#ideas anyone can take btw

[impyssadobsessions]

HUNTER Au. But with valerie as phantom n danny as a hunter!!!

Ok what if vlad's plan at the reunion still failed because of jack. Danny not being phantom is none thw wiser to vlad being a ghost.

Events continue but definitely not the same. The portal was not completed by the time reunion happen. So vlad co buys out Valerie's dad's workplace. With fentons working there.

Valerie ends up becoming a half ghost do to a mishap. A sabotage that was actually planned by vlad but he didnt plan for one of his employees daughters to visit. (Explaining this poorly i is)

Valerie being half ghost is pissed at the fentons for what they done. And makes it known while trying to get a grip of her powers n ghost problem around town.

Fentons end up dying and vlad has perfect outlet to blame murders on. The new little heroine.

Only one who didnt die was danny.. and under his godfather he has a way to fight ghosts...

Vlad's completely amused and pushes the boy to get rid of that girl who destroyed his gamily.. unbeknownst the ghost who did was right there.

School life valerie feels bad for danny n apologizes to him. Danny n Valerie get along like they did in show.

But its flipped. With danny hating her alter ego, n valerie unable to blame him for it. But soon learns vlad is the mastermind.. which fuels her rage more because danny is being played like a pawn.

Idk if i explain it well but idea free for anyone uwu. Basically valerie is the ghost hero n Danny's the hunter.

Ooo imagine her colors still being mainly red.. maybe red hair instead of inverted to white.

Danny being green hunter. Well probably a cooler name but color scheme green still.

Also can see danny being terrified of ghosts but after his family is taken, he thinks his parents are right n has to stop the ghosts.

Vlad not having bonded with danny over being half ghost n this girl is more of a nuance than worth keeping, he's just amused. Though still cares for the boy but more as a momento or trophy of maddie. Maybe still trying to clone her n the basement hidden part of the lab.

Oooooo danny unknowingly building majority of or fixing majority of Vlad's machines. His blueprints being used for more dastardly things.

So when the reveal happens its very climatic!

Valerie is captured and about to be taken out. Vlad is revealed and danny just stands n horror realizing what he done... what vlad has done... who valerie is...

And like always, vlad under estimates the ppl around him. And danny is done being a pawn. Him n valerie team up. Only to talk as sun rises up.

Danny sitting on hoverboard as she floats next to him.

"So what are you going to do now? Sniper?"

"..I.. i don't know. Vlad's my guardian but... i don't know. They won't keep me from him. There is nothing i can do to prove he's.. and that he killed..."

"Don't worry hover boy, we'll find out a way. He won't get away with this."

"We? After I tried to-You should hate me!"

"Tch. You were just trying to avenge your family. I would have done the same for less."

"Still doesn't change the fact that-"

"Danny. Only person I hate right now is Vlad. He put us up to this! You. Me. Your parents. He's to blame.. besides. I know how sweet you are in person. You would never hate someone without good reason. " putting a hand on his shoulder.

Danny sat there quietly as he glanced over at Valerie. He smiled weakly, "You're glowing."

"Pfft. What else is new, Fenton?"

"Also just realize red is definitely your color. "

"Glad to hear because its not like i can change it. Unlike you. Green is not ur color."

"Hey! Why not?"

"You always look more blue to me."

"Great at pointing out my trauma n depression ms. Wraith."

"Not what i meant," she rolled her eyes with a grin and shoved him lightly with her shoulder. "No blue like water and the sky. "

"Sky is refraction of water vapor-"

"Danny!"

"Okay okay ill stop."

....

"We should get someone to house you."

"Like who?"

"Well there is a certain fanboy-"

"No! No way!!! You cant be-oh man you are..."

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[marcmorrigan]

finally delivering on the princess tutu headshots i promised... love these dysfunctional teens 🩰💖💕

LOTS of notes about headcanons/design choices under the cut! like. a lot. dont say i didnt warn you

starting with my specialest guy fakir:

i had a suuuper clear vision for fakir, and i couldnt be happier with how he turned out, he looks exactly how i imagine him! trying to translate his Bird-Shaped Hair into my style gave me SERIOUS homestuck flashbacks. my affinity for knights with Problems knows no bounds...

adding the hyperpigmentation around his eyes and his acne scars is what really solidified this for me-- i put those in and was like oh!!! there you are!!! my boy!!! and you can tell because i gave him acne scars + thick eyebrows that he IS my boy... there are very clear trends among my headcanons for my faves lol. big noses, thick eyebrows, skin imperfections, heavy eyebags, long dark hair... and fakir truly has it all 😤 he is so Ideal Character Design to me

i think fakir is actually pretty self-conscious about his appearance tho! we see characters like pike and lilie say hes handsome to ahiru, but i dont know how often he actually hears that? and im sure its hard not to compare himself to mytho, who is straight out of a fairy tale; being a regular teenager dealing with regular teen body stuff is hard enough without your roommate being a magically beautiful eternally youthful storybook hero. i think he probably internalises more that people see him as scary and angry, and that the girls who do have crushes on him always frame it in contrast to mytho, who is Good and Kind and Handsome, implying (or sometimes outright stating!) that fakir is Bad and Mean and... Well...

fakir is very sensitive but quiet about it, so i think its a very private point of self-consciousness. i think he puts a lot of semi-secret effort into his appearance; canonically he has a lot of very funny and clearly customised clothing, and he chooses to keep his hair long and in a very particular style (i have a whole breakdown in my mind of how he achieves that style and it involves a surprising amount of pins and an unsurprising fuckton of teasing. i think his hair is a little fried from heat damage!), and i think that probably extends to other things, too, like manicuring his eyebrows and doing a lot of very Teenage Skincare that doesnt actually help his acne much lol. i think he probably has a lot of self-injurious habits and BFRBs like skin picking and chewing, mostly at his acne and around his nails (both of which he hates, because he knows he shouldnt but does it anyway). i think if he does it enough that theres noticeable evidence it feels, like, world-ending for him, ESPECIALLY if anyone asks what happened lol. do not perceive him except in the very specific ways and contexts he approves of THANKS

on to the narratives favorite princess, mytho:

again, i had a pretty clear idea of the vibe i wanted mytho to have going into this-- i want him to have, like, extreme prince charming vibes, very Classically Handsome without necessarily being 'conventional.' i thought a lot about 'the happy prince' story while i was working on this, and really wanted him to look like a cross between how the prince statue looks in my head and a porcelain doll. and also a cross between jonny brown and brigitte bardot? lots of very direct influences for him lol. so! lots of gold tones, gemmy eye color, cute little tooth gap, quivering wide-eyed thousand-yard-stare doe eyes and big ol dolly anime lashes, which were the very last thing i added because i was NERVOUS about pulling those off lol. they turned out cute tho! ive only done a handful of pieces for this series and i can already tell princess tutu is gonna make me up my lash drawing game considerably, these kids all look like they blink and cause a hurricane from the gale force wind of their falsies

also wait i lied the very last thing i did was add his freckles/beauty marks because he needed that little extra oomph and those were It. i think he probably has some on his hands/wrists too 💕

i was a little unsure if my idea for his hair would translate with this flat-color approach but im pretty happy with it! its supposed to be afrotextured hair (somewhere between 3b and 4c i think? wide range of potential i knowww but im still kind of hammering out my headcanons okay, this is exploratory lol) thats been rolled and finger-styled into his little feather shapes. i think loose, chunky twists would be another fun way to interpret his hair and twists are one of my fave styles to draw do i might draw him like that at some point too...

i guess fakir is the one who styles his hair for him before mytho gets his heart back? i imagine fakir is pretty meticulous about maintaining mythos health and appearance, even at the worst stages of their relationship. i think itd be hard for fakir to frame the way he treats mytho as For Mythos Sake if he wasnt doing some level of actually beneficial care for him, so being really fastidious about things like mythos diet and sleep hygiene and hair care and such gives fakir an outlet for his 'you just have to do what i tell you' thing that helps him convince himself it really is helping, no really, hes doing this for mythos benefit and he just has to be strict with him because mytho doesnt UNDERSTAND he needs PROTECTING and fakir is the ONLY ONE who can do it so mytho HAS to let him because if he doesnt then why does fakir even EXIST, if he cant manage this then what is he good for, and--

yknow. the usual complexes. and their relationship is so complex!!! but also so simple, but like. in a good way. fakirs behavior is complicated but his motivation regarding mytho is SO straightforward which makes that downward spiral into harm really easy to map out... i wont go much into that in this post since this is about visual/appearance-related headcanons but just. augh. i love this show and i love these characters!!! and i hope its apparent in my work that i do love them so <3

im hoping to do a set of these for the girls next!!! i have some other stuff to finish first but hopefully... Soon... Some Birds...

[shoecrabs]

continuing with my Leo with prosthetics propaganda (by giving him an arm gun his little bro :))

zoomed in pics of my faves as well

[oneprotagonistshort]

also a Dirk Gently WIP whenever just for kicks. from the ongoing Forces Unseen sequel

-

“Holy shit,” Todd said, hearing Dirk come in through the door he’d left propped open. “Did you know we can see the Washington Monument from here?”

Dirk joined him at the window and wrapped an arm around his middle from behind. He was suddenly feeling a bit clingy, like he was going to need to front load all the cuddles he could get, which was abjectly ridiculous. Todd had never shied away from that, if anything it was Dirk who’d been jumpy lately about tender little moments like this. Still, Dirk couldn’t shake the feeling that he’d be wanting more of this later but might not be able to get it. He hooked his chin over Todd’s shoulder and squinted out the window, not sure what Todd was referring to. 

“The bloke on the penny’s house?” he asked, not seeing it. “I don’t think he lives in DC anymore, Todd.”

“What?” Todd asked, pulling back a little to look at him before pointing at a large lit-up obelisk surrounded by illuminated American flags. “No, that. I’ve only ever seen it in movies, National Treasure didn’t prepare me for the real thing.”

“Ohhh,” Dirk said, comprehension dawning as he held Todd close to his front. “You mean the giant pencil statue.”

“The giant—Dirk, that’s the Washington Monument. As in George Washington? It doesn’t even look like a pencil.”

“Doesn’t look much like George Washington either,” Dirk mused, and whatever retort Todd had been about to fire back was interrupted by the sharp trill of Dirk’s phone. 

[builtintripping]

What is all the Nicktoons gonna do now that Timmy forgot them all😩

OFC THEY'RE GONNA TIME/SPACE TRAVEL AND FIX THAT SHIT, RIGHT!?!?!?!?!?

... Right?

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[lionblaze03-2]

ok this is gonna sound wild. BUT. Me and my buddy @honeycomb-ferret are attempting to start up a clangen universe vaguely based on cults and evangelical religion, each clan being a different denomination of sorts. Very religious trauma/how growing up under different religions raises many types of different people type framework on a clangen blog. Rn I have it set as four clans but as little as three and as many as can border one another is fine, I love working with others and sharing universes and creativity

I also want to make it clear I’m not asking for free art. It would be your clangen blog and your cats and game and final decision on everything, I’m just looking to work with others on a creative project because I love bouncing ideas off others and sharing worlds with people. And if any of that sounds interesting to you hmu!!! Tags message whatever, just lmk if you’re interested!

[tenderjock]

unpopular opinion but pass/fail classes are stupid everyone should receive a letter grade for everything. second unpopular opinion failure isnt scary and shouldnt be the end of a person's educational experience, everyone should fucking fail a class before they leave hs and definitely before they leave college. its good for the soul

[homosexual-fanfiction]

okay theoretically .. if you were to look at the word count for a chapter.. how many words do you think would make you say "this is too fucking long"

[unproduciblesmackdown]

like hearing an autistic person talking abt realizing like "oh so friendships for some ppl don't involve always having to maintain a performance" and going damn right yeah and now "oh so friendships for some ppl involve their getting to expect that the other ppl will be interested in them and provide support" like huh go figure. more surprising like oh right i guess i always felt like interactions require maintaining a performance that can only go wrong (generally true; like there's no "well you're ruining things by keeping ppl from being the Real You so just Be Yourself" like a] masking isn't Real or done by Yourself or b] like if you unmask people like you now & ableism is over, b/c it was your fault for reacting to it in the first place) & thus also that i should be interested & provide support but not expect that in turn / the sense as well that you are/can only come up short and have things to make up for anyways while lucky whoever's even providing the time of day

then it's always an Exercise to go "oh right well beyond going [my god autistic character] the whole time, what Things re: winston billions was i still not quite seeing as as unusual / Not Good as they are. even for billions" like sure noticing he's holding on to the hopes of some kind of positive / actual relationship w/rian for like year 950 & this manifesting with the Determined Friendliness but zooming in like oh i guess that adamant amicability sure involves winston suppressing a negative reaction to negative treatment and yet still hoping for an improvement, which like, was always Possible but a) hinged on rian simply choosing to change how she regards/treats him (or someone intervening to change the situation) & b) apparently is not going to happen. thinking like yeah that's very Friendly of him. and knowing like man winston's sure still trying to keep this friendliness offer open for like two years. but also now more specifically going like Yeah and pretty fucked then that his baseline expectations don't include that Mutual Interest & Support (though someone being abusive is definitely interested just not in any good ways. and certainly not (actually) supportive)

[kyouka-supremacy]

Uhm

[missshame]

I hate studying I just wanna create stuff and see the world I hate how little control I have over my life

[chocobox]

although i will say western hetalia fans having an obsession with performative consumption of the characters and holding everyone else to a standard of "you HAVE to depict them like this or that" can get really annoying sometimes like you can do what you want but that's just not really where my interests lie. they are sea monkeys to me and i do think the political aspect is important to understand intellectually due to the flaws in hetalia's own writing but it doesn't really... interest me... esp because i don't 'like' hetalia i like england. and i get that some people may consider that a bad look but i'm not really here for any reason other than the fact that he is so catastrophically my type. i don't care about anything else in the world the way i care about him it has nothing to do with the other characters. i also just think it's more fun to engage with them as people than countries. i genuinely appreciate what other people do when that's where their passions lie but i don't really feel like i'm going to have fun if i change what i make and talk about to feel like i'm doing it 'right' when i'm only here to get my dick wet in the first place. i'm not here to do serious global politics that's not really a prerequisite i was informed of when i was 11 and my friend made me watch hetalia for the first time and it changed my penis forever

[adhd-merlin]

free transcription software = an AI application I can fully support

[reginaofdoctorwho]

i don't even know if i WANT to finish nursing at this point, like i fucking hate college rn and it's only an associates program but like. please i am so tired professors let me fucking sleep