#i've got one about as good for this novel

[a-most-beloved-fool]

there are many neat reptilian characteristics that one can give Cardassians. I've seen shedding scales, tails and claws, scent marking, and people making them ectothermic.

but consider:

Color changing ridges. Just for funsies. We already tend to headcanon that the ridges and spoons (chula, if you prefer) turn blue when aroused, mimicking the make up they wear in canon, but it would be a bit interesting if the ridges were Fully color changing, a la chameleons. Especially if they changed color based on emotions.

Because their culture is very focused on the Good of the State, it would probably be taboo to have your emotions plainly visible (too much risk of your colors giving away the fact that you aren't 100% content blindly serving the state). I think it would be typical to wear make up to cover up the color changing scales, or to wear paint in 'positive' colors.

Soldiers and the Obsidian Order might even find a way to chemically neutralize the color changing, either temporarily or permanently - it could be far too much of a liability, if someone got captured and interrogated.

Most non-Cardassians would be entirely unaware that this was a normal part of Cardassian physiology. Novels might have oblique references to the colors when describing emotions, but any book that spoke too clearly of them would be almost sure to get banned. Bashir would be slowly taking notes about which colors in novels seemed to correspond to which emotions, but he'd have no idea that it was because Cardassians could Literally Turn Those Colors. He'd just assume their color theory was different, and that they were Really into color metaphors for some reason.

Could be interesting to explore the cultural implications and see what kinds of new mischief happens on the station due to it.

[baidar-oroq]

Trying to get back on the writing horse again after taking the holidays off, which is proving difficult for me because of assorted personal reasons.

Two days after I completed and posted the last parts of The Unheavenly Creatures, after all, my father had a stroke, and the second half of 2023 has seen him go through a series of complications and further hospital stays, and I've had to become even more of a caretaker for him than I was before his stroke. When I wrote my first novel, my parents were both in relatively good shape; when I wrote Unheavenly, things were less good, but I still had ample time to sit for a few hours a day and bang out a couple thousand words if inspiration hit.

The Night Does Not Belong To God has not been so lucky. And no, I'm not saying "boy, I wish my dad would feel better so I can get back to writing about my blorbos!" I'd be happy if I could write as much as I could because that means he wouldn't require as much care as he does now, so his health is in a better place. I've accepted that this novel, which is sizing up to be longer than Unheavenly (and we all know how awful I am at estimating word count) is going to be written in fits and starts. But I'm going to keep at it. I like the world I'm creating. I like the mythology of it. I like that I have all of Ancient Etheirys to play with, and I've done some really fun things with it already, and when I pay those off, wow, is it gonna be fun.

And yeah, I like that when I open a document and start writing, Venat's alive again. I've written over 400,000 words about her; the entire 6.0 MSQ is shorter than Unheavenly, and Venat only occupied a small part of it. I like that I've made her, in many ways, mine; I like that I've rather shamelessly turned Baidar into a full on shonen superhero who can fly, because why not? I'm looking at what was shown about Dawntrail and my hindbrain is wondering if I'm gonna have to send Venat and Baidar to check out Solution 9. I have actually figured out how Harvest of Souls ends. I know the last line.

It's just gonna take me a bit to get there.

[gingermintpepper]

Absolutely the funniest thing about my current corner of tumblr is that pretty much everyone I've recently followed for Apollo-Appreciating Purposes are either genuinely Hellenist or just rather very into Rick Riordan's Trials of Apollo series which is wild because I know a net zero about both of those things.

[cozylittleartblog]

Just wanted to mention this to someone who does art and get their opinion on it:

Sometimes I see some artists do redraws of their old artworks or characters and think "Wow, uh... their older art looks better." Sometimes it's only mildly better, but other times it's vastly better. Like the Upgrade, Go Back! meme.

I understand that art skills are supposed to develop and change, hopefully for the better, but sometimes it just feels like they got... worse? Somehow? Idk. Maybe it's because they were copying another artist's style while finding their own, and it's their own style that doesn't vibe with me? Just curious what your thoughts are about this.

Also, your art has consistently been great, so this isn't directed at you.

I do see this on occasion yeah! usually (in my experience anyway) its because people take a sharp turn towards a stylization that either isn't to your or most people's tastes, or that they don't understand or are still developing. switching up how you stylize your art is like starting over in a sense, you're changing from what you have practice with and that's always going to cause you to revert some as you have to re-learn things you understood in your previous style. i had a pretty big style shift in 2014 when i took up the basis for how my art looks now, and i remember feeling like some of the stuff i was drawing might have looked better if i was using my older style instead. that's something artists just have to push through and figure out, and they'll likely come out of it a better artist than they were before. constructive critiques are a good way for them to figure out why their art might not be as "good" as it used to be, if they're open for those.

art is not always a linear journey, and i would also say things like passion and motivation have a part in it too. feeling inspired sparks you to make something the best it can be, if you're not feeling it (and esp if that feeling lasts for a long time) it'll leave you making decisions you otherwise would not have let fly, and that can result in worse art. and some of it is just personal preference! it's not that their art is better or worse, it's just different now, and maybe that doesn't vibe with you the same way their old stuff did. and that's fine 👍

(thank you! :3 i admittedly struggle a bit with Not Feeling It sometimes like i just described, so it's nice to know people still enjoy what i make when that feeling hits.)

[bahoreal]

its actually ok that im watching yi city this time cause i know that theres a 28k post canon fixit already out there tailored exactly to what i want to see that i can read immediately afterwards

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[tiberius-kirks]

I know someone said it already but it's truly insane to me how quickly gomens2 devolved fans into tjlc-levels of unwell

[lucalicatteart]

Poll adventure (paventure? lol) Day 11: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should curiously socialize with a few of the boat travelers ...

~

"The Adventurer grabs one of the ornate glass bowls near the buffet table, meekly gathering some cheese and vegetables as he scans the crowd. For the first 15 minutes of the lunch, he mostly crouches in a corner seat, nibbling on his food and nervously fielding the occasional drunken question from a passing party guest..

Knowing he should.. probably... actually socialize at some point, he begrudgingly chooses conversational partners, squeezing his eyes shut and pointing around randomly until he lands on someone.....

The first is a scrawny man in a flashy suit, wobbly from wine but still keeping a vaguely charming demeanor about him. He proudly introduces himself as a "legal expert", then goes on to ramble for a while about the laws in the area, how drastically they vary from city to city (plus a few veiled hints on how to safely break them), and that if you travel a lot it can be hard to keep up with it all.

He mentions, quite conveniently, that he's recently published a book on the topic, a legal guide for local explorers, and offers to give The Adventurer a copy for a special discounted price... but... then soon recalls that the crate of books he'd planned to sell on the boat sadly ended up falling into the river earlier during a "silly little mishap"..

In place of a book, he simply slides The Adventurer a glossy mint colored paper swirled with golden floral motifs, supposedly serving as some sort of business card, though the actual contact information seems obscured beneath the cluttered design. The Lawyer also pulls off his scarf as he rises to leave, wrapping it around The Adventurer's shoulders with a little waving flourish (not the first time someone has confused his anxious shaking for cold shivers). The Adventurer stutters out a confused thank you, then watches as the Lawyer stumbles off, mumbling to himself that he's been drinking too much and "truly must find somewhere to piss"......

The second person he approaches is an older woman, hunched over a table fidgeting with a handful of colorful glass dice, spinning and stacking and arranging them into patterns whilst her thoughts drift elsewhere. Initially, she gives evasive answers when asked personal questions, but soon grows more talkative once the topic of local flora and fauna arises. She apparently used to adventure as well, roaming the lands to document various elements of nature relevant to her mysterious "private research" - though, at her age, she's now resigned to casual boat rides rather than riskily hiking alone through uncharted wilderness. Gently laying a worn leather journal of watercolor paintings out onto the tabletop, she points at various berries, leaves, and animals, eagerly describing their significance...

After chatting for a while, she abruptly changes topics, mentioning that sometimes she can "sense things which she should not" (whatever the hell that means), then asks him to pick one of her dice. He hesitates, but she just stares, refusing to elaborate further.. Finding even 30 seconds of awkward silent eye contact physically impossible to bear, he hurriedly plops a finger down in front of an iridescent yellow die. She chuckles..

Scooping up all of the dice from the table, she rattles them in her clasped hands, then brings them up to her ear as if to listen... to something?? A few moments later, she turns back to him, speaking in a raspy whisper: "There are others, melding your footprints with their own, seeking a gift you do not yet know - this is what I see."

Before he can ask her for any elaboration, the Captain returns, grumbling that The Adventurer has already stayed 5 minutes past the time limit and swatting at him with a broom to shoo him off of the boat. Apparently an hour can go by fast....

After climbing back into his dinky raft, he sails mostly successfully down the river, finally making it to a point that, at least based on his map, SHOULD be where the main road picks back up past the detour. He crashes into a small grouping of rocks whilst trying to navigate back to the shore, but he was planning on disassembling the raft to get his rope and supplies back anyway, so.. aside from a scraped knee and possibly broken pinky toe, he decides it's actually fine. The cat is okay, which is all that really matters, anyhow.

By the time he's taken apart his boat, eaten a quick meal, and bandaged his leg, the sun seems to have nearly set. It's later in the night than he'd usually like to travel, but, where he's going is a pretty commonly used road, so maybe it's safe? He's exhausted from socializing, but could probably muster enough energy to walk for at least a while. Or perhaps he should just call it a night and find a place to sleep.. But.. where??? What should he do?

-

Additional information

acquired a long, warm, expensive scarf

acquired slightly increased knowledge of local plants

acquired vague information from the 'dice based fortune teller', or whatever that was meant to be

acquired a business card (+ ability to get away with one minor crime free of legal consequence)

acquired mild nausea for the next 5hrs from weird buffet cheese

acquired badly scraped knee and sprained toe (will walk slightly slower for the next 2 days)

the adventurer's current main goal: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[13eyond13]

.

[whileyoureinschoolidothisallday]

moral of the story from this mentorship discord: never let twitter bitches do a redditor's job

[lonesomedotmp3]

when an author puts you the reader in their acknowledgements

[watchmakermori]

I’m always like ‘I should write a historical novel, I should do that’ and then I spend three hours researching 1960s television sets and the tripartite system of education in England, Wales, and Northern Island and I remember why I do not, as a general rule, write historical novels

[imwritesometimes]

lmfao what if I just start over entirely holy fckn shit

[shidoukanae]

I also have so many thoughts on Paris/Helene in the light novel based on this newest chapter ngl

on one hand im nervously laughing because holy shit Paris is NOT okay

but also on the other hand im giddy as fuck because the light novel is redeeming itself with this one chapter alone and now all my fears of this ship being handled badly got thrown out the window HELL YEAH

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[celestie0]

gojo satoru x reader | oneshot angst [18+]

title. let me be free of you

He would live in this lifetime of hell over and over again if it meant that in some other one, there exists a world where he never hurts you.

ᰔ pairing. friends to strangers au - best friend!gojo x reader (f)

ᰔ summary. gojo satoru, your love of a lifetime, tells you he’s engaged to another woman. inspired by the novel & netflix series “one day” created by david nicholls

ᰔ warnings/tags. 18+, fem!reader, angst, mentions of sex/explicit content, coming of age themes, reader & gojo are in their 30s, mentions of pregnancy, mentions of alcohol, cheating, lots of mutual pining & longing, bittersweet ending

ᰔ word count. 4.8k

a/n. hellooo! i've had this finished in my wips folder for a long time but never got around to posting it sooo just wanted to let it see the light of day haha. hope you enjoyyy <33

➸ masterlist

“I’m engaged.”

The words leave Gojo’s lips as much less of a confession and more like a blabber, like a toddler desperate to keep conversation going in the face of a disinterested adult. Wasn’t how he expected to share the news of a lifetime to the love of his lifetime, but he hopes it breaks your heart to hear it. 

He watches your eyebrows flatten from the crease that was bothering them before, and then slowly raise into soft arches above your eyes–those damn beautiful eyes that, even when they twinkle with hurt, still make his heart skip a beat in his chest.

He recalls for a moment the night the two of you met, drunk and dizzy from drinking out of a shared bottle of Prosecco, which only had half of the liquor left in it to start when he had first found it bleeding out to dry on the grassy lawn at the front of your university. It was graduation night, the last day to celebrate finishing four years of hell, and he had nothing to his name other than a rolled up diploma shoved in the pocket of his suit pants and the charm left in the youth of his smile. He wanted to spend the night with Aiko Rei, which was not a unique desire as most men on campus did, and he had a fair shot of getting into bed with her just like all those times before. But instead he was sitting at the top of a staircase inside the campus’s English literature building, making history in the crisp year of 1986 by being the first man of the robust age of twenty-three to pass up sex with the school’s lady heartthrob for–well, conversation with a sort of ditsy girl that he just met a half hour ago.

“What do you plan to do with your life?” he heard you ask him, a hard enough question to stomach when one is sober, and an impossible question to stomach when one is already trying not to puke flat Prosecco.

“Pardon?” he asked, in hopes to dissuade you from the question. In hopes that you’d get the hint. But you don’t. And he’d soon learn throughout the years of your friendship to come that you never did.

“Your life!” you exclaim, “we’re graduates now! What do you want to do with it?” You pat harshly at his thigh, closer to his groin than to his pocket, most likely because you’re tipsy too, but he realizes you’re referring to the rolled up paper protruding at the pocket. 

Truthfully, Gojo had never thought much about what he wanted to do after graduation. Hell, he didn’t even think he’d make it this far. Not once since he got here, not once since he flunked out of first-year history, not once since his father passed away during his third-year final examinations, and most certainly not after he got caught having “unethical affairs” with his communications professor just two months ago. And yet the esteemed board of scholars decided he was fit for a diploma anyway, and now he’s answering to, effectively, a stranger what he plans to do with said piece of paper.

“I don’t know,” he says to you, “I’ll do whatever.” 

Gojo Satoru could get by with doing whatever. He was good at everything he did. But his teachers and mentors and his own father would always warn him– son, it’s better to be an expert at one than a half-assed show-off in all. Well, they wouldn’t use the expletives, but that’s what it had sounded like in his head.

His dad would’ve liked you. He was always telling him to find a girl that challenges him, asks him the right questions, and pushes him to become a better man, the kind of woman his mother was to his father. Much opposed to the airheaded girls of Gojo’s college campus he would sneak into the house and forget to shoo off before sunrise, an occurrence that happened enough times for the respect in his father’s eyes to dwindle with each woman he’d watch his son dispel from their residence. Until eventually, Gojo started paying rent as punishment.

So, twenty-three year old Gojo, what do you plan to do with your life? Or do you have no idea of anything that extends beyond where you are right now, sitting across this strange girl you’ve just met on the death of your educational youth, at the top of a stairwell lined with passed out, drunk newly grads at nearly 4 in the morning? Right now, he’s eyeing the hem of your dress, the way it’s ridden up slightly but the mesh overskirt still tickles the skin of your thigh. He’s certainly able to picture what’s beyond that fabric, and maybe imagine the color of your panties, but what’s to come for his life? No. As previously mentioned, he never thought he’d get this far.

Gojo is thirty-four now, eleven years since that night the two of you met. And he sits next to you on a garden bench under a pitch black sky with stars speckled across, but only dimly visible. 

It’s been years since he’s seen you. You two had a “falling out” at the cusp of thirty, almost a decade of friendship fizzled away, because of his selfish actions. He couldn’t let you go, but he couldn’t want you the way you wanted him either. He didn’t feel like he deserved to have you. You were too good for him, and he knew it. So he wasted a decade chasing after other women, and in return, he lost the one he knew he was supposed to spend the rest of his life with.

It’s the night of your college roommate‘s wedding, all gathered here today to celebrate their love, and he knew he’d run into you here. You were the bride’s maiden of honor, and you looked beautiful. With your hair half tied up, a pretty clip twinkling with every movement of your head, and with strands falling down over the smooth curve of your neck, bare skin of your chest tightly covered by the nude fabric of your dress. He was fully lusting after you, and he has been all night, the picture of beauty and grace, and it was wrong. Because, again, he’s–

“You’re engaged?” you finally break through his thoughts, break through the trance that he was lost in by the sea of your eyes. Forever pulling him in like you were a wicked siren for his soul, when all you’ve ever wanted from him was his love.

He shifts a little, the thick fabric of his navy blue suit stretching with the movement as he fidgets with his hands in his lap. He’s sitting close to you, his shoulder brushing against yours, the contrast of his broad masculinity so evident against the feminine curve of your bare arm, the thin strap holding up your dress threatening to fall down the hill. His thumb twitches, because he wants to pull it back up into place for you like a gentleman, but he’s not sure if that’s what his hand would actually do. Because all he really wants to do is peel the dress off of you. 

“Yes,” he says, still tantalized by the glow of your skin under pale moonlight, “engaged.”

“To be married?”

“Well, what other kind of engaged is there?”

“You’re not allowed to get married.”

He snorts. “Says who?”

“Says me!” you exclaim, sitting up straighter, "I turn my back for one moment, and you've gone an got engaged? You're awful!" The strap of your dress falls down over your shoulder, his eyes immediately darting to it. He sees you pull the strap up back into place, and a flit of his eyes to your face reveals to him the slight dusting of an embarrassed pink to your cheeks. 

There’s a silence that settles between the two of you. Distant commotion is heard, likely from the wedding venue as people engage in reception activities and dances and cheers, while the two of you remain in this garden escape, the wall of primly trimmed bushes sheltering you two from having to pretend to be people you’re not amongst a crowd.

“Aiko…” he hears you say beside him, and although the name of the woman that has rolled off your tongue is the name of the woman he’s supposed to love, it only makes him feel sick to his stomach to hear you say her name. “She seems lovely.”

“She is,” is all he can manage to say. And he also knows this seemingly lovely woman is probably drunk off her face back at the reception hall, giggling at all the men that approach her from the sight of her flushed face, and he should feel some sort of jealousy or possessiveness over that, but he can’t seem to muster any. Unlike the grit he had to his jaw an hour ago when he saw you dancing with a man he heard you introduce to your friends as just an “old friend” of yours from college. He felt more anger in that moment than he’d ever felt watching his soon-to-be-wife getting talked up to by the sleazy men twice her age. 

“She must be very rich,” you say. “She looks it.”

“Oh. Yeah. Her family’s very well off,” Gojo says.

“So will you become rich too?” you ask him, “when you marry her.”

His eyes flit to the sky briefly. “Doubt it.”

“How come?”

“The old man doesn’t like me very much. I imagine he’ll cut ties after the wedding.”

“Her father?”

“Yes.”

“And why is that?”

“Well. I guess it’s not every father’s dream to find out his prim and proper daughter’s been knocked up by the good-for-nothing boyfriend he’s been threatening her to say good riddance to for months now.”

The silence finds the two of you again, but this time haunting and gutting. That was a blabber, if anything. So nonchalantly said, with no emotion or spirit, to the one person in this world who he’s always felt like he can be himself around.

“She’s pregnant?” you say beside him, voice breaking slightly at the end, and he can’t bear to look at you for some reason. Some sort of admission of guilt, but what for? What exactly was he repenting for?

He lets out a small laugh, like the absurdity of the situation finds him all the same. “Yeah.” 

“That–” you start, stiff next to him, before he feels the tension relax but only rigidly, “that’s wonderful, Satoru. I’m–...I’m really happy for you.” You turn your torso to wrap your arms around him, and his lips brush the sweet skin on your forehead as you bury your face in the crook of his neck. He wraps one arm around you, a sort of friendly hug as he rubs the skin of your arm soothingly, and his heart aches from the emptiness when you release him. 

“Wow…” you say, looking up at him with pretty eyes, eyelashes fluttering as you blink rapidly to process the information, and he wonders if you really are happy for him. He doesn’t want you to be. He wants you to be furious, to tell him off for getting another woman pregnant after leading you on for so many years, maybe he wants you to slap him, or grab him by the collar of his shirt and shake him until all he sees is a million of you through dizzy vision like some paradise. He wants you to be mad, because it’d mean that you still care. It’d mean that you still think there’s something here to salvage between the two of you. 

But he’s engaged. And he’s having a baby. What was more final than that?

“So…are you marrying her because of–”

“The wedding is in four weeks,” he cuts you off, but he knows the statement answers your question regardless.

“Satoru…”

He leans off to the side a little to reach into the pocket of his suit pants, and he pulls out what is now a slightly bent envelope and he hands it to you. You take it from him gently, holding it weakly like it was something beyond you. Like something distant and foreign and strange. When all it was, is a wedding invitation. 

“Listen…” he starts.

He sees your eyes dazed as you stare at the lettering on the outside of the envelope.

“We’ve been friends for a long time, y/n. And I know the last time we saw each other was–” Hostile. Angry. Disappointing. Ended with you cussing him out on the street and then saying you never want to see him again. “...not ideal, but I still care a lot about you, and, uh, so, it would mean a lot to me if you came to the wedding.” For fucks sake, even on the brink of losing you forever, he still can’t find the right words to say. “Aiko, she–” He tastes bitter in his mouth, “well, I’ve told her a lot about you, and she’d really love it if you came as well.”

You’re silent as you gently peel back the opening of the letter and then pull out the small card stock invitation. The gold printed letters shine as you inspect it, fingers tracing the patterns of words that profess the Rei family’s intent to wed their daughter to Gojo Satoru. Your Gojo Satoru. Your best friend in this whole wide world. He watches your eyes carefully, but he can’t discern what he finds in them.

“Gojo Satoru…” you drone off, “to be wed. And to be a father.” Years of late night talks of the future, of kids and Christmas and love, with reality seemingly sly on the horizon only to have crept up so abruptly. It was pinched between your fingers right now. That reality.

His shoulders sulk slightly. And when you look up at him again, there’s a sheen of tears in your eyes.

“I can’t come to this,” you whisper, “and you know that, Satoru.”

His heart breaks. A physical pain that twists in his chest so tight at just the sight of seeing you sad. Sad again over the actions of his own. They say you always hurt the one you love, and he had always wondered what sort of evil person would do such a thing, only to find out he’s only ever hurt you this entire time. 

He should’ve kissed you that night the two of you met at graduation. Should’ve shut you up and all your existential questions by pinning you to a wall and pressing his lips against yours. He should’ve taken you to bed and fucked you, and then held you in his arms until you woke up in the morning. Should’ve listened to you talk his ear off about how he’s just like all the other guys, who pretend to care, but only want to have sex and then never to speak to the girl ever again. And he should’ve laid there in bed, nose nuzzled in your hair, taking all the scolding despite having no intent to ever leave you.

Instead, he wasted so much time. Sure, he had your friendship. His best friend for years, but the two of you could’ve been something more. Could’ve spent the years together, instead of writing stained letters or leaving messages on answering machines while the two of you were miles away. He could’ve been waking up with you every morning with the scent of your shampoo on his sheets, instead of clinging to pillows in foreign motel rooms. He could’ve been engaged to you, and he could be whispering sweet nothings in your ear of how much he wishes the baby will have your eyes. 

But his thoughts are lost in fantasy. He is what he’s done, nothing more and nothing less. His eyes fall to your lap, the invitation still held loosely in your hand, and then a droplet of water falls onto it.

“I–” you stutter, wiping at the tears spilling down your cheeks with a hesitant swipe of your hand, “I need to go.”

You stand up off the bench and he quickly stands up with you, grabbing your wrist to keep you here with him, and you halt but only with you facing away from him. He yanks at your wrist harshly, pulling you into him so his chest is flush to your back, his arms wrapping strongly around you and his nose nuzzling into your hair, breathing you in greedily like it’s the last time he’ll ever get the chance.

“Satoru–” you gasp, your hands immediately grabbing at his forearms that are tightly crossed across your collarbone. “What are you doing–” 

“Say it,” he whispers, gruff and impatient, “tell me to do it, and I will.”

“T-Tell you to do what?” you stutter, struggling a little in his hold but he only holds you tighter.

“Tell me to leave her, and I will,” he says, his lips brushing at your ear now, the scent of your perfume maddening to his senses, and one of his hands slowly trails down and the knuckle of his thumb presses into the softness of your breast.

You squirm, a small and soft moan leaving your lips.

“T–” you breathe in harshly, “this is wrong.” 

“I don’t care,” he growls, arms sliding lower to hold you under your breasts, so tightly that your heels lift off the ground. “Just say the word, and I’ll leave everything behind for you. I promise,” he breathes in deep, the desperation making his head hazy, “that I’ll do things right this time. Just you and me–” 

“You’re going to be a father,” you remind him, and he shuts his eyes closed tightly, the responsibility of the word bearing on his shoulders but his desire for you overshadows every shred of sense or dignity or integrity he has left in him, because he felt like he was losing his mind after wanting you for years just to never have you. 

He turns you around in his hold so that you face him, and he crashes his lips to yours, muffling the surprised mmf! that dies in your throat in surprise as his hands hold your waist, relishing in the feeling of satin fabric pulled taut over your curves.

Forbidden, yet a taste that he’ll risk because there was no curse that was worse than the fate of having to pine after you for years.

Ah.

But.

But it was all fantasy, this moment in his head, where he takes you on the freshly cut grass of this garden. 

Something that only briefly flashes through his mind as his warm hand wraps around your wrist, from where he was still seated on the stone bench, and not on his feet holding you like he dreamed for. Like he longed for.

He feels the weight of his arm so heavily, as if it weren’t his own, and he slowly lets go of your wrist.

When he looks up at you, there’s longing in your eyes. A hurt that he didn’t even know he was capable of causing, just for him to realize that you’ve always looked at him that way, and he’s never been keen enough to know it until now. He grew up too late. He took too long.

His phone starts buzzing in his pocket, and he reaches in for it, then flips it open and sees his soon-to-be-wife’s name on it. He feels nothing at the sight.

“Hello?” he speaks into the device when he holds it to his ear, and he sees you take a couple steps away, rubbing anxiously at your elbow as you pretend to busy yourself with the study of the lamp. “Yes, I’ll be there soon. I, uh, I’m just with a friend. A couple of friends, actually. We’re having drinks by the pond. Mhm. Yes. I will. Okay, see you soon. I—…I love you too. Bye.” And then he snaps the phone shut. 

“Heading back?” he hears you ask.

He stands. “I’ve got to.”

“Okay.” 

You two walk down the shrubbery of the garden that was arranged like a maze, him a few paces behind you, and he watches the delicate line of your posture as your hand brushes against the green walls of foliage that encase the two of you, the feeling of wanting to touch you and hold you almost suffocating. 

“Hey,” he calls out to you, and he shoves his hands in his suit pockets. You turn around immediately to face him, like his voice was permission to do so.

“Yes?” you ask.

He blinks up at the starry sky, and then looks at you again. The soft cast of distant warm lighting falls over your face, making you appear like a renaissance painting, similar to those that you would point out to him at museums when you two would see each other on holiday back in your early twenties. He could never understand the charm of those paintings, no matter how many times you tried to explain it to him, but seeing you in this light right now, he finally understands the beauty that you saw. 

“I’m, uh,” he rubs at the back of his neck, and then scoffs out a small laugh, “I’m a little drunk right now, but–” He stops himself. What was he trying to say? And was it of conscious mind? “I just need to tell you that…I really regret…not speaking to you. I mean, for letting the silence drag on for years. You’re my–...my best friend. We’re a pair, you know? The two of us. For years, people would ask me where you were. And why they haven’t seen us together at all recently. And it was hard to admit that we hadn’t spoken in years.”

You take the smallest of steps towards him, and look up at him with empty eyes. 

“What I’m trying to say is, is that, well,” he finds himself tripping over his words, “I miss you. And I miss our friendship. And–...I miss having you around.” He glances down at his shoes, polished and reflecting off the moonlight directly above him. He rocks back and forth on his heels ever so slightly. “I know you said that I piss you off to lengths unimaginable to my tiny pea-sized brain, but I can’t help myself, y/n,” he admits, “I think you and I, we’re just meant to always be. In some how, or some way…”

You purse your lips together, gaze shifting lower to eye at the silk of his tie. 

“Can we be friends again?” he asks, the words feeling juvenile on his tongue. Like whispered apologies between children on a playground after shoving one another onto wooden chips, except the wounds he’s left on you run much deeper than a superficial scrape. 

You blink slowly, tilting your head up at him. “Friends?”

“Friends.”

You wipe your palm off on the satin of your dress. “I missed you too, you know.”

His eyes widened slightly.

Your hand finds its way up your arm, until you weakly cup your elbow with your palm and look off to the side, avoiding eye contact with him. “There were so many years where I thought that there was something between us. And maybe I was foolish for thinking that way, that you would ever see me that way–”

“y/n,” he tries to interrupt you. 

“But…the pain of not having you the way I wanted to was much less worse than the pain of not having you at all,” you say, your gaze finally shifting towards him. “But, the thing is, I needed to feel that pain to get over you. I had to.”

His heart stills at those words.

You glance down at the ground now. “I missed being able to tell you things. To laugh, and cry, and argue. I miss humbling your stupid ego. I miss being able to call you at any time, knowing you’d pick up when I needed you.”

His heart aches so much he wants to reach into his chest and hold it.

“The thing is,” you continue, “you would’ve been the first person I would’ve run to to tell them that I lost my best friend.” There were tears shining in your eyes. “But what could I do when you were the one that I had lost? Who could I have turned to then?”

He lets out a shaky breath, and in a swift motion, his arm wraps around your waist and he pulls you to him in an embrace.

You’re stiff in his hold, mechanical and rigid, so contrary to the soft tears you leave behind on the fabric of his sleeve, but slowly and surely, you warm and thaw. Your hands slide up past his shoulders, linking behind his neck. And his head drops to the curve of your neck, swaying you with him slowly as if it were a first dance.

“I’m sorry,” he whispers, “for hurting you.”

You breathe out slowly. “Just let me go, Satoru. Let me be free. Let me be free of you.”

He feels the air knock out of his lungs, and the two of you slowly pull your heads away from the embrace to look at one another, although your hands still find a place on his shoulders, and he still holds you close to him by a delicate hold of your waist. 

He wonders if in another life, you two were happy. He wonders if he could ever take back all the decisions he made, and start all over again. On that day the two of you met on that staircase in the west wing of the literature building, he would make a different choice. If he could, he would live in this lifetime of hell over and over again if it meant that in some other one, there exists a world where he never hurts you. 

“It’s time for me to go,” you whisper, eyes darting across the features of his face, studying them but with a familiarity that only you know, because you held his entire life in your palm. Your gaze meets his again, faces just inches apart, and the sweet curl of your eyelashes makes him weak in the knees. “It’s time.”

He nods slowly, his own eyes studying your face as well, except it looks foreign to him now. 

It’s all been said and done. There was nothing he could do to right the wrongs, or undo all the pain. He was to be a father now, and his duties were now towards his wife and unborn child. And no longer to the woman he holds in his arms, one he’s sure he will never stop loving for as long as he lives. 

It’s a sweet moment, the two of you gazing at one another. You look so pretty from this angle, looking up at him with the smallest tilt to your head and round searching eyes. His head subconsciously dips down towards yours in the second that he glances at your lips, but he stops himself. And when you make no move to create distance, he finds himself closing it again, until his lips brush against yours ever so softly. And then he captures them in a kiss, firm and unmistaken, finding solace in the way your lips move against his too, unsure yet passionately at the same time. Your fingers ever so slightly dig into his shoulders while his thumbs soothe at the skin of your waist, the two of you savoring the last moments of a kiss that’ll be the sweetest one you’ll ever know.

You pull away first, a small puff of air leaving your lips as you glance downwards. He rests his forehead against yours, never once looking away from your face. And you both breathe slowly, the soul of the chaste kiss entirely vanishing into the air along with all the hope that the two of you had left to make anything of the way you feel about one another. It was a kiss that almost disqualified any level of sin or guilt or wrong, because it was like one you two owed each other, after years of familiarity and longing. It was the goodbye that the two of you deserved.

His hands slowly let go of your waist, and he takes a step back away from you, softly clearing his throat. The distance feels like a galaxy away, and he briefly runs his thumb along his bottom lip, because the ghostly feeling of your lips on his still remains. 

“Shall we head back?” you ask him, prim and proper in posture and eyes widened in a formal gaze.

His lips are parted, and he finds that he’s panting slightly. And then he slowly nods his head. “Yes.”

.

.

.

[the end] 

a/n. i am sooooo freaking obsessed w "one day" by david nicholls and really wanted to write something inspired by it!! the book literally ripped my heart out and stomped on it like there were so many scenes where i just longingly stared out the window because of how shattering it was but dear god i really enjoyed it, and the show was also so dfkjhsfkhs i had sm feels watching it. so yea this was fun to write!! i hope you enjoyedd n thanks so much for reading :)

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