthy of death. he'd also doodle while playing, heavily distracting him, but at least by the end of each session there's a bunch of silly drawings his friends can flip through.

mini - changeling cleric. the twins are both changelings cuz of everyone in the series, i think they're the only ones that've achieved being losers, cool kids, gods, averaged, AND banned. she's actually a big fan of making overly complicated plans, whether it's a heist, a jailbreak, you know she's got a dozen pastel gel pens to plan it all out! unfortunately she's got horrific luck, consistently rolling under 10. at least the plan goes well when someone else is carrying it out.

peter - human paladin. he has perfect recollection of all the rules and likes the game to be as immersive as possible, because convincing himself he's really a heroic paladin that people like and respect was his copium as a loser. that being said, post-series pb would have a bit more fun, especially with cody there to involve him in all his crazy antics.

juvie - tiefling barbarian/fighter multiclass. they frequently have to reassure their team they're not a violent psychopath irl, it's just that if you're playing in a world where you can do anything, why WOULDN'T you give every kobold a uniquely gruesome death and decorate your camp with their guts as a show of force? anyway they're very combat focused.

peggy - wood half-elf druid. any chance she has to transform into a unicorn she takes (it's not technically allowed but daniel allows her to turn into a horse that has a horn for flavor). she mostly trots around, eats apples, gives people horsey-rides, makes friends with other animals and often demands that daniel allow them to resurrect their friends (ahem cody) whenever they miraculously die.

holden - human bard. he actually brings his guitar and plays a short tune whenever he uses bard magic, it really adds to the immersion! he's also the party-face, meaning he's in charge of persuading the guards not to imprison everyone just because juvie tested the flammability of the local tavern's liqueurs. after a dozen of these instances he's gotten in the habit of telling guards "i've never seen that tiefling in my life."

daniel - elf wizard, (though he'd focus on dming, he'd probably include his own character in the campaign at peggy's request because "he'd be left out" if he didn't). his character would offer important exposition when it's already too late and punish the others for their reckless shenanigans by not helping them when they're in a bind. "it's better for character growth" he says.

gigi - sorcerer. she'd immediately grasp the rules, min-max the hell out of her character, remind people to use their ability modifiers and always be on the hunt for the best equipment, often getting holden to help bargain for them with his high charisma stat. her gamer-brain's also got a good memory for the lore of the campaign. "where was the grand exchange again?" "it was north east of kragmaw, remember?" "..." "in that cave in the side of the mountain?" "..." "you caused a cave-in that cut the water supply off from the local town, displacing hundreds?" "... ooooh, right."

rhyme - astral elf. would join the campaign a bit later than the others since she'd still be getting used to the friend group and all. everyone would welcome her in and they'd all grow as friends. she's annoyingly good at everything as always, yet somehow whenever she's near, mishap seems to follow. juvie's certain she's up to no good but no one believes them, until some pivotal moment when daniel reveals he'd invited her to play as a double agent on the side of evil and in order to complete the quest they must all fight to the death. when asked why the hell he'd do something like that he says "dammit i told you cody, FOR CHARACTER GROWTH!!" rhyme has stellar acting and everyone fights her with teary eyes, until... i dunno, they find some secret option of exorcising her of evil and completing the quest and no one dies and yadda yadda happy ending. anyway juvie gives a very well-deserved i told you so and rhyme admits her being the secret villain was a bit on the nose but she enjoyed the theatre of it all.