personally i think you should be legally required to have discovered your plurality and learned to function as a system for at least three full calendar years before being allowed a voice in syscourse. because when you don't, we end up with newbies regurgitating the same dumb fucking takes over and over such as "children can never have alters" or "endogenic systems were invented last year" or "your trauma wasn't bad enough to cause xyz" or even my personal favorite "there is never any overlap between DID/OSDD and MADD/BPD/literally any disorder"
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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One thing I find very interesting, as a learner of German, is Isolde's usage of du when speaking to Kakania. In German, there are three main second person pronouns: du, ihr and Sie. The first two are mainly used in informal and casual settings or when talking to people you're close with (with du being singular and ihr being plural sorta similar to english's y'all) while Sie is used in more formal situations (or situations which require some form of formality) such as talking to strangers, customer service or when you're talking to a doctor/patient. Kakania abides by this and uses Sie when talking to Isolde (such as in her speech at the end of chapter 6) but interestingly, Isolde doesn't reciprocate this and instead uses du when conversing with Kakania in German.
This is super fascinating to me because it implies different levels of closeness within their relationship. Isolde's usage of du implies a level of closeness and intimacy to Kakania as Isolde herself saw Kakania as a close friend (most likely due to the fact that Kakania was once of the few people in Vienna who actually sympathized with her and saw her as a human being) but Kakania's siezen suggests a certain level of estrangement or distance between her and Isolde. Of course. this could just be her maintaining her professionalism as doctors normally use Sie when talking to patients but with how things turned out after chapters 6 and 7, I'd like to think this goes deeper than just formality standards.
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phil is taking direct action against depression bc if i am lying down with my phone on the bed or the couch, she will insert herself on top of the phone and purr in my face
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my mother has asked me to ask “that weaver friend of yours” lol — do you have experience dyeing linen? what does the process look like for natural vs synthetic dyes?
happy to be that weaver friend of yours 🥰❤️ dyeing linen is basically the same as dyeing cotton or any other cellulose fiber, so any synthetic dye that works for cotton will also work for linen. a professional grade fiber reactive dye like procion mx or dharma's procion (here) dyes cellulose fiber without heat, and the process is quick and painless. it just involves a large bucket, water, the dye powder and the cloth you wish to dye. i have little experience with rit dye so i'm not sure if you'd need heat for that, but procion dye is higher quality, comes in a lot more colours than rit, and a 2oz container is like $2 usd and goes a long way
the natural dye process for linen takes a lot longer than the procion dye process and requires several steps. cellulose fibers really don't like to take dyes so you basically have to do a bunch of alchemy to convince it to do what you want (compared to protein fibers like wool and silk which love dyes and only need some gentle nudges)
naturally dyeing linen depends on the dye you'd wish to use, but the process is essentially: scouring, mordanting, and dyeing. it's really important that you scour linen especially because it contains a lot of pectins that prevent dye from penetrating the fiber, so a harsh scouring is best (ie. washing it with hot water and ph neutral soap, even to the point of boiling the cloth. linen can take a lot of heat and is better for it, cotton is more sensitive) you'll probably have to do this before dyeing it with the synthetic dye too for best results
most natural dyes require that you mordant the cloth before dyeing. some dyes don't require a mordant (indigo is the big one, but if you're working with onion skins or other materials that contain tannins this is also true. however mordanting the cloth before dyeing with tannins or even mordanting with tannins is still recommended for better colour performance long-term unless you're working with indigo in which case using a mordant can actually cause problems) but if you're unsure, assume that you need to apply a mordant. you essentially have to simmer the cloth in a hot pot with either a material that contains tannins (tannic acid), a natural bio-accumulator of aluminum (symplocos), or use a metal salt (alum acetate is best for cellulose, but iron and copper salts can also be used. the metal salts route requires more safety precautions esp if you use copper salt, you can't dump that down the drain) your choice of mordant impacts the final colour with different mordants shifting the chemical reaction that happens in the cloth when you dye it
with cotton and linen, after you use the mordant you need to use either a chalk or wheat bran bath to remove excess mordant from the cloth, esp if you use alum acetate, otherwise it can leave a whitish cast over the cloth and also impede dyeing lol. wheat bran baths tend to cause a warmer tone to the final dyed cloth, chalk baths cause a cooler tone. i only use wheat bran baths bc i prefer the warmth and i get the bran cheaply at my local punjabi grocer
only then can you dye the cloth, again unless you're working with a dye like coffee or tea or onion skins OR indigo. linen really doesn't like to take natural dyes unless you do all the above steps, it's stubborn. the dye process itself depends on what dye you use and you can do stuff like solar dyeing if you don't want to simmer it in a pot on a stove. if you plan to go the natural dye route lmk and i can send you some scans of a book i have that contains precise instructions for preparing linen for dyeing
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I was reading the Orphic Argonautica last night and the author has mentioned the various methods of divination Apollo knows and guess what? One of them is prophesying by studying the entrails of organisms. As soon as I read that I was reminded of your headcanon of Apollo being into hepatoscopy for divination and I giggled.
Awww 😳😳It's so nice of you to think of me!
Hehe, so fun fact, the overall practice of divination by studying the entrails of animals (including blood, lungs, intestines and so forth) is extispicy while hepatoscopy is specifically using the liver in prophecy and divination readings.
If, like magic in old text exactly like the sort Medea is described as using, the types of divination spoken about in the texts are reflections of the popular divination cultures of the time, I much rather prefer ascribing those to Apollo than I do some vague, somewhat mysterious power which he uses to see the will of the fates, especially since it's mentioned a few times that he'll teach his sons the language of the birds and how to read their signs and so on and so forth.
In short: HEPATOSCOPY APOLLO IS COOL!! HE'S SO NEAT!! Apollo at the altar who predicts the coming droughts and famines from the entrails of his flock!! It's just such a neat little image (to me)!
Also the Orphic Argonautica bangs, genuinely I hope you enjoy it! Orpheus is an insane man and I do not think him along with the collective subspecies of mythical man known as 'sons of Apollo' get enough credit for how truly unhinged they are at any given point in time.
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The thing about PLZA theorizing rn is that, with only one game in that subseries out, it's pretty hard to define what a Legends game is. Yeah, Legend Arceus dealt with time travel, but time and space were themes of the Sinnoh titles, so is Legends Z A guaranteed to follow suit? I guess not...
Kalos' themes, for like 5 minutes, were life and death, so is that why Lumiose City is going through a "Redevelopment" which could be akin to a renewal, so in a sense it'd part of that cycle?
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