#i want to see who these kids are when they're not fighting for their goddamn lives

[aflockofravens]

I'm sure this has been said before but watching the end credits of the Shibuya arc got me thinking about the trio just bumming around Tokyo, hanging out, being kids.

Like, I was wondering what they could be doing as they're wandering around, taking pictures and goofing off.

And then it hit me. That's all they're doing. They're just being teenagers, hanging out after school, exploring the city and having fun. And this feels important to me for two reasons:

1) both Gojo and Nanami have expressed their goal of not having the kids waste/lose their childhoods because of the jujutsu world

2) it feels very much like the hidden inventory arc credits with the five of them hanging out and being teenagers before everything went wrong

Both of these things make me emotional, of course.

I just love all the little snapshots we get of these kids getting to be kids outside of the storyline every week. Going to the beach in the winter, playing at the arcade, running through the city taking pictures.

[jorongbak]

*** NO SPOILERS ***

So I just watched Deadpool & Wolverine. Here's a short jumbled review

1. I think this might be my favorite Deadpool movie. ..and I'm definitely going to be broke by the end of August

2. I was a little worried when the final trailer revealed Laura- but NO THERE'S SO MUCH MORE THEY'RE HIDING. IT WAS INSANE BECAUSE I REALLY HONEST TO GOD DIDN'T EXPECT THEM???????? PREPARE TO BE SO PLEASANTLY SURPRISED

3. This movie feels like a tribute to 20th Century Fox's Marvel and 2000s Marvel movies. As a 2000's kid who grew up watching and loving Fox's Marvel movies, it's a nice feeling of nostalgia and surprises

3-1. Love the amount of appreciation and respect they show to 20th Century Fox

4. The balance between the comedy and the serious emotional scenes are done very well. Made me laugh hard as well as made me feel for Logan and Wade. There are more serious moments than they let on from the trailers.

5. All of the fight scenes are also great. R-ratings giving Wolverine and Deadpool the permission to go all out, put Maximum Effort into all the gory, bloody, violent, satisfactory action sequences. We all know it's a sin if DP and W don't get to fight in a R-rated style, and this movie do them justice (especially Wolvie)

They are so chaotic together you'll love every time when their combined chaotic insanity intensifies.

5-1. Yes. He wears the cowl, and I goddamn loved every second Wolverine's cowl was on the screen. He wears it much longer than I expected

6. "Like a Prayer" is a perfect choice. It's beautiful

7. If you're a Wolverine fan, like me, please don't miss this movie. Hugh Jackman is of course amazing as ever as Wolverine. And with R-rated blessings, we get to see Logan being the angry grumpy cranky unsociable foul-mouthed violent no hesitation quick to stab self in his iconic yellow suit. (That was already a Hugh-ge win for me)

And the way he fights. YES. YES. YES. That's the Wolverine I love.

+) Also there's the way he moves for a very short amount of seconds in his fight with Deadpool that I want to talk so much about... but I'll hold my tongue until more of you watch the movie. It was the first time I saw him do that. It's a new move and I freakin' loved it. Wish we'd get to see him do that again later

8. I f**kin' love the ending so much. It's perfect for me. It's the very best ending I could have asked for. The ending made me love the movie so much more

9. Can they save MCU? I dunno and TBH I don't care about the whole MCU, I just care about them. I'm willing to stick around for more of Wolverine and Deadpool stuffs, and hopefully some good X-men stuffs from the Mutant saga.

10. While I can't say this movie is a masterpiece like Logan, it is definitely entertaining and a good fun watch. That is enough for me. They give what the audience came for and I absolutely love it for that.

[tobiasdrake]

Here we go. It's time to talk about my personal fave. As I said before, this is my Main. In Dragon Ball fighting games, this is the character I seek out to play whenever the roster allows. Also arguably the character who's been done the most dirty by just about every form of Dragon Ball, manga included.

The vanguard of a brand new status quo and a brand new direction for what Dragon Ball would even be, washed away by the tides of a status quo resetting to zero.

We're here to talk about the champion of Satan City who carries the spirit of Dragon Ball in her heart: Videl.

(And that is one cookie to @jcogginsa who guessed it.)

Videl was a kid with a chip on her shoulder. I mean. How could you not be? Her father was the legendary world martial arts champion who famously defeated Cell seven years ago.

Don't pay attention to that. He just tripped for a moment. Once he got his second wind, he came right back and showed Cell what for! It was due entirely to Mr. Satan and nobody else that the Earth was spared from the apocalyptic horror that is Cell.

Look, he even said so himself.

Are you gonna call that man a liar? The man who defeated Cell!? I think we can trust Satan's word over yours.

This is the shadow that Videl grew up under. Raised in what had previously been called Orange City, but was renamed Satan City in honor of the world's greatest hero.

Or "Hercule City/Herculopolis" in the versions that edit out Satan's name.

As his daughter, Videl has a perspective on Satan that neither the world nor the audience gets to see: He's a womanizing playboy who cashes in on his world-savior fame for booty.

He also forbids his teenage daughter from dating by putting up the stipulation that any boy interested in her has to be stronger than him, the world champion - A stipulation naturally designed to weed out any possible suitors through intimidation. Wanna date Videl? FISTFIGHT THE MAN WHO DEFEATED CELL.

Oh, but he doesn't teach her a goddamn thing; At least, not anymore, as she does suggest there was once a time when he was her mentor. She's forced to study martial arts entirely on her own because her dad is utterly disinterested in her development in the art.

This is an angle on Satan we never get to see onscreen. Apparently he's pretty shitty about women. You know, I can believe that.

Videl, when we meet her, is trapped in an unenviable position as a martial artist. She hates what the fame of being a legend has done to her dad and wants to knock him down a peg, but she has no foundation to develop her abilities from. The one man who's supposed to be teaching her isn't doing it, and she's been passively discouraged from pursuing more esoteric martial arts because the world champion said that stuff's all fake.

Videl makes for a fascinating foil to Gohan, because they're both children living in the shadows of legendary fathers.

Gohan is expected to be Goku's successor, but wants to live a peaceful life of academia. Meanwhile, Videl is being denied the ability to become Mr. Satan's successor, but craves the opportunity to prove herself.

Nonetheless, both of these kids are prodigies. Videl has a wealth of potential. She doesn't even realize that, despite these limitations, she surpassed her father long ago. Despite being a self-taught teenager with zero comprehension of ki cultivation, Videl hones her skills and developers her art the only way that's available to her: By punching it out with armed robbers in the region.

Backpack Town isn't even her city! She's a one-woman SWAT team for the tri-state area.

As ambitious and driven as she is, Videl is also clever. The anime extrapolates the adventures of the Great Saiyaman into a several-episode arc as Gohan deftly avoids detection by Videl over and over again, but this has the knock-on effect of depriving Videl of one of her best moments.

Because she pegs him instantly. She was already suspicious of Gohan being the mysterious "Golden Warrior", when he tried to use his Super Saiyan form to disguise himself as a superhero.

Which also showed that she was open-minded about the other people who fought Cell. Satan says they were doing a bunch of tricks, but Videl's willing to consider the possibility that there exist people who can turn blond on command.

And then Gohan did this shit.

Because he was raised in the woods by the devil and Goku. Despite trying to keep a low profile, he has absolutely no idea what the baseline for ordinary human ability is.

So. Y'know.

That's pretty fucking suspicious.

Which brings us to Gohan's second outing as Great Saiyaman, and his first meeting with Videl under his new identity. Whereupon she, uh....

Plays him like a fucking sap. It's a great moment that doesn't get its due if it takes several episodes and misadventures for her to reach this point. Videl is exceptionally skilled in the field of paying attention to that time Gohan jumped thirty feet in the air and naturally drawing conclusions from it.

And also his voice and posture and other dead giveaways. Gohan sucks at secret identities.

He's just. So obviously Gohan. There's no way anyone would be fooled by this.

But she's not only adequate at seeing things with her eyes; She's also a legitimately brilliant martial artist in her own right. Due to her upbringing, she's had zero experience with ki cultivation for obvious reasons.

And yet she's talented enough and smart enough to pick up the basics of Bukujutsu in one day.

Oh, don't mind her; That's just Videl making a mockery of Tsuru-senryu by effortlessly devouring their signature technique. This is Goku's first Kamehameha all over again.

She may have started small but Videl learns fucking fast. She has all of the drive and the ambition that Gohan lacks. She wants to be part of this world, she has a ravenous hunger for self-improvement, she's clever and observant, and she picks up concepts insanely quickly.

Videl is fucking primed to be a key player in Dragon Ball's next generation.

...

So now we need to talk about what happened to Videl.

Videl has one major fight in the entire series: Her 25th Tenkaichi Budokai bout against Spopovich.

Which she absolutely dominates. She's stronger, better, and faster than Spopovich. Even the experienced martial artists agree that she's infinity times better than him in every way.

But there's something wrong with Spopovich. He's a decent martial artist, far from the top; He'd competed in the 24th Tenkaichi Budokai and made it through the qualifiers, but was eliminated in the first round. So, y'know, he had no chance in hell against Videl; She's already surpassed Mr. Satan, who won the 24th legitimately.

Uh, by virtue of none of the Kame-senryu or their rivals attending. Mr. Satan is top dog of the same weight class as Pamput from the 22nd.

But, despite being outclassed in every category, Spopovich is also a dead man walking.

He's similar to the Androids in a sense. Spopovich has no ki signature at all, nor does he get worn down by the damage he's taking. This is Vegeta vs. 18 and Piccolo vs. 17 all over again; He isn't feeling the pain from the hits she's landing on him, and so he's able to outlast.

But Spopovich isn't an Android. He's more like a zombie?

At one point, Videl cuts loose and breaks his goddamn neck. Because he's pushing her hard enough that she realizes she needs to go harder, but his body can't take harder. He isn't a match for her. He just. Isn't going down despite not being a match for her.

He can't take this level of force. But he and his ominously vacant absence of ki can put his head right back where it was and continue the fight, no problem. That's honestly scarier than if he'd regenerated.

Also despite not even having the barebones ki signature of a normal person, Spopovich can perform Bukujutsu and fire ki attacks.

Which a fighter of his meager ability shouldn't even be capable of.

All of this adds up to an unwinnable fight for Videl and the setup to... Something. This match has been criticized pretty heavily in the fandom because it gets pretty gruesome and doesn't have a payoff.

We've seen fights go fucking bad for our heroes before. Piccolo once broke all of Goku's arms and legs as well as shooting a hole in his chest, right here in this same arena.

But it's typically building to something. When our heroes get trashed, it's the lead-up to a reversal down the road. Maybe in the same fight. Maybe in a later one. And we seem to be heading in that direction?

After Spopovich and Yamu leave the tournament, we get VIdel a Senzu and she's right as rain.

Spopovich and Yamu steal energy from Gohan and fly off to Babidi's Ship so they can awaken Majin Buu. Kaioshin recruits the various protags to make that not be a thing that happens. And then. Something switches in the narrative flow of this arc.

You can feel it happen.

As our heroes prepare to pursue Spopovich and Yamu, Videl volunteers to join in as well. She's had her eyes opened to a whole new world or possibilities and is hungry to develop her abilities.

And. Then. One chapter later. It's suddenly decided that Videl will not be a part of this storyline after all, and she basically leaves the plot forever.

WHOOPS! Never mind! Didn't want this character here after all. Go home, Videl.

While her adversary Spopovich is unceremoniously unwritten from being a thing that exists.

Babidi just. Kills him. For no reason. Even though his job isn't done yet. Babidi's like, "Oh good, you collected a fraction of the energy we need; That's fine, you can be fired. I don't need anyone to finish the job."

We're just. We're not telling that story anymore. We already threw Videl in the trash; we don't need her nemesis. We're doing a different thing.

Also, because we still have too many characters in this scene, Dabra erases Krillin and PIccolo with magic spit that never comes up again or is meaningful in any way.

You'd think this would be, like, setting up something? Like. Having witnessed it ahead of time, Gohan's able to figure out something about the way Dabra's spit works. So when he fights Dabra in a climactic battle, he can turn this around.

Like when Goku was able to counter Tenshinhan's Taiyoken/Solar Flare in the 22nd Tenkaichi Budokai, because he'd seen it before and understood how it works. That's usually what Dragon Ball does with this sort of advance notice of opponent abilities.

But. No. The most this ever comes up again is that it momentarily costs Gohan one of his gloves. It's just here to winnow down the cast because Toriyama brought too many characters to this scene.

You can feel the burnout taking hold. As janky as the Android arc was, the Buu arc's level of jank is through the roof.

And that became it for Videl. Denied any sort of payoff for her one fight and instead relegated to background character, Videl never got a chance to live up to the intriguing potential she was introduced with. She was the face of a new direction for Dragon Ball, a direction that ended up strangled in its crib as the series reverted to old ideas and old formulae - strangling her along with it.

Videl is a character I look at and can't help but wonder what could have been. What could have been if Gohan got to keep his focus, and Videl got to remain a key player in a story about him? What could have been if we got to see Videl developing her skills at the same fever-pace that she learned Bukujutsu with? What could have been if she got that rematch with Spopovich she seemed to have been promised by the narrative, and then got to stay involved throughout the Buu arc?

But I guess we'll never know.

[schrodingerscougar]

Hold it together (Simon Riley x reader)

Note: This takes place seven years after the second part. Warning: death.

It had only been three weeks since the funeral. The girls were still closed up like clams, shutting Simon out completely despite their young age. Lucy was seven, Nora was five, and he couldn't believe that they had to experience the death of their mother this soon. He was lost as well, having no idea how to deal with losing you.

While at the beginning he pushed you away, believing he didn't deserve the love you were trying to give him, later you became his other half, his partner in crime, the most caring and nicest lover he ever had. He would have never imagined he would once have someone like you in his life. And now? You were gone for good because of that goddamn accident.

Johnny loved the girls and whenever he was around, he had offered to look out for them while the two of you went out on a date. Now he was trying to lighten the mood, coming up with ideas for fun activities, but Simon saw it in his daughters that they weren't excited about them.

While he was waiting for his broken ribs to heal, the sergeant stayed with them to make life easier. One night Simon tucked in the girls and his heart ached when he saw the youngest getting ready to sleep with a photo of you on the edge of her bed.

“You miss mommy?” he asked as he swept a strand of hair out of her beautiful little face.

Nora was sniffling quietly as she nodded.

He loved both his daughters equally, but the balance was perfect. Lucy was a lot like him, a real tomboy who had been wanting to try martial arts ever since they watched the original The Karate Kid movie. She had been handling your death surprisingly well, maybe that's because her personality was a lot like his.

But this young lady was your carbon copy in and out. Seeing her missing you so much proved your strong connection, the one he would never be able to build with her. He had never seen anything like it, and this made it hard for him to console her if she was upset. She had always ran to you for support, but now she was sad because you were gone.

Simon pulled the girl against his chest, his eyes falling on his other daughter who was watching them from her own bed. He could see her eyes shining from the tears, but she held herself together. “It's okay, babygirl,” he whispered to Nora as he rubbed her back. “I miss her too, you know. And I'm sure Lucy misses her as well. But we're strong, aren't we?”

She mumbled something in agreement then pulled away to bury herself under the thick blanket. “Goodnight, Daddy.”

“Goodnight, sweetheart.” He kissed her forehead then stood up and went over to Lucy, leaning down to give her a goodnight kiss too. “Sleep well, big girl.”

When he turned to the door, Johnny was already waiting for him, leaning against the doorframe with his arms folded over his chest. There was a look of understanding in his blue eyes, and he put a hand on Simon's shoulder when they reached the bottom of the stairs.

“They're kids, they'll adapt and move on. Maybe not soon, but eventually they will,” he tried to assure him. “I'm not so sure about you, though. I woke up to you coming down the stairs last night. I swear you're moving around this place like a real ghost.”

With a sigh, Simon walked around the Scotsman and threw himself on the couch. “Her parents want custody,” he told him, finally giving him an insight into what was truly bothering him. “They're willing to drag me to court. I'm not suitable to be a single parent because of my job, they say.”

Johnny sat on the armchair next to him and rested his elbows on his thighs as he leaned closer. “Bullshit. Price would help you get an early retirement if you asked,” he said, looking way more upset than Simon.

“Who knows, maybe staying with them would be better for the girls.”

“Don’t say this. You need to fight for them. They need their father,” Johnny added.

This broke Simon. He couldn't hold back the tears anymore, the tears he had been fighting ever since that night. His friend being by his side helped him keep it together, but they never talked about what exactly he went through because he always said he couldn't remember.

But he remembered lying in the ambulance, asking about you, begging for crumbs to find out what happened to you, if you were also on your way to the hospital, but they didn't tell him anything. “I’m sorry, we don't know,” one of them said.

“Talk to me, Simon,” Johnny quietly said once he sat down next to him on the other side of the couch. “You need to get this out of your system or you'll go crazy.”

Still fighting his tears, the lieutenant took a deep breath and finally began to talk. “She was unconscious. I–I remember looking over at her in the wreck but she wasn't moving, wasn't responding to my questions. They later said I had a concussion so probably that's why some time fell out of my memory. I don't remember how I ended up in the ambulance.

They didn't tell me anything. In the hospital I got out of the bed and went to look for someone who could finally tell me what the fuck happened, but I bumped into a doctor who was talking to a police officer. That's when I found out she was dead by the time help arrived,” he finished with a shaking voice.

Johnny leaned back and looked up at the ceiling. “Did you have the chance to say goodbye?”

“I might have threatened someone to be allowed to go to the morgue. Her body was bruised, scarred, and bloody. Not how I want to remember her. But yes, I could say goodbye.”

“You need to fight, Simon. For her. She wouldn't want her parents to take the girls away from you,” the sergeant told him firmly as he reassuringly put a hand on his shoulder.

Just when he was about to answer, tell him he felt like it was a battle he was sure to lose, they heard light footsteps coming from the door. It was Lucy who walked over to them, sitting next to his father and resting her head on his arm.

“Do Grandma and Grandpa really want to take us away?” she asked hesitantly as she glanced up at her father. Simon nodded. “I don't want to go. I want to stay with you, Dad,” Lucy said, already sobbing.

Simon let out a sigh before wrapping an arm around her small body and placing a soft kiss on the crown of her head. “I don't want you to leave either, trust me. I'll do everything I can to stop them, okay?”

“Pinky promise?”

“Pinky promise.”

[lttleghost]

okay I'm like complaining again but I wanna hear other ppls thoughts on this because I'm too impatient to wait until I've gone through all the commentary for BrBa and BCS in search of answers to confirm or deny my suspicions but GOD A FEW THINGS ARE DRIVING ME INSANE and I apologize for this ramble being maybe a lil disjointed in advance

so like, first, this scene-

if I look at this realistically it reads as Jake misinterpreting his and Jesse's parents talking about how Jesse's actions reflect back on them as genuine care, he's young, and I can imagine him having some insecurity in his parents care for him since we do know it is conditional, just Jake is currently meeting those conditions, but sensing that instability could've maybe influenced how he understood his parents talk of his older sibling.

but I just am having a hard time convincing myself that was intended when it was written... and this assessment from me could be unfair because - while I'm not quite sure at what point Jesse was no longer planned to be killed at the end of the first season - this does come from that first season, and I've heard there was a change in how Jesse was written after the first season and throughout the rest of the show there is NO evidence that Jesse's parents like, actually give a fuck about him, they actively make his life worse like when they kicked him out of his own goddamn house, and that all seems like those things have to be intended to make you think "wow Jesse's parents are awful!!!"

but then, not for me to complain about these two scenes in El Camino again but I'm gonna complain about these two scenes in El Camino again -

followed by this not too long after

because while if this movies thing of having blame being squared on Jesse's shoulders was just him talking to his parents it'd be easier to say "oh this is just a kid who was abused in a socially acceptable way not recognizing the abuse he went through and how that really did have a major effect on his life trajectory" but when these two scenes are put so close together it makes it really hard for me to not think that it's TRYING to say that Jesse is responsible for where he ended up even if they don't necessarily want bad things to happen to him

cause like I know, I know the writers are sympathetic towards Jesse but I don't think being sympathetic towards a character like him makes you immune to having harmful beliefs about addicts and criminals when they're so prevalent in wider society, like especially the idea that changing actions taken by individual people is the main problem that needs to be dealt with wrt addiction and crime instead of changing the structural problems that result in addiction and crime, like I've seen this mindset present in the fandom as well

I mean I know I have some evidence that at least Vince's ideas on justice aren't great with this bit from an interview about El Camino (also him having Jesse specifically say "I'm no cop killer" when Jesse would definitely know how cops are just another violent gang, like he could've just said "I don't want to kill anyone" instead of having cops on some higher level of innocence)

like I dunno believing at all that there's a good way to end with Jesse in prison (and not as a way to show how awful prison is either, since he talked about the idea of Jesse finally finding some sort of peace in prison sleeping) is kinda fucked up!!! I do want to fight him for this alone!!! even if like glad he changed it but I dunno the fact that he believes this just makes it easy to believe that he really would!! blame Jesse to at least some extent for what he got into, like I think that he understands Walt manipulated Jesse but I just, I dunno!!! things in BCS kinda bother me too irt just general ideas of crime and drug use ect... but I'm much less familiar with that show in comparison to BrBa so I don't feel as comfortable pointing specific things in it

like... do Vince Gilligan and the writers of Breaking Bad see Jesse’s parents as shit parents who were abusive in a socially acceptable way? or do they really think that they really did their best? is it somewhere in-between? like "they were abusive but they still didn't know any better"? or maybe is it as bad as believing Jesse's parents tried their best and them being rich is supposed to show that he had all he needed to succeed and was just a fuckup (instead of it showing that his parents had all the resources they needed to help him and... didn't) am I just overreacting because I am protective of my girl and the people that I know exist like him and am suspicious of those writing about them if I don't know all their politics behind the subject? I know I've talked to some ppl who have vindicated me w/ some of this but please share ur opinions I want to know the wider ideas on this since I feel like I just don't see it discussed that often

[yuri-is-online]

The TWST cast from the original Fyuuture Kid timeline is so Cleopatra by Lumineers coded. They just get their (pregnant) joyfriend ripped away from them, cursed, and then sent back to earth, where they can't follow all in one day. That's gotta be a fucking nightmare. They just lose everything at the same time. Bro. Imagine Jamil or Azul, they had to fight for everything and just when they finally, FINALLY, think they have something that will never leave, it's taken away. Imagine malleus or cater or silver; they've already lost so much, silver just lost his dad and now, when he's going to make his own family, they're taken from him too.

TW FOR SUICIDE.

You wrote one time that of Yuu ever died, Floyd would be quick to follow, so. Did Jade and Azul have to put him on suicide watch? My mind is reeling there were NO WINNERS in this timeline Goddamn.

Sorry for the angst dude I just think about this AU a lot

i am so sorry for making you all live with this many thoughts and just waltzing on off to do fuck all

So there weren't any winners in the original timeline no, but the way things went down sort of prevented the type of outcome you are describing with Floyd due to the potential for hope, that most dangerous of falsehoods. In a way that sort of makes it worse though... so lets talk about what went down shall we?

(I'm going to keep this post to more general information, but I did write some specific ship thoughts I'll probably use for another post later on, I just need to think on some of them more...)

notes: they/them used for Yuu, this is part of my fyuuture kid au which can be found under the series section of my masterlist. This post will not contain discussions of suicidal ideation, but will contain major character death and descriptions of violence. If you are curious about what happened to Yuu and Fyuuture kid, look at this post here.

General Original Timeline Facts

To give a brief re-cap of what happens to Yuu, they were arrested by the Magical Marshall's office and sent back to their world, while pregnant, and cursed to forget everything that had happened to them in Twisted Wonderland. Something I didn't mention in that first post, mostly because I intended to imply it in the answer about Riddle's relationship with Yutu but ended up cutting, is that none of the characters actually know that this is what happened at first. They know that Yuu disappeared, but they don't know that the Marshalls were involved or that Yuu went back to their world, which causes a real sense of panic in all of them because holy shit their spouse and unborn child just went missing and they can't seem to get anyone to take this seriously. How the Marshalls went about hiding this information, and what the general public believed happened to Yuu depends on who their husband was, as did the fallout of their disappearance.

For anyone who might be a bit confused, the Magical Marshall's Office is an elite squad of police officers who investigate magical crime, and occasionally deal with overblots. They are the organization that Deuce wants to join one day, which does mean that the people who made the decision to see Yuu as a threat to public safety and send Yuu home were Deuce's own co-workers and friends.

Deuce is the first to suspect that the Marshall's might have had something to do with Yuu's disappearance, but he isn't able to really do much with that. He tries, but he is stonewalled and eventually fired- though by the time that happened monster attacks started getting really bad in the Queendom and Deuce had a whole other set of questions.

Speaking of those monster attacks, the instant Yuu is removed from Twisted Wonderland Grim overblots I have an idea as to why, but it isn't super set in stone. This "Chimera" begins hunting and stirring up monsters, inciting them to attack civilization while it focuses on trying to "wake up" the Phantoms of the Great 7. These phantoms want to re-join with their respective overblot boy, which is an easier task for some of them than others.

The first phantom to re-appear was the Thorn Fairy's. Malleus chose to seal himself and his phantom in an eternal sleep inside the Briar Valley capital after ordering Sebek and Silver to evacuate everyone who lived there, leaving his people truly leaderless and in shambles. He technically also ordered Lilia to go with them, but he refused. He wasn't able to abandon another Draconia to die alone. A lot of nocturnal fae died to the Phantom before Malleus's sacrifice, but because the problem was more or less contained to Briar Valley not all of the other nations saw the monster problem as a threat. They should have.

The second phantom to re-appear was The Queen of Hearts'. Riddle, having been approached by Deuce with his suspicions regarding Yuu's disappearance and outraged by what he saw as a clear violation of the law (if nothing else) was easy prey and re-assimilated into the monster. The phantom then began hunting down each of Riddle's previous dorm mates to corrupt them into card soldiers for its army, eventually fashioning four lieutenants that were a touch more sentient that the others out of Trey, Cater, Deuce, and Ace.

Certain members of the Al-Asim family saw that happen and quietly, without Kalim's knowledge, arrange to have Jamil killed. This doesn't prevent the Sorcerer of the Sands' phantom from reuniting with him, it just means the monster is puppeteering a corpse. And dragging around a second once it gets its hands on Kalim...

Obviously at this point something of a pattern has been established, meaning S.T.Y.X. is expected to do something. Idia does not actually overblot for a second time thank you very much, Phantom Ortho has a mind of his own and he promised to stay in the Underworld until it was Idy's time. His first order of business is to check in on Vil, Azul, and Leona to make sure they're ok. He manages to make contact with Vil, but the Coral Sea proves impossible to get a message through to and Leona is M.I.A. Literally, he and Ruggie have both disappeared while investigating monster attacks around the slums. Idia has a decision to make, and it's not one he really likes, but S.T.Y.X. has a better relationship with the Sunset Savannah than it does the Coral Sea, so it's off to the Elephant Graveyard while Vil agrees to stay behind on the Isle of Woe under observation for his own safety.

It's a decision Idia regrets later. He gets to Leona in time to help him fight and kill the King of Beasts's phantom, but it costs Leona and Ruggie their lives, and while he's there, the Sea Witch's phantom finds Azul and begins using his magic to drain the merfolk dry. Floyd manages to use his unique magic to distract Azul long enough to allow Jade to escape, who only flees because he thought his brother was behind him the whole time. The oceans become polluted with blot, forcing the surviving merfolk to the surface. Many go to NRC and take refuge in the Octavinelle dorm pocket dimension, resulting in the Mostro Lounge being closed to make more room. Somehow that feels more like a killing blow to Azul for Jade than what the phantom did.

Schools like NRC, RSA, and Nobel Bell become sort of centers for survivors due to the large amounts of mages, magical wards, and artifacts that such schools typically have made them safer than most towns. NRC specifically has seen a large influx of magicless people who run a lot of the things the ghosts used to and runs a lot of normal school classes in additional to the magic program, which shifts over time to be more focused on fighting due to the increased monster attacks.

Also Crewel is now Headmage. It would have been Trein but I don't think he needs the stress. I haven't decided if he is still alive or not, but Vargas and Sam are still kicking.

So to give a run down of where everyone stands in the original timeline in order: Malleus and his phantom are trapped in an eternal sleep, Lilia is dead, Silver and Sebek are alive (at least at first) and trying to help the fae refuges displaced by the Thorn Fairy's Phantom. All of Heartslabyul are overblot phantoms, and actively making the Queendom of Roses unlivable. Jamil was assassinated and the Sorcerer of the Sands's phantom went on to kill Kalim and most of his family. To be clear that wasn't because of Jamil's lingering emotions, but good luck explaining that to most people. Vil and Idia are overblot free, Vil because he is being detained on the Isle of Woe and Idia because of his promise with Phantom Ortho. Leona and Ruggie died fighting the King of Beast's phantom. Azul and Floyd are blot phantoms, while Jade is alive and tending bar at what remains of the lounge at NRC.

Now Epel, Rook, and Jack aren't named in that list. No one really knows what happened to them, but they are assumed dead (or at least Jack and Epel are.) Since this is my AU and I get to give out the information, I'll let you know that Rook is a phantom under control of the Fairest Queen's phantom, Jack is dead, and Epel is alive, but cut off from the rest of Twisted Wonderland by the monsters under the Fairest Queen's control. He's right teed off about that, hey Yutu go get him that ladder he's gonna give Rook a piece of his mind-

I do have some ship specific thoughts but I want to cook with them a bit more... but to maaaybe tease some of them?

Yutu and his friends had to fight the Heartslabyul boys multiple times. Yes this hurt their Yutus a lot, and is one of the main reasons Riddle! Yutu hates his dad so much.

Vil can hear the Fairest Queen talking to him and it's not great for his mental stability. Neither is being cooped up in the Isle of Woe, his Yutu did meet him and remembers it being a terrifying experience.

Jade has a good relationship with Floyd! Yutu, Jade and Floyd are their own people but losing Floyd killed a part of him that was slightly healed by getting his nephew back. He likes to tease Azul! Yutu and told him a great deal about his dad. As for his own Yutu... their relationship is a tad strained by how protective Jade is over his son. He is terrified of losing him and what is left of his pearl...

Not all Yutus are in the same dorm as their father. I haven't decided on where all of them are yet, but I did mention once in my replies that Azul! Yutu is in Savanaclaw. I did not mention that he did intend to transfer but couldn't when he accidentally became the Dorm Leader because he got tired of being mouthed off to and knocked someone out. I have an ask about Cater! Yutu I'm working on but I'll add him here as having been put into Octavinelle, and I think I want to put Kalim! Yutu into Pomefiore but I need to cook more...

[brbsoulnomming]

Tell Me Sweet Little Lies Part 4

Part 1 | Part 2 | Part 3 | AO3

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Eddie doesn't graduate.

He's stuck here for another year, and he screams into his pillow, throws himself a pity party for the better part of two days, and then drags himself back out and gets the hell on with it.

In Eddie's second senior year, Hagan finds his new liege in the form of fucking Billy Hargrove.

Hargrove and Hagan fixate on Harrington, who frankly, doesn't seem all that interested in either raising to their bait or defending his title. Eddie'd almost have respect for the guy, if it weren't for the way their shit gets everywhere. The mess he'd been watching over the last year starts to spill out and out and out, and there's something in Hargrove's eyes that, for the first time, makes Eddie consider ducking his head and staying out of his way. There's a bitter taste in his mouth, because goddamn, if he did even a quarter of the things Hargrove is, he'd be getting queer written on his locker instead of freak before the end of first period.

But no, when it's a jock obsessed with another jock, it's a vicious rivalry. Hargrove is new, and pretty, and dangerous, and the balance seems to shift and waver on whether the masses find him thrilling or distasteful.

Eddie can't wait to graduate and leave this all behind.

Some time after Halloween, he finds I don't need to go to the hospital scrawled onto his hip, and his heart lodges itself in his throat. He's never been more tempted to say something - anything - to make his soulmate go to the damn hospital when he needs to.

But he's a coward who doesn't want to open that door again, and a bitter part of him reminds himself that his soulmate probably has tons of friends - a girlfriend - to bustle him off to the hospital and fuss over him.

He's a little bit ashamed of himself for the thought, but not enough to make him say anything.

Around the same time, neither of the dueling kings show up to school for three days straight. It's not entirely unexpected for Hargrove, but the last time Harrington missed school was the year before, when all that stuff with the missing Byers kid was going down.

It gets people talking.

When they both come back, the buzzing intensifies, and things come to a head at lunch. The cafeteria had dimmed a little when Harrington walked in, looking like a fucking trainwreck, but his swagger is just as strong as ever and he sits down with some of his friends like he's just daring anyone to ask him about it.

Then Hargrove walks in, looking not nearly as bad but still pretty clearly messed up, and the entire room goes quiet.

It makes Eddie's leg bounce in agitation, every bone in his body screaming at him to get the fuck out of there, but his sheepies are looking at him for their cues and he forces himself to look bored with all this shit.

Hargrove's swagger is even worse than Harrington's, and he saunters across the cafeteria as if he doesn't have a care in the world. Someone asks him a question, too low for Eddie to make out, and Hargrove grins, wide and amused.

"Harrington and I sorted our differences," he says, loud enough to echo across the cafeteria. "Ain't that right, Steve-o?"

Hargrove licks his lips as he looks over at Harrington - and see, see that's what Eddie's talking about, Hargrove is looking at Harrington like he wants to eat him. Some part of Eddie perks up a little, because fuck, that is one attractive man, but once again the look in Hargrove's eyes kills it. He looks like a fucking predator, like if a fight does spring up he'll go and go and go until one of them is dead, and Eddie feels a chill over his spine as his eyes snap back to Harrington.

If they're suddenly friends now, Eddie's going to have to make a dramatic exit to go be sick.

Fortunately for Eddie's stomach, there's a flare of disgust in Harrington's expression before it smooths over, looking bored and unaffected.

He smiles at Hargrove, sharp and wide and toothy. "Any time you want to skip the foreplay and get to the main event again, you just let me know."

Eddie bites the inside of his cheek, firmly telling his dick to sit the fuck down, that any attraction he might feel for him should die the same way it does for Hargrove. It doesn't listen to him, not until -

Hargrove tips back his head and laughs, wild and frenzied, and there's a titter of laughter that scatters across the cafeteria - some of it uncertain, some of it mean, some of it genuine. Just like that, everyone's back to their normal days.

"Jesus H. Christ," Eddie mutters under his breath. "And they say I'm the dramatic one."

He hears a smattering of soft agreements from the rest of Hellfire, a couple of snorts of laughter, and that buoys him a little. He tilts his head, making a sweeping gesture that nearly knocks over Jeff's milk. "Well! It seems our entertainment for the meal is over with. What say we adjourn to get set up for tonight's club meeting?"

He doesn't look at Hargrove or Harrington. All the people in this world, the chances of his soulmate being one of them are pretty damn small, despite their situations fitting. He doesn't think about how both of them probably could have used a fucking hospital, doesn't let himself wonder which one is the type to deny they needed it.

Doesn't let himself decide that he'd so much rather it be Steve Harrington.

He really doesn't want it to be Steve Harrington.

—

Lies spring to life on his skin throughout the rest of the school year - not as much as last fall, but what he does get is… a little bit strange, a little bit personal, more so than Eddie's seen before.

Rabid dogs, you know, they're no joke.

I still think this is dumb.

You'd be surprised how many coyotes are in these woods.

I'm never going to play this thing with you, man, you might as well stop asking.

Nothing to worry about, all right?

I'm not lying, I'm totally fine.

Billy Hargrove and Steve Harrington graduate with the rest of their class, that year.

Eddie doesn't.

Taglist (let me know if I missed anyone, and I'm always happy to add more!): @vampireinthesun @koibug @estrellami-1 @mentalcyborg @allbimyself26 @questionablequeeries @the-s-is-silent @whimsicalwitchm @a-gae-af-racoon @tinyplanet95 @n0-1-important @velocitytimes2 @swimmingbirdrunningrock @newtstabber @jcmadgirl @roblingoblin285 @lexyvey @paperbackribs @goodolefashionedloverboi @evix-syne666 @raisedbylibrarians @stxrcrossed186 @nightmareglitter @greekgeek24 @starman-jpg @crazyhatlady86 @affablevixen @imfinereallyy @manda-panda-monium @deleataecount @prideandsensibility @chaoticvictorianspirit @maydillydally @disrespectedgoatman

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Part 5

[deramin2]

I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.

People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.

Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.

The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.

"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.

So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."

That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.

I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.

And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.

And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.

EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.

[stealingpotatoes]

can we get a rundown on the anakin-raises-leia au? i’m totally in love with (read: obsessed with) it but i missed most of the context and i’m so curious!

are they coparenting? was it a parent trap style agreement to split the twins? is it temporary, until the war ends? who decided who gets which twin? did mustafar just never happen?

the answers to ur questions in short are: not really, arguably, absolutely, i did, and no!

in longer, the main thing you need to know for context is it's an Anakin-doesn't-turn-to-the-darkside-but-Palps-still-succeeds AU!

Anakin chooses not to try save Palpatine from the Jedi council and instead goes to Padmé's to angst abt the fact he might be losing her -- only to feel a very solid Other loss in the Force and see the temple up in flames ): he tries to go help but gets his shit kicked enough he leaves when Bail shows up

obi-wan and yoda both return to coruscant, obi-wan shows up to Padmé's to ask her hey do you know where Anakin is??? except Padmé's not there either bc after Sidious made his Big Speech anidala realised Anakin's totally a fugitive so they decided to Leave

i'm not 100% on what happens around here (lbr we all know my focus is the kids) but i'm currently thinking they nearly get caught or smthn, fight happens (??), Obi-wan gets there just in time to help thanks to Dormé snitching -- and Padmé goes into labour w the shock/stress

whatever exactly happens, Obi-Wan is there when they get Padmé to a medical station and the normal rots ending group unite. Padmé gives birth (keeping her will to live) and a question hangs heavy in the air: what are they supposed to do with the twins?

Anidala are too caught up in the joy of being parents to think about it, but they're quickly and forcibly snapped out of that when the Survivors all have a chat like canon. Yoda's the (brave) one to say they need to be apart because their force signatures would be too strong together and in the dire case Palps finds them, he could NOT take both. He's probs initially like they shouldnt even be kept w you two, Anakin's too powerful himself and Padmé you're too visible (while I imagine Bail and Obi-wan know their respective besties and are like king they are NOT gonna take that well)

and theyre right! Padmé, fresh out of like three of the top ten most harrowing experiences of her life, is like stfu u little green bitch im not losing my kids. but after some convincing she sees the need for her to remain in the senate and anakin's need to fight/run. she knows they can't fight the empire effectively together and she knows it's too dangerous to put the twins together. both parents want more than ANYTHING to be with their kids -- but they also don't want their kids growing up in a galaxy eaten by tyranny or being stolen by palps.

so they made the hardest goddamn decision of their lives and each take a twin (probably chosen on "anakin thought the baby'd be a girl/padme thought it'd be a boy" or smthn) and after some time planning their next moves, Padmé and Anakin are forced to go their separate ways to save the galaxy for and with their kids ): knowing the better they fight, the sooner they free the galaxy from the empire's clutches, the sooner they can reunite and be a family

[hestzhyen]

Already Waist-Deep

Hi internet void. Please allow me to kagura my bachi all over the place for a little bit. I've got a bad case of the brain worms about these boys that I haven't even had together for 20 chapters yet. Let me ramble a little bit about why they're already so compelling as not only a duo, but a ship.

First off, a caveat. Kagurabachi is a Weekly Shounen Jump (WSJ) action series. That means that if romance is ever addressed in the series itself, the protagonist is going to end up with a girl. Doesn't matter how underdeveloped or lackluster his relationship to her is, or how flat she is as a character. Invest lightly and come along for the ride without any expectations of m/m ships becoming canon. (That said, it might not be the worst thing in the world for our MC to end up with a girl in this case- more on that later.)

Second, I don't really ship that often. Not seriously at least. I need more than two guys being close with each other to start wanting them to be a pair, y'know? So I hope you understand the intensity of the material Hokazono-sensei has been giving us the past few chapters. I am on the brink of going all-in on HakuHiro/ChihiHaku in less than 20 chapters, it's that insane.

Third, I will be talking about current developments without marking potential spoilers. There are only 38 chapters out as of writing this, but there are at least two reveals that would be better appreciated going in blind. Spoilers for the oneshot Farewell! Cherry Boy are also a thing near the end.

Okay? Okay. Let's begin.

Who's Involved? First up is our protagonist Chihiro Rokuhira, an 18 year old boy and the son of a famous swordsmith. He was raised with genuine love and care by his father (no idea what happened to his mom yet), taking care of their day-to-day life while learning his father's trade. And from the very first chapter he is steeped in tragedy as he witnesses his father's murder and life's work being stolen. He then sets out on the long, fraught road of vengeance.

Sounds grim and not exactly compelling, right? Especially when this scene from the first chapter was making the rounds being memed to death:

But there's much more to Chihiro than meets the eye. Flashbacks to his time growing up show him being a natural caretaker to his dad and their fish- cooking meals, keeping his dad on task, and so on. We see glimpses of underlying tenderness when he meets and rescues Char, a sweet little girl with her own tragic past. And we get some insight that he might not be quite as resolute as he's projecting himself to be when he faces off against Sojo, a fan of his father who worships a much different version of the man than Chihiro knew. And now the Rakuzaichi arc has definitively shown us that Chihiro isn't as collected as he seems. One of his father's killers easily cracks the mask and shows us Chihiro is really just a desperate kid with a heaping helping of trauma, while Tenri's pointless sacrifice shakes him to his core. But despite it all he's still doing determinator things in the most badass way possible. Chihiro has layers, man. A lot of them. And the best way to understand our protagonist right now is through his foil: Hakuri Sazanami.

Who is Hakuri? Another 18 year old boy with a special lineage, but he's a loser who needs to be saved from common thugs. A pathetic guy who latches on to Chihiro and doesn't take the hint when Chihiro literally runs away to ditch him. An utter failure to his family. A lost puppy looking for a samurai.

Hakuri Sazanami is one of the best goddamn foils I've seen in shounen manga yet.

Let me tell you all the ways I love the writing around this kid and Chihiro because MAN I can't even contain all these feels.

What's Going On? From the start, Hakuri looks like he's just another person for Chihiro to bail out. He witnesses Chihiro's awesomeness fighting Sojo in the streets and decides to imitate it, standing up for a little girl being kidnapped. Instead of winning out, though, he's captured and kicked around. Once he's coincidentally rescued by Chihiro he's immediately all-in on tagging along and keeping Chihiro in his life. Look at this pitiful guy:

Chihiro decides to hear him out due to his connection to the Sazanamis, the Big Bads of the arc. He's initially put off by Hakuri's intensity but brings him along anyway, as Hakuri's insider information regarding the Sazanami family makes him useful. Then, as Chihiro wavers under Hiyuki's assault, Hakuri is truly useful for the first time:

And it only gets better from here. We see Hakuri hanging off Chihiro's every word trying to be as useful as possible for his samurai, striving to do anything he can, though it ends up with him forcing Chihiro to give up his precious sword Enten in exchange for his life. (Yes, Chihiro "buys" Hakuri from Hakuri's own family.) Later on during the invasion of the auction is where things go into overdrive though. We see their character arcs start to invert and shape each other's as the action unfolds and Hakuri's own tragic past comes to light, eventually awakening him to his special abilities. Chihiro's bravery and strength help him pull this off and finally defeat the older brother that tortured him in the name of "love". Hakuri ascends to being the strongest Sazanami since the progenitor started their line centuries ago. He's the Special Boy!

All this to say that Hakuri Sazanami isn't just a deuteragonist or a foil…

He's the goddamn heroine.

Kagurabachi's Built Different What makes a shounen series heroine? Firstly, they support the main character without getting involved in most of the heavy fighting. A shounen heroine will usually at most have a fight against another girl while the Big Event is happening nearby, making sure the main character has the spotlight. Second, most of the value they bring to the protagonist's story is emotional. They encourage him, validate him, provide a bit of a refuge for him to safely let his guard down. They can get him to express softer emotions that he wouldn't normally show around others. Third… they're the love interest. Ochako, Orihime, Chichi, and now… Hakuri? Really?

We know the third one will not happen for HakuHiro in canon. But what about the first two? Well, let's recap what Hakuri has done for Chihiro so far.

Hakuri can defend himself now, but his most useful ability is access to an interdimensional storehouse. Given the way that his magic works -he needs to prioritize maintaining the storehouse or using Isou- he'll likely be the means of keeping the enchanted blades safe rather than a front-line fighter. Support-centric character that will still get some combat time against lesser opponents: check.

Hakuri's given Chihiro some much-needed direct emotional validation that he hasn't gotten from anyone else yet. ("You saved me." … "That katana suits you.") Hakuri's words fortify his resolve and Chihiro later pays it back by trading Enten, an incalculably precious sword and memento of his father, for Hakuri's life. He even uses the same phrase when asked why he'd do that for someone as worthless as Hakuri ("That guy… saved me."). He later reaffirms that Hakuri's encouragement gave him the courage to let go of Enten in the first place:

We even see Chihiro open up to him for the first time just minutes after they met:

Chihiro's been a stoic good guy with buried trauma up until this point. But somehow Hakuri is the first person he outright admits his fears to- not Shiba, not Hinao, but the freaky kid he just rescued. Emotional support pillar: check.

"Well that's not enough!" you say. "That's just taking some moments and doing that thing you said you didn't do- smushing boys together just because they're close!" OK but look at how Hakuri thinks about Chihiro:

Chihiro has been his inspiration from the first time he saw him. It can be read as admiration and hero worship, but doesn't that feel like selling Hakuri's feelings short when remembering how devoted he's been since they first met?

And just look at Hakuri's face here, he's beaming when Chihiro busts in to save him just like he believed he would:

Mostly, though, Chihiro is the one who gives Hakuri strength in the moment. The Ice Woman broke him free of his family's mentality, and now Chihiro gives Hakuri what he needs most: hope. Something he never had before, which doomed his relationship to the Ice Woman; he couldn't prove to her that there was more to life than despair because that was all he knew… but that completely changed once he met his samurai.

And that's been their thing through this arc. Each one is giving the other the vital thing they needed to grow and keep going. When Hakuri was struggling at the start, Chihiro was his guiding light towards a better future. And when Chihiro struggled in the aftermath of Tenri's cruel death, Hakuri pulled him along so they could finish the job. They're in perfect sync now as they take down the Rakuzaichi. Don't just take my word for it, check out Hokazono-sensei's color page for the most recent chapter (38): https://twitter.com/KaguraShiba/status/1804898273859445181 From Hella (KaguraShiba): >Kagurabachi Ch 38 JP Color Page 「阿吽の呼吸で薙ぎ払え」 "Two people dancing to the same beat, mowing down enemies" >阿吽の呼吸/"Aun no Kokyuu" Synchronized breathing >Or when people are the most in tune with each other >阿吽の呼吸/"Aun no Kokyuu" Is a Buddhist expression in Japanese meaning something close to "harmonizing in sync together" >"Aun" is also used to indicate an "Aun relationship", indicating an inherently harmonious relationship or nonverbal communication Yeesh. But holy shit it's paying off. In chapter 38 these boys are already in harmony- Hakuri registers Chihiro into his storehouse (yes they both "own" each other now) and sends him in to fight his father. During the fight Chihiro trusts Hakuri to interpret his intent and it works. Chihiro wordlessly tags a bunch of grenades with his spirit energy and Hakuri pulls them out into the real world to bomb the shit out of the Rakuzaichi audience. They didn't plan this beforehand- they had no idea Kyoura had fucking grenades laying around in there. But they're close enough to understand each other's thoughts already. Peak soulmate material right there!

What's got me most interested now, though, is how they will pull/push each other after this arc. Chihiro's going to be focused more than ever on tracking down his father's killer and the swords. But Hakuri, well… I think it would be very interesting if he starts to become a despair monster. A reflection of Chihiro's state at the very start of the manga where nothing mattered to him except exacting revenge. We're seeing shades of this in the most recent chapter (38) where he's slumped over and obviously depressed about how all this is turning out. He's going to end his family's cruel trade but at what cost to himself? Will Chihiro see some of himself in Hakuri and be able to help him out, or at least promise to find relief from the pain together? Obviously a Bad End where Hakuri takes himself out is in the cards given Hokazono-sensei's previous works but… on a meta level, I think his storehouse ability will keep him relevant. I mean yeah he could be used to slap Chihiro across the face by showing what a bad end for his revenge story could look like but I think (hope) that won't happen. [Note to future self: I give you permission to go batshit insane if Chihiro stops Hakuri from committing sudoku.]

And this is where my brain worms are coming from. In just under 20 chapters we have an extremely strong set up between them- so much room for them to teach each other; push to grow and pull back from the brink when tragedy strikes again.

But where's the real meat, you ask? The actual literary analysis in this gushing rant about how much I love these boys I barely know? Well, fine. Buckle up because it's time for some…

Daddy Issues The Rakuzaichi arc really digs into comparing Chihiro's affection for his dad to the Sazanami family structure. And I gotta talk about this because it's the key aspect that makes Hakuri such a brilliant foil.

First off, the similarities. Chihiro and the Sazanami kids are all intensely devoted to their fathers. All of them were raised with love while learning the intricacies of their family trade. We see the Sazanami kids getting praised for doing well, just like Chihiro. Hakuri and Tenri were even told they were special. During the arc, the Sazanami kids put their lives on the line to defend their dad and family legacy with zeal matched by Chihiro's intensity to avenge his dad. When he falls, Tenri's final words are apologizing to his father.

It's truly heartbreaking that the Sazanami's dad never loved them back.

You see, the Sazanamis are one of those families that put their lineage and craft over everything else. Every member of the family lives for ensuring the Rakuzaichi auction goes off without a hitch. One of the clan is chosen to inherit the storehouse and the rest are trained to defend it to the death. Kyoura, the current patriarch, has no compunctions about letting his son Tenri die just to delay Chihiro and the gang for a few more minutes. He had his kids put their lives on the line to defend a storehouse door that he had already broken in secret- making it completely useless. And he's equally cold when it comes to children who can't perform to standards like Hakuri. Once Hakuri (apparently) fails to manifest an ability for sorcery, Kyoura turns a willfully blind eye to the abuse his kid starts to suffer. He knowingly lets Hakuri be tortured by his older brother for years and does nothing, then disowns him once some "merchandise" kills herself in front of him. There's no love for children who can't be useful to the family's traditions. And any love that does exist between father and child is manipulated as seen here:

What the fuck man.

So Hakuri is going into this arc firm in his conviction to end his family's evil ways. He's been abused physically and emotionally for at least six years straight; he knows his father doesn't love him. And even now when he's about to bring the whole place down with Chihiro he's still yearning for his dad's praise. Hakuri's family is fucked up bad and he needs a hell of a lot of healing after all is said and done.

Meanwhile, every flashback with Chihiro shows us that he was truly loved and cared for like every kid deserves. His dad wasn't perfect but he was exactly what a parent should be- kind, understanding, and supportive. His goofy advice helps Chihiro to this day. Chihiro and his dad had a genuine father-son bond that was broken by tragedy and thus Chihiro's desire to do right by his father's memory is driven by grief, first and foremost. So when we see his expression after Tenri's death, we know why he's so badly shaken. They clashed out of love and duty for their fathers, supposedly prepared to pay the ultimate price. But the Sazanami version of "love" is a very different, much less wholesome version than the kind Chihiro knows… yet no less effective in terms of motivation.

You can practically hear his heart breaking for Tenri. And his inner thoughts in the next chapter say it all: he was naive to think he could enact revenge while holding fast to the kindness he grew up with. Chihiro's kindness that he learned from his father is a liability to him in this situation. Meanwhile, Hakuri knew from the start that he had to finally give up the last of his familial affection. He hardened his heart and steeled his resolve to do whatever it took.

Both Chihiro and Hakuri knew what it was like to be loved. Hakuri's version might have been twisted, but it was still painful to have that bond suddenly broken. And now we've seen Edgy Revenge Man's inner softness hold him back while Silly Soft Guy has a heart colder than the arctic. I go absolutely feral comparing and contrasting their situation and how their positions have reversed. Yeah, Chihiro's going to be the action guy who saves the day but Hakuri's the reason he can do it. Hakuri's surprisingly strong core has pushed Chihiro to put his feelings aside to get things done. I can't fucking wait to see how this arc ends and where these boys end up. What will the the most important thing Chihiro takes away from Hakuri here? I hope it leads him to be a bit more openly compassionate and soft around his allies- Hakuri's situation being a lesson in not letting your family's bonds overtake everything else. For Hakuri, well… I think being around Chihiro, Char, and the rest will help him heal. But I hope it's Chihiro that keeps him stable as the person that can relate to him best.

Meta Ramblings Whew. Now then… Yo dumbass writing this, we're not even 40 chapters in yet. Don't you think it's a bit too soon to start getting hyped for a character that could be shelved as soon as the arc is done?

It's interesting to see the themes and characters Hokazono-sensei's reused in Kagurabachi. From the four one-shots available to read, it seems like he's is interested in writing about characters encountering tragedy through various kinds of love. I think it's intriguing that three out of the four end in despair, and the one that doesn't still involves a fair bit of sadness. It's a bit early to say about Hakuri's circumstances since this is only the second proper arc in the series, but given Hokazono-sensei's past works, I think Hakuri is here to stay. For one, Hokazono-sensei seems to love his color-coded foils (Chain, Enten, Roku no Meiyaku). Farewell! Cherry Boy also explores the circumstances of a blindly loyal boy who feels useless being given his first chance to prove himself… I think this is a theme that Hokazono-sensei is revisiting in a more in-depth fashion with Hakuri, so there's a good chance there's more planned.

And just for fun, if we want to look at his romance stories… Madogiwa de Amu is all about one person being the other's greatest hope, their reason to persevere in the face of hardship and seeing that reciprocated in turn. Complete with the weaker person becoming strong enough to protect the person who inspired them first. Hmm. (Hopefully it doesn't end the same way though 'cause man, I can see Hakuri doing something similar right now…) It's also not impossible for Kagurabachi to touch on love given we see Farewell! Cherry Boy incorporating love as the crux of the narrative, despite starting as a gangster story. The true MC is quite like Chihiro as well in terms of motivation and action plan.

I also think it's impossible to overstate how important it is for Chihiro to have a friendly peer to compare to, narratively speaking. Char is a woobie, Shiba's an uncle figure, and Hiyuki is set up to be the aggro rival/frenemy. Hinao could become more than a side character but it seems unlikely at this time. Chihiro needs someone his own age to just be himself with. And that, I am 99% sure, will be Hakuri. A guy who's suffered just as much as he has. Someone who knows what it's like to have a famous last name and lineage to protect. An equal who's unquestionably on his side, who will lift him up when he's down, will need some protection and care. So yes I think Hakuri will be sticking around to be Chihiro's foil. He might take a back seat at times as heroines do, but he'll still be there to support our sad boi through thick and thin.

Anyway that's why I'm ready to jump feet-first into this ship. It's got all the hallmarks of a wonderfully strong bond and I hope we get to see these boys comforting each other for years to come. If you read all this… thank you? Maybe get yourself checked for brain worms? And tell everyone you know to read this amazing action-packed tragedy laced with BL crack cocaine.

[sol-thorne-shitpost]

I am once again having a thought™ and I just went on a full-on rant to a friend, thought I'd share my thoughts with y'all to see if anyone agrees.

Yes, it's about Hadesgame Patrochilles, buckle up.

Currently reading the Iliad, I noticed that not only are Achilles and Patroclus extremely well-written in Hades (that we're all aware of, I think), but also that there are many many layers to their relationship and the one they have with Zagreus.

First thing that hit me while reading the og Patrochilles and how they're written is how drastically different they are in Hades compared to their original alive selves. They're basically each the complete opposite of what they were when they were alive: Achilles, once prideful, arrogant and impulsive, once his rage was appeased, now became wise, patient, calm, an actually good mentor to Zagreus, in whom he must see a lot of his younger self. Patroclus, on the other hand, once famously gentle and kind, became bitter and dismissive. That can easily be explained by the fact that decades and decades alone after death can drastically change someone. Achilles, so guilty about what his pride did to Patroclus, matured and became wiser; and Patroclus, because of years alone abandoned, lost his faith in the glory of war (and in Achilles).

They basically became the opposite of what they were when they were alive, because of years of loneliness and longing and reflecting on this war they were a part of.

BUT THAT'S NOT ALL GUYS. When you dig a bit (mostly by chatting with Achilles and listening to Patroclus ramble to himself), you learn that what made them mostly change, aside from the circumstances of their deaths, is their longing for each other, and that despite all that change, they both retain the ONE TRAIT that caused their deaths.

Achilles, even in death, remains unbelievably stubborn, unshakable in his decisions (or in this case, his decision to stay away from Patroclus so that he can rest in Elysium) until Patroclus (through Zagreus) manages to shake him out of it.

And Patroclus, ever so bitter and depressed Patroclus, remains deeply kind and generous. He broods there in his glade, but when Zagreus shows up, polite, just passing by, in need of help, Patroclus offers him what little he has to keep going.

It drives me insane to see that after dying, Patroclus is the one who became impulsive and ready to 'risk it all', because he simply has nothing left to lose. Meanwhile, Achilles, so scarred by Patroclus' death (caused by him and his hubris and his pride), is terrified of risking anything, because the one thing he has left to lose is Patroclus' place in Elysium, and he simply can't bring himself to understand that Patroclus wants to be by his side anywhere rather than alone up there.

And they could have never reconciled without Zagreus' intervention. Because somehow, Zagreus is a mirror of both of them, in his own way.

And because on top of being impusilve and stubborn (like Achilles) as well as kind and caring (like Patroclus), Zagreus is the one guy down here, the only one who fights against his fate with all his goddamn might.

Because he wants to see his mother. He wants to find his place in this world. He wants to be acknowledged and respected. So he fights, against the Fates themselves (by just being alive, he does, I'll remind), against Hades, to get what he wants. Achilles and Patroclus both succumbed to their own destinies in the worst way. Of course it would resonate with them.

Maybe I'm thinking too hard about this. But there are so many parallels to draw here! Think about Achilles, who practically raised Zagreus, instructed him in myths, history, combat and arms. Seeing this kid, a prince, gifted for combat, craving for recognition and respect? That would ring a bell. And Zagreus is already a dual kind of person, he's the red eye and the green eye, he's the Olympian and the goddess with a mortal father. He's rage and fierceness (Achilles) and he's kindness and generosity (Patroclus).

And Zagreus hates the status quo. In his own life, and in the one of others. He does this for multiple people in Hades (Sisyphus, Orpheus and Eurydice, Hypnos and Thanatos, Nyx and Chaos...), he just can't stand people suffering when he knows there is something that could be done. He rattles the house and wreaks havoc in his father's well-ordered world, because he knows damn well he's the only one with enough balls to do it.

The thing is that if Zagreus had never intervened, Achilles and Patroclus would never have seen each other. Achilles took the first step toward redemption by giving up his place in Elysium (his glory, his pride, what he fought so hard for) so that Patroclus could stay there instead, as a way of apologizing for what he did to him and atone for his mistakes; but after that, he was left frozen in his own guilt, refusing to try and think of a way to see Patroclus again. And Pat, well... He's given up. Like how he gave up on reasoning with Achilles back in Troy. So he just waits there, even he doesn't know what for. It takes this bisexual disaster of a god to barge in and shake things up, until Patroclus finally reached out to Achilles, gives him that message (risk it all), the last push Achilles needed to finally move.

So yeah I just think they're neat-

This concludes my thought™.

[bengiyo]

Century of Love Ep 3 Stray Thoughts

Last week, the traitor nephew showed up to give San a bunch of highly-questionable information about Vee, who also looked into San. Vee hurt San's feelings by saying that he should have moved on from Vad, but the attraction between them is plain. We also got to see San turn into a kid as part of his regeneration process and interact with Vee as Vee was fighting people he may have robbed. Another faction knows about the magic stone, and sent goons to retrieve it from the house. They hurt Grandpa and the kid, and San kicked their asses. Vee happened to be passing by at the time and got yelled at by San, and Vee yelled right back.

It's gonna be devastating when Vee's grandmother passes.

Why would they go to the police at all?

Now why did he turn into a child again??

I wanna see the tiny actor fighting so bad.

So glad they're letting Offroad fight in this show, and letting his character be clever. I love the fake sirens.

Are we not gonna question why the kid was in oversized clothes?

Oh, nice! Vee is gonna see San transforming.

A naked pratfall! A double pratfall into the tub!!

The triple sound effect reactions of the family are actually really funny.

I love this shirt with the shoulder buckles on San.

Juu being so bored with San's gender hangups is fun.

Goddamn. This man has been in pain for like 13 hours.

Well, the goddess got what she wanted. Make him suffer enough that homosexuality seems less awful?

Interesting, we just had a similar story about the illegal bank accounts in DFF. Fascinated by Vee shielding his pain with these smiles.

Flashing back to San's own class issues with Vad here is a good choice to help us see him experiencing empathy.

I hope they had to do multiple spit takes. I know Offroad had fun with that.

Giving Vee a beloved sick grandma is also a good choice to help him choose to become a sugar baby.

The costuming, hair, and makeup departments clearly love Daou.

Nephew, you ain't slick.

LOL a bride vs groom joke.

I really like the wedding outfits.

THE GODDESS THREW A FUCKING VEIL ON THAT BOY.

Damn, San has to watch his person get shot again.

At least we get to watch Daou whip ass in every episode. They understand what we want.

How are we just sitting here having this conversation?? Didn't Vee get shot??? He doesn't have fast healing 50.

Interesting. Vee knows about the stone as he's being told to expect to lose his grandmother. This is going to lead to good tension with San.

I'm crying because of the grandmother trying to be funny until the end.

Vee earned this breakdown scene in the stairwell. He's been so smiley about so many bad things.

Excited for Vee to try to get the stone tomorrow!

I'm having so much fun with this show. This team knows exactly what I want out of this experience and delivers it in every scene. I am going to be looking forward to this show every week, and will definitely have to show it to my friend if this keeps up.

[according2thelore]

watching season 1 of gilmore girls is just an exercise in gut-wrenching angst when you live with the knowledge that jarpad was 18 when it premiered. like, that's the face of the kid that john winchester told to stay gone for good if he left. that's dean's baby brother. that's the kid who's about to be alone for the first time in his actual life (bar some very specific small blips along the way). i'm cry 😭 thank you to the wb for this gift that we must bear like a thousand-pound cross

LITERALLY

like this sammy??? this sammy right here????

this kid steals dean's flannels even though they don't reach his wrists because they're "more comfortable." he can't keep a pair of pants longer than six months because he grows like a goddamn weed.

this is his big brother's leather jacket!! dean stole it from a surplus store in kentucky and sam wears it everywhere!!!! you cannot tell me otherwise!! they steal it back and forth all the time, but dean doesn't actually want it back bc sam wearing his leather jacket makes him sweat in weird places, which is totally unrelated, okay?

this kid has dreams!!! he writes everything down in composition notebooks stained at the corners with dried, rusty blood from a werewolf four states and five schools ago.

he's been storing his money from pool hustling in the canvas lining of the duffle bag that holds all of his possessions.

this little guy????

the people they save cling to sam like fucking vines, white-knuckled fingers in his sweatshirts because if someone this bright, this innocent, can survive this, they can, too. nothing bad can possibly happen to this kid, because the older one is snarling and spitting and chewing through bone.

because this is just a kid!!!!!! and this kid should be saved, not saving. he's got a pimple on his jaw that's been there for months, and he sweats through almost every shirt he puts on.

LIKE THIS FELLA RIGHT HERE??????

this kid keeps wiping angry tears out of his eyes because no one in this family cares if he's happy, as long as he's here. sam's got money in his bag, and dean won't look him in the eye, and dad is telling him to get the fuck out.

he's telling him that he might as well not even be a part of this fucking family, if he's not going to fight for it. like sam hasn't lost litres of blood for this family, like he wasn't weaned on sweat and stale coca-cola and what adrenaline tastes like when it's the only thing keeping you conscious.

this kid is too big to fit into a queen w dean but goddamnit he's going to, anyway, lazy long limbs splayed on a couch while they watch a re-run on a spotty, fuzzing tv in skin-melting, stifling motel rooms.

having access to video footage of J2 at pre-series ages makes me howl at the moon. because!!!!! like!!!!!! these kids were CHILDREN!!!!!!

anyway. you get it, anon. you know the vision.

dean winchester and i see each other: i would also want to pinch his cheeks and tuck him under my arm and ruffle his hair and buy him milkshakes and new sneakers and cut his silly bangs.

-lizzy

[eggybug]

guess what time it is! its end of season 4 thoughts time!!!!

they are going to be a lot more insane and outta order than in the past

1. the entire season they were yelling at us that lilith was the final seal and it pissed me off jfc

2. i forgot what it was like to lowkey hate sam, i hate it.

3. so cas was in love the whole time, right? RIGHT. like i know ive been ranting about it all season but are you KIDDING me

4. ruby is a bitch and i hate her so bad. but she was in it for the long game thats for damn sure

5. im REALLY not looking forward to the whole "sam gets haunted by lucifer" bit

6. i love cas, i really do, but he looked right in deans eyes, knew that he was doing this shit to him, and did it anyway. like he was probably tortured by the legions of heaven, but goddamn it

7. when i start making cain and abel comparisons all next season, i don't wanna hear shit about it. itll be my bout of insanity and i apologize in advance

8. i fuckin LOVE bobby

9. no body liked john winchester, they loved him, but they hated the son of a bitch

10. i never got to the point where chuck became TRULY the worst guy ever, but i know we as a fandom hate him, so i hate him.

11. i think demons eat babies and i don't know how i feel about that

12. i don't know who i hate more, uriel or zachariah. maybe im glad cas killed all the angels

13. like i get it but HOW did it take dean so long to realize heaven wanted the war too. they disappeared for weeks while lilith was breaking seals like a bull in a damn china shop

14. they keep doing that thing where one of the capital A angels does something shameful to dean, or dean questions his faith in the "Plan" and the camera cuts to cas looking like a sad puppy

15. ik ive said it 1000 times but goddamn those stupid lil boys need therapy

16. GABRIEL WAS TRYING TO WARN THEM, HE WAS TRYING AND HE COULDNT. THEY COULD NEVER MAKE ME HATE YOU GABEY!

17. hey, in the last episode they killed a bunch of nuns, which like damn

18. back to sam, his dumbass really fell for the devil on his shoulder bit jfc

19. like i understand camera work, but two straight men don't stand that close to have a conversation. they just don't.

20. hey sammy, you throw a lady in a trunk, you stop being the good guy

21. at any point did they just consider... not doing that. maybe perhaps, waiting a week?

22. there was a thing with the mirrors and zachariah in the last ep, wasn't there? like that wasn't unintentional. mirrors are notoriously terrible to work with, that can't be unintentional.

23. i love that biblical fanfiction always somehow ends with an angel, a demon, and a human coming together to stop heaven and hell playing out a war on earth.

24. spn just proved you can't leave a bunch of corporate assholes in charge of a planet.

26. im really not looking forward to sam whining about starting the apocalypse for a whole season.

27. dean fighting tooth and nail for cas to see the truth in humanity. to find faith outside of heaven. cas seeing that and it breaking his morale a little bit more and more every time. cas repeatedly seeing dean, perfect vessel, perfect soldier, dean be willing to lose the promise of heaven, of peace for his little bit of humanity. it broke cas. and dean keeps begging cas to see it too. and they're going to drive. me. INSANE.

28. "we're done" those were the exact words dean said to cas.

29. so cas and dean can talk without saying anything, and i hate to say that means they're in love... but thats exactly what that means.

30. cas did it! he broke his faith, he sacrificed himself for dean. and now they're gonna kiss (ik they don't kiss but a boy can dream)

31. have i mentioned that sam pisses me the FUCK off! like yeah i blame ruby but goddamn.

32. this season was hell in a handbasket, jfc (no ounce intended)

omg! season for is done!! woooo! onto the most annoying and lowkey painful season ever! my takes and thoughts for season 5 are going to be annoying, so be prepared !

[darkpoisonouslove]

HotD S02E01

Many thoughts, head full, zero ability to articulate so I'm just gonna scream about it... on main. That'll end well.

First thing I have to say is that the atmosphere and tone definitely work very well here. You can feel the tragedy in the air, the way that it's already happened and it just waits to unfold, to be witnessed in its full glory. Everything is so eerie and bleak and everyone keeps going but they cannot escape the framework of the war. They're trapped in it and you feel it.

Daemon is... he kind of surprised me ngl. There are definitely layers of emotion there that isn't just rage or bloodthirstiness. I didn't want to strangle him the entire time so that's a positive.

Emma D'arcy was amazing in this episode and (I could be missing something; too lazy to check but) she only had that one line??? And still, you feel her grief. That was certainly an interesting approach and it worked for them!

Aegon is such a contrast to all the other characters! I know he's supposed to look completely out of place and incompetent but damn, I am On. His Side! He's ready to be so generous to the small folk. He's trying to compensate on what he missed with his own father by spending time with his son. He has no idea how to interact with Helaena but he's trying his best and goddamn, if that's not a summary of his character! 😭😭😭😭😭😭 (this is an Alicent AND Aegon stan account now, I guess)

(that scene of him and his buddies drinking in the throne room has such fuck boi vibes and yet, SOMEHOW he was utterly hilarious and still sympathetic in it (I'll talk about the place of that scene in the plot later))

@ Otto and Larys: STEP AWAY FROM THE CHILDREN!!!!!!

The scene with Otto and Alicent was surprisingly touching. They finally reach some kind of understanding... and then he turns right around and continues to scheme behind her back. Sure, what he was trying to accomplish with Aemond is in line with his talk with Alicent but he's going to have his own agenda 100%. This wasn't just a strategical decision because Aemond is mad at Alicent rn and wouldn't want to hear any of her opinions even if they're also Otto's opinions.

Which leads me to THE SITUATION BETWEEN ALICENT AND AEMOND AAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!! I. Am. Screaming (as you can see)! They are both so hurt and angry at each other 😭😭😭😭😭😭😭😭😭😭 And I can't even take a side because both of them are correct in different ways. What Aemond did is actively hurting the whole family because it certainly exacerbated the war proceedings. But he's also right to be upset that Alicent would (seemingly) place her old friendship with Rhaenyra above her love for her children. She should feel vindicated that the one that mutilated her son is now dead. But instead, she's angry and has turned away from Aemond. When she was the only one who stood by him (and vice versa) on that awful night when his eye was gouged out????? The disappointment that they each feel in the other is KILLING ME!!!!!!!!! (I have to say that I hadn't thought about the possibility of Aemond being angry but it makes perfect sense and it hurts me so badly. Look at the contrast of this and this)

And now for the absolute fuckery of this episode (pun unintended). I have zero problems with Alicent and Criston fucking. Good for them! Love the moral dilemmas that are 10000% going on in their heads. HOWEVER, the decision to make them have sex while Blood & Cheese is going down? More anti green propaganda from the writers and I am SICK of it. Alicent was originally part of the scene, she was there to experience the horror of it first hand and they choose to switch that for her having sex????? You know the same thing that Rhaenyra and Daemon were doing when the whole fight between the kids in 1x07 was going down and they got no shit for it whatsoever but, of course, Alicent and Criston are going to be torn apart about this, I am 100% positive about that! Once again, the writers are trying to manipulate the viewers by going "See! Not only is Alicent being a hypocrite because she said she wasn't going to do this with Criston again, but that's what she was doing when her grandson was getting murdered" when originally she was bound and gagged and had to watch the whole thing happen in front of her. You could say that they spared her that trauma but they literally could have had her doing anything else if that was the intent. I am ANGRY about this. Not to mention the fact that Helaena literally interrupting Alicole while they're having sex adds an obstacle to Alicent offering her comfort. At the very least she has to get dressed first before she can hug her and try to provide some kind of feeling of safety, which inserts awkwardness if not downright shame into Alicent's actions and choices during that night. (Oh, and this will probably make her stop having sex with Criston, which is going to be another big L; let her be marginally happy and have orgasms, goddammit!)

Let's go back to Aegon now! So while Alicent and Criston are too busy fucking to be any the wiser about what's happening with her grandchildren (even though they literally couldn't have known anything like that would happen), what is Aegon doing? (Probably) drinking and stroking his ego by trying to come up with titles for himself... as the assassins are walking past him, right under his nose. Don't think he's not gonna get shit about that by fans if not by the writers themselves! They have set everything up so perfectly to blame all the Greens for allowing this to happen (since Otto and Aemond are so ready for war and yet were nowhere to be found during this either) but what about the Blacks, who organized all of this? Well...

They are whitewashing Daemon now by making Jaehaerys's murder be the idea of the assassins themselves. You see, Daemon would have never gone after a 4-year-old! He was only going after Aemond! And this is yet another misunderstanding like with Lucerys' death, except that this was way more deliberate but you cannot blame the Blacks when the people that they hired acted on their own. I hate it here! The writers are cowards and cannot commit to the actual characters that they're supposed to be writing so they're just doing whatever they want. And doing it badly at that! (That whole sequence was so fucking disjointed and lackluster also so congrats to whoever wrote this on the terrible job that they are doing!)

Poor Helaena! She's literally not going to get anything in this season. They already did Blood & Cheese so now they're just going to make her lose her mind and give her nothing else to do. I hope I'm wrong about this but I don't think I am given their track record.

Anyway, go team Green!

*I already bitched about this in the tags of another post but the fact that in the extra ("inside the episode" or whatever it's called) they had the gall to say that Alicent was in a "marriage that was loving but not exactly romantic or physical for quite some time" is a fucking insult. HE CALLED HER BY AEMMA'S NAME! HE USED HER AS AN INCUBATOR AND COULDN'T EVEN BE BOTHERED TO CARE ABOUT HER OR THEIR KIDS. SHUT UP SHUT UP SHUT THE FUCK UP!!!!!!!

[befuddledcinnamonroll]

15 Day BL Challenge

Day 7: Favorite Villain

I do like me a good villain. But good villains can also be hard to find. There's a lot of one-dimensional villains out there, or they're so horribly abusive & homophobic that you just want them to die.

I much prefer villains with some dimension and complexity, though I can be won over by a villain who's just clearly having a ton of fun.

So who to pick...

I do like Vegas a lot, but I kinda don't see him as a villain? He's an antagonist for sure, and does some dark stuff, but he's clearly a victim in a lot of ways, and gets the secondary romance in the story. Not that that's mutually exclusive from villainy, but it's just not how my brain categorizes him.

I looooved Heng's portrayal of Chalothon; he did so much to add dimension to a fairly thinly-written character, but we didn't get to see Chalothon's change of heart, or the incredible acting Heng would have brought to it, so that makes him slip down overall for me. (Can you just imagine the scene of Chalothon giving his Naga soul to Tharn? We get so few good villain turns in BL. I'm so pained at the deprivation).

I do have a soft spot for Aoey in Lovely Writer, largely due to Bruce's acting. He's a very interesting character in terms of a person who had a chance for his own beautiful real love story, and just made all the wrong choices, time after time. (I mean who in their right mind would say no to Chap?)

Oh who are we kidding, y'all know I am a fanatic for Not Me. I'm going to have to go with my boy Todd.

Sing is such a versatile actor, I don't think he gets nearly enough credit for what a chameleon he is. He's really good at fluffy roles for sure, but when he had to turn on the menace as Todd, he absolutely delivered.

He plays Todd's turn from "helpful friend" to "rich bastard" perfectly and in such a believable way. He's chillingly realistic in his belief that the only way to change the world is to buy it, and make it his.

And of course we can't talk about Todd without talking about his relationship with Black, how fucking thrilled Todd is when he realizes Black is awake from his coma (that Todd is responsible for), and how these two consistently try to kill one another, but can't, because of their deep fucked up love (they bone in between fights, you can never convince me otherwise).

Also, the scenes between Gun & Sing are goddamn acting masterclasses.

If we ever get our Joong Archen serial killer show, Sing needs to be his accomplice.

@negrowhat's full challenge here