#if they do accept me I'll try to make it work

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[pleasantspark]

Dissecting the Inconsistencies in Poison (Commentary)

For some fucking reason despite this song intending to be Anti-Rape and Blake trying to be the next Michael Kovich with him trying so hard to sound like him, the song makes me think it's Pro-Rape.

I'm not above a love to cash in Another lover underneath those flashin' lights Another one of those ruthless nights Yeah, yeah, yeah

In this verse, Angel Dust is talking about his work as being a Porn Star, and how he spends time under the spotlight recording with strangers "Another lover" implies there's more than one each night.

I shoulda' guessed that this would happen I shoulda' known it when I looked in your red-hot eyes Spewin' all your red-hot lies Yeah, yeah, yeah

In this verse, he laments on how he should have guessed what had happened, and how he should have known it by telling from a red flag via Valentino. Red hot lies are also referring to manipulation.

What's the worst part of this hell? I can only blame myself

He blames himself for ending up in this Hell.

'Cause I know you're poison You're feedin' me poison Addicted to this feelin', I can't help but swallow Up your poison I made my choice, and Every night I'm livin' like there's no tomorrow

This verse conflicts me, on one hand, he's accepting of the poison and refusing the much needed help, and I am pretty sure Val isn't actively trying to isolate him from anyone else, which makes him less of a threat and all of his threats have to do with something related to making Angel Dust fuck other people. And most of the threats sound so goofy that it makes me wanna fucking cringe.

He's talking about how he has no choice but to accept the poison I get it, he's a victim but the thing is about Angel Dust as a whole is, that the song is not even representive of the fact this guy is a victim of SA, rather he's depicted as enjoying it and doing all this.

Oh-oh, oh-oh Any way you want me, baby That's the way you got me, I'll be yours My story's gonna end with me dead from your poison

Most of the time, I believe he finds himself in a place where he is trapped, although there's tons of people who he cares about. The best part of a character arc for him would technically be Angel Dust being led to believe most of the people in the Hotel were "using him" and that he is forced to stay with Val until he is showed that people care about him.

I got so good at bein' untrue I got so good at tellin' you what you wanna hear I disassociate, disappear Yeah, yeah, yeah So far beyond difficult to resist another gulp

In this verse, he is completely talking about losing himself, and falling into the gulp of Val's poison. Which we don't see any of.

Yeah, I know it's poison You're feedin' me poison I'm chokin' from the taste and I can't help but swallow Up your poison I made my choice, and Every night I'm wasted like there's no tomorrow Oh-oh, oh-oh Any way you want me, baby That's the way you got me, I'll be yours My story's gonna end with me dead from your poison Poison, I'm drownin' in poison I'm fillin' up my glass but it's always hollow Full of poison, I'm sick of the poison Wish I had something to live for tomorrow…

And it ends with him having a (semi) realistic panic attack to distract us from the fact that Angel Dust deadass sang a Love Song about his abuser.

This is a Pop Song.

I feel like making a song about anti-rape SHOULDN'T be something like Pop, it's too cheerful and makes it insensitive. I feel like something on the level of Nirvana can actually work out.

In Conclusion, while Poison is catchy, it's NOT a good song at all, and gives me mixed signals. Compared to Addict its a complete downgrade of it, beyond the vocals and lyrics. No 8 year old should be listening to this, and no one should "Cum" to the visuals VivziePop.

[egoistars]

HIIII I just saw your post about your event and thought I'll be silly and request smthing ^_^ ok sooo first time meeting ness ! 😯 (one shot or hc whichever you feel more comfy writing! <3) have a great dayyy (⁠＾⁠3⁠＾⁠) ♪

ACADEMICALLY SMART BUT EXTREMELY STUPID alexis ness

aka. how u meet ness aka academic rivals to lovers but ness dont gaf bc hes just trying to #play #ball

you meet him at quite a young age and share a few things in common

ill fitting school uniforms and the wandering eyes of any child

while you find yourself fascinated by the numbers written on your teacher's chalkboard, ness is folding dinosaurs and stars on pieces of scrap paper, mumbling to himself

you didn't mind him and he didn't mind you

you guys were classmates and that was that

but then middle school came around and you started acting like you had a stick up your ass 24/7 as long as ness was around

like wtf that mf almost never studies why is he at the top of your class...

suddenly you get distracted in classes because you're focused on drawing mini ness figures with fat x's covering his face and devil horns

ness sees this one day after your notebook fell to the ground and at first is like omg!!! cute drawing of me as a fantasy creature but then he was like wait what the fuck why do they have it out for me????

he barely thought about you until then but apparently you've developed a passionate hatred for him just because he scores higher grades

he still has no clue

you are FUMING

so you start studying even more if that's even possible

while you go to your schools library to bust your ass in the textbooks ness goes outside with a ball he managed to shove into his bag and starts kicking it around

ness: :D ball!!!! no school!!! ball :D

you: KILL YOURSELF KILL YOURSELF KILL YOURSELF KILL YOURSELF

after one particularly hard test that you flopped (it was like an 80% be serious) you caved in and asked ness with help studying

he looked at the material and was like man idk it just makes sense

little boy thought you were going to punt him into hell like he does with his football

him, terrified out of his mind and just wanting to go to his football club meeting, sits down and looks at the material

you show him your notes and he quickly explains it but is running late on time

he gives you his number and says hes going to text you help

you went home that day like ???? that dude lied to me he isnt sending me shit ??? before it clicked

he does not text you because he does not have your number... he gave you his number...

so you swallow your pride and shoot him a message, begging for help a second time in the same day and on his end, he laughs at you a little but offers to call

you guys work on the subject for a good couple hours and before you hang up, you offer to study together for future exams because he's admittedly a good teacher

ness is trying to find a way to say "no thanks i don't care about school good luck tho XD ROFL LOLLLLL" but then he realizes that it's going to make his parents trust him a little more

he accepts and you guys go to the library together once a week

he finds that you're actually kind of funny and cool and not just a human bomb that's plotting his death

he tries to be slick about offering to meet more often

"oh... this unit is a lot more difficult than the last one.... you wanna heh.... come back tomorrow? *gulp*"

"ok"

"WOOOO"

one day ness told you he was going to try out for bastard munchen and you somewhat knew of them because of ness going on tangents about football

you supported him on it, not realizing it would cut down your weekly meetings

suddenly there was an alexis-shaped-hole in your chest but you didn't want to admit it to him

and for alexis, there was a you-shaped-hole in his chest that he tried to fill by training with kaiser and the rest of bastard munchen

yes, the team was filled with dicks, but none of them had the same foul personality you had!!

texts dvery day checking up on each other but it was nothing like hanging out in person

calls were better but still not the same

as soon as he heard about his first off day, he called you and asked to hang out

you tried to be nonchalant about it but who were you kidding both of you guys wanted to see each other again

although the directions of life the two of you were headed towards were almost polar opposites, being reunited at a stupid library table for the first time in months was all that mattered

[cirilla-fiona-riannon]

Masamune vs. Ieyasu

Story: Masamune and Ieyasu appeared before Mai after she got injured. Having taken on the role of her bodyguards, they did everything they could to help her rest, but...

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies.

I was on my way back from a distant trip to deliver the requested kimono.

Guard: "The client seemed very pleased with your work, Lady Mai."

Mai: "Yes. Honestly, I'm relieved."

I pulled on the reins of my horse and chatted with the guard, who was accompanying me when suddenly,

Mai: "Ack!"

A wild rabbit darted out from the bushes right at my feet.

(If I don't move, the horse will step on it!)

I quickly tried to change direction but lost my balance and fell to the ground.

Guard: "Are you okay!?"

Mai: "Kind of."

I forced a smile as the guard rushed over to me, but the ankle I had twisted gradually started to throb.

(I messed up. I think I can still walk, though.)

As I rubbed the sore spot, a shadow suddenly fell over me.

(What?)

I looked up and saw two familiar faces peering down at me.

Masamune: "Mai?"

Ieyasu: "Hey, Mai. What are you doing here?"

Two familiar faces, whom I hadn't expected to meet here, were peering down at me.

Mai: "What about you two? Why are you here?"

I tried to stand up, but—

(Ouch!)

I accidentally put weight on my injured ankle, forcing me to crouch again.

Masamune: "What happened to your foot?"

Mai: "It's nothing much. I just twisted it a little."

Mai: "But why are you two here? Are you guys on a trip or something?"

Ieyasu: "Do you really think we're the kind of people who'd go sightseeing together? We're here for work."

Masamune: "Aw, don’t be so cold, Ieyasu."

Ieyasu: "........."

(He's definitely being cold. Typical Ieyasu.)

As I chuckled at their banter, Masamune suddenly clapped his hands.

Masamune: "Forget about us. Right now, we need to focus on you."

Masamune: "If you're injured, don't push yourself. Stay at a nearby inn for the night."

(What?)

Mai: "But it's not a serious injury."

Ieyasu: "Says the girl who made that pathetic face just trying to stand."

Mai: "That's because I accidentally put weight on my twisted ankle!"

Masamune: "And what if you accidentally make it worse on the way home?"

(I-I can't argue with that!)

While I struggled to find a reason to refuse, Ieyasu whispered something to the guard.

Nodding, the guard bowed to me and left, taking my horse with him.

Mai: "Huh?"

I watched helplessly as the two horses and the guard's figure grew smaller in the distance.

Masamune and Ieyasu stepped in front of me, blocking my view of the retreating figures.

Ieyasu: "We'll take over as your guards from here."

Masamune: "Pretty luxurious, huh? Just give in and stay for the night to rest."

(They're being unusually pushy.)

I couldn't help but feel like there might be some hidden reason behind their behavior.

(But it's not like I can manage on my own right now anyway.)

(For now, I'll just graciously accept their help.)

Mai: "Alright, I'll be in your care!"

As I gathered my things, Ieyasu kneeled to meet my gaze.

Ieyasu: "Alright, let's get moving. So, who do you want to go with?"

(What does he mean by "who"?)

Before I could fully process the situation, Ieyasu took my luggage from my hands without giving me a chance to argue.

Ieyasu: "You twisted your ankle, so you're not going to be able to ride a horse like that."

Masamune: "Exactly. Besides, we don't even have enough horses for all of us."

A teasing smile played at the corner of Masamune's lips.

Masamune: "So, which of us would you like to carry you on horseback? I'll let you choose."

Mai: "Wait, what?"

Ieyasu: "I think we already know how this will turn out. The one not chosen gets to carry the luggage."

(Even Ieyasu is getting into this!?)

Masamune: "Of course, the outcome's obvious."

Masamune: "You know how well I handle horses, don't you, Mai?"

Ieyasu: "The only thing you're used to handling is wild horses."

Ieyasu: "Not exactly the best choice for carrying an injured Mai, right?"

Even under Ieyasu's cold gaze, Masamune maintained his playful smile.

(This feels like it's going to cause trouble no matter who I choose.)

As I hesitated, unable to say anything, Masamune bent down slightly and looked directly into my face.

Masamune: "What's the matter, Mai?"

Mai: "What do you mean, what's the matter? Ah!"

His fingertips lightly brushed my cheek.

Masamune: "If you stay quiet, neither Ieyasu nor I will be satisfied, you know?"

Masamune: "So, who are you going to choose?"

(Ugh.)

The teasing touch of Masamune's fingers made me catch my breath.

Masamune: "Hm?"

He tilted his face slightly and started moving closer.

Mai: "Let's decide with rock-paper-scissors!"

Feeling cornered, I blurted out the idea, causing Masamune and Ieyasu to exchange puzzled glances.

Ieyasu & Masamune: "Rock-paper-scissors?"

(Oh, right. This game doesn't exist in this era yet.)

Mai: "It's a simple hand game to decide the winner."

Masamune: "Interesting."

Relieved that Masamune was no longer closing in on me, I continued explaining, happy to have piqued his interest.

Mai: "This is rock. It represents a stone."

After explaining the rules with hand gestures, they both nodded in understanding.

Masamune: "So, it's like mushi-ken."

Mai: "M-Mushi ken?"

Ieyasu: "It's a similar game, like the rock-paper-scissors you're talking about."

(Wow, I had no idea!)

Surprised, I kept quiet while Ieyasu glanced over at Masamune.

Ieyasu: "Rock-paper-scissors sounds fair enough, doesn't it?"

Masamune: "Yeah. Let's do it."

The sharp, intense looks they exchanged didn't exactly fit the lighthearted hand game.

Masamune & Ieyasu: "Rock-paper-scissors!"

The winner of their first-ever rock-paper-scissors match was—

Ieyasu: "We're almost there."

I was snapped back to reality by Ieyasu's voice close to my ear.

Having won the game, Ieyasu and I were now riding together on his horse, heading towards the inn for the night.

(Masamune said it was nearby, but we've traveled quite a distance.)

Feeling anxious, I glanced up at Ieyasu behind me, meeting his deep, jade-green eyes.

Ieyasu: "What?"

Mai: "Um…"

Ieyasu: "Are you tired?"

He gently brushed the hair from my face.

Ieyasu: "If you are, just say so. It'd be pointless if you got sick."

(Ieyasu.)

His casual concern made my heart flutter softly.

Mai: "Thank you, but I'm fine."

Ieyasu: "That's good to hear."

I noticed a hint of relief in his somewhat blunt words, warming my heart further.

Feeling the gentle warmth of Ieyasu's back made me a bit uneasy.

Before long, we arrived at the inn we were aiming for.

Ieyasu: "Take your time, Mai."

Mai: "Thanks."

As I prepared to dismount with Ieyasu's help, suddenly—

Masamune: "Hold on."

(Whoa!)

Masamune's arm reached out from the side, lifting me up in a bridal carry.

Startled, I clung to him, and he looked down at me with a satisfied smile.

Masamune: "This is better."

(Why does he look so happy?)

His sweet and teasing voice sent a shiver down my spine.

(Being this close feels embarrassing; I really wish he would put me down soon.)

Despite my thoughts, I stayed quiet in Masamune's embrace.

Mai: "M-Masamune?"

Masamune: "Hmm?"

He adjusted his hold on my back and behind my knees, casually starting to walk.

Ieyasu: "Hey, Masamune."

Masamune: "I let you take your turn earlier, so it's my turn now."

Masamune: "Besides, it's the duty of the uninjured to take care of the injured."

(I appreciate the sentiment, but this seems a bit much.)

I glanced at Masamune, and our eyes met.

His clear, blue eyes sparkled with joy.

Masamune: "Of course, it only works if this princess is willing to let me carry her."

Part 1 ╎ Part 2 ╎ Premium ╎ Epilogue

[hms-no-fun]

i have an intense love/hate with godfeels because it is beautifully written but it also makes me viscerally uncomfortable. something something disturbs the comfortable and comforts the disturbed probably. engaging with that discomfort teaches me more about myself and is definitely worth it for something like godfeels. any advice for constructively engaging with media that Pisses You Off, by no fault of the creator? what would you say to your haters in good-faith, if you could?

well, to be fair i have said plenty to my haters in good faith previously, but that was a very direct response. if you and i were having a polite conversation amongst the two of us, my first question would be "how far did you get?" godfeels has been going for six years now (!!!), and it's gone through many phases in that time. i'm at a point now in my life where if someone tells me gf2 didn't click with them, i'll probably nod and say "yeah it's rough around the edges, there's a lot of stuff i'd do differently today." the most vocal contingent of haters i've ever gotten were the handful of people who dipped at gf2.2 when june got superdrunk and accidentally murdered a bunch of people, assuming the story was going to be about how cool and based that decision was. anyone who's actually read gf2 to completion should find that misconception laughable. it also makes a difference if you finished gf2 and stopped there, or started 3.1 and fell off, or if you got through chapter 8 and fell off, or if you're currently reading Double Album. each of those is a slightly different conversation with its own pros and cons. whether or not i'd try to talk someone into continuing their read depends entirely on those questions (and also how self-confident i'm feeling in the moment).

i guess i would say to someone who is not enjoying godfeels that they should stop reading godfeels. it's an extremely heavy story that digs into a wide variety of traumatic subject matter. it is also deeply personal in a lot of ways, which is perhaps a weird fit for a Homestuck fanfiction. so i can understand someone from the wider fandom hearing about godfeels as "the June Egbert fic" being disappointed that it's not fluff. i've documented in the past how gf2 emerged out of my dissatisfaction with the image of "Hairclips June," whose transition exists off screen and whose acceptance by her friends is an obvious expectation. i kind of feel bad for how that shook out in the long term since, between the lengthy hiatus of hs2 and the broader strangulation of the post-canon movement during the pandemic, the canonical "Hairclips June" story (or at least "June Who Doesn't Suffer 100% Consequences" story) doesn't seem to exist. i don't mean literally canonical, i mean "seeped into the fandom's collective unconscious" canonical, like Detective Pony. there are plenty of fanworks that do a good or at least interesting job with June, but they're not *about* June in quite the same way godfeels is. it's entirely possible that such a thing DOES exist and IS popular (i freely admit to being out of touch with modern fanworks), but for better or worse godfeels still seems to be the thing that comes up most often-- and not always in a positive light.

for a while now i've been working on an "Author's Introduction" which on the surface is an attempt to contextualize the phases of godfeels for new readers, but in actuality is more of a history of/commentary on the post-2019 fandom and the so-called "Homestuck Renaissance." i see this as necessary because godfeels is an extension of that moment, in particular the loudly recuperative pro-Vriska boosters and their exquisitely galaxy-brained VrisRezi meta. then gf3.1 responded to the fandom backlash, chapter 8 responded to my experience watching every foundation of my post-transition life crumble during the pandemic, and then Double Album is an exploration of building yourself and community back up in the aftermath of tragedy.

it's not that this context is necessary to understand or appreciate godfeels, just that i think it helps put things in perspective. when i started gf1, i hadn't written fiction in nearly 7 years. today, the series is sitting just shy of the 500,000 word mark. at every step of the process, the quality and ambition of my writing has increased exponentially. there's a reason i've written Double Album as a jumping-on point for new readers-- besides being better in virtually every way that matters to me, it's also largely shorn free of the baggage that can make godfeels a hard sell for folks. whether or not it actually SUCCEEDS as a jumping on point is another conversation entirely.

so i guess all of that is to say, if we were having a private conversation just the two of us, i freely admit that godfeels is a wildly disjointed story on top of being extreme and often emotionally masochistic. i am proud of this work from start to finish, but it fundamentally is the process of its authorship in a way that a thoroughly drafted and edited novel simply isn't. i used to publish chapters the instant they felt done to me, with only minimal revisions. these days i let chapters bake a lot longer and put much more thought into how they fit into the larger whole. i kinda miss the old way but the new way results in much better work.

i'd be curious to hear what exactly it is that Pisses You Off about godfeels, and why you nevertheless feel it's a worthwhile reading experience. you ask me for advice on how to constructively engage with media that pisses you off, but i don't have any because in general i don't engage with media that pisses me off. i stopped reading fanworks after 2020 because everything that survived seemed to cater only to the sector of the fandom that harassed my friends out of their jobs and platforms. i found their interpretations/extensions of canon lacking, their tendency for straightforward fluff rather grating. i COULD have made that everyone else's problem, but what would be the point? i wasn't the target audience. i didn't enjoy the work, so i stopped reading it. i'd rather move on to media i enjoy than suffer through media i don't.

BUT. there's a fine line here, because it actually takes a lot to Piss Me Off. i don't really believe in rules or standards in art as Inviolable Laws Of Nature. my measure of whether something is good has a lot less to do with its inherent quality and a lot more to do with the balance between intention and execution. it rarely matters how amateur something is, if it meaningfully accomplishes the thing it set out to do then i'll probably like it (or at least respect it). i look for expressions of authenticity, moments where the artist and the medium are in perfect sync. there are plenty of critically praised pretty-looking movies and games with big production values that i don't particularly like. sometimes that's because they're a naked moneymaking enterprise disguised as art. sometimes it's a problem of too many cooks in the kitchen. and then sometimes an artist is just full of shit and doesn't really know what the hell they're talking about (i like to call these people "Californians"). mostly, i just embrace that art-making and art-viewing are inherently subjective experiences, and i find little value in numbered rating systems of any kind.

a lot of my favorite movies and albums underwhelmed me my first time through. they challenged me in a way that i at first interpreted as incompetence, but have come to see as brilliance. there's stuff i found alienating in high school and early 20s that i find deeply relatable in my 30s. as a film student i've had so many conversations with so many people who have wildly different takes on the same movie that i've completely given up on the idea that anyone is an objective arbiter of what's good and what isn't. the only real thing is if it works and if it works for you. i search for the best in everything, because at the end of the day i'm just here for the love of the game and i don't much enjoy hating things. for media to really Piss Me Off, to elicit a genuine I Hate You response, it has to be more than just, like, poorly edited or whatever. it has to embody a repulsive worldview, be a tool of jingoistic propaganda, or otherwise act as an extension of corporate greed and wealth extraction. these days i reserve my hatred for that which has connection to real Power and exerts a mass cultural Influence, or that otherwise blindly reproduces the same problems.

i think it's far easier to critically engage with work you don't like when you search for the things that work, rather than the things that don't. when it works, when it really clicks, you see what they were going for, and only with that perspective can you see why what doesn't work doesn't work. all i ever ask is for readers to take my stuff as it is, good and bad, and judge it on those terms. i find your use of "comforts the disturbed, disturbs the comfortable" funny and fitting. art that wants to be for everyone is art that cannot be for anyone. it is a perfectly round grey sphere that all who gaze upon it can agree "exists" and "succeeds at what it's trying to do." good art is imperfect, because it is the result of a perspective you may not share. i've never wanted to make art for the masses. i want to make the kinds of things that i wished existed when i was younger. there are a surprising number of people who feel that godfeels positively affected their lives, and i know that i have very little to do with that. godfeels is an object that exists in the world. i had ideas of what it was when i wrote it, but i can't control what anyone else sees no matter how much digital ink i spill trying to explain my original vision. if it truly comforts the disturbed and disturbs the comfortable, then on some level i must have succeeded in what i was trying to do even if the path to getting there was spotty and rough.

i did the best i could at every stage of writing godfeels. i would do things differently today, but i also wouldn't be here at all if i'd done it differently back then. i try to extend this grace to other artists as much as possible, that we're all just figuring it out as we go along. but i also know that everyone goes to art for different things, and finds value in different aspects of its expression. really, all i ever want is to have a conversation about the object without the looming specter of Respectability Politics and Moral Hazards. it's when people start acting like godfeels is Dangerous, and that i'm dangerous by extension, that i start having opinions about where critics are fucking up. tell me what it does or fails to do. point at the text and show me you've read and comprehended it by citing your sources and arguing through the text instead of around it. absolutely fuck off with the moral hand-wringing about Transgender Representation and Glorifying Violence and Perpetuating Toxic Stereotypes. it's a fucking Homestuck fanfiction, for god's sake.

but anyway you're not doing that, so, good job! i'm glad you find the experience of reading godfeels illuminating even if it pisses you off. i hope you found this lengthy answer enlightening, and maybe a bit annoying also. consistency is key, or so they say

[lizardsfromspace]

Okay, this is the conclusion to my posts about Sophia Stewart. I'll never do something like this again

Everything I've posted is from her own book or her web presence btw. That's all I'm drawing from and if anyone tells me any information about her they gained any other way I'll block them immediately so uh, don't

Towards the end she reveals some of her other pitches. By showing she copywrote sequels to the Matrix and Terminator

Lots of strange details here - she wrote The Matrix 4 in 2000? They didn't even start filming The Matrix 2 & 3 until 2001. Also, we can see in this book that her pitch has nothing to do with The Matrix or Terminator, but she claims she wrote direct sequels to both?

(Her explanation for how both very different films are ripping off her work - a 1:1 copy, she claims - is, hilariously, that The Terminator plagiarizes it front to back, while The Matrix plagiarizes it back to front. What?)

But also she didn't write it. She registered copyright on a synopsis for The Matrix 4. She has concepts of a plan for a Matrix 4.

The book ends with a pitch for another...she calls it a book, but it's a movie pitch? And this, too, is just a synopsis for some grand epic series, light on detail of character and plot and heavy with lore and rants (in this case, primarily about God and Adam & Eve). Of course her exhaustively long but barely sketched-out epic movie pitch has a prologue, which is also full of Christian-tinged Ancient Aliens pyramid power woo.

Sophia Stewart is unimportant, bc she represents a class of writer. Writers who have Ideas. Who have outlines and plot points but no real story, bc they never write it. But they think just having Really Good Ideas is enough - that you should get credit for coming up with a good idea for a story, regardless of if you make an actual story out of it. They're a "writer", but they never write. Despite this they often have a deep case of Dunning-Kruger, churning out outlines that leave out basic details like "what happens in the climactic battle" and the personalities of characters while insisting that an inability to author anything shouldn't keep you from being praised as a genius author

If that type of person is lucky enough to have money, they become a studio executive or tech guy, both professions awash in the uncreatively creative, or they hire ghostwriters. If they're not, they become the type of person to file spurious lawsuits under the misapprehension they own basic plot concepts. It's the "I coulda made the majors!" of writing, except, you know. Baseball players who didn't make the majors still actually played baseball at some point. I assume from now on all those types will just pump their outline into ChatGPT and try to sell the gunk it slops out and then claim they 'wrote' it so uh, uhhhhhhhhhhhh

The only reason I made these posts was discovering the conspiratorial angle to her work, bc who cares if a major studio has to deal with a spurious lawsuit? That was the part that actually sucks. But also, she does a lot of press: profiles on news websites, podcasts, that documentary was even made by other filmmakers, who actually make films. It's persisted from blogs and chain emails all the way to podcasts and TikToks. All of this uncritically spreads her story, but I also have to ask: how many actual African-American science fiction writers do those platforms profile? How many of them get documentaries made about their work? How much air is being sucked out of the room by the decades long misinformation about the "true" creator of The Matrix? And why is that misinformation so persistent when it takes a trivial amount of effort to find out it just isn't true? It feels good to support the underdog against the big studio, but in this case it just isn't true.

The sad truth is a lot more Hollywood plagiarism cases look like this than are real exposures of wrongdoing, but people tend to accept them at face value since they feel like a little guy taking on a corporation, though in reality it's just two writers suing each other. Take The Holdovers case, where people immediately turned on it, but if you look into it, the two scripts have very little in common, and the accusing writer makes odd claims like a human character in The Holdovers being a ripoff of a billboard in his script.

Or look at Groundhog Day, which was accused of plagiarism by Richard A. Lupoff, writer of the story "12:01 P.M.". The two stories have nothing in common besides a time loop; in Groundhog Day he's reliving a day, in 12:01 PM he's reliving an hour. Groundhog Day is a romcom, 12:01 P.M. plays it for horror. Groundhog Day never reveals the source of its lop but it's clearly fantastical in nature, 12:01 P.M. is explicitly science fiction. In Groundhog Day he escapes the loop, in 12:01 P.M. he never does. You can't deny Lupoff felt personally slighted, but at the end of the day, a world where a writer could own the concept of time loops would be a dystopia where creativity and art would die.

But even though they were wrong, The Holdovers & Groundhog Day cases were based on real works of writing that existed. They were based on a real, if misguided, sense of violation from the writers. But in this case, we have a mere outline of a story with not even basic similarities to the stories she's claiming are a 1:1 copy of her work, and decades of media appearances based on exploiting a community college media student's mistake in 2004. Anyway seems bad

[yaoiplug]

i applied for a job earlier today and on the website where all the jobs are they have like requirements just like if a degree is needed or if experience is needed but then the companies will also write everything in the listing. this company didn't have any mention of a degree in the listing but when i look at the website categorization or whatever it says they put that they want a UNIVERSITY graduate and like they literally dont mention what degree they need, like do they just want a graduate is that it? no matter what degree, bc on their own website where they also dont mention university or degree or anything so im rly confused

[tanicus-caesareth]

guarana drama, damage control

[iniziare]

Tag drop: Dorian Pavus

[piplupod]

yknow one thing i am worried abt with going to the centre regularly is that I'll start to gain some semblance of self worth and self respect and that will honest to god probably make it a lot harder to avoid abuse at home fjfkdl

[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[ichigosoju]

🍪🥛

[suncaptor]

there's something specifically inside my head that is closing up that makes trusting anything so hard. i have to manually keep my mind open to the potential of anything being significant. i am so used to things being bad and things hurting and things not working and being powerless that it takes an exorbitant amount of mental energy to make sure I don't let myself shut down possibility. and I do it because I never want a certainty inside of me besides love to rule anything. but I want my brain elastic again. i want it open like breathing. it doesn't erase the unfairness or the critique or any of the bitter-built philosophy.

[noxtivagus]

a few more hours

[smol-tired-binch-blog]

ohhhh this can NOT continue

[eyesoftxmorrow]

i wish i could love in a way that matters