#i understand that sometimes people are just not good at drawing different body types yet

[yardsards]

every time u draw a canonically fat character as skinny an angel loses their wings

[mushroomjeremy]

I have been holding on to this design for a little while now. Thinking about how best to deliver how I changed the character and if I did enough.

I really want to get to clearing my 'to post' folder out. So I guess its better now than never.

This is Dr. Jair Shimmer a rewrite for SCP 963. Ignore that this is almost the exact same design in my Clight artwork; I liked the design so I kept it.

His main gimmick is that he study cursed object not just 963. He wears many curse object regardless of moral or ethical reasons against it. His office is chalk full of them, enter at your own caution.

SCP 963 isnt to much changed from base one, only thing is the souls in the amulet can be retrieve. Very hard thing to do and Shimmer needs to do that action all on there own and he kinda does not care to do that.

I do want to make more bodies for Shimmer but Im very busy and Im scared to draw women.

Past Keep Reading is just headcanons (do I even call them that at this point?)

The amulet is made of out silver, Red Beryl/Bixbite, and different colored sapphires.

While I am using He/Him in this post, Shimmer is a genderfluid, pansexual, panromantic with any pronouns as long as your not taking the piss out of him

Despite shipping war, Shimmer is with Glass, Clef, and Kondraki. Sometime all at once.

He use to be cautious around cursed objects, but after 963 he started to become reckless knowing he'd always come back after the Foundation found him

963 works a little differently on how is possess someone. All it needed was an initial soul trap and the next person to pick it up will be possessed. If Shimmer kills themselves the curse is kinda broken, he would just be in the amulet and the next person to pick it up is the knew host.

So Able is out of the story.

Shimmer just touched it and became the host.

How he found out about SCP 963 abilities is a informant apart of a different GoI stabbed him in the back cause they thought Shimmer was getting to close to figuring out why they were in the Foundation in the first place

Shimmer went to Deer College to get a degree in Magic and Curses

Shimmer can see, read, and understand magic in objects and crystals but he himself is not a wizard/witch/Type Blue/ect.

He's a lot calmer here with a stern voice, though he still tells jokes when he feel in danger. Force of habit.

I wanted to keep this as I think it gives some good worldbuilding to the Foundation daily life. He does facilitate a betting ring for literally anything. You could put a bet on if the kitchen will be destroyed in the next breach or not.

Shimmer likes to see the personnel fight when bets don't go their way.

Where is Shimmer get money to pay back people? Who knows.

Shimmer has yet to see the gravity of immortality. He's in the phase of getting sick of dying but still careless with his bodies and "clones."

Oh yeah the Clones! How the amulet after a month could be taken off and put on another person? Well the Foundation uses that to their benefit instead of killing them. More bodies that can work on higher clearance levels stuff.

Shimmer can take of the amulet before the end of the month and still retain his body.

I also wanted to keep the Personnel Director position. I like him having all the information on the Personnel of the Sites he is place in. It could cause tension between characters if they fine out about Shimmer knowing those things or it could show how much they care about friends with this information. Example for both: Clef

I want to do the rest of the Family as well but its still a wip. But I will say I wanted to explore ableism as a defining problem for the family in its dysfunction

If I remember or figure out anymore I'll come back here maybe.

[krispycreamcake]

Hi there! Since you were asking for matchups here is one!!!

So... I'm around 5'8 to 5'9. My parents and relatives usually say that I'm quite rude and not lady like. I don't really have a good relationship with my family that much. But we do get along. People usually don't understand me while I understand them. I have also a trauma because of my body similar to Laito but no sexual stuff but it's close to that. I have a glass hour body. I don't have patience that much but that just depends on my mood and what I'm doing. I'm good at writing and drawing. My family, especially my mother doesn't support me on what I want to do Or become. My friends give me a 9.5/10 in parenting skills. I'm a really sweet person many people say that. I'm both Psychopath and Sociopath.

Thank you!! Sorry if this makes you uncomfortable! ♡o(╥﹏╥)

From author: Judging from how you describe yourself, you seem like a sweet person that shouldn't be judged too harshly based on your rough exterior.

Because you like to write and draw, that tells me that you're more on the creative side and enjoy expressing your inner desires. Despite not having a good relationship with your family, you still maintain the peace and that showcases your maturity and responsibility.

Not having a lot of patience and just going off on your current mood shows me that you're often influenced by your emotions and sometimes completing tasks can be a challenge.

Your lack of stereotypical femininity gives me the idea that you're loud and opinionated, maybe you even dress like a tomboy or unisex. The ability to understand and empathize with others would tie into you being able to deal with children really well, especially, since like yourself, they also feel their emotions strongly and don't often have a lot of patience.

Your best match would be 🥁🥁🥁🥁

YUMA MUKAMI

Read further for more details

Yuma is described as loud and aggressive often, yet he holds a strong sense of justice in his heart. He's shown to be caring and sweet to the people he loves and proven to be extremely loyal.

Because he's 6'3, you being rather tall wouldn't bother him in the slightest. He'll appreciate your rough exterior especially when out working in the garden. Yuma would be relieved that you aren't a stereotypical girly girl that can't get her hands dirty. He also enjoys your ability to speak for yourself and stand up for the things you believe in.

Having you around would be like a refreshing glass of water. He's also interested in your art and writing, and finds it enjoyable that you can easily express your inner self in such a beautiful way. Concerning your trauma, he's been around enough of that and the different types there are and how people's reactions can vary. So he knows how to be supportive in times of need, he just hopes you don't cope in the way Azusa does.

He's comfortable having you around his chaotic mess of a family since you know how to keep the peace. He isn't ashamed to introduce you to his brothers either. He can sympathize with you not getting the support you need to follow your dreams, since his whole life he's been told what he needed to be, but now that he met you, he isn't sure what he wants anymore.

[gio-goose]

Can you give me a few art tips i want to be able to draw sin kiske too

I am not the greatest at explaining things or giving advice. These tips are just what many artists have already said and points that *I* personally agree with or have helped *me*. The reason why I am putting emphasis on myself is because everyone is different so what helps *me* might not help you. These things you will have to figure out yourself, BUT there are many MANY art tutorials from different artists with different styles so maybe you can find something there! Anyways moving on-

Don‘t think too much and just DOODLE DOODLE AND MORE DOODLING

I am serious, turn that brain off and start doodling. I had this mental barrier for sometime (that I am still struggling with) where I just didn‘t feel confident in my art and didn‘t even wanna START drawing, bc I felt like everything sucked ass. But just turning that brain off and mindlessly doodling is so SO great because it doesn‘t have to be perfect or anything AND through the repeating motions of sketching you‘re training your hand to become better at making nice smooth strokes. Sketching mindlessly is honestly very theraputic for me, cuz I just get to have silly fun. There‘s no pressure in doing things. AND sometimes doodling mindlessly can lead to great ideas.

Tracing/Referencing

Ik there‘s lots of discourse about tracing and referencing in the art community, but I can only tell you that this has been extremely helpful for me and getting my anatomy right. While tracing helps getting the placements of body parts and lines right, referencing really helps train your eyes what to look for. You‘ll start to recognize familiar shapes that are prevalent in almost all body types or certain things that are almost always there in nature. Tracing can also help you get more familiar in the way that you draw certain things. These techniques are all about familiarizing yourself with whatever you‘re trying to draw (bodies, faces, landscapes etc) and engraving it into your mind. Ofc if you decide to post something where you traced or referenced something it‘s always good to show your sources, but this is mostly something to do in private.

Take breaks, treat yourself with something nice :)

Art can be tiring, so be sure to always ALWAYS take breaks when you feel like its about to get frustrating and maybe eat something, do something else to replenish that art juice, yeah? Breaks can last however long you want. Whats most important is that you won‘t start hating the process cuz this shit can be mentally taxing so breaks are super important. Even if the break takes a year or something, art can always wait and its not like you‘ll immediately forget all your skills that you have gained yk? Maybe you‘ll get rusty but muscle memory is one hell of a thing. You‘ll get the hang of it in no time!

Get shiggy wiggy with it

What I mean by this is to just have fun. Art is supposed to be enjoyable, so I say go crazy, go stupid with it. Like who gives a shit if its stupid or cringe? Just have fun! Don‘t let someone ruin the fun in art for you, okay? These people stink anyway smh my head… they just don‘t understand the joy of creating a beautiful art piece about ur favourite charaters doing dumb shit or kissing each other. (Just uh… don‘t get illegal with it)

Get obsessed with something. I am very serious about this

Unironically, getting obsessed with a character or franchise has helped me a lot to keep being motivated to draw. Like a character that just makes you so so happy that you just keep drawing them (I mean, look at me 💀), which goes back to the first point. Being obsessed with something can keep you drawing something for a long time. And it gives you a big ass serotonin boost. However-

Try something new!

Drawing the same thing over and over again is great, but it can get stagnant really quick. So sometimes you have to try something new, stuff that might be difficult or things you aren‘t really confident yet (like hands. Yeah I know, its a nightmare). Doing this will make your skillset much bigger and may deepen your understanding on how stuff works cuz this art stuff is really interconected. Like, if you know one thing then maybe you can also do the other.

Take it slow. Be easy on yourself

There is ALWAYS this constant need to improve. Especially on social media, where artists are expected to improve in lightning speeds or post the perfect art pieces (and tbh some of these might be self imposed too). But you really, you don‘t. Just enjoy it at your own pace, be proud of the stuff you made. Save it, keep it and look back on it to see how much you‘ve improved. Don‘t view art as something you need to be perfect at, but just as something that makes you happy. An outlet for your feelings. Something to do when you‘re bored. Or stuff like that, cuz it‘s really not that serious UNLESS you want it to be like a job or something. So be patient, because art is a marathon, not a sprint. There is no need to hurry.

Aannddd if you wanna be able to draw Sin specifically then channel your inner whimsical creature, become jolly, be silly and get shiggy wiggy with it :)))

[dawnmarsemilycywinski]

The Dark Crystal

Creatures/art work and myths interwoven in fantasy - find out about Dark Crystal - who are the Gelf? The Skeksis? The Mystics? And look at the artwork by Biran Froud

I remember watching the Dark Crystal when I was quite young and I remember it to be creepy yet good. Some people say that the movie scared them when they were a kid however I am in a different situation.

It has been a long time since I have seen the movie but I believe the story is about a Gelfling which is like an elf creature, male Gelflings only have long pointed ears but female Gelflings have ears but also have wings that they can willingly put away.

Sadly this is all I can remember so I decided to watch this video to help me understand what the , movie was about through a fun way but after watching it. I got confused I don't think the writers even understood what the plot was because in this movie, I have no other way of explaining the movie to you, other that saying that “things just happen slowly”.

I used this YouTube video to help give me a recap:

This is his Skeksis design: where do you think he got the ideas from? How has he made them appear slightly evil?

The design of the Skeksis is very interesting, they make the creatures look evil by making them look gross looking. They make their skin wrinkly, discoloured, pus and hairy. It's very disgusting. They also make there hands and there beaks quite pointy.

One thing I have noticed about character design is that when you want to create an evil character, you need to use sharper lines to make them look harsh. If you want to make a nice character, make their design smooth with more curved lines. I use this technique with the eyes I draw, the same eye can give away a lot of a character's personality.

How would this sheet help a puppet designer? Why is it a ‘good’ concept art sheet?

This is a good concept art sheep because it goes into detail on what the evil Skeksis looks like making it easy for the puppet designers to know exactly what they need to do to execute this look. It's good concept art as well because it shows the clothing that they would wear and how their hands are supposed to look so people can figure out how to put the hands together and how they would wear the clothes.

The designs are also quite clever because of how their clothes drape and cover a lot of Skeksi's body, only showing the hands and the head when the rest of them is clothes, making it easier for the puppet designers to create.

Why does this type of anatomy sketch help Brian Froud with his designs?

Sometimes when a part of a body is drawn, you can get a rough idea of what the character would look like. The hands look to be very helpful because you get the idea that the Skiksis is a sharp and bone-like creature which carries well when you look at the final Skeksis character.

Sketching these parts of the anatomy is helpful for the puppet designers to be used they get a better understanding of what some areas are supposed to look like.

https://characterdesignreferences.com/artist-of-the-week -15/brian-froud https://www.darkcrystal.com/mythology/canon/the-dark- crystal/

https://darkcrystal.fandom.com/wiki/UrRu

[ask-whitepearl-and-steven]

i understand that its cool to receive fanart, but ur really lenient about people who draw these characters thinner than they really are, and as a steven universe blog with art that is really respectful about bigger bodies its really disappointing to see u supporting these people skinnyfying fat characters

Here's the thing about your message:

It assumes everyone drawing bigger characters skinnier is doing so with fully acknowledged malicious intent

It assumes that openly shaming people for it will fix the problem and make them draw fat characters 'properly'

I'm going to be completely honest with you for a moment.

I'm a teacher. I teach kids from ages 8 to about 15 (currently I'm teaching younger grades, but I've worked a lot with the older demographic as well.) So take what I say with the comfort that I at least know a little bit of what I'm talking about.

Why does this matter? Because a lot of the fanart that is gifted to me by this community comes not from adults, but from children. Sometimes, they're teens who have been drawing for a few years! Sometimes they're younger kids who have only recently begun to develop their skills.

Here's the reality - drawing bodies is hard. ANY bodies - skinny ones, fat ones, unusually shaped ones. In order to get good at it, you have to draw them a lot! And in order to draw, you need to find ways to practice. Usually, this happens by the budding artist looking around at other artists and copying them. Or looking at tutorials.

Here's another reality - unfortunately, the majority of art online, the majority of tutorials online, don't touch on drawing larger characters. They simply pretend it's not a thing. Finding references to larger people can take work! Getting started drawing larger people if you only have skinny-people references... is hard!

You know what doesn't make it easier? Getting shamed and told off by another artist for drawing characters 'too skinny'.

I teach English to students who have never learned English before. From 8 year olds to 15 year olds, you know what the one thing that remains constant is? Learning happens best through kindness and positive reinforcement. Not through shame and grabbing the child's attention and smearing it in their mistake like you're punishing a puppy that peed on the floor.

In fact, yelling at people of ANY age about their mistake pretty rarely gets them to stop making that mistake. What ends up happening more often is that they end up hating that activity altogether.

There's a reason I consciously and indiscriminately reblog all sorts of art - all of it has something that the artist excels at. Do all of them have great body proportions that are correct for the character? No. Some art is clearly made by people who are not used to drawing anything except super skinny characters!

But all of them ARE kind enough to read my comic, which I try to fill with body types that are diverse, true to the show itself. And that, in and of itself, is exposing them to art styles that don't have to over-rely on anime or CLAMP-esque noodly kids that look like they just popped out of Wonka's Laffy machine.

So yes, maybe they draw Steven or Rose too skinny. But they're also looking at Rose and Steven and clearly find them adorable, and maybe someday, they'll try something different for a change. It's not my job to rub their nose in the fact that they haven't gotten the chance to experiment yet. It's also not my job to ignore them if they don't have the 'correct' proportions, because like it or not, that's also punishment.

I do make it my job to try to reblog the fanart I see and promote it, because getting positive reinforcement and being encouraged to continue to experiment with art is what will make kids and teens AND adults confident enough to go beyond the socially-accepted weight-limit for MCs.

I know it can feel demoralizing to see a lot of character with your body type erased and made skinny as if that's a 'prettier' version of them. But 90% of the people drawing Steven skinny aren't doing it because they hate you. It's because they haven't been told it's ok to draw characters chubby. Or fat. And the unlearning part of that sort of thing is a process that needs support, not shame.

I don't expect you to be kind if you're hurt by that. You can react any way you want, and anger is a healthy emotion in this case.

But if you want ME to react with malice on your behalf, then I'm afraid I won't. I have another job to do, and that job is teaching with kindness.

[shotorozu]

encountering a ‘pick me’ girl

character(s) : kirishima eijirou, todoroki shouto, bakugou katsuki (bnha)

warning : PICK ME GIRL, misogyny (?) pick me girl makes an off handed comment about your body but it’s not detailed at all

PART TWO — PART THREE

legend : [Y/N = your name] afab! reader, but they/them pronouns used, quirk not mentioned

headcanon type : fluff, angst if you squint

note(s) : i made 2 versions of this post so,, if you’re reading this— then i probably decided that i liked this one more than the other one i made,, anyways, i used real life examples 💀

»»————-　♡　————-««

kirishima eijirou

i’d imagine that eijirou would have an idea of what a pick me girl is— i mean, there were probably 2 of those girls in middle school

but has he experienced it first hand? nahh.

though, eijirou didn’t think he’d encounter one when he was already in a healthy and committed relationship!

eijirou is practically friends with everyone— and yeah, even the most unexpected. so, he’s bound to accidentally befriend a pick me girl

him, being the nicest one out of all of the characters in this list, will still be nice to said pick me girl, despite wanting to snob them to the core

because really— you can’t really fight fire with fire in some cases

but, he can be everything but lenient when the pick me girl starts insulting you for doing certain things, and for absurd reasons too

like,, how you laugh, and how you take care of yourself (for example— if you wear makeup, or how you style your hair)

which is odd! everything about you is everything but the things the pick me girl has stated so.. he cannot stand by.

SCENARIO

the girl giggles to herself after that snide comment leaves her lip gloss coated lips. eijirou shifts uncomfortably— honestly taken aback by the anything but subtle insult that was thrown at you

“like.. seriously! it’s honestly quite superficial if you look at it like that. who the hell would put that much effort infront of your boyfriend? i’d assume they’d see everything AND everything but.. i guess not.”

you blink. superficial? now that’s a new one. the girl infront of you has been babbling insults sugarcoated in boasts the entire time, and you’re just wondering if it’s about time you guys leave but—

“well that’s unfair,” your boyfriend laughs, “i put the same amount of effort as this cutie right here,” eijirou pokes at your cheek, earning a quick laugh from you— which he can only thank the heavens for that

“but that’s different. it actually looks put together when you’re doing it, eiji.” the certain glint in her smile makes you want to wipe it right off with a dirty mop, “it’s impossible to look put together with expensive clothes, but being built like a—”

the sound of the sliding of a chair is quicker than your actions, and it easily cuts her off.

“i’m sorry, but we gotta go, it’s totally not cool of you to say those things about Y/N!”

“what? but i mean.. it’s true, right? i’m looking out for them! they’re literally out here l—”

“bye!” eijirou waves her goodbye with your hand, dismissing the sour expression on her face— as he dashes off with you

you’d question how he’s just so nice to people like that, but when he turns around, you could see the distaste in his eyes

“so that’s what a pick me girl’s like,” shaking his head, his expression lights up with such a quick manner “i’ll never make friends that are like that again!”

safe to say, eijirou’s friend list has been a a person shorter ever since that incident

bakugou katsuki

oh, so that girl’s bold bold.

if she thinks she could get away with being a not so subtle pick me girl infront of bakugou katsuki, then she couldn’t be more wrong.

it’s absolutely revolting— i mean, he hasn’t displayed any romantic feelings towards ANYONE that isn’t you.

also, they’re quite gutsy if you ask me. so congrats for having guts??

i don’t think he’d be friends with a pick me girl. he’s very selective of who he’s befriending, so it’s probably your friend that’s the pick me girl in this case

he wouldn’t know what a pick me girl would be, but he’d probably know the description of one.

over some time, he’d grow some resistance to insults directed at him, but when someone insults his s/o

oh boy. that’s not good. remember when i said that katsuki was almost like your scary and intimidating dog

this is what i mean

knows he can’t make a scene, so his first option is to be dismissive asf— but if said pick me girl literally can’t get it, he won’t be afraid of shoving some explosions into her face

because his hands are rated e for everyone

SCENARIO

“so you wanna be picked or something, is that it?” he hates how you literally have the resistance of a rock— which is something he always liked, but in this case hated. if it weren’t for you— he would’ve blasted explosions into her sorry excuse of a face until it’s beyond recognition (that wouldn’t be hero like, is what you’ve said in the past, but he disagrees.)

but seriously? ugh. he just wants to leave this horrid place, and make some dinner with you in the comfort of his home. why are you even friends with her anyway? she’s not even trying to be slick at this point.

“p-picked? i’m not understanding, katsu.”

“it’s bakugou.”

“right,” her laughter is like nails on chalkboard, “i’m just watching out for Y/N, y’know? there’s no point in wearing all of that.. on their face.” and she’s obviously referring to your obviously very well done makeup

“it’ll make your skin terrible in the long run! and really— i couldn’t really understand on why someone would wear that much, when you could survive with i dunno.. lip gloss at most?”

you would’ve actually said something as a rebuttal, but your boyfriend is quicker, and a lot more direct than anyone else in the area.

“just say you can’t do makeup and fucking scram,” katsuki’s ice cold glare finally breaks out of the act he’s been trying to hold together for you

“their makeup is fucking bomb as hell, compared to your ridiculous spider lashes, lady. come back when you’ve watched james charles’ entire fucking channel.” he harshly states in similar bakugou fashion, despite the lack of screaming.

and if you squinted hard enough, you could see tears welling up in her eyes. but katsuki tugs your hand before anything else could be said

“let’s fucking go, you need better friends.”

he makes you cut ties with all of them, and he practically scolds your terrible choice of friends— but he goes quiet when you tell him that you’ve been friends with her since middle school

“good fucking riddance. next time, i’ll punch them as soon as they say something outta line, got that?” and next time (hopefully, there won’t be a next time) you’ll actually lash out— or maybe,, you’ll let him loose for once.

todoroki shouto

now shouto might be,, socially unaware sometimes. but he can tell whenever someone’s trying to insult his s/o

like,, right away.

now— you both run into this person after a pleasant date, and she eagerly presented herself as your friend

so, her attitude catches him off guard because who’d have anything rude to say about you and towards shouto’s face? especially when it’s about something normal.

like,, wasn’t she your friend?? why is she even like this?

his hostility is very well known, so they should be scared.

he gets detached from the conversation, and he’ll immediately go cold— and shouto would probably go as far as walking away with your hand in his

doesn’t matter if he properly says goodbye or not— if a girl’s being rude to his s/o, they obviously don’t deserve his usually polite attitude. nope, that’s a luxury.

oh— and what more when they’re seeking for his validation. newsflash! said pick me girl won’t be get any from him.

SCENARIO

shouto couldn’t stop the bitterness bleeding into his mouth, when the girl in front of him continued to babble and take up the valuable time he had left with his s/o

initially, she presented herself as your friend from middle school— but as of now? she seems to be more interested in him more than you, despite knowing you first.

she’d ask him a string of obvious questions with very obvious answers, like ‘is she treating you well?’ ‘is she acting correctly?’ and questions of the sort

“oh, sorry! i’d hate to cut this conversation short, but—” you finally decide that it was about time to leave, while shouto looks pretty,, deadpanned right now, you could tell that he was gradually starting to get irritated by your friend’s words.

“wait. thats.. kind of controlling, don’t you think? do you ever let shou make decisions?”

“uh.. controlling? since when??” you question at the accusation. this girl knows nothing about your relationship dynamic, and she’s already jumping the gun and making conclusions.

your gaze snaps back to shouto, who looks just as surprised as he could possibly be.

“yeah! it clearly looks like he still wants to talk” which is an obvious lie, shouto just wants it out of here “i wonder how you managed to snag such a guy like him,” she comments with a smile that looked anything above suspicion (yet, it makes your stomach churn)

you could see the way her hand gets gradually closer to him— and frankly, you’re not sure about what she was planning to do next, “you wouldn’t need to dress all expensive and fancy, if you’re with a girl with an already classy appear—”

“i think this conversation is over,” shouto grip is firm on the wrist that was attempting to grab his shoulder, shouto makes no attempt to even look at the girl infront of him “i don’t know what you’re trying to do, but it’s not humorous. at all.”

“what?” she stammers, drawing her hand back “i-it’s obvious they don’t know how to take a joke! this is why there are barely any good w—”

shouto’s next actions knocks her speechless, his hand rests at the small of your back, before gently guiding you forward— “love, what movie are we watching later?” he says, making an effort to press a quick, yet intense kiss on your lips

“oh,” you breathe out, surprised by this action. “don’t be so tense, love.” shouto comments on how tense your shoulders have looked, ever since she started running her mouth, “now.. what movie do you want to watch tonight? comedy? thriller?”

“you pick,” you laugh at the quick shift of topic. and when you look behind you, you could see shame and defeat welling up on her face. shouto finally feels like he could smile again, the bitterness dissipating from his mouth

after shouto questions you if that was what a pick me girl was, he makes sure that you guys won’t ever encounter such thing again

“you.. don’t have more friends like that, right? if you do— we could always do another friend list cleansing.” this statement makes you laugh but shouto is anything but joking

but being reminded of his reaction to that ‘pick me’ girl does puts a smile on your face.

»»————-　♡　————-««

likes and reblogs are appreciated, thanks for reading!

i do not own bnha/mha and it’s characters. boku no hero academia/my hero academia belongs to horikoshi kohei, i only own the writing and i do not profit off of my hobby

do not plagiarize, reupload, translate, or use my works for audio readings without permission

[eldritch-spouse]

An idea, Morell catches another one of the monsters about to eat his prized caught human, you said he's a pretty amicable guy to the other monsters but I feel like this might be something that pissed him off.

[Good ask. Sorry for the wait, I got carried away with it. Full reference for Vinnel probably in a week or two.]

(Minors dni)

TW: Violence, descriptions of inhuman body horror, yandere monsters, mentions of human consumption.

Morell will be honest here.

He's always been proud of the way he handles himself professionally. The mushroom monster is wholly passionate about his job, taking the satisfaction of his customers extremely seriously and never slacking off during work hours. He's good at what he does and no one can deny it!

Furthermore, Morell wouldn't call himself a natural with people, but many at The Clergy have been charmed into lively conversations with him. Maybe because he's a good listener, he's been told by certain chatty clientele that he exudes a sort of comforting aura. Whatever that's supposed to mean. Truly, he understands he's mellow most of the time, and maybe some folk think he's good looking, but the shroom didn't think those qualities would get him this far in his professional career.

He's working for The Clergy! Perhaps the most infamous monster establishment out there! Who cares about the reputation when the pay is so very appetizing? Who cares about any of that when he finally has the chance to work with his favorite ingredient-

Humans.

The best meat there is. The softest cuts, and so versatile too- Most people aren't even aware of how many different ways a human can be prepared! Which is a shame, this should be common knowledge available to everyone. After all, there's such a large market for human dishes out there, it certainly draws a very wealthy crowd to the establishment- And keeps Morell busy all the time. Sometimes he has to talk to Patches and order bobbles to come help him out in the kitchen. The little creatures are clumsy but they can be trained into decent workers.

The large mushroom monster hums as his thoughts drift to his best catch yet. His piglet. The best human out there, he's sure of it. Somehow, someway, the universe decided to reward Morell by handing him quite possibly the most succulent little porkchop out there. The monster knew, since day one, that he could not cook that human. Not yet anyway. Not ever really. He's not usually this… Stingy about a good catch, but Morell knows his chances of finding one like you again are next to null. Butchering you so hastily would be a complete waste!

No no, you have to be savored.

Morell can't get enough of your plush thighs around his fat cock. You can't take him yet, but you will soon, he's been training you for that. You take veggies like a champ, and truly, your come just makes them taste better. Morell's dick jumps in his pants as he recalls the image of you squealing on his fingers while he gagged you with a cucumber. Pretty pretty piggy, you've been distracting him too much with your cute trembling lips. Morell wonders how he can make you scream today after he's done-

" AAAAH NO NO NO- MOREELLL!! "

Well, that's definitely not the type of scream he's looking for right now.

The shroom's cleaver slams down on the cutting board with thunderous strength, nearly splitting his thumb in two. It'd take months to fully grow that back. The monster quickly attempts to yank it off, but the blade appears to be firmly lodged into the wood, splintering it even. He knows he should have gotten the metal one for this cut…

Racing out of the main kitchen area, Morell pushes bobbles out of the way indiscriminately as he races for the warehouse, seeing red. Who would ever dare enter his warehouse without explicit permission? Laying eyes upon his piglet without supervision is an infraction punishable by swift death and whatever sad excuse of a monster thought they could touch her without consequences won't know real pain until they meet the chef.

The large red doors burst open and he sprints to the far corner, where his piglet should be peacefully resting, chained against the wall. Instead, the shroom gets a sight that makes his blood boil hard enough to steam.

Of course it'd be him.

Vinnel.

The thin and tall jester has you corralled against the very corner of the room like a frightened hare, eyes bulging with tears while the sadistic monster wiggles its suit-clad fingers at you like a greedy parasite, his other comparatively massive hand right at your neck. He cackles at your despair, a wet and murky sound as if his throat were filled with expectorant. It tapers off to a lustful, hungry gurgle as he very carefully tips the bottom of his gleeful mask up.

Morell has never seen you look so horrified before. You're so focused in terror that you don't even register his presence. To be fair, he never actually saw what lies beneath the peculiar monster's full-body suit and perpetual mask, he just knows it's not right. Part of Morell is jealous that you never made that horrified face for him, the rational one is screaming at him to do something. The moment Vinnel starts bringing his now bare face closer to yours and something black drips onto your bare thighs is when the chef springs to action.

Vinnel's head darts his way, but he's not fast enough to escape, a strong palm compresses the jester's strangely malleable chest to the adjacent wall. The flesh, if he can even call it that, encompasses his hand through the suit. Morell grimaces at the sensation, but it's the sight of Vinnel's face that really catches him off guard. Pitch fucking black. Like his. But sickly. Filled with strange tar-like growths that protrude and drip down his chin, sullying the suit. More and more of it cascades at faster rates, as if the monster is liquifying right in front of him. In that vastly featureless void are two swollen black pupils and a row of horrid misaligned grayish teeth. No doubt what he was going to use to harm Morell's piglet with. Good heavens, Morell knew there was something physically wrong with Vinnel but this… This is awful.

" AhahahAHAHA- " The thing shakes with laughter, voice cracking. " Come now Mori, this one has to squeal too! It's not fair to the other ones, is- "

The shroom knew just what to do to get the obnoxious bastard to quit yapping.

Cruelly, he jabs his free hand onto Vinnel's face, minutely testing the material before viciously stabbing his digits into the monster's rotten slime, quite literally inside his head. The reaction is instant. The jester fails wildly and shrieks like a burning banshee, more ink-colored splotches being splattered across the room. It gasps and wails, a level of agony Morell most likely can't understand, nor does he care to.

" Didn' I tell folk like ya to stay off my kitchen a long time ago? " The chef snarls, grabbing a piece of semi-consistent slime and twisting it off Vinnel's face. It stretches outwards, dragging the jester's broken teeth along. Vinnel quakes and leaks more darkness onto the floor, weakly convulsing in Morell's grasp. One gloved hand attempts to claw at the wrist crushing him to the cold wall, but it merely poises there uselessly. " The nerve ya bastards got, for real. "

Finally, after the jester appears to be nodding off, Morell stops compressing its chest and throws him to the floor. The monster immediately crawls unnaturally across the floor, hands clutching defensively at its leaking face while he quickly fetches the discarded mask and slots it into place. Morell watches with ice-cold hatred in his eyes. The only reason the entertainer isn't dead on the floor by now is because he really doesn't want to stoke the flames of his manager's wrath. The shroom only speaks up again when the other has messily picked itself off the ground.

"Watch yerself. I hear ya jingling around these parts again and I won' be so hospitable. "

Vinnel's porcelain complexion shifts to a venomous leer. He'll taunt anyone even within an inch of his life, it seems. " Aye, harhk- Captain… " He spares one last look at the human behind Morell, coughs grossly again, and trudges off, lacking the energy to float as he usually does, leaving trails of black someone will have to clean.

Morell sighs, knowing he's just lost precious working time on something so utterly frivolous. It's not the first time the jester has tried to mess with his floor, but he was never bold enough to apparently try to eat Morell's prized piggy. Morell never had to get violent… But he couldn't help it, he didn't even think right. Of course the jester would try to terrify his human or take a chunk off them, his whole role in The Clergy is to be an entertaining sadist! And yet, all the chef could see was his frightened little piglet in danger, crying for him. For help.

You called him for help. Because you would rather be with Morell than anyone else in this hellhole, right? Such a sweet little thing you are, smart enough to know the shroom monster won't let anyone lay a finger on you.  Still, with the bad blood he just created between himself and the entertainer that will no doubt tattle to Admin, he needs to have you under constant watch for these next couple of days.

Morell sighs, brushing at his smock, then turns back around to you with an easy-going smile.

" Say piggy, ya wanna help out in the kitchen? It might stretch 'em legs. " The ones he tied together by the ankles.

You sniffle in place, still horrified by what you've just witnessed. It's a pity really, he'll have to treat you to something nicer when his shift is over. Morell watches a myriad of expression flash through your pretty face before you nod quietly.

" Th-... Are the bobbles there? " The sound of your hesitant murmur calms him down further.

Right, the little buggers you like so much. " Yup. Turnip's been askin' for ya. "

" O-Okay. "

[boldlyvoid]

Million Dollar Man | chapter two

18+

summary: Spencer's therapist recommended he branch out and meet new people who don't want to talk about his work... she didn't expect him to sign up for a Sugar Daddy website.

Content warnings: sugar daddy!spencer, age gaps (14 years), daddy kink, blow jobs, kissing, drinking mention, lowkey perv!Spencer, cum play, praise, oral (female receiving), grinding, love confessions, arrangements, Spencers anxiety, (more to add)

word count: 3.4K

a/n: updates on Wednesdays and saturdays at 2 pm est

Chapter Two | Masterlist

She sat on the subway with an anxious pit in her stomach and her purse held close to her chest. Her laptop in her bag, she didn’t want to lose it on her way to the most important meeting of her whole life.

Her story was becoming a book, she was almost done the final draft, they were making touch-ups to the cover and picking the type of paper today.

Her dreams were coming true within the next month, soon she’d have a physical copy of her book, her pre-sales were showing that she’d be on the bestseller list, and her name was finally going to be on the cover of this one.

She sighed and reached for her necklace, holding it between her fingers as she took a few deep breaths. She was doing so much better today than she was last year and it was all because of Spencer, he was the best thing to happen to her. To think she complimented his sweater vest and now he’s the only person in her life she can count on.

All she can think about is him for the rest of her journey, through 4 more stops she keeps her eyes closed as she thinks of all his little facts and his cute laugh. She smiles to herself and the anxiety slips away, she loves him and she knows that for sure, but she just doesn’t know how she loves him.

She’s never had a sibling, her best friends are all women, her previous boyfriends were all shit and her other sugar daddies were never this wonderful, and her parents are lesbians… she doesn’t know what her feelings really are for Spencer, mainly because she’s never known any other men to compare him to.

But she does know the exact moment she realized she fell for him.

He booked a hotel room in DC after a local case, asking her to meet him in there at 10 pm. She was waiting in the bathtub when he arrived, bubbles galore, her hair up and arms open, “welcome home, honey.”

He laughs, “you want me to get in there with you?”

She just nods, “let me take care of you, daddy?”

He takes off his blazer, pulls his tie off and starts to unbutton his shirt. She watches patiently as he gets undressed, and it’s not sexual to her. He’s her person, her best friend, the only human being she would ever share a moment like this with and that’s when it hits her.

She doesn’t accept it just yet.

It’s not until he’s lying on her chest, between her legs, cheek resting on her boobs as she runs a sponge over his back while he gives her a little run down on his terrible week. His co-worker almost died, his mom is stressing him out, the only good thing he has left is her and she knows that.

“And then I get to my moms facility and she’s had a really good day, she knows me and she knows all of my childhood again and she’s all right there in front of me and yet she’s so far away. I’m never going to get all the time I want with her and it’s really hard to accept.”

He shares things with her that he doesn’t even tell his therapist. Because his therapist doesn’t hold him like a child against her chest and tell him he’s okay when he get’s upset.

Y/N loves him, so she kisses his forehead, “I’m so sorry, I have 2 moms if you’d like to have one?”

“It’s okay, I would love to meet them sometime though,” he wraps his arms around her waist a little tighter under the water. “Thank you for tonight.”

“Did I mention my leg is 44 inches from hip to toe?” She asks in the middle of the silence, quoting pretty woman, knowing he hasn’t seen that far into the movie yet. “So basically we’re talking about 88 inches of therapy for the bargain price of $800 dollars a week.”

Her legs wrap around him and their naked bodies are closer than they’ve ever been and yet it’s completely platonic, “I’d spend a million dollars on you if it always meant feeling this good after.”

She runs her cheek along his wet hair as he snuggles into her neck, “mmm, I like the sound of that,” she teased. “My million dollar man.”

Her stop rolls around and she pulls herself out of her day dreams to get off the train and head to her meeting. She smiles as she walks through the station, up the stairs and onto the busy downtown streets when she gets a text with Spencers special chime. She opens it when she gets to where she’s going, safely inside and in the waiting room.

It makes her laugh in the waiting room. People look at her but she doesn’t care, he’s so special to her she feels butterflies in her stomach even when he’s not around.

“Y/N!” She hears her name being called by her editor, he’s over ecstatic as he comes running out to get her. “Come, come we have so many choices to make!” He jumps up and down as he holds her arm, like a child in a candy store.

“Andy, chill man,” she laughs at him and plays it cool, “It’s just the cover being finalized.”

“It’s our baby!” He teases back, pushing his glasses up and tugging her behind the glass doors of the office.

She’s surrounded by people and paper and huge versions of her book cover. She has a sharpie as she fixed mistakes and jots down final ideas. “And I wan’t Phil to look more human and less like data from Star Trek?”

“But Dorothy looks okay?” The artist asks, nervously and Y/N can tell.

“She looks beautiful! You really brought her justice,” she smiles, “really she looks the same in my head! It’s just Phil and I’m sure it’s tough getting a drawing to look like a robotic human, let alone human.”

“I have some ideas?” She opens up more, taking her iPad out and sliding it across the table, “I wanted to give him more of a Sophia feel? His face is silicone but his joints and everything are more like an Elon Musk crash dummy.”

“That’s perfect!” She’s shocked, “why didn’t that go in the first draft?”

“I was worried it was too much,” she’s a little older than Y/N, and yet her anxiety is that of a teenage girl. “I’m going to get working on the final, do you want some emailed versions tonight?”

“Yes please,” she smiles.

“So we’re done?” Andy asks, “we’ve made all our final calls?”

“I believe we have,” Y/N closes her laptop and takes her phone out, taking a photo of the final rough sketch of her book cover on the table to send to Spencer before he comes to pick her up. She can’t wait to see him now.

—

They’re sitting side by side in matching spa robes, he’s getting a pedicure while she gets her nails done. Leaning back in her chair with a face mask and cucumbers on her eyes, she’s never felt more relaxed in her life. And just in time too, her back was killing her from writing, her knuckles hurt and she just needed a break.

Spencer did too, he was genuinely not having a good time at work anymore, every case made him spiral and he always looked to Y/N on days like that. They met more than once a week now, she got $800 every Friday and she didn’t even really need it anymore. He was coving for so much of her bills and lively hood that her savings account was growing and growing because of him.

For the first time in her life she thought she would be okay if a man left her. As terrible as it was, as much as her moms tried to raise her differently, she fell down the daddy issues rabbit hole and she’s never going to find her way out— however, luckily for her, Spencer is down here too, and he brought a flashlight.

He understands her, more than anyone else on earth. He knows all her secrets, every crush and bad grade and snide remark she’s ever kept to herself. He didn’t judge her, he could actually listen to her issues and tell her why she had them. He gave better advice than a therapist and he was able to get information for her if he didn’t know the answer to what she was going through.

He’s absolutely everything to her and yet he’s 14 years older than her, he’s still traumatized beyond belief, he’s sad and ashamed and recovering… but he’s the best man in the whole world and she wishes he could see that. If he just looked at himself from her eyes, if he felt how she did in her soul when they were together, he’d love himself.

They’re too relaxed to drive home, and Spencer knew that would happen beforehand, bringing her a change of clothes (lingerie) and that robe me mentioned. He books a hotel above the spa and takes her to it. Arms linked as they enter the suite, she’s amazed to find more than one gift bag on the bed.

“How many gifts is this now?”

“We’re at 5 out of 24.”

She laughs as she wraps her arms around him in a thank you hug, “this is what you consider 4 gifts? Spencer there are like 8 things on the bed, let alone the massage and manicure?”

“If you think this is too much I guess you’re going to get really mad next week,” he teases as she looks up at him with a surprised look on her face.

“Spencer, I am so busy next week, I cannot be galavanting around with my sugar daddy,” she tries to act like she doesn’t want to go on an adventure with him again.

The last trip they took was the best week of her life. They went to all the historical sites in the UK that she and Spencer had talked about. Mainly old churches and castles, strange poets graves, random art and most importantly; stone henge. It was a trip of a lifetime and he took it with her.

“I watched the rest of Pretty Woman the other day,” he smiles, “and I thought I’d pull an Edward Lewis and really surprise you because you deserve it.”

“You know how the movie ends, right?” Her heart beats really fast in her chest and she wants him to love her so bad but it’s also terrifying now that she’s this close.

“He lets her choose,” he whispers.

“He rescues her,” she corrects him.

“And she rescues him right back,” he really did watch the end of the movie.

It makes her heart skip a beat as she swallows sharply, “what does this mean for us?”

“I have a whole plan, a whole sequence of events I want to stick to. I wanted to make you fall in love with me this week and ask you on your birthday, can we still do that?” He pleads with her, he’s so serious. He’s clearly put a lot of effort into this.

“Absolutely,” she smiles, “but if you’re going to make me wait that long for you to ask, you still can’t kiss me till then. No matter how much I already love you.”

“Really?” He’s so soft with her, she knows he’s not reacting to the teasing. He’s never had someone tell him they love him and then stay after.

“I would never lie to you about that, spence. I know what love means to you, I know how scared you are and I’m scared too. But I know there is no one else in the whole world I’d rather be scared with than you,” she holds him tighter and rubs her nose against his, “so what’s in the bags, daddy? Finish your surprise.”

She plays along perfectly, stepping back and hauling him towards the bed. “I got you some outfits and things for the next 2 weeks, we have a few things planned. We’re going on a flight soon, I have new luggage being delivered to your apartment this week and we’re going to see your moms for 3 days.”

“No,” she shakes her head, “there’s no way, Spencer, I haven’t seen them in 5 years, I’m going to cry.”

“I know,” he cups her jaw with his hand. “They’re really excited to see you.”

She hugs him tight, kissing his neck as she holds him. “Thank you, daddy, do you want me to put something on for you now?”

“I’m just going to take it off you, plus, what your wearing is sexy enough, he whispers back. “You’re always so beautiful, baby.”

“I thought you were saving the best for last?” She asks as she pulls back, overly eager and he can tell.

“I want to repay the favour from the other night.”

She doesn’t mean to gasp and yet she does, “please?”

He pulls on the tie of her robe, opening it enough to snake a hand behind her back and draw her in with a hand on her bare back. “Please what?”

“Please, daddy?” She looks up with her best begging eyes, perfect pout and all. “I want you to touch me, I promise I’ll be a good girl.”

He steps away from her to swipe all the bags off the bed before picking her up and laying her back against the pillows. He kisses down her body, hand on her lover back as she arches, he drags his bottom lip from her belly button to her cleavage. Nipping and sucking at the exposed skin on her chest, pulling her breasts out of the bra to suck on her nipples, she moans and it’s louder than she expected.

As she plays with his hair, he marks her, bruising small little love bites all the way down as he makes his way between her legs, “take me, please?”

He’s been dreaming of this for so long, he can’t even give you an accurate number of times his mind has drifted to the thought of how wonderful she would taste, how beautiful she’d sound…

“Tell me how badly you want me?” He asks as he spreads her legs and kisses her left thigh.

“I haven’t had sex in 10 months while waiting for you. Daddy, please you’ve owned me for so long, just take what’s yours already for gods sa- OH!”

With a broad lick, his tongue flattens against her core and it shuts her up. She gets what she wants, holding into his hair as she tosses her head back, taking it all in and enjoying it. He’s been on her mind for months, every time her vibrator was where he is now, she thought of him. he’s been the man of her dreams longer than she’s known him, and he was proving it.

“Right there, daddy,” she speaks through shallow breaths, “do you know how much I’ve thought of this?”

“You know I don’t,” the vibrations of his voice against her skin are glorious, he looks up at her through his lashes as his tongue flicks over her clit and she shakes a bit.

“Fuck,” she gasps, gripping his hair tighter, “better than I thought you’d be, fuck, too bad you— Jesus, don’t have the stash anymore…”

He stops and looks up at her, the smirk on his face glistening with her juices, “the stash?”

She nods, “I’ve thought about calling it the pussy tickler,” she teases, running her hand down his cheek and swiping her thumb across his bottom lip before bringing it up to her mouth to taste, “I want more of you.”

He kisses back up her body and she reaches for his robe the second he’s close enough. “Just grind against me? I know you’re waiting but we can still feel good together?”

He kisses the side of her mouth and she takes that as a yes, wrapping her legs around him so his hard cock is pressed right against her core as they move their hips in synchronicity with each other. His breathing is heavy as he kisses her cheek and jaw, her nails scratch down his back, he feels absolutely amazing against her.

She feels so empty, she wants him so bad she’s clenching around nothing as she squirms against his cock and wishes she was full.

“I wish I could move time,” she whispers. “Fuck, why can’t it be my birthday?”

He laughs against her, grazing his teeth over her neck and drawing another moan from her but then he stops moving his hips, “why are you so impatient?”

“Remember I said I stopped enjoying everything? Well, taking a 10 month break from sex and thinking about you every time I got off has made me desperate,” her hand cups his cheek, “I’d wait forever for you, but a girl needs to be fucked hard every once in a while.”

Only she could find a way to make something both profoundly beautiful and whorish at the same time, he loved her for it and she knew that now. He smiles and leaned in to rub his nose against hers and it takes everything in her not to kiss him. The same way it was taking everything in him not to slip into her as he began to grind against her once more.

She’s so close, the accidental edging has added a whole new level of desperation she’s never felt before. She wants to cum for him so bad, but more importantly she wants him to cum for her.

“Take my bra off,” she whispers, Spencer’s hands travel behind her back to unclasp it and he helps her out of it before tossing it to the floor.

“Cum for me daddy,” she whispers in his head with a hand in his hair, gripping him tightly as he bites at her neck, “cover me with your cum like you’re marking your territory.”

“Shit,” his hips sputter against hers.

“Say it, I know you want to,” she teases, so close to the edge but it’s too good of an opportunity. She loves seeing him fall apart like this and she can’t wait to see it again. “Who’s am I?”

“Daddy’s girl.”

He grinds down on her harder and faster and she’s so close, the bubble in her gut is reaching a fever pitch and with a gasp, she’s cumming and then she feels it. His load covers her stomach as he pants against her neck and grips her hips tighter as he comes down.

She wraps her arms around him and holds him as close as humanly possible, her breathing still heavy as he rises and falls on her chest. He’s heavy but she doesn’t care, she just kisses the top of his head and thanks him.

He brushes his nose against her neck, nuzzling her like a cat, “do you really mean it?”

“What, honey?” He remembers so much, this could be a question about something she said 2 months or 2 minutes ago and she has no clue.

“You’re not just playing along with my kinks right, you genuinely want to be mine?”

For being her million dollar man, his heart sure was broke. This is why he wasn’t ready, he still didn’t understand why she would want to stay without anything in return, he’s gotten so used to paying her for her time now that his anxiety has managed to convince him that she’ll leave when he stops being worth it to her.

“What does my necklace say?” She asks, knowing how close he was to it. “Read it to me, I forget.”

“Daddy’s girl,” he smiles again.

She soothes her hands over his back, “I would do anything with you because I love and trust you, but also because everything you do is sexy… you could read me the dictionary and I’d still want you to pump me full of cum after.”

“It sounds so crude after,” he laughs, “speaking of, we really need to have a shower.”

“I’ll wash your back if you wash mine?” She teases as he gets up.

“Only if you let me wash the front too?”

She smacks his bare ass and races him into the bathroom, turning on the water and getting in with him while still laughing and carrying on. He’s her best friend in the whole world, there’s no one else she would rather do this with… there was no one she has done this with. No one has made her feel this good, before during and after sex.

Spencer Reid was an anomaly, but he was hers.

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[slytherinsnekxvii]

let's talk about lily evans and the marauders, aka moony, wormtail, padfoot and prongs. given that i didn't use their actual names, i think you can figure out where this is going. it's also long as hell, so. canon vs fanon, marauder edition, except snek is sleep deprived.

now, before we begin, i don't dislike the marauders. or lily, tbh. if I'm being perfectly, genuinely honest, i still go back and forth sometimes but they've been growing on me for a while now. the canon versions, at least. fanon does them real dirty, and that's part of why i'm writing this, because i'm genuinely tired of it. it's an injustice.

you can at least make excuses for james and lily, who were so undeveloped that jkr practically dropped a fill-in-the-blank sheet of character information in our laps, but sirius, remus and peter were around long enough for y'all to get real acquainted with them.

in canon, sirius black is an unhinged mf. genuinely. this isn't to say he's a bad guy, in fact, we see that he's still capable of doing good things, still capable of love, still capable of all the things that prove he's actually not bad at heart, just,,, severely traumatised and very steeped in negativity from his time with the dementors. what i'm saying is that this man is absolutely, no questions asked, no holds barred demented, and how could he not be? the guy sat wrongfully imprisoned in azkaban for twelve years, a good portion of which he spent as a dog in order to protect himself from the dementors. he certainly wasn't completely insane, but you cannot tell me that he was all there. he got out of azkaban fuelled almost solely by the intent to get revenge on pettigrew, tried to commit murder in front of three witnesses who were also children—one of whom was his godson—ate rats and was also malnourished, which i'm certain did not help the situation any. this man is off his goddamn rocker, and you know what? you love to see it. good for him.

oh, but, snek, that's what he's like as an adult. what about when they were at school? before azkaban? my guy, the reaction he has to grimmauld place is not the reaction of someone without trauma. i don't believe that walburga and orion were the type to physically abuse their children, but whatever happened in that house helped to fuck him up enough that he skipped the joke of part of practical joke, and pranked snape by telling him how to meet a werewolf that he knew would be fully transformed and dangerous to humans. more than that, the werewolf was remus, whom he's friends with, and who—best case scenario—would be facing a trial if james hadn't stepped in. you can say that maybe he didn't think about or understand the gravitas of his actions, but at the end of it, that's not how properly sane people react to people they dislike, and that's not how they treat their friends. if anything, it reads like he was in the middle of a breakdown and absolutely losing his shit and he wasn't thinking at all.

my guy went through some serious shit, and was in no way completely mentally stable. we can see pretty clearly that he's got a serious dark side to him that probably would have gone unbridled had he not disagreed with his family, and yet, fanon took one look at him and went, "teehee, uwu bad boi go vroom."

fanon said padfoot is a pretty boy with nice hair who is tastefully traumatised from his horribly abusive household. sirius rides his motorcycle and plays jokes and flirts with anything that moves, but he can do no real wrong and always comes back to his soft, bookish, chocolate-loving boyfriend remus, who will laugh about his lycanthropy and quietly disapprove but secretly laugh at his friends' antics while hiding his smile in his cardigan.

respectfully, what in the absolute fuck.

i'd put that meme in here if i could, the one that's like, "well done, you've broken _______ down to its bare essentials," but no. i can't bc it doesn't even apply. this isn't a meme, it's theseus' fucking ship.

fanon broke it down, and replaced the pieces one by one until we got to this point, where we need to sit down and ask ourselves, "is this even the same character?"

the answer is no, by the way. it isn't. when people talk about woobifying characters—you know, taking away every flaw they have, romanticising everything they do and making them only capable of doing good, wonderful, lovely things?—this is what we mean.

and it'd be one thing if it was just the one character, but, no. fanon went all in and made them all squeaky clean and boring, especially peter, who draws the shortest of the straws.

remus got fucked, too. not just because fanon insists on sticking him into a relationship with sirius. which, we'll tackle wolfstar in a bit, but that's not even the worst of it. here, we have yet another example of blatant, rampant woobifying. again, is he a bad person? no. we know he's a good guy, we know he's generally kind and well-mannered, we know that he wants to fo the right thing but hey, fun fact. did you know that you can be nice and a coward? did you know that you can be benevolent and good and kindly and have the greatest of intentions and still be shady as fuck? no? ask dumbledore. the man played people like chess pieces when he needed to, and he was a twinkly grandpa. these are things that can coexist.

teenage remus is a coward who, understandably, does not stand up to his friends, likely for fear of being ostracised, and doesn't uphold his prefect duties as he should and takes part in their bullying of snape as a result. he lets them romp with him in werewolf form while they are in their animagus forms and then, he lets them continue to do so even after they have multiple close calls, which, again, had anything happened, would have resulted in a trial in the best case scenario.

grownup remus is still a coward, he tells no one that sirius can move about the school in his animagus form despite wholeheartedly believing that he's a mass murderer, he tries to run out on his wife and unborn kid. he isn't deliberately making attempts to harm anyone, but he's content to sit back and let things happen to him and around him so he doesn't rock the boat, although he is capable of action, which we see when he is more than willing to help sirius merk pettigrew in the shack. he can be careless, he runs out to the shack knowing he hasn't taken his wolfsbane and ends up transforming in front of the students he, as a teacher, is meant to be protecting. of course, this doesn't negate his good qualities, it just bears repeating that his flaws do exist, and they're pretty serious.

fanon moony is always pleasant and kind and soft-spoken and bookish, and he always has to have his chocolate. he knows when to tell off his friends, and he'll do it, even if he's secretly amused by everything they do and laughs about it with his best friend, lily evans, who coincidentally spends all her time with them so he and sirius can go on double dates with james and lily and no one has to remember peter exists.

why. theseus' ship 2.0. does the actual character still exist or is this something entirely different thing bearing the same name?

as for peter, who needs peter pettigrew, the actual, legitimate, fourth marauder when you have lily evans? canon pettigrew is opportunistic as fuck. he's latching himself to the biggest bad on the block and he's going all in. for teenage peter, that was james and sirius, and for adult peter, that's voldemort. canon peter is good enough at transfiguration to master the animagus transformation, just like his friends, and he's good enough at potions to brew the potion that gives voldemort a body. and honestly, you can't say he wasn't brave. he could've run off somewhere and died, or changed his identity or something after he faked his death and framed sirius, but, no. he goes and resurrects voldemort. that's fucked up, yeah, but it happened and honestly, i respect that it. he stuck to his guns.

fanon wormtail is lucky if he exists beyond being a spineless sycophant for james and sirius, or an evil conniving little rat who's looking to toss his entire friend group to the wolves at eleven.

of course, this isn't meant to negate his bad qualities, he still murdered people and framed sirius and sold out the potters to die, but his good characteristics do exist, and james, sirius and remus genuinely were his friends.

and now, we get to lily and james.

we have hardly any information on either of them. they're a pair of cardboard cutouts that we can paint and stick flyers to and colour outside the lines however we want. we can do whatever the fuck, as long lily is brave and smart and somewhat kind and james is brave and willing to die for his family. we were essentially handed a pair of ocs.

and yet.

what little bits of canon we have are thrown out of the window regardless.

james is privileged and rich, and he throws hexes for fun. he's willing to hex lily when she disagrees with him, and then, he goes behind her back to continue hexing snape after she believes that he's stopped doing so. and that's all we know about him until he dies for his family at twenty-one years old. once again, say it with me: this does not negate his good qualities. he definitely had them, he took sirius in when sirius ran away from home, he became an animagus to keep remus company as a wolf, and he saved snape in the shack, thereby saving remus and sirius by extension. him having flaws does not make him a bad person.

fanon prongs is a feminist. he fights for equal rights for women everywhere, and he constantly treats his girlfriend, lily, like an absolute queen. he's the hottest boy in school and everyone claps when he walks through the halls. mcgonagall and dumbledore are always patting him on the back and making jokes with him. he has a built-in dark detector that helps him sense when someone is a evil and needs to he punished.

give me a break. the dude's cool and all, but was the gary stu treatment necessary?

...oh, he needed to match fanon lily? right, right.

canon lily is a contradiction unto herself. she's supposedly a great friend, but since we see her at a point where they were already drifting apart, we see her putting little effort into keeping their friendship afloat. she victim blames based on rumours, she doesn't seem to care over much about what snape has to say about the people who have been tormenting him since day one. and she's justified, of course, she doesn't have to stick around. canon lily is a bit of hypocrite, she says that snape calls everyone of her birth mudblood, but then that begs the question why she still hangs around with him if that's the case. he calls her mudblood, she retaliates by calling him snivellus, and finishes up with a dig about his underwear, which, sure, it's kicking a man with a rusty spoon and pouring salt in the wound, but she's, again, justified. i get where she was coming from. and then, of course, she dies for her kid after marrying the guy who relentlessly bullied her quote-unquote best friend for their entire school careers. but, like i said, canon lily is, in many ways, a contradiction.

lily is basically a plot device. she pushes everyone's narrative but her own, and does little else.

of course, this trend would continue in fanon. fanon lily exists to be the perfect girl who gets really angry over the slightest injustice, and of course, she gets to be one half of one of the oldest enemies-to-lovers "it was just sexual tension" cliche pairings in the book. she's just,,, a mary sue. in so many fics, so many headcanons, she's just pettigrew's stand-in, a girl to form a gang with marlene, mary and dorcas—who happen to be more undeveloped ocs who also get the woobify mary sue treatment—to parallel the marauders. there is nothing compelling about her character when she's presented as a saint, and even less when she's supposedly the other moral compass for the marauders that doesn't actually work because she thinks that james is cute.

and this brings me to the next topic. jily. what, why, how. this was supposed to be a healthy, happy relationship that would have lasted in the long run? absolutely not. even for its time, i can't say that i see it lasting.

first of all, jkr presents james' crush on lily as just that: a crush. a mildly obsessive one, but a crush nonetheless, which she tries to liken to the pulling of pigtails. and then, we see that james' way of getting her to go out with him consists of blackmail, and when that doesn't work, he resorts to threatening her. this could have been set aside if he had actually, genuinely changed when they started spending more time together, but as we're told by sirius and remus, he didn't. he just got better at hiding what he was up to. and it has to be that he hid it, because if she knew, this further damages the character that she's set up to have and paints her out to be either unable to stand up to him or an enabler.

regardless, they get married. and while i have trouble believing that it was out of genuine love, there are scenarios that could make some semblance of sense. it's wartime, after all, and maybe lily is worried about her stability in the wizarding world, so why not marry into an established family whose son is already showing interest? or perhaps, she falls into the trap of every bad boy cliche ever, and she thinks to herself, well, i got him to be better then, maybe i can get him to do even better in the future. or maybe, she doesn't get into a relationship with him immediately and sees him on and off, until eventually, she accidentally gets pregnant and they scramble to have a shotgun wedding so as not to leave lily alone at nineteen with a baby. or maybe they marry each other because they're there and sure, neither of then is ready and they don't know what love even is but what else is there to do when there's a dark lord about? anyways, the point is, they get married.

and then what? if we count pottermore into canon, he goes on to further damage her relationship with petunia and vernon, to the point where she ends up crying. if we don't, she fades into the background enough that nobody has anything to say about her. she's harry's mum, she's james' wife, lily potter, she was kind and smart and brave and that's it. her agency is gone, anything else we have of her personality is gone.

jily just,,, wasn't built to last. and, yeah, this,,, this is a hill i'll die on.

same with wolfstar, honestly. there are so many reasons why it wouldn't work, but fanon has made it so fucking prevalent that it's literally everywhere no matter where you look.

first of all, i've said it before and i'll say it again. sirius is more likely to get with james that he is to ever end up in a relationship with remus. their chemistry is just,,, underdeveloped. net zero for a relationship.

secondly, sirius instigated the werewolf prank, and lupin would have paid the price for it. this could have been overlooked, but he doesn't seem the slightest bit guilty about any of it when it's brought up in poa. he could have been responsible for lupin losing the security of his place at hogwarts in the best case scenario, and in the worst case, his life. and he seems to look forward to full moons, even though they clearly aren't pleasant for remus, which,,, yeah, you're going to have fun, but like, maybe be concerned about the fact that your friend undergoes excruciating pain and it isn't a pleasant time for him? read the room, my g.

thirdly, they don't trust each other as much as fanon seems to think they do. they were both willing to believe each other the traitor before ever suspecting pettigrew. sirius thought remus gave away the potters, hell, he thought remus was a spy for voldemort, and remus was convinced that sirius was a mass murderer. neither of them needed to be convinced.

fourthly, maybe i'm reading too much into it, but like. sirius had money. remus had no money, since, yk, he was a werewolf and struggling for cash and still, sirius,,, did not leave him any money. i feel like if you had money to spare, you would give to your friend who is literally poor. but, again, maybe i'm reading too much into it and this isn't as valid a point as i think it is.

and ehh, the fifth reason is that it's,,, actually very much not the representation for the ltgbt community that fanon says it is but y'all aren't ready for that conversation.

anyways, just,,, even when you set the couple shit aside, the power dynamics between everyone here is fucked. like, james and sirius are clearly at the top of food chain calling the shots and egging each other on. then there's lily, who isn't even a marauder, but is always ever-so-slightly above remus but still not on their level, because, well. neither of them actually listen to her. remus is the novelty friend, the friend who's,,, alright, i guess, but you keep them around specifically because they're funny or they can dance or they have something that you can either show off to other people or keep as your little inside joke, your little secret, yk? and peter is just sort of there. like, yeah, he can do what we can but does that make him as good as we are? no. does he have a funny little something about him that we can exploit? nah. therefore he sits at the bottom. and like, yeah, james and sirius are on the same level, but james is yanking sirius' chain, not the other way around. anyways, like i said. power dynamic's fucked and it bothers me that we were given all of this, and fanon decided to take it all and throw it away so they could give us flamboyant!badboi!sirius black x softboi!motherhen!remus lupin going on double dates with feminist!trustfundbaby!james potter and saint!lily evans while ignoring peter pettiwho?

theseus' fucking ship, indeed.

anyways, this needed to be said. it might not make as much sense as i want it to, considering it's 4:12 in the morning as i'm posting this, after taking a break from writing to do some research and coming across way too much content about fanon marauders, but it's here and it still makes enough sense that you can read it and understand what i mean. and like, at the end of the day, you can go ahead and headcanon whatever you please, you can write fic and make art and do whatever you like, just,,, remember that they're exactly that. headcanons. stop presenting fanon as canon. please. i'm literally begging. we actually have evidence against it. just,,, acknowledge that they're headcanons and stop putting them forward as though they're able to fit into canon. please.

[rocorambles]

Lost and Found

Pairing: Yuji x Reader

Summary: You’ve always wondered what happened to that pink haired boy who had become your closest friend in the very early years of your life and you finally get the answers you’ve been searching for.

A/N: This is for the Anilysium Server’s SFW collab. Masterlist can be found here!

The first thing you notice about Yuji is his pink hair. There are lots of kids your age playing in the park, laughing and talking to each other in the sandbox, on the swings, at the playground. But it’s that shocking head of pink that grabs your attention and with childish innocence and curiosity you make a beeline for the boy you don’t know, ignoring your mom’s warning to stop running. And it’s with embarrassment that your mom chases after you, profusely apologizing to Yuji’s grandfather when you grab a tuft of that soft pink hair in your little fist in awe.

But fortunately for the both of you, the older man just smiles and waves away your mom’s mortification and Yuji giggles, light brown eyes sparking as he grabs a strand of your hair in return, commenting on its color.

It might be the strangest greeting either adult has ever seen, but it seems to work as you both release each other’s hair and instinctively reach for each other’s hands as you race towards the sandbox, chattering about what the two of you can build together with the little plastic buckets and shovels sprawled about.

Yuji’s always been a social child, boys and girls naturally drawing towards his sunny disposition and outgoing nature. So it’s not shocking to see how quickly he’s befriended you. But what is interesting is how attached he is to you and his grandfather smiles in amusement when Yuji instantly searches for you first when he goes to the park each day, flat out ignoring the excited cries from his other friends to join them, either perking up or pouting depending on if you’re there or not. And to both his and your mother’s entertainment, you seem equally enamored. The two adults exchange knowing smiles when you practically drag your mom into a sprint upon seeing your new best friend.

Your parents take turns taking you to the park depending on their work schedules and on the weekends the three of you all go, enjoying a day off as a family. The Itadoris get to know both your parents well and the adults picnic and chat amicably and easily as Yuji and you romp and run around the park.

But it was only a matter of time before your curiosity got the better of you and for once Yuji is quiet when you ask him why it’s always his grandpa who brings him to the park.

“Where’s your mommy and daddy?”

There’s no malicious intent and you quirk your head in confusion when he doesn’t immediately answer what seems like an easy question to you.

“I don’t have a mommy and daddy.”

You’re not sure what to do or think of that reply, so you easily move on to your next question full speed ahead in a way only children can, leaving the weird feeling surrounding Yuji and you far behind. And this time it’s Yuji’s turn to cock his head in confusion with your next inquiry.

“Do you want to get married when you’re older?”

“Married? What’s that?”

“Married like my mommy and daddy! It’s when two people really like each other and want to spend the rest of their lives together.”

The concept of a mom and dad aren’t foreign to Yuji. He knows it’s normal, knows he’s the odd man out even at his young age with only a grandpa to take care of him. But he’s never dwelled too much on why he doesn’t have a pair of parents, fully satisfied and happy living with his grandpa.

But marriage...that’s a new concept he can’t quite understand, something he’s never seen firsthand or grown up with in the household. And he listens in awe as you ramble on with your explanation.

Is that why your parents always seem so happy together? Is that why grandpa sometimes seems so sad? Because he isn’t married? Yuji wants to be happy too!

“Let’s get married!”

You stare wide-eyed at the enthusiastic boy staring intently at you, surprised by the decisiveness in his tone.

“I really like you and I want to play together with you forever!”

Well when he puts it like that…

You grab his hands in yours and excitedly nod your head.

“I really like you too! Let’s tell my parents and your grandpa!”

Three sets of mouths gape at the two of you when you determinedly stand in front of where the adults are seated, hands entwined as you announce that the two of you are going to get married. And then there’s laughter and your parents and Yuji’s grandfather are cooing and shaking their heads in amusement at how adorable the two of you are.

“Marriage is for when you’re older, so Yuji and you have to wait a little longer until you get married, okay?”

“Okay!” you both scream before running off to play on the slide, promise already pushed to the back of your little heads as you shriek and giggle about who can get down the slide faster.

Life continues on and despite how months pass and then years, the two of you never tire of each other, only seeming to become closer and closer. So it makes it that much more jarring when Yuji suddenly disappears.

Your parents don’t know what to do, cursing themselves for not exchanging numbers with Yuji’s grandfather and their hearts break watching you patiently sit alone on a park bench, refusing to play with or meet anyone else, telling everyone you’re waiting for your best friend. They hope it’s just a one day thing, but one day becomes two, two becomes three, and when Yuji and his grandfather never appear for an entire month, you also stop going to the park, the location only causing you more distress than good.

Fortunately this happens not too long before you enter middle school and your parents sigh in relief when you become too busy acclimating to a new school environment and making new friends to continue crying over the sudden loss of your best friend. Sadness is more fleeting in your youth and they’re grateful for this, warmly welcoming the new friends you bring back home after school to study with.

You never forget Yuji. You don’t think you could ever completely forget the boy who had been your first ever close friend. But he begins to become a distant fond memory, a mystery you think you’ll never solve. You think of him from time to time, especially as you get older and gossip about cute boys in high school, giggling and asking each other how many kids you want when you’re older, who you’re going to marry.

A wistful smile spreads across your face and you remember how sure you had been as a child that Yuji was going to be your husband, confident promises from two children who didn’t know the first thing about marriage and love. You wonder what he looks like now. Is he as happy and easygoing as he used to be? Is he as loud and talkative? Does he have a girlfriend?

You get your answer sooner than you had expected and you freeze in the middle of the busy Tokyo streets when a familiar shock of pink hair enters your line of sight. The boy’s back is turned to you and you tell yourself you’re being overdramatic. It’s Tokyo. People dye their hair all types of colors now. So what if someone else has pink hair?

But your heart tells you differently. It’s been over a decade since you’ve seen that little boy, but you swear it’s the same exact shade of pink you remember grabbing in your tiny hands back then. And before rationality can catch up to your soul, your body is already moving, drawing closer and closer to that broad back.

“Yuji?”

The name comes out softer than you intended and you wonder if he heard you. But then he’s turning and your throat begins to choke as a pair of familiar light brown eyes lock with yours. There are millions of people in Tokyo, hundreds swarming around the two of you as they make their way to the next destination. But at this moment, it’s only the two of you and before you know it he’s rushing towards you and you gasp at the feeling of a calloused thumb gently brushing your face.

“Don’t cry. Please don’t cry. Oh my God, I can’t believe it’s really you.”

You don’t even realize the tears streaming down your face that Yuji is desperately trying to wipe away. Oh, that’s why he looks so blurry right now and you give him a happy watery smile before flinging your arms around him, soul at peace when you feel him return the embrace.

He’s so different from the young boy you knew. Taller, bigger, stronger. And yet, despite the many years that have passed, you can’t help but feel like not much has really changed at all. It feels completely natural for him to lace his fingers with yours like he used to and you let him lead you to a nearby cafe where he prattles on and on about what he’s been up to since you last saw him.

It feels surreal, like a rose tinted dream, and you tightly clutch at his hand even when you’re seated across from each other, afraid that if you let go, he’ll disappear and you’ll wake up all alone again. Turns out he’s just as talkative as he used to be and you find comfort in the familiarity of his tone despite the fact that his voice is a few decibels lower.

His grandfather suddenly got so sick that they needed to send him to a hospital and with no other adults to take care of Yuji, he couldn’t go to the park and tell you what had happened. You only cry harder when Yuji becomes teary eyed himself when he tells you how he went to the park almost everyday when he was old enough to go himself in middle school, hoping to find you so he could explain what had happened all those years ago. And Yuji joins your watery breakdown when you tell him how you waited a month for him (eternity for a young child), how you sat alone and never played with anyone else because you were always hoping that he’d show up again.

When your drinks and food arrive, you sniffle and laugh, drying your eyes, one hand each still firmy locked in each other’s grasp on the table.

“No more crying. We’re going to make up for lost time.”

Your parents are stunned when you bring Yuji back home with you that day and there’s more crying when they find out what had happened and of Yuji’s grandfather’s death. But they’re quick to welcome back the boy in their little family and Yuji becomes a common sight in your household and at your dining table, joining your families for meals and birthdays, studying with you, watching anime and playing video games late into the night, helping your mom with cooking and your dad with chores around the house. And the confirmation that he’s part of the family is only solidified when your parents tell you that all four of you will be going to visit Yuji’s grandfather’s grave together to pay your respects.

There’s not a single dry eye as you all picnic and sit in front of the tombstone and Yuji gratefully accepts the forehead kisses and hugs your parents shower him with, never once letting your hand go as you chat to Itadori-san’s spirit. You give your parents some alone time, letting them talk at length to the old man they had grown so close to while Yuji and you had played.

The two of you reminisce on those carefree days, teasing each other about who can build a bigger sandcastle now. You giggle and ask him if he remembers promising to marry you, joking about how silly and innocent the two of you were then. And you turn to Yuji, expecting to see him laughing with you, but there’s not a hint of humor on his face as he resolutely stares at you, light brown eyes concentrated as they gaze at you.

“I still want to marry you.”

You gape at him, waiting for him to break character, laugh and make fun of your dumbfounded expression. But it never comes and instead he tentatively grabs your hands, holding them in his, thumbs brushing soothingly over your trembling knuckles.

You’ve never seen Yuji nervous before. You don’t think you even thought it was possible for him to be afraid of anything. But standing in front of you, light brown eyes uncharacteristically flitting about as he tries to find adequate words, he looks so vulnerable, so sincere, so genuine. And you wait with bated breath, hope fluttering in your chest.

“I like you, like really like you. I know I said that when we were kids, but it’s still true, just like it was true back then. We lost a decade together and I know we’re still making up for that lost time, but I can’t help but feel like what we have hasn’t changed a bit. If anything I like you even more now…”

He trails off and your chest feels like it’s about to burst in fondness when you watch him trail off, uncertainty and embarrassment obvious in the way he shifts from foot to foot, a pink flush gracing his cheeks.

“I like you too, Yuji. Like...really like you.”

You giggle at the pout he gives you at the teasing tone of your voice as you use his words against him. But then it’s your turn to shift your weight from side to side as you also try to wrap your tongue around the feelings Yuji’s stirred inside of you since your reunion.

“I think I know exactly what you mean. We aren’t little kids who only run around and play in sandboxes and playgrounds anymore. There’s a giant gap between then and now that we’re trying to bridge. But I feel like reuniting at this age and seeing how well and easily we connect even now only makes me like you even more. It’s like our souls have grown together in a way despite the distance, like we were always destined to be joined at the hips.”

You stifle a chuckle at the way Yuji perks up, looking all the world like an eager puppy who’s spotted their precious owner, anxious energy surrounding him as he waits on your next words.

“So I guess what I’m saying is TBD on marriage, but if you’ll have me, I’d like to try dating.”

Your sentence isn’t even fully complete before you watch in mortification and giddiness at how quickly Yuji drops to one knee, the picture perfect of a man about to propose (if it weren’t for both your high school uniforms making it very obvious that this isn’t a typical marriage proposal).

“Will you be my girlfriend?”

There’s only one answer and you simply utter a “yes” that turns into a squeal as Yuji practically lunges at you, sweeping you in his arms and twirling you around.

[yandere-sins]

hii! may i request soft yandere akaashi x fem! reader? she is smol, sweet, and innocent. akaashi loves her so much and act so soft towards her, but he secretly manipulate her and one day when they cuddle she asked him why he never let her hangout with her friends and why he never introduce her to his friends

sorry if it's too detail, you can add or change the scene if it's too hard. thankyou so much! have a nice day!^^

Thanks for your request, sorry it took a while! ^-^

»»———————— ♡ ————————««     

It could have been perfect.

His arm around you, fingers drawing circles into your back. Akaashi smelled like the peachy soap you put into the bath, and his still-damp hair tickled your face when you nuzzled deeper into his shoulder. From the way that your legs were draped over his, his other hand tenderly squeezing out the tension from your shins, to the movie playing away on the big television in front of you, everything was so perfect.

You two had saved up for a bit over a year to afford a lovely city home. Akaashi had come with you to buy decorations, and you two would fetch late dinners on your way home with full IKEA bags. He always took the big and heavy ones from you, even if you complained. Last night, he asked you if you two should take the next step.

“Like a child?” you asked him, and he began to splutter, turning his face away. “Or a bird...” was his curt answer before he hid under the covers as you laughed loudly. But soon enough, even that joyful moment turned indifferent. When the lights were out and Akaashi asleep, the world seemed to slow down. Even if you were grateful for the pleasant life you had and the loving husband by your side, why was the feeling of everything being perfect so... so...

Boring?

“What are your plans for tomorrow?” you asked, filling your mouth with the popcorn that sat in a bowl on your lap.

“I’ll be working late,” he noted, giving your back soft, comforting pats. You didn’t really need him to comfort you. Working late wasn’t the end of the world for normal people. And normally, it wouldn’t be to you either.

“Ah, I see. No worries, I’ll be out with friends, so I will leave dinner in the fridge--”

Ah, you thought, feeling his hand grab your shin tightly. It’s about to be not so boring anymore.

“Which friends?” he asked, choking back the bothered undertone in his voice.

“You know, from college.” Your answer was dissatisfying, that much you could read from his face as you looked up at him, meeting his cold eyes. “Why them? You haven’t been in contact for a while. I thought you guys grew apart.”

“I thought so too, but they invited me out to drink.” Sighing, you pushed off his hand, still digging into your leg, pulling your limbs off his lap to sit properly beside him. The moment you set down the bowl of popcorn, you heard the television switch off, Akaashi taking a deep breath. Arguments weren’t so uncommon, even in a relationship as perfect as yours. Sometimes it were just the pickled vegetables he didn’t like, and sometimes it were the friends that Akaashi hated so much ever since you met him that would cause them. Either way, they were always awful for you.

“I haven’t seen them in a while! I’m excited!”

Honest emotions. That would do, right? If you were happy, so was he, right?

But he wasn’t.

Akaashi simply stared at you quietly, judging. He was scolding you with his silence, even though he wasn’t a big talker to begin with.

“You know I can’t stand them,” he snarled.

“But they are my friends, not yours.”

“It would be better if you didn’t see them.”

There was no reasoning with him when he was like that, you found. Akaashi would rather bite his tongue while arguing only his viewpoint than take up the truth he didn’t want to hear from you. There was no amount of ‘yes’ and ‘amen’ you could have plead to him that would have made him less aversed to saying ‘no’ to you in return.

“Why are you like this?” you whispered, genuinely feeling hurt. Everyone admired you for the strong bond you two shared. Your parents shed tears of joy at the wedding. Everything was so perfect, but why was it only perfect when you were unhappy?

“You never let me go out, and I haven’t even met any of your friends yet! What harm is there in spending time with my friends rather than twiddling my thumb while waiting for you to return here? What could possibly happen that would make it impossible for me to do something without you?!”

Silence. As always.

Sighing, Akaashi got up, and you felt a string of anger forming a knot in your stomach. No one liked arguments, not even you! But running from them wasn’t a solution. Running away from your partner’s feelings wasn’t something you could do when you chose to be together!

“You wouldn’t understand,” he muttered as he reached for the door handle to walk out, and you sprung up, almost beggings as you pleaded, “Then please tell me!”

You were sick and tired of being left alone and snubbed. If only there was a good reason for him to act the way he did, but by all that was holy to you, you couldn’t find it. Akaashi, however, did stop, taking another deep breath before pinching his nose. If he left now, you knew it would take days for you to reconcile, you two pouting and only pretending to be fine in front of your family to keep face. Eventually, you’d just forget and move on, but that too was something you were sick and tired of, always having to swallow what happened in favor of a happy home life.

“It’s just going out with friends for a drink...” you mumbled, shoulders slumping in defeat.

Say something! you wished quietly. Anything! Just don’t go.

“It’s just going out with friends now,” Akaashi sighed, turning around to face you. Again, you were met with this cold stare of his, making it impossible to read him. Was he angry? Probably, but you wouldn’t know just from his expression. “And then? What if they want to go to a club? Will you go with them?”

Furrowing your brows, you questioned what he was going at, but now that Akaashi suddenly began stalking back to you, you were overcome with a very different type of panic. He had never advanced towards you like this, with his footsteps echoing in the silent room loudly and his body appearing to be bigger than it was just from the tension in it.

“So what’s next? Are you going to let others leer at you? Have them grab your shoulder, grind up to you on the dancefloor? Are you going to let them ask you to go to a hotel with them?”

“What?! N-No!” you stammered, unable to believe what he was suggesting.

“How will you know? What about your friends? Did you check them? What are they doing? Who are they with? If one of them has a crush on you, are you going to allow them to confess it? Are you going to run our marriage into a ditch just because they invited you out for a drink?”

Akaashi really did manage to make you ask yourself twice if this was all your fault as you heard his arguments. He made you question if there was truth behind his words or if the feeling inside of you was just the paranoia that he created.

Your relationship was so perfect, except when it wasn’t.

“Of course not...” you whispered, standing still as he laid his hands on your shoulders. You couldn’t even look him in the eyes, but you knew he was staring holes into you. All you wanted was to go out, to live a little. To experience and make memories, even if they didn’t include him. You didn’t think about these things, and you believed in yourself to not be unfaithful. But had this always been such a big concern in your relationship?

“I worry because I swore that we’d be together until death do us part! I care so much about you--I love you!” His assertion was barely meaningful to you now. After so much time at Akaashi’s side, you were sure that deep down, you loved him. You just didn’t love this perfect world you had with him. The ideal that he created.

Not, if perfect meant this.

“I’ll come home early tomorrow, and we can go to the cinema,” he tried to console you, fingers snaking under your chin to lift it. You barely returned the kiss he planted on your lips, ever-so-slightly averting your head from the affection. Akaashi paused, asserting your every move before pressing you for your answer. “Cancel your plans with them, okay?”

“Okay...” you mumbled unenthusiastically.

His touch lingered for a moment more before he finally pulled away, breathing out slowly before making his way to the kitchen. “Do you want some water?” he yelled back over his shoulder, but your answer never came. No amount of water or love could make up for how suppressed you felt by him and the conversation you just had. He loved you. He worried. It was always his feelings that mattered.

But what about you? Were your feelings irrelevant again?

Did it not matter that you felt like a caged bird by his side? That all the perfection made it truly suffocating? That everything had to be his way but never yours? He decided when you two went out and where. Akaashi was the one to put everything into motion, and you were glad if you could manage to surprise him with his present on his birthday. It was his schedule you followed, but he never asked if you were happy with how things were going. As if he didn’t care that you were bored and longing for more in life than just being by his side.

Your life could have been perfect. You two could have made it work and lived happily. But Akaashi didn’t want to work it out. He didn’t want to compromise or give you your own will. Instead, he chose to possess and monopolize you over true love and happiness.

And you were left to wonder for how long ‘perfect’ had actually just been ‘hell’.

[shining-magically]

so I’ve wondered this since the trailer came out years and years ago and Chloe defended the movie - was the red shoes teaser written by the same team that made the movie? were they forced to market it like that, was that based on an earlier draft, etc?? not sure if you know but you seem like the leading expert!

Sorry, this is gonna be an absolute novel because you know I’m an animation fan and the history and production of Red Shoes and the Seven Dwarfs is SO interesting and insane. Like, Tangled levels of insane. Thanks for calling me an expert, no one else was gonna do it so I just kind of took up the helm lol.

Here’s the low-down... The timeline of the movie’s production is an absolute mess and kind of an extremely wild ride. It was in production for ten years, went through a lot of different crew members, and went through at least two other major versions of the story before landing on the final version.

Since there’s not a ton of info on the movie’s production, a lot of this is pieced together from different interviews and context clues, and also a lot of what I’ve read and what I am quoting has been translated from Korean, sometimes pretty roughly. But yeah.

Here’s the story of why the Red Shoes and the Seven Dwarfs teasers and poster were so, so bad and fatshame-y and the actual movie was so, so good and body-positive. (With pictures and production artwork!)

(This is a beast of a post so I’m putting it under a cut.)

All right, so. After its conception originally as a short story by the South Korean studio Locus Creative in 2009-2010-ish, Red Shoes and the Seven Dwarfs was being worked on and was set to come out in Summer 2017, as evidenced by this poster at the 2015 Cannes Film Festival, featuring a different logo and very different character designs for most of the dwarfs.

In early-mid 2016, the first teaser (in which we see Snow White undress and then two dwarfs recoil in horror at her fatness when she takes her magic shoes off) was released, after the film had kind of been slowly chugging along for 6 or so years. (I am having such trouble pinpointing when the second teaser was released (in which one of the dwarfs basically attacks Snow while she is sleeping to steal her shoes), but I believe it was around the same time.) The teasers didn’t get that much traction because this was a small film from a small indie studio in South Korea.

None of the final actors had been cast yet. At this point in the production, the story was different, one of the many versions that the movie went through. As in the final movie, the dwarfs were actually cursed knights/princes and Snow White switched back and forth between two body types due to her magic shoes, but in this version, the dwarfs needed to steal the shoes from her in order to break their curse (rather than needing “a kiss from the most beautiful woman in the world” like in the final movie).

The weird thing is, I believe they had JUST changed the movie’s story when the teaser came out. I’m almost positive it was released more as a proof of concept than as an actual trailer for the movie. They had just recently combined two separate characters (seen above), a typical pretty, skinny princess character (Snow White) and a cute chubby girl character (’Bonnie’), into one single character that switches back and forth between the two appearances when she wears the magic shoes (also they had just dropped literally half of the movie taking place in the real world, with a magic mirror portal, it was a whole thing). 

They didn’t have the details of this aspect of the new story hammered out yet, and the first pass at presenting Snow’s magically changing body type, was, yeah, not good and super offensive. This was a really inexperienced indie studio making their first film on a low budget, so even the animation and voice acting wasn’t great. I think they just wanted to get SOMETHING out there because it had been 6 years and they wanted to have something to show for it.

But here’s the thing. Despite how the teasers make it seem, this was always supposed to be a movie about body positivity, letting go of appearance-based prejudices, and loving yourself and others for who you are and for who they are, which we see in the final film.

I like to think of our film as a kindhearted one. Our intentions are nice.

- Director Sung-ho Hong

It’s important to keep in mind that this movie was made in South Korea by a 99% Korean crew, and, as I understand it anyway, in Korean culture, ‘fatshaming’ is not really a thing that is seen as overtly offensive. Also, children’s media there seems to have more adult things in it than in the US, which probably accounts for the more risque parts of the teasers. That said, I really believe that at this point in the timeline, the movie was on-track to be bad (or at least not very good) when it was released, and it would have ended up bad IF a few key players hadn’t signed on (which I’ll get to in a moment).

Interestingly, the movie’s producer, Sujin Hwang, said in a 2017 interview:

“[Both teasers] were solely produced to induce curiosity. They’re completely irrelevant to the actual story.”

- Producer Sujin Hwang

I think what she was trying to convey was that neither one is a scene in the actual movie, because while the teasers didn’t reflect the revamped story as it existed in summer 2017 (the time of the interview), they DID reflect the earlier version of the story where the dwarfs wanted her shoes, which is what the story was at the time they were made.

Now that we’re in post-teaser 2016, HERE’S where things start to turn around. After the teasers were released, my guy Disney veteran and native Korean Jin Kim joined the project. He and Red Shoes director Sung-ho Hong had been buddies for about eight years and Sung-ho had been trying to get Jin to come to Seoul and work with him at Locus for a long time, and he finally succeeded.

Jin and his twenty years of Disney experience as an animator and senior designer on films like Tangled, Frozen, Big Hero 6, Zootopia, and Moana, had a HUGE HUGE HUGE influence on the movie. He redesigned almost all the characters, oversaw all the visual development from the moment he signed on, and heavily (HEAVILY) supervised the animation, literally going frame-by-frame through preliminary animations and drawing over them, teaching the inexperienced animators at Locus everything he knew. (Literally almost everyone except him either only had TV experience or had no professional experience because they just gotten out of school.)

From an outsider’s perspective, it really seems as though Jin joining the project (and his gargantuan effort) made the quality SKYROCKET. Not just in character design and animation, but also in things like effects animation, story, etc. After he joined, Locus really started pushing HARD to make a good, high-quality movie, and his influence and experience from being a prominent figure at Disney was absolutely key. The studio also began to really study Disney films and other well-made animated films from other studios to really try and pinpoint what the DNA of a good animated movie really is.

I don’t have any solid evidence, but I’m pretty sure that Tony Bancroft (an animator and the co-director of Mulan) then joined the project because he’s good friends with Jin Kim. He is only credited as the voice director (the movie was recorded in English and the characters were animated to the English dialogue), but I am SURE that he probably also had a pretty big influence on the movie, because like... How could he not? I really really think there was more to his role than his title would have you believe, even though there’s almost no info out there about it.

So now the movie goes through a gigantic metamorphosis. Character designs, visual development, and animation quality are all rapidly improving, the story is tightening, and the themes of the movie (which, again, were always the same and intended to be positive) are being presented in a more sincere way. The movie is becoming the sweet, self-love-encouraging and body-positive movie that was eventually released.

I’m putting a gif from the credits of the final movie here. As we move into 2017, when the giant eruption of backlash occurred, please keep in mind that the story was finalized at this point and that THIS was the movie people were so mad about:

Chloe Grace Moretz accepted the role of Snow White immediately after she read the script and she recorded her lines (I think) in early-ish 2017. Her co-star Sam Claflin also immediately accepted the role of the romantic interest, Merlin, after reading the script and recorded his lines in (I believe) July 2017.

In the summer of 2017, the story and script were more or less the same as in the final movie. Promotional images from that time show that most of dwarfs had been completely redesigned by this point and didn’t have their teaser designs anymore.

They also released a few screenshots that look exactly like the final film. The movie was advertised as coming out in ‘2018′ at this point. Here’s a promo image from 2017 that is MUCH more tactfully worded than the infamous Cannes poster:

So now we’re in summer 2017. The Cannes Film Festival. The movie’s script and story have been basically nailed down, animation is underway, and the Korean film company Finecut is beginning to market and sell the movie to worldwide audiences. They are planning on showing some footage to potential buyers at the festival, and they make a poster to advertise the film there.

Unfortunately, it’s THIS POSTER:

Now here’s where there are some unknowns. By this point, the movie is basically in its final form, which is an adorable, body-positive story about loving people for who they are, loving yourself for who YOU are, and that provides commentary on society’s standards of beauty and how they affect how people are treated/viewed. So why this poster??? All I can really tell is that someone (I think Finecut) really, REALLY messed up and either horribly mistranslated the tagline, or didn’t do enough research to know that this kind of thing is REALLY NOT OKAY in western culture.

The above picture is shared and the internet backlash begins, fueled by tweets from prominent body-positivity activists like Tess Holliday. Even Chloe Grace Moretz speaks out against it, because she of all people KNOWS that that’s not what the movie is about. The internet then finds the old teasers from before the movie was revamped and it makes things worse. Producer Sujin Hwang profusely apologizes and says that that is NOT the message of the movie. Locus pulls the advertising campaign, and takes down the two old teasers.

“Our film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty.”

- Producer Sujin Hwang

Voice director Tony Bancroft also tried to explain the situation:

“The truth is the film has a body-positive message as its core theme–it’s the opposite of what reports are saying. The problem is one poorly translated movie poster that has been taken dramatically out of context.” 

- Voice Director Tony Bancroft

And then... There was nothing for a while. The movie didn’t come out in 2018 and was delayed. From what I can tell, I DON’T believe this delay was related to the Cannes backlash. I think it was mostly due to Locus’s limited budget and resources, because as we know, animation is difficult, time-consuming, expensive, and easy to do badly but hard to do well. Also, probably with Jin Kim and Tony Bancroft’s influence, they REALLY wanted to make sure to do a good job with the animation because they now had a great story and they really wanted the movie to be a quality, worldwide hit that would kind of put South Korean feature animation on the map. Just take a look at how nice the final animation was:

The movie was released in South Korea on July 25th, 2019. Unfortunately, the damage was done in the English-speaking markets and it was not released to an English-speaking audience until June 22, 2020, when it was released digitally in the UK. At the time of this post, there is no set US release date, but the distribution rights were recently bought by Lionsgate and the MPAA gave the film an official PG rating.

So who’s to blame? There’s no good answer. You could blame Locus for making those old teasers. You could blame Finecut for the competely tonedeaf Cannes poster. You could even blame cancel culture for raging against the movie based on one poster and two old teaser trailers without researching what the movie was actually about.

All I know is, it’s a damn shame.

[tillidontneedfantasy]

A Track-by-Track Breakdown of Taylor Swift’s 9th Studio Album: ‘evermore’

“My collaborators and I are proud to announce that my 9th studio album and folklore’s sister record is here. It’s called evermore,” is how Taylor Swift introduces us to this album in its foreword. One might assume a “sister record” would entail b-sides, or tracks that didn’t quite make the cut for folklore, despite Taylor’s explanation that “we just couldn’t stop writing songs.” evermore’s release came at a strange time, upon the heels of the Folklore: Long Pond Studio Sessions film on Disney+, as well as 5 Grammy nominations for folklore. The world still captivated by folklore, it’s understandable why one might not consume evermore as critically. Even as a die-hard fan, I felt some whiplash by this announcement; I am still processing folklore! Hell, I’m still processing reputation!

If this was the Taylor from two years ago, this may have been a big enough fear of hers to hold off on releasing evermore. But as she explained upon folklore’s surprise release, life is too unpredictable now, and there are zero givens or guarantees. So she followed the same path this time (although making sure it fell in line with her birthday weekend). But it���s not just the strategic timing of the release that she’s thrown out the window for now, but also her mindset whilst making records. As she explains in the evermore album foreword,

“I’ve never done this before. In the past I’ve always treated albums as one-off eras and moved onto planning the next one as soon as an album was released. There was something different with folklore. In making it, I felt less like I was departing and more like I was returning. I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found. So I just kept writing them.”

This is a revelation for Swift, to let the music lead her into artistic freedom, which is what makes evermore such a triumphant return. Truly folklore’s sister record, Taylor wrote evermore with the same creative team: Aaron Dessner of The National (Swift’s favorite band), long-time pal and collaborator Jack Antonoff, Justin Vernon of Bon Iver, and William Bowery aka Swift’s boyfriend, Joe Alwyn (as officially revealed in the Long Pond Studio Sessions). Additionally, former 1989 tour openers and close friends of Taylor, the HAIM sisters, join the crew, along with Marcus Mumford for some dreamy backup vocals.

The production is just as wistful and mesmerizing as it was on folklore, yet the storytelling on evermore is kicked up a notch, expanding on the topics and worldbuilding established in its sister record, with even sharper lyrics and an effective and elaborate use of alliteration. The best thing about Taylor is that no matter what she does, her masterful lyricism is always at the heart of her art, and somehow, she keeps getting better. Once again, I wanted to explore the rich stories she’s crafted in this woodsy universe. This is how I’ve interpreted the album, but I hope you find your own meaning in the songs as well.

1. willow It is fitting that the opening track to folklore’s sister album, where we wade further into the forest that is Taylor Swift’s imagination and storytelling, would center on the type of tree that is a symbol of hope, belonging, safety, stability, and healing. “willow,” one of the few more obviously autobiographical tracks on the album, is a hymn of gratitude for her man (as she wants you to know, yes, thirteen times), Joe Alwyn, and how the invisible string tethering them together pulled her to him in a time when everyone else was counting her out. Though not as present on many of the other songs later to come on this record, you can feel the lightness in her heart on this song as she embraces the way in which the willow has bent, wrecking her plans, throwing her into the water and leaving her happily lost and afloat in his current. The downward key modulation throughout the last two repetitions of the chorus is beautiful and very fitting for Swift vocally, but also sounds like the feeling of finding your comfort and settling into it, basking it in while you wait for the next place the wind pulls you. Best lyric: “Now this is an open/shut case / I guess I should’ve known from the look on your face / Every bait and switch was a work of art.”

2. champagne problems On the second track of the album, Taylor dives back into the fictional worldbuilding she began to explore on folklore. While on folklore high school relationships and dramatics took center-stage, evermore graduates from adolescence to young adulthood, not that it is any easier emotionally on the listener’s heart. “champagne problems” chronicles a rejected marriage proposal between two college sweethearts at their old dorm building. Taylor sings as the narrator, a reflective, self-deprecating young woman who jokes about belonging in a madhouse and dismisses all her turmoil as champagne problems. The term ‘champagne problems’ itself could have various meanings here: their trivial concerns, the fact that their “sister splashed out on the bottle” of champagne that they will not be using to celebrate as they had hoped, or perhaps it could even hint that excessive drinking is a piece of all the ways the narrator is “fucked in the head,” as they said. Although the person she is singing to is the one who got hurt in the story, the hurt in the narrator’s heart is just as palpable and relatable, because you only have yourself to blame when you self-destruct. Best lyric: “’She would’ve made such a lovely bride, / what a shame she’s fucked in the head,’ they said / but you’ll find the real thing instead / she’ll patch up your tapestry that I shred.”

3. gold rush On her YouTube live chat prior to the album’s release, Taylor explained that this song “takes place inside a single daydream where you get lost in thought for a minute and then snap out of it.” The daydream consists of a love story so pure that the town had never seen such a thing; it could only happen in a fantasy for the narrator. How could she possibly have the gall to call them out on their contrarian shit, or end up with her Eagles t-shirt hanging from their door, when they are so coveted by all, and when she cannot withstand the thought of even competing? She sings, “My mind turns your life into folklore / I can’t dare to dream about you anymore,” a sweet little connecting piece to this album’s older sister, effectively convincing herself out of the idea of jumping into the chaos of the gold rush because even inside her own imagination it’s too dangerous. Best lyric: “I don’t like that falling feels like flying ‘till the bone crush.”

4. ‘tis the damn season According to Aaron Dessner, Taylor had written the lyrics for “’tis the damn season” in the middle of the night amidst their Folklore: The Long Pond Studio Sessions recording after a long night of chatting and drinking with their co-conspirator, Jack Antonoff. The lyrics perfectly encapsulate the guttural ache the track evokes. It is a tale of two people who always find their way back to one another in their hometown, which acts as the ever-returning fork in the road. The path taken, back to L.A. in pursuit of her dreams, is the one she chose and continues to choose, but whenever she returns home, she takes a ride down the road not taken, just to get a taste of what could have been, even if just for the weekend. What starts off as an icy homecoming always transforms into the warmest intimacy. The success of this track is aligned with the success of Taylor’s entire career; even with such specific details, it feels so deeply personal to the listener. You know the street you’d drive along late at night laughing, the spot you’d park the car, the person who stars in every what-if. You will never really know if the road not taken is as good as it seems, but that might be ok; sometimes, the fantasy is better than the reality, anyway. Best lyric: “It’s the kind of cold / fogs up windshield glass, but I felt it when I passed you / There’s an ache in you / put there by the ache in me.”

5. tolerate it Inspired by the novel Rebecca by Daphne du Maurier, “tolerate it” is an agonizing track from the perspective of a devoted wife who polishes plates and paints portraits and waits by the door for her husband with a battle hero’s welcome, who at best tolerates all her adoration. There are few things as painful as idolization being met with indifference, when you have all this love to give to someone who just leaves it there untouched. “tolerate it” captures that desperation for the approval you know will never arrive, but you sit and watch, waiting for it just in case you’re wrong, but you know you’re not. Best lyric: “I made you my temple, my mural, my sky / now I’m begging for footnotes in the story of your life / drawing hearts in the byline”

6. no body, no crime feat. HAIM “no body, no crime,” the one evermore song solo-written by Taylor, has the clearest plot from beginning to end. In the same vein as the female powerhouse country classic “Goodbye Earl” by The Chicks, Taylor is out for blood to avenge her friend, Este (named for one of the HAIM sisters). The story goes as such: Este’s husband kills her for calling him out on his infidelity, and then Taylor kills the husband and frames his mistress. The HAIM girls, who are long-time friends of Taylor’s and former touring mates, lend their vocals to reinforce the accusation on the husband and to provide Taylor’s alibi. “no body, no crime” is so far the closest we’ve gotten to a return to “country Taylor,” proving that she is still the master of a killer country tune (yes, pun intended, it had to be done I’m sorry). Best lyric: “Good thing Este’s sister’s gonna swear she was with me / (she was with me, dude) / Good thing his mistress took out a big life insurance policy”

7. happiness Written a week before the album’s release, “happiness” is one of Swift’s strongest and most reflective breakup songs. Although she writes it as though it is recent, there’s a lot of power in knowing that she’s been happily in love for four years, and that she is even better now at doing the thing that has always been best at. She is finally “above the trees,” as she sings, and is able to see it all for what it is, but her character is still in the heat of it all, trying to navigate the stages of grief when a relationship ends. We see the narrator grapple with many of those stages throughout the song. Most striking is the anger displayed in the second verse when she sings: “I hope she’ll be a beautiful fool who takes my spot next to you / No, I didn’t mean that, / sorry, I can’t see facts through all of my fury.” That section is jarring and feels like one of the most honest moments in a Taylor song, the insanely difficult emotional balancing act when we are grieving a relationship. The devastation of loss can distort our perception, and a part of that is the difficulty of understanding how multiple seemingly opposing things can co-exist in our hearts, such as happiness because of someone and happiness after them. But when you leave it all behind and finally find your place above the trees, you can find happiness after someone and also look back and appreciate the happiness they once provided. Both of these things can be true. Best lyric: “Showed you all of my hiding spots / I was dancing when the music stopped.”

8. dorothea Taylor Swift has the uncanny ability to create such developed and well-rounded characters with such little information, which is what makes her storytelling so compelling. In “dorothea,” we learn much about the title character through the narrator’s eyes, and the relationship they once had. The lyric “skipping the prom just to piss off your mom and her pageant schemes” alone tells an entire story in itself. “dorothea” is also the companion song to “’tis the damn season,” just from the other person’s perspective, which helps shine even more light on the story. The narrator of “dorothea” reveres her but wonders if she’s still the same soul in L.A. as she was back in their never-changing town. Whatever the answer, they’re still willing to support her no matter where she is, but she’s always welcome back in Tupelo by her hometown love’s side if she ever just wants to be herself rather than someone known for who they know. Besides, they’re the only soul who can tell which smiles she’s faking. And you can always return to the road not taken. Best lyric: “They all wanna be ya / but are you still the same soul I met under the bleachers? / Well, I guess I’ll never know / and you’ll go on with the show.”

9. coney island feat. The National What really started the folklore / evermore journey was Taylor’s love for The National. Taylor has cited them as one of her favorite bands for many years, and as we know, this led to her beautiful new collaborative relationship with Aaron Dessner. So it would make sense for the track written with the intention of this duet to be so well executed; you can feel the love and care Taylor put into writing this song. In her press for these sister albums, she has spoken about trying to channel frontman Matt Berninger’s writing style. But what actually happened was she just produced her own signature lyricism at its sharpest. “We were like the mall before the internet, it was the one place to be / the mischief, the gift-wrapped suburban dreams / sorry for not winning you an arcade ring over and over,” is a hall of famer Swift-ian lyric. “coney island” explores the confusion, hurt, and self-reflection when a passionate affair burns out fast because you did not prioritize that person. And to top it off, Swift and Berninger’s harmonies are achingly beautiful, transporting you right there in the story, on the bench, wondering, over and over. Best lyric: “Do you miss the rogue who coaxed you into paradise and left you there? / Will you forgive my soul when you’re too wise to trust me and too old to care?”

10. ivy Leave it to Taylor Swift to make a song about an affair sound so romantic, and so sympathetic to the narrator, that you’re rooting for adultery. “ivy” tells the tale of a woman in a lifeless marriage, likening her home with him to the tombstone that the widow in town visits each day. I like to think this is the same wife whose husband was out there building other worlds without her in “tolerate it,” because then that means she found someone who celebrates her love, who holds her pain for her, who blooms all over her; they started it, but she’s fighting for it all the way to the end, nonetheless. “ivy” showcases Swift’s gorgeous vocals and her sharp lyrics, with a melody so infectious it is bound to permanently plant its roots in your dreamland. Best lyric: “Oh, I can’t stop you putting roots in my dreamland / my house of stone, your ivy grows, and now I’m covered in you.”

11. cowboy like me With the beautifully blended backing vocals of Marcus Mumford, “cowboy like me” is an entrancing love story of two con artists who lost at their own game and got conned into forever with each other. She’d gone from swindling old men for their money and fancy cars to falling victim to the danger of dancing with someone who only has eyes full of stars, and she knows she’ll pay for it. “cowboy like me” is one of the most romantic tracks on the record, proving that life never plays out quite as we plan. Best lyric: “Now you hang from my lips like the gardens of Babylon / with your boots beneath my bed / Forever is the sweetest con.”

12. long story short One of the more pop-sounding tracks on evermore, “long story short” is pretty much a summary of the long story behind reputation (2017). The song is filled with various metaphors for her reputation crumbling around her, and then finally putting her defenses down to be with her lover, someone as “rare as the glimmer of a comet in the sky.” It is a sweet ode to her boyfriend, and a gentle comfort to her past self that it will all work out. But it is also an oddly relatable example of how we shrug off our struggles and minimize them to just a “bad time,” when the time she is singing about was obviously something that deeply affected her (as will be further explored in the title track); but sometimes it actually feels good to just shrug it off as just a blip in your life, because at the end of the day, you survived, and that’s what counts- even if you’re not keeping score anymore. Best lyric: “Pushed from the precipice / clung to the nearest lips / long story short, it was the wrong guy. / Now I’m all about you.”

13. marjorie Whereas track 13 on folklore was a tribute to Swift’s paternal grandfather, evermore’s track 13 is a tribute to her maternal grandmother, Marjorie Finlay, who was an opera singer in the 50s, and passed away in 2003 when Taylor was 13 years old. “marjorie” is quite possibly the most touching track Taylor has ever written thus far in her career. Grief is one of the most difficult topics to tackle in a song; the genius of “marjorie” is that it is simple, yet not understated. Swift reflects on the profound lessons she learned from her grandmother, about the difficult balances of kindness and cleverness, and politeness and power. She curses herself for not cherishing the moments she had with her, for complaining rather than understanding in the moment how admirable her spirit was, for all the amber skies she’d love but will never see. The chorus, blunt and hard-hitting, reminds us that someone does not have to be living to be alive, to be all around, to be with us. “If I didn’t know better, I’d think you were singing to me now,” Taylor sings towards the end of the song, right before you hear a sample of Finlay’s opera singing in the background, a truly eye-swelling moment. It is clear that Finlay played a pivotal role in Swift’s own ambitions, as she sings, “all your closets of backlogged dreams, and how you left them all to me.” Marjorie knew she was leaving them in good hands. If you haven’t yet, check out the moving lyric video for the song, where you can see photos and video clips of Marjorie, both throughout her career and in her time with Taylor. Best lyric: “Never be so polite you forget your power, / never wield such power you forget to be polite.”

14. closure On the most experimental track musically on the record, Taylor writes off her need for closure from a relationship of some sort, whether it be romantic or platonic or business, all of which can cause hurt of equal intensity. The subject of the song is trying to make nice with Taylor, and she is just not having it, as it is not coming from a genuine place, but rather to ensure that their life remains picture perfect, or to clear their guilty conscience, or to preserve their own ego. This is a deeply relatable sentiment; as valuable as forgiveness can be, sometimes the person who hurt you just doesn’t deserve it, and all you can do is forgive yourself for blocking their number or shredding their letters. Best lyric: “I know I’m just a wrinkle in your new life / staying friends would iron it out so nice.”

15. evermore feat. Bon Iver To close out the standard edition of the album, Taylor joins forces once again with Justin Vernon of Bon Iver, with whom she collaborated on the Grammy-nominated duet, “exile” for folklore. However, Swift leads most of the track this time, lamenting the difficult time she went through in 2016. The piano and Swift’s vocals are haunting, particularly when she describes this time in her life as “catching my death,” consumed by a pain that she feels will never end. If you’ve ever been depressed, you know what that feels like, and the dark places it leads you. Although she is singing about a time four years prior, it sounds so present, and it is heartbreaking to hear her in such a state. When Bon Iver comes in, the tempo of the song picks up, the piano riff becomes more erratic, like a winter storm hitting you in the face, and he voices all the anxieties of the cost of such a downfall. But through those anxieties, Taylor finds not a cure, but an anchor in love, and then the tempo slows back down. By the end of the song, Taylor has the foresight to understand that although it may not feel like it now, the pain she is experiencing is not permanent (a sentiment my therapist has been trying to instill in me for years). In her Apple Music interview with Zane Lowe, Taylor explained how the lyrics parallel the times we are in currently, and so it feels really special to have the album end with someone who knows how it feels to be imprisoned by your pain gently comfort us with the wisdom that “this pain wouldn’t be for evermore.” I hope one day soon, as we leave 2020 far behind, we can all truly believe her. Best lyric: “I was catching my breath / barefoot in the wildest winter catching my death.”

16. right where you left me (bonus track) The first bonus track on evermore, “right where you left me,” captures a moment so earth-crushing, a piece of you is trapped in it forever. In this song specifically, the narrator finds herself stuck in the same corner of a restaurant where she was told by someone she loved that they had met someone else. “Glass shattered on the white cloth, everybody moved on,” she sings in mourning. We have all experienced those moments that we could teleport back to if we just closed our eyes; the scenery, what you wore, the smell and taste of the season, the very point in your body where it felt like your insides were collapsing. Or that one particular person, who is long-gone from your life but seeing them is like time-travelling back to that person you once were, ready to pick up where you left off. But as much as you want to stay in that moment forever, just in case it changes in your favor, the cold reality is that the world stops for no one. Best lyric: “If our love died young, I can’t bear witness / And it’s been so long, but if you ever think you got it wrong / I’m right where you left me.”

17. it’s time to go (bonus track) “right where you left me” was Taylor’s cry for help to get out of restaurant, and “it’s time to go” is the answer to the call, as she sings in the first line, “when the dinner gets cold, and the chatter gets old / you ask for the tab.” This song is about gathering the strength to leave situations and relationships behind that no longer serve you. She grieves the betrayal of someone she thought to be a twin from her dreams (almost definitely referring to former friend, Karlie Kloss), acknowledges that keeping a marriage together for the sake of the kids often actually has the opposite intended effect (possibly- but not certainly- something she and her brother experienced), and recounts attempting to bargain with someone consumed by greed, only able to leave with herself (absolutely referring to the end of her fifteen-year long business relationship with Scott Borchetta, her former record-label owner). But as painful as leaving all of those situations was, Taylor has gained the wisdom to understand that walking away sometimes takes as much strength as persevering. You can’t stay at the restaurant, or at the mercy of someone else forever; you have to forge your own path, even if it’s in the opposite direction of what you envisioned for so long. And even with all her past success behind her, as folklore and evermore have proved, there is so much more ahead of her. Best lyric: “That old familiar body ache, the snaps from the same little breaks in your soul / You know when it’s time to go.”

In a time where we are all trapped in our homes and in our heads, the folklore/evermore experience has been the sweetest escape. If anything, the creation of these wonderful sister records has taught me that our most powerful tool in times of distress is our own imagination. Even just the ability to close my eyes while listening to one of these tracks and feel the character’s story is a gift. The way I’ve always been able to pick up Harry Potter and escape to Hogwarts when I’ve felt alone and friendless, I can listen to folklore and evermore when I feel scared or hopeless and escape into this enchanted forest Taylor has built, where I can climb above the trees and see it all for what it is. I feel so lucky to watch Taylor’s imaginative world unravel around me. I can’t wait to see what she creates next.

DISCLAIMER – REVIEWER’S BIAS: I would literally die for this bitch.  

[nightswithkookmin]

chile i'm so glad i came across your blog, the amount of "i'm not going to assume they're dating" or "we can only draw certain conclusions but i can't say for sure" "we don't know their sexuality, BUT" type blogs i follow is getting kinda wack lmao. while i appreciate their perspective and nuanced takes i need to strike a balance. like let's get a lil delulu every once in a while. 💀

lol the im-not-a-shipper-but-call-jikook-boyfriends-every-other-post blogs are the funniest to me. the shipping hierarchy, so to speak is so weird. maybe just because im not a "shipping real people is bad" person i don't see the big deal. gonna get called delulu anyway, might as well go full out. they is gay/queer and they're fucking. i'm so sorry.

*also can we touch on the fact that shipping in this type of fandom (kpop) is kind of inevitable and unavoidable??! these boys are the other people we see them with day in and day out, interacting with each other and no one else. i feel like it's natural to ship when there's no other people around to break up everything, idk maybe someone can articulate this better than me. and people who are made to feel stupid for thinking that 2 members could actually be dating is so dumb. like is it really out of the realm of possibility that two people (jikook, cause all them other ships are....😬) who spent almost every waking minute together for like 8 years could fall in love. really?

/rant

It's the delulu hat for me

Lmho.

I guess for me being queer, I feel it's gaslighting for these people to be saying things like that. As silly as it is, it inadvertently deny and invalidate the existence and queerness of gay individuals and so I struggle with it.

This is the consequences of straight people in gay people business. They like defining gay parameters for us and it's like who asked you?? I feel people who say things like that are just plain ignorant or tone deaf or willfully homophobic.

I don't think everyone in BTS is gay but it makes me feel safe to see half the community assume them to be and celebrate them in that way. They are not cussing at them and threatening to leave the fandom or cancel them for this assumption and that is huge inspiration to me.

Those parts of the fandom are a safe space to be in as a queer army.

When people assume a person's queer sexuality they are simply admitting to themselves at the very least that LGBTQ EXISTS. This is important to me because I grew up in a community where LGBTQ didn't even exist in the collective consciousness of the people and EVERYONE IS AUTOMATICALLY ASSUMED TO BE STRAIGHT AND EXPECTED TO BE.

People read people's sexuality all the time and have done so since time immemorial and a lot of the time when they have had a sexuality read it's in the lines of straight, cis, rich, poor, superior or inferior. And that is a problem for some of us too because that discrepancy in the assumptions is as a result of homophobia and heteronormativity.

That whole don't assume a person's queer sexuality debacle sounds to me like a boujee way of denormalizing and preventing the normalization of queerness disguised under care, disguised under intelligence and disguised under wokeness. Especially when straightness is the default setting in this giant blue bulb.

We need to radicalize that. We need to change the cis straight default setting and if you are perpetuating this narrative you really aren't helping the situation. SIT DOWN.

I'm rarely assumed to be queer in certain circles and while that makes me feel comfortable within those circles it often times make it hard for me to admit my queerness openly in those circles too because I fear I will lose that comfort and respect and love and privileges that comes with being percieved straight in those spaces.

When I started my blog, I noticed some people assumed I was white and would use certain black descriptors as slurs when describing other people to me. I quickly had to switch the formal way in which I wrote to a much casual tone so my blackness would show through. Don't get it twisted. She black. She blackidy black black.

Then on the other hand, I was hesitant to let my queerness be known too because being black, I was marginalized as it is- you is black, or sound black💀 you know how it is- it's that intersectionality of oppression at play. Double double homicide.

When certain people realized I was black POC minority, their attitude towards me changed. I had those who didn't so much understand what black language is or perhaps wasn't used to being in black spaces and were uncomfortable with my blackness- these would take offense at me saying certain things in certain ways. Like chilee relax Karen, all I said was these motherfukkers gay as shit and they gay. Why you acting like I called them twinks or sommin. Right there, I'm cancelled for calling Jikook motherfuckers. They get sirens and everything😭😭😭😭😭😭

Same vein, I struggle destraightening myself or correcting people who assume I'm straight because I fear they will treat me differently if they knew I wasn't.

Straight privilege exists in the same way as white or even pretty privilege may exist and because these exist there's that automatic conception of queer, poc, ugly, fat disemfranschismet to run along side it.

People treat you differently based on how they perceive you. That's a fact. And for queer people, perceiving us as straight is the only way we get to be treated as human by the masses. And a lot of us embrace that- straight until proven gay am I right 🤣🤣🤣🤣

It's the duper's delight for me. Untill you catch me with a 5'8 melanin skinned silk pressed auntie on my left nipple good luck proving I'm gay.

It can be fun, I akekeke when some people around me are totally oblivious to the fact and even sometimes defend my straightness with their dying breath when nasty friends throw them shades or try to out me unprovoked.

A lot of us don't want to admit we are gay because we don't want to be disenfranchised.

I speak for myself when I say this.

But 'Don't assume someone's sexuality' is a double edged censorship used for and against queer people. It seemly offers protection on the surface of it for queer people but underneath it promotes heteronormativity and standardizes straightness and it is also used to promote closet culture, under the disguise of care and concern for the autonomy of queer people but that is a fallacy because our autonomy has never mattered to anyone since the dawn of homophobia.

And I don't know where this interpretation comes from. Why do people not want to assume queer people's sexuality but it's ok to assume straight people's???

It feels like a hijacked movement to me.

THIS IS THE ACCURATE MOVEMENT AS FAR AS I'M CONCERNED.

Don't assume all people are straight. It's ok to assume some people are queer because queer people exists too.

It is wrong however to assume queerness based on how a person talks, walks, dresses or even on their body type. That is stereotyping. And stereotyping is wrong.

When it comes to Jikook, Jimin is often stereotyped as gay more so than Jungkook because they have different body structures. Jungkook is stereotyped too solely because of the way his wrists hang, or based on moments he's femininity shines through.

But I don't think shippers stereotype Jikook in that way at all. I dont think shippers believe Jikook are dating eachother simply because Jungkook applied setting powder to his face that one time. They assume they are gay only because they believe those two to be dating eachother. That is not stereotyping. If those two were heterosexuals I don't think people will accuse their shippers of stereotyping.

It's one thing to assume Kai is gay because he looks skinny and dances well. It's another to assume he is gay because in a relationship with Gdragon. And if people can't tell the difference between the two, they should get some education and stop talking about things they know nothing about or only know because they stumbled across user69 on Twitter. They are not helping.

Untill people get offended when people assume others are straight, that rhetoric doesn't matter in its inequality. If you ask me, everyone is gay until proven straight.

Yet how many people will take offense at that?

Assuming people can be gay is not delulu.

It's ok to assume people can be gay. It's wrong to stereotype them as gay. If you can't assume they are gay, don't assume they are straight and don't assume at all. Run with this sis.

Wait, they don't ship Jikook but they call Jikook boyfriends???????👀👀👀👀👀

The fake woke syndrome will kill people in this fandom with these mentally confused thought crisis bunch💀💀💀💀

Jikook themselves are shippers💀

Smh

GOLDY

[ashesandhalefire]

progress report: i am missing you to death

alex, michael, and a lot of unsaid things.

-

inspired by an entirely out of context teaser shot of alex and a desperate need for interaction that has yet to be satisfied by season 3 canon.

-

Deep Sky provides the coordinates and the time, so Alex shows up and waits.

While he stands in the cool night air, he scans the flat terrain that stretches out to one side and the gully where the highway sits. Other than the whizzing traffic, oblivious to his insignificance, everything is quiet.

After about twenty minutes of the vibrating stillness, Michael slinks out of the shadows with his hat tucked low over his face and leans against the back of the car beside Alex’s SUV.

Blood rushing in his ears, Alex does a second quick sweep of the lot’s perimeter. Nothing obvious has changed in the shadows since he crept through the bushes to check potential sight lines, but Alex isn’t stupid. He was in over his head when Project Shepherd turned out to be just his father’s backroom hobby. Deep Sky outclasses his expertise in a way he isn’t ready to reckon with. They could be anywhere—somewhere in the lot, somewhere down the road, somewhere miles away—and Michael has sauntered directly into their crosshairs.

He left about five feet between them when he stopped to hook one ankle over the other and stare out at the traffic, and the distance is enough for deniability. Alex tightens his hands into anxious fists and forces a long, deep breath through his nose.

“Hey,” Michael says with a casual nod of his head. They stand listening to the roar of tires chewing their ways along the desert highway, and Alex waits for a sign. He checks Michael’s chest for the red point of a laser sight just in case. Nothing happens. They stand a little longer, and then Michael leans over and asks, “You got a light?”

“No. You got a cigarette?”

The corner of Michael’s mouth twitches. It stirs up a fondness that Alex has carefully and surgically distanced himself from for the last few months, and he glances around the parking lot again. Being in love with Michael is too easy. He falls into it without needing to think about it or to try, and the laziness of trusting things to fate is probably why they’ve never gotten it right. He should probably consider himself lucky. Sinking back into those feelings now, fruitlessly, after so much time has passed, will make him sloppy in a way he can’t afford.

“You shouldn’t be here. They could see you.”

Michael tucks his hands into his jacket pockets and shrugs, easy and unbothered. Or, almost unbothered. The muscles in his jaw are tight and tense. “You don’t even know what they do or if they’re looking for me. I haven’t exactly been hiding for the last year.”

“That doesn’t mean you should paint a bullseye on your chest.”

“But you should?”

Michael spits barbs like an old man working his way through seeded melon, careless and precise in equal measure. He always finds soft flesh.

“This isn’t a game,” Alex grits out, face growing hot with frustration. He watches a tractor trailer speed by on the road below and shoot a piece of trash out from beneath its tires.

“So tell me what it is, then,” Michael says, mouth turning down and voice suddenly going sharp as a knife’s edge, “because I didn’t really wait around to hear the rest of the story after Valenti said you were joining a cult.”

Alex looks over, and Michael’s brow is pinched to match the irritated wrinkle of his nose. Anger and tension leak off him like heat shimmers off the pavement at midday. He holds his casual posture, ankles crossed and hands tucked, but his eyes are furious.

“It’s complicated.”

Michael scoffs. “You know what, I shouldn’t bother. I should just drag your ass home, no questions.”

And now Alex’s temper flares: “Try it.”

“You think I wouldn’t? To save you?” He laughs meanly. “I’d have you over my shoulder so fucking fast—”

“I don’t need to be saved.”

“Obviously, you do.” Michael pushes off the car. The brim of his hat catches the light from the lamppost and casts half his face in shadows. “We have enough problems on our hands right now. We don’t need to poke the bear.”

“This bear poked first,” Alex says, equally furious. He checks behind Michael before hissing through his teeth, “They kidnapped Mimi. They drugged Jenna Cameron. Turnabout is fair play.”

“This isn’t turnabout! This isn’t even revenge. You’re joining their club. You are flinging yourself into a pit, Alex. A big, dark, deep pit, and when you get far enough in, none of us are going to be able to get you out. We’re gonna lose you. For good. And for no fucking reason.”

“Not for no reason,” Alex says. A tingle of shame trickles up the back of his neck. He knows he’s unprepared, going in without an exit strategy. But he can’t sit on his hands and do nothing. It makes him nervous and paranoid to be idle. “They know things.”

“Who gives a shit? Who gives one fucking iota of a shit about what they know?”

Alex frowns. “You have always wanted to know more—”

“Not like this! Not at the risk of—” Michael puts a fist to his forehead. Then he pulls off his hat and takes another step closer. His voice is softer when he speaks. “Why are you so hellbent on doing this, huh? This isn’t just your dad anymore. This is bigger than that.”

“I know.”

“They are gonna swallow you whole, and what’s the point if you’re just gone?”

Alex draws another long inhale through his nose. The weight of the thick, ugly ring on his finger feels like an anchor dragging him down. The memories of Caulfield crumbling to pieces in a cloud of fire are heavier. “If there’s even a chance that they know something, what choice do I have? I’m not getting caught off guard again. I owe you that much.”

“Bullshit,” Michael says with a jerk of his chin. “Doing it is one thing, but don’t pretend you’re doing it for me.” A pair of low-riding sports cars scream down the highway behind him, bobbing and weaving through the minimal traffic with their engines blaring. One falters behind a gas tanker and then chases its companion off towards the horizon with an roar. “If you had any interest in doing something for me, you would stay.”

Cold uncertainty creeps into Alex’s chest, and no number of layers can keep it out. He wants to ask: would I be welcome? Because he hasn’t felt like he would be in a long time. He had showed up, again and again. Sometimes, he had been wanted, and sometimes, he hadn’t been. The haze of open mic night had cleared for an instant, and the future had been visible, tangible, workable, and then, just as quickly, had vanished into the air. He had been left with Isobel’s obvious, humiliating pity, her mouth turned down as she stood to listen through the last note. That door had been closed. And yet, he wants to ask: would I be welcome? Dignity be damned.

“Are— are you asking me to stay?”

There must be something in his voice when he says it, no matter how hard he tries to control the pathetic wavering and the sunken surprise on his face, that means something to Michael. His whole body eases forward as if carried by an invisible current before he catches himself and says, “I’m done asking people for more than they’re willing to give me.”

“But you would ask? If you thought—?” Alex pushes. “You would want to ask?”

The corners of Michael’s mouth turn down and his gaze narrows almost imperceptibly, but Alex is watching for it. The more Michael closes off, the more Alex feels himself splitting open. Something bright and electric stirs in his chest.

“Because I thought you wouldn’t,” he says, waiting for the moment when Michael’s eyes widen, just slightly, just enough to understand. It comes, exactly as expected, and Michael sways closer.

“Yeah. Yeah, I’d ask. I’m not about to beg, but I’d ask.”

He’s gotten Michael to beg before, but never for something as serious as love. On his back or on his knees or in the bed of his truck, Alex has heard him plead and bargain for things he wants in the neediest, most desperate whispers, but that had been all carnal, base pleasure, and he had known Alex wouldn’t tell him no. Here, he’s talking about a different type of submission, the kind that humiliates someone like Michael, someone who has never been given enough. Michael won’t beg, and Alex needs to be asked, and a lot of time has been wasted between them thinking that one is the same as the other.

He can’t say he’ll stay. He’s too far in to back out. And, even if he could do it, staying doesn’t mean riding off into the sunset. It means more of the same: the secrets, the conspiracies, the mysteries, the agonies, the scraping open of old wounds in last-ditch efforts to heal them. But it also means Michael, so everything else is white noise.

Michael sees it all play out on his face. He sets his hat on the roof of Alex’s car and then turns to lean against the hatchback. He sighs, and Alex can tell that more weight than usual is resting on his shoulders. It’s not just Max dragging him under. His whole body sags with it, and the sharp focus that’s been in his eyes begins to recede as he drifts away towards the call of whatever nightmare is lurking at the back of his mind.

“It’ll be okay,” Alex says because he lacks for anything else to say, and Michael  stares at his boots with a sad smile. His throat bobs as he swallows down whatever it is that’s too hard to talk about with so little time left to say it, and then he turns to look at Alex.

“Your dad was a piece of shit,” he says, like this is some sort of revelation, “and you’re you.”

The words, said like an accusation, should probably turn his stomach, but they’re also said with a reverence that pushes Alex’s heart up into his throat. Whatever is happening has rocked Michael to his core far beyond how Alex knows to help.

“Less of a piece of shit, I hope.”

Michael stares at him, flexing his hand, and then says, with a nod, “Significantly, yeah.”

“I guess that’s the best I can hope for.” Alex laughs, and then he tips his head back to look at the starless sky. “I’ll take being afraid of being like him over being proud of being like him any day. At least it means I’m going in the right direction.”

Jesse haunts Alex differently than he haunts Michael. To Michael, Jesse is another human face that did something terrible to him, just more proof that looking for another planet to run to is a good idea. Jesse is a more specific phantom for Alex, much harder to let blur into the background of the general awfulness of life. There are reminders of his father all around town: placards, photographs, the sign for the street they lived on, a six-foot statue in town square. Those can be faced much more easily than the hints of his father that Alex finds in the mirror: the deep-set wrinkles in his brows, the cut of his mouth when he frowns, the tone of his voice when he yells, the shape of his thumb. To be a little less like him every day is an exhausting but necessary struggle.

Michael smiles, and Alex, mystified, thinks maybe he managed to help after all.

“Your plan wasn’t really to drag me home over your shoulder, was it?” he asks to distract from how Michael carefully swipes a finger at the corner of one eye.

Michael huffs, and the car jostles. “I don’t know. Maybe. I just wasn’t about to let you go without—” He licks his lips and says, “I wasn’t about to let you just go.”

Alex scuffs his shoe against the loose gravel. “Couldn’t get Kyle’s hubcaps off this time?”

Guilt settles over him after he says it. Guilt and something else, something like the relief of setting down a heavy burden that’s been carried too long.

“I thought you were making a mistake back then, too.” Michael takes the comment in stride, accepts it, and reaches out to touch the ring on Alex’s hand. He pinches it carefully, Alex’s fingers curled into the heat of his palm, and rolls his thumb until the ring twists to expose the thinner underside of the band. He strokes, skin then metal then skin, over and over. “Flinging yourself into some dark pit that you’d never come out of again.”

Alex wants to tell him that this is different. He can’t.

“Do me a favor, okay?”

Hand slipping up over Alex’s wrist and into the soft corner of his elbow, Michael crosses the final inches of space between them and pulls Alex close. In the dim light of the parking lot, they might be mistaken for the sort of strangers who meet in shadowy corners for quick exchanges of misery with rough words and rougher touch. But then Michael, trembling, touches the lapel of Alex’s jacket and presses a long kiss to his cheek.

He keeps his mouth there, breath hot and soft, and, before he gathers himself enough to continue, Alex says, “I’ll come back.”

Michael laughs, but it sounds like a gasp for air. “Not even gonna let me ask?”

Alex hums. “I’ll come back.”

“Yeah, you’ll come back,” Michael warns, “or I’ll come get you. And it won’t be fucking subtle.”

It sends a shiver down his spine to think of Michael storming a place as infinitely large as Deep Sky feels. If it comes to that, he’d be better off left behind. But as the thought comes, Michael’s grip shifts and the tentative press of their sides becomes a full-bodied hug that envelopes him like a warm breeze. His nose turns into the side of Michael’s neck: rain, crisp and fresh; gasoline, but faint; smoke, from his fire pit.

“I’m not really going anywhere. It’ll be fine.”

Michael squeezes, and Alex squeezes back. Everything else he wants to say is too big for this moment. And, selfishly, he wants to know that Michael will wait to hear it. He scolds himself for the thought, because they’ve each done their share of waiting miserably at the wayside, but then he lets it stand. Michael squeezes again, fingertips digging into separate points as he clings.

Alex cups a hand to the back of his head and touches his curls. He thinks about what it would mean to kiss Michael now, to kiss someone that he loves, who loves him, and imagines a tower of precariously stacked dominoes. Michael laughs wetly, and Alex lets go first, fingers lingering reluctantly.