#id like to hear some thoughts

[meaningless-mayhem]

Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"

But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.

One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo

[carnivalcarriondiscarded]

Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

[screebyy]

A little crowlyon dawning comic wheee i finished it please clap

Next

I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂

ID/transcript below cut

Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”

Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”

Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.

Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.  Crow: “Thanks for meeting me” Glint: “ok good luck bye”

Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”

Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.  Jolyon: “What do you want?”

Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”

Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”

Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.  Crow: “For-... For Uldren, for everything-”

Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”

Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”

Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”

Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”

Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”

Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”

Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”

Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”

Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”

Jolyon: “...”

Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”

Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”

Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”

Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”

Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”

The background shifts to a black backdrop, with white snowflakes falling quickly.

Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”

Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”

Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village.  The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”

Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”

Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.

Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.

Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.

Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.

Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”

Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”

Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”

Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”

Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”

Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”

Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”

Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”

Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”

Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”

Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”

Panel 42: Close up of Jolyon taking a bite of the cookie.

Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”

Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”

Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”

Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”

Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”

Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.

Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”

[knightforflowers]

if you can’t tell what this is about, i’ve had enough and i want out

[sophiethewitch1]

gang i really just want to get to the part where the boys are hopelessly in love with reader to the point its genuinely pathetic

[good-beanswrites]

Reworking my neurodivergent Fuuta post because I had more to add and wanted it in one place 👍It started out just silly thoughts and projection but I have a lot of evidence now??? It feels pretty solid!

🔴 He holds to an overwhelming sense of right, wrong, rules, justice, etc. It’s a system that makes sense to him (you learn to apologize before anything else, right?) and he’s obsessed with it. He's an extreme rule follower. He's obviously careful so he's not called out online, but even inside Milgram. He follows Es' orders naturally. Even though they’re silly, in the minigrams he’s repeatedly reminding people of the rules about requesting items. Even though he'd been shown to voice thoughts about escaping, he refuses, and is too much of a stickler that he won’t even let other people request things considered dangerous.

🔴 He takes things very literally, most notably some of the interrogation questions. In both his vds he’s pretty particular about describing his involvement, taking a long time to admit he could be a killer because his situation falls pretty far out of its normal definition.

🔴 He’s shown to be intensely lonely: sitting alone, walking alone, watching others from the outskirts, but thriving online where the social rules are different. He has trouble identifying/defining friendships, choosing to focus on the sharing of interests and excitement.

🔴 However, he does find a group that accepts him and listens to him -- and that feeling of belonging becomes intoxicating. The typical “gets a taste of doing something correctly but then gets carried away and crosses a line in excitement”

🔴 He doesn’t think hard work can get him anywhere in society, he doesn’t have any goals, he struggles at school, he wants to just go with the flow -- aka, burnout from trying so hard in a society that isn’t made to accommodate you. Instead of focusing on that, he loses himself in fictional worlds of heroes and villains. He sees connections in everyday life, occasionally getting so lost in them that thoughts of them bleed into reality.

🔴 He's bad at lying. Or, he has to deal with people pointing out nonsensical body language cues to make assumptions about his emotions (which is just as much a neurodivergent experience, unfortunately).

🔴 I know all the prisoners have some kind of act they put up to cover up their true emotions, but it’s still so obvious how he lashes out in anger instead of properly processing/expressing his legitimate fear of the entire situation.

🔴 Extreme restlessness when waiting in an empty room all alone

🔴 This may be more personal interpretation than evidence (because I don’t know how it holds up in the original Japanese), but his line in Muu’s bday timeline just struck me as someone who isn't usually accepted or accommodated for when they're feeling down.

🔴 Also. Transed Gender. 🏳️‍⚧️

[ryssbelle]

My cousins made their own troll Ocs and I drew them in my style.

They were very excited about it

[azumasoroshi]

WHAT

HI @subarashiihibi GUESS WHAT I JUST LISTENED TO :DDDDDDDDDDDDDDDD

DAWG?????????

BRO????????????????

!?!@?!!?@!??!@?rhfwkgdshsJdgkgfdss<GSNM

dude i dont even have to analyze those lyrics like with subarashii hibi (although i do see a common motif of sleeping between the two of them hmmm). this is literally everything all out in the open what the FUCK

fucking crying i cant do this today shizaya you won i give up. i have a project due in like 5 hours and i was like just going to add katte ni shiyagare to my playlist of shizaya-related videos that i was going to make posts on sometime in the future. but i decided to scroll down to see the lyrics real quick and WHAT????????? so now my project is definitely doomed

here's the link btw

and yes the translation at the top is being accurate bskjghsd i just double checked and that is definitely the ai kanji in the last sentence

[dullahandyke]

You guys keep falling for people going 'lol you're identifying the wrong way' wrt queer identities so I made you a flow chart

Is your anger against this label because it facilitates genuine harm towards others (eg. MAPs)? Godspeed and good luck to you.

Is your anger against this label because it is Using The Label Wrong and doesn't gel with your personal definition for this label (eg. MOGAI, bi lesbians, lesboys)? I'm sorry, but there's always gonna be people who identify in ways that you disagree with, and with something as intangible as queer identity, their stance has as much merit as your own. If you get ticked seeing someone IDing as both homosexual and bisexual, ask yourself if they're genuinely hurting anyone, and if not, let them be. You will never know the intricacies of someone else's identity, and if that's how they choose to define themselves, well, tough shit.

[marsixm]

im trying to wrap my head around why i dont get enthusiastic about reddit style fiction (not a dig but a descriptor) like scp and shit like that, bc its not that i can’t enjoy them but i think its like… when stuff is framed as if it were real, but its fiction, its like, well KNOWING its fiction eliminates a huge element of the intrigue, but also, crucially, i like character-driven stories, or at least stories WITH characters. but i also like it when things are interesting for said characters to experience, like, i want the ghosts and monsters and conspiracies but i want the characters to be character-ing, yknow? not that i dont enjoy slice of life and… what would u call the first thing, non-character specific horror? idk? but i prefer when its both. its like i love kirk and spock but also i do enjoy watching them Experience Situations when i watch star trek. i enjoy the idea of spooky national forest monsters that arent real but experiencing it alongside a character would be better, and i want more trans and gay characters whose lives are clearly trans and gay but i want a plotline to unfold too

[chanyoungies]

김준서 (KIM JUN SEO) 1st Mini Album [ECHOES of love] 2022.11.20 6PM (KST)

[toastsnaffler]

sometimes I wish I was a more interesting + charismatic person just so I could keep conversations going bc I like sharing space with other ppl but they routinely lose all interest and leave once I run out of things to say/start talking abt things that don't concern them :-(

[bugdogg]

uhhh something something learn to love yourself dummy

(this is mostly a doodle, i wanted to draw Zuki w their past self for a while now so yayyyy)

[broke-on-books]

So I just watched Oppenheimer (with my best friend, she's really into physics and wanted to see it with me) and these are my thoughts [with spoilers]

This was a movie that was simultaneously horror-inducing and not horrifying enough in my mind. I cried at about three points during the movie (with the majority of that being for around 10 to 15 minutes straight during the Trinity sequence) for a couple of reasons.

I'm not going to make this a long post so I'll break it down into two short paragraphs of what I liked and disliked about the movie

Like: I actually enjoyed this movie much more than I thought I would? I didn't have super duper high hopes going into it because Oppenheimer isn't really the kind of movie I'd typically watch or enjoy from what I'd seen of the promo beforehand (I was honestly worried I'd bored) but I'd say that mainly wasn't the case. I'd say that the Trinity test sequence was utterly chilling and really technically done so well, I loved that they showed the light so intensely and had it go almost silent for a good few minutes (honestly between 3-5) before shocking the audience with the noise of the blast. I also think the monstrosity of everyone involved was done in a very realistic and human (and therefore terrifying) way. Like the scenes where the people on base at Los Alamos were cheering and celebrating and lifting Oppenheimer up before the American flag after the test were just so deeply chilling and just disturbing to me. I think I whispered 'you motherfucker' under my breath at least 30 times to 10 different characters while watching this movie

Dislike: My main dislike here is really that I couldn't tell how much of the racism present in this movie was actually intentional on the part of Nolan and the writing team. Like I think with many things the answer is likely somewhere in between the two extremes, but this movie is one that for me is really difficult to pin down where I think it stands on that issue. I really wish I was still in my film study class because I'd honestly like to know what my peers and teacher would think about it. Because I feel like the shying away from actually showing the affects of the bomb (not a SINGLE Japanese person is ever heard or seen in this movie) and tests (Native Americans are mentioned twice but their reactions to the Manhattan Project or the repercussions of the tests on the natives and other nearby communities are never/barely addressed) is an effective and powerful way to show the reality of the racism of Oppenheimer and his contemporaries but the way it is presented in the movie makes it almost impossible to distinguish where the line lays behind Oppenheimer's bigotry in text and where the biases of Nolan and Hollywood come into play. And even IF Nolan's exclusion of Japanese, Native, Hispanic, and other perspectives was entirely intentional (to showcase Oppenheimer's biases and story in his own eyes) it STILL raises the question of what stories Hollywood finds worth telling. Like the story of this kind of human monstrosity in the face of curiosity is one that I believe has worth to tell, but is it worth telling at the exclusion of other perspectives of this event and the sheer human suffering it caused? And what does it say about our culture that this is the perspective of the event Hollywood decided to put millions of dollars and thousands of hours behind? These are just some of the questions this movie makes me want to ask.

The previous paragraph was supposed to be about all my dislikes of the movie and instead just covered the majority of what I have to say over the main one, which for me was my central conflict as I watched this movie. However some other more minor gripes are as follows:

1) I didn't like they had like 30 to 45 minutes worth of the senate confirmation/security clearance trial stuff after the Trinity test sequence. I found this part of the movie unpleasant to sit through as I couldn't really find it in myself to care or have any sort of empathy or compassion for Oppenheimer after watching him build test and hand over bombs that killed hundreds of thousands of people. Like I was not remotely interested in his problems after that to be real with you all.

2) didn't appreciate the Florence Pugh sex scenes to be honest. Like I guess I get that they were a part of the story and Oppenheimer's relationship with her character and their affair is important to his story but to be honest. I was 100% perfectly content NOT having to see her boobs and 3 times was definitely a little much for me

3) why were the parts with Robert Downey Jr in black and white they literally happened after the colored parts. Also I just really didn't like these parts of the movie to be honest. They weren't the parts I was there for and to be honest I didn't care too much about what happened to him

4) this isn't fully a dislike but I have complicated thoughts on the prometheus analogy in that I both like it and think it doesn't work for oppenheimer especially in the way they tried to apply it. Idk I won't get into it because I'd like this post to end sooner rather than later and my thoughts aren't the most organized on this matter

5) I was pissed when they did the cut to the scientists and the scientific community as those who would never forgive oppenheimer with the scene with Einstein by the lake. Like THAT'S what he told him? Screw the scientists what about the world!!!!!!! What about humankind!!!!! This was the last scene of the movie and they made up for it the teensiest bit with the "I think I already have [started a chain reaction that will end the world]" but if ANY TIME is when to talk about the world and the future and repercussions on humanity and oppenheimer's legacy to HUMANITY. it was that scene. Literally smh here

Anyways those were some of my thoughts, I'd thought I'd put them out there because I have a lot of lingering things I'd like to discuss and say after seeing this movie, many of which I didn't see talked about on this site after a quick cursory search. Feel free to reply/comment/add your own opinions etc.

[nobody-expects-the-inquisitorius]

.

[broodygaming]

I really wish there was a better way to take screengrabs, idk maybe there is haha. But Flu's outfit SUPER vibed with the doors to the cemetery. Like, hot damn.