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#i wanted to do promo art but its 2 am so. later
notedchampagne · 8 months
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hi. what if wake survived the fall?
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electraslight · 2 years
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First of all, your Bevin art is delightful and put +20 years on my lifespan, you are doing the Lord's work. Secondly, I'm so in love with your ideas about their relationship! Can I ask when (in your mind/opinion) they first conciously realized they were into one another and that it wasn't just appreciation/envy/jealousy that made the other in the pair the one for them? If not don't worry pls just know you make amazing art and that you're super cool!
thank you so much for the kind words!!! i get frequently harassed over shipping them so its nice to see someone enjoy my work :)) as 4 your question most plausible canonically? ben and kevin were forced to confront their hidden feelings for each other, which neither of them ever wanted to speak aloud. maybe they really thought they were going to die, maybe they wre manipulated into speaking it by a truth serum, idk. i honestly dont think a canonical situation would be a happy one for them. I usually make my stuff have a happy ending but realistically it would probably ruin their relationship for a bit. even if they both knew they both felt the same they likely would agree not to act on it :/// they may get together later in life though once theyve got stuff figured out, realisitcally i can never see them getting together as teenagers, they need a lot more time to heal.
as for more ooc, self indulgent stuff, i have written a metric shit ton of getting together fanfics (some better than others, dont scroll too far down my ao3 or youll get some real shitters), heres the link to my stuff : https://archiveofourown.org/users/electraslight/works i usually write once every two weeks if i have an idea (sorry for the promo lol but hey you cant blame me XD)
also thanks 2 my freind blue who i completely copied the first part of that above rant from i cant help that hes better at talking than i am
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littlemisslipbalm · 4 years
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“you get me” (famous!y/n x harry)
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Famous!y/n x Harry Styles
First Harry fic so please be kind, but feedback is SUPER appreciated
Initially inspired by the picture of Harry leaving the Gucci store with 15 bags but barely has anything to do with that lol
Definitely thought of Ellen for the interview idk why tho - also I struggle with writing Harry’s dialogue because I really want to get it right, but hopefully the more practice I get, the better/more natural it will sound. ALSO i have like no music or music industry background lol. Somewhat proofread, but its 2:30 am so it could be shit
Fluff!
Warnings: maybe some angst over being famous per say, past loneliness
Word Count: 3.7k literally howwww, i’m going to do a pt. 2 though because it was kind of a long set up and feelingsssss
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Interviewer: Please, welcome our next guest, a woman who’s sure to have her name written up beside the music greats someday, Ms. Y/N L/N!
You can’t contain the grin that spreads to your face as you carry yourself out onto the stage and see the audience cheering for you. It was your third big interview since your first album had been released and you’d seen your fame skyrocket over night. This being the third one this week meant you’d gotten comfortable getting asked questions, but you also weren’t bored of it yet. It was exhilarating being the center of attention, especially for something that had been your life’s work up until this point. You always had to fight for whatever you got and the recognition you were starting to have was reassurance that you hadn’t been a fool to risk a safe and certain life for your dreams.
The interview begins as the rest had, a few pleasantries, how you were feeling, and then the introduction of the album. The host asked you what your inspiration was for some of the songs and the album name and cover. You loved to talk about the music, it was the whole reason you were there. The meaning, the sound, the name, it all meant so much to you and you talked about how music can be interpreted differently by everyone and even the shifts in someone’s mood can change a song’s meaning, but what it meant to you at the time of writing was always something specific. You practiced those answers in the mirror before the interviews because they were important to you and you didn’t want your words on your art to ever be misconstrued. The host then complimented your style and you were at the point where you thought your interview should be wrapping up when they asked you one more question, and it threw you for a loop.
Interviewer: So Y/N, we’ve been hearing some rumblings around, about you and another famous musician, Mr. Harry Styles. Anything going on there?
Your face heated up, you hadn’t been expecting a personal question about possible relationships. Nothing like this had been asked of you at your previous interviews. It’s about the music, the art, and who you were, it’s always about that and nothing more. To be honest, you were a bit annoyed the host had chosen to stray from those topics. You didn’t care for the celebrity side of being a famous musician, the lack of privacy, the prying eyes of media and the general public. They saw enough of you through your art, you bore your soul through music why did they want to peak into your heart as well?
Y/N: I don’t know if I’d rather be with Harry Styles or actually be Harry Styles. Like, he’s literally such an icon, I want to be able to walk out of a Gucci store after spending hours there with 15 bags full of my purchases and helpers to carry it all out c’mon… He’s also an amazing songwriter, musician, and performer, of course. Didn’t mean to sound superficial, but I’d also love to own even half of his closet.
You hadn’t really answered the question, but the audience laughed and the host obviously got the hint that you weren’t interested in fanning any flames of romance with Harry Styles or anyone else. For one, you didn’t even know the man, but you had always been a loving fan of his. You cited him as one of your role models when you were first starting to try and break into the music world. Second, if you did know him, that wouldn’t be an appropriate topic for your album press junket going on, even if it meant more publicity because of Harry’s big celebrity status. The host decided to qualify their original question with a final sentiment.
Interviewer: I totally feel the same way! I only ask because the outpouring of support you’ve received seems to be from similar groups who also follow Harry. Many have been comparing your sound to his solo career work.
Y/N: Ah...well that’s very kind of people to say. He’s definitely a big inspiration, his creativity and drive is incredible. I’d love to be as successful as him someday.
The interview ended. You and the host shook hands and you waved and sent kisses to the crowd before retreating backstage. You were exhausted, but happy. You hoped to avoid anymore stressful interview questions that didn’t truly revolve around music. Of course, life is never that simple.
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One month later
You had done countless more interviews and talk shows as promo for your album and the buzz around it had continued to grow. Your fame continued to rise as well and that one question you had dodged at your third interview had come back around to bite you, naturally. Daily Mail’s dumb headline read: “Y/N can’t decide! Date Harry Styles or Steal His Closet?” The Sun was also running with your response and miscontruing it completely, something about how you were madly in love with Harry but jealous of his designer partnerships, you couldn’t even stomach reading the garbage. This was your worst nightmare. Not only was it taking away the focus from your album, but you were also sure this dumb gossip had reached the very set of ears that the gossip was allegedly also about.
You had signed with Columbia Records for your first album, the same record label as Harry Styles, so managers had been in contact with one another about the whole fiasco trying to get the actual truth - which was that the two of you didn’t even know each other and there were no problems whatsoever. Your manager also brought along the good news that Harry had actually listened to your album and loved it, “He said ‘Congratulations’ by the way, loved the sound. Said he’d heard you were very music focused and be open to do some mentoring on songwriting and vocal specifics, if you wanted. It’d have to be in private though, obviously.” She had added the last bit, but you understood why. To have the opportunity to discuss your music with one of your longtime role models, heroes even, was beyond anything you could have imagined coming from your album’s success. And it made the drama all the more palatable because now you at least got to talk to Harry like the media was so adamantly saying you were doing already.
You nodded quickly and agreed, while trying to keep your teenage fangirl excitement hidden below your mature now-famous musician facade. Like you said, Harry was your hero, he’d been your hero since you were in middle school and had Up All Night downloaded on your iPod touch, blasting it as loud as possible, sound hitting your poster-filled walls. You weren’t the same girl as you were then, obviously, you had grown up to be a strong, independent, and confident woman. But, you still smiled at the thought of your younger self with your baby face squealing in the nosebleeds at the Take Me Home Tour (where you swore Harry had looked straight at you) and her seeing you now, dressed in a sleek outfit setting up an appointment to meet with Harry to discuss your first album, a success.
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The next Thursday evening
You took a deep breath, in through your nose and out through your pursed lips. You were anxious and excited at the exact same time. Your meeting with Harry was tonight, right now actually, and you hadn’t been able to think about much else since your manager had confirmed the meeting last week. She got you the details a couple of days ago, the location: his house in Malibu, the time: 5:45 P.M. You had brought along a copy of your album on vinyl because you thought it sounded best this way, second only to performing it live.
Choosing your outfit for tonight was probably the toughest decision you’d ever made, harder than choosing between an education and following your dreams, harder than choosing your favorite Beatles song. You didn’t want to worry so much, this wasn’t a date you kept reminding yourself, but everything you tried on earlier kept having something wrong with it, too dressy, too boring, too ‘not yourself’. You had settled for these blue high-waisted pants that you’d worn to your first ever podcast interview, a thin black long sleeve, and a brown leather coat that fell below your hips with vans sneakers, casual, simple, yet still true to you and your vibe.
You raised your free arm and formed a fist, hesitant to knock, as if you’d damage Harry’s seemingly perfect Malibu beachfront home by knocking too hard on the wooden front door. You waited a few moments and could here some shuffling behind the door, some incoherent words were seemingly said, but the walls muffled them before they could reach for ears. Soon enough, Harry Styles in the flesh was before you. He beamed down at you, huffing, slightly out of breath as if he had been clear across the house when you knocked. His strong figure towered above your far smaller stature. He was hanging onto the door since he had opened it only slightly. “Hello, Y/N?” he greeted and questioned simultaneously. “Hi,” you responded and extended the same hand that had just rapped against his now open door. He gripped it, ushering you into his home, “Come in, come in, it’s nice to meet you, don’t want you to catch a cold now do we?” He took note of your strong handshake and ring clad fingers.
He walked you into an area between the kitchen and a sitting area. The kitchen was open aside from a bar high top between the two rooms. You sat down at his prompting and made yourself comfortable. “I brought my record on vinyl, sounds best in my opinion, otherwise I’d recommend seeing it live,” you laughed as you handed the vinyl to him and took off your coat. “Technically, y’know, I could hear it live right now, if you were willin’ f’course,” Harry had responded over his shoulder as he placed the vinyl by his idle record player, “Anything to drink?” “Just water for me, please.” His accent was even stronger in person, especially since he had moved back to London and seldomly stayed in California, except for business and quick trips. As far as you knew, he had already been here on business for the week and was able to pencil you in.
You two settled in, with your waters, seated at the bar top beside each other, but swivelling the chairs to face one another more. Again, you were overwhelmed with the reality of the situation, sitting beside Harry Styles as professionals, peers even. He had heard your work and liked it enough to want to discuss it with you. It was a day you never thought would come to pass. He started off not by asking about the music right away, but about how you were doing with the whirlwind that stardom is. “How are you, Y/N? It’s been somewhat of a out of the frying pan into the fire kind of moment for you?” He stared at you intently, caring to hear your answer.
You couldn’t help but chuckle again and contain your smile, “Thank you for asking, Harry. Yeah, its been definitely stressful, but it’s everything I’ve ever wanted and more so the good is still outweighing any bad. Definitely, fucking exhausted though, dunno how many more interviews I can do before my jaw goes completely rigid from talking so much.” It’s Harry’s turn to laugh, his eyes shone with intrigue at what you said and how you said it. You were gorgeous, but it was how your hands helped you through what you were trying to say and the small laughs you tried to keep in while you amused yourself with your words that really made him want to hear you talk all night long.
He agreed about how the promo junket for an album can get tedious and tiresome, but also the absolute fulfillment you get from people loving the music you’ve made. The two of you chatted about surface level personal matters for a little more, but quickly moved to the music. “I took a listen a couple weeks after the album was released. I especially loved the last track. It reminded me so much of a song I never released, actually…” he trailed off.
Your final track had been a ballad, an homage to George Harrison with your use of guitar and sitar, but the lyrics were a story based off of a poem you had written one night in high school. It surrounded a girl never feeling quite good enough for the person she wanted to be with and how it happened everytime, everytime she was ready to giver herself to someone, they were always closed off. Of course it held some truth to your own life and feelings, but you wrote this girl as someone with a seemingly perfect life - when yours was obviously far from any semblance of perfection.
You wondered what Harry’s song would have sounded like, had it been about a seemingly perfect girl or a guy with a seemingly perfect life, always giving himself to the wrong person and getting destroyed by that very fact because he was impatient as the girl in your song had been. “Can I ask, how so? How’d it remind you of your own song, the words or the music?” “Oh, the story, I felt like that for a time in my life and I like to be vulnerable in my songs because it helps me process, but listening to it back has always been too painful. Could never release that or perform it, it’d wreck me.” You nodded, you completely got where he was coming from. You noticed his downcast eyes and his somber tone, you knew not to push it any further.
It was quiet and you decided it’d be okay to take his hand resting between the two of you. “Harry, I understand,” your sincerity spilled into the words, filling the quiet house, “It’s not easy. Feeling that way. Thinking you’re the only goddamn one and why the fuck does it always happen to you? I used to ask my ceiling ‘why me?’ every night of high school” you smiled then. “But you know how it is,” you rubbed your thumb over his large warm hand and he lifted his head, “it gets so much better - c’mon look at us now! It can get hard, too, all this, I’m sure. But our lives? They’re amazing!” He beamed as he had when he had first seen you at his door and when you’d first really spoke. He moved his hand from under your palm to weave your fingers with his, both of your hands with covered in rings and they clinked to fit together, finally resting perfectly fitted. He shook your two hands up and down, “God, you’re so right! That damn song, m’sorry always puts me in a mood,” he shakes his head, “not yours though, f’course, s’lovely, better than my sodding song” he finishes quickly.
After that, the mood lightened right back up. It filled you with such appreciation for Harry that he would trust you so much with such a personal detail since you two had just met. But maybe, he had trusted you because he had felt that same spark between you. It wasn’t necessarily a romantic spark, but it was obvious the two of you were kindred spirits. Besides your album, the two of you talked about everything. You loved the same bands, movies and books, you both loved to cook and had similar fashion taste, you even had the same person type - something you found out late into the night.
At the end of the Side B of your album, Harry switched to a Bill Evans record that had ‘Peace Piece’ on it. You loved that song. So did he. “So...planning to raid my closet?” Harry raised his brows from the record player and walked back to you. You almost sputtered the water in your mouth. Luckily, you got it down. “Pardon?” “All that bad press the two of us have been getting...I watched the interview that kind of ignited the tabloids. You’re obviously not used to those overstepping personal questions.” You nodded. “It’s fine, even if you’d completely shut it down, the tabloids probably would have picked it up still, they snap up anything and everything, true or not.” You softened at his reassurance. You hadn’t expected Harry to bring the interview up, but you were sure he wasn’t happy about it, he was so private, especially about his love life. “Thanks, I’m sorry I tried to laugh it off, kind of made it worse, didn’t I?” “No! Thought it was hilarious and I totally appreciated the sentiment. Little ol’me, an icon? And an amazing artist? All I gotta do is watch that clip and I’ve fed my narcissistic side for the week!” You giggled and replied slyly, “So does that mean I can raid your closet? As compensation, of course.” Harry threw his head back in an all consuming laughter, when he’d composed himself he looked in your eyes again and said, “You just...God, you get me.”
Harry had continued to put records on throughout the night, diligently flipping sides and asking for requests, he of course had an extensive collection. The two of you had moved onto his plush couch that looked out his french doors to the beautiful ocean view. Finally, your exhaustion caught up to you, mid-Harry describing his latest travel fiasco, you glanced up at the clock. You gasped. Harry stopped. “When did it get to be half 12?” you questioned almost incredulously, “I’ve gotta get home, Harry, but this has been truly amazing, more than I could have asked for, so thank you.” Your speech began to rush as you started to get up and gather your things, that had slowly scattered as you’d gotten more comfortable, jacket by the table, shoes around the back of the couch, your phone forgotten somewhere in the couch. You couldn’t believe you’d spent almost seven hours just talking with Harry Styles.
Harry quickly stood up from his relaxed positioned on the couch and asked if you were alright to drive this late. You scoffed, “Oh please, I’ve driven around at 3 am before, I just have to turn up the music and I can cruise.” He smiled, “This was great, Y/N, I know we didn’t really go super in depth into your writing process, but I’d love to write with you sometime or just hang out again f’course. Your seriously talented and obviously a wonderful person.” He didn’t include that he felt like he’d never met anyone like you, never met someone so perfectly matched to himself, in passions but also in work ethic and demeanor - compassionate yet confident. He felt like you got him perfectly and he got you. You had stopped your scramble to gather yourself and now you were both smiling at one another.
This had really been an unforgettable night, you couldn’t believe how well you two had meshed, like childhood friends reconnecting after years apart. “Can I give yeh a hug before you go?” Harry’s voice had grown raspier as the night had progressed. He had grown rather tired an hour ago, but had pushed through because they had been having so much fun and you hadn’t noticed his physical fading or the time, obviously. You stepped toward him and his large tattooed arms enveloped you into his body. His body truly dwarfed yours now as he held you to his chest. You both were warm and soft. He tucked his head on top of yours that rested on his chest. Your arms were loosely resting where his back met his waist because you would have had to strain to get them to encircle him. His arms rested around your small frame. “Love your jacket,” he mumbled into your hair. His rough voice was quiet, but the house was silent otherwise, Tusk Side C had finished around when you had noticed the time. The embrace lasted long, but it felt so amazing you had a hard time pulling yourself away, but you had to get back home.
“G’night Harry” you said softly at the threshold of his home. He had insisted on walking you to the front door at least, since you had declined his offer to walk you out to your car on the street. “G’night. Safe travels.”
You got in your car and headed to your apartment in the city. You didn’t bother digging for your phone so you turned on the radio and drove home singing whatever came on, including your own song at one point. The whole time you drove with a grin. Harry was the nicest person you’d ever met and you were confident that the two of you were friends now. As you pulled into your parking garage it dawned on you why you hadn’t connected your phone immediately when you got in your car. “Stupid, stupid, stupid,” you put the car in park and rested your palms in the depressions of your eyesockets, over your closed eyelids, and rubbed hard. “Fuck!” It was far too late to drive back out to Malibu for your phone and you obviously couldn’t text Harry that you’d left your phone at his place, despite the two of you exchanging numbers during the night for future hang outs, so they didn’t have to be arranged through your managers, like playdates. Even if he found your phone between the cushions, he couldn’t drop it at your place in the morning because he didn’t know your address. This was a whole mess, you thought. You’d have to drive over in the morning and hope he was still there or email your manager from your computer. The former meant you got to see Harry sooner and likely your phone, too.
part 2
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@berrynarrybanana​
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ectonurites · 3 years
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Conner Kent in Suicide Squad/the Infinite Frontier era: wtf is going on
Alright lads hello I just need to type out some theories/thoughts about what’s going on with my boy Kon right now. This is more for myself than anything else (just trying to organize my thoughts) but since some of y’all like to hear me talk about comics (and some of this discussion has already been happenin in my inbox) I figured i’d format it and put it on here too! its like 4k words and written over the last few days mostly at 3am. sorry <3 
this is basically just me going like
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Also fair warning that like, I can be wrong and misinterpret things just as much as anyone else can, like I use panels to support why I think what I do but a lot of this stuff is subjective/complicated to understand so like... in general somethings should be taken with a grain of salt, especially because exactly what changes to the universe were made by Death Metal/Infinite Frontier haven’t been super super clearly defined yet. Also sometimes comic writers make the most random nonsensical shit happen, so I as a fan am also allowed to theorize about random nonsensical shit.
But to start: let’s backtrack!
Many months ago when Infinite Frontier was first announced they dropped some promotional art, and I remember being a little confused because. Well:
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(Variant Cover spread for Justice League (2018) #59)
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(Variant Cover spread for Superman (2018) #29)
Notice how Conner is back to his Teen Titans 2003 look up top, but in his YJ 2019 look at the bottom? This seemed weird to me! But then they announced that Conner would be part of the Suicide Squad ongoing title, in the T-shirt look, so I wrote this discrepancy off in my brain as ‘oh I guess that cover was just the last hurrah for punk Kon’ and moved on with life.
In Suicide Squad right away we learn he’s very much so there against his will:
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(Suicide Squad (2021) #1)
Which corroborates more or less what we were also shown in Future State: Suicide Squad, although admittedly it tells... a slightly different version of the events. When I first saw both of these together I just chalked it up to being a bit inaccurate as it’s shown as a memory in Future State:
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(Future State: Suicide Squad #2)
Issue 2 we saw him in action with the Squad, trying to do his best to still be a hero despite the team, but things get a little more interesting in the following issue. It starts off with an account of his history
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(Suicide Squad (2021) #3)
This page gave me a few immediate red flags, mostly minor things that had to do with coloring, so more irl problems than things to take seriously in-universe (Kon’s pants are the wrong color in the first Superboy shot, and Bart’s Impulse costume is in Kid Flash colors instead of the correct Impulse ones) but then also it just bugged me the phrasing “he joined Young Justice” when he was a founder of the team, he didn’t join it he made it with Tim and Bart.
But again, chalked that stuff up to just.... writers/artists being inconsistent/unaware of things that they should be aware of, or even Nocturna just not being specific with details. But it did still strike me as a little odd considering the very accurate use of villains in those same shots, Scavenger who was a reoccurring bad guy from Kon’s solo days and showed up basically nowhere else (even holding the Spear of Lono and everything!) and Billy/Harm (Greta’s brother) from Young Justice.
But then a few pages later we got this:
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(Suicide Squad (2021) #3)
Which is interesting. My first instinct was to think he’s being drugged w kryptonite or something thats leaving him hazy/out of it, but my thoughts on that have kinda changed, we’ll get there in a bit. But in general the context of ‘something’s wrong’ made the slight discrepancies on some details of his own history make more sense.
I also want to then bring up the next part to this story, the crossover issue in Teen Titans Academy.
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(Teen Titans Academy #3)
So a few things. Does it feel weird to anyone else that Conner Kent, a known previous Titan who literally has a framed picture of himself in a case there, would set off alarm sensors like that? Wouldn’t he be... recognized as a Titan not an intruder by their sensors? Interesting! Anyways.
He looks really pained looking at that picture, and sad, and almost frustrated, which ya know makes sense and hurts my heart because he misses them! He misses his friends and being happy. 
But, importantly for a criticism I wanna make thats less theory related and more just me bein annoyed at Tim Sheridan, that’s a picture of Conner. Right there. That’s Superboy, on display at Teen Titans Academy, so the people who frequent this building would know who he is and what he looks like and be able to recognize him, he’s even in the same outfit and everything. Alinta recognized him at the end of Suicide Squad #3. 
So why does only one person during this big fight then comment on his presence?? Why doesn’t it get a bigger reaction???
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(Teen Titans Academy #3)
And after the fight we don’t see any on panel moment of Wallace going up to the staff Titans (who weren’t present for the fight) and saying like “HEY NIGHTWING UHHH SUPERBOY WAS WITH THE SUICIDE SQUAD?” we just see him talking with his friends upset about Crush leaving. We see Alinta talking to them but we don’t see the exact dialogue. So I do just wanna take the writer by the shoulders and shake him a little bit and ask WHY because that just feels like... something you’d wanna address on panel! This is like the first time since joining the squad that Kon’s at all in contact with people from his life before Waller got involved, I feel like not addressing those people’s reactions to it/not discussing it at least a little bit on panel (especially when Conner CAME UP in the previous TTA issue, Dick brought him up and everything!!!) is a really odd choice. Maybe it’ll happen next issue and i’m just impatient, but who knows. Anyways, gripes with Sheridan aside, lets move on.
I wanna bring up how Conner... doesn’t really respond to Wallace’s question? At all? Except to just fight him off, not even an attempt at a ‘Sorry’ or anything? (the ‘Ha! That all you got?!’ seems to be coming from Culebra not Conner, although the placement of the bubble is vague enough it could be that it was supposed to be Conner? but it seems more like what she’d say, especially as she’s grabbing Emiko like that) That just feels weird. It feels off. In general he speaks so little in Suicide Squad #3 and this issue. Tbh it almost feels like he doesn’t really recognize Wallace which I mean I suppose they never exactly met (they would have theoretically during Death Metal, basically all past/present Titans were together for a while during that), but Kon’s been back in existing long enough he’d have a sense of who current heroes are anyways.
But right, so, lots of little things that feel weird... that gets us caught up to the most recently released comics... but in this household we look at solicits as they drop. Which gives us some info on what’s coming up a few months ahead of time, albeit without full context obviously. Issues #4 and #5 don’t mention Conner in their descriptions or show him on the covers at all, because there’s just other plot things going on, so ya know seems things will be quiet for him for a bit.
But then we got the August solicitations and oh BOY it’s a doozey for him! And some things start to kinda connect perhaps!
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I want to just take a moment to look at that specific wording. “The teen calling himself Conner Kent” I’m probably reading too much into it but that feels deliberate, like why wouldn’t you just say ‘Conner Kent’? Usually these kinds of descriptions are trying to keep a low word count, not add in extra words that don’t need to be there. It makes it feel like that’s a name he’s using that... doesn’t actually belong to him.
So the theory I want to propose (that has been floating around already) is that based on these covers and the description, and how the Conner we’ve been seeing in Suicide Squad apparently talks about his own personal history like he’s ‘reading a wikipedia entry’ and had little response to people he should be aware of like Wallace and apparently isn’t recognized as a Titan through a bio-scan and also bearing in mind those initial promo arts with two separate looks at the same time for him... I think we're looking at a situation where the Conner in Suicide Squad so far has actually been a clone of original Conner (like... like he’s Match 2.0 or somethin) the whole time, that’s just not aware he’s not the original. 
Now that’s the base theory I wanna work with and build off of, but there’s MANY different directions that could go in/ways that could work.
For example, one idea is that the Conner we saw in #1 who was chained up is the original Conner, and he’s been being cloned and held captive, so everything else with Conner in Suicide Squad so far has been this Match 2.0 
Another idea could be the original Conner in #1 is also the Conner in #2 who Waller had then commented wasn’t ready during the mission in Arkham and had zapped with a lil Kryptonite, and after that moment she took him off the field because his spirit hadn’t been broken enough to be obedient (as he was a lot quieter in Issue #3 & the TTA crossover compared to #2, and #3 is when the Nocturna thing with the history happened)
Or it could even be original Conner in #1, then in #2 was one clone that wasn’t ‘ready’ that after that point she stopped using him, and switched to a diff clone for #3, because like that first cover did show a LOT of clones. That could be more just ‘artistic interpretation’ or something, covers sometimes do exaggerate/mislead, but it also could indicate we’re looking at a lot of clones.
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(Suicide Squad (2021) #2)
With all of those in mind I also wanna bring up this little bit from Future State Suicide Squad:
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(Future State: Suicide Squad #2)
Again Future State is a ‘possible future’ so stuff from it isn’t set in stone, but the idea of ‘she still has his YJ 2019 outfit somewhere’ makes me think it could be something along the lines of like, Clone!Conner finds original Conner and frees him and he gets back his YJ outfit, which could lead to like the imagery on that variant cover/the idea from my very first part of this post where I was talking about Kon being shown in both outfits in different places.
Alternatively entirely from all that, another option is that she maybe got ahold of what was needed to clone Kon, but doesn’t even have the original Kon in her possession. (again with the Future State thing, she could be lying since elsewhere in Future State we did also see a copy of YJ 2019 Kon’s costume in one of the Jon-focused Future State comics in a display case 🤷‍♂️) Which could also lead to that confrontation on the variant cover & the promo art thing... and could also explain why we have seen nothing about anyone looking for him, because in that sort of scenario he wouldn’t have even been missing in the first place.
There’s a lot of possibilities! It’s still too early to solidly know anything, but I feel pretty confident we’re entering another cloning related plot with our Clone Boy so it’s... ya know. Clone time. On the one hand it’s annoying because god we have done clone/multiple Kons plots before. We’ve done them so much.
BUT on the other hand, I think it could be interesting to use this situation to tie into some older stuff from pre-reboot that I can see some connections to, because due to Infinite Frontier altering the world and people’s memories it’s all technically fair game storytelling-wise again (and like, the use of Scavenger specifically in that flashback way above, who’s not a super well known villain in general, makes me think maaaaybe the writer did do some of their Kon homework)
Something also just dawned on me that i’m not quite sure what it means but still is worth mentioning: The Conner here in Suicide Squad is back in his Teen Titans Vol. 3 outfit, and his history as he tells it stops during Teen Titans Vol. 3. And doesn’t... mention when he died? It feels like it... stopped before that, because like I feel if he was telling his life history (even the wiki version LMAO) the part where he died and came back would be pretty important to bring up?? And Nocturna specifically says that he didn’t explain how that stuff from TT Vol. 3 then led to him in his current situation. That’s a pretty big gap (like uhhh everything from resurrection until he got lost on Gemworld + all the rest of the Young Justice 2019 stuff?) So like.. there could be something funky going on here that has to do with that. 
Similarly when he flashes back in Future State: Suicide Squad to his past it also goes right from Teen Titans Vol. 3 to the current Suicide Squad run? Like I get it’s one page so they can’t show that much, but the fact that there’s now two places that flash back to that same specific time period and nothing past it until the Suicide Squad feels just... noticeable! Not concretely indicative of something, but noteworthy.
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(Future State: Suicide Squad #2)
Like...this almost has me thinking maybe it could be something where like, they tampered with his dead body and cloned from that? BECAUSE, for those of you who may not be familiar with how Kon’s resurrection (during Final Crisis: Legion of 3 Worlds) worked, when he came back there was time travel involved! He was brought back to life in the future (like. Legion of Superheroes era) because it was a process that took that thousand or so years to work/heal him (essentially because of his hybrid dna the process that healed Clark when he had died back in Death of Superman/Reign of the Supermen in the 90s just took a lot longer, but its the same Kryptonian healing chamber thing) meaning when he came back to the present alive again, his dead body was still also in the present just in it’s process of healing. Meaning especially if we’re bringing back stuff from before the reboot, Kon likely has his dead body just vibing out there while he’s goin around living life 🤷‍♂️
SO them doing something related to that could explain the choice to put him back in the T-shirt (since thats what he wore in the era his brain would be caught up to if we’re relating this to when he died) and why he’d recognize himself in a group photo with Bart, Cassie and Tim but maybe not someone like Wallace who didn’t exist back then. I don’t know, this branch of thought is still half baked. Will maybe come back and elaborate on this later. But I’m now really thinking there might be a connection to the early Teen Titans Vol. 3 era specifically because of it being referenced twice in stuff with this Suicide Squad.
ANYWAYS moving on, this is probably a shot in the dark and I only thought of it because I just was reading 90′s Superboy, but right away when thinking about ‘Amanda Waller’ and ‘Cloning Kon’ I was reminded of some stuff about the circumstances around the first clone that was made of Conner: Match.
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(Superboy (1994) #35)
Match was created by an organization called ‘The Agenda’, that was after a while primarily under the control of The Contessa, Lex Luthor’s ex-wife, aided by Amanda Spence who had a personal grudge against Kon bc her dad was Paul Westfield the guy Kon was originally cloned from (before the Lex/Clark retcon). They were the big bad guys of an arc called The Evil Factory in Superboy (where Cadmus personnel got replaced with clones) which also then tied into the Sins of Youth event over in Young Justice (Remember how Match was posing as Superboy for a while there? yeah). After those plot lines finished the Agenda was pretty defeated (Amanda Spence was still out there and came back later but still) and... who got their hands on the remaining Agenda tech?
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(Superboy (1994) #87)
Why none other than Amanda Waller herself!
If they re-canonized pieces of this (which also tied into Young Justice which ya know, YJ 2019 was all about re-establishing stuff from YJ even before Death Metal happened soooo) it would totally make sense for Waller to have complete access to the exact technology used to clone Conner before. 
Now, a thing to consider here though is what happened to Kon after he’d been cloned that first time, where his DNA got all destabilized by the process (and he needed to go through a procedure with Roxy as a genetic template to keep him together, which was how he got stuck at age 16 for a while). This was something where he was fine for a period of time before the side effects began to kick in. Now, I think it’s worth mentioning that was also back in the days where he was not yet Lex & Clark’s clone, but still Paul Westfield’s. So there could easily be a ‘now that certain Kryptonian genes have kicked in as he got his newer powers it doesn’t destabilize him the same way’ reasoning or something along those lines to avoid this problem. Alternatively, it could be an interesting thing to embrace rather than retcon away, especially if we’ve been seeing Clone Conner in action and Original Conner hasn’t been in our focus, things could be wrong with him that we just don’t know about.
Another branch of thinking that I think is even MORE a shot in the dark but could be interesting (or again even related to what I just said, could be a combo of things) is if this somehow ended up related to those clones that were reverse engineered from the remains of Match from the very end of Teen Titans Vol. 3
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(Teen Titans (2003) #99)
All of them were then taken down with Kryptonite and killed in battle (by Rose & Damian) 
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(Teen Titans (2003) #100)
But like... idk man if Waller got her hands on those corpses or even just the data from Dr. Caligan that he extracted from Match to make them... that could also be a potential way to make some new Conner clones, and that could be why the bio-scan thing at Titans Tower wouldn’t work properly because of the thing he says above about it not being a “complete match’
One thing I don’t think is the case, but has been brought up to me, is stuff with New 52 Kon. I’ve talked extensively about New 52 Kon in recent weeks because I read through all his stuff, but the thing that makes me shy away from him being part of this situation is the fact that... he’s not interchangeable with Kon the way I think some people think he is. He wouldn’t visually be recognized as Original Kon because he is literally on a genetic level a separate person. They’d prob look related, sure, like they’d pass for brothers because they both have Clark’s DNA, but New 52 Kon has Lois’ DNA and Original Kon has Lex’s. New 52 Kon would likely look more like Jon, rather than Kon. Lois specifically commented in an Action Comics issue that Kon had some resemblance to Lex, even. So like, things like Wallace recognizing him or him looking at his own matching reflection alongside the group picture at the Tower... those wouldn’t happen the same way if this was New 52 Kon.
Now I think it coooould theoretically be possible for Waller to have gotten her hands on that future N.O.W.H.E.R.E. cloning tech that had been used to make New 52 Kon, like I wouldn’t rule that out. Because she knows where the remains of their bases are as shown in Red Hood and the Outlaws (2016) #16-17, and like, Harvest is dead so she could easily just send teams out there to gather shit if she wanted. 
Onto some other things I don’t think are actually related but that I was reminded of/wanted to address:
I feel i’d be a bad timkon fan if during all of this discussion of past stories with cloning Kon I didn’t even bring up Tim’s cloning attempt stuff, but I think it would ultimately be unrelated. His tech was stolen from Luthor, and his attempts didn’t succeed because he was trying to build from scratch without Cadmus’ the data about how they altered the DNA from the original process. 
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(Teen Titans Vol. 3 #34)
Then that initial cover for the annual really reminded me of part of the Hollow Men story from Superboy Vol. 5 just with like... Kon in a room full of copies of himself. I don’t think this story would be related either because it was more magic Tannarak stuff rather than regular cloning, but ya know. It’s the imagery.
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(Superboy Vol. 5 #9)
It also really reminded me of the stuff from Hyper-Tension which was hypertime stuff not cloning but again just... visually.
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(Superboy Vol. 4 #62)
In general I don’t think we’re EVER gonna see Black Zero or any of these multiverse Superboys again LMAO.
To try to sum up all of this in a way that might make sense here’s kinda a... flowchart of some of my main ideas for what the cloning situation could be/how the logic could work. Again this is borrowing stuff from across continuities because Infinite Frontier means theoretically anything’s fair game. (Also I don’t think I mentioned this earlier but I do mention it in the chart, but I think it’s also reasonable that Waller could get her hands on Cadmus tech if Cadmus is like properly made canon again. She just has funky government connections!)
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Also I just now thought of this now several hours after I already made the chart and I don’t wanna remake it so sorry not incorporating it there but I remembered there was also that bit during House of Kent where Clark took Kon to the Hall of Justice and they were running some tests on him, so I’m thinking it’s also possible Waller got ahold of that data/that might be how she found out about Kon in the first place for this timeline. And they indicated that there was something wrong with him there, where he might eventually lose his powers or something, so maybe she tried to do cloning stuff to be able to have a copy of Superboy in his prime or something??? before that started kicking in. I don’t know, just more things to consider:
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(Action Comics (2016) #1028)
ANYWAYS in conclusion: there is clone fuckery of some sort happening, I’m curious where it’s gonna go, and I just want Kon to be okay.
If you actually read this uhm. props to you bc this probably makes no sense to anyone but me its just word vomit <3 
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illenlan · 3 years
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Some... supernatural ramblings? this goes in hand with my world building project Toryn, of which i am writing a story for AND developing a tabletop game for ;) but this is for it's ts2 edition... and how i wanna handle custom lifestates in my game ~
I have a world anvil for this setting but I'm not tryin to promo that or anything XD I just love world building!
First up is figuring out how to handle aliens. Well obviously they won't be 'aliens', but half-fae like people that in my setting are called Sidhelings. I'll be making my own PT mod for it so watch out for that! I want them to have natural S1-S4 and binned hair genetics, just with custom eyes that have a birtmark... using alpha tricks :) each PT/Fairy Lord will have its own symbol it marks its half-blooded offspring with.
Next is... the fairies themselves! I just put in Midge's fairy life state mod and it's so cool. I avoided using it for a while because I was unsure if I wanted it but more fun stuff the merrier. My setting is low magic but I figured it'd be fun to throw in a few random magic beings here and there for some spice.
They will be immortal, never aging, and I probably won't 'play' them in rotation. They'll be confinded to a magical garden/secret forest with the unicorns and Sun&Moon's magic flowers and such. You can't be turned into a fairy in my setting since they're more like spirits.
Fairies are divided into the Seelie (Summer&Spring) and Unseelie (Fall&Winter) courts. So Two PTs will be Summer &Spring, and the other two will be Fall & Winter.
Vampires, now these guys... I love vampires. I'm a HUGE Vampire: The Masquerade fan. Like, I cannot stress how much I like that. It's 90% of my art career and I LOVE GMing it. So of course, they heavily inspire vampires in my own setting.
In Toryn, Vampires are entirely creatures of the undead. They follow their demon-god, Maicald. They cannot reproduce, are immortal (save for the usual anti-vampire things...), and can turn humans into their thralls. I'll probably only have veeery few vampires in any neighborhood at a time, too many and I think all the population would be dead or at least, suffering from bloodloss...
The Elves and The Drow, this... I'm excited for. Because I made custom traits for them :D They'll be my excuse to adventure into modding ^_~ I plan on things like socials, unique items, extremely slow aging, and the such. There's so many beautiful elven CC out there, and I made a huge slew of Dark elf cc.... I HAD to figure out a fun way to incorporate them in the sims 2! They're pretty reclusive from humans, so either they'll have their own neighborhood, a vacation subhood, or a subhood that's just kind of seperated from the main hood. The Elves do not get along with the drow, of course. The drow worship a snake demon and are the classic evil matriarchal society that i love <3
Servos are constructs and can only be created by wizards. I'm thinking the fun wooden doll replacements that are out there, as I want to avoid using Golem imagery.
Plantsims will be things like dryads, nerids, etc. Similar to Fairies in that they will be confined to certain areas, immortal, and cannot turn anyone.
Witches/Warlocks/Spellcasters will age at the same rate as humans. They can teach/turn other sims into spellcasters but it'll be a 50/50 chance if I let that happens.. Maybe less. Not everyone in Toryn has the capacity for magic. It IS Inheritable/Genetic though! And any sidhelings will be able to always learn magic later.
Werewolves.... honestly, I never use werewolves. Or zombies. The undead in Toryn are enemies/controlled by vile necromancers, and I haven't thought of werewolves because I always like vampires more! We'll see if I ever figure out how to play them in TS2. They're mostly a pain to me.
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shikantazaart · 3 years
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Shikantaza Creativity Interview III - SPARTALIEN
At Shikantaza we are not content to just create art. We want to understand art. We want to understand the people who make art. Into the act of creation. Who are the people behind the art work? What motivates them? Where do they find their inspiration?
No two people think and act alike, so it is even less likely to find two artists who think and act alike. Yet, there will be crossovers, shared thoughts and shared experiences. Where do we adjoin and where do we diverge?
Our series of interviews with artists and creators aims to answer these questions.
In interview number three we speak to multimedia experimenter SPARTALIEN. You can find his creations here https://spartalien.com/visual as well as a collection of his work in the Shikantaza gallery.
1 - Starting with the most important question - Who is Memoria?
Memoria is Latin and means, when translated, memory / remembrance.
I named the merchandise for the album "2358" Memoria instead of Memory, because the main track titles are also translated into Latin.
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I see my merchandise as small memories/artefacts. Not only because they are very rare, but because I can never go back to that time.
“Memory is the treasury and guardian of all things” - Cicero
2 - You work across different mediums. Do you have any preference for a specific form? When did you first find the format that was “you”?
I became really infected with the digital virus around in the late 90s when I built my first computer. A year or two later I started taking photos and manipulating them digitally. I also had a few printed, which allowed me to bring the digital into the real world. Then I discovered IRC and started learning a little bit of TCL. Since I had fun coding, I decided to learn the basics of web development because I needed a website to show my pictures to other people. In general, I was fascinated by the flow of information on the Internet. That distance is no longer a real hurdle when it comes to data transmission.
I've always loved music as a listener and small collector. I was then and still am one of those people who never go out of the house for long periods of time without a Walkman. Music production came into play when a couple of friends set up a small studio where they produced Techno/Psy. When I was there for the first time, I knew immediately that I wanted to try it too. A few old tracks from back then are still available on my website.
From then on, many of my projects have developed in the direction of music.  The input for a program was often music metadata or it was a website that was about music in some way or another. But since I was still at the very beginning of my learning process, I kept discarding practically everything in order to improve it or to learn new things. Around 2001, I started a web radio with friends, which was online for several years. The music was mainly Downtempo, Trip-Hop, IDM and Ambient. Promos from unknown artists from around the world were also broadcasted.
The atmosphere, the feeling I got from this time - how the music finds me and not the other way around, how it can change people's thoughts - has never left me since then.
3 - Do you feel that each medium allows you to express yourself differently from the others? How do you choose which medium you work in any given moment?
Yes. But I think you can convey the same feelings with any medium. The question is how direct it is. For example, pain can be expressed with fire but also with a chair in an empty room. At the end of the day, in my opinion, it's not about the artist's intention but about the perception of the viewer and his or her subsequent thoughts and actions. For example, imagine you make a dark ambient track that you experience as sad and heavy, but someone else tells you that it helped to relax and develop thoughts.
In addition to all of this, each medium also has advantages and disadvantages when it comes to technical implementation. So, sometimes the choice can also purely depend on skill or resources.
We all have ideas and often out ambitions outweigh our resources. Sometimes we need more resources, but more often than not we need to chip away at our ideas until our ambitions and resources align.
4 - Do you seek different sources of inspiration for your music than you would for your visual creations?
It's everything in the world around me that inspires me. Everything I perceive and feel, so to speak. Most of the time I don't have a melody or a picture in my head. It is more of a feeling and then I look for the right tone or shape for it, so to speak.
5 - How closely are your creations connected to each other?
Very close one could say - through my thoughts that I have wrapped in it. I always had a bit of a problem putting my thoughts into words. I tend to stray through various topics when I talk about something. With music and visuals, it feels lighter and more natural to get to the point. The "message" doesn't always get through, but being able to do so is liberating and invaluable to me.
6 - If you were to direct people to a specific piece of work that you feel really nails what you are aiming for with your creations, which would it be?
This is a hard question. Maybe I would ask you to sit down and listen to the album "FLOATING HIGH" in one sitting. Since it felt like coming home to me while making it. The music is less intrusive and not as precise in its message as the previous releases. Like its cover art, where the clouds could be seen as opening or closing. I wanted to create tracks that leave more room for thought while still telling a story.
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7 - You have “X minutes of peace” on your site. Why is this needed? Was this made for you or for others?
For others but also for myself. For me it is self-reflection that allows me to understand myself better. But since I have problems with "just switching off my head", the moments in which I just sit quietly and let the recording device do its work are very valuable. In moments like these I can really switch off and think about something very carefully. Asking questions even though I feel like I don't have an answer. Or simply enjoying the precious fresh air and sounds of nature.
Unfortunately, too many people don't have time for that kind of peace. Too much pressure is on them. They either get this or that, or they can't survive. It's so sad how the system works. I simply think that if everyone would have more inner-peace, the world would be a better place. But then again, what do I know living under a rock between mountains?
The videos should allow us to find peace for a few minutes, no matter where we are. So that new and hopefully useful thoughts can develop.
The series  Let It All Go is actually the same thing, just with music.
For the really dark hours there is BRAIN I/O. From time to time I prefer to embrace the pressure. Difficult to describe. The concept is basically: don't think, just feel and record it. It's about things that I personally want to leave behind or at least want to learn to accept (not necessarily being okay with) them if I can't change them.
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Peace is an issue for me. When I briefly find it only points the way to the next act. This is fantastic but self defeating. Why can’t we just stay in peace?
8 - When inspiration has left the building where do you look to find it?
I'm not really actively looking for inspiration. Somehow it doesn't work that way for me. So variety is important to me. That is why I usually have several side projects going on in the areas that I do not much publicize. Much of it never leaves my hard drive and is mainly intended to free my mind and get on to new ideas in the process. Coding, graphics, drawing, etc. But the music production is and remains the main focus.
9 - These are the questions I am asking all the interviewees. Why do you create? What is it that pushes you to keep creating?
The inner child is just too strong. I've been living for a while and I know exactly nothing. It kind of feels like that. So many things that you can create with the computer alone. I'm stuck in that loop where you just love to create things and learn - and use the new knowledge to create new things. Things!
10 - What would most assist you to create more works? Is there an ultimate goal for your creations?
More time and resources for sure. but most important to me is the feeling that my loved ones are safe. When I have to worry about their future because the system is going the way it is, it feels like a pile of stones in my head.
The creative / social goal of my art is relatively simple and based on my own experience. Art has helped me tremendously when I felt lost - or when I was just "bored". Taking time to really listen to or look at something can be very liberating.
My short-term financial goal is to generate a more or less regular income through art. But since I never released anything commercially before 2016, this world is still new to me.
My dream goal is to hear my music in film and games and to generate an income that supports my family.
Nonetheless, I think goals are here to create an initial path, not necessarily motivation.
I do not know of a single soul who has not been lost. Some never find their way back. Some don’t need to find their way back, they are happier in the place they found.
11 - If you were to offer a creator any advice what would it be?
Based on my own experience in no particular order:
Stay curious and open minded for different viewpoints.
Tutorials can limit your creativity. Sure, learn the basics, but explore as much as you can on your own and never be afraid to fail. It's a process, not a game.
On projects that take longer than a day to complete, set yourself a deadline when you want to have it completed. Not important if it takes longer, but in general that helps to stay more focused.
Very few things are easy when you start.
Limitations are not necessarily bad.
Don't wait for motivation to create. It will kick in usually a few minutes after you've started. Therefore keep your tools ready and organized so you can start creating at any time.
You can always turn off the internet.
Be open for constructive criticism.
Especially for the digital crowd, backup your stuff!
(All images and works by SPARTALIEN)
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fwoopersongs · 3 years
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何必诗债换酒钱 - Notes
youtube
Clean version here and thoughts under the cut.
I saw the song translation notes made by @shelterfromrain​ a while back and thought, wow! what a fantastic idea it is to share the results of the rabbit holing (that you inevitably end up engaging in when doing this) and leave a record for your future self while at it too! Currently some of the song and poetry translations on fwoopersongs do have little notes, but those were casually written on the fly and after so long, the thought process behind certain choices often get forgotten, which is such a waste... Long story short - I’m doing it this way from now on!
This song was requested by @peerlesssqq on twitter - which may or may not have bumped it up by like a year on my list (yes, I’ve been sitting on it since 2018 and you’ll see why) - and I had WAY more fun than expected, so 谢啦 ~ It was a delight to receive your DM request. I was happy for days!
Some background: 《何必诗债换酒钱》 is the theme song of 【文定乾坤】- a collection of musical works that feature notable contributors to Chinese literature in ancient times, poets and the like. Oh, and I did notice that the MV on bilibili looks like it could be a promo for a webtoon or game. Who knows? I’ll be checking out the rest of the songs, that’s for sure!
The following part of this post will be my thoughts for first the title, then each section - the intro, verse 1 & 2 and the chorus, ending off with some final comments.
Disclaimer first though (otherwise later you read already then feel like beating me up): Everything in this post is only my interpretation of the song. I have quite limited familiarity with mainland literature and culture, so of course don’t expect much xD Here you’ll only find a story-loving banana who jiak-ed kantang too much in her youth and now regrets it a whole lot. 说好了哈 I’m pants at analysis, worse at Chinese, and am not at all good with words ok?
Title
So《何必诗债换酒钱》, let’s start off with the word here that’s unfamiliar to most of us:
诗债 | shī zhài or a debt of poems/poetry debt is a legit thing! - All you authors and artists out there might be familiar with it - It’s what you call the resulting debt when a poet promises to write something for another person but hasn’t done it yet. Procrastination has apparently always been the curse of content creators.
In fact, in the Bai Juyi’s poem that came up on the 诗债 baidu page《晚春欲携酒寻沉四著作先以六韵寄之》- possibly addressed to a friend he owes - he was complaining of illness, old age and writer’s block. But then oh, he goes on and then I passed by a party where they had drinks, and was quite up to my gills & totally out of it for some time, and THAT’S why I’ve done you dirty and owe you ever so many poems. I don’t really understand the last two lines but apparently he then offers to bring a drink for this person he’s talking to, mentions a wish to meet a winter goddess (????? pretty girl? or the snow? idk which), and starts reminiscing the times that were like a precious string of pearls they had singing at Yang Pass. Most likely farewells, but without context I just don’t get it. Anyway bribery and misdirection huh? I see what you did there bro, and I’m sure the person you attempted to distract saw it coming too...
何必 | hé bì, is a rhetorical question of Must you really? In the case of this word, 何 functions as roughly ‘is it that’ and 必 as ‘it must be so’.
换酒钱 | huàn jiǔ qián is of course, exchange for money to purchase wine.
‘Must you really promise poems in exchange for money to buy wine?’ then is the literal translation of 何必诗债换酒钱.
So here is the question: Is alcohol worth a poetry debt? Onwards to the answer!
Intro
生就诗骨 算来三百篇  Born and already a poet to the bones, (with) three hundred works counting up to now. 
浪掷秦淮长安 风流李杜王白  Spending lavishly in Qinhuai and Chang’an, free/unrestrained as Li and Du, Wang and Bai;
余下十分 便随意肩上担  whatever left is divided in ten parts, casually thrown over a shoulder
权作金玉铜板 相谢好人间  and taken for jade, gold and coin, a big thank you to this good world!
I interpreted the 生 in the first line as 天生 i.e. innate, natural born talent, so this first line describes someone born with a gift for poetry with ‘three hundred’ works to their name. Although... that three hundred should not be taken too literally, it’s more likely to be an allusion to collected works like the 16th century anthology of poems, Three Hundred Tang Poems. After all, Li Bai, Du Fu, Wang Wei and Bai Juyi are the most famous Tang Dynasty poets… and they were all name-dropped in the next line!
浪掷 | làng zhì was a new phrase for me, and means something like spending freely and lavishly or willfully wasted. Of course Chang’an was the capital during the Tang Dynasty and it was the world's most populous city at the time. One can only imagine how prosperous it must have been… and what fun things were there to spend your money on! The banks of Qinhuai river and that general area was once a gathering place for noble/wealthy families, scholars looking for a good time (and some say, the red light district xD). Though by Sui/Tang, that area was no longer doing as well due to political shifts. So the mental image I got from 浪掷秦淮长安 is of someone gallivanting through places of interest, from the bustling and prosperous to the dilapidated.
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风流 | fēng liú is as always, hard to translate with no full equivalent in english. The feel it gives me ranges from, ‘cool, dashing bloke on a galloping horse with their cloak/robes/hair flowing elegantly in the wind’ to ‘pleasure seeking dandy who totally knows how to enjoy life, all the courtesans know him by courtesy name!’.
The third line started with 余下十分, which will not make any sense - why leftover? Divide what by ten? - until its put in context with the following:
Three hundred poems 算来三百篇 + 权作金玉铜板 pretend they are gold/jade/money (权作 | quán zuò just means to take one thing for another temporarily.)
The load thrown over the shoulder 肩上担
Spendthrift behaviour on tour 浪掷秦淮长安
The TITLE: bro so u wanna promise poetry in exchange for money to drink? why.
Let’s take those precious poems that can be exchanged for gold - a whole bagful of scrolls, and now I’m so rich I can scatter my money down the streets of entertainment districts and the capital! The very image of a 风流 poet, reckless and free spirited.
// Folks, please learn from this silly girl and do not read songs (or poems) line by line. They need to be appreciated at a distance, not one inch from your eyeballs.
Verse 1
两分与月 劳烦身前打点 Two parts to the moon, (may I) trouble you to take care of me while I’m alive.
哪处巍峨峰峦 当借我悬来观 Wherever there are majestic peaks and ranges, do lend me (your light) to hang and see by.
三分典高楼 好与长风赴宴 Three parts pawned for the tall building, good for attending the banquet alongside the wind,
遍寻可爱星子 唾手一把玩 searching for charming little stars, easily caught to play with.
Now we get to see how the poet is spending his ‘wealth’. This verse is a lot more literal as compared to the introduction, so there’s not much to say.
打点 used here is so interesting! Because it’s what you call bribing someone in a superior position to smoothen your path ahead (so to speak). Thanks to a childhood of tvb drama, I vaguely associate the type of people who would 打点 with rich merchant or minor noble fathers who want to give their sons an easier time at court. Either that or lower ranked officials with less moral scruples. Anyway, what’s being said in the song is something like: here is 20% dear moon, I’ll have to trouble you to bless me for the rest of this lifetime, and also please lend me your light to see by when I have need of it at scenic spots *for art*. The moon is a muse for many poets in all its forms after all… 明月, 圆月, 孤月, 残月, 冷月, 江月, 秋月 and so on.
Actually that whole sentence 劳烦身前打点 is so playful and fun that I put it in quotation marks to emphasize it. We’ve only just begun. Is the speaker already drunk?
And with the third line, 30% has been spent. Just noting here that 典 | diǎn can be read as pawn or mortgage. Another interesting thing to note would be that this imagery of ascending a tall building 高楼 and reaching out for stars 星子 in the last two lines of Verse 1 brings to mind one particular poem, famously attributed to Li Bai. Following translation by yours truly.
《夜宿山寺》- Overnight at the Mountain Temple 危楼高百尺 | dangerously towering a hundred feet high 手可摘星辰 | the stars are within reach 不敢高声语 | one dares not raise their voice 恐惊天上人 | for fear of disturbing the deities
Though the two probably have nothing to do with each other, doesn’t the reverence in the tone of this one bring out the playful irreverence of the other? So. Much. Fun. I adore the whole feel of 遍寻可爱星子 唾手一把玩 SO MUCH.
Verse 2
两分与桥 歇脚南北行船 Two parts to the bridge where travellers on foot and by boat from the north and south can rest,
欣然八方风物 闲话半日茶碗 delighted by the scenery all around, idly chatting half the day away over bowls of tea.
三分典流水 润色枯瘦石山 Three parts for the running water, moistening the gaunt stone mountains
又将天地一展 伸手 试浓淡 and again spreading heaven and earth wide, reaching out to test the viscosity (of the water).
It took a few listens, but in the end I really enjoyed the aesthetics here. And again, this verse is quite straight to the point albeit with two things I cannot understand.
The first point of confusion for me is why the lyricist chose to use 桥 | qiáo, a bridge as the place for people to rest on their journeys. I assumed here that this in reference to a pier or dock, assumed also that he is donating funds for this structure to be built or repaired. However, if that were the case 坞 | wù would have been enough - 船坞 was supposedly invented only in the Song Dynasty though, so maybe that’s why another word was chosen. But it’s not like there is any incidence of 桥 being used to mean ‘dock’ either!
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The second thing that confuses me is the use of 典 for 流水. In verse one, that 典 was referring to the poetry works sold to reserve the venue for a banquet. That usage was apt. Here I suspect it might be for parallel structure, because there is no alternative reading for 典 that might allow one to use their 30% 三分 to do anything to flowing water 流水. That’s the literal reading, of course.
If we’re taking this a little less literally, it can be interpreted as borrowing the scenery (figuratively, since the place would not belong to anyone in the way you might own a property) to admire. It also expands on the second line’s mention of the surrounding view 欣然八方风物; there is running water which completes 润色 and brings the appearance of the gaunt and rocky mountains 枯瘦石山 closer to perfection.
润色 | rùn sè means to polish, to bring to greater heights. When you say something has been 润色 it is made more brilliant and closer to perfection by that addition. It can also mean moisten.
We always hear ‘rivers and mountains like a painting’ 江山如画 - originating from Su Dongpo’s《念奴娇·赤壁怀古》- used when the scenery is wonderful, because how often is real life as ideal as what we can imagine and depict? And that is exactly what is described here. The feeling out if the ‘water’ is concentrated or diluted 试浓淡 is used in answer to 一展 unfurling. 浓淡 of ink to 一展 of painting scroll. The land and sky seem like an ink wash painting, so beautiful that the viewer cannot help but reach out to run their hand through the water.
Chorus
Chorus Part 1
若趁游兴直到酣 If we take advantage of our wanderlust and go roaming till it is sated,
千字文章不值钱 classics and essays shan’t be worth a coin.
诗换花 词换雪 A poem for a flower! A song for snow!
再作檄文斗天官 Another denunciation for those heavenly officials!
Starting off with three new terms for me: 游兴 | yóu xìng means enthusiasm for travel. 酣 | hān can mean having a great time drinking, or being very satisfied and satiated. 檄文 | xí wén is a type of official document written for important announcements, declaration of war, or denunciation and condemnation of certain people or actions.
While I still feel this need to go out to see the world, I shall keep on the road until I am satisfied. Who cares about writing, who cares for study, it’s all worthless to me. I do what I want. And what I want is to write a little poem in exchange for a flower, some lyrics for a flake of snow. I’ll even write a denunciation against those officials in heaven (immortals). Fight me!!!!
I point again at Verse 1 with climbing the tower to play with stars. It’s no longer just playing nearby, now he wants a go at the gods.
Among the four parts of the chorus, this one is the simplest for sure. The lines mean exactly what is said. It also feels the most chaotic and mischievous. Is the speaker drunk? Is he high on something? One thing’s for sure. He’s out of money.
Chorus Part 2
何愁不得一样我 Why feel troubled that (I) cannot have another just like me?
知交尽向话中添 for one who understands you and is understood, look entirely towards stories to fill that place
唐解元 嵇中散 people like Tang Bohu (first in provincial examinations) and proud, upright and stubborn Ji Kang
且驰大梦任疯癫 Just chase that great dream, allow yourself to go mad.
I feel like the first two lines are quite straightforward, though they might not appear so on first reading: How could there be a need to feel sad or troubled that I have no like-minded equal. To find a true friend who understands you without need for words, and whom you understand in return, all you need to do is turn to those tales and stories 话中 for people to fill 添 that place.
唐解元 - People like Tang Yin, courtesy name: Bohu 唐寅, 字伯虎 (1470–1524 AD), noted painter, calligrapher and poet of the Ming Dynasty. Tang Yin led a life full of ups and downs that really cannot be covered in a paragraph’s worth of song translation notes. You can check out his wiki page if you’re curious though! There’s a little more on him where I cover the last line of this section. He is addressed as 解元 | jiè yuán here which is the term for the top scorer of the provincial examinations (second stage in the Imperial examination ladder). It is also an honorific for scholars. Tang Bohu is both.
嵇中散 - People like Ji Kang, courtesy name: Shuye 嵇康, 字叔夜, (223–262 AD), one of the Seven Sages of the Bamboo Grove - a group of friends who wisely kept themselves aloof from the dangerous politics of the Court, and devoted themselves to art, refinement and debate, of the Three Kingdoms period. He was a Daoist philosopher, musician, writer and poet.  
An accomplished musician, the qin composition 廣凌散 | guǎnglíng sàn is attributed to Ji Kang, though some versions of the story claim he learned it from a ghost while stopping at a pavillion on his way home. 嵇中散 was one of the names he was known by because of his appointment to the position of Attendant Counsellor, 中散大夫 | zhōng sàn dàfū, a civil official unspecified duties in the court of Cao Wei.
When Ji Kang was sentenced to death for his attempt to testify for a wrongly accused friend, three thousand scholars petitioned for his pardon to no avail. It’s said that at the execution ground, while they waited for the appointed hour, he had his favourite qin brought out and played a brilliant interpretation of Guanglin San that is now forever lost.
Do go read about them both if you have the time!
I would like to point out for the last line that 任 is to allow, to indulge, and it’s just such a heady sensation to say 任疯癫 - indulge in the madness! throw yourself in and don’t look back!
There is an easter egg here too. A nod to a poem by Tang Yin which can be read as his stance on his lifestyle choice after the alleged accusations of bribery in the final step of the Imperial examinations left him disgraced, and unable to pursue a civil career. Thematically the line does not call back to the poem at all, similarities end with the choice of words: chasing the dream 驰大梦 and indulging madness 任疯癫.  I leave an excerpt below. Translation again by me.
《桃花庵歌》- Song of a Plum Blossom Cottage // 若将花酒比车马 | if tawdriness and wine were compared against fine carriage and steed 他得驱驰我得闲 | he would have to drive and work hard for speed whilst I have my idle rest 别人笑我太疯癫 | others mock me for my madness 我笑他人看不穿 | i am amused for they do not perceive 不见五陵豪杰墓 | can’t you see that at the Emperors’ mausoleums and heroes’ graves 无花无酒锄做田 | there are no flowers, no wine, only land ploughed for farming
The second part of the chorus isn’t related to the first, but it has the same theme of showcasing the untamable (unhinged xD) spirit of the speaker. This time, the people he admires ‘intellectual equals’ and kindred spirits are featured, the 任性 feeling here has been pushed to greater heights.
Chorus Part 3
敢夸洒落何须酒 If one dares to boast of carefreeness, why, they hardly need wine.
不煮黄粱也称仙 Even without brewing millet they would still be called Immortal.
镜湖桌 白梅盏 The tables in the mirror-like lake, white plum blossoms in the cups,
等来春风恰开宴 await the spring breeze which arrives just in time for the feast to start!
Li Bai is regarded as both the god of poetry 诗仙 and god of drunkards wine 酒仙 because he wrote some of his greatest poems while drinking. The first two lines seem to be gently poking fun at that. Like hey, if you dare to claim to be all groovy, surely you have no need for alcohol? Just like how an immortal would still be an immortal without wine, your writing talent should not need any stimulants. This would be the time to mention that 黄粱 | huáng liáng is also known as millet, a type of grain that can be used to brew wine.
洒落 | sǎ luò has a few meanings, like shower down or blame, but the relevant one here would be 洒脱 generous, uninhibited and open. For me it feels similar to 风流 in that there is that ‘free, and exhilaratingly unrestrained’ element. 洒落 is in the most positive sense, being always open to having a good time, but without that dissolute or vaguely whirlwind-romance like connotation of 风流.
It feels like the intensity is letting up a little here - this is a light-hearted and frivolous song all the way through, but the words 洒落, 称仙 and imagery of a clear lake, white plum blossoms and the crisp spring breeze are grounding and sweet. Spirited in a different way from before.
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Chorus Part 4
四角天地也醺然 The four corners and heaven and earth are also tipsy,
醉极自有桃李搀 when I’ve overindulged, my students will be there to help.
快意只 笔下讨 Gratification can only be claimed from beneath the brush;
何必诗债换酒钱 is falling into poetry debt worth that money for drink?
New words: 醺然 | xūn rán just means drunk. A new word for me though! 桃李 | táo lǐ is literally peach 桃 and plum 李 (李花, also known as 玉梅) flowers, and is a metaphor for students. The term originates from a story in 《韩诗外传》which was set in the Wei Kingdom of the Spring and Autumn period (771 to 476 BCE). There was once a highly ranked official who was sacked from his post and left for the north. He met another gentleman and remarked that the people he helped before did not lift a finger when he was in need. This person replied that, if someone were to plant peach and plum trees in spring, he could relax under their shade in the Summer and taste their fruit in the Autumn. But if that person were to plant weeds, nothing can be done with their leaves in Spring and there would only be burrs to hurt himself on in Autumn. Clearly the people the unfortunate gentlemen had helped before were not worth his effort. Students ought to be carefully selected and carefully cultivated as one would a tree.
Reading the four corners and heaven and earth 四角天地 are also tipsy 也醺然, I imagine the world sort of spinning around the speaker because he is drunk. But that’s okay, because his students (or the trees xD) will be there to support him.
快意 | kuài yì is the feeling of sudden relaxation, and then lightheartedness and joy. In this line, I felt like the intention would be closer to 畅快,爽快 and so chose gratification, because really writing is like scratching an itch isn’t it? Pleasure from satisfaction of a desire. Phrasing it as 笔下讨 is so very fitting though, because 讨 can be interpreted - somewhat contradicting - as either to demand or to beg. What could be more gratifying than having squeezed out the perfect sentence or word under your figurative pen?
So so so after all that, 何必诗债换酒钱? What do you think, is alcohol worth the poetry debt? Is Mr. Poet actually drunk and about to dig himself a deeper hole of owed poems to get even MORE drunk, or has he just been thinking about it all along? :)
Thoughts
This has been such a fun adventure following our madcap big spender from the shining Chang’an to the inviting Qinhuai, shadow of great poets in tow and all. We’ve done everything from talking to the moon and seeing the sights by her light, to boating down a river, dragging fingers through the water. It was sort of like being on a backpacking tour, except with with someone contemplating opening (or perhaps regretting opening this can of worms?) poetry commissions instead of singing in the streets?
Dear reader, if you’ve reached this point of my post, thank you. I hope you enjoy the song as much as I do now!
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hellguarded-a · 3 years
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Morning Anon!! It's been a while, but I see you're feeling a bit down and definitely you deserve praise and admiration!! I've been reading all your cute hc's about Ignis and he's very cute and very inspiring. Tell us about how you came up with such a good concept!? One day I'll stop being shy and intimidated, and approach you for writing! Until then, know that I really enjoy you and your content and art on my dash! Please keep up the good work, you're doing wonderful!
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ahah oh well i think that’s a little exaggeration but uhhHH sure history of this character go--
THREE YEARS AGO.  slowly creeping up on four, some fandom drama made me go fandomless, although i felt absolutely idea-less at the time and felt like i couldn’t really come up with a brand-new concept from the scratch, so i actually went through an extensive list of mythological monsters n was like...  what do i want to write...  because i was dead-set on writing a monster boy like the disappointment that i am
so i wanted something...  not just a species, but some specific creature from mythology and settled on cerberus.  so that’s what i originally wrote.  same url and everything.  was more fitting back then i think, but its still alright and i’m attached to it.  especially when i later saw someone using the url hellgvarded so i was like hehe i did it first
so, cerberus, right.  meaning i wanted to do something funky with some sort of split personality thing given the three heads n such.  well i...  couldn’t do it?  but partially i blame the fact that i couldn’t really connect with his muse in general, nor the world i put him in.  my plotting  /  shipping partner at the time didn’t really help that much.  it was very dull, set in a more cyberpunk-ish setting as compared to a modern parallel to today’s world as his canon is now, he was even supposed to have some cybernetic implants and such, not that i ever decided on those.  admittedly, that part then fuelled shinjou’s focus on that, but i digress.  his human alias was still ignis, his lover at the time was called  noctis  ( hint hint as to how i drew inspo for his brother lmao but really the name is the only connection because i liked the duality )  and he was still some sort of secret agent  /  police force thing, although i never decided on how he’s gotten to earth in that incarnation.  basically he really had no background or anything to him besides that.
so i abandoned that blog due to my inability to connect, and also partially because i managed to feel so completely overwhelmed on it within two days as it literally  exploded.  the promo got such immense traction for w/e reason that i had 200 followers within those two days, which sure it stroked my ego a lil but at the same time?  well first off, it barely let me settle in and also made me feel awful because i felt like i owed ppl a lot...  and i didn’t want to disappoint.  so many ppl jumped in on that concept and????  i actually didn’t have any muse for it?????  so rip.
so i dipped after that and made the  kitsune twins.  which stayed with me for another 2-3 years so i’d call that a success.  i still off-handedly write them on discord and at least one of them is actually important to ig’s canon.  or rather, i eventually revisitted ig to make him a plot device for  shinjou.  before  that, however, he still existed in the back of my mind in a prototype of what  the gonchiye  is today.  the gonchiye actually gave me a platform to revamp a lot of my old muses which i’m actually rly happy about, but.  anyway, back then it was a german-based organization called  die jagdhunde  ( same deal lmao )  but instead of being entirely supernatural based it was a group of humans actually hunting the supernaturals due to supersitions and stuff like that.  sometimes they’d capture some of them and force them to work for them, ig being one of those,  kalisha  being another.  it’s what made me lowkey ship them, but in the end ig ended up having a strong male preference so him and lisha are just kinda like bff’s in their current canon.  by then, i simply had ig as a regular hellhound rather than being cerberus himself as i wanted him to be  mine  rather than being a known mythology being, but he had no background nor development beyond the fact that he was  always  supposed to be a  mature, gentlemanly, but somewhat uptight individual with fire and shadow magic and the ability to phasewalk.  that’s all i had on him.
but again, i tend to hyperfixate so it didn’t become much more than a simple concept like many others, as i focused on the order of the lotus and the twins’ story.  but you know.  eventually i reached a stalemate and i had a lot of background for  shinzou,  but not his brother.  so that’s how the gonchiye became to be, being based on an ancient supernatural pit-fighting organization of which jou was once part of.  i involved  lucius  in all that, made him be the big bad, etc etc, and then had jou be bought off by the yakuza so that’s how he was raised.  i then really wanted a plot for him of infiltration and betrayal, but instead of making a whole new muse for that, i just took one of my old concepts and used that instead.  which was ig.
ig’s muse was also spurred by nata’s  ( @hellhunted )  desire to ship him with her falcon splice, which then alone led to further development of the gonchiye and their scientific endeavors.  anyway point being i made ig, as part of the gonchiye, infiltrate shinjou’s yakuza to get him assassinated, and the whole plague thing got added in a bit later, but it worked out alright.  again, one of my older concepts that i had in the twins’ old canon but wanted to reuse because i didn’t want to drop the idea completely.  so that’s how i got more involved in ig’s character, and then i finally lost the twins’ muses completely  ( much to my dismay, i miss them )  so i focused on ig?  it was surprisingly easy to connect to him afterwards and give him some background,  frankly  i don’t remember how i made him be a hellhound  /  fury  crossbreed  ( i do remember it being nata’s idea but i just don’t remember what prompted it ), but i  did  purposelly lowkey base him off of cerberus to stay true to his origins.  maybe it’s a little on-the-nose to have him be the  ‘son of cerberus’  but i’m honestly quite proud of my cerberus hc which makes it very flexible to work with.  similiarly, to how cerberus had an older brother called orthrus, i had always wanted ig to have a brother, so he  always  had a vague concept for one, so  nox  was around for a hot minute but again.  it took me a while to actually do anything concrete with him as a character.  originally, they were both hellhounds.  now ig is a crossbreed and nox is a pureblood fury.
n really then it was just a matter of writing on discord to get him to where he is now ---  i wrote him in private for about a year before bringing him on tumblr, but that’s how he came to be.  heavily inspired by the cerberus as we know him, and then adapted to my impending apocalypse canon.
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nothingsolutions · 3 years
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Mike Fortune /m ./
Hops on ft n instantly starts bouncing ideas about new clothing wit me
Talking about the technical aspects of waistbands 
(10 mins in no questions asked)
Best year on earth: 2011. 11 is my number. Crazy year. First year off probation. Could actually party. Gramps died. Lived life to fullest. Met first gf. Life changed this year. It’s 11 years later. 
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I live off 11’s. mike fortune is 11 letters. born at 11:11. year I graduated.
Year I told myself ima b artist if people like it or not.
Dream planet 2 live on: earth. I’m already here but I’m not living yet. I’m tryin to concur this planet b4 the next.
How many chains: depending on how u style it at least 2. Choker necklace wit a chain, layers r the key. Simple is clean but I'm all bout being extra.
if in the case of fire: grab family first or anyone that is in need of being rescued cause fuck that ppl need saving
proceeds to tell me about this time he helped a lady out of a freeway accident. his take away is to act on instincts. 
don’t hesitate.
Most interesting color: green. resembles everything I want money, life, trees, land, wealth, good vibes everything good in life g
New motto: everything’s green
(Leveling up this year)
Very GQ of you. Suave.
1st Genre of music that comes 2 head: rap
Most influential genre: Pink Floyd (y) v inspired wanna play guitar like David Gilmore don’t care bout no1 else. his guitar hits the soul.
/Emotional factor of life
//Goes back 2 hippy vibe n reminds him of freedom and expression
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Calls his dog, Baby, a little yorkie. nickname dababy
(5 min discussion on darting vs pleating)
R wings efficient? for the most part, life isn’t always fair shit happens
Splatt: its da spallllllttt (tiktok) dont worry it sweetheart 
Ur credit card #: splatt!
Oldest pair of shoes (that u still own): hi top canvas doc Martens. don’t ever wear em still brand new all blacked out everything black wanna paint the sole n put another type of laces. 6 years old.
what inanimate object is your muse? Guitar or industrial sewing machine or my chick. I cant pin it down to one oh wait or my 1969 VW bug 
Geopolitical: geometric symbols wait geometric patterns wait yeah no no no sacred geometry 
Most interesting word: flabbergasted (y) ion kno it’s English but it’s just funky but it makes sense. U kno what it means w/o knowing the definition. just sounds like something. 
Thoughts People eating pancakes: I love pancakes. I condone. Extra butter I want it sweet. I like French toast 2 but I like pancakes more
Do u sleep? Yea but I have a hard time sleeping by myself. My mind wanders. I stay up late researching and thinking of my next move. I look for inspo all night. 
Creative juices get flowing at night. Every1 minding own biz with no distractions. 
Damn it kinda late I gotta go 2 sleep
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I shoulda done this during the day but here we are
How did u get the steeze: inspired by my uncle. Skating, tattoos and overall lifestyle. He was very punk and into raw edgy shit. Wore all black / punk patchwork grungy shit. Silver chains. Learned 2 sew from his mom. Dad is an airbrusher. His family taught him his way.  
Last meal on earth wut is it: I want 5 lobsters or so. Never ending lobster 
1 project at a time or all over? scatterbrained. I’m always juggling. I should b in a circus man. I stop sewing midway and start painting. I would b a fool to stop whatever I’m doing. 2 creative 2 stop.
Gonna b in this industry regardless. Or art. Something. 
Some1 u look up 2: Basquiat
You can define crazy in 2 diff ways how messy it is or how perfect it is.
Never liked 2 take order and direction 
Candy from ur childhood u miss: Twix. not a sweet tooth anymore. I like sour candy now. I miss loving chocolate.
When is it time 2 stop: when its becoming a problem
Achievement ur most proud of: having a sense of what he wanna do with his life. Regardless if it works out or not
Big project rt now: myself
Happy 16th birthday: 2 time felon on probation. halfway through my probation. nothing special spent it at home. Felonies at 15 getting outta sophomore year. Spent 2 1/2 yrs on probation.
Biggest impacts on his life.
Would rather risk chasing dreams than be on probation.
Rlly affected his time in high school 
I couldn't go 2 parties had 2 be home. Missed out on a lot.
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Everything he missed out on was made up for after that next summer
Patience is a virtue but karma is a bitch
I don’t regret any of it. Learned a lot. Made me who I am.
Promo: this is the Truman show
I wake up with that lets get it attitude
or I needa brush my teeth
or like ugghhhhh
or Where’s my vape
Ima b here doing my thing
Real g’s move in silence like lasagna 
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Yugi’s decks and some other odd stuff that just makes sense.
This is a weird double kind of post where I focus on many things because of a little project I’ve been working on. So as anyone who has ever grown up and has been into Yu-Gi-Oh knows you just can’t not like the anime. From the ridiculous duels and cards to the ridiculous hair on every single character and I’m not talking about the newer shows so much as just the original show because that’s probably the “best” one to most people (partial to GX myself even though I know it’s not the best and Konami kinda messed up on it at the end of the series in USA). See if you watch the show a simple easy thing that anyone who gets it would like would be to get the decks of a character. Heck even if it was Weevil people would be a little excited but not as excited as if they got one of the main characters. Which was great because even though it’s old news I was very excited to buy the legendary decks for Yugi. See that is an amazing product idea that can bring in everyone who likes Yu-Gi-Oh. You bring in the casuals by giving them his decks, you bring in the collectors for cards that don’t exist yet here in the west or even those who have missed out on older cards, and you bring in the more serious crowd for cards that are in archetypes that might be harder to find maybe (probably not because the game has evolved to such a degree that even mirror force isn’t good anymore.) but still 2/3 ain’t bad. Let’s be honest though. This is Konami so they’re gonna find a way to fuck it up and I’m a decent guy so I usually try to have some faith in things. Even things like Konami who ruin most of their IPs in general but hey, I keep that faith. This was a simple thing to do but in the end they messed it up with really easy to do things. Now let’s just be really honest about this. if this product interested you. You would buy it if it hit the sweet spot of cost = product. I know I would and I’m sure many others would as well. Let’s assume Konami does its best in that it not only releases every single card Yugi has ever used before but also makes each card that doesn’t exist, to exist. They would have to make a handful of cards yes, but people would probably go and buy that product cause every deck he’s run is in it in their entirety. We can assume they would use his actual deck lists and make his actual decks. Yeah, his decks are not good but let’s face it fan, cosplayers, kids, adults and everyone and their grandma would buy this product. Nostalgia is a huge thing nowadays and even if we can’t play it in a tournament and hope to win we could just roll up, throw down a fiver and just play that sweet sweet celtic guardian. Now let’s be a little more realistic. Let’s assume we take the middle road which is absolutely the best idea. Heck we’ll take both sides of that road and give two middle road ideas that are the best idea. Make his actual decks and only use cards printed while printing about 5 cards that haven’t been made. That electromagnetic turtle is pretty dope not gonna lie. Point is even then we would still get a 4 card deck from each main part of the journey. 120 cards, 5 promos, the art cards for duelist kingdom, the god cards (playable or not even) would not set anyone back hard in printing since they’re all stuff already made in real life and would even bring cards like torike and horn imp into the west which haven’t even come here. Heck don’t even make decks. Throw in every card from every single season he has ever used. We don’t need to have 2 giant soldier of stones. (yes he uses two at one point) It would however be nice if we just got the cards the way he has them in looks and what he has. Call it Yugis legendary collection and it is the same exact thing. The worst thing you could do is just make his deck and just add in random shit like 3 dark magician girls. Which is what they did. Like This is a simple thing to make man how could you mess up by adding cards he didn’t use in decks when they didn’t exist then? Even detonate which is a card Kaiba uses. Look man it’s not the biggest of deals but the fact that the next set was stuff “based on their main cards” and Yugi had exodia? HE USED IT IN ONE DUEL. Make a dark magician deck. Sure it would reprint some of the same stuff but lets face it. THAT’S WHAT PEOPLE WOULD WANT. We don’t want something LIKE it. We want that thing.  Why does this matter? Honestly besides how sad the product was it really made me want the thing I didn’t get and it is near impossible ( at least I assume) to get torike and horn imp in the west when I believe it has had one printing in the east only and the only way to buy the cards are to go buy Orica stuff. Which in their own way is nice too. Support artists. So I took it upon myself to make those exact decks and to in general just make it a small side project in my life. Duelist kingdom deck was mostly easy to do and I am missing just 3 cards so I can buy 2 of them no problem and the others are torike and horn imp. Cards we never got (fuck you Konami). That’s when I started to see the other seasons which are not cannon in comics but are technically cannon in the show. Filler is a very iffy thing to use but I’m super casual and actually like filler in things I like. Hell DBZ has some of the better filler in the side stuff it puts in because it never really changes much. However sometimes you can have too much filler or filler that changes the series totally (stares at bleach, Naruto, and one piece. You all know what you did).  Now why does this also matter? Because it raises a ton of questions about the series in general when you look at a characters decks. Did you know that as iconic as Gaia the fierce knight is he doesn’t show up past duelist kingdom? Even in the manga he only has it in duelist kingdom. This raises a ton of questions. Like Gaia the dragon champion is really good in the anime. Because let’s face it. If you are going to use chimera in your duels than why not have Gaia in there as well to make a stronger monster? It’s one of his boss monsters. I mean he still uses curse of dragon in every deck except waking the dragons which again I know it’s not fully cannon but that shouldn’t stop them from using him. Unless there was a decent enough reason. I think that reason is you don’t need the monster itself in duelist kingdom to make the fusion. Which I can actually make an argument for. Yugi has 2 monsters in his deck. First is Black skull dragon and Dragon master knight. I know one is filler but it would fit the same argument regardless because even if we take from the anime it might be a little different in the manga and comic for battle city but that is indeed cannon. So the point I’m making is it’s a little strange Yugi would have either of those mosnters in his deck. He never knew he was going to work with Joey or Kaiba ever so why would he just have them? Trade doesn’t really work that way in the show cause we never see it and I know that dude isn’t carrying around cards because let’s face it. He didn’t bring anything but his cards and a glove. He didn’t have replacement cards. Which makes you wonder where the time wizard was from when he gave it to joey. He isn’t carrying extra cards cause the world doesn’t have packs the same way and cards would be more diverse or shittier and packs are like 5 cards per pack. So having such a rare and powerful card like that and it just “being around” makes 0 sense. Which makes you believe that it came from his deck. So time wizard was an original card. We have to remember that the reason he never played it is he never drew it in his duels and then gave it to Joey. Which makes the most sense. So if we go by that logic it would be understandable that since time wizard doesn’t fuse into baby dragon that you don’t even need thousand dragon in the extra deck. That also means dark sage isn’t even in Yugis deck because if it was meant to pair with time wizard he’d have taken it out or he just simply never ran into it or was a jerk and threw it in to counter Joey. So by that logic the reason Gaia never made a return is he never had the fusion in the first place. This makes me assume many things about the decks written are kind of misleading. Firstly the fact that Yugi has the same deck kind of but changes it every season. It makes 0 sense that he would in a world where cards are not a common supply even though it is the most common thing in his world to have that he would just always remake his deck mostly alike and then in general change 10 cards out only to put them back in to only take them out again. So when mysical elf is in his deck in virtual world but he doesn’t put 2 giant soldiers of stone in makes me question if he actually even doesn’t have mystical elf in his deck normally but sure as heck has feral imp. I came to the conclusion that in every season Yugi is just running the same deck with no differences. If there are differences it would be he added them in later on because he got the card and the only reason we never see it is that the man has over 80 cards in his deck. No it’s not 40 no matter how many times he says it because anime rules. It makes even less sense to change the deck not just for every season but every duel that he would have life shaver in against Kaiba only and then never play it in a duel ever again or something along those lines. Why does this matter? If I am going to make his decks I want to be as “accurate” as possible and am going to make his decks but it’s not like anyone wants to just make 7 decks for the dude. Especially when you take the Pharaoh into account as well. And who even wants to actually just make a Yugi themed deck? It’s not the same as having his decks themselves. It is much cooler in the end to actually have his deck. Even if it is 4000 cards large.
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recentanimenews · 4 years
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Licensing of the Monsters: How Pokémon Ignited An Anime Arms Race
  "Hey, what do ya' got there? A rabbit?" Batman asks his mentor, staring at a video of Pikachu on a massive underground computer screen.
  "It's a Pokémon," Bruce Wayne replies.
  Five seconds later, Batman is shocked so hard by the tiny yellow creature that he ends up flying headfirst through another computer monitor (Using a clip from the "Blackout" episode of Batman Beyond, an episode that would've aired for the first time just days earlier.) It doesn't make much physical sense, but this bizarre 1999 crossover promo did establish two things: 1) Pokémon was coming to Kids' WB, and 2) Pokémon was important. So important that Batman actually took time away from obsessing over crime and vengeance to care about it.
  Echoing a 1997 promo where the comedic Bugs Bunny let us in on the "secret" that the serious, dark Batman was coming to Kids' WB, it almost seems like a passing of the torch. Kids' WB, up until then, was a programming service chock full of classic Warner Bros. cartoon properties like Bugs, Daffy, Pinky, Brain, and various members of the Justice League — all animated Americana. 
Pokémon wasn't a huge risk as the 4Kids Entertainment dub of the show had done well in broadcast syndication, they had plenty of episodes to work with (sometimes airing three in a row), and it was based on a game series that was already a worldwide smash hit.
  But the show was ... different.
  And it would end up changing cartoons as we knew them.
  Part 1: Batman Jumps Ship
  It's hard to think of a better scenario when it comes to appealing to kids than the one Fox Kids had with Batman: The Animated Series. Debuting in September 1992 and airing on weekdays just after school let out, it received immediate acclaim due to its moody, beautiful animation and storytelling that didn't talk down to anyone. Little kids could get into Batman throwing crooks around and adults could marvel at plots like the one where a former child actress with a medical condition that keeps her from aging takes her former co-stars hostage and ends up holding a gun, hallucinating, and sobbing into Batman's arms.
  It did so well that Fox tried to air it on prime-time Sundays and though this was short-lived — turns out, Batman was no match for Ed Bradley on CBS's 60 Minutes — it solidified the show as "cool." This was a show that could hang with the big boys. You couldn't say the same of something like Spider-Man and His Amazing Friends.
  And then, in 1997, it was gone. A five-year contract ran out and Batman leapt completely to Kids' WB, where a continuation of the show (the often even grimmer The New Batman Adventures) aired later that year. There, it joined Superman: The Animated Series in a one-two punch of programming called The New Batman/Superman Adventures. When it came to Kids' WB, competitors not only had to deal with the Merry Melodies crowd, they now had to face the World's Finest Heroes.
  This, along with a departing Animaniacs, left Fox Kids with a gap in flagship programming. Sure it had various incarnations of the Power Rangers (which was still holding strong) and Spider-Man, but if you look back on 1998 programming, little of it would survive the year. Silver Surfer? Gone by May. Teenage Mutant Ninja Turtles: The Next Mutation? Out by December. Casper? Dead in October. By May of 1999, Warner Media would announce record ratings thanks to Pokémon, while its competitors, including the Disney-led ABC, Fox, and even Nickelodeon, would suffer losses in the Saturday morning area. Pokemon would have the best ever series premiere numbers for Kids' WB at the time.
    A chunk of that has to do with 4Kids Entertainment's (or to be more specific, 4Kids Productions) handling of the show. Again, Pokémon was a proven concept. If you love monsters, adventure, and collecting things, you'll probably find something to enjoy in the franchise. But the dub was particularly strong. For years, dubbing was seen as an inherently laughable thing in America, full of exasperated voice actors trying desperately to convince you that they weren't portraying three different characters, and lips that didn't match the dialogue. Entire Japanese series were reduced to laughing stocks in the U.S. because why focus on the lovingly created miniatures and top-notch tokusatsu action in Godzilla if one of the actors sounds weird?
  But while Pokémon wasn't the first great dub, it was a remarkably underrated one. Veronica Taylor's work as Ash Ketchum was relatable, funny, and consistent. And Racheal Lillis, Eric Stuart, and Maddie Blaustein's turns as Team Rocket's Jessie, James, and Meowth gave us villains that could've easily been the most repetitive parts of the show  — you can only try to capture Pikachu so many times before you should logically find a second hobby — but instead were one of the most entertaining aspects.
  Aside from some easily meme-able bits — Brock's drying pan and jelly donuts, for example — Pokemon became a seamless addition to the Kids' WB lineup and would end up giving many fans a lifelong love of anime. And it was great for 4Kids, too, as in 2000, they would be number one on Fortune's 100 Fastest-Growing Companies.
  Fox Kids wanted an answer to this. And it would soon find one.
  Well, two.
  Part 2: Monsters Rule
  Saban Entertainment was no stranger to Fox Kids. They'd been the one to adapt Toei's Super Sentai into The Mighty Morphin' Power Rangers for American and international audiences, creating an unexpected sensation that combined monsters and martial arts. And in 1999, they nabbed Digimon Adventure, a series about kids that gain "digital" monster partners when transported to a "digital world," which had begun airing earlier that year in Japan. Based on a fighting virtual pet that had already been around for a few years, Digimon was a natural fit for an anime series and also a natural fit for a climate that was desperately trying to find the next Pokémon.
  Renamed Digimon: Digital Monsters, it premiered in August of 1999. Of course, accusations followed that it was a Pokémon rip-off, considering that they were both about befriending terrifying laser critters, but they offered fairly different things. While Pokémon was more episodic, Digimon gave viewers a more Dragon Ball Z-esque experience (they were both Toei productions, too) with the titular monsters evolving and gaining "power-ups" due to fighting increasingly powerful villains.
  Almost two months later, Monster Rancher would join the Fox Kids lineup, airing on Saturdays at 8:30 AM after Sherlock Holmes in the 22nd Century (a Fox Kids lost relic if there ever was one). Together, Monster Rancher and Digimon would cover the programming block with monster action, sometimes airing twice each. Meanwhile, Pokémon would do the same for Kids' WB, and if you look at their Saturday morning schedules from 1999 and 2000, it appears they just shoved Pikachu in whenever possible.
  Looking back on Monster Rancher is always odd, though, because it's so specifically trapped in the time period where it originated. The video games used metadata from readable discs to create new monsters for the player, meaning that as soon as people gained the ability to download or stream media online without having to travel to their local Circuit City, the game would look absolutely archaic in comparison to its peers.
  Monster Rancher is a very fun show based on some very fun games, and the dynamic array of personalities and their particular squabbles in the core group actually reminds me a lot of One Piece. But even the show itself deals with reviving monsters on giant stone discs — a prehistoric-looking adaptation of a video game gimmick that would, a decade later, appear prehistoric itself.
  The Monster War was waged across 2000 and 2001. And though it appears Pokémon was the clear winner — in 2020, it's the most popular franchise with the widest reach, even if Digimon does produce some stellar shows and movies — the ratings tell a different story. In the May sweeps of 2000, Pokémon (and Kids' WB) took the prize among kids 6-11, but in the end, Fox Kids would score a victory of a 3.1 rating to Kids' WB's 3.0 (the first sweeps win since 1997, the year that Batman left.)
    Early the following year, Fox Kids would score again, narrowly beating Pokémon on Saturday morning in the same timeslot and even coming ahead of properties like X-Men. And what would propel this February 10th victory? The first appearance of BlackWarGreymon, the Shadow the Hedgehog to WarGreymon's Sonic.
  However, Pokémon would still help create ratings records for Kids' WB, even though late 2000/early 2001 saw a slide that would often cede dominance to Nickelodeon. Jed Patrick, who was president of The WB at the time said: "I didn't think Pokémon would fall off as much as it did ... every fire cools down a little, but that doesn't mean it doesn't stay hot."
  Even though, in retrospect, claims that "Pokemania" had died seem a little ridiculous — the latest games, Pokémon Sword and Shield, just became the highest-selling entries in seventeen years — big changes were ahead.
  Part 3: It's Time To Duel ... Or Not
  In early 2001, Joel Andryc, executive VP of kids' programming and development for Fox Kids, was looking for a "Digimon companion series to create an hour-long anime block." He felt they were too reliant on Digimon, as they were airing it three times in a single morning. Likely not coincidentally, that summer Fox Kids Fridays were dubbed "anime invasion," advertising Flint The Time Detective, Dinozaurs, Escaflowne, and Digimon. In one commercial, a single quote zips across the bottom of the screen: "Anime Rocks!" Nicole, TX
  That it does, Nicole from Texas.
  Meanwhile, 4Kids Entertainment would provide Kids' WB with another monster show: Yu-Gi-Oh! Known as Yu-Gi-Oh! Duel Monsters in Japan, this anime adaptation absconded from retelling the stories found in the early chapters of the manga — which were mostly devoted to Yugi running into jerks, only to have his Egyptian spirit "alter ego" deal karmic retribution on them — and instead focused on the parts that involved the cool monster fights. So basically the parts that were the most like Pokémon.
  But how would this be received? In 2000, Canadian studio Nelvana had licensed the anime Cardcaptor Sakura and turned it simply into Cardcaptors — an extremely edited version that removed many important relationships and plotlines and tried to streamline the show into a pseudo-Pokémon story. It's gone down in history as one of the most questionable dubs ever, and never really made a splash on Kids' WB. So they wouldn't want a repeat of that.
  But would kids be into a card game? The cards did summon monsters, but in Pokémon and Digimon, the monsters are just there, moving around and not relegated to a glorified checkers board arena. It turned out, yes, kids would be REALLY into that. Yu-Gi-Oh! debuted at number one in multiple demographics in September 2001, and would remain a steady part of its lineup for years to come.
    And how did Fox Kids respond? Did the "anime invasion" work out? Well, sort of, but not in the way they were hoping.
  In 2001, due to diminishing ratings and audiences, Fox Kids Worldwide (along with Fox Family Worldwide) were sold to The Walt Disney Company. By November 7th, they'd canceled their weekly afternoon blocks, and the next year, they'd end up selling their entire Saturday morning block to a company that had provided their rivals with the very same TV shows that aided in sinking them: 4Kids Entertainment. The final show to premiere on the original Fox Kids was Galidor: Defenders of the Outer Dimension, a live action series that stood beside Alienators: Evolution Continues (a cartoon sequel to the mediocre 2001 comedy Evolution) and the underrated Medabots as the block's last gasp. 
  Renamed FoxBox in late 2002 (and later 4KidsTV in 2005), the 4Kids run schedule would, over the years, include anime like Kirby! Right Back At Ya!, Ultimate Muscle, Fighting Foodons, Sonic X, Shaman King, and eventually, in 2004, the infamous One Piece dub. The first Saturday of the new FoxBox lineup would also outdo the previous Saturday's Fox Kids lineup. Disney would acquire the rights to Digimon and it showed up on ABC Family in late 2001 (eighteen years later, a reboot of the original series would air, which can be watched on Crunchyroll).
  Eventually, in 2007, the Monster War would come full circle. 4Kids Entertainment announced they would be taking over the Kids' WB Saturday morning block entirely, renaming it the "CW4KIDS," as The CW had been born after UPN and The WB had ceased to be. Pokémon was long gone by this point, having been dropped by Kids' WB in 2006, and was now overseen by The Pokémon Company International on Cartoon Network.
  "We wish Pokémon USA much success going forward," the CEO of 4Kids Entertainment said. Later sued over "illegal agreements" regarding the Yu-Gi-Oh! franchise, the company would eventually file for bankruptcy in 2016. Pokémon Journeys, the latest installment in the franchise, launches on Netflix on June 12th. 
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      Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!
  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
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coolxnxblue · 5 years
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de rules:
1. Themes might very with this blog. It’ll typically be SFW, but there will likely be dark themes, violence and swearing.
Things will be tagged! I’ll try my best, anyways. If you want something in particular tagged, please let me know through ask / anon / im. The format I use for tagging is, for example, tw: swearing.
I don’t have any triggers but I do ask you tag all of your NSFW content.
That said, I won’t do anything NSFW - gore is okay, though.
I’m of age.
2. I’m private, meaning I only really roleplay with people I follow. This is so things don’t get too overwhelming and for me and to cement who I want to interact with. I generally follow most people if our writing clicks, though.
If I don’t follow you and you’d like me to check out your blog, lurk in my notifs. I’ll definitely see you and make note to check you out. Same with promos, or you can just rb them to a sideblog / send an ask with its url. I can’t gurantee I’ll follow, but I’ll certainly check it out!
If it’s a crossover, I have to know the fandom and be at least a little bit confident with it. This is so I’m able to work with you, our thread and have muse for it. You’re free to ask if I know of a fandom or not! I’ll have a list at some point.
I follow the tag #coolxnxblue. If there’s anything you want me to see, like dash commentary, just tag that and x-kit will alert me of your post! I may respond to ic stuff ic stuff if I’m feeling it. 
In that sense, I’m chill with dash shenanigans with most folk, not just mutuals!
Absolutely no godmodding. It ain’t fun, fam. If you’re not sure what this term means, do look it up. This includes powerplaying, metagaming, and other things of that nature. This applies especially in fights if they happen (I’m chance-based and hope that you are too).
I can be picky with OCs. But rest assured, if you’ve followed me/interacted with my promo, I’ll always give your pages a read.
Please don’t be offended if I don’t want to interact with you (and please don’t try to guilt me into doing so!).
As for following back, I usually take a week tops to do so - but if you’ve hit up my promo, I go through that eventually.
I DON’T CARE ABOUT AESTHETICS. I just think they’re pretty. If you don’t use formatting or anything like that, or heck - even wanna’ just do iconless rp - I have no problem with it whatsoever! It’s you, your writing and your muse I care about!
3. Please don’t rush me for starters or responses.
PLEASE understand that I have blogs galore and my muse tends to fluctuate; this can mean I’m everywhere at once and can end up neglecting a blog or two. It’s nothing personal; you know how muses are! Additionally, life happens to be a thing.
Please note the mun deals with anxiety and depression, and has part time jobs which are honestly tiring - this might affect how frequently she roleplays.
Chances are, I’ve probably has seen that bit of interactivity and just haven’t gotten around to responding yet.
My roleplaying style being para/multi-para, I may take a while to respond. I hoard drafts like a dragon - it’s really just the motivation to write and ship those out.
I hoard asks, but sometimes can’t find muse or interest for all of them. If it’s been a month or two, generally assume I’m not interested / can’t find muse for it. You’re free to send another though!
I answer asks from anyone - personals, rp blogs and anons. I’ll answer non-mutual asks occaisonally but I won’t be making threads out of them
4. Shippings? Heck yeah, I ship lots with my blue son! Just make sure they’re of similar age pls.
If I don’t happen to be interested, don’t force anything on my character.
I do not ship incestuous ships. Do NOT follow/interact if you do.
The ship has to have chemistry; I’m generally shipping trash, but if they don’t click, they don’t click, sorry.
This is a multi-ship blog, meaning there will be more than one ship without them conflicting with eachother.
If you want to ship and I already have a ship of your choosing going with a duplicate, please don’t hesitate to hmu! My ships aren’t exclusive and each character/relationship portrayal is unique to me!
Relationships are eternal until you deem otherwise. If you’re not interested in a ship anymore, just let me know!
Sonic X Tails won’t be happening on this blog, sorry.
5. Whilst I am of age, I’m not aiming for sexual content on this blog (and will not be dealing with fetishes). That stuff makes me uncomfortable, and I typically don’t recommend pulling it with my character if you’re interacting with me. Nonetheless, should it arise, I will tag it appropriately as nsfw //.
6. About reblogs…
I am not a meme source, and reblogs clog up my activity. Please reblog any ask / starter memes you find on this blog from their SOURCE. The exception to this rule is if there is no source; go ahead.
I don’t feel comfortable with Personals reblogging my IC or OOC posts, so please don’t do that. If I put something in the fandom tags for whatever reason (bar promos), you’re free to, though.
This goes for my art too unless it has the tag ok to rb, but otherwise only the person I drew it for can reblog it. If you wanna’ reblog something, I DO put it on my art blog eventually!
A few times is fine, as it happens, but repeatedly breaking these rules will result in me soft blocking you.
I try to participate in reblog karma as much as I can, but always reblog from the source/a meme source.
If a post or ask is for you, you’re free to reblog it to save it though - but only if you’re an rp blog!
7. I’m a para / multi-para blog, novella if I’m adventurous and have time. Whilst I may roleplay crack threads with shorter responses, this does not apply to all threads I write. This means:
I write my replies as detailed as I can muster, and length can range from 1 paragraph to 6.
Short responses (such as one-liners) in more serious threads where I’ve written a decent deal can instantly kill my muse for that thread.
Whilst I’d prefer for partners to at least somewhat match my length, it’s entirely up to you - just try your best and make sure you give me enough to work with. ♡
If my muse happen to go nuts out of nowhere - like, overboard - don’t stress too much about matching him.
8. Threads! You can yeet asks, memes, and even starters at me if I’ve liked a call! I’ll obviously have my own you can like.
You’re free to like starter calls even if we’re not mutuals; I can check out your blog that way. I still only write starters for mutuals though.
I know pretty much most if not all Sonic media, bar Fleetway which I haven’t gotten around to reading yet. Since that’s unfamiliar territory, I’m unlikely to tread in it yet.
Starter memes are the BEST way to interact me because they just yeet a prompt at my face and really help me write starters. If you see me reblog one, send one!
If you want a certain verse, lemme’ know! Otherwise, I’ll either resort to game verse or whatever continuity your muse applies to (i.e, Sally (archie), Starline (idw), and so forth).
If you want to turn an ask into a thread, go ahead!
In that sense, I don’t recommend writing starters for me unless we’ve discussed something. I don’t like to leave anyone hanging.
Please don’t assume things about my muse. If you’re uncertain about things, ASK.
IMs are open to mutuals, if you want to do any in-depth plotting. I also have Discord if that’s more convenient for you!
9. Guidelines on mains and relationships:
If we’re mutuals and we interact a lot, you’re welcome to ask me if I’d like to be your main!
Please don’t be offended if I deny, though; I typically want to pick those I trust to be my mains as well as people I can comfortably write with.
Not limited to them! I roleplay with duplicates galore so don’t be afraid to hit me up if you want to interact!
Pre-established relationships are a-okay in my book; if you have an idea for a relationship between our muses we can work towards, hit me up! I reblog those pre-established relationship memes every so often too. Romantic relationships link back to the shipping guidelines.
Also, friendship/family/rivalry relationships are EXTREMELY valid to me - so don’t feel scared about asking for them!
10. If you have any issues, please let me know and hopefully we can resolve it!
Mun is actually super nice, so don’t be afraid to hit her up!
I am absolutely terrible with IMs and Discord. I either respond quickly or days later, depends on my mood. Social anxiety tends to interfere with this (and more recently exhaustion from work) - but honestly, if you’ve sent something, I’ve likely read it and just haven’t gotten around to it yet! It’s nothing personal; trust me!
Please leave me out of drama; I’m here to have a good time, as is everyone else, and it pains me to see people arguing.
This is a little different with callouts - if I see anything on dash pertaining to any problematic users, I will take it into consideration and rb it if I believe them to be harmful.
11. To retierate, I tend to follow those that:
Write para and whom I feel my muse would click with.
Seem chill? Tone can really intimidate me honestly.
Have rules and about pages! Knowing the boudaries of my rp partners is super important as well as their lovely muses! Sometimes rules are enough, though, if you’re going to write the about eventually.
Tag their nsfw.
Don’t have massive icons - ie, have rp icons that take up an entire text post like 500x500 or something. I don’t want to clog the dash and it’s tiring to resize them.
...also, if I follow your hub blog (provided it doesn’t double as a personal), it generally means I’m cool with any blogs that are attached to it.
12. On threads…
If you’re not interested in a thread anymore, and would like to drop it, please let me know! I’d feel terrible if we’re both not having fun with it or if partners feel overwhelmed with the amount of threads we have.
Honestly, unless I let you know, our threads have no expiry date - so no need to worry about me dropping them without telling you. I can just be quite slow sometimes.
13. Mun does not equal muse! Anything my muse might say does not reflect on how I think unless I explicitly say so.
14. Know that if I follow you, I WANT to interact with you.
I literally couldn’t care less about follower counts. I care about YOU guys and our interactions.
15. Rules may be subject to change.
Please like this post if you’ve read the rules! You don’t have to, but it’s of personal reassurance to me if you have.
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Museum of Mayhem Art Analysis
ahhh it’s finally here and it’s AWESOME. Lots of credit to @ifalnasminiatures for bringing this to my attention! Also credit to Hayder Hype for providing (nat zero six on gearbox forums) sources (Ashley Landry on twitter) in the description of his video because oh man it’s a lot
you can view most of these art pieces on the borderlands instagram as well
lots to talk about especially regarding the calypso twins so let us dive right in
tl;dr: tyreen has a weird red marking on her face in some old designs. i think troy used to be blind and missing his metal plates. more proof for my elpis/chemical sludge/lost legion theory that the twins are using said chemical sludge to give their followers psuedo-siren powers bc a dahl pumping station (hyperion pumping stations on pandora) but dahl had a presence on the moon
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one of my favorites, it reminds me a lot of the Mask of Mayhem, but for villains.
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Punk Girl is shown again twice, probably further proving she’s tied in with the CoV somehow
we also got some crazy looking villains such as
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baby face. which is all kinds of extremely fucked up
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this dude who looks like he could be a miniboss with the glasgow smile and the cool goggles
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this guy who i legitimately thought was dr zed for a hot second there
could it be
the evilest brother?? pfft nahhh
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this girl who seems like she could be a unique character with a baseball cap. wondering if maybe she’s related to Punk Girl in any way. What’s the verdict on the other band members? 🤔
uhh let’s give it a solid maybe and move on
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this piece! very interesting to me
so, the very first thing i noticed is zane’s eye patch being on the other eye lol
amara’s tattoos are also gone, however that might’ve been for reasons similar to the japanese cover art of the game. 
most interestingly is a point @ifalnasminiatures made and it’s that the calypso twins are actually palette swapped! you can see Troy is the one with the white hair and Ty is the one with the darker hair. which I think mayyy play into a few things we see later about the twins
we also see a tiny ship in the background. i can’t tell if that’s sanctuary-iii or the blue/yellow ship, it all blends together a lot due to the quality of the pic. but it is next to the calypso twins, which makes me want to believe it’s the blue/yellow ship we see with red markings all over it. you know this one from the mural of mayhem wallpapers
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you can see the reddish markings on the back right next to the engines
then we have ummm
this cover art
😬
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thanks for not using this one gearbox cuz 
oh my god
she just reminds me of suicide squad, that’s not a good image you wanna dredge up from the deep recesses of your fans’ brains
she might be a unique character given the clothes/hair? cuz you don’t normally see psychos with stilettos on. or yknow, shoes in general. the hair also seems way to clean and neat to be a psycho/cultist
i just feel uncomfortable looking at this, so moving on
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a different logo. also not my favorite cover art, but at least im not physically uncomfortable looking at this. that poor girl’s pelvis... anyway
lots of silhouettes
interestingly, i feel like the roses might have been a thing they just put in for the new cover art. haven’t seen hide nor hair of them across any of the pictures i’ve seen.
we got a lot of figures. out of them i most definitely recognized amara, salvador, maya, another salvador?, zer0, moze (maybe?), and axton. i thiiink one of them is maya as well, but im not 100% on that. 
i can guess why they didn’t pick this one: it’s hard to tell who’s who. a lot of these poses make the silhouettes kinda hard to see and the merging together at the bottom makes things even worse. i do think it’s interesting there are some bl2 characters on here as well, but hayder hype mentioned they very well could be placeholders, and given that i can’t make out fl4k or zane, im inclined to believe him.
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this art which was used during the promo for this event
rip elpis i guess LMAO
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a better look at the psycho himself from the promo released by the borderlands twitter.
there’s a new red planet which hasn’t been shown off before, looks like a gassy planet kinda like jupiter, but interestingly it has this green crack in the side?
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very reminiscent of pandora’s eridium scar. i am wondering if this is because this planet had a vault opened, or if it is tied to the Eridians at all. be interesting if it was their homeworld.
also i have no idea what the symbolism is in the homeworld destroying another planet but maybe we shouldn’t think about it too hard e_e
the other planet that’s being destroyed... idk fellas
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it doesn’t match up to me but like, this is only one shot
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i don’t know 🤔 if you really squint, maybe you can see that hint of purple at the bottom there?
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here
tbh, i thought this was elpis the first time i saw it due to the cracks, but i figured elpis doesn’t have like continents across its surface, just craters. and wayyy more cracks.
so it’s probably not pandora and it’s probably not elpis.
huh...
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i do think the actual shot is suspended above promethea, you can see the familiar asteroid belt surrounding it
there’s also a planet in the background,
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which i imagine isn’t pandora bc no eridian scar
could be elpis or eden-6, or the 5th planet we don’t know about. i kinda get the feeling the 5th planet may be that gaseous red planet tho. which is probably going to be super weird to traverse now that i think about it. they said oz kits weren’t coming back, right? i wonder how that would work. hmmmm
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there’s also this redder planet here which i actually DO think is Pandora. if you squint real hard u can see the purple from the eridian scar. plus the color matches up pretty well with the pictures provided above.
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there’s also these two bodies over in the corner where the light is coming from. i can’t tell what they’re supposed to be
there are also these little dudes in the top right
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i assume they’re maliwan? they remind me a lot of the maliwan drop ship things that fly overhead when you enter promethea
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YESSS okay this is the start of some PRETTY WILD twin stuff
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troy: missing his tattoos, blind in one eye, has a weird mark above his eyebrow. also, no metal bits!
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Tyreen!!! with a red stripe across her left cheek going up to her eye??? no tattoos on her left arm as far as we can see, but that might be for marketing reasons (she’s also covering up part of her bicep). she’s also missing her coat and chains and wearing a different glove.
we also have a bunch of bl2 VHs taking up space. again i think hayder hype is right in that they’re simply placeholders. not much else to say, but 
this trend of Tyreen having red markings on her face and Troy being blind in an eye (or both) actually continues through a fair amount of these posters!!!
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more cover art. one of my least favorites again... i just think it looks like the psycho is puking out the VHs. also, seems to be an older version of the psycho mask.
fl4k seems to be less rendered than the rest of the cast? like they have less detail, especially on their coat
also you can see an older looking space shuttle up at the top, which reminds me a lot of the one we use in TFTBL to get to helios. except less caravanny and more rockety
the splatter also reminds me of siren powers, with the purple and the glitter. it’s cool that it’s showing a different shot than what’s behind it. maybe a hint to siren powers because it’s sort of like a portal.
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more puke! 
this time troy is blind in both eyes it seems,
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tyreen seems to still have a mark on the left side of her face, im wondering if this ties into her scars at all? it doesn’t seem as prominent as the previous red mark.
Zane seems to have an actual eye patch instead of his more high-tech eye patch, which reminds me a lot of the leaked character concepts from like january i wanna say
amara seems to be dual wielding lol i wonder if originally that was going to be one of her 3 skills but then they were like “wait salvador. wait. nisha. FUC-”
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also fl4k is being obscured by this weird saturn-like planet. let them be free!
moze is missing, the saturn like planet shows up 2 times total, and that blue/yellow ship is seen again behind troy
as for the purple stuff? you already know my theory that the twins are going to be using the chemical sludge on elpis to empower their followers. it could also just be straight eridium/slag. you know, like the testing from the WEP with bloodwing and even krieg. we’ll have to see. it would be interesting if they tied krieg into the story through there.
i do lowkey think it’s chemical sludge though, because some of it is actually glowing blue in places, you can see it clearly below amara’s feet. maybe some tie in to siren powers cuz they glow the same blueish color. who knoooows not i
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big shot of this psycho here, looks like he’s crumbling. 
i really like the 4 VHs standing at the base with the elongated shadows. very dark vibes from this tho, probably not suitable for the series as a whole. i can see why maybe they decided not to do it. 
i wonder if we’ll see this giant psycho statue somewhere on pandora. it would certainly be a sight to behold. 
also i kinda wish we had cloaks like the concept art shows. cloaks are cool
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more sketchy art. this one is also kinda strange, i definitely get why they decided not to go thru with it.
possibly tie-in with the ‘mother’ imagery we get on the propaganda signs across pandora.
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lmfao the foot
very bl2 like, im glad they didn’t stick with this. i like that they decided to change things up
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troy seems to be blind and also missing his metal implants on his face. his jacket also looks a lot different, it looks more like tyreen’s with the spikes and stuff across it. we also can’t see his metal arm at all, tho we do see his sword! which looks a lot different, im glad they decided to revamp it to be more visually interesting lol
tyreen is more interesting to me. it looks like her right arm has like a silver coating over it? unless that is a metal arm as well. she also is wearing a different kind of glove. her tattoos are missing as well, but again, it’s probably because of the cover art. her scars also definitely seem to have reached her left cheek at some point.
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zane also looks a lot different, tho amara, moze, and fl4k look about the same.
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another shot of the ship, this one is definitely the blue/yellow one. there’s gotta be some significance with that, right? either we’re getting skins for sanc-iii, we’re going to be painting it a new color, or it’s a different ship.
what the HECK
maybe the twins stole sanc-ii and we’re using sanc-iii. idek. this ship is driving me up a wall lol
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gun head.
not a lot to say here. i actually like this one lol it’s very mellow and straight to the point. it’s nice that the logo is right in the middle, not at the top like most of them.
game. buy it. okay? cool.
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similar to the other background we did, a bit different. again, like @ifalnasminiatures pointed out, the twins are actually palette swapped here. 
Zane also has the old eyepatch on his right eye instead of his left eye, and his jacket is black instead of blue. fuckin’ edgelord.
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one of my favorite ones out of all of them. it’s beautiful, i really wish they had kept it. Fl4k is missing but i assume they were meant to go next to Amara? i also think it’s interesting Moze is in the front, as I took Amara to be the leader this time around. Zane is also an older design, with the eyepatch back on his left eye again (starting to think this is an aesthetic thing lol) and a black jacket instead of blue.
We see the twins on the top. Tyreen has that mark on her face again, and Troy is the same as the last few covers.
We also see Maya, Zer0, and for some reason Brick? Which is weird to me considering we have a few other characters who initially feel much for important to the story (cough Lilith cough), but I’m not complaining. 
the purple splatters again make me think this is a tie in to eridium/slag/elpis’s chemical sludge. i also like the logo being worked into the design instead of just thrown on top, i think that’s a nice detail
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i couldn’t find a great shot of this poster which is a shame because it’s one of my favorites
a lot of baddies to go around on here. i love the dude up top, he reminds me of the Anchormen from the captain scarlett dlc in bl2!
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these dudes
we can see Punk Girl on the left again
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and this guy who appears to be in some medieval armor
i have no idea what’s going on there but i am EXCITED
i’ve been thinking and tbh i think the multiple planets thing was just an excuse for gearbox to go absolutely ham on the character designs/settings. 
i mean why should they have to hold back all their medieval armor designs for another dlc like tiny tina’s? all their pirate/sea-fairing designs for a pirate dlc? fuck it! go WILD. i think they did, anywho
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there’s also this post which... tbh i can’t make out much at all. again, seems like an older psycho mask design. it looks like there are characters in the splatter on the bottom left, but it’s very hard to tell who’s who, especially at this angle and image quality lol
if we get a better shot later on i may return to this piece and try to figure things out!
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we also have this piece which is giving me huge ‘Happy Together’ vibes. very trippy
moze looks like she’s using an untextured atlas gun? dunno what’s going on with that tbh lol
i really like this one too. it’s cool. i get why maybe they wanted to go a little crazier tho, feels too simplistic for the MAYHEM vibe they’re going for.
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oof! can we get an F in chat for whatever planet/moon this is
lots of pink floyd vibes going on here as well
we see a different looking blue/yellow ship flying away from the explosion. it seems to missing a lot of the parts that make sanc-iii so recognizable including the engines/wings
i like the destruction vibe they’re going for here, really sells the “universe destroying power” the twins are supposedly going to get. 
anyway, in addition to the cover art pieces, we also got a few concept art pieces as well!
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this bit which looks like a gun
you see the aiming mechanism up there? you see how it’s aimed at that planet/moon? yeah i 100% timed this so you’d see the above concept art with this immediately after :P (im kidding i didn’t but hey now you don’t have to scroll)
fuck yeah babey
we also have seen something similar to this in the gameplay trailer!
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i didn’t actually think it was a giant fucking GUN tho. can we get an F in chat for Promethea and/or whatever else this thing gets aimed at
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yooo
i thought this was opportunity at first cuz of the bridge but it’s more likely promethea
when u go meet zer0 you can see some water surrounding the city so i would guess this is somewhere else on promethea
im mostly interested in the giant fuckin triangle in the middle of that courtyard looking area
oh also the giant trench of destruction on the right there. that’s probably important, too.
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more concept art!
i think the bottom of the 4 VHs is actually what was leaked in january.
some art of the twins on the left there, tyreen is so much shorter than troy omfg
and this does indeed looks to be a younger version of angel so credit to @prettypinkdork for mentioning that on my angel post. it is nice to see those tech-y wings in action, definitely does prove it’s her.
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we can also see this art of what i think is Punk Girl, which is interesting to me because she looks to be doing something with her right hand. possible siren powers? maybe! 
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we also get a much cooler, bigger version of that maliwan ship people were talking about, with what look to be maliwan... eye bots? surrounding it. this is soooo fuckin awesome to me because it reminds me of a sailboat. and airships are fucking COOL
but something interesting is that i don’t think this ship was actually always maliwan
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we got an A in the back here... for Atlas? i mean... you know it’s coming... the colors would match up. Yeahhhhhhh...
more interesting is that it actually looks like maliwan covered it up with their flags/tarps. i would not be surprised if this was claimed by maliwan possibly during the takeover.
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a cyclone, with a whole fuckin lot of detail. just... holy shit.
not much else to say here though. i like the stuffed animal on the side, though
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a better shot of jakobs manor which holy shit looks badass as fuck
big turret/observation thing on the right there? im not sure
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pretty sure this is eden-6. also more tropical trees? possibly a water planet? but maybe just ocean on eden-6. also there seems to be like webbing on whatever is on the road, so maybe some spider-like wildlife?
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most important to me is this
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yeah i would bet that’s eridium/slag/the chemical sludge from elpis
im pretty convinced this is something on elpis mostly because the DAHL logo on the side. which again, they were on pandora yes but they were mining for iridium not eridium. if this was pandoran pumping stations, that would be hyperion.
i do think this is elpis. and i do think the twins are using the chemical sludge that mutated the lost legion into those fake siren things to give their followers superpowers.”holy holy holy” indeed.
this, plus the rakk wings on the psycho in the mask of mayhem are just convincing me more and more
that’s all for now folks. i gotta run
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Text
GMH The Last Duchess Promo: Part 1 of 2
(This is a two-part story)
Characters: Alex (MC), Chazz, Thomas Hunt, Leland St. James 
Setting: The day after Alex and Thomas decided to give dating a try. Alex and Thomas are promoting The Last Duchess on Good Morning Hollywood with Leland St. James.
Rating: Mostly PG / a tiny bit PG-13
Alex beamed as she got ready for her first interview to promote The Last Duchess with Leland St. James. She had chosen an outfit days ago to wear, but it didn’t seem quite right anymore. It felt too shiny, too revealing and too much like Victoria! Alex looked through her closet for something more classic and understated, something fitting of a duchess. 
Alex stops when her fingers landed on a red, high-waisted silk gown with cap sleeves and gold embroidery. “Perfect! I knew my Downton Abbey obsession would come in handy one day. Thank you, Lady Mary; today you become a duchess!"
Alex spun around in the gown in front of her mirror. It was just missing one thing. Once more she went back to her closet to find the crystal headband tiara that she had. 
“Too much?” Alex texted a photo to Chazz.
“For Leland?” Chazz replied. “Nothing is too much. He is going to eat it up!”
“Okay good. I’m heading to the studio now. Will I see you there?” Alex texted back.
“👍”, Chazz replied. Then added, “I didn’t hear from you last night; I’m taking it that means things went well????!!!!??!”
“Maybe…. 😁” Alex responded.
“🍆” Chazz sent. “��”
“We’re taking a step back, perv!” Alex teased. “Don’t tell anyone, okay?”
“Not going public?” Chazz asked.
“We didn’t really talk about it,” Alex explained.
“👍 Got it!” Chazz sent. “ 🍆😉”
“🤦” Alex laughed. “See you in a bit.”
----
At the studio, Alex stands waiting for her introduction. Thomas comes up behind her, “you’re late.”
Alex shrugged, “A great man once said time is relevant. Maybe you were just early.”
“What are you wearing?” Thomas asked, his eyes wandering the length of her body.
“You don’t like it?” Alex questioned worriedly. 
“I didn’t say that,” Thomas answered apathetically. “I’m pleasantly surprised by the tastefulness of the outfit.”
“I think you meant to say, ‘Alex, you look stunning’” she teased, nudging her with his shoulder. 
“I didn’t mean…That’s not to say...,” Thomas began a little flustered. “Yes, you look competent, which is more than I can say for most of this town. ”
“That’s high praise coming from the acclaimed Thomas Hunt,” Alex smiled. “I shall cherish it, always.”
“You two are on in 10… 9..” a stage hand said getting ready to cue them. 
“My next two guests are here to talk about The Last Duchess, their latest projects,” Leland started. 
Both Alex and Thomas’s hands were at their sides, as the stage hand got to 2, Alex brushed her fingers against Thomas’s.
Leland continued, “Please join me in welcoming the star of the film, the Duchess herself, Alex and legendary director Thomas Hunt.”
Alex walked across the stage smiling and waving to the audience. Before taking her seat next to Leland, she stopped to curtsey in front of him. “Thank you for the honor of being your guest today, Your Grace.” Alex winked. 
Leland’s jaw dropped, quite exaggeratedly. “I didn’t know we would be hosting royalty today.”
Alex sat up straight, doing her best princess wave to the audience, as she delicately turned her wrist.
“We are not worthy,” Leland fawned, bowing in front of her. 
Alex lowered her head, giving her new subject permission to rise.
“You are too much, Alex…. And I LOVE IT!!!!” Leland exclaimed. “As much as we could talk about your grace and ravishing beauty all day, we are here to talk about The Last Duchess. Can you tell us more about that?”
“The movie follows the story of Frances Stewart, the last Duchess of Lennox. When the Duke dies, Frances's title does as well. She has to journey through many challenging situations to survive and reclaim what is hers,” Alex explains. “I think Thomas can better explain it than me.”
“Oh sure,” Leland said reluctantly.
“When I first heard the story of Frances Stewart, I was captivated by her elegance and grace in dealing with the situations she faced,” Thomas started explaining. “She lived in a time when women did not have great power or influence, which often led to women of the time being subjected to the desires of more powerful men. Frances displayed strength and bravery when men only saw her beauty.”
“Wow!” Leland explained. “It sounds like she was a forerunner of the girl power movement.”
“Not quite,” Thomas interjected.
Leland ignored him. “So Alex, tell me how it feels to have The Last Duchess going head to head with Double Agent? Need I remind you GMHers our beloved Queen Alex was initially attached to Double Agent.”
“We all worked very hard on The Last Duchess. Thomas created this intricately beautiful world in which to tell this inspiring story. I believe the audience will see the significance of this film and its story,” Alex smiled. “I am confident that the best film will win the weekend.” 
“You heard it here first! Unfortunately, that’s all we have time for today,” Leland pouted. “Alex came to us today as a duchess, will she return a box office queen? We will see. The Last Duchess debuts later this month. You won’t want to miss it.” Leland winks at the camera. 
/Part 1 of 2
How will Thomas react to the success of their first promotional appearance? Check back tomorrow! (Direct link)
***Photo Style Inspiration Post
* * * The Art of Loving Thomas Hunt Fan Fiction Masterlist * * *
---
Thomas Hunt Tags: @hopelessromantic1352 ; @alleksa16  ; @pinkcoloredmarshmallow ; @the-soot-sprite
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littlestarlost · 6 years
Text
This Isn't Mine.
1. Monsters
I’m ten or eleven years old and I’ve just transferred schools, from the small elementary academy where I skipped a grade and was mercilessly bullied to a gifted program where, finally, it seems like the dust is perhaps starting to settle. I’ve been recently diagnosed with ADHD, and the monsters that have tormented me, both real and metaphorical, don’t seem to be breathing down my neck anymore. I have a Macintosh II, handed down from my dad; it has a proprietary word processor on it, and one day, I begin to write about the characters in an anime I love called Digimon. I’ve written stories before, of course; I’ve always been a writer, and a precocious one at that. I’m a gifted child; I often intimidate adults, never mind people my age. But this writing feels different; I don’t get bored of it, or restless when it doesn’t come together as quickly as my original stories. I can go back to the show whenever I start to feel confused, and get re-energized by watching the story unfold. I can keep the characters consistent, because I can literally hear their voices in my mind. But along with the characters of the show, I’ve created my own; her name is Raven, and she’s a new Digidestined, and everyone in the gang wants to be her friend. In the real world, I am lonely, anxious, isolated, insecure. I don’t know how to interact with people my age. I’ve buried myself in books and stories ever since I could read, finding solace in the characters who I imagined could see me for who I really was. On this computer, I make this feeling manifest in real words. My family doesn’t get it; my siblings tease me about it. I have no friends yet, so I can’t get their opinion, but a voice in my mind tells me that this is something I need to hide. Something I shouldn’t be proud of. And yet it’s comforting, nurturing, soothing. It’s good.
I have no idea that Raven’s real name is Mary Sue, nor that she embodies every single trope that we love to hate: she is perfect at everything and yet intensely vulnerable; she can beat every protagonist at their own game but still needs them to rescue her; she is sick and literally healed by the strength of the characters’ love for her. I don’t know that these tropes are universal; all I know is that I imagine these situations, where these characters I love can love me back for exactly who I am, and it makes me happy.
2. Revisions
I’m twelve years old, and I love Escaflowne. I tape the episodes on VHS whenever I can, paranoid that if I miss one I’ll never ever get a chance to see it. I hoard the tapes, watch and rewatch the episodes, and feel the pull of the strongest sensation imaginable—a huge swell of energy that is more exhilarating than any thrill ride, but is easily volatile. I don’t know how to control my emotions; I wield them clumsily, bumping up against this and that, unable to understand why I feel so much and why it hurts when that intensity is shattered by the real world. The emotions easily become overwhelming, leaving me crying over everything and nothing at all.
At school, my friend Leah tells me about a website where people have written stories with the Escaflowne characters—stories where Van and Hitomi end up happily ever after, where all my fantasies and dreams come true. There is one story in particular, a 30-chapter monstrosity called Re-visions, and I fall helplessly under its spell. I had no idea that other people did this, this thing I’ve done in secret for the past few years, this act of writing I thought I invented because I’d never had the chance to connect with anyone before. I had no idea that fan fiction could be like this. That there could be thousands of new island universes, each tethered to the original canon with a simple disclaimer: The characters and original story belong to their original creators. This isn’t mine.
I bond with Leah over this fanfic. I bond with others, too, over Escaflowne and then Gundam Wing. My fanfiction.net pen name is two Japanese words that sounded nice together.
I read fic after fic after fic; I hoard bookmarks, burying myself in shiny treasures, losing them immediately in my trove. I begin to read and write tentative romances, steeped in my own insecurities and repressed anxieties. I take the first steps on the road to sexuality by this gentle proxy, collecting first kiss scenes to read and reread and imagine with vivid passion what my own experiences will be like. My laptop background is of the Gundam pilots, a piece of fan art from a site called LeLoLa. I cover my school notebooks in pictures of Van and Allen and Quatre and Trowa. As I navigate the thicket of middle school and burgeoning adolescence, I imagine that they’re with me, like ghosts standing just over my shoulder.
And they love me; they love every part of me. It is their imagined encouragement that allows me to show up to school dances and take to the middle of the floor and show off what I love to do. It is their silent support that gets me out of bed some days. These characters in my mind only see the person I imagine I am at my best, but they love me no matter what, even when I screw up in social situations and replay humiliating moment after humiliating moment over and over because nothing, nothing, ever seems to go the way I wish it did in my mind. These characters accompany me to summer camp, where my bunkmates are my former elementary school peers, and everyone still remembers my childhood transgressions—but these characters don’t. They would want to hang out with me; they would sit with me at lunch, pick me for the soccer team, cheer me on in the camp musical. Even at my most socially isolated, I am never truly alone.
I start writing more ambitious fics of my own. I dream of getting 100 reviews on something someday. I finish a Gundam Wing story, long and epic and full of first kisses and dramatic rescues, and I’m so proud of myself that I think I might burst. But as I grow, I start to find that my emotions fade over time. The pull of gravity, that tug that spirals me into a fictional world and makes the characters feel like old friends—it starts out so strong that it’s overwhelming. Each press of the button opens the gates, releasing a crush of emotional material that floods my brain with dopamine, and it’s addictive and entrancing and it makes me feel so good. But each time, the sensation fades just a little, and then, inevitably, one day I find that I feel nothing at all. This isn’t mine, and now it’s not there anymore. The act of borrowing implies an inevitable return; that’s what makes it different from theft.
I learn that this beautiful emotional thrill ride has an expiration date. That, at some point, the love for a particular show fades, and then it’s gone, and there’s nothing I can do except to move on, find the next thing, fall in love all over again. This tradeoff is too painful to examine, so I don’t; I just keep moving, to X-Men and Smallville and Newsies and Harry Potter and a hundred little stops in between. These years will later be some of the most consistently bright memories of my adolescence, in a life filled with more downs than ups. Through it all, the disclaimers persist: I’m just borrowing it. This isn’t mine.
3. Endings and Beginnings
I’m fifteen years old, and while I’ve watched Buffy the Vampire Slayer on and off for a few years, I’ve never followed it religiously. For some reason I see a promo for an episode of its spinoff, Angel, where the lead character is turned into a muppet. I watch the episode; it concludes with two side characters, Wes and Fred, sharing a first kiss. I’m entranced; the swell of emotion rises once again, latching onto this new property, this new couple. I dive into the earlier seasons of the show, to learn everything I can about this new and wonderful gravity source. I write tragic character pieces about Wesley and one-off fluff fics where he and Fred get together earlier. I’m a little bit better at writing kisses now. And in the very next episode, it’s all snatched away, with Fred’s death; half a dozen episodes after that, the series ends forever. I’m shocked; I’m shattered. I’m in mourning, despondent over losing this beautiful thing just as it began. My sister and I bond over this show—a rare moment of agreement for us. I decide to write my own version of the ending, where things turn out better than they did on TV. The disclaimer still holds: I don’t own Angel. It isn’t mine, but if it was, here’s what would have happened. And it’s amazing; it’s got humour, it’s got romance, it’s got a villain, it’s got high stakes and a dramatic climax and a happy ending. It’s a proper story, and it gets more attention than I’ve ever received before.
Shortly after finishing that fanfic, a boy finally, finally asks me out on a date. I’m in high school, and we have our first kiss on a spot on my street where my parents won’t be able to see from the window. The snow falls around us, and everything is perfect. There’s a paradigm shift, and suddenly the real world is where I want to be. I don’t think much about fanfic; the characters who stood at my back begin to fade from existence. For just over a year, I live out every chaste fantasy I had seeded and nurtured through fanfics, until my heart is abruptly broken.
After that, I’m alone for a very long time. I have no joy; I have no energy. There are voices whispering to me how worthless I am, how this hurt will never go away. I live out humiliating moment after humiliating moment as if in slow motion, ruining friendships in my wake, unable to keep my head above the treacherous waters in my heart. My final semester of high school is a cruel hell, and I can’t wait for it to be over. When it is, I sign up for a summer trip overseas, where no one knows me; I cut my hair dramatically short and dye it purple. I’m enrolled in university next year, and I’m determined that no one will ever know about this version of me, this pitiful heartbroken thing, this failed attempt at existing. I can remake myself anew. I can change. During that first year of college, I discover new music and books and movies that I never knew existed. I write a single fanfic for Criminal Minds, aping the writing style of Chuck Palahniuk, because I love how he uses the present tense and repeated motifs to bring poetry to even his most horrifying ideas. My pen name is my first name and a generic nom de plume surname, because part of me wants to stretch plausible deniability and own this work I’ve created, because it’s really fucking good, actually. This is me now; I am new, and my writing is different. More grown-up. Less focused on romance. But the fire isn’t there the way it used to be; I love Criminal Minds, but the characters don’t inhabit me the way the Gundam pilots did. They don’t whisper in my ear or put a reassuring hand on my shoulder. And as my university experience continues, I think that maybe I don’t need it anymore. It was never mine in the first place, after all; I was always only ever borrowing it.
I fall in love again; I get my heart broken again. I move to a whole new city; I dye my hair each time I feel that this current version of myself has failed. I remake my identity over and over, exploring new hobbies and new passions. I write essays instead of stories; I do critical examinations instead of developing headcanons. I think I start to grow up.
4. Fog
I’m twenty-four, and I’m exhausted. I’ve been exhausted for nearly a year. I have a good job as a professional writer, and a good apartment and a good life; but I haven’t been able to stay awake. My family and my partner have no help for me, only gently condescending suggestions that maybe I’m being a little bit dramatic. I’ve watched my life shrink slowly, piece by piece: I stop watching movies because I can’t stay awake long enough to focus. I stop visiting friends after 9pm because I’m so tired. I stop knitting, and I can’t even remember why. I can’t pull myself out of this fog in my brain, no matter what I do. And it’s only after my relationship has fallen apart that I finally, desperately, humbly, miserably wonder if I might have depression.
The road back is hard, and it leaves permanent damage. The medication messes with my body and my brain; I learn to celebrate small victories, like making it through one day at work without crying. I slowly start to put myself back together, and I start watching Supernatural because I’ve heard good things about it. I realize I want to write and read again; now I have the benefit of several years of adulthood and a career working with words, and I can write stories with sex and violence in them and start to dig into the craft, the art, the intricacy of language. I start to shyly slide towards slash fiction for the first time in my life, no longer terrified of queer love stories the way I was as a youth. I’ve already put myself back in the closet, convinced that my trying to date women was just as much a phase as my time immersed in Escaflowne or Criminal Minds: that my participation came with a disclaimer, marking my status as a mere tourist. This isn’t mine. I don’t own it.
I slave over 25,000 words of a fanfic that gets less than 500 hits. I creatively bankrupt myself trying and failing to match my own expectations, and I’m still too shy to write gay romance on my own. My pen name is that same generic nom de plume from my last iteration as an author, now with a new first name stolen wholesale from one of my favourite indie songs. The fanfic world has changed in my absence; there’s a whole new site where people publish their stories, and people don’t read WIPs anymore. No one does disclaimers anymore either, because by now it’s understood: this isn’t mine. And yet, somehow, the sense of ownership has grown too. Writing fanfic is no longer something that people seem to be ashamed of. Authors have followings; there are recommendation blogs and fan conventions. Supernatural is my first taste of writing fanfic as an adult, and I love it, but something’s not right. The market is saturated; the show is, honestly, winding down in quality. That overwhelming tide of emotion fades faster than it ever did before, and I find myself at a crossroads: I can either stick around and scramble for the last droplets of joy until the landscape goes barren and dead, or I can close the door and move on, concluding that chapter of my life on my own terms. I choose to do the latter, and I recognize my time in the fandom for what it was: a coping mechanism. A lifeline. A buoy tossed into the water in the nick of time. It wasn’t truly mine; I was too late to the party, and the gravitational pull did not last very long. But it gives me momentum, a slingshot boost, into a new job and a new relationship and new ambitions. I get into graduate school; I move cities again. I’ve never been more adult than I am right now. Maybe, I think. Maybe this is what’s meant to be mine.
5. An Explosion of Colour
I’m twenty-seven, and the world has just cracked apart.
I began my second year of grad school with the news that I was being given three academic awards, only one of which I applied for. The other two were granted to me for having the top grades in my cohort in my first year. I’m literally top of my class, and my first instinct is sheer terror. I’m convinced my classmates will hate me for stealing their thunder; I’m nauseous at the thought of the expectations that now lie on my shoulders as I start this new round of classes. No, I think. This can’t possibly be mine.
I struggle through four brutally difficult courses and a brutally difficult winter. An election in another country shatters everyone’s hearts, and I make use of the accommodations I put in place just in case my depression came back. I write my last essays in coffee shops hushed by this pervasive feeling of abrupt loss and shocked grief, the world already dark by late afternoon. I can’t eat without crying. I can’t do anything without crying. I’ve lived in triage mode for weeks; I’m just trying to survive.
I hand in my final essay of the semester on a cold day in early December, proofreading it by the light of my SAD lamp. I realize that I have time and space and energy now to consume something new, to watch a show I’ve never watched before. I put up a poll on Twitter with four options: a Netflix historical drama, a groundbreaking crime show with POC characters, a goofy musical comedy, and an anime that I know nothing about except that it’s apparently pretty queer, and my friends really love it. The votes favour the final choice. So I sit on my couch, and I put on my headphones, and I press Play.
The world explodes into colour.
I don’t remember the details of every moment of that first time I watched the ten episodes which existed at the time. I don’t remember my exact reaction to the kiss in episode 7, or the proposal in episode 10. I don’t remember how it felt to realize that Yuuri was just like me, a high-achieving impostor, convinced of failure despite being such an obvious talent. I don’t know exactly when it clicked that maybe I was an unreliable narrator too.
But my heart is racing, thudding against my ribs so powerfully I can feel it. There’s this soaring feeling every time I watch the opening credits, and every single frame is the most beautiful fucking thing I’ve ever seen in my life. I stay up until 2am to finish watching, and tossing and turning all night after that, too excited to sleep. I want to laugh and cry and lie down on the floor and melt into a puddle. I want to shatter into a million pieces because the feeling in my heart is so strong, so intense, so overwhelming, that I can’t hold it all in without completely falling apart. I watch the show a second time the next day, and the feeling only gets stronger. I sit on my couch and listen to “History Maker” and stare at the spot on my wall where I want to hang the art I’ve already commissioned, and I feel this part of myself wake up again. I didn’t even know it was still alive.
The next night I write 1900 words, a character sketch of Victor. I love him and Yuuri so much that I want to learn everything about them, to dive into all the intricacies of their personalities; I see so much of myself in both of them. I come up with a new pen name on the fly; I’ve always liked the idea of stars and planets that don’t have a home galaxy and wander through the universe in the dark. I rework my old AO3 profile and change my Tumblr URL. I hit Post. This time, I don’t write a disclaimer; my time in Supernatural cured me of the habit.
I already know, with great and tragic clarity, that this isn’t mine. But this time, I’m twenty-seven, and my emotional regulation capabilities are quite a bit better than they were at thirteen, and I’m starting to think that maybe it’s okay.
I remember all my past loves, how I would wake up to find that the passion had faded and the feeling was gone. I remember how devastated I always was. I look at the state of the world, and the state of myself, and I think: I don’t know how long this feeling is going to last, but I’m going to love every single moment until it’s gone. I hope against hope that this joy, this pull, this gravity, will last even one single year. One year of this untethered, freewheeling happiness and light, after over fifteen years of sitting in the dark. That’s all I can dare to ask. Please, I beg. Please let me have this. Let me pretend. Let it be mine, just for a little while. And then I’ll let it go.
6. Star
I’m twenty-nine. I’ve graduated with my master’s degree; my partner has moved in with me. I’ve got a job in my chosen career, right out of school. And I’m still here.
Yuri on Ice has made the past two years remarkable. It has given me so many good memories to lighten the darkness of the world. I’ve embraced my skills and challenged myself to do new things; to explore the erotic, the horrifying, the experimental, the comedic. I reframe my own neuroses through Yuuri’s intense and unbearably public anxiety, and my own depression through Victor’s quiet subtle sadness. I announce to the world that I love this show so much that I’m writing stories about it; I’m not ashamed anymore. I explore this new facet of myself that now has a name and a friend group and a community. I come to terms with my own sexual orientation by interacting with this undeniable and uncompromising and unapologetically queer romance. I create things that I’m intensely proud of, and I get feedback that carries me through even the darkest of days. The one-year anniversary of my reawakening passes, and I keep writing. I keep writing. I keep writing.
This is the gift of fan fiction. This has been the gift of Yuri on Ice, which debuted two years ago on this day. It’s not mine, but at the same time it is. I get to share in it, because it’s not borrowed; it’s communal.
For years I thought that maybe this feeling, this gravity, was simply a part of childhood that disappeared as you grew older, like baby teeth. All that time I was treading water, dysthymia whispering in my ear that this was just what being an adult was like: that the joy just didn’t happen anymore. Telling me that once you had a job and rent, you could no longer be bowled over by your love for something, and that that was normal. That a piece of media could no longer reach inside you and spark your imagination and fan the flame until it roared, and that was just the way things went. And I believed it, for the longest time. I thought I was alone.
Over my shoulder I can sense my old friends, from my very first fandoms. I look back and I can see them smiling. They are the wisps of a nebula, stellar remnants from previous explosions, now illuminated by a new source of light. They never disappeared; they were just in the dark. They helped me to love myself when I thought such a thing was impossible; they helped me see the best parts of who I was and who I am.
Yuuri and Victor aren’t part of that group of silent guardians; they’re out ahead of me, having adventures, leading me to follow, to chase and document and imagine and write it all down. They’re a present that I get to enjoy again and again; they’re a gift that I can give, over and over. Every word is an act of love; for myself, for the work that Kubo et al created, and for the others who share this joy. Each day I get to be this person, to have this name, to celebrate this piece of myself that’s still wholly me and no one else, and who is loved for exactly who she is. I’m not spiraling into the gravity well anymore; I’m orbiting, running as fast as I’m falling, enjoying sunrise after sunrise.
Yuri on Ice doesn’t belong to me. But this is mine.
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maevelin · 5 years
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That is what i find so frustrating about TO. You have to be on another level of crap storywriting, if you have all the characters you need there in front of you on a plate yet instead of using your creativity and working with what you have you conjure up a baby plot revolving around a character no one even asked for. The whole reason we wanted TO as a show was to see more of TO family. These are supernatural creatures that have lived 1000 years yet theyre reduced to soap opera storylines. 1/2
I was really slow to pick up on the fact that TO wasnt going to be the show we all asked for. I wasnt really an active part of the fandom on social media then so didnt know what was going on so when TO was announced i stupidly thought this is going to be amazing, a plot about the original family. By that point i was sick of damon and most of TVD characters and was rooting for klaus to kill them all lol. It wasn't till the scene where Rebekah's driving away from NOLA in her car i (2/3)
Realised that she's actually leaving for good. I still thought in my head that this is just part of the plot but then i found out Claire left and i realised that this baby plot is actually what the show is, and not the show i was expecting so i stopped watching for a long time. Maybe i was just stupid because the pilot did make it clear it was about a baby plot and not TO family. Also weird how elijah was barely in TVD, rebekah was in it more yet Elijah was more prominent in TO. (3/3)
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I honestly believe that JP never cared or wanted to write for vampires. She doesn’t have the knack or the talent for that genre. She does not grasp it. She does not care for it. I think she was there to fill in the blanks for Kevin and together they made a decent team. Kevin had the genre down up to a point and was good with the plot and the characterization and Julie could sprinkle some soap to the ships and the emotional drama and that combination actually fit. 
It is no wonder that once Kevin was out everything became a shipping soup and by the end of it everyone seemed to have one goal. To be human. To act human. To get the white fence, the babies, the normal life. Which would be find for a drama soap or show concerning humans but was catastrophic for the kind of genre show TVD was and what TO was meant to be but never was. I mean how many vampires were even left in the end? Not just those that died but those that turned...human. Come on now. JP wanted to have her cake and eat it too. She didn’t care for TO in the way a genre writer should and would. She wanted to get her baby soap and that was the only chance she actually had to go through with it. Everything else of hers that didn’t belong to the TVD franchise was getting cancelled in their pilots or before their first seasons even finished airing. And in general as a writer she writers for the telenovela kind of soap and she can’t separate in her mind church from state in the way that she couldn’t divide what she wanted as a fan from what she should write as a professional. She believed it to be one and the same and when it would not work she would throw everyone else under the bus so to avoid responsibility and then she would try to make it work anyway. Well... newsflash Felicia!
I on the other hand however was not in the same boat you were where TO was concerned. 
By the time S4 of TVD had reached its middle I was seeing things I hated. When they killed Kol while they were planning for the spin-off my mind was on red alert. I knew by that time how JP operated. It was obvious. I already knew her ways with the fans from Kyle XY too. Then I heard Phoebe had signed first. BEFORE Joseph while they had killed off Kol so Nate wouldn’t be part of the show. I saw where that Klayley trainwreck was leading. I already knew JP’s lack of talent and her inability to actually create intellectual plots and twists. So I was suspicious. I wanted this to actually work. I was an Original groupie first. I was rooting for the Original to get their own show but not in that way. It was like I watching a crash happening and I could not avert my eyes while everyone else was not seeing it.  I was voicing my concerns back then and I remember that the fandom kind of saw me like the crazy lady in the lot but when the backdoor pilot aired I was 100% sure of what TO was going to be. Rebekah was regressed to a supporting cameo ffs! Kol was dead. Klaus was OOC crying in the streets next to his lunch that was obviously by the promotional interviews and the way they framed it in the backdoor pilot meant to be his love interest with what I saw from the gifs later (since I had never finished the backdoor pilot because when they threw the twilight scene I was out) was a copy of a KC scene with the whole art but meant to be more ‘deep’. The whole episode had some cinematic moments that were okay and I remember liking that they had used the Lafayette cemetery from Interview with the Vampire. The soundtrack seemed awesome. Marcel actually seemed interesting. And then...the baby crap and I was out. Back then before the backdoor pilot had even aired Joseph Morgan had said in an interview that if he was in charge some things may have been differently done. But then I remember thinking...oh crap...and then the episode actually aired and OH CRAP.
I never bothered with TO. 
I dropped TVD like a bad habit when S4 ended and saw the ridiculousness with the doppelganger nonsense. At that point given everything JP was doing I found it really hard to understand how people could hold on to hope when it came to her and her writing. I was trying to warn people from the fandom left and right. Because I had honestly gotten truly attached not only with the ship but with the fandom too and I didn’t want people to get their hopes up and get treated as I was seeing them get treated. I was seeing it, I was speaking about it and understandably most people believed me to be irrational. I remember even people that I was close with and still am to give me the sideeye and be okaaay then.
By the time the official pilot aired along with TO’s first season I was 100% they would cut out the KC phonecall scene that was only meant to be a hook to get the green light for the backdoor pilot rather than anything else. The seen was cut of course.
But then I remember thinking that any responsible writer would aim to get a crossover as soon as possible and get Caroline there even to create a closure small arc to span in the two shows slowly (as they did with BTVS and ATS) but then they were all about saying how logistics were not working and the universes were going to be separated and I was still unable to understand how people actually had hope when the people in charge had no talent to do the basics and were so reluctant. The warning bells were there. Kudos to the DCTV universe for actually going for the crossovers in parallel back then so to show to everyone how the excuses the TO writers and producers were using were just that...excuses.
I was out for sure but I remember that I still kept an eye out to what blogs I followed reblogged and I remember when I realized how sloppy TO actually was. I remember seeing a gifset from a flashback of Klaus that aimed to be a visual parallel to Lestat from Interview with the Vampire only in the lore of the TVD franchise it was from before he broke his curse and he was shown with double fangs and golden eyes that were Hybrid traits. They actually didn’t bother to keep the basics of their main lead consistent for crying out loud. I don’t remember from which episode that gifset actually was. Only that it was from the first episodes and I was like...come on!
I remember I basically muted and unfollowed many blogs back then so to get my dash clean from that mess.
Anyhow I then returned for the 100th episode of TVD. When 5x11 of TVD was meant to air and the promos were out I was insisting that anything else that a kiss would be bad news for KC. I didn’t want to ruin everyone’s excitement but I was just getting a bad feeling about it especially after knowing JP’s track record. It was just too obvious to my eyes and it would be a regression in the development KC had up to that point. You DON’T narratively speaking -from a writing perspective- go from one cheek to the kiss to the whole sex when the characters are in different shows forming different attachment and ships if you don’t meant to wrap up the story. Which would mean leaving fans high and dry after leading them along. By that time TO was doing well in the ratings and I knew JP only cared for that and the KC fandom was not needed in her mind. I had made posts about it warning people again before 5x11 had aired. I remember I had even gotten some aggressive asks from KC fans about spoiling their fun and being negative without an actual reason. Then 5x11 airs, the sex scene is there (all sloppy to just get it out of the way...bad directing, not bothering with a song, giving the bare minimum) and JP goes all out and gives the interview about the KC closure minutes after the episode airs so to ruin everyone’s parade. Then there was the bomb with Claire’s exit which in my eyes was pending anyway ever since I had heard Claire had wanted to stay in TVD but was given an ultimatum only for her to be barely there in the backdoor pilot.
So generally speaking when it came to TO I was never hopeful. Not when JP was in charge. Not when they hired Carina out of all people for their writing team. Carina that hated Klaus and the KC fans. Not when they were disrespecting KCers from day one. Not when they were disrespecting the Kol fans. Not when Daniel was out there saying that once we would meet the new girl we would forget all about KC (which was said before TO’s first season aired so it was obvious that everyone was lying about Klaus not having a love interest). Not when the cast was mocking a whole fandom. Not when the conflicting interviews kept coming. Not when they had hired the gossip girl writers and producers and no one bothered with the actual genre. Not when...not when...not when...the list kept going. 
I kept my criticism and my predictions going and I remember being patient because most people believed me to be crazy (which I am generally but not when it came to that so I could understand the confusion) 
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....and flash forward and here we are. 
Although, admittedly, certain things did surprise me on a real life level, at first anyway, because fictional stuff aside I could never believe that certain people could act in the way they did (losing flights? getting into twitter fights, picking out fans, and even calling them assholes in podcasts? on and on), but otherwise I never had any expectations to begin with so most things didn’t surprise me and yes I did earn the right to go ‘I told you so’...which I tried to tone it down many times but sometimes it was just too fun to resist. 
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