It’s the way Steve places a pin in that damn map of Hawkins. Two fingers, muddy knuckles. Fuck if Eddie knows the actual destination because all he can navigate is the curve of Steve’s index finger as he smooths out the edges of the map.
And it’s stupid, right? Because the world is folding in on itself and he’s looking at a guy in the kind of way Victorian novelists would only describe as ‘longingly.’ It’s objectively stupid. Probably some adrenaline bullshit that a doctor could explain with a brain scan.
The rest of the group has scattered, plotting amongst themselves. Pulling plans out of their asses. Finding layers of courage behind clues and cassette tapes.
Eddie should do that too. Plan. Make decisions. Do anything other than stare at the dirt underneath Steve’s goddamn fingernails.
“Please blink, Munson.” Steve says while clearing his throat. He’s been doing that a lot. Which is, like, understandable after coughing up lake water all night long.
He clears his throat again. “Show sign of life before I ransack the supply bag for that shit you call music.”
“That… shit?” Eddie spits out the words. Briefly forgets his swirly Steve feelings because of the fucking audacity on this guy. “Rightrightright, because Bob Seger is so fucking dignified, huh?”
“Uh-oh.” Dustin murmurs behind him.
“Because Old Time Rock and Roll is the highest ranking of ear candy?” Eddie searches through their duffel bag until he finds Steve’s Vecna Saftey Tape. Waves it around wildly as he speaks. “Forgive me. I didn’t know entry-level chord progressions were considered Carnegie Hall worthy these days. But by all means, call my music shit.”
He throws the tape at Steve’s lap before dropping back down to his seat on the couch.
“Well,” Steve smirks. “At least we know if the music won’t wake you up, mocking it sure as hell will.”
“Guys. Focus.” Nancy steps into the center of the room. Everyone nods, even Eddie. They listen intently to her directions. Henderson doesn’t interrupt her, not even once.
Nancy’s entire demeanor is charged with currents of determination. It’s honestly impressive. Truly. She could convince congress to change the fucking constitution if she wanted. Have the supreme court eating out of her palm with how persuasive she can be.
And the only thing that distracts her, is the same thing distracting Eddie.
Two fingers. Muddy knuckles.
Eddie follows her gaze back over to Steve. Her expression softening when she sees him.
It’s cruel and expected. Cruel that Eddie has to witness such softness, knowing exactly how it feels. Expected because wedding bells can practically be heard every time those two interact with each other. No one can deny that.
But knowing all this doesn’t stop the cruelty from squeezing Eddie’s stomach till his insides feel raw.
He swallows down his flimsy fantasies. Keeps repeating those words from back in the woods:
It’s jealousy, it’s jealousy, it’s jealousy, it’s-
“Hey, man.” Steve says.
Man? Not ‘Nancy, my betrothed?’ Not “Nancy, my muse?”
… Man?
Eddie blinks. Glances up to see Steve looking at him. “Your taste in music isn’t complete shit.”
Which isn’t exactly an apology. But the teasing scratches an itch in Eddie’s brain that he hasn’t be able to reach for a very long time.
“Yeah.” Eddie says. “I guess Bob Seger’s stuff is… intermediate. Assistant managerial-level chord progressions.”
He pauses. Then leans in and adds a quick, “At best.”
They both laugh a little. It’s cut short by Steve clearing his throat again. One of the many reminders that they’re not well.
That nothing they’re going through is fair. Not even in the same universe as Fair. Eddie’s eyes fall to the red markings around Steve’s neck. Wonders if that makes his cough hurt worse.
“Look.” Steve nudges Eddie’s arm. Pulls his attention back into this moment. “We’ve got this, okay?”
Eddie can’t exactly tell if there’s softness in Steve’s eyes - the same kind Nancy gives to him so freely. Or if it’s just regularly scheduled Concern. But it doesn’t even matter because Steve said that.
We.
‘We’ve got this.’
Him and Steve.
And, okay, was Steve referring to a collective ‘we?’ Sure, yeah. Obviously. But Eddie is allowing himself to wallow in delusion while the world’s expiration date remains questionable.
So he aims a lovesick smile at Steve and sighs. “Whatever you say, Harrington.”
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I’ve already seen someone say that the wildmother “emotionally manipulated and distracted orym into not asking any questions” and I’m like…. What? How? What’s with people in this fandom accusing every other character of manipulating other characters? Do you think it was manipulation?
I'm honestly not terribly surprised to see takes like that appear--and, to be entirely fair, I think it's possible there was some manipulation there inasmuch as there was during the Changebringer's commune with FCG. They need these mortals' help; it's not surprising to think they'd appeal to them in a specific way to acquire that help.
That said, some of the takes I've seen really truly rely on a bad faith analysis of Melora's intentions there. I think it's worth noting that she has been courting Orym/has taken an interest in Orym since at least episode 42! Her interest in him is neither recent nor surprising and she, without any strings, has provided boons to him throughout the campaign. I think Orym himself is wary of the possibility of being manipulated, hence some of his hesitation after coming out of the vision, and his statement that he's willing to stand with Wildmother as a "partner" more than a follower. This is a man who doesn't really trust the gods, but could nonetheless benefit from an alliance with one.
And, the thing is, you could point to almost any act of kindness and invent a way that it could be manipulation. That's what a lot of those takes sound like to me. Why did Melora only speak to Orym and not any of the other Hells who are more critical of the gods? Because she's been courting Orym for 62 episodes now. Why did she pull away when he questioned her about Aeor? She was opening up a new path for him to walk down in the vision. Why did she show him a cosmic horror that almost broke him? He asked to see it. Why did she comfort him after that? She didn't actually mean to hurt him and was apologizing. Why did she show him Will? Because Will's soul is actually in her domain and letting Orym see him again is, like, nice. Sure, you can assess a lot of those things as manipulative if you want to--but that's a choice you have to make about assessing something in good or bad faith, just like in anything else. And Orym appears to be taking it on good faith at present, which is probably the best foot to put forward, even if you are not entirely sure of someone's full intentions. "Assess in good faith until proven otherwise" is where I'm sitting on this, particularly given the history of past positive relationships Melora has fostered with other characters in the campaigns.
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