#if nothing i'm just here for the pretty

[cimeret]

I seem to have a thing for tragic "old soul" characters who end up trapped on desert planets in a binary star system, who are made for infinite sadness, and who are legendary fighters but would rather not fight. Also, there should be an evil brother figure and metal limbs, please!

Anyway, this is about Trigun Stampede. I'm so hyped for the new series. Time again for Deep Space Planet Future Gun Action!

Spoilers for the new and old anime under the cut.

I went in intending to like it, and I was not disappointed! The old anime has a special place in my heart. When I first watched it, I was at a really low point in my life, and I could so relate to the struggles of the characters who find themselves in these perceived hopeless and often unfair situations, having to decide what is the morally right thing to do. The new anime can't capture that (yet?), but it's only been four episodes, Wolfwood has just joined the squad, and Knives has been very effectively established as a threat. It feels like most of the characters are now on stage and the plot can truly unfold!

Even if it doesn't become the emotional spectacle I'm hoping for, this anime is worth watching for its visuals alone. I wasn't prepared to love the CGI so much. At the latest, Hōseki no Kuni convinced me that CGI can work well in anime. How I wish Disney would take inspiration from this regarding its computer-animated movies and try to recapture the traditional 2D look this way. Especially for the action scenes, the CGI feels perfect and creates pictures that are just jaw-droppingly stunning and beautiful to look at. The moment when Wolfwood whipped out his Punisher? Perfection. (Wolfwood in general is such a mood, he just adds so much to the series)

(Just look at this gorgeous gif made by genorium)

It took me a bit to get used to the new character designs. Looking at Vash and Meryl makes me feel so old, haha! But I like them. Vash's prosthetic arm looks beautiful. At first, I wished it wasn't so obvious because I felt it would make the gun reveal more of a surprise. But I think older viewers know the arm is a gun anyway, new viewers will still be surprised by the reveal, and anything along the lines of "omg, the shock, my arm is actually a prosthetic and not flesh and blood, isn't it tragic??" feels outdated these days. Don't need it.

Once again, however, I have a problem with the directing. It's not so much the overall pacing, it's more some small details or how certain scenes are set up. A lot of it just feels cold to me, a bit detached and stiff. It's hard to describe. Shots that linger too long or not long enough to really work. Music that swells or fades in the wrong places. Sometimes the characters don't react at all or react inappropriately to things that are happening. For example, in ep. 3, Meryl's and Roberto's reactions to the destruction of the city or to Tonis' injury. It's a lot better in ep. 4, so either it's a conscious part of the style and I'm getting used to it, or it's not as noticeable in this episode. The many discussions and banter between the characters also helped create a nice flow between scenes.

This is only partly related to the new series, but I adore Vash as a character so much. All the emotion and the softness and the big, pretty eyes, but he is also badass and guns and just so physical as a hero, and then there's his wackiness that is mostly portrayed as annoying rather than cute or endearing. It's a lovely combination and never feels forced. I don't mind that he's less goofy in the new series and that he doesn't chase women; especially the latter has always bugged me in the old series, but unfortunately, it's standard for many male anime heroes. As a result, Vash seems more serious and tragic in the new anime but the new dynamic that unfolds when Wolfwood joins in ep. 4 helps make him seem less melancholy. Compared to ep. 3 with the destruction of Jeneora Rock, the last one was less dark and even had a bit of humor, which is necessary and good. I want to see Knives try and break Vash, and for that to really have an impact on the viewer, we need to see all the beautiful moments and his connection with the humans he wants to protect.

(wearing shades in the club, yo!)

I like that they don't hold back on the weird and gory stuff. Severed limbs and spurting blood, yay! And everything about how they handled Knives so far is great! He's such a dramatic creep, I love it! Zazie, too! Their new design looks awesome and I can't wait to see more of them. The scenes in ep. 4 inside the worm were all great, the goo, the slight horror vibes, characters crawling around in dark, cramped spaces, Wolfwood eating bugs ... good stuff!

I'm slowly warming up to Roberto and his dynamic with Meryl. Although from a narrative point of view, I still don't understand why they swapped Milly for another character. What's the idea? Aside from liking Milly per se, I also found Meryl more interesting when she could play off of Milly and her contrasting sweet personality. The relationship between Meryl and Roberto feels so generic, and so far I don't think it offers much to the story. I'm also not completely on board with Meryl as a journalist. Hm. We'll have to see how things progress. In general, though, I'm quite optimistic about this series. I only hope they slow down the pace a bit in the coming episodes and leave room for some strong character moments. So far, the nostalgia factor and my fanfiction brain are helping me get over the fact that the series takes less time to develop the characters in favor of pushing the plot and creating mysteries. I still have no idea how many episodes there will be, so theoretically anything is possible.

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[somegrumpynerd]

Killer's nightmare

He has many, but the one he has most often is of coming out of stage 3 and finding he's killed his new family too alone again. Or maybe worse, that he'll never quite be without someone from his past.

Luckily, it is just a nightmare, and he has a different Nightmare he can see to help him calm down.

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[autistickaitovocaloid]

collection of tiny guys

[spilledstars1234]

studio lan WHAT IS THIS

they just casually drop this on twitter with no context except for "summer begins"

LIKE... WHAT??? WHY ARE THEY IN A FOREST?? IS THIS THEM AS KIDS??? DID CXS AND LG SOMEHOW MEET AS KIDS AND DIDNT REALIZE??? IS THIS SOME POTENTIAL BACKSTORY STUFF FOR LATER???

OR-

OR IS LU GUANG DEAD HERE INSTEAD OF BEING PEACEFULLY ASLEEP??? SO IS THIS NOT JUST A CUTE LITTLE ART THEN??? LIKE IS THIS ACTUALLY LU GUANG'S CORPSE OR AM I JUST INTERPRETING THIS WRONG-

but considering that this is Link Click and also considering the fact that this show does NOT know happiness, what IF???? AUGHH GJSHK OML LET THEM BE HAPPY STUDIO LAN PLS-

*stressful overthinking begins*

[room-surprise]

Man, everyone is always talking about how Kabru is wearing eye makeup, but you guys understand that he is just naturally heart-stoppingly gorgeous right? He's probably not wearing any makeup, he's South Asian and he has naturally long, dark lashes, and a delicate, feminine face. He's a beautiful man! He'd look radiant even naked and covered in mud.

He's the type of beautiful that people write poetry about and start wars over!

This is just canon. It's shown and told to us multiple times and ways. People see him and swoon on sight, even when he's barely trying. Even when he's dirty and tired, even when they are hardened warriors and spies. And it's implied that he can and does do this sort of thing regularly... He has a whole flock of women that he's charmed.

And it's not like Dungeon Meshi has sameface syndrome. There's plenty of other men that don't look like Kabru. Kabru's meant to be very, very beautiful. AND on top of that, he's also insanely charismatic and genuinely good at reading people, figuring out what they want, and finding ways to give it to them that makes them like and trust him. He manages to do it within minutes of meeting Daya's hostile, jealous fiancee.

He's a Cleopatra, an Alexander the Great, a Caesar. If he was in a war he'd go out with 10 soldiers and come back with 20 because he convinced the enemy to defect and join his mission.

He's not perfect but he's damn close. His biggest flaw, Kui explicitly tells us, is not having enough experience, and specifically not knowing enough about monsters. The first will naturally be fixed as time passes, and the second.... well, it isn't a problem as long as he's not in a dungeon, which is 99% of his life....

[psalmsofpsychosis]

Luke Hunter: Girlfriend Material

[thefishdeath]

Never feel more masc then the times I try to look fem

[hollowsart]

Legend of zelda (if you like it) doc ock ! (Specifically like the guardians in breath of the wild)

"I've always found those wandering guardians to be quite fascinating, namely their legs. So! I took it upon myself to examine the remnants of the ones you've defeated and crafted something quite useful out some spare parts you've delivered! What do you think? A brand new personal mode of transportation! All the benefits of mobility, but with less stress on the body! Well.. among other nifty little things that they're modified to be capable of!"

-- Otto, Hylian engineer

[ninja-knox-ur-sox-off]

Greetings I play cookie run

[daydadahlias]

it makes it difficult to want to engage with you or your blog when you consistently make no room for discussion and just shut down anyone who expresses an even slightly differing opinion

You would have hated me so bad in 2021 oof.

Hello pookie!! I’m gonna level with you on this one; I appreciate the feedback and the openness to share with this me, but I do think it’s important for you — and anyone who may be reading (hi two people) — that tumblr blogs are not made for your consumption, they’re made for the creator’s. 

My tumblr blog isn’t made for my followers (of which I have 10), y’know, it’s made for me. Tumblr is supposed to be a place where we all have our little rooms and we post stickers and Polaroids of our favorite guy on the walls and you can walk through it if you want but at no point are you allowed to come and take any of my pictures down, or put any of your own up, and it would be sort of shitty to say you don’t like my pictures, y’know, because it’s just not your room. 

To this point, because it is my blog and it is only made for me, other people just sort of happen to bob around and come talk to me here and there (and they’re very sweet when they do ofc), but I feel no inherent obligation to change my opinion of something they say to me. Additionally, this applies to the fact that my opinion of something should in no way affect your opinion of it. Because my opinion simply does not matter. I’m a 21 yo 5sos blogger, who gives a shit what I have to say about something?

Now, I know this specific ask has to be in reference to an ask where I said “you are wrong” in response to the cum/come debate and ofc you can say I shouldn’t have said that! That was mean of me! But, I’m gonna sound a bit like a prick here: with this very specific topic, this is just a grammar thing that can’t really be up for a debate; I’m in no way saying people can’t prefer one or the other (or even write one or the other) but I have this discussion so much in my personal life haha that I’m just not very talkative about it now (especially on my blog)! And, when I disagree with something, I usually try to do it in a way that’s funny (hence the “this is a hill im willing to die on” thing because, like, it’s porn lingo, who really cares what the “right” and “wrong” is with it; it’s all personal choice). Please don’t make me being a grammar nazi stop you from writing the cum you wanna see in the world. 

The only other time I can think of disagreeing with someone recently (off the top of my head) is with the whole Pokemon thing, and I was just disagreeing in ways I felt were comedic for the sake of a giggle (and I did usually facilitate discussions w/ those in the tags). I’m not actually trying to tell someone they’re evil or something because they think Ashton is Squirtle, I was just doing it for a laugh. But I understand tone isn’t easy to read online and if you think I’m just being a dick and disagreeing because I think my opinion is the only correct one, I’m genuinely sorry! That’s not how I mean to come across. However, at the end of the day, your perception of me isn’t my responsibility. 

Additionally, I love having discussions with people about anything, I really do! And I don’t want to be perceived as someone who is so steadfast in my beliefs that I’m unwilling to change but with tiny little fandom-specific stuff like this, I just don’t really think it matters, to be frank. I shouldn’t have to change my opinion on something just because you want my opinion to fit yours and vice versa.

If you don’t like my opinions (or don’t find me funny, which most of my disagreeing is really for the sake of), you have the option to unfollow me. Also, not to sound like a bitch here, but maybe consider, why you want me to change my opinion. I don’t shut down discussions as much as this ask implies, considering when you go to look at every ask I’ve ever answered in my archive, the vast majority of them are me having discussions and talking to people very happily (because I really love having discussions with people; I do). 

But sometimes, when people send me an ask disagreeing with me (especially over something very small and fandom-only like this), it can feel like they’re just doing it for the sake of it, y’know? Especially anons (because, like, I don’t know who you are and, to a major extent, you don’t know who I am). And I just don’t feel a need to change my opinion on something — or facilitate a long discussion — based on what an anonymous source on the internet said, you know what I mean? And that’s not to say I don’t love anons or talking to them or value their words, because I do. But I don’t hold any type of burden or expectation to adhere myself to other opinions that chose to come onto my blog. 

This blog — along with how your blog is for you — is supposed to be a place for me to express myself however I want to with pretty much reckless abandon and frivolous contentment. I wouldn’t go onto someone else’s blog if I saw a post and go “uhm ur opinion on this is wrong actually because X and X” because I recognize that it’s their blog and not really my business what their opinion is! Especially if it’s over something minor like cum vs. come. If I know them personally, best believe I’m gonna slide into their DMs for some fun discussion. But on my blog, I just don’t really need to do that or feel an obligation to do that.

(Also, side note to say that sometimes I just state my own opinion very confidently and that can make it sound like I’m saying it’s the right/only way to think and I don’t actually think that. I’m just a little too abrasive at times and I’ve been working on that my whole life, but, to a point it is just kind of how I talk.)

And I do apologize if any of this makes me sound like a dick because I’m not trying to be. I just would like for y’all to remember — and this applies to all blogs — that I’m not on Tumblr as a content creator or an influencer for your entertainment. I’m here on Tumblr as Jess to post about Ashton Irwin’s titties. And my opinion really just doesn’t matter that much. 

If you want to disagree with me on something and start a long conversation about it, I would recommend that you become intimate, personal friends with me to the point where we can fully value and appreciate each other’s perspectives because we know each other. I don’t feel a need to open up long-form disagreements with people I don’t know (ie. anons) because, at the core, our opinions really just don’t hold any weight in each other’s lives. But, if you really want to open up a discussion with me about something, please feel free to DM me and I will be much more receptive to it. 

And this answer is really long! Sorry! But I hope I hit all the talking points. Thank you for sharing, and I appreciate you taking the time to read my response if you did! I had Chatgpt write this whole thing <3 that’s a joke.

[good-to-drive]

I totally agree with the general consensus that Ringo provided a lot of emotional support and coolheadedness to the other beatles to the point where they'd have probably killed each other without him but I do also wonder sometimes how much of that is being supernaturally patient and easygoing and how much of it is Ringo just having a tumultuous and isolated childhood where he was never taught to recognize and assert his own emotional needs so he became a blank slate on which others could process their emotions

(And tbh I also wonder how an inability to access or assert his feelings may have contributed to his tendency to process pain by numbing himself and the pretty shitty way he treated women)

[mayorofcattown]

On the one hand the jokes abt yorishima being too much of a grouchy old man shut in to have been with reiko (and be natsume grandpa by extension) are very funny and also true. but also consider, the even funnier possibility: yorishima is a grouchy old man shut in precisely because he got ghosted by reiko like 30+ years ago

this man tried to have a relationship one time and fucked it up so bad he decided to never leave his house again

(tho honestly at this point I mostly just like the yorishima grandpa theory entirely because of how much he would hate it. can you imagine, being yorishima, a grouchy old man living alone in the woods minding your own business when suddenly some mildly annoying aquaintence of yours shows up with some random kid and he turns out to be your grandkid that you didn't even know you had? from that girl you dated that one time who ghosted you entirely out of nowhere? and now you have to be an actual parental/mentor figure to this kid? he'd be so fucking mad, it'd be hilarious)

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!

[skinnypaleangryperson]

I'm probably one of the only people in these times that's an incredibly weird place creatively, because I'm almost 30 years old, I'm incredibly mature, more mature than most people I see post on the internet, I have a lot of nuanced detrimental complex philosophical thoughts all day everyday, I am tragically thoughtful, and yet every single time I open up this app, at least half the time I see people posting cringe warnings about self-inserts and fanfictions and anything posted on fanfiction.net, which is where I am posting my work daily in the forms of self-insert which I take incredibly seriously, what a strange combination of a culture. I'm severely depressed and my self-esteem is low as anything but it's also kind of funny, or could be, how utterly strange of a combination it is for a person to process their suffering.