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#i'm just saying things tbh
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I've been thinking about how much I dislike the paths that both Stede and Ed are going down right now, and I think I know why. Both of them are trying to do exactly what wasn't working before: killing off a part of themselves.
Stede is DONE being soft and kind. Stede is done being uncomfortable with murder and done putting others' needs first.
Ed is DONE being tough, powerful, and outspoken. He's done being violent and done being in charge.
At first glance, these are good things, especially for Ed. He has needed to get out of the whole "Blackbeard" situation for a long time. But saying "I'm not a pirate at all" denies a part of him in much the same way as "I'm a pirate so much that I'm not a human being anymore."
There are healthy ways to do pirating. You can do pirating without all the toxic masculinity and verbal abuse. You can do piracy without cruelty. We see the crew of the revenge do it ALL THE TIME.
Stede isn't acknowledging them. He's going to be a pirate before he's a person now, no matter how terrible and self betraying it is.
To me, it feels like a phase I went through, which was the "omg the person I was in middle/high school was so cringe!!!" phase. I rejected my own good qualities from the past, as well as the moments of real joy and connection I experienced during that time. I had some qualities when I was twelve that I MISS now that I'm in my twenties. My seventh grade self wasn't "cringe," she was LEARNING. And I'm glad I gave up many, MANY of my traits from that time. But I'm also glad I kept some. Twelve year olds know more than we give them credit for.
But back to OFMD, both of them are heading towards a new kind of self created misery, and I'm very excited to see how they and the rest of the crew help each other come back from it.
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bixels · 15 days
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I'm glad nobody's questioned why Sunset's personality is so different in the AU, but I'll explained anyways. AU Sunset basically has Tempest Shadow's personality. I decided not to adapt Tempest because too many redeemed villains, she doesn't play an important role in the overall story, and her broken horn is so cool and unique to her as a unicorn that any adaptation wouldn't do it justice. So I fused the two together. Sunset's backstory and hotheadedness with Tempest's tired, jaded, anti-social disposition and fighting skills.
Anyways, I hope it's not too jarring of a change. The more I develop Sunset, the more you'll probably notice how OOC she seems. I'll probably end up adopting Sunset into an OC once I'm done with the AU, since she's basically a completely different character.
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barghest-land · 2 months
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it's been more than 2 years. let's not pretend that my routine now isn't completely fucked i normally don't draw or share something that personal, but now it's a way to cope. somehow. plus, i think, it should be normal to talk about
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disasterblogsstuff · 2 years
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So Will is gay, Mike is gay, Nancy is bi, Robin is lesbian, Jonathan is bi, Argyle is pan, Steve is bi, Eddie is gay, Max is bi, Lucas is bi, and El is pan.
Everyone in Hawkins is gay sorry not sorry <333
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starheirxero · 1 month
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I love you Eclipses with multiple arms. I love you Eclipses that can retract or add more at will. I love you Eclipses who stole their extra arms from other people. I love you Eclipses who were made with multiple arms to wrangle more kids. I love you Eclipses who have multiple arms because they aren't entirely animatronic.
I love you Eclipses with multiple voices. I love you Eclipses who stitch together clips of other people speaking to communicate. I love you Eclipses who speak with a layer of heavy static. I love you Eclipses who speak only in video game sound effects. I love you Eclipses who don't speak at all.
I love you Eclipses with a red/black/orange color scheme. I love you Eclipses with a yellow and blue color scheme. I love you Eclipses with a purple color scheme. I love you Eclipses with a black and white color scheme. I love you Eclipses with a glitchy handful of colors.
I love you Eclipses who hate Sun and Moon. I love you Eclipses who love Sun and Moon. I love you Eclipses who have a messy relationship with Sun and Moon. I love you Eclipses who are Sun and Moon.
I love you Eclipses who bite and snarl. I love you Eclipses who are cold and calculating. I love you Eclipses who are scared and anxious. I love you Eclipses who are silly and whimsical. I love you Eclipses who are ominous and unsettling.
I love you Eclipses who sink their claws into everything out of a fear it will leave. I love you Eclipses who believe they've never done anything wrong. I love you Eclipses who actually have never done anything wrong. I love you Eclipses who were made to fail. I love you Eclipses who deserved better.
I love you Eclipses <3
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eyes-of-nine · 1 year
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truly what a guy
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royalarchivist · 3 months
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[Immediately after Fit brutally roasted a chatter for being a filthy metagamer]
Dono: You became my comfort streamer. It has been great here.
Fit: Oh, thank you so much, thank you thank you thank you. I'm glad I can bring you comfort when I insult the sht out of some chatters, I'm glad I can comfort you. That's right!
Fit: People say I'm nice, no, I'm not nice. I'm polite. Mostly. There's a difference between being nice and being polite, I am polite. I am polite.
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i am begging one single person in this entire show to consider, for perhaps one single second, THE POSSIBILITY THAT THERE IS A REASON HOUSE HATES HIS DAD THIS MUCH
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beanghostprincess · 3 months
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Finding hilariously ironic how most of Sanji's perv jokes end up being extremely trans-coded to some extent only because the joke is longer than it should be.
The "guy with a woman's body" joke has been a thing for ages now, but it usually ends after the "haha I have booobs" joke. Sanji extends it to "I want to stay in this body forever. It feels right. I don't want to give it back". Which could still be read as some perverted stuff, but I don't think any man would agree with that. No matter how much of a pervert he is. Because usually being perceived as a woman is something they refuse to go through although they like being in possession sexually of a woman's body (a type of excitement Sanji actually shows, not by being that much aroused by it but being comfortable with it? Which is... A different approach to the joke).
Sanji has made the typical "going into the girl's changing room/bathroom" joke a couple of times, but in Egghead he goes all the way to be extremely frustrated about not being able to do so? And it is obviously different than wanting to keep Nami's body forever. It can still be seen as frustration for not being able to see girls naked. But. But. The fact that the length of the joke increases? The fact that it's way longer than it should be for an average "haha boobs" joke? You know what I mean.
Not to mention his whole arc during the time-skip and how a simple (both transphobic and misogynistic, by the way) joke, goes all the way to show us that Sanji is indeed comfortable in more feminine clothes and environment, until he's pretty much forced to snap out of his fantasy to go back to the crew. But he wasn't having a bad time at all. And it is intended to be a joke, but it's... Longer than it should be to be considered only a joke and to not pay attention to it.
This isn't meant to be an analysis of any kind because if it were I would've worded it differently and would've mentioned how his childhood is also extremely trans-coded, but we all already know that. I just find it extremely funny how all of these jokes that intend to be directed at straight perv men are actually too long to not be taken into consideration as something deeper than a joke. But, aha, yeah, these are just jokes and definitely not proof of Sanji's perception of gender and his issues with it.
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azaracyy · 3 months
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a lesson on good karma digimon survive week 2024 day 4: supporting characters
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chirpsythismorning · 22 days
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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mccoyquialisms · 2 months
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my theorizing so far re the gods:
I think that many years ago Sol and Galicaea conspired to remove their celestial rivals (Ankarna and Cassandra, respectively) and steal their followers for themselves. The way this was done for Cassandra is known. It has been implied the unnamed god's transition from the more benign 'summer, sun' domain to the more aggressive 'fire, wrath' domain was a gradual transition of faith traditions, but the triggering event for this was not made clear. I suspect that Sol was involved with this, as in the modern day of Spyre he and his son Helio now embody the summer/sun aspects. The Rat Grinders insistence in involving specifically a cleric of Sol is also highly suspicious. There has been a lot of emphasis on the different aspects of the gods and how they might be influenced by their followers, but I don't think we should be discounting the actions gods can make on the mortal world through their followers, and I think teasing out this connection will be essential to solving the mystery. There have been FAR too many references to Galicaea and Sol this season for them to not have a hand in this. The absolutely insane series of events in the Hallowed summoning circle seem to point to this as well.
As for the rage god themselves, they seem to be dangerous, both to the world and to Cassandra specifically. Very possibly they were transformed into some kind of hellish or fiendish god, they became dangerous, and this is what ultimately prompted them being killed. However, I can't escape the thought that there has to be more to it than that. There's been a lot of talk this campaign about 'fairness', and you know what strikes me as exceedingly unfair? Having your domain stolen, your wife killed by her own siblings and being utterly powerless to stop it. It is unfair that you are unable to even mourn them properly or have any hope of their revival. You can't even speak their name. Rage against injustice is not inherently bad and is often needed to trigger meaningful action. What delineates useful anger and useless anger is what you do with it, which is a theme which has constantly popped up this season. Was Ankarna's developing rage justified, but it then turned into something ugly and untenable? Cassandra's domain has been characterized as "scary" and "dark", and in one aspect of her it IS, but it's been made abundantly clear this season that it is also protective and beautiful and needed. She was redeemed and made who she is now by someone recognizing and believing in that. It would make sense to me that the being she once walked hand in hand with would need that kind of belief to be redeemed too.
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kandavers · 2 months
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you have that one amazingly angsty drawing of radioapple. It’s the one where Luci says “you can break my heart, it’s only yours to break” or something like that and alastor admits that they are only in a relationship because he has ulterior motives. What are his motives?
btw it literally made me SOB. Love your art sm <3
Oh, to be completely honest I did not think that far! I just wanted to project HAHAHA
If I were to think of something on the spot, said "motive" would probably be: he wants to Take Over Hell, and what better way to do that than to strike the Ruler himself?
...something like that. Not very set on it, but yeah!
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laundrybiscuits · 1 year
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Will’s looking at him with those tragic eyes, this kid who’s almost as tall as Eddie but seems centuries younger, infinitely more fragile and breakable. And shit, Eddie is not at all prepared to be some kind of queer mentor. He’s barely keeping his head above water with Robin, who doesn’t expect him to be anything other than a peer with a little more experience in his pocket; he’s a piss-poor option for baby Byers, who desperately needs some kindly gay Gandalf in his life. A role model with like, a long-term boyfriend and a city job and one of those yappy purse dogs.
But Eddie’s the only one here, and what else can he do? So he takes a deep breath and prepares to say something really wise and mentor-y. He doesn’t know what it is yet, but it’ll definitely be both appropriate and profound.
“I mean, it worked out for you, right?” says Will.
“Uh,” says Eddie, thrown completely off track. “What?”
“With—” Will flushes, but continues in a low voice. “You know. With Steve, and all.”
“What,” says Eddie again.
“I mean, sorry if that’s…I know you guys haven’t exactly been telling people, but…you know you can tell me, right?”
“Ahahaha,” says Eddie. “What.”
“I think it’s nice, how you guys managed to move past all the high school stuff and find each other. It’s like—a happy ending, right?”
“Right. I mean, wrong. I mean, whatever you think is going on, it’s not. Jesus christ, Will the Wise, there’s absolutely no way anything would ever be—where are you even getting this? We’re not—we’re not.”
“Sure.” Will rolls his eyes, and Eddie is reluctantly reminded that this kid can be a catty bitch too sometimes. “That’s why he was wearing your Black Sabbath shirt last Tuesday, and why you keep Springsteen in your glove compartment, and why his car is parked in your driveway almost every night. Dude, Dustin doesn’t even bother calling Loch Nora when he’s trying to find Steve now, he just goes straight to your place.”
Laid out like that, it’s a little damning.
“That’s—all out of context,” says Eddie weakly. “And—and Steve is straight, anyway. So. Check and mate, Byers.”
Will lets out an annoyed breath. “I’m sixteen, you know. You don’t have to—look, sorry if I’m pushing too much with this, but…don’t lie to me, okay? Friends don’t lie.”
Eddie’s heard the kids say that last thing every so often, like a mantra or some godawful affirmation. He huffs, shaking his hair out of his face.
“Y’know, that little catchphrase you’ve got isn’t the worst rule in the world, but it’s not the most nuanced, either. Ever heard of discretion, kid?”
“Right,” says Will. “Discretion.” He winks at Eddie, squinching the whole side of his face up like he’s never actually tried winking before, and Eddie is momentarily struck dumb with how terrible the effort is.
Just then, Dustin barrels in talking a mile a minute about some idea he needs Will for immediately, yes right now, Eddie’ll still be here afterwards, come on.
As Eddie watches them go, he awards himself one Gay Gandalf point for effort, and negative five million points for the trouble he can smell coming down the line.
(eta: I am a god damn liar. continuation here.)
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nostalgia-tblr · 2 months
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"are people not into that?" i ask, after posting my weird niche shit to the internet, despite knowing it to be weird niche shit.
#jsyk sylkius or anything adjacent to it does not “Do Numbers” in any way and i observed this some time ago#i assume that's the “rival ships” element at work but who knows really#that sort of thing is like femslash in that everyone approves of it but nobody actually reads or writes it#but who would have thought sylvie beating loki with a stick would not bring in droves of readers???! shocking twist there!#& i don't consider sifki a rarepair but my rarepair standards are VERY strict like if there's >5 fics a pairing is basically mainstream#chasing popularity would annoy me though & i just don't have the mental spoons to try writing stuff i wouldn't personally read#yeah i *could* put my blorbos to work in a coffee shop but what cost to my own enjoyment levels? AT WHAT COST FANGELA???#you can't please everyone so you may as well just please yourself and if anyone else likes it you've found some fellow freaks so yay#i don't mean please yourself in a wanking sense. though feel free to do that too it probably counts as a cardio workout idk.#BUT ANYWAY#fic related#ps i am v glad there's the “warning: loki” tag because i think/hope it acts as a filter for 'he did nothing wrong in his life ever' types#who are Valid & etc obviously but i write my morally grey characters to be morally grey and the tag might help avoid conflict#though tbh i write almost every character to be morally grey in some way so i can't claim to have left my comfort zone here#(i'm not joking when i say the 1987-89 run of Dr Who shaped my entire future fannish life from a young and apparently v impressionable age)
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anthonycrowley · 9 months
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the fact azcrow is one of the top pairings on ao3 will never not be completely fucking bonkers to me tbqfh
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