#i was a kid when i read his myth and was like “i too don't want a random woman ive never met to HUG me upon 1st meeting”

[mollysunder]

Now that I know Narcissus is in Hades 2 I hope his story is about becoming his friend.

It must suck to have a whole myth dedicated to how you suck for just rejecting people. Imagine strangers from your village, or just not randos in general "confessing their love" to you left and right. All the time, probably every fucking week, I'd probably get a little mean about it too.

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[hedgehog-moss]

Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet

I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)

Biographies

• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).

• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.

• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.

• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.

I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.

Fantasy

• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...

• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!

Essays / literary criticism / philosophy

• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it

• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all

• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism

Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)

Did not fit in the above categories:

• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it

• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans

Books that I didn't think existed in English translation but they do! but you can still read them in French if you want

• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood

• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)

• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good

• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness

• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff

[blackreaderfics]

Off the Record | Clark Kent x Black!Reader

↳ Pairing : MAWS Clark Kent x Rapper!Reader (You)

↳ Rating :  M (18+)

↳ Summary : Clark knows Kryptonians don't experience sexual attraction in the same way humans do. One night, he figures out who exactly turns him on.

↳ W.C : ~1.2k

↳ Tags + Warnings : logicalnerd!clark, clark is a late bloomer kinda, kryptonian biology is weird i guess, allusions to asexuality, sexual awakening(?), pwp, masturbation, fantasizing, onlyfans lol, mentions of leaked sextape

Masturbation was healthy; that much Clark had already known from sex ed classes and Google searches. And though he knew from his research that most pubescent kids started jerking off in middle school, along with having erections, he had never in his 30 years of life experienced sexual attraction. Ever.

When kids in high school drooled over naked women posing on the covers of Playboys or Maxims, he still tried his best to act the part of "horny teenager". He had crushes in his teen years too, but he never actively sought out sex.

There was this one time when a girl he liked had tried to initiate sex, but he was honest to a fault and truthfully told her that he didn’t like her in that way. Needless to say, she’d gotten offended and never spoke to him again. Since then, he’d hidden that quirk about himself from every single one of his romantic partners without fail.

Don’t get him wrong, Clark has had sex before and from what he could tell, he was pretty good at it too. Just like with his studies, as long he understood the proper mechanics of the subject at hand, he could go above and beyond for any performance. 

It was basic biology. Having an erection required a higher flow of blood towards his penis; which he could do himself pretty easily since he had amazing control over his body. That was the result of learning how to be Superman for the past few years. Because of his “training” he lasted long and the (very) few men and women he chose to bed loved him more for it. 

There were still some things he thought he’d never understand the concept of, however. Like, how do Kryptonians procreate if he can’t seem to produce the semen to ejaculate? The white liquid he’d seen in porn as a teen was like a myth to him. Jor-El never mentioned that in the Fortress of Solitude. He wouldn't be finding any Kryptonian biological literature available to read at any Metropolis public library either. It wasn’t like he didn’t try, but after some (controlled) tests, he concluded that perhaps Kryptonians didn’t ejaculate and he was okay with that.

So when Clark felt a strange sensation in his pants one night when he saw you on TV, he immediately thought that he’d fallen ill. Which was strange for him because, well, he’d never gotten sick. But there you were, mesmerizing him as clips flashed on screen of you rapping while wearing a risqué outfit leaving nothing to the imagination. Suddenly everything felt too tight, too hot. He gulped, nervously pulling at the collar of his t-shirt, but a knot remained lodged in his throat.

The camera angles panned across your chocolatey skin and ample curves, cutting right at moments where it veered dangerously into porn instead of what it was supposed to be—a rap music video. Clark had seen porn before and full-on bare naked women anyway, but he’d never been affected like this before. So why now? And why you?

Once the music video ended, Clark snapped out of his trance, but it wasn’t long before the now rock-hard and throbbing situation in his pants urgently reminded him of more pressing matters.

He quickly powered on his computer to search your name and, not long after, pictures of you filled the screen. There was a never-ending stream of shots of you on the red carpet, you on stage, photoshoots, and pictures you’d uploaded yourself on social media.

Every time his eyes would linger on a photo of you in a suggestive position, i.e. licking a popsicle or pushing your breasts together, his cock would twitch against his zipper. It didn’t take a genius to figure out where his cock wanted to be right now and it was right at the back of your throat. He unbuckled his pants, letting his first-ever unassisted erection bob up and against his sweater-clad stomach.

He’d never fantasized about someone having his cock in their mouth until tonight. Sure, his partners had given him blowjobs before, but he couldn’t even pretend to enjoy them. Truthfully, it looked like it hurt when they couldn’t even take all of him in, and he never liked to be the reason anyone felt pain. Clark scrolled on.

You had a sex tape? His brow furrowed in disapproval though he could feel his face grow warm. He couldn’t pinpoint what exact emotion he was feeling right now. Whatever it was, it definitely wasn’t a positive one.

The page he had landed on showed a closeup of you, eyebrows knitted in ecstasy as someone (he didn’t want to know who) hovered behind, hands gripping your ass, already in the middle of ravishing you. The screenshot made the corners of his mouth tug down in a frown. He didn’t particularly like the idea of watching other people have sex at all. And he especially didn’t want to see some other guy “balls deep” inside you instead of him. 

More importantly, it just wasn’t right. He’d seen reports that your tape had been leaked without your consent; by watching it he would be actively infringing on your sexual boundaries. That definitely wasn’t right either and though he desperately wanted to, he didn’t have the heart to press play. 

Onlyfans? Clark's eyebrows quirked up in curiosity. He clicked on a link he’d found on your Instagram page and there you were; verified with pages of content ready to be unlocked. After a moment of thought, he concluded that this was the most ethical alternative; much better than masturbating to your pictures or your sex tape. This way you would be paid for your work, and he would gain implied consent as a customer. He felt much better about this as he clicked the blue purchase button. 

His cock throbbed again when he finally saw you, full lips planting soft kisses onto a dildo, your large almond eyes heavy-lidded and boring into him with lust. That’s when Clark brought a hand to his cock and began to stroke. What was once a motion that was alien to him, felt more and more natural as he pumped, matching his strokes to your pace. Your image on screen bobbed your mouth up and down making lewd slurps and moans, purposefully throating the shaft to the hilt. Each brief moment you came up for air brought a mess of saliva with you. 

Clark watched on, immersed, bucking his hips into his fist as he imagined he was the one making you make those vulgar sounds. But something in the back of his mind was disturbed. Was this what he, Clark Kent, liked or was it an innate biological desire he couldn’t control from a planet he never knew? He felt disconnected; outside his body until, not even a minute after he had started the video, a sensation he’d never felt before came over him. He groaned and tightened his grip as he felt himself release.

A warm sticky liquid had dripped down his cock and onto his hand. Clark grimaced down at the mess he’d made, breathing erratically until he finally calmed down. His cock twitched and the last of dregs of his cum spilled out from his reddened tip. 

He'd made two major discoveries that night:

1. Kryptonians did ejaculate after all, and 2. When it came to you, he wouldn’t be able to last very long.

©️ blackreaderfics // credit to cafekitsune for the dividers

[scoobydoodean]

Okay so in 1.03 Dead In The Water, there's this exchange Sam and Dean have at one point in regards to Lucas—the little boy who watched his dad drown, who Dean connects with during the episode:

DEAN Andrea said the kid never drew like that till his dad died. SAM There are cases—going through a traumatic experience could make people more sensitive to premonitions, psychic tendencies. DEAN Whatever's out there, what if Lucas is tapping into it somehow? I mean, it's only a matter of time before somebody else drowns, so if you got a better lead, please.

And the last time I watched this episode, I went "Oh cool! A little Psychic!Sam Easter Egg." Right? Sam goes through the traumatic experience of losing Jess, and he's tapped into "whatever's out there" (the yellow eyed demon) and he's having premonitions about what he's going to do next. Which definitely makes a lot of sense.

But when I was gif-ing stuff from 1.03 today, I realized that... funnily enough, within the context of this episode we also have some fun stuff relating to the "slightly psychic Dean" posts that have gone around this year... Or if you prefer, Cassandra!Dean. Cassandra, in reference to the prophet in Greek myth, cursed by Apollo to utter true prophecies but never be believed.

Dean often knows when bad things are going to happen in Supernatural. He doesn't have visions—but he has "bad feelings" and makes predictions that turn out to be scarily accurate at times. Of course we can infer that Dean is just good at 1) reading people and 2) understanding how sequences of events tumble one by one in a row like so many dominoes. It's another sign of his incredible intelligence. But it IS fun to think about Dead In The Water as the first indication of Cassandra!Dean.

First, because Lucas has premonitions, and Lucas and Dean are paralleled and connect on an emotional level.

Dean and Lucas have similar traumatic childhood experiences. Both watched a parent die and both lost the ability to speak afterwards:

DEAN You're scared. It's okay. I understand. See, when I was your age, I saw something real bad happen to my mom, and I was scared, too. I didn't feel like talking, just like you. But see, my mom—I know she wanted me to be brave. I think about that every day. And I do my best to be brave. And maybe, your dad wants you to be brave too.

Dean is able to connect with Lucas through their shared traumatic experience. He's the only one who's able to get through to him—and after a short conversation and just drawing together for a while—much to his mom's shock. Dean is able to understand what Lucas is feeling without Lucas saying it.

Second, because Lucas has bad feelings that tell him the locations where the spirit will strike next, but no one listens to/believes him.

...Kind of like people usually don't listen to/believe Dean's bad feelings.

DEAN Anyway. Well, maybe you don't think anyone will listen to you, or, uh...or believe you. I want you to know that I will. You don't even have to say anything. You could draw me a picture about what you saw that day, with your dad, on the lake.

Of course, this line is just Dean paralleling Lucas with himself and his own reasons for not speaking, but it must hit home, because Lucas begins communicating with Dean through drawings.

Further, despite Sam also knowing Lucas is having premonitions, when Lucas reacts with extreme distress to the idea of going home and clings to Dean desperately, Sam still... doesn't think it means anything. He thinks the case is over.

Third, Dean has a bad feeling that the case isn't over, and Sam doesn't believe him.

The sheriff had just threatened to arrest them if they stayed in town, so of course going back to town is a big deal. When Dean turns around based on a bad feeling, Sam thinks he's just being paranoid.

SAM But Dean, this job, I think it's over. DEAN I'm not so sure. SAM If Bill murdered Peter Sweeney and Peter's spirit got its revenge, case closed. The spirit should be at rest. DEAN All right, so what if we take off and this thing isn't done? You know, what if we've missed something? What if more people get hurt? SAM But why would you think that? DEAN Because Lucas was really scared. SAM That's what this is about?

Dean sticks to his guns, and they arrive just in time to save Lucas's mother from drowning in a bathtub.

[lovergirly]

I read the lip fic with opposites reader can you write a oneshot on when they first met or when she first met his family?

Hiii!! another one shot of rich reader x Lip gallagher! hope you enjoy 😘

"Ian... I'm nervous I don't think they'll like me."

"will you relax.  Of course they will!"

You and your best friend Ian were about to go meet the entirety of the Gallagher family.  You were beyond nervous.  the only reason you knew Ian was because you had a crush on him and you asked him out.  He obviously said no which upset you at first until he explained he was gay.  after that, you two were inseparable. 

Pulling up to the Gallagher house, you felt nervous butterflies enter your stomach.  what if they hated you? what if they were mean?  what if-

"ready?" ian pulled you out of your thoughts as you got out of your BMW. 

"you might want to lock the car." he chuckles. 

As you walk closer to the door, you can hear more and more commotion coming from the inside of the house.  Instead of knocking, he barges right in and allows you a few seconds to really take in the scene.  Two kids, boy and girl, arguing over a computer, a baby crawling around, and a girl probably in her twenties scrambling around the kitchen.  Finally, you see a boy probably your age smoking a blunt on the couch while watching "to catch a predator". 

He was a sight.  He was hot.  you've seen him around school before, but you don't know his name.  He's known for doing kids homework if you pay him well enough. 

"well well well, look what ian brought here." he gives you a smirk and a once over before adding, "ian found himself some rich girl to smooch off of."

instead of letting ian talk, you immediately say, "sounds like someone's just jealous that you need to do loser's homework to get money."

he looks shocked for a second before adding, "big mouth too.  You smoke?"

"no of course not.  it's terrible for your lungs and I do cheer."

"oh she does cheer?!  her little lungs can't handle it." he mocks a sad face before you add

"at least I'll be alive when my grandkids are born."

he chuckles before taking a drag and going back to his show. ian takes this as invitation to take your hand and lead you to the kitchen.  Where it appears people multiplied as there is now another girl and a guy, you're inferring are a couple. 

"hey guys,  this is y/n.  I invited her over for dinner I hope that's okay." he looks at fiona as the commotion stops for a second.

"Yeah that's fine.  I'm fiona." she gives you a slight wave as she continues scurrying around.

the little girl is the first to run up to you.

"I'm debbie!  you're like soooooo pretty!! are you and Ian dating?" she was so cute. 

"umm no we're just friends"

"then who is your boyfriend?"

"alright shut up debbie!  I'm carl, but you can call me yours."

"yeah i think you're just a little too young for me."

"give it time sweetthing, give it time."

You found yourself getting along really well with the Gallagher family, plus Kev and V you learned.  During dinner, you and the Lip kid kept staring at each other.  You thought he was giving you dirty looks. Maybe it wasn’t going well. You, Fiona, and V end up in a deep conversation about boys, when V mentions, "i saw how you were looking at Lip, it's around 9 right now so if you want to go outside he'll be there smoking a cigarette." Fiona slaps her arm while V defends, "what?! I know sexual tension when i see it!"

"thank you V, but i don't think it's anything like that." you say while standing up to go outside.

"then why is your ass getting closer to the door?" she laughs.

"you know those things will kill you, it's not just a myth."

"that's okay. I’m experimenting to see if i’m the expectation.”

“is that your car?” you point to a beat up car sitting in their yard.

“yeah and no. It doesn’t drive, but i do bring girls here everyone once in a while. wanna hop inside?”

“if you’re insinuating what i think you are-“

“i’m not trust me.”

“whatever Gallagher.”

you two made your way inside the crammed car and it did definitely smell like weed and sex. He wasn’t kidding…

“so… you and ian?” he seriously didn’t know yet?

“umm no just friends. i’ve truthfully never had a boyfriend.”

“a girl like you never having a boyfriend? let me guess… too rich for all the south side boys? or maybe just too hot for all the losers at our school.” that comment made you blush, you were just praying he didn’t catch on.

“you know i’m not some stuck up rich girl right?”

“oh really? Let’s see, your whole family could buy mine. are you sure you’re not that rich?”

“ok fine but i’m not stuck up.”

“you are a little…” he adds wirh a small laugh

“oh yeah? give me that cigarette” you demand. he hands it over and watches curiously as you put it to your lips and suck. immediately, you start coughing which causes him to laugh, “oh god you weren’t kidding that you’ve never had one.”

“you thought i was lying?”

“maybe. thought you might have some secret life behind all the cheer and money.”

“well I do. I’m not like my family i promise.”

“well if you’re not like your family, how about you stay the night and we can just hang out.”

“you better not be insinuating anything again or i swear i’ll-“

“i’m not, you can sleep in ian’s bed, or even mine and i’ll sleep on the couch.”

“thank you Lip. I’d love to.”

little did you know that was the beginning spark of a beautiful relationship

i hope you enjoyeddd!! what else should Lip and y/n get into?? maybe some drama?

[todostiddies]

Modern Eren Boyfriend HC

Modern AU headcannons of Eren Jaeger (my beloved) and GNReader pt2

*** **** **** **** **** **** **** **** **** **** **** ***

Eren likes to stargaze with you. He really enjoys finding all the different constellations or making out shapes of your own with you

The first time he took you on a stargazing date was on the hood of his car, somewhere far from the city lights. He tried to impress you with his knowledge of myths behind constellations (the whole big friend group takes camping tips and Historia and Armin nerd out about the Greek myths behind certain constellations) BUT he ended up forgetting or messing the stories up because he was nervous and so he just made some up that starred a beautiful heroine/hero that was suspiciously a lot like you, and a beautiful, mysterious savior that was a lot like him

Now every time yall stargaze he makes a new story up to add to the saga

As mentioned above, camping trips with the whole gang are SO much fun!!

Connie and Eren try and see who can make the most smores the quickest and then eventually switch to who can eat the most the fastest. This usually ends with both parties cheating as Connie hands Sasha some smores behind his back and Eren starts handing you some as well, and both don't even know they're doing the same thing because they're both too focused on winning AND not getting caught.

Eren will cure your resulting tummy ache with a kiss and a lil belly rub, then lift his shirt and pout for you to do the same and honestly who would say no

He sometimes gets lost in his head or overthinks about your relationship or maybe a shift in your mood, so anytime he gets that way or he knows he messed up, he will call his mom for advice and then Mikasa afterwards, which always ends up on a group call with Armin

He has taken your mom or guardian figure on a "date" at least once, and he pulled out all the stops and was so nervous be could have barfed, but on the surface he turned his charm all the way up and they loved him

He wanted to take them^ on a date after he realized he wanted to be with you for the rest of his life and wanted your family to like him

Babies like him but toddlers are sometimes scared of him??

It's a height thing, he just looks so intimidating and he has a resting RBF for fucking sure. Like to the extreme.

But after one conversation they do that cute kid thing where they pick a person and follow them around whole heartedly copying them and trying to impress them, and it's always going to be Eren.

He gets super into it too and makes sure to lead the kids on cool little adventures and hang out with them and give them some "life advice" which really isn't that deep lol but sometimes it's pretty good but it's always cheesy

He deffo screams like a girl when gaming but if he remembers you are in the room he will clear his throat with a blush and sober up quickly lmao

Bear with me on this one, maybe unpopular opinion but... he reads a book a month

Sometimes two, but never goes a month without at least one book. During high school he had some anxiety and anger issues he had a hard time first getting used to even having, and then managing as time went on with personnel stuff and high school things, so he REALLY hated having time alone where he did nothing

The worst was before bed where he just laid awake and could not sleep :( but then Armin kept going on about this book he was reading, so Eren pirated it online and read it every night before bed. And reading really helped give him something to do in those moments and actually helped him a lot when it came to accepting therapy

So I think he does enjoy reading and even has some reading glasses and likes to read with a warm drink, like hot chocolate or some decaf coffee he made, and likes to read cuddled up in the rain

Will talk to you about his book and his theories, and if an ending pisses him off or was just straight up bad?? You will never hear the end of it, it will literally sour his mood for the rest of the day and every time he thinks about it. And if you're a reader too, then you two have dates where you fill up dinner table conversations just talking about books and go on little book dates once a month too and will often read the same books (like a mini book club, fun!!)

He has annotated a book for you at least once

Going back to the therapy thing, I know a lot of modern headcanons show Eren as super termpental and with a lot of mental health issues too, and though I 100% agree that he was that way in canon, I think Modern Eren would be a lot more happy and chill and even easy-going because he didn't have to deal with all that canon trauma. That being said, I do think high school was hard for him because (in my modern AU at least) that would be when he found out about Zeke and his dads other family, which even his mom didn't know about...

His dad had a past marriage and son that didn't work out and he had an opportunity to leave for work and so he just did. It is his greatest shame and regret so though he sent money to them every year, he never wanted Eren or Carla to find out. But eventually Carla tracked the money and they found out. So in his high school years, Eren hated his father and even hated the other family like it was their fault too for all the drama in his. His parents verged divorce and he felt him and Mikasa growing apart as she crushed on Jean (they still were SUPER close and once he told them about everything going on the three of them grew even closer) and Armin was super academically busy and didn't have a lot of free time either. So because of all of this, I feel like Eren did struggle with some anger issues, depression, anxiety, and overall teenage angst during this time.

But, eventually him and his family went to therapy and they met with the other family and they eventually moved closer and Eren and Zeke ended up becoming good brothers yay

Speaking of, he gushes to Zeke about you ALL of the time

He has a strained relationship with his Dad, but he is A MAMAS BOY of course

He is very open with you about his past and his family situation and everything he felt and went through. It is easy for him to let you in on things that he has already processed and been through, but sometimes harder to fully open up about more recent things

He gets all the tea on everybody from specifically Armin, Mikasa, Sasha , Connie and Historia (the gossiping queens). Every time the gang gets together they are dishing out everyone's dirty laundry and tea and Eren brings it back to you boiling hot and he makes you both a cup of something warm while you sit on the counter nodding along with your mouth open

He loves getting your reactions so much, and you two always end up gossiping just as much and laughing, and since he loves your reactions so much he sometimes plays out his reaction to the particularly juicy parts for you too I don't condone gossiping but I also recognize it as fun and socially bonding lmao but be nice about it okay

He gives you a bite of everything he eats no matter how large or small the portion and even before you ask. He will also give you a sip of whatever he is drinking too, and if you like it more than him or are more thirty or hungry he always ends up either giving it to you or splitting it

He went through a phase where a got a slushi every single day, didn't matter what time (though he usually liked them best after school or the gym or super late at night like 3am when he can't sleep) He still likes to have them a couple times a month now

Will go on late night drives with you, driving slow with the windows down, crickets from outside and the radio playing, it's just so nice and always makes you both smile. He watches you more than the road but is a VERY safe driver, especially with you

That being said, he will also speed up to very illegal speeds at least once (on completely deserted and safe roads) just to hear you squeal and laugh

Likes when you fall asleep in the car. He will drive on the wrong side of the road or in the other line to avoid any kind of speed bumps or risks to your slumber, skips songs that are too noisy or shocking, avoids potholes at all costs, and will take the longer route home. He also gets a little distracted every time you snore or just from admiring you because you look too cute asleep like the lil passenger princess you are

Has done donuts in the car with you a couple times late at night in an empty parking lot and he LOVES the way you laugh and howl into the night while the engine nearly drowns out everything else

That's all for now, but I have more to say soon!

Thank you for taking the time to read this, I hope you enjoyed it!!

pt2

[esamastation]

Part forty-seven of Shizuroth, aka, the SOLDIER General's Self Saving Shizun.

Ao3 link.

Previous parts: thirty-three, thirty-four, thirty-five, thirty-six, thirty-seven, thirty-eight, thirty-nine, forty, forty-one, forty-two, forty-three, forty-four, forty-five, forty-six

-

You want to be a hero.

You grow up with news that, unbeknownst to your young self, are completely controlled by Shinra, publicising Shinra propaganda, showing scenes of a war that's been going on for longer than you've known how to read. Everyone knows what the war is really about and everyone talks about it, but their tone is defeatist. There's nothing anyone can do about it. It's Shinra. Shinra will do as it likes. Ultimately, few people in your little backwater town really care.

But you don't really understand. You've seen the pictures - the parades, the speeches, the tech showcases. Tanks and trucks and planes and helicopters and the great airships. Shinra technology is already like magic to you - but they also make magic, they make Materia! 

And they make SOLDIER.

The SOLDIERs are in the papers a lot. Sephiroth is in the papers a lot.

They call him a hero. The Hero of Shinra, the Hero of Wutai. Your mother reads you the article about him saving a squad of infantry troopers all by himself, how he'd taken a town just with his sword, how a great general surrendered to Sephiroth personally. There is a magazine every other week with Sephiroth on the front page.

Everyone is in awe of Sephiroth. All the kids in the school talk about how cool he is. They trade pictures of him like they're old-fashioned reading cards - until Shinra actually starts making SOLDIER trading cards. Everyone wants the holographic one of Sephiroth with Masamune.

Everyone wants to be like Sephiroth.

They talk about SOLDIERs. How they're superhuman. How Shinra puts magic into their veins, making them like the Ancients of myth and legend - but better! Because SOLDIERs can't just do magic - they're also really strong and really fast, and nothing can stand in their way! SOLDIERs are the best of the best! Their eyes glow and they can lift cars and fight dragons, and just being a SOLDIER means you're a hero.

Because heroes are people in the news, making headlines and having their pictures taken. 

And you want to be a hero.

You want to be respected and acknowledged and feared. You want to know that there's nobody out there who can push you around. You want to make it into the newspapers, you want to be the one they write and talk about. You want to be the person they look up to and say, "Wow, I wanna be like them."

So you look into it. How do people become SOLDIER? They go to Midgar, they enter the SOLDIER candidate trials. There are tests, though no one knows for sure what they are. If you pass them, there's some kind of special surgery, and then…then you're in. And they make you into a SOLDIER.

And you're a hero for the rest of your life.

So you leave home. You make it all the way across the Planet and to Midgar. You sleep in an inn that costs too much, and you go to Shinra Building, and you ask the ladies at the reception, "How do I apply for the SOLDIER candidate trials?"

They laugh, and they give you a form to fill, which you pretend to read, but you don't, really, you're too excited. You sign everything, and they tell you, "Come back in two weeks, that's when the trials start." 

In two weeks you use up all your savings and see the best Midgar has to offer, and you're sick with nerves and starting to worry, and you know you should call your mom, but you can't, not until you have good news. You're really starting to be nervous, but then, finally, it's time. 

You head to the Shinra Building. You see the lobby is full of kids just like you, all nervous and sick and excited, and, you can't help noticing, so much bigger than you. Maybe older than you. SOLDIER candidate trials don't have an age limit, but you're worried you might be the youngest one there.

You don't talk to anybody. You're worried you'll throw up, you're so anxious.

A doctor welcomes you all into the SOLDIER candidate trials. He explains: there are several steps to becoming a SOLDIER, and the very first of it is the Mako reactivity test, and that there's no point in telling you about the rest unless you pass it. After all, you can't become a SOLDIER at all if you can't handle Mako! Everyone laughs, nervously. Your forced chuckle sounds like a wheeze. You wish you'd gone to the bathroom before it all started.

They divide the candidates into groups of twelve, and you're in group 8. Each group is assigned a lab, and a man in a lab coat tells you to follow. You take the elevator up. One of the other candidates looks at you and snorts. You're the shortest in the group.

You feel yourself blush, but say nothing.

Your group is ushered into a lab and lined up by size. The tech pulls up a trolley with twelve syringes and a number of swabs. You're the last in line - the biggest goes first.

You watch each glowing green injection closely - you see every reaction.

The first candidate goes pale and begins to sweat. He's told to sit down.

The second candidate doesn't react at all. He's told to sit down.

Third breaks out into red bumps all over his arm and is quickly given another injection. He's the first one to fail.

Fourth candidate reacts like the first and sits down.

Fifth passes out - he's the second one to fail.

Sixth doesn't react and is told to sit down…

Until finally it's your turn.

You watch the needle go in. It hurts. It feels weird, when the lab technician begins pushing the glowing green liquid in. You can't figure out how it feels. It just feels like a lot.

You feel pressure, inside yourself and in your head and all around you. You feel like you're being squeezed from inside out. You feel like you're suddenly very heavy, and yet you also feel light as a feather. The lights in the lab suddenly seem to glow blindingly bright.

You're drenched in sweat.

The lab technician tells you to sit down.

You pass the test - the eight of twelve. Of the four that failed, two have to be rolled out in wheelchairs. Of the eight that passed, two have thrown up.

They tell you you have higher Mako reactivity than is really desired in the program. There's a good chance you - along with numbers one, four and nine who reacted like you did - wouldn't pass the follow-up tests. You're told to not get your hopes up - but also that you shouldn't let that get you down.

"There's another program running right now," they tell you, cheerfully. "They're looking for volunteers for a new type of SOLDIER treatments! You might be a perfect fit for it!"

You don't understand. The pressure inside your head is turning into a headache. You try to reply cheerfully and probably fail.

The next stage of testing would be in a week. They tell you to be back then and send you off.

You're not sure what you're going to do. You've run out of money and can't stay at the inn anymore. You have nowhere to stay and you know no one in Midgar. Your head is starting to really hurt, and the injection site is inflamed. You don't know what you're going to do for another week. The pressure inside your head feels permanent.

You think you might've messed up, bad.

But you still want to be a hero.

[child-of-helios]

hello. I've a rather stupid question. I've only read the books once, as a kid, and I don't understand why people hate calpyso x leo. whys it so bad? why does everyone seems to hate it on here?

xxx,

eurydice

First of all, this is my first ever ask, I've made it mother :D Secondly, I'd gladly explain! Though please note that it really has been a good while since I've read the books too, so my memory is kinda foggy :] Warnings for: Slight mentions (but not too much) of rape, pedophilia and mental illness (oh boy this is a tough one)

So, I have made a post abt this before, but it was written in a fit of rage so not my proudest moment (but my most popular post, oops). Anyways, I feel that the hate towards Calypso x Leo is because of a few reasons. 1. It simply didn't get enough development to feel worth it imo. Similar to Jason x Piper, I felt like there wasn't enough there to warrant a canon ship. There is also the fact that personally, I thought that their dynamic was more of a familial or that of siblings, which made me uncomfortable. I would've much rather have them be friends. 2. The uncomfortable age gap. It feels very weird because while yes, Calypso was depicted as a teenager, she is thousands upon thousands of years old. The fact that she fell in love with a literal child is incredibly weird. It was weird enough with Percy, but at least they didn't end up dating. With Leo though, she did end up dating him and the age gap feels very odd. Its even weirder knowing she had a relationship with Odysseus, who by that point was a pretty old dude so she was probably very mature and an adult (though she doesn't act like it). 3. Calypso is kinda a rapist. In the Odyssey myth, she forces Odysseus (a married man) to sleep with her. I'm sorry, but I can't support any relationship involving a rapist unless its rapist x prison cell. It makes me uncomfortable because she could very well take advantage of Leo, a mentally ill teenager with self-esteem issues. 4. Her toxic treatment of Leo. Calypso was very pissed when Leo arrived on her island, rightfully so after what she had gone through, but even then her treatment of his was outright cruel, especially compared to that of Percy and Odysseus. She made him sleep outside, exposing him to the elements after he got flung through the air and ended up on her island, which must've caused some damage. Then after they started dating, I still felt uncomfortable reading about the two, because their dynamic just didn't work, and I don't recall her apologizing to him for her treatment of him. 5. Leo's arc was thrown away. I think the worst of all, is how this impacted Leo's character. He should've had an arc where he learnt to love himself, but because of Calypso he didn't. I think the moral was supposed to be: 'even if you're mentally ill or have problems, you still deserve love!' but it came over more as: 'ignore your issues and get all your love from someone else.' Isn't it more important for kids to learn about self-love? And as an extra: what could've been. I think that Leo shouldn't have gone back for Calypso, that that ship shouldn't have happened. I prefer him going back to Echo and them learning about self-love together as buddies (and maybe evolving into more than that). Echo was stuck in an abusive relationship with the Narcissist, so I think it would a good arc for them both. I also think that if you really wanted a romance, Jason x Leo would've been much better. We know that Rick can write good gay romances, we know that Piper turns out to be a lesbian, so why not make Jason and Leo gay? I think it would add much more to the tragedy of Jason's death, but that's for another post (and this one is getting too long already oops). In conclusion, I think Caleo is bad for many reasons, but especially because it didn't have enough time to develop and the dynamic was simply too creepy for me to get invested in. Sorry for the super long post- Have a lovely day :D

[rosietrace]

This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️

I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!

However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.

[ More under the cut! ]

I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.

However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.

To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)

The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.

The portrayal of the Aphrodite cabin

The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)

I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded

This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.

Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭

I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time

Off to the YA Fantasy segment... Hoo boy.

The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭

I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.

Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.

If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.

I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).

Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭

I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.

I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”

Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.

The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.

‼️ Woah! A secret bonus section! ‼️

I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)

However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.

And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.

By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.

Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??

I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.

Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT

I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)

[punkascas]

okay, so i don't want to, like, Start Something or whatever so we're doing a barely-tagged, separate post. i also realise this is mostly pointless because others have already said what i'm going to say, and did it better, with far more grace, and sound less like an asshole than i do.

but jesus louise helen christ, the weird fucked up ideas people have around abuse and personal responsibility and the effect of trauma. like as an abuse and csa survivor, it genuinely alarms me to read posts that use arguments i remember my dad making. like, i'm assuming most of this rhetoric comes from gen z — maybe that's inaccurate; maybe that's unfair. but right now i'm very much Having A Moment Here that the kids aren't alright.

no 22-year-old should be repeating the same awful, manipulative, logically and morally bankrupt justifications for violence and torture my dad says. like literally what's in the first two episodes of ofmd s2 is torture.

i love ed; he's an amazing character. taika is hella wowza top marks acting him. but like.

like.

torture, my dude. physical and psychological. trauma. harassment. that we see the lasting effects of through s2.

just. i. what??

so here we go, okay. have too many, zealously highlighted screenshots so i can dig into details.

cut to save your dashes. content warning for discussions of abuse and trauma (if that wasn't obvious), as well as spoilers for ofmd s2.

re: ed knew what he was doing was wrong and felt guilty about it at the time:

we have no on-screen, textual examples of this. not in the dialogue; not in the acting; not in the blocking; not in the cinematography or music. nothing.

knowing the crew are overworked and kind of traumatised by all the violence, ed bribes them with cake. because, as we know, cake like tea fixes everything. only ed wasn't even with them to share in the eating of the cake. he made izzy responsible for that. he doesn't give the crew a break; he doesn't choose less ethically-fraught prizes to hunt. there is not one scene of ed talking directly to the crew — until he points a gun at each of them.

we see ed crying (and drinking, and rhino horn-ing [way to help further extinction, man]) but it's always paired with shots or flashbacks that reference stede. ed is still all up in his feelings about stede, and ed confirms this when he tells frenchie the myth about albatrosses never needing to return to land. ed cannot go back, does not want to go back, because he was rejected. (like, stede is literally landed gentry, come on!) all he wants to do instead is stay at sea committing to this unhinged version of unstable, sadistic piracy.

but okay, okay. say we ignore all of that. let's say ed does feel sorry and guilty and ashamed of his actions. he knows what he's doing is wrong and unfair and cruel. that it's harming others. that it's particularly harming the dude that ed has, for better or worse, basically spent his life with (izzy; i mean izzy). ed… still continues to do the things! how far off are we at this point from the definition of malicious? you know action x hurts person b and then you do it anyway. is that honestly a better, happier, more ethically defensible reading of the character?

re: the crew didn't mutiny because they love ed despite his violent, sadistic actions.

mutinies were a thing, yes. but both historically and in the world rules established by the show, mutiny is disincentivised through threats, distraction via extra work, and corporeal punishment. we see both ed and izzy use all three of these to try to prevent the crew from disobeying orders. they didn't wait until the storm and izzy shooting ed to mutiny because they understood or sympathised with ed; they took the chance to kill him then because that was the first real opportunity they'd had. the reward finally out-weighed the risk given that ed was going to kill them all that night anyway.

again, we have no scenes, no dialogue, no visual or audio cues to tell us that the crew understands or loves ed — excluding izzy, obviously. fang could also be on that list, if you take into account his personality and his behaviour both in s1 and later in s2 in the fishing boat scene. but in the first two episodes, we only see the crew show trauma responses around ed. they talk about him but almost never to him. and when they do have a direct conversation with ed, it is either confrontation or head down, submissive, "of course, blackbeard; anything you say" placating. i'm so baffled where the show points to any sign of love from the crew towards ed before his "death".

re: ed can't be held responsible because he was suicidal.

uhm. no. hard no. a harder no than stede's brazilian cherry wood mast. fucked up people do fucked up things but part of being an adult is owning your fucked-upped-ness and not fucking up others while you work on unfucking yourself. children, children are not fully responsible for the impact of their actions on others when they're deep in their feelings, especially if they're feeling their feelings as a trauma response. this is because literally their brain cannot do that kind of control. it doesn't have that software pack installed yet. ed does have all the adult updates installed, even if he isn't running them at that moment. he has no right to take out his feelings on other people: to maim them, to psychologically torture them, to abuse them, to work them to exhaustion. to kill them. he does not get a free pass to do suicide by abused employees. (like suicide by cop but more indirect and passive and harmful.) talk about passive aggressive.

secondly, ed is not just passively suicidal and happy to find new risks that might end his life. he is very purposefully taking izzy with him (see: literally removing the bits of izzy that would help let him walk away from ed; the fact that ed becomes actively suicidal only once he thinks izzy is dead; the whole keeping izzy's corpse in front of his and stede's beach shack i mean inn — the codependence, she runs deep). ed is also putting the crew through the same risks, the same isolation, the same danger. both stede and izzy agreed that ed had gone full scorched earth policy. you don't get forgiven for the murder part of a murder-suicide pact just because of the suicide part. not to mention that no one (once again, you could potentially argue izzy as an exception) was good on a murder-suicide pact with blackbeard.

and then to say the crew felt guilty? i assume i'm misreading that. the crew. felt guilty. for ed's actions. that is, if not victim blaming and if not darvo, a very close inbred cousin of them. like hapsburg jaw inbred close.

re: ed healing and his view of himself as a monster.

to heal means, in part, to accept responsibility for the harm you've caused, whether it was intentional or not. it means making amends. it means building or rebuilding relationships where possible. it means putting the other person or persons' feelings and boundaries and need for safety above your desire for absolution or forgiveness. it means working through your own guilt and shame and anger (or whatever drove you to act the way you did) in a separate space, not with the people you hurt, but someone who can be a step removed, more impersonal and objective to help you reflect and face hard truths as needed. i say this as both someone involved in activism and community reparations and as an abuse survivor who has done nearly 30 years of therapy learning this in order to not hurt people. it's not ed's fault he's fucked up just like it isn't my fault i am. but it is on me, like it is on anyone, to make sure i limited as much as possible the harm i can cause to others because i learned some awful but very effective tricks at a young age to survive.

ed does not really do any of the above. he doesn't say "sorry". he speaks in generalised language. he complains about the cat bell (which he seems to wear only for one day, given the implied timeline with lucius and pete's engagement). i have a model ship on a stand that says "this is a safe space ship" as a joke because i work for the government and have written press releases that sound just like ed's "apology". where you take no responsibility and encourage "the culture" to move on.

so, really, my question becomes: ed sees himself as a monster. in s1, we had enough balance between ed's current actions and his referenced past actions to see this belief as likely untrue. in s2 though — i mean, is it? is that an unfair or inaccurate belief? i can understand how carrying that belief can get in the way of ed's growth and eventual healing but like. from an outside perspective of ed-the-fictional-character. he's not a "good" person. he's capable of and has done and continued to do horrible, cruel things. ethically, can you argue with that statement about him?

re: ed trying to destroy relationships because of his self-worth issues and instead the consequences of his actions proving that he's loved.

this is the point that made me go: right, no, i need to respond. i need to say my piece about this. izzy and the crew suffering ed's violent tyranny and then sticking around on the revenge anyway afterwards is not a sign of love. it is not showing love to bear pain for someone. it not showing love to let someone mistreat you, threaten you, hurt you, maim you. their actions are selfish and done to give them feelings of power and control over you. lying back and thinking of england to get through it is not love. it is absolutely a survival technique. but it is not love when you do it at the expense of yourself or others.

i also disagree that ed was trying to push people away or break his relationships with others. we know from s1 that ed is fairly blasé about whether crew members die. again, we don't see any friendly or intimate exchanges between ed and any of the crew to imply any kind of relationship there beyond "tools who accomplish ed's goals". the one exception, as always, is izzy. and as previously stated, ed seems bound and determined, in a very conscious way, to bring izzy into death with him. ed does everything in his power to make izzy want to kill ed, or at least agree that it's best if ed dies, and to want to kill himself so ed doesn't have to die alone. that isn't ed breaking that relationship; it's making it permanent in a really fucked up shakespearian way. the only relationship we see ed waffle between wanting to keep and wanting to push away is stede. after his corporate "apology" and the fishing trip with fang, all of ed's dialogue is with stede and a little bit with zheng until izzy's death scene. the crew loving ed just isn't a thing, at least not one we're shown. not from either side. ed's relationships are with stede and kind of, sort of with izzy (because he does manage to, if not fully break, do some major damage to that).

love did not save ed. ed wanting to live, because stede came back, because he didn't want to jump off hornigold's cliff in the first place, saved ed. izzy saved everyone else.

so yeah: that's it; that's the post. the rhetoric that abuse is love or that abuse can be "cured" with love or that trauma isn't lasting and serious and has impacts on people's daily lives is just. wild. wild.

and terrifying.

my dad was born in the 40s. why is anyone born in the 80s or later still defending this mindset? it honestly, truly freaks me out.

guess it's good i have a fucking therapy appointment on monday.

[tocomplainfriend]

It feels less like you want to address a real life problem to characters, but more like you want to have another of your characters you constantly baby and want others to fangirl over.

TW: Rape, SA, Racism, Stereotyping, Homophobia, Acephobia, Arophobia.

The representations of topics in media DOES affect real people.

Fiction can affect reality.

Let's start easy, Jaws. This goes back to Hazbin I promise.

"Since the release of Jaws in 1975, the world has witnessed a staggering decline of 71% in shark and ray populations, and around 100 million sharks are killed each year." (including multiple practices of mass hunting sharks in competition)

Both Steven Spielberg and the original writer Peter Benchley regret the movie and book. It's a big reason of the shark treatment, when it started by old fishermen worrying about shark biting people in the beaches they made money of.

Even if you aren't a shark killer yourself, a lot of things you believe of sharks are untrue myths that come from making sharks "evil" human killer animals. Sharks cannot smell blood from miles away, that's not even how water works, the particles of blood need to enter their nostrils. Sharks are not man eaters, they attack other prey animals before human. Shark attacks are extremely rare, even if they happen they are not justifiable to kill all sharks.

Sharks actually have personalities they can fit in, they are smart and recognize people and boats- and form positive relationships with people. They can even like getting pet by people.

Other level to represent other thing sin media that affects reality we can address Queer, representation as a topic.

I hope it is not a surprise for you... possible non-straight, non-cis person reading this. That the constant representation of gay man as kid predator is a problem. They used old commercial (PSA) to spread negative views of gay man. Media is used to spread messages and affect its viewer. This is, there are cartoons created by Jehovah witness (or similar religions) to spread their beliefs and teach to their children in an easy, digestible way.

Same with the amount of straight woman that went off to read shitty yaoi manga and fetishy gay wattpad stories, and went to sexualize and diminish queer men. Constantly making gay man's personality into bottom or top (uke and seme shit). I witness this irl, others have too.

Same with shitty men that view Lesbians as a porn machine for men, cause "monkey brain like woman, lesbian = two women". Which happens in general and adult media. All of these are EASY examples.

Another one which turns out many people don't think about. Having your representation of an AroAce character (on purpose or not) be the psychopath with no feelings. Associating the not being romantically or sexually to means you have no heart, to be abnormal, by then a psychopath. An abuse or serial killer.

Fiction does affect reality-

A racist film, 'Birth of the nation' Revived the KKK and let to all the discrimination, and the homicide of black people of centuries ahead.

-

Coming back around, how you treat the topic of SA, and r-pe- affects the real world. You would think someone who wrote that, had in mind on how that affects people in real life. Didn't you want to represent victims of SA/R-pe that are sex workers and male?

Reducing the r-pist, pimp, trafficker character to an air head to treat as silly is crazy to do. Specially as... oh idk... the creator? Both this and the tweet of the voice actor calling Val "Bubbles Coded" is so crazy. The character is also not deep enough by itself, it's pretty much Stupid and a R-pist sex trafficker. The tweet below Viv's fucking kills me too.

The fact Val is shown to be air head stupid doesn't delete he backed Angel (and by being a sex trafficker and a pimp, and him licking charlie that means he has multiple victims) into a corner and under his control. Too then abuse of him in many different ways. Manipulations are not only done by Super mastermind people, and representing it in such way diminished, affects people who have being manipulated and actually try to question if they have being or not. Manipulators can be normal, average people, they usually are not obvious. Even if Val is openly a shitty person that's really obvious, it doesn't detract from him being manipulative to people. The scene where Val threatens him in chains that is manipulation, his text messages are manipulation (even if you think it is too obvious to be successful).

How you represent SA/R-PE, and its perpetrators, do affect real life.

Going around and having your "serious R-pe episode", to then go in other episodes or the other series you are writing to make r-pe/sa jokes is terrible. For the person that directed the whole scene of poison to NOT be r-pe/sa victim (said by themselves) with a r-pe fetish with this character's in specific, to directed in the most graphic way possible is awful. To go around babying your r-pist character is crazy.

Hope you understand that this doesn't mean not treating any topic at all. Creators should be awere on how they treat topics and the scenarios they create with them, too. People and viewers need to also put their brain to understand the media they consume. But you can't always put all blame only on the viewers of a series, if media is messy is a fault of the media. You can criticize both.

You need to acknowledge Valentino is indeed a terrible person, You don't need to delete his actions or the weight of them.

I also just know that a lot of Val fans just like him to draw him in r-pe art and get their fetishized gay ship. Cause that's what they are into. You won't even do that with a woman, because you are into your fucked up fetishized gay porn from wattpad you never left behind.

If you like him, FUCK IT, just please take his abuse seriously. Don't default your entire usage, and view of the character to be 'uwufied' fandom stuff, please.

I hate how the topic has being treated, in and out of the show. I'm a victim, and I'm hurt by how these things are treated and knowing how it affects others. Even in things I haven't watched! Don't make the argument don't like it? Just don't watch it. The movies from the video of SA of men being a joke, many I haven't watch- that still affects over all. It's still a problem and it's disheartening.

Also have this:

[tiredtxmblrvet]

Fic Rec Friday

Thanks again to @mediumgayitalian for the idea!

Below are 5 fics I've enjoyed this past week/recently.

IT'S A SCREAM, BABY! by @rosyredlipstick

https://archiveofourown.org/works/45360994

Summary:

It’s June 1984, Prince is at the top of the charts, and Nico di Angelo has spent the last three weeks scratching at mosquito bites and herding around a group of elementary school kids—and somehow it’s been the best summer of his life. - “Welcome to Camp Crystal Lake!” Jason yelled over, ever-polite.

--

Okay I'm back with another Rosy rec. When I tell you this story literally captured me within the first paragraph and held me in a vice grip the entire time. I literally started the beginning and went "now this is how you start a story" and then couldn't put it down. This is a horror/slasher AU, but none of the major characters die! It's a love letter to a lot of horror films, so if you're in to that sort of thing, I'd totally recommend. Or if you're like me and don't really watch horror, I'd still recommend because it's that good. Also once again Will and Nico's dynamic is top tier in this fic, and I really love Will's POV.

The Other "Heroes" by SirOliverSurface

https://archiveofourown.org/works/29528811

Summary:

Percy Jackson had seen weird before. Swimming in the River Styx to gain invincibility to fight the Titan lord of time was "weird". Getting your memory wiped by the goddess of marriage and family in a gambit to unite Greek and Roman demigods was "weird". Having a spiritual attachment to blue food was... well... completely understandable, no matter how much Leo joked about it. But this? This is "weird".

When a battle goes wrong, and magic goes wild, the son of Poseidon and Hero of Olympus finds himself dumped in a world that seems strangely familiar. The Greek Gods are still around, the old myths were really true, all seems well. But one thing has changed: the people he's come to love. And it doesn't take long for him to figure out that these new faces all miss someone else, too; Hero of Olympus, and daughter of Poseidon, Percie Jackson.

--

This is Percabeth centric, with Solangelo as a side ship, but this story is so good. Granted, I'm only about 150k in, but the writing has captivated me, and the adventure our heroes go on is fascinating to me. Plus I just love the "other" versions of all the heroes. Will I ever be able to finish it? Maybe in 2 years, but hey! It's my go-to fall back on fic when I'm running out of things to read. (It's 1.2 million words!)

August by CordeliaRose

https://archiveofourown.org/works/49031647

Summary:

Somehow, Nico's life only gets more confusing after he defeats a primordial Goddess.

Will Solace accounts for about 90% of that confusion.

(A journey through August, and all its ups and downs.)

--

I just had to rec this story, as I am about to re-read it only a couple of weeks after finishing it the first time because it's just that good. This follows the rest of August after the end of BoO, and the way Will and Nico's relationship develops is just absolutely stunning. Also Nico and Will are autistic coded in this story and it just makes me beyond happy.

peach tea by ghosttotheparty

https://archiveofourown.org/works/48987730

Summary:

He sits up after a moment, but Nico doesn’t let go of his fingers, so he lifts the arm that’s awkward between them and sets it behind Nico, leaning back to rest on it. Nico just looks at the tapestry.

Will brushes his thumb over the side of Nico’s hand gently. His skin is soft. Nico’s fingers tighten on Will’s. It kind of feels like neither of them wants to move. Will doesn’t mind.

or; Will falls in love with the new kid.

--

I love the way ghosttotheparty writes intimacy, just, warm, soft, fragile moments that have such a wonderful air to them. I'm not usually one for high school AU's, but I love their characterization of Will and Nico so much that I just had to try this story, and I'm so glad I did. There's a particular scene where Will helps Nico down from a panic attack, and it just made me want to cry it was so well done. Just a lovely story.

Safe (better keep that thought to yourself) by @buoyantsaturn

https://archiveofourown.org/works/42721455

Summary:

Nico figured he was probably overprepared, but it was better to be safe than sorry, especially when leaving his child with some guy he barely knew and a kid he’d never met.

God, he hoped Will wasn’t some kind of psychopath. 

--

I'm back again with another one of CJ's lovely works. I'd been looking for a cute Parent!Nico and Parent!Will kidfic, and this story absolutely delivers. The way that both Will and Nico stumble around each other is so endearing in this story, and their kids are JUST the cutest!! I absolutely recommend this story.

--

Okay that's all! I'll probably keep doing this until I run out of fics to recommend. Have a good friday lovelies!

[digitalstardust]

TFP Optimus, Ratchet, Bumblebee and Arcee with a human s/o that likes to sing

Hi everyone! I know that I said I would post Part 2 of Wildest Dreams this week, but I'm not sure when I would finish it since I have a TON of work to finish, so I'll see do I get around to finish it at all.

There are a couple of songs that I will mention and the links' below! There are some in Chinese and Korean, so if you want the translation you can search it up or ask me for them :)

Enjoy!

Notes: Fluff, fluff, gender neutral reader

TEAM PRIME

Optimus Prime

Optimus has a pretty nice voice so I would say he used to sing before the war.

He was relatively shocked to find out that you sang too.

He found out one day when you and the humans were having fun and goofing around. Miko was trying to sing a song in Mandarin and the kids were covering their ears due to the limited Mandarin words she could speak.

You took that as a chance and took over for her, not missing a single word and reaching every high note.

That left them speechless and left you with a very red face.

After that, he would silently with you would sing all the time.

You can't blame him, honestly, since he has a love for music too.

I think the music on Cybertron is quite different from Earth, so he would love to listen to you sing.

He doesn't care if you sing well or not, he just loves your voice.

His favorite song would probably be 'Something just like this' because it somewhat reminds him of the life he had when he was a clerk in the Iacon Hall of Records.

He would probably ask you to sing for him when he's feeling down.

He would also sing for you when you don't feel well or is feeling sad, and honestly that man has the voice of a god.

You are the only one he sings to, so don't abuse that privilege.

"I've been reading tales of old, the legends and the myths..."

Ratchet

This man... He is the complete opposite of Optimus Prime.

He would pretend he hates your singing because it 'disturbs him' but he actually looks forward to listening to your voice.

He discovered that you loved to sing when he heard you singing when working one day.

He grumbled and asked if you could stop because it was disrupting his work and when you didn't stop, he went over to see what was going on.

It turns out you had headphones in and couldn't hear him, still singing to whatever song you were singing to.

He secretly enjoyed your singing and was somewhat disappointed when you stopped.

But of course he said 'Thank Primus' or something along those lines.

He would pretend to hate your voice so much that you actually believed it and stopped singing.

Once he saw you crying in one of the vents (how did you get there?) and was surprised when you said you were crying because of how unconfident you felt whenever you sang.

It doesn't take a rocket scientist to realize that he was the reason you felt unconfident.

He immediately apologized and reassured you that you have a beautiful singing voice.

Honestly... That's just the way he is. A pretty nice guy pretending to be a jerk for some reason.

He hates to admit that he wants to hear you sing, but you usually know what he wants and sings for him.

His favorite song would be '白月光与朱砂痣', because it's the song you sang when he first discovered your beautiful voice. Even though he doesn't completely understand the lyrics, it sounds peaceful and soothing.

"白月光在照耀 你才想起她的好..."

Bumblebee

This boy is the most supporting boyfriend anyone could ever have. You are lucky to have him. Do not break his heart or you would be seeing me tonight.

He's young. Like really young. He was born into the war so he has little time where he could actually let loose and be a child, despite him always acting like one.

He has this certain pressure on him to be mature and a warrior, so he has never had a peaceful life.

He loves music on Earth, especially hype music. He would be the type that hates classical music since it's too boring.

A Kpop fan. A huge one. He would be listening to Kpop 24/7, and I'd say that his favorite band is Stray Kids (because who doesn't love them)

He would be the type that doesn't go out of his way to learn a song or a certain dance but just jumps to the rhythm and hums to the music.

He discovered your singing voice when you were singing to a tune under your breath when you heard the song coming from his speakers.

Needless to say he asked you to sing it again and again.

He would watch all the MVs and try to dance along (and breaking stuff in the process)

His favorite song would be 'Zoo', indefinitely. He loves the beat and the rhythm, and it makes him feel alive. It makes him want to jump up and dance, so it would be a bad choice for music when he's driving.

"Head to toe, cool like a lion, CEO, boss like a bison..."

Arcee

I feel like she wouldn't like songs that are too noisy because they actually disturb her (unlike a certain person mentioned above) but she wouldn't like songs that are way too quiet.

She would listen to classical music when trying to focus or work, but overall she would like to listen to songs that aren't too boring but aren't too hype.

I think she would be a great singer but decides not to because she needs to focus on whatever she's doing, same when she was back on Cybertron.

If she's a good singer, then she would be an even better dancer.

She's really agile and quick on her feet (unlike me lmao) and she could hear the beat in music 10 times faster than anyone else and can come up with dances for every song.

She used to be a dance teacher as a part-time back at Cybertron and was good at it. Why do you think she can do cartwheels, backflips and splits without a second thought? She was either a gymnast or dancer and I'm saying dancer.

She would somewhat be like Ratchet, not going to admit she loves your voice but not going to say she hates it too.

She discovered your love for singing when Miko was learning a new song to dance and sing to when you popped in.

Since she was Japanese, it was a bit hard for her to learn something in Korean, despite them being similar (I'm saying this because I have that difficulty too, but for those that don't have this problem correct me pls).

You popped in and taught her how to pronounce the words correctly and proceeding to sing the song yourself.

She was pleasantly surprised, to say the least.

I think her favorite song would be Chandelier by Sia, because it sounds really nice and she just loves the song for some reason.

~~~~~~~~~~~~~~~~~~~~

I might make a second part with the rest of Team Prime or the Decepticons, but we'll see. I was going to make a full Team Prime for this one, but I didn't have enough time.

Songs are below:

Something Just Like This (Optimus):

白月光与朱砂痣 (Ratchet)：

Zoo (Bumblebee):

Chandelier (Arcee):

This wasn't good, I know but it was an idea I had and I wanted to finish it before I lost motivation :(

See you next week!

[gildeddlily]

can I say something?

something I've started to not quite dislike, but not appreciate much about pjo was the way rick riordan talked about and characterized some gods- like Ares (still understand why he did that tho).

personally, as a kid who grew up reading myth after myth, I've always loved Ares, and when I re-read after years the pjo books some months ago I noticed how some of the gods are kind of lazy-written, or simply treated badly- as characters ofc.

one of them is Ares.

Ares is kind of impossible to appreciate in the books.

the only good moment he has is the "that's my girl" with Clarisse (but it still happened after years of neglect so yeah, not so great at the end), and then it's all bad, and he kind of gets ignored in favour of other gods- like Poseidon, who does mistakes but still can be appreciated, and is someone we could even relate too. Hades, Persephone, Hermes, Apollo and Artemis, they were we can say well-rounded second characters.

Demetra, Dionysus (except for the "protect my son" bit in the fifth book loved him for that and in general him with pollux and castor) but especially Aphrodite and Ares are just there so symbolize something Percy and us readers dislike.

(this is about Ares, but I could talk ab Aphrodite for hours (another day bud))

Ares is fucking cool.

he's the god of war, so unlike some of his other relatives his domain can never get weak, because humans are always fighting, there's always a war somewhere- but the way rick wrote him kind of erased the part where people prayed to him in order to not only beat someone and win a conflict, but also to survive one.

who attacked first prayed for Ares to help them, who was attacked and fought back prayed for Ares to make them survive and exit the conflict as winners, because there are always two sides in a war, and Ares represents them both.

but I can understand why rick ignored this part of him and reduced him to an extremely strong god who loves conflicts- and why, as a 11ys kid I didn't really got that. I was just sad that my fav god wasn't a cool guy. now I'm older, and I notice that, but still I don't blame him for writing Ares like that.

it's a kids book, and I can't pretend from it to be the greatest thing ever written, and I can appreciate these books with ease.

(and yk, war may be natural, but it doesn't mean it's right, so it's normal that a kids book characterised the god of war as someone despicable.

every god is despicable (as it should be, not so strange from the god of death to steal from earth someone young and all springy and trap them in his realm, it's kind of how life works!!!), but it's hard to explain kids how sexual assault and murder were their breakfasts and lunches, while war=wrong is easy and right! so)

but the show changed that?

it's changing a lot of things, but first of all it's dealing with things about greek gods that were ignored or set to the side in the books- the way it so heavily say, again and again, how the life they expected demigods to live was wrong.

but, honestly, I simply loved Ares.

not only for the twitter fights, but for his talk with grover mainly.

and even though grover said those things in order to manipulate him into telling him what he wanted to know- it was more than nice to see how they fixed and perfected an almost ignored character (in the books a strong, too prideful and not-at-all wise god).

can't what to see what they'll do with aphrodite my wife and pride!!!!

[gilly-moon]

PERCY JACKSON TV SHOW REVIEW

(SPOILER ALERT! I Did Not Like It)

It has been 16 long years since I first picked up The Lightning Thief, and once again...I am faced with an adaption of one of my favorite books that is so painfully disappointing. And now that the tv show is completely out, it's time to purge the collection of thoughts I compiled on it:

Starting on one of the (few) positives, the cast was incredible. I know for a FACT that they are all wonderfully talented individuals, and I aim all of my gripes with their acting at the directors and writers.

So much telling. So little showing. Stop explaining the plot and the mythology to me. SHOW it to me. Explain later only when necessary.

And yet, some things weren't explained at all! I know, as someone who read the books, what blue food means to Sally and Percy. But the show never explains its significance. To the unknowing watcher, it's just a weird quirk, not a small rebellion between a woman and her kid against the life they're stuck in. It baffles me what the writers chose to over explain versus under explain. There's no clear reason for either behavior, and it permeates the writing in a bad way.

There's also a lot of the kids just being dragged from point A to point B by an outside force, rather than their own actions. They never really felt alone or even in danger on their quest, because gods kept showing up to help them along. I did not like that.

These kids aren't allowed to be kids. I stg you could make them teens or young adults and the dialogue/their actions would be the same. That's not good.

Why do they always have all of the information!!!?? They immediately know it's Medusa. Echidna introduces herself and they immediately know who she is and that it's a Chimera in her bag. They immediately know what the Lotus casino is. Why? It makes the stakes feel so low, rather than the mad dash scramble in the books that happens a lot when characters have to remember the myths and how to beat a monster mid-fight. And it makes all these scenarios so boring!!!

Also so many of the fight/chase scenes were boring or anticlimactic. The only good ones I can think of were in the first two episodes, and then one with Ares. Someone actually slipped in some good choreo in those few fights, but completely forgot to add it in to....the rest of the show....

There's very little about the show that feels magical. CG is used, obviously, but at times it feels like they should've gone further with it, or used it even more, and they just....didn't. The visuals end up feeling clunky and not very cohesive, with zero whimsy. Hate to make this comparison, but the Harry Potter movies were VERY good at showing the lines between the magical world and the muggle world, and the tension that occurs when the two interact. There is....none of that in the PJO series. Zip. Zero. And the mythological CG that is there is more often than not static or boring.

Break for a positive! I actually really liked that Percy was learning mythology from Mythomagic. The show wasn't really consistent on that point - saying it was his mom instead most of the time - but that was such a fun and clever way to work in the card game and make it plot-relevant. As someone with ADHD, I can confirm I would also learn mythology WAY better if it was for my favorite game.

Ok back to the negatives - Wtf is up with the portrayal of the gods? For one, they're boring to look at. Nothing about their designs makes them feel 'godly' and while that's ok with some gods (Hermes for one, tho I have issues with his weird beige sweat suit look) why is Ares just some regular ass biker dude? Where are the flaming eyes?? And radical skin-leather bike?? He couldn't even have a CUSTOM bike with red bloody paint and boar heads and chain link handles or something???

And the gods are way too fucking nice. Sorry. I don't have an issue with Hermes being nice but. Ares having a heart-to-heart with Grover? When his presence is supposed to stir everyone up into a rage? And Hephaestus sees Annabeth refuse to give up on her friend and just goes 'awww, ok, you and Percy can go, and take my rival's shield back to him too cause I'm just so nice.' Sorry, no. I'm fine with gods being helpful - Hephaestus helps (reluctantly) in the later books. But it was at a price! A favor for a favor! Not a 'get out of jail free' card just because he was moved by normal ass human compassion!!

Hades gets his own bullet point because who the fuck was that. As a child of Hades, I'm offended that this sweet fruity guy just wanders up and goes 'hey, how's it going, wanna snack?' like, that is NOT my dad. My dad had skeleton soldiers filling his halls and a garden of jewels and a voice so loud it rattled the whole Underworld. Whoever that was in the show was a pathetic imitation.

The point of the first series is to work up to Percy throwing it in the gods' faces how awful and neglectful they've been of demigods and specifically their own children. Demanding that they do better. But if they're already showing compassion and 'humanity' in the context of the first book/first season of the tv show....Percy starts running out of ammo against the gods. There's no coherent story progression where Percy spends years seeing the worst of the gods and the best of them at very distinct, important times of his life and his story. It no longer feels like a massive change they have to make in the system, something that deserves a godly favor for Percy to demand of them. Luke no longer feels like his fury at the gods is wholly justified. The whole series begins to crumble because the gods already have a good reason for being how they are, rather than being thoroughly selfish assholes who only dote on demigods when they do something really cool. And the exceptions are presented at intelligent moments that prove to Percy when he most needs it that the gods can be better, they just need a forceful push to get there.

That being said, where was Percy getting the info that the other gods were feeling scared and abused by Zeus? I love the balls on this kid, but like...when did he make these assumptions and why? That whole scene felt really unearned.

Also Olympus was BORING. And EMPTY. And DARK. It looked like we were just back in the Underworld. Which. The Underworld was fucking boring too. Some neat visuals, sure, but put that in some high fantasy show. Not this one.

One last positive before my final point - there were some pretty good jokes scattered around. Not nearly enough, but I did really enjoy the Dionysus introduction and a handful of lines from Percy. Also releasing the animals in Vegas - Grover being like 'oh, you were worried about the humans' got me good.

The final word that kept spinning through my head after finishing episode 8 was: Pathetic. Luke's betrayal was pathetic. No deadly scorpion. No commitment to that period of time in the books we were convinced he really was evil. And Gabe just stumbling on the package with Medusa's head in it? PATHETIC. Percy outright asked his mom if she was being abused in the book, and she took fate into her own hands to statue-ify that bastard. But no. The show was through-and-through just a pathetic, watered-down version of an incredibly fun, emotional, brutal, exciting series of books. I know there was a lot of heart behind this production, but I did not feel it at all. But what else should I have expected from modern Disney?