#i will be so sad if it doesn't sell well

[wuwubean]

oh yeah with the undertale news destroying my brain i almost forgot that GHOST TRICK IS OUT TODAY!!! GHOST TRICK GAME OF THE YEAR EVERY YEAR GO PLAY IT RIGHT NOW!!!

[deviousdiesel]

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[rottingcompost]

Yooooooo vapor95 fucks massively I'm jealous! Also love the hair tbh I'd love to dye mine insane colors again but I cant. (It'd be against uniform code sadly) I'd been wating to order some stuff off their store for ages, how much of a pain was shipping?

Shipping wasn't too bad, it took about a week for it to be shipped tho. Other than that shipping aaa quick, and I didn't have to pay a shit ton for the import tax this time (because shipping from America to EU)

Expect for it to take maybe two weeks or so if you live in for example europe.

[ghostdeals]

It bother me so much that people misunderstand sayaka miki's descent into madness in madoka magica. She doesnt become a witch "just because of a boy." Sayaka is a character who ties all her self worth into being in service of others. We can see this right from the start with her idolization of mami and everything that she was. She saw mami as this "perfect hero" even though mami i would say is mentally the weakest of the holy quintet. In the timelines where mami finds out about the incubator's true goals she always immediately breaks and goes crazy, trying to kill the other girls in her own twisted way of trying to "save them". Instead of seeing the fragile person that mami was, sayaka instead sort of treats her as a martyr, a goal to achieve. We continue on to sayaka's magical girl wish. Instead of wishing for something for herself, she instead sells her soul for the sake of kyousuke. Then when he starts dating hitomi she spirals not because she's sad about the rejection but because she feels replaced in his life, that he doesn't need or want her around anymore. Then she throws herself into her magical girl work not seeing that she's harming herself because she justifies it with "well im saving people that means what im doing is a good thing." She doesn't see that she's becoming more sloppy, more ruthless until its too late. It's only in the end when she turns into a witch that her story gets resolved.

Sayaka Miki is an incredibly sad character to me. While her actions have the illusion of being selfless and "for the greater good" she is actually incredibly selfishly motivated. Everything she does is in service of wanting praise and admiration from the people she cares about. If she helps kyousuke he'll appreciate her and love her, if she becomes a hero she'll receive praise and admiration for being a good person. This is why it is important that of all people it was kyoko that fought sayaka in the end. To homura, sayaka is someone to be saved. To mami, sayaka is her sweet apprentice/younger sister figure. To madoka, sayaka is her energetic and happy go lucky friend. Kyoko is the only one who from the start called sayaka out on her bullshit, seeing straight through her. And at the end, kyoko is the one who truly accepts sayaka. Sayaka as the witch Oktavia von Seckendorff is stated multiple times in official material to be "looking for love." In the end it it kyoko who gives her that love. Even when sayaka has lost her humanity it is kyoko who accepts her for the entirety of who sayaka is with all of her selfishness and desires. She is the one who sees what sayaka has become and stays together with her till both of their ends. Kyoko choosing to die with sayaka is her saying "I'm here for you, i know all of you, and I will love you regardless."

[himbosandhardwear]

Eddie has a bad habit of picking at his skin when he's nervous. Not, like, shy nervous or stage fright nervous, but the real kind of nervous, not-sure-I’m-gonna-survive-this kind of nervous. Like while he was alone in the boat house, he'd shredded every one of his cuticles. That time Hopper caught him behind The Hawk, very obviously selling his wares, he'd bitten his lips bloody.

Tonight he's picking a scab off his knee. It's practically healed already, so it won't bleed, he just needs to feel something on his body come loose before he does.

“You good, dude?” Steve asks, so in tune to Eddie's nervous disposition. Such a good guy. What a friend.

Eddie lets his head hit his knee caps with a thunk.

“Yup.”

Steve snorts. “You don't look good. I mean… You know what I mean.”

He smiles, tilting his head to look at Steve, always happy to give him a hard time.

“Oh, absolutely. You think I look good, don't cha, Stevie?”

He gets a couch pillow to the face for that, but they're both laughing so he doesn't think he's crossed the line yet.

Yet, yet, yet.

“Seriously, what's up with you? You've been quiet. It makes me want to call the squad.”

“Har har,” Eddie mumbles, but he does uncurl himself, sitting back against the couch again. “I'm trying to work up the nerve to ask for advice but it's-” Christ, he doesn't even want to admit to being embarrassed, that's how embarrassed he is.

“It's what?” Steve asks, the picture of earnest encouragement. “You can talk to me about anything, man, we're, like, bonded in blood or whatever.”

“Right. Yeah. Except this has the potential to get real awkward, real quick, and I'm not sure we're at that level of friendship yet.”

“Well,” he drawls, “if you ask me whatever it is that's got you all flustered I'm sure that will level us up. Right?”

“I'm not flustered.” God damn his red fucking face. Steve just laughs at him. “It's just, I don't have anyone else to ask about this. Jonathan probably doesn't have this particular problem, cause he's got- Uh. Sorry.” Steve waves it away, so Eddie goes on. “The kids are too young and the band guys don't understand what we went through-”

“Eddie, just spit it out.”

“Fuck! Okay, fine! You asked for it.” He takes a giant breath, steels his spine and just says it. “The Trauma is affecting my ability to get laid and I don't know how to fix it. Every time I get close to it I freak out and have to bail.”

There. All out now.

He looks over at Steve, and it's so much worse than being laughed at or pitied. He just looks sad.

He shakes it off quickly, hair barely moving, Eddie notes. He finds Steve's hair routine both endearing and ridiculous.

“Yeah. Okay. That's super common, just so you know,” Steve assures him first. “Robin says it's all connected, your mind and your body, so trauma can, like, get trapped in weird places like that. I can't play baseball anymore. Cause the memory of beating demodogs to death.”

“As you do,” Eddie quips.

“Right. But your thing. Uh. Yeah, it took some time before I could relax enough to even attempt getting laid, let alone actually do it.”

“So?” Eddie drawls, waiting. “How did you get over it?”

Something is off. Steve's not known for being skiddish about sex, but his hesitation and his inability to look Eddie in the eye is setting off alarms.

“Hey, if this is too weird for you-”

“No, I'm good, it's fine. Just, I'm the only person you have to talk to about this, so I'm gonna try to be helpful but, uh,” he scratches at the back of his head awkwardly, “in all honesty, I haven't been laid since before Vecna either. Way before. So. Yeah. Not sure I should be giving out advice on anything.”

That's crazy. Like actually crazy. He can't even compute Steve Harrington not absolutely dripping in women. He must have some look on his face because Steve gives a dry sort of laugh, self deprecating, and leans back against the couch with him.

“Weren't you on a date with Brenda Mulligan the night- Vecna’s first attack?”

Steve shoots him a look. “Y- Yeah, but that didn't go anywhere. We weren't, like, compatible or whatever.”

Oh, yeah, it was weird that Eddie knew that at all, let alone remembered it nine months later. “That's too bad,” he replies lamely.

“Yep.”

He feels terrible for dragging down the whole night, it would've been better if he'd just kept his mouth shut. But that's never been his strong suit, as evidenced by him blurting out, “If the hottest guy in Hawkins can't find a suitable date, what fucking chance do I have.”

Steve snaps, “Don't say that. What the fuck?”

Great, now he's gone and made it weird. Good job calling your straight friend hot, you fuckin’ dipshit.

They sit in the awkward silence, out of things to say or out of useful things to say. Either way it's them breathing, the clock ticking, and the M.A.S.H. rerun playing softly in the background.

Steve clears his throat. “Whatever, let's get back to the point. You don't have to tell me if you don't want but…what do you think the specific reason is for your…issue?”

He thinks about it. Has been thinking about it, for a while now. “My dick still works, if that's what you're wondering.”

Steve chuckles, high and surprised. “Good for you.”

“Yeah. It's more like, I can't get out of my head. I start worrying about my scars, explaining them if someone asked. I think about how even though I don't want anything long-term, I wouldn't be able to do long-term anyway, because I'm a fucking mess. If it's really bad, I'll get flashes of Chrissy or Patrick's bones snapping, as a little soundtrack to the fun shit happening outside my head.”

Steve looks sad again. Maybe it is pity but it looks more turned inward, like he's dealing with his own shit more than Eddie’s.

“You hooking up with strangers then?”

Eddie blinks at Steve. “Well…duh. Right? Not like I have guys lined up around the block here in Hawkins.”

Steve is full blown scowling at the TV. It's weird.

“What if-”

Eddie waits but Steve doesn't finish his thought.

“What if…what?” He prompts, giving a little nudge with his foot.

He's still avoiding eye contact, not even turning his head to look in Eddie's direction.

In a soft voice, almost too quiet to hear, he says, “What if we helped each other out?”

He must've heard that wrong. Or he's misunderstanding.

“What?”

“What if we help each other out? Like, a mutually beneficial arrangement.”

That can't be right. No fucking way. It's a test. Like as soon as Eddie agrees, Steve yells ‘Aha! I knew you wanted to molest me! Goodbye forever!’ and runs out the door.

“What, exactly, do you mean? Like, what are you getting out of it?”

Steve finally looks over. “Well, I would think that was obvious. If you're willing.”

Eddie's legs are starting to go numb.

“Okay, so I blow you and you blow me, except when you're doing it I have to watch you take it like you're being force fed liver and onions at Grandma's house?”

Steve slowly shakes his head no.

“Oh, okay, so you're going to blow me and enjoy it,” he snaps sarcasticaly.

Steve nods once.

“You want to blow me?”

“Mmhmm,” he hums without moving a muscle.

“Since when!” Eddie brings his octave down from the upper atmosphere. “Since when, Harrington? This is insane behavior. Should I call the squad for you? I'm serious. I'll do it.”

“You don't have to say yes. I was just offering.” He says it like Eddie isn't one green flag away from stomping on the gas.

He starts nervously laughing, which makes Steve flinch unfortunately, but he can't stop.

“It's cool, just forget I said anything.” He moves like he's about to get up and leave, which is fucking insane because it's his living room. Eddie stops him with a tight grip around the bicep.

“Don't you dare. If you're even remotely serious, we have to have a much longer conversation. Sit.”

Steve drops like a sack of bricks. Which is…something.

“Right. First off, this is uncommon behavior in a straight friend. Is there something you'd like to tell me, so I don't think you've been body snatched?”

He pinches at the top of his nose, like Eddie is inconveniencing him greatly. Too bad.

“I'm probably bisexual.”

“Probably?” Eddie asks with a raised eyebrow.

“I'm an inexperienced bisexual,” he amends through clenched teeth.

“Good. Great. Happy to hear it.” His heart may explode from his torso à la Ridley Scott's Alien but sure. “Second on the agenda, what do you mean help each other out? What's on the table? Mutual handjobs and then we never talk about it again?”

“No,” Steve answers immediately. That's good. “I'm open to…whatever you're open to.”

“Steve.” He has to clear his throat. “You dont even know what you're agreeing to.”

“I trust you.”

Fuuuuuck.

“Okay, right, uh, let's circle back to that later. Third thing, what, uh, what is your level of commitment with this?”

He just stares at Eddie, all doe eyed. It shouldn't work, Eddie fucking invented that look. It's gotten him out of more scrapes than he can count. Now it's being used against him but to what end? Does Steve want to get bundled up in a blanket and tucked into bed? Because Eddie can make that happen for him.

“Whatever you want, I guess,” he finally says. “I mean, like I said earlier, friends who help each other out. Casual. I'm not interested in looking for Mrs Harrington anymore and you're having a problem relaxing around guys who don't understand what you went through.” He makes a gesture like ‘Ta da.’

He's not wrong. It makes sense. But…

“Fourth thing. Is this just an experiment for you? Cause I'm all for you exploring your sexuality but, historically speaking, friends are a bad place to start.” AKA ‘it will break my fucking heart if you decide you're not that into it and it's because it's me.’

“Eddie. Look.” He gets more comfortable, facing Eddie straight on finally. “What you're going to provide is practical knowledge on what has only been theoretical up to this point, but the theory has already been well established.” He taps his head. “Understand?”

A smug confidence melts Eddie into the couch. “You liiike me,” he sings. “You think about me naaaked. You wanna-”

Steve lands on him, lacking any elegance or grace, and nearly caves their skulls in with his Jay Garrick approach to kissing. Eddie doesn't say a fucking word. He does wonder at the fucking majesty that is making out sober. What a revelation. Steve keeps making these tiny, almost wounded noises, to the point where Eddie tries to back up and do a check in but Steve doesn't let him, he chases him down and latches back onto Eddie's bottom lip like he's Hannibal Lector. It's stupid hot.

Everything is going great until Steve lets out a sound that legitimately has Eddie worried he's upset about something.

He pulls back and asks, “Are you okay?”

“Oh fuck, I'm sorry. I just can't, I can't believe I got this fucking far. You're so hot I'm losing my fucking mind.”

“Me?” Eddie snaps. “Dude, you're out of your mind.” He pokes Steve in his meaty chest. “Literal. Prom. King.”

“Fucking stupid high school shit, are you kidding me?” He sits up, straddling Eddie's hips, which is boner enhancing to say the least; he's got Steve's thighs in his grasp immediately. “You don't get it, I'm gone on you. I've got it bad, man. I was playing it cool earlier-”

“At no point tonight were you in any way playing it cool.”

“-but, fuck it, guess I'm ruining it, cause I can't be cool about this. I don't want casual. I don't even want to date you,” and before Eddie can even worry about that, he says, “I wanna skip straight to boyfriends, man. I know you said you didn't want long term with anyone but-”

Eddie interrupts again, this time by pulling Steve back down horizontal and kissing him like he just bravely declared himself as all in.

If this is a pod-person, well, that's a problem for Tomorrow Eddie. Tonight Eddie just landed Steve Harrington as a boyfriend.

[bigfootsboytoy]

Steve ends up heartbroken, lonely and depressed after season 2. Nancy called him bullshit, even after he ditched all his old friends for her. Billy Hargrove took his spot at the top of the food chain. He can have it, Steve doesn't really want it anymore. But Steve does want to find some sort of connection. Someone to have in his life who isn't an 11 year old kid he barely knows. He tries to go on a date one night, take a nice-seeming girl to a party. He wants to find connection, to kill the loneliness that's been building for months, but just as he's feeling kind of good about things, his date ditches him.

So. He decides to drink his feelings. He gets majorly fucked up, and ends up laying on the ground in the backyard, contemplating how much life seems to hate him.

Only to literally get tripped over by Eddie Munson, who was at this party selling pot and is very confused as to why Steve Harrington is alone on the ground with a bottle of vodka clenched in one hand.

Eddie ends up chatting a little with Steve, nothing substantial, but enough to know that Steve is very very drunk, and also very very sad.

He asks if Steve wants to go back to the party, and Steve staunchly refuses. He doesn't want to be around a bunch of annoyingly happy people.

He asks if Steve needs a ride home, and Steve just kind of shrugs. His parents just left for another trip, so home is kind of depressing right now too. But he doesn't exactly have any other friends he can stay with so. Home it'll have to be.

Only Eddie can *tell* he doesn't really want to go home, though he has no idea why Steve wouldn't want to return to his veritable mansion after a shitty night. The reason doesn't matter much. He offers to let Steve crash at his place. Steve can take the couch, or hell he can stay in Eddie's room if he doesn't mind sharing, that way he wouldn't risk being woken up when Wayne comes home that morning.

And well, Steve agrees. Can't think of any reason not too. Munson has been nice so far, he's got a good easy-going energy that Steve likes. Why not stay the night.

By the time they get to Eddie's, Steve is *slightly* more sober. Not much, but he's slurring his words a little less, and he can walk with only a little help.

Eddie grabs them each a little plate of leftovers, because he has no idea if Steve's eaten at all. It's quiet while they eat, Eddie doesn't push Steve to talk, and Steve isn't sure what to say. Eventually Eddie sets the plates aside and give Steve an easy grin.

"So, do you want the couch, or are you crashing with me?"

Steve thinks about it for a while. He hasn't shared a bed with a guy-friend since he was a kid, and he's heard rumors about Eddie, whispers in the hall about the way he looks at other guys. But...Steve can't really bring himself to care. He's tired, and he really doesn't want to be alone.

"I don't mind sharing."

Eddie sets them both up in his room, letting Steve choose which side of the bed he wants, and they both settle in. There's a respectable distance between the two of them, and Eddie says a quick goodnight to Steve, figures they won't talk and just go right to bed.

Except Steve isn't sober, and he really isn't in a good headspace, so he can't stop himself from blurting things out into the quiet of the dark room.

"Are you really gay?"

Eddie stiffens next to him, he can feel it, he can hear the way that the other boys breath cuts off and he seems to stop breathing all-together.

"It's okay if you are, I'm not going to be an asshole about it, I'm trying not to be that guy anymore. I guess I was just curious."

It's quiet for another beat before Eddie seems to loosen just a little. He starts breathing again at least.

"Yeah I uh- I am. Gay. And if that's weird the couch is still open, I can-"

"It's not weird."

"Okay."

Steve let's himself mull over this confirmation, and then his mouth starts moving again, without his permission.

"Is it lonely? Cause I mean, it's got to be hard to date in Hawkins. People here are shitty. Unless you've got like, a secret boyfriend or something."

"No...no secret boyfriend. It does get a little lonely sometimes. I'm lucky though, I've got my uncle, and my friends are pretty great. That's enough most days."

"What do you do when it's not enough?"

"Hmmm?"

"When your uncle and friends aren't enough, what do you do? To try and...make it better?"

Eddie is quiet again for a long stretch before he shrugs.

"I try to focus on something else. I'll play my guitar or work on a new campaign, read a book. Something to take my mind off it."

"Oh."

Now Steve is the one who seems tense, his jaw is tight and he's got his arms wrapped around himself. His next words come out as a whisper, but Eddie manages to catch them.

"I don't know how to do any of that."

He sounds almost choked, and Eddie is caught off guard. He's never seen Steve Harrington as anything other than solid, as happy. He's the king, after all. He's supposed to be all smiles and great hair. Only...Eddie's noticed that he hasn't hung out with his old friends lately, that he's eaten alone at lunch too many times to be anything other than strange.

"Steve...are you lonely?"

Eddie expects a denial, for Steve to laugh it off and tell Eddie that he's perfectly fine and fulfilled. Or maybe he expects a shrug, a non-answer. What he doesn't expect is the gut-wrenching sob that seems to tear past the other boys lips.

He doesn't expect to turn and see Steve Harrington's face, a scant foot from his, shining with tears.

He panics a little at the sight.

"Fuck- I'm so sorry-"

"Don't be." Steve tries to wipe his eyes, to hide the tremble in his voice. "Not your fault there's something wrong with me."

"What do you mean?"

"It's like I'm broken man, like nobody can stand to be around me. Tommy and Carol hate me now, Nancy- hell even my own parents hate being at home with me for more than a week. It's like I'm repellent or something. Couldn't even get a date to stick around for a whole night."

And Eddie's pretty sure *he* might start crying now. He'd never have expected this much from Steve, all that sadness to come pouring out. It wouldn't have happened if Steve was completely sober. Without thinking, he reaches out.

Eddie puts a hand on Steve's shoulder and waits to see if the touch gets rejected, but Steve seems to lean into him, so he lets his hand linger.

"This probably won't help, but I don't think you're repellent. And that's coming from somebody who your whole group used to torture. I don't know much about you, but I kind of liked having you around tonight."

"Yeah?"

"Yeah."

Steve gives him a tiny smile. His eyes are still wet with tears, and the smile doesn't come close to reaching them. He seems impossibly small here in Eddie's bed.

"I don't know man. I just wish-"

He cuts himself off, apparently deciding his words are too far, but Eddie urges him to keep talking.

"What do you wish Steve?"

"I just wish that... there was somebody out there I could have a future with. Somebody who actually loved me, you know?"

It might be the saddest thing Eddie's ever heard, and he blames that fact for what he does next.

He takes his hand off Steve's shoulders and instead hauls Steve closer to him, fitting the other boy against his chest and wrapping his arms around him. It's a move that might get him decked, but he doesn't think it will. And he'll be damned if he doesn't hug Steve right that second.

He doesn't get hit. Steve tenses for a second, but it's just that one instant before he's melting into the embrace.

Eddie feels more tears falling against his shirt, and he couldn't care less. He keeps Steve close, let's him cry into his chest, runs a hand through that famous mop of hair.

He isn't sure how long it takes for Steve to calm down, but eventually he does. His breathing evens out, and he shivers a little before speaking.

"Thanks man."

And Eddie takes another leap of faith.

"I could be that person, you know."

"What?"

"I mean. You know Im... not straight. It may not be exactly what you're wanting but. I think I could picture a future with you. If you want to, just for tonight...I could be that someone who loves you."

Steve looks at Eddie, like he's a puzzle that he needs to solve, before a other shiver seems to wrack his body.

"Just for tonight?"

It comes out as a whisper, but Eddie hears it all the same.

"Yeah. For tonight Steve."

"I think...I think I'd like that."

Eddie gives him the sweetest smile he can muster, and nods.

"Alright sweetheart."

Eddie isn't exactly sure what it means, to love Steve for the night. After all, Steve is straight. He figures it doesn't matter much though, it's only for a night.

He keeps a hold on Steve, let's him get comfortable tucked against Eddie, and he does what feels natural. He runs a hand up and down Steve's spine, traces shapes into the soft fabric of his shirt. He tangles their legs together, and in a moment of insane bravery he presses a kiss to the top of Steve's head.

He's met with a sigh, full of relief, and figures he's on the right track.

"Just close your eyes Stevie, I've got you."

"Can you tell me about it?"

"Hmmm?"

"The future. You said you could see one. Can you tell me?"

And he asks so carefully, he sounds almost afraid, Eddie can't say no to that.

"Do you want the fantasy future, or the realistic future?"

"The real one."

"Alright then. Well, if I'm not going to be a rich and famous rockstar...I'll probably graduate and get a job somewhere in town. A real job, maybe working on cars or something. I'm good with cars. You'd come over all the time, have dinners with me and with Wayne. You'd have to meet Wayne. And we'd have more nights like this, sleeping close."

Steve let's out a pleased sounding hum, and shifts his face so it's buried even closer in Eddie's neck. He can feel Steve's breath on him.

"We could save up money and get a little place together, somewhere outside Hawkins. I have to stay kind of close, for my uncle, but maybe Indy?"

Steve nods, mutters something about staying close 'just in case'. He sounds like he might fall asleep, so Eddie keeps going.

"We could get an apartment, nothing too fancy. We would get two rooms, so nobody gets suspicious, but we would share a bed most nights. I'd play with my band on weekends, just for fun, and you'd join some little local sports team. I'd make sure to schedule DND nights so that I never miss a single game, even though I don't understand a damn thing about sports. We would come home for holidays, but most of the time it would just be us. I'd take good care of you, make sure you never go more than a few hours without me telling you I love you. I'll show up wherever you're working just to give you a hug and a kiss, and make sure you don't forget it. And I'll annoy the hell out of, but you won't mind too much, because I'll make you happy too."

Eddie can think of more. He can think about so many things. How he could give Steve one of his rings, even if they couldn't legally get married, even if Steve would never want that. Just as another reminder that he's loved. They could take trips together and go out to parties where Steve will never have to worry about getting ditched. Eddie doesn't do things halfway, and he has a hell of an imagination. He could picture them growing old together, if he tried, if he let himself. But this is just for tonight, so he doesn't. Instead he runs a hand through Steve's hair again, and listens to his quiet breathing. He thinks he may have fallen asleep, but he's wrong.

"That sounds nice."

It comes out muffled, spoken into Eddie's neck, but he manages to make it out, and he let's the vibration of it sink into his skin.

*It's only for tonight.*

He has to remind himself, because Steve is just feeling lonely. He doesn't want that future with Eddie, he just wants to feel loved.

But even if it's just pretend, just to help Steve for a few hours, he's okay with that.

Steve may think he's broken, but Eddie thinks he would be easy to love for a long time. Loving him for one night is nothing. He doesn't even have to try.

Tomorrow Steve will wake up sober, and he'll thank Eddie for letting him stay over, and they won't talk about it. Eddie will drive Steve back to his car in silence, and they'll say their goodbyes. They may not talk ever again, they never had before.

But for tonight? Eddie Munson will love Steve Harrington, and Steve? He'll let himself be loved, let himself beleive it. And he'll love Eddie right back.

Just for one night.

And if Steve ever needs it again? Eddie will love him for another night. And Steve will give that love right back. He's got plenty to spare, after all. And there's far worse people he could share it with.

[yamujiburo]

Hello, I’ve always been impressed by your design decisions so I wanted to ask: are there any Pokemon or trainers that have really spoken to you design-wise? Not necessarily your favorite, but left a strong impression on you.

Hope the rest of your day goes well! ^^

Aw thanks so much! I love character design, it was my first passion before storyboarding actually

Here's my faves:

RYME!!!! They nailed that older gen rapper look. Backwards cap, sequins, lots of gold and a puffy jacket! Also I'm not quite sure this is the intention with her shoes but they kinda look like grillz which is sick. I'm a sucker for a limited palette so the black, gold with turquoise accents in her nails, mic, earrings and eyes spoke to me. Also OF COURSE her hair (you're gonna se this pattern for the next two LOL). Making her locks look like a skeleton??? Genius. I love the hand bone for the front and the hip bone for the back. Literally one of the coolest trainer designs pokemon's ever given us.

GRANT! Just an immediately readable design. Oh, he looks like a rock climber, must be a rock type gym leader. Simple fit, I love a sleek black top. The carabiner, climber straps and chalk holder add a little more complexity to the design but not too much. It's a smart choice with how wild his hair is. I feel like if you do too much in the fit AND the hair, you risk your design feeling overdesigned and busy. I love that his hair is meant to look like a rock/cliffs with the holds! The holds add a nice dash of color without being too much.

AMARYS <3 It's the fact that she's in uniform but still has a design that immediately caught my eye. But to her being in uniform, I find it really cool that the other Elite 4 members really alter theirs or have accessories that make the uniforms feel like their own or really different but Amarys doesn't really. It goes to show how rigid she is and gives you the impression that she's a very "follow the rules" kind of person. Her main accessory seems to be her boots which just LOOK heavy, and sleek and look like they have bolts in them. It really makes her design feel bottom heavy and grounded which I feel is appropriate for a steel type trainer. Now, hair. Look at her hair. SO GOOD. I loveeee that pokemon is utilizing black hairstyles like this. Her hair being screws that kinda resemble banto knots is so CUTE. The could have left her hair at that but the braid across her forehead adds a nice asymmetrical aspect to her design. It's so cool that it mirrors her pocketwatch chain, creating a focal point on the school crest. And lastly her glasses! Super cute, I think it's cool that it gives the illusion of bottom lashes which makes her eyes feel a little more droopy or sad than they really are. It just really brings her facial features all together and helps sell her personality.

[kaerran]

i’ve been reluctant to post this because uh i’m not sure anyone does these anymore but i WAS proud to cap everything. except blu. why is blu so annoying

yes i made this in october, what of it, i haven’t had a sub in a few months ok, i would love to be playing but i’m holding out hope for starlight before i jump on the free time

[a-aexotic]

HEYYYY! So like every other mf on the planet right now I am in my hunger games era!!

Please could you write a Finnick x Reader where she is selected for the quarter quell (Maybe in her games she was lethal and killed like 10+ people?)

And when Katniss shoots the arena in catching fire she gets taken by the capitol (Like Peeta) and they torture her and shit? Then Finnick and her get there reunion she’s all like battered and bruided and it’s dead sad? Not sure if this made sense because i’m half asleep and dyselxic but let me know😭🤣

Maybe he says “It’s okay baby i got you” ??? x

hey of course i can! i hope u enjoy it babe <3 its a tiny bit long! my apologizes

cw's: angst, mentions of killing/dying, typical thg stuff, torture, ptsd, lmk if i missed anything

You were one of the youngest victors alongside Finnick, being only 15 and having won your games. You were also from District 4. You won the 68th Hunger Games, a few years after Finnick.

When you were reaped, Finnick and Mags were your mentors. Finnick came off as self absorbed and arrogant but once you started talking to him, the more you realized that was total bullshit. He wasn't how the Capitol portrayed him, he was much more caring and compassionate. He was very sympathetic to your situation, having gone through the same things.

During your time in the arena, you were one of the most ruthless tributes of all time. In the beginning, you were easily overlooked. The tributes weren't thinking that you were going to be much of a challenge because of your size and the way you carried yourself.

But that was exactly how you wanted to be portrayed. You tricked the Careers into thinking you were some naïve little girl, stabbing them in the back (literally) the first chance you got. The Capitol loved the turn of events, cheering you on.

When you had come back home, you had finally understood the intensity of what you had done. You had killed a whole group of people, ending their lives permanently. Those people had lives and family who loved them, and now they're gone because of you.

You suffered through months and months from never ending nightmares. Even getting consoled by your mother didn't help anymore; she doesn't understand. You didn't even feel worthy of food anymore.

You closed off Mags and Finnick when you had come home, driving yourself into isolation and depression. You rarely went out anymore, eating one meal a day and slept more than 80% of the day. Even sleeping couldn't mend the eternal tiredness you had, the void that filled your body.

Finnick had felt more than responsible for your pain. He gave you time before he realized he was just adding to your pain. Even when you didn't communicate back to him, Finnick visited you every day. He gave you advice and told you what he had went through after the Games as well. Eventually you opened up more to Finnick, and slowly, he had become your best friend.

He had told you that numbing it wasn't going to make it go away. He reminded you that you had him and Mags to help you with this process, and that you weren't alone despite of how you felt.

He helped you regain your sense of purpose again, your self image again. Finnick had singlehandedly helped you rebuilt your sense of self again.

He saw a part of you in him, that scared 14 year old boy who was trying to go back home to his parents. He never wanted anyone to feel that, especially you.

He promised you that he would never let anything bad ever happen to you again.

During your Victor's tour, Snow had suddenly deemed you desirable by the Capitol, wanting to sell you as he did with Finnick. Finnick couldn't risk getting involved, wanting to protect his family.

Every night in the Capitol, you were always consoled by Finnick. Every time you had to do a favor, you remember walking to Finnick's room to sleep, not baring the thought of having to sleep alone in the cold bed. He was always there, holding your hand comfortingly as you both slept.

The Capitol adored you both, nicknaming you the princess and prince of Panem. The more time you spent with Finnick, the more the media had speculated a relationship between the young victors.

You and Finnick had connected in many ways. Both having the same trauma, it was easy to talk to him and for him to understand how hard it was.

You and Finnick eventually got together a few years later, then getting married (in secret, of course) almost right after. You were both deeply in love.

Finnick found solace in the thought of always having you by his side, remembering that no one could tear you apart. That was until the Quarter Quell was announced.

You and Finnick were sitting at the edge of the couch, listening to Caesar's words carefully as he explained that this year's Hunger Games was going to be very different.

When it was announced that there will be only be Victors in this year's games, you heard dropped. You looked over at Finnick and he shared the same terrified look on his face.

--

When Annie's name had been called, you without any second thought, put up your hand. "I volunteer as tribute."

The crowd gasped and you looked over at Annie and you could tell she was a bit relived but still scared nonetheless. You immediately embraced her tightly, letting her let out a small sob. "It's okay, you're okay."

Mags looked just as terrified and you took her hand. When Finnick's name was called, you felt your stomach drop. Not only were you back in the arena, but you were with Finnick.

You looked over at Finnick and he looked prepared to fight. You both stood up and he grabbed your hand, raising it up in union.

The trainride to the Capitol was pretty uneventful. Finnick had wanted some time to think about the plan and so did you. A part of you knew what he was planning; he kill everyone else in the arena and then eventually himself, all for you.

As you sat on the bed, you felt the sadness and anger turn into numbness. No amount of crying was going to stop the Quater Quell and you had to be smart.

You didn't want to survive without Finnick. You were either winning with him or dying with him. Life would be meaningless without him.

Finnick knocked on your door slightly, before walking in. You looked up at him and he gave you a small smile. He took a seat next to and took your hand.

"I have a plan."

"Finnick, I know what you're thinking, and no. You're not killing yourself for me."

Finnick looked defeated. "One of us has to survive, Y/N. For Annie. For Mags."

You look a deep inhale, looking away from Finnick. "I don't want to life without you, everything would lose all it's meaning without you."

Finnick felt his heart burst into two pieces as he squeezed your hand. You felt your eyes watering again and you couldn't help but let out another quiet cry as Finnick pulled your head in, as he embraced you tightly.

"Shh, it's okay. I promise, I won't... I won't leave you."

--

It had all happened so fast, you couldn't even comprehend what had just happened. One moment, you were with Finnick trying to find Johanna and Katniss and suddenly there was big loud boom. You were relieved for a moment; Plutarch's plan had worked. Until you realized how far away you were from the others.

You were wandering, trying to find anyone until you heard people behind you. You turned and then you saw some unfamiliar faces; suddenly, your vision went black.

Then, you woke up in a white room. You felt like your stomach had dropped out of your body once the realization hit you; the Capitol captured you.

You were strapped down to a bed and you couldn't move or shake it off. The severity of the situation had hit you; even if by some miracle you did escape, where would you go? How would you find your way to 13 and back to Finnick?

You knew how ruthless the Capitol was to everyone who disobeyed them. Your worst fears had come true and there was no getting out of here.

You heard the door open and you saw some Peacekeepers come in and then you saw the person you dreaded to see most; Snow. You felt like your whole had come crashing down, how could this nightmare become any worse?

"Hello, Y/N."

You didn't respond, resorting to stare at the wall in front of you instead.

He tutted disappointedly. "Out of all the tributes, you were the one I expected least to be involved in this mess. You are the Princess of Panem... What a shame."

You still hadn't replied and you hadn't dared to look at Snow. Months and months you spent trying to heal the trauma he had caused you, you were sure if you had to look at him now, you would break.

"I want to take mercy on you, dear Y/N. If you tell me everything you know about the rebellion, I will make sure the Peacekeepers are gentle with you."

You shook your head. "No."

He let out a small chuckle. "Sorry, I couldn't hear you. What?"

"No." You said again, louder.

He hummed in disapproval. "Okay then, you leave me no choice. You are going to regret this."

He nodded to the Peacekeepers and walked out of the room. You were then met with Peacekeepers, loosening the straps then taking you to another room.

If Snow knew one thing about you, it was that being only physical with you wouldn't hurt you enough. He had to hit you were it hurt most.

They threw you in the seemingly vacant room and immediately locking it. You were confused until you heard it.

"Y/N, help me!" Finnick's voice screamed. "Please, help me! Get up and do something, they're killing me! Please."

You looked everywhere in the dark room, trying to find the source. It kept going.

"Y/N, please! Help! What the hell are you doing, just sitting there? You are such a disappointment!" The voice started shouting. "We should've just left you to died in the arena! You are useless!"

Now this was something new. Your body was filled with panic and fear and even though you knew it was fake, you felt like you were going to throw up from all the noise.

Suddenly, Annie's voice came in as well. Then Johanna's. Then your mother's. There was nonstop noise filled with screams for help, shouting with disapproving messages. Your body couldn't handle it; it was so overwhelmed with fear that you started shaking on the ground, putting your hands on your ears but that did little to nothing.

You wanted it to stop. It was too much, you were trembling. It felt like days, just sitting there in that room listening to all those demeaning voices of your loved ones. You couldn't even think straight anymore.

It was so bad you had started to pound your head on the ground, screaming and crying. You had have enough. And then, it all stopped. Silence was foreign for you; your ears were ringing.

You were sitting on the ground, almost lifeless as the Peacekeepers took you away. Your eyes hurt from the tears, your body sore, your ears ringing and your head was pounding.

But you knew that was just the beginning.

--

You were asleep in bed and you were awakened by the door opening, you instantly jolted up. You looked over to see a group of masked men in front of you and you had started to tremble again, silent tears rolling down your face, thinking that the Peacekeepers had come again.

"No, no, no." You started to mumble to yourself.

A man came up to your and took your bruised hand slowly, rubbing it gently in silent empathy. That was the first soft touch you'd felt in a few weeks and it almost stung.

"It's okay, you're safe now. You're going to 13 now."

You had to blink a couple times, trying to process what he said. Was this a dream? You went to pinch yourself but it was real life.

He then helped you up but you couldn't help but stumble; your legs were weak, you couldn't remember the last time the Peacekeepers let you walk for this long.

As you got into the hovercraft, you saw Annie. Your eyes widened as you both ran up to each other, embracing each other. She had started to cry a little bit and so did you.

That was when it hit you. You were going to see Finnick. You were going home. You started crying into Annie's shoulder as she held you. "We're safe now, we're safe."

You had seen Johanna as well but she didn't seem too responsive. Neither did Peeta. You fell asleep on Annie's shoulder on the ride back and for the first time, you actually felt yourself drifting off calmly.

--

There were lots of doctors and nurses looking at you and asking you all sorts of questions and you tried your best to answer them. You were still in shock; you were safe. They couldn't hurt you anymore.

"Y/N?" You turned around to see Finnick. You immediately got up from the examiner's table and ran into his arms, your eyes starting to water up again.

"Finnick," you sighed slowly. You pulled away, putting your hands on his face and touched him as if he wasn't real.

"Are you.. Are you really here?"

"Yes, I'm really here." Finnick looked at you and suddenly his voice transported you back into the dark room. You quickly twisted out of his embrace and his expression changed.

His voice was back and you heard all of the nasty things he had to you. You back away, stumbling into the examiner's table and your breathing became heavy. "No, no, no, please-please go away. No."

You slid down to the floor and you closed your eyes, putting your hands on your ears and rocking back and forth trying to get that voice to stop.

Finnick ran up to you and put his hands on your knees, trying to get you to look at him. His heart broke in half; he didn't know what the Capitol had done to you but now he knows it has something to do with him.

Of course the Capitol would try to ruin him. His eyes started to tear up at the sight of you, in so much pain and panic.

You opened your eyes, Finnick in front of you. You started to cry some more before Finnick slowly went up to you, wrapping his arms around you.

When he had started wrapping your arms around you, your instinct was to push him away but his warmth was welcoming and safe and you started to focus on his touch. The voices slowly drifted away, the sounds of your silent sobs only being heard.

You then gave into Finnick's touch, falling into him and putting your head in his chest as he caressed your back gently, shushing you.

"It's okay baby, I got you. You're safe now, they can't hurt you."

[suiana]

The death of an artist

he's always found you beautiful, even in your death and rebirth. you'll always be perfect to him. always

(yandere! musician x gn! reader) (cw: yandere stuff idk, im wiritng this while shitting i hope u enjoy my poopoo core, 2.04k words)

you might not have realised it but your silent admirer had always watched you.

he's watched you from the shadows, observing how you interact with others, how your eyes were once full of light and joy as you shared your paintings for the world to see.

it was beautiful.

you were beautiful.

he was but an aspiring musician back then. a couple of listeners here and there but never enough to fill up a concert hall. meanwhile you were a famous artist, with your paintings selling out for millions at all the art exhibitions you hosted.

you little admirer totally idolized you.

i mean, who wouldn't? all your paintings were so full of life, oh so meaningful, and most importantly, they were made with love.

love, love, love.

it was the one thing that made you stand out from all the hundreds and thousands of artists. the one thing that inspired him to even start writing songs.

your art made him feel loved. it made him feel wanted, even. he remembers how he'd get a fuzzy feeling from all your paintings, how it sent a delightful tingle up his spine as he takes in your carefully crafted masterpieces.

though there weren't any texts, all of your paintings spoke a thousand words. and they spoke to him.

with every new piece you put out, it was like he was getting to know you better. to know you on a personal level. it made his head spin and his heart leap in delight. after all, you were his idol. the one he admired so much that he began to pursue a music career dedicated to you. the career he once left behind in favour of living in this sad world.

though at one point in time, he hit a wall.

he couldn't get any ideas, no fresh inspiration for his music. the musician could only stare at his score as his mind desperately grasps at nothing. he felt like he was dying.

then you came through, like an angel of salvation.

well, looking back, you were more like a demon of salvation. especially because that one single text from you kick-started his disgusting love for you. it feels wrong to call you a demon though, not when you were so holy that he feels like touching you will corrupt your divine light.

he still remembers waking up and seeing your text on his instagram DMs. your bright red notification ping that gave him all the motivation he needed to think of a new idea.

'hey! just wanted to tell u i really enjoy ur music! cant wait to see u get famous >w<'

he swears he could die happy just seeing you message him. you messaged him. you know of his existence??? no fucking way bro. he still wonders if he used up all his luck when you messaged him so innocently that day.

of course... he responded and thus began a friendship (?) between the two of you.

friendship. yeah, maybe for you.

truth be told, he doesn't know if he ever saw you as a friend to begin with. he always thought you messaged him because you were interested in him too. whatever, these small details aren't important.

he released a love song not long after your first interaction with him. it instantly became a viral hit, taking his follower count from the thousands to the millions. he was glad it performed so well on the charts, they were his feelings to you after all.

the now famous musician had to thank you for getting him out of his rut. without you, he'd probably have gone back to doing medicine. so he did the best thing and that was to invite you out for a meal. he had to thank his muse, didn't he?

you were a little hesitant at first. that's okay, if anything he thought it was cute that you were suspicious of him. there will be plenty of time for you to warm up to him later.

the little get-together, or first date as he likes to call it, went well! you two saw each other in real life for the first time! and boy was he smitten. if he was unsure about whether he was in love with you before, he sure as hell was sure now.

you were so much more lovely in real life than you were over text. all smiles and laughs, your admirer feels that his songs didn't do you justice.

"this was fun! let's do this again!"

oh for sure he will do it again. he just wants you all to himself now. to keep you with him, a never-ending source of inspiration for the rest of his life. his beloved muse. the one he writes for. the one his songs are dedicated to. his.

so your falling off played out nicely in his favour. you were trying out an experimental style, said that he inspired you. it was one that not many would be able to understand at first glance, completely different from what your previous one was. your loyal fans stood by your side of course, him included. but the general public eventually started ignoring your newer pieces in favour for something they didn't need to use much thought to understand. for someone fresh, someone new.

he could see the way the light in your eyes slowly started to dim at the lack of interaction. sure, you said that fame wasn't important to you, that all you wanted was to showcase your art to the world.

but your little admirer could tell that it was bothering you more than you'd like to admit.

he saw the way your texts with him grew more erratic, the way the vibrant life in your eyes started to slowly dim, the way you started pushing out more works to compensate for the style change. you were desperate for the attention you once received. the way you changed in real time, becoming a slave to the consumers, like an animated robot that pushed out art just for the sake of it...

it was a little sad to see to be honest. it was like you were there, but you also weren't, you know? your name was on the artwork but he didn't see you in it.

but he was glad things turned out the way it did. it meant that he could be there for you when you cried and felt like a mistake. it meant that he could offer you a shoulder to cry on when the times were really bad.

"there there, it's alright. just let it all out."

his gentle caresses as you cried your heart out into his chest... it was delightful to see you depend on him so much. that you'd come seeking comfort from him in such a dark period of your life. he felt so wanted by you.

meanwhile, his fame was only growing larger by the day. while you were on a path to being forgotten, he was making a name for himself in the music industry. brand deals, billboards, advertisements. he was everywhere, like a ghost haunting you, to remind you that your friend was thriving while you weren't.

the musician wonders whether you've ever hated him. that you'd think he was stealing all of your fame. after all, your fame went down not long after you messaged him. he really wonders whether you've ever blamed him for making a change in your art style.

it doesn't matter now.

the artist in you was gone.

"hey, what if you make me an album cover?"

you only stared at him with dark eyes before looking away. everyone around you had slowly started distancing themselves from you. the change in your personality and looks had scared them. everyone but him had stayed. his words about horrid snakes deceiving you fill your head as you cling to the attention he gave you. who were you to deny your only friend left?

"sure."

you didn't give much thought when designing his new album. it was an avant garde album that had themes about desperation, love, and death.

how ironic, you thought.

you gave the complete piece to him a few days after, heavy bags under your eyes as your friend hugged and kissed your cheek. he's been taking care of you recently. having you move in with him, cooking you food and covering all of your expenses. he treated you like a lover. albeit you found it a bit weird that he told you not to leave without his consent. said that he didn't want people to harass you. you found it sweet of him. you were glad that he cared for you so much.

"my dear artist friend designed my new album cover, yes. i think they were a perfect fit to help design this particular album cover. they're..."

your fame immediately came back. interviews, likes, commissions, the things you were once familiar with came running back at full force after your friend's interview with a big channel.

you think if this happened earlier you'd have caved under the attention. the big spotlight, fans.... the attention will always be intoxicating. even now, you feel yourself smiling at the number of notifications you're receiving from strangers.

but you've realized that their attention is only temporary. the second you grow irrelevant they'll drop you again. just like they did before.

the only one who matters is your friend. the one who whispered sweet nothings and reassured you when you were drowning in a mass of nothingness. the one who gave you the attention you craved.

you immediately started a new piece in a new style.

'Intertwined'

a painting that gave you more fame than what you initially had before. it was a piece about self enlightenment, discovery, and contentment. and some claimed that it was the best painting that you've ever made. a masterpiece.

you showed your friend your work right after you were done and you could've sworn you saw a hint of shock in his eyes. maybe also fear? you don't know.

"this is... beautiful."

his words were slow, gaze intense as he stared at your painting for what felt like hours. you think he was mesmerized. you never asked him.

you made another painting after that.

'final duet'

again, people claimed that it was a masterpiece. your friend looked stunned again and he called it beautiful like always. he told you that he's never seen something so artistically perfect before and that he's proud of you. you like it. his compliments make you happy.

"this one is for you."

you made another piece. a simple painting of him in your style.

'untitled.jpg'

"is... it mine now?"

he proceeded to draw you into the painting as well after your words. you didn't understand what he was doing. but you found it cute. he was drawing you?

"there. now it's perfect."

he smiles down at you before pressing a kiss to your forehead like he always does. you've grown so used to his kisses that you were expecting one already. you lean into his touch before smiling softly.

"i'm so happy with you."

"me too."

the seed of life was sprouting once more, growing around the stem that it's learnt to grow dependent on.

he was everything to you. you feel like you'd die without him. but you know it'll never happen because your dearest friend will always remain by your side. he promised you. his words are like gold. he's the only one who matters.

you never want to be apart ever again.

thus you made your final masterpiece about love and dedication. a flower thriving in a dark environment and growing to love the dark, having died in the shining light once before.

'rebirth'

the blinds to the outside world shut on the two of you. no one else is important. he tells you he loves you. you repeat it. his hands wrap around you as you lean into his cold touch. you're cold too. you used to be warm once, he says he likes you cold better. shutting your eyes, all you focus on is the steady beating of his heart.

now no one will ever bother the two lovers ever again.

[tritoch]

i have seen people be like "if you think what the dawntrail protagonists do in zone six is valid you have to conceded emet's approach/perspective was valid, what you do is basically what he does" and it's like...nah. it's obviously intentionally very similar ("it's like poetry, it rhymes") but there's some key differences:

emet is disgusted by sundered life, which he sees as inhuman, and longs to return to the unrecoverable past. so he does seven(ish) planet-wide genocides. the endless aren't new life, their ability to grow and learn is specifically in question (at the very least they are fundamentally incapable of taking in new sensory experience of certain forms), they're shades from the unrecoverable past, and you are destroying them in favor of those still alive.

also, we aren't disgusted by them nor do we think anything is fundamentally justified if done to them (everyone pretty much no-sells cahciua "we aren't alive so it doesn't matter if you kill us :)," in fact). we don't have like 12,000 years and the most advanced magic known to anyone alive. we are forced by serious exigency to destroy them due to a political impasse with their leadership's policy re: resource extraction. this tonal difference is in fact extremely important.

the endless themselves seem pretty ambivalent about the whole deal. they're bored or they're wary of the way their world keeps shrinking, and it's very explicitly neither a functioning society by any recognizable human terms nor a paradise.

related to the above, basically every named endless turns to the person most relevant to them (cahciua to erenville, krile's parents to her, namikka to wuk lamat, otis to you) and is like, huh, i really appreciate having this moment of grace at the end of my journey to see that it was all worthwhile and to resolve my lasting regrets, but i understand what you're here to do and yeah, it's probably time for us to go. (does the writing put a finger on the scale by doing this? sure, but the writers also designed and built the scales and everything they're weighing on them, so i find it hard to discredit any one aspect for being the writers' invention.)

finally uh no one in the party has kids with the endless or lives a full human lifetime as one of them lol.

it's important to remember that emet was definitely at least somewhat lying about not seeing the sundered as real people. the fact that he has "lived a thousand thousand of your lives . . . broken bread with you, fought with you, grown ill, grown old, sired children and yes, welcomed death’s sweet embrace" makes everything he did soooooo much crazier than what you do. if i managed to convince an endless to fall in love with me and i had a kid with them and i loved that kid so much that their death threw me into a permanent grief spiral then like. yeah i guess i would have to be like "well hats off to emet, folks." but luckily the game doesn't make you do that.

even if you insist everyone in living memory was a full living person that we killed, you're still weighing like a city of people versus 7+ planet-wide mass murders. you do not under any circumstances got to hand it to him.

living memory absolutely is evocative of everything that happens in shadowbringers. but rather than placing us in emet's shoes, it forces us to relive what we already did, to really fully face up to what we have done by promising to remember emet's culture after destroying any chance of its return. after two games going hard on the hope part of the game's central theme of hope arising from grief, now we're doing grief. we are forced to see the past of our memories not as a cold, ghostly art deco cubus-plagued socratic method hellscape but as the most beautiful technicolor theme park where everyone's happy and no one's sad and there's parades every day and your parents are alive and they love you so much. and then the game's conclusion is, yeah, you were still right to let go. in fact, you were and are morally obliged to let go. the living were and are worth more than the dead. our grief in letting go of them may be immense and turns our world to bleak nothingness for a time, and that is important to recognize, but at the end of the day our most pressing duty is to those we can yet save, not those we have lost.

[cutiekaijumuseum]

A little trivia for those that just got introduced to Ultraman thanks to Ultraman Rising

You know that part where baby kaiju Emi is shown a kids cartoon with an earworm of a song?

That cartoon is real!! It's called Kaiju Step Wandabada and it stars cute kid versions of different monsters from different Ultraman series (mostly the original from 1966 wich Rising is also based on). The opening shown in the movie is in stop-motion while the cartoon itself is in 2D.

The Ultraman heroes don't appear in person, but bizarrely enough they seem to exist as fictional superheroes in-universe, with the kaiju kids having toys and dolls of them. It's no surprise Emi liked it so much! She would be right at home in this show!

The episodes are 5 minutes long, there are two seasons of 26 episodes each for a total of 52. The official Tsurubaya channel has the first episodes of both seasons uploaded...

...but the rest were sadly only up for a limited time cuz gotta sell the dvds. What is officially available online right now is a series of educational shorts.

Some years ago Marvel Comics got the rights to make Ultraman comics and made a mini-series called "The Rise of Ultraman" (no relation), and these Kaiju Step designs got to appear as part of in-universe instructional videos about dealing with monsters and aliens:

So let's have a quick rundow on the little monsters and where each comes from:

Pigmon or Pig-chan is the main protagonist and new kid in town (forest). This coral-looking guy is one of the most iconic and recurring ultra monsters and the go-to kid-friendly one, as he stood out among the original set of kaiju for being friendly and heroic (as well as human-sized). He has the bad habit of dying in many of his apperences but fortunately that's not the case here.

Kanegon or Kane-chan is the second member of the protagonist trio, and the most energic and simple-minded. A coin purse monster that eats money, and usually a human kid under a curse. He actually pre-dates Ultraman, appearing in the black-and-white anthology series Ultra Q wich had monsters but not superheroes. Fortunately this one doesn't need to eat money and was born a kaiju.

Alien Dada or Dada-chan is the reliable but temperamental inventor of the trio, he dreams of building a rocket ship. One of the most iconic villains from the original 1966 Ultraman (and that's saying a lot), it's a weird alien with weird powers looking for human subjects for his weird experiments, like testing his shrinking ray. He really earns the name of a weird art movement.

Gomora or Gomo-chan is probably the most iconic ultra kaiju of all. Remember how in Ultraman Rising there is this whole sequence where the dad omniously talks about fighting him? There is a good reason for that. Gomora had the only two-parter in the original 1966 series, and was able to actually defeat Ultraman in their first figh. He's essentially Godzilla if he lived underground rather than underwater (He's even been a good guy and had a robot counterpart). Here, however, Gomora is a chill guy who's passionate about agriculture. (btw, you can also spot Gomora in Rising on a screen around an hour and eight minutes into the movie).

Red King or just Red is another iconic ultra dino, that looks like corn. In the show he's brute but well-meaning, and has a friendly sport rivalry with Kemur-chan. But in the Ultraman series he's a sadistic and murderous bully who beats up weaker monsters but gets his butt kicked rather easily by Ultraman (although more recent incarnations have have been more positive, both in his fighting ability and sometimes even becoming a loving father). (and yes, you are right, he's not red).

Jamira or Jami-chan is a passionate archeologist and fossil collector in the show, whereas in the original Ultraman he was a human astronaut that got infected by a virus. He hasn't appeared much beyond his debut... but doesn't need to, as his episode was very memorable in how sad and tragic it was. I can't imagine the target audience's whiplash seeing this cute creature one moment collecting fossils and the next having a horrible sad death. I guess one could say the same for most of the characters, but this one takes the cake.

Miclas or Mic-chan is the youngest character, a baby, and loves bugs. He was one of the "capsule monsters" from the second ultra series, Ultra Seven. Sometimes the titular ultra wouldn't be able to fight himself so he would summon up to three very loyal monsters from little capsules to do the fighting instead (or at least buy some time, they weren't very strong). One was a triceratops, another was a robot bird, but the most iconic had to be Miclas because really, what even is he? Some kind of bull toad hybrid? (By the way, fun fact, the capsule monsters were one of the inspirations for Pokemon).

King Joe (yes, that's his name) or Joe-chan is a robot controlled by alien invaders and is to Ultra Seven what Gomora is to the original Ultraman: he's the subject of a two-parter and was able to beat the hero to a pulp at first, made harder to fight by his ability to divide into three flying parts. Fortunately this Joe is very shy and very friendly.

Eleking or Ele-chan from Ultra Seven is another of the "mascot" ultra kaiju. If two ultra kaiju have to appear in anything, chances are they will be Gomora and Eleking. In fact, in Ultraman Rising you can see Eleking in a monitor right next to Gomora (around an hour and eight minutes in). It's a dinosaur-like eel monster with (of course) electric powers, and the enforcer of an all-female bug-like alien species set to conquer the earth, that are nonetheless very affectionate towards their pet-weapon dino-eel. The fact that Eleking's masters are always women may explain why the Kaiju Step one is a very femenine and elegant girl despite having King in the name, though no less dangerously electric.

Alien Guts or Guts-chan here is a very little alien bird child who can multiply into three separate individuals to cause all the destruction in their sincere attempts to help out. The original duo from Ultra Seven meanwhile are ruthless alien invaders that are infamous for freaking crucifying the aforementioned hero, leading to decades of japanese media having christian imagery for the sake of looking cool, most notably Neon Genesis Evangelion, because these birds did it first and it looked so cool.

Alien Kemur or Kemu-chan is a very agile alien that comes from the distant future of 2020 to consume humans and extend his lifespan. Here he's a friendly but competitive ninja from the present, and has a rivalry with Red King being the speed to his strenght. Like Kanegon, he pre-dates Ultraman, being from Ultra Q.

Motokureron or Kureron-chan originates from the whimsical, fairy-tale like Ultraman Taro. A kid found him as a baby and fed him until he grew to giant size, but when the kid couldn't feed him anymore he turned destructive; fortunately he was easy to pacify with food, including the kind that made him shrink. He retains his glutonny and clumsiness in Kaiju Step, often doing the bad thing (tm) so the others can teach the kids in the audience why you shouldn't do the bad thing (tm).

Nova or No-chan originates from the surprisingly dark Ultraman Leo. This creepy and bizarre ghost-like alien created a red mist that made people go crazy, and manipulated a kid with illusions of his deceased family, and under his cloth there are lots of tentacles and a scythe. So of course, in Kaiju Step she's a happy and energic little girl that loves to sing.

Mugera or Muge-chan is by far the most obscure kaiju of the cast. She's from the 2001 series Ultraman Cosmos, the one where the titular hero protects monsters instead of fighting them. Mugera is an ET-like cryptid that lives in an amusement park that only kids can see, with the ability to fix toys and heal wounds with her magic. After the amusement park closes down she phones home and the protagonists have to protect her from the goverment wich is a little too eager to shoot down the UFO that came to pick her up. In Kaiju Step she likes reading and plants.

And that was your daily dose of kaiju sugar, that may be overdose because you probably already met Emi. Cheers!

[neil-gaiman]

So in my creative writing class my professor said that she had a few novels that didn't sell and were shelfed. That she doesn't think they'll ever get around to getting published and that she doesn't really want to publish them because they're, now that she's grown as a writer, practice novels. This is honestly really encouraging to me because she's an incredible writer and knows her craft so well. Anyway I guess I wanted to ask if you have similar experiences? Stories where at one point they were really important to you and your development as a writer, but they didn't sell and they may only ever see your circle of writers/editors/family/etc?

If you do, does it make you sad not to share them or does it feel like they fulfilled their purpose and are important in their own right?

I haven't been published yet (tbh I keep letting my anxiety keep me from submitting anywhere) but it's been really encouraging to hear about writers I look up to and their successes and failures. It makes everything less scary, I suppose.

Love your work and all that you do <3

My first book sits in a box in my attic, came out in 2003 to be read aloud to my daughter, and then went back to the attic for good.

[married-to-google-translater]

What would happen to Ruggie MC sells hugs au? Does he not get hugs?

Mc gets fed up with their money problems and starts selling hugs

Ruggie: * looks sad * Mc: *walks past* Hey Ruggie what's up? Ruggie: Not much. Mc: everything ok? Ruggie: Oh yeah. Mc: If you don't want to talk about it that's okay… Do you need a hug? Ruggie: I don't think I have any money… Not now. MC: Oh (Still wants to hug Ruggie) Well that's ok…. How about we make it so you help me with my homework in exchange for hugs? Ruggie: * Smiles * that sounds good

Ace eavesdropping nearby really doesn't like this.

[morbus-mlm]

Gravity Falls Headcanons/Things I Think About Often (Prev)

⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋

- Mabel's modern artist who we heavily associate her with is Chappell Roan, especially her with the song HOT TO GO! Dipper deserves the same treatment but with Conan Gray okay. I need to see an edit of this silly guy set to Lonely Dancers.

- Pacifica lets her natural hair out once she leaves her family. It's closer to an ash blonde

- Wendy has always been a horror movie girlie, she's seen it all.

- Some of Wendy's friends made those "summoning ___ at 4 am" videos because they were bored, what else is there to do around this town anyways?

- pacifica is a youtuber, she's also a pretty sucessful pro-gamer. She is canonically very good with fps, so she decided to take it to a pro level.

- dipper creates some sort of mystery solving/ghost hunting/conspiracy analyzing show. It's a continuation on stuff he did in childhood (Dipper's Guide to the Unexplained).

- Mabel cannot be contained by a job title, she has done everything and anything creative. I feel like her main job would be something like a tattoo artist but on the side she sells sweaters on etsy, does drawing comms, animated, made music, she has her hands everywhere.

- Mabel, Paz, & Dipper will sometimes visit each other when working. I like the idea of Paz guesting on an episode of Dipper's mystery show, Mabel trying to play fps with Paz, Dipper visiting Mabel's tattoo shop and getting pierced there.

- Soos' keyboard getting decorated by the people he considers family. It starts with Mabel putting on like, five stickers on the bottom of it. Stan & Ford both carve into the sides of it. Dipper draws on it in marker. Melody writes words of affection on the sides/an inside joke between them. Abuelita is the one who etches Soos' name onto the keyboard case. Wendy writes like a cool, motivational quote on the case.

- the Hand Witch, her whole situation is looking towards the better. She and her man read as that one meme, "my witch gf" "me letting her do whatever the hell she wants"

- Wendy modifies her furbies. She is absolutely one of those people who makes long neck furbies and puts lights in their eyes/ears, she gives them hands.

- Emma-May & Fiddleford do not reconnect. Emma doesn't know about Fidd's work in the portal, but she does know about him losing his sanity. She does feel sympathetic and understanding towards his situation, but ultimately she doesn't want to force a romantic dynamic with him.

- There are parts of her that have moved on, there are parts of her that still feel anger, and sadness over what happened between them. She's happy that he's in a better state now and reconnecting with their son. Emma-May writes to Fiddleford, hoping that he has a good recovery.

- Fiddleford writes a single letter to her. He writes that he is sorry for not being their to support her, to help her raise their child. I feel like he would be very apologetic but not self-aggrandizing.

- There are parts of him that are still angry at himself, and ones that still wish to avoid dealing with such a difficult and messy situation. But he is a man who moves forward. He writes that he's grateful for Emma-May's wishes, and he wishes her well in return.

- Although their romantic bond with each other has severed, their relationship ends on a kind note.

- ford plays the fiddle, fiddleford plays the banjo.

- If Ford and Fidd were in a romantic relationship, those two would be reserved in public, but real tender in private. Those two read to me as more reserved with their romances.

- Stan after a while just tunes out their calls to each other. They will get in the fucking, "no you hang up" loop, or the "ily" loop

- they’re both pretty healthy when it comes to communication, boundaries, stuff like that. Ford drops the banjo curfew/cutoff when Guck lives at the shack/sets up his trailer next to it.

- Ford unlearns a lot of things instilled in him as a child. the ideas of him being the golden boy or something special (both in the positive and negative sense), are something he now recognizes as ideas, not reality.

- this realization really sets in for him due to a lot of reading, him catching up on modern sciences, including psychology. (it's mostly him almost losing stan)

- Stanley is trying to do the same with his own thoughts of being the screw up, the scapegoat, it's hard for him in different ways. Stanley is a person who, "would insult himself first before anyone else could get to it" without his bravado+con-man persona.

- But they both put in the work. They're good brothers, they help each other.

- both the grunkles favorite sweet after all these years is saltwater taffee, 

- I feel like Pacifica connects well with the adults in the town who aren't her parents. She doesn't exactly see any person as a parental figure, I think she just absorbs advice and experience from the people around her yk. Like her and Lazy Susan definitely have a stronger bond than Paz and her mom.

- Bill never really comes back, he just speaks like he has. In TBoB he acts like he's tough shit, but ultimately he's still in the psych ward-- like. This being has no real authority. I like to think therapy is working out for him, he has good days and bad days.

- Just based on my recollection, McGucket is a very agile man. He seems to be able to crawl up & down surfaces not built for climbing.

- I like to think that post series he takes up mountain climbing/hiking because by this point, he's less scared of supernatural beings compared to when he first came to Gravity Falls.

- McGucket dressing himself, McGucket finally being in a position where he can afford different clothing other than his slacks, him feeling present in his own body again. McGucket in green cowboy wear, (look i really like this Appalachian man, i would very much like to see him old and happy).

- Mystery trio (Stan, Ford, & Fidd) post-cannon. The twins travel the world, occasionally bringing Fidd along for the ride. Fidd is their guy in the chair, the person creating tech on the fly, their #1 man. These three men are absolutely on their way to adventure.

- the X-Men movies hold a soft spot for the Pines Family. They have all of them on DVD, usually the collectors editions. All of the Pines have a crush on Logan. The Stans both love older Logan—

- Mabel's room/home would be filled with little collectables (like tchotchkes or sonny angels)

- Stanley meets the Peanuts artists/goes to Knotsberry Farm. Stan gets a hug from Snoopy and he starts bawling.

- Shermie. I do not care if he is the elder or the younger, all I know is that he is the calmer sibling of the three. Is he well adjusted, (no, you kinda can't be if you were raised by Fillbrick), but he is the most normal.

- Stan's art is clearly influenced by the Peanuts, Ford's art influences are 80s sci-fi + realism. Shermie, his is Hanna-Barbera.

[mintsalsa]

relationship hcs — hancock

a/n: the girls that get it, get it

(nsfw below cut!)

★ ! sfw

hancock is a tough nut to crack

under all the swagger, the sarcastic remarks and the self-deprecating jokes, hancock is actually pretty sad

sad and a little lonely - despite the sense of community tying the people of goodneighbor together

so when he first starts following you around, it's precisely for the reason he claims: to clear his head and find purpose again

the fact that he finds you cute doesn't have a terrible lot to do with it

because while he doesn't always sell himself short, he likes to think of himself as a realist - he's him, and you're, well, you're you

it doesn't help that half his security personnel in goodneighbor can't seem to take their eyes off of you anytime you visit

and while the thought of it kind of pisses him off, he knows that he's the one sharing stories, bottles and cigarettes when you're sitting around a fire at night, out in the wastes, just him and just you

it takes a long time for him to admit his feelings to himself

which doesn't deter him from flirting with you, obviously

and despite you laughing and blushing before hurling an ironic retort in his direction, he never believes the bickering between you to mean anything

but somehow, you make him less afraid

less afraid of everything, and especially of himself

he'll start dropping hints about his feelings, but given the dynamic between you two, it only manages to leave you more confused

so you'd end up having to take matters into your own hands and ask him about his behavior to make him fess up

less big on pda, but trust me when i say emotional intimacy is such a huge thing

like this man is your soulmate, end of story

he loves showing you off (bc ur sexy)

and when you inch closer to him at night, your soft skin reaching out to touch his rough hands and face ...

let's just say the entire wasteland had never seen a ghoul smile brighter ever before

★ ! nsfw

i'm convinced hancock fucks, first of all

but with you?

he's insecure as hell, and it'd take him a short while to work up the courage to initiate any physical intimacy

freak in the streets and the sheets!

he'd never do anything you're not comfortable with, though - if you're more on the vanilla side of things, he'll adapt

you're his top priority after all

and even when he's going sweet and slow, it's always so, so hot

he uses his words and voice a lot and praises you like there's no tomorrow